:00:36. > :00:44.APPLAUSE One of the oldest songs in English,
:00:45. > :00:49.written by Geoffrey Chaucer... It is no spring and what could be better
:00:50. > :00:56.in the merry month of May, than having blindly! -- than having
:00:57. > :00:58.Blondie! # I've been running circles
:00:59. > :01:01.round a night that never ends # I've been chasing heartache,
:01:02. > :01:03.in a city and a friend # I've been with you so long,
:01:04. > :01:06.even seen you lose it # Racing down the Bowery,
:01:07. > :01:17.on a crowded afternoon # Dripping from the downpour
:01:18. > :01:23.of your insecure typhoon # Can you even want me, or this
:01:24. > :01:31.is just a way to keep you safe? # Take me, then lose me,
:01:32. > :01:39.then tell them I'm yours # Does it make you think everybody
:01:40. > :01:59.wants to be your friend? # I can give you a heartbeat,
:02:00. > :02:03.I can give you a friend # I can make you think everybody
:02:04. > :02:17.wants to be your friend # Drinking with your cell phone
:02:18. > :02:23.with a smile on your face # Happy in success,
:02:24. > :02:27.but still a thousand miles away # Is this what you wanted,
:02:28. > :02:34.is this everything you had in store? # Take me, then lose me,
:02:35. > :02:39.then tell them I'm yours # Does it make you think everybody
:02:40. > :03:01.wants to be your friend? # I can give you a heartbeat,
:03:02. > :03:07.I can give you a friend # I can make you think everybody
:03:08. > :03:20.wants to be your friend # Take me, then lose me,
:03:21. > :03:22.then tell them I'm yours # Take me, then lose me,
:03:23. > :04:11.then tell them I'm yours #. That was Blondie! From London, will
:04:12. > :04:15.also be welcoming London Grammar! Unbelievably, from both North and
:04:16. > :04:24.South of the River Thames we will be welcoming Binker Moses. From
:04:25. > :04:28.Senegal, Orchestra Baobab. From London, Mabel, but now from
:04:29. > :04:28.Baltimore it is the one and only Future Islands!
:04:29. > :04:54.APPLAUSE # A dress of leaves
:04:55. > :05:09.blows to the winds # Take these sacrificial
:05:10. > :05:11.remnants, untended # Bashed to dust
:05:12. > :05:12.and trust distressed # I don't believe anymore,
:05:13. > :05:29.don't believe anymore # I don't believe anymore,
:05:30. > :05:55.don't grieve anymore # Is this a desperate
:05:56. > :06:00.wish for dying? # The fear that keeps me
:06:01. > :06:04.going and going and going # Is the same fear that
:06:05. > :06:07.brings me to my knees # I don't believe anymore,
:06:08. > :06:08.don't believe anymore # I don't believe anymore,
:06:09. > :06:13.I won't grieve anymore # I don't believe anymore,
:06:14. > :06:33.I won't grieve anymore # Always in the clouds searching
:06:34. > :06:52.for some answer # Parted now, I am
:06:53. > :06:54.the shore, repeated # I don't believe anymore,
:06:55. > :07:11.don't believe anymore # I don't believe anymore,
:07:12. > :07:20.I won't grieve anymore # I don't believe anymore,
:07:21. > :07:27.don't believe anymore # I don't believe anymore,
:07:28. > :07:41.don't believe anymore # I won't grieve anymore,
:07:42. > :08:29.won't grieve anymore The exquisite sound of Future
:08:30. > :08:36.Islands! From their album, The Far Field. On Friday's sure I will be
:08:37. > :08:40.discussing with them in more detail their career and their past, but now
:08:41. > :08:44.we go to a brand-new artist. Well, it is actually their second album,
:08:45. > :08:45.and we welcome them back to the show. It is London Grammar!
:08:46. > :08:52.APPLAUSE # My only hope is to let life
:08:53. > :09:05.stretch out before me # I'm made of many things,
:09:06. > :09:22.but I'm not what you are made of # But I swear that
:09:23. > :09:43.these scars are fine # Only you could've hurt me
:09:44. > :09:46.in this perfect way tonight # I might be blind, but you've
:09:47. > :09:49.told me the difference # Between mistakes and what
:09:50. > :09:55.you just meant for me # Have you forgotten all the lies
:09:56. > :10:21.you left there so fresh # You can try to get
:10:22. > :10:38.close to those I love # Do you really think they don't
:10:39. > :10:41.know what you're made of # But I swear that
:10:42. > :10:55.these scars are fine # Only you could've hurt me
:10:56. > :10:57.in this perfect way tonight # I might be blind but you've
:10:58. > :11:00.told me the difference # Between mistakes and what
:11:01. > :11:10.you just meant for me # But I swear that
:11:11. > :11:52.these scars are fine # Only you could've hurt me
:11:53. > :11:58.in this perfect way tonight # I might be blind but you've
:11:59. > :12:04.told me the difference # Between mistakes and what
:12:05. > :12:44.you just meant for me Thank you so much, the wonderful
:12:45. > :12:48.London Grammar! Now, let's go. If we change the atmosphere once again...
:12:49. > :12:59.If you happened to be in West Africa and Rome looking for the most
:13:00. > :13:01.perfect music of all time, only one place to go, and that is Orchestra
:13:02. > :16:27.Baobab! Orchestra Baobab! From their album,
:16:28. > :16:32.Tribute to Ndiouga Dieng. We have legends and new artists and that is
:16:33. > :16:57.what we welcome next. Please give it up for Mabel! APPLAUSE
:16:58. > :17:04.# Don't feel like you need to try and love me
:17:05. > :17:09.# 'Cause I don't need a spiritual journey
:17:10. > :18:15.# Is it criminal for me to want you right here, right
:18:16. > :18:32.# No I don't mind if you take me home
:18:33. > :18:34.# Didn't come here to leave on my own
:18:35. > :20:12.Mabel with Finders Keepers. It's wonderful to have on the show some
:20:13. > :20:19.wonderful instrumental music. After all, music is poetry in itself. Two
:20:20. > :20:23.superb new players, we welcome Binker Moses! APPLAUSE
:20:24. > :23:53.Thank you, Binker Moses! APPLAUSE Thank you to all our guests. Thank
:23:54. > :23:59.you to London Grammar. Thank you to Future Islands. This is live
:24:00. > :24:05.television, things are being moved away! Perhaps I can even get on
:24:06. > :24:10.there! That's pretty dangerous, I'm probably not insured! Thank you to
:24:11. > :24:15.Mabel! Thank you to Orchestra Baobab! Thank you everybody. How
:24:16. > :24:19.long have we got left? 30 seconds? I'd just like to say thank you to
:24:20. > :24:24.all the people there and all the people at home. Calm down, stop
:24:25. > :24:30.moving... Thank you. Remind everybody that it's spring! CHEERING
:24:31. > :24:34.So, wherever you are you can be joyful! Now, we finish the show
:24:35. > :24:40.where we started it, with the legendary artists that are none
:24:41. > :25:08.other than the one and only, from New York, Blondie! CHEERING
:25:09. > :25:50.# You can call me any day or night, call me
:25:51. > :26:03.# Roll me in designer sheets, I'll never get enough
:26:04. > :26:34.# When you're ready we can share the wine
:26:35. > :26:39.# Oh, oh, oh, oh, oh, he speaks the languages of love
:26:40. > :26:54.# Oh, oh, oh, oh, oh, amore, chiamami, chiamami
:26:55. > :27:00.# Anytime, anyplace, anywhere, any way