:00:32. > :00:39.Good evening we are live and I am now delighted to be beginning our
:00:40. > :00:42.25th year of doing this show, 50 programmes, the moon is full and for
:00:43. > :00:46.the first time you can see the outside of the studio. That's
:00:47. > :00:53.enough. This is a hand-held camera. That is how I started in this game.
:00:54. > :00:57.Hand-held, wobbly. Will be aware of how I smoothly move around the room
:00:58. > :01:04.with one that has legs, like this. Wheels. Smooth, wobbly are, or you
:01:05. > :01:11.can even have this super one, look, you can see it. It's a crane. On the
:01:12. > :01:21.crane, I can go, this is after 50 years we've figured this out. I'm
:01:22. > :01:37.delighted to welcome, Kasabian. CHEERING AND APPLAUSE
:01:38. > :01:43.# But you got me walking circles like a dog on a lead
:01:44. > :01:47.# And the doctors say I'm crazy, that I'm eight miles thick
:01:48. > :01:51.# I'm like the taste of macaroni on a seafood stick
:01:52. > :01:55.# And you got me switched on, baby, like electric eel
:01:56. > :01:59.# And I'm tight with Axel Foley, that's just how I feel
:02:00. > :02:06.# Like a grapefruit and a magic trick, the prodigal son
:02:07. > :02:09.# I'm walking, I'm walking, I'm walking, I walk so quick
:02:10. > :02:37.# And there's nothing you can do about it
:02:38. > :02:53.# And there's nothing you can do about it
:02:54. > :03:02.# And reciting Charles Bukowski, I got nothing to lose
:03:03. > :03:07.# And I wait for you to follow me to share my chips
:03:08. > :03:12.# But you're walking, you're walking # You walk, you walk so quick
:03:13. > :03:19.# I stick around for the thousand yard stare
:03:20. > :03:28.# I'm never up, never down, down, down, down
:03:29. > :03:41.# And there's nothing you can do about it
:03:42. > :04:00.# And there's nothing you can do about it
:04:01. > :04:21.# Maybe this way we'll find a solution of problems
:04:22. > :04:28.# And there's nothing you can do about it
:04:29. > :04:46.# And there's nothing you can do about it
:04:47. > :05:06.Thank you, Kasabian. It's so wonderful to have hem here. We're
:05:07. > :05:13.live. We have a roomful of people. I won't both bore you with the
:05:14. > :05:25.technicalities about cameras. In this corner the wonderful Goldfrapp.
:05:26. > :05:31.Courtney Marie Andrews. Thundercat and it's Spoon. Now, a truly
:05:32. > :05:33.remarkable man who is so multi-talented I think I might just
:05:34. > :05:47.fall over. We welcome Anderson .Paak fall over. We welcome Anderson .Paak
:05:48. > :05:54.Free Nationals. APPLAUSE
:05:55. > :06:01.# Nothin' more that I hate in this life
:06:02. > :06:04.# The wrong impression, I only have one to make
:06:05. > :06:19.# They wanna know where I'll be in five
:06:20. > :06:48.# If she can't dance, then she can't ooh?
:06:49. > :06:56.# If she can't dance, then she can't ooh?
:06:57. > :07:01.# I never wanna waste your time, my life
:07:02. > :07:43.If you're loving your life, make some noise!
:07:44. > :07:53.CHEERING Happy 50th series Jools Holland. We
:07:54. > :08:45.love you so much, man. I did say he was a bit good. Thank
:08:46. > :08:50.you very much, Anderson .Paak Free Nationals. So now, the next
:08:51. > :08:55.artist has been on the show before. Every time she comes up with
:08:56. > :09:15.something new and brilliant. We welcome Goldfrapp.
:09:16. > :09:22.# Coven up, let's be it, do it, celebrate it
:09:23. > :09:47.# Make it burn, let's be it, do it, celebrate it
:09:48. > :10:34.# Make it burn, let's be it, do it, celebrate it
:10:35. > :11:52.# Mirror, mirror, build the fire high
:11:53. > :12:01.# Mirror, mirror, be the wild, the wild fire #.
:12:02. > :12:40.The amazing Goldfrapp. From her silver eye record. Now we welcome in
:12:41. > :12:46.this corner an amazing talent. Thundercat.
:12:47. > :13:13.# Nobody move, there's blood on the floor
:13:14. > :13:30.# So please give it back, 'cause it's not yours to take!
:13:31. > :13:35.# It must've fell when I lost my mind
:13:36. > :13:40.# Deep in the cut, drowning in a pain
:13:41. > :13:45.# Somebody help 'cause I can't find my way
:13:46. > :14:16.# Somebody tell me how I'm supposed to feel
:14:17. > :14:22.# When I'm sitting here knowing this ain't real
:14:23. > :14:28.# Why in the world would I give my heart to you?
:14:29. > :14:33.# Just to watch you throw it in the trash
:14:34. > :14:37.# I've been traveling so long, I don't think I can hold on
:14:38. > :14:43.# Where were you when I needed you the most?
:14:44. > :14:52.# Now I'm sitting here with a black hole in my chest
:14:53. > :15:41.# Nobody move, there's blood on the floor
:15:42. > :15:55.# Nobody move, there's blood on the floor
:15:56. > :15:58.# So please give it back, 'cause it's not yours to take!
:15:59. > :16:00.# It must've fell when I lost my mind
:16:01. > :16:04.# Deep in the cut, drowning in a pain
:16:05. > :16:12.# Somebody help 'cause I can't find my way
:16:13. > :16:34.Bless This Acid House Wonderful. Here he is on his own. Now, agoing
:16:35. > :16:39.to pass by, look, absolutely no expense spent. A huge celebration,
:16:40. > :16:46.50 years of Later and this is what you get. Marvellous to have you. Let
:16:47. > :16:49.me ask you, you played the song you're in love with a psycho, is it
:16:50. > :16:57.about anybody in particular? Might be. It is a beautiful love song. It
:16:58. > :17:02.is. You can't give us any more details. No, I would get a lot of
:17:03. > :17:10.friend in trouble You say no expense, we have a a present. Thanks
:17:11. > :17:15.very much. Thanks very much. Very nice. Whitstable bay. It is all Kent
:17:16. > :17:21.beer. Thank you. Thank you very much. There we are. I would like you
:17:22. > :17:26.to have one each. We are live. It has been fun. Thank you very much.
:17:27. > :17:28.Happy birthday! APPLAUSE
:17:29. > :17:32.. Many more. They better get over
:17:33. > :17:38.there because they have to be on in a moment. So, I think now, we
:17:39. > :17:45.welcome a person that sings beautifully. Writes beautiful songs.
:17:46. > :18:03.It is Courtney Marie Andrews from Arizona.
:18:04. > :18:12.# I just pulled into town an hour ago
:18:13. > :18:31.# I'm just waiting for the bar to open
:18:32. > :19:12.# Sleep in the van when the show's over
:19:13. > :19:17.# I've been driving until I get tired
:19:18. > :19:31.# There is no telling which way this road bends
:19:32. > :19:40.# Hope you've finally settled down in Washington
:19:41. > :21:42.Courtney Marie Andrews. Table For One from her album Honest Life. Now
:21:43. > :21:55.from Austin Texas it is Spoon. # Could be your accent
:21:56. > :22:00.mixing with mine # You got me uptight,
:22:01. > :22:04.twisting inside # Hot thoughts all in my mind and
:22:05. > :22:14.all of the time, babe # Hot thoughts all in my mind
:22:15. > :22:24.and all of the time, yeah # Hot thoughts all in,
:22:25. > :22:54.all in my mind all of the time # Light up this side
:22:55. > :23:01.street in Shibuya tonight # Hot thoughts all in my mind
:23:02. > :23:20.and all of the time # Hot thoughts all in my mind
:23:21. > :23:31.and all of the time, yeah # I tell it to you slow
:23:32. > :23:36.when I want you to know # Hot thoughts all in,
:23:37. > :24:02.all in my mind all of the time # Making you think how good
:24:03. > :24:28.it was to let baby kiss 'em # And those hot thoughts
:24:29. > :24:37.melting your cool # Could be that
:24:38. > :24:41.motion signaling cues # Hot thoughts all in your mind
:24:42. > :24:45.all of the time, yeah # All that do my rhyme
:24:46. > :24:59.maketh you mine, yeah # You know, I think all, I think all
:25:00. > :25:28.your love is enough. # CHEERING AND APPLAUSE
:25:29. > :25:33.Thank you. Enjoyed that so much, Spoon. Hot Thoughts. Thank you to
:25:34. > :25:40.our guest, thank you down here to Alison Goldfrapp. Yes, the wonderful
:25:41. > :25:44.Goldfrapp. And Anderson Paak and The Free Nationals. Great man on the
:25:45. > :25:50.piano. We love the dancers there too. Thank you Thundercat. Yes.
:25:51. > :25:55.Thank you Thundercat. Thank you Courtney Marie Andrews.
:25:56. > :25:59.There are will be more from my guests on Friday. How long have we
:26:00. > :26:03.got left? Ten seconds, that is enough to give you some of my
:26:04. > :26:08.thoughts on the last 25 year, 50 programme, let me just say, the most
:26:09. > :26:12.important thing about all that, must be, how long have we got. Thank you
:26:13. > :26:13.very much. Please welcome, now, back Kasabian.
:26:14. > :26:20.CHEERING AND APPLAUSE # One day it comes
:26:21. > :26:22.and then it gets you # Crashing waves, you're
:26:23. > :26:26.thinking it's all over # I swear they're
:26:27. > :26:29.never gonna break you # Still life, just
:26:30. > :26:35.waiting for the weekend # Don't take the world
:26:36. > :26:43.upon your shoulder # I take my life
:26:44. > :26:59.and jump right in it # I see my friend
:27:00. > :27:07.in our our numbers # Some day you'll
:27:08. > :27:30.find what you wanted # Felt like you're
:27:31. > :27:31.never gonna get it # Till then we can't
:27:32. > :27:37.miss the last train # You know
:27:38. > :27:42.we change for the better # I get high
:27:43. > :28:03.for just one minute # I take my life
:28:04. > :28:06.and jump right in it # I see my friends
:28:07. > :28:08.in all our numbers # Rip up my plans nothing
:28:09. > :28:26.matters # We got time on our
:28:27. > :29:01.# I see my friends in all our numbers
:29:02. > :29:05.# God bless this house and all its lovers
:29:06. > :29:12.# I take my life and dance right in it
:29:13. > :29:15.# I see my friends in all our numbers
:29:16. > :29:31.# I give all I got to you