:01:13. > :01:23.# I'll be damned if I don't get what I want
:01:24. > :01:28.# Take it now while I have the chance
:01:29. > :01:35.# Right now, I can only think for one
:01:36. > :01:37.# It's right on you, right on you, right on you
:01:38. > :01:40.# It's right on you, yeah, it's right on you
:01:41. > :01:56.# It's like everything I touch is gold
:01:57. > :02:07.# They say kids these days will live forever
:02:08. > :02:10.# It's right on you, right on you, right on you
:02:11. > :02:13.# It's right on you, yeah, it's right on you.
:02:14. > :02:36.# Death is hard to im-, is hard to im-
:02:37. > :02:44.# It's right on you, right on you, right on you
:02:45. > :02:48.# It's right on you, yeah, it's right on you
:02:49. > :03:12.The tremendous energy, and amazing band of Benjamin Booker. We have
:03:13. > :03:31.some super people from all over the world with us. We have Joan Shelley.
:03:32. > :03:36.From Vancouver, Japandroids. Sigrid. Stepping in at the very last minute
:03:37. > :03:42.to help us out, Ibibio Sound Machine. Originally from Manchester,
:03:43. > :03:48.it is legends in this corner in the form of 10CC.
:03:49. > :04:10.# Gimme in the kitchen, gimme in the hall
:04:11. > :04:47.# Make it a million for when I get old
:04:48. > :05:43.# When you get down, down to the root
:05:44. > :05:45.# Don't give a damn, don't give a hoot
:05:46. > :07:11.# Keep me in exile the rest of my days
:07:12. > :07:15.# Burn me in hell but as long as it pays
:07:16. > :07:51.Thank you, 10CC. Legends. We have people from every corner of the
:07:52. > :07:57.globe. Stepping in at the last minute, we are delighted to welcome
:07:58. > :08:10.Ibibio Sound Machine. # Etuk eyen asi ma ikea nkpo
:08:11. > :08:44.ato mbon si cama a yie # Nno mi ntak ntak ntukmiban
:08:45. > :10:42.Awo ikpi Naha ebo ko Ibibio Sound Machine. You will be
:10:43. > :10:52.wondering, how international is this show? Let's have the sound from
:10:53. > :10:57.someone from Norway. Giving us a lovely rendition of a song you will
:10:58. > :11:13.have heard all over the radio but an acoustic version, we welcome Sigrid.
:11:14. > :11:19.# You shut me down, you like the control
:11:20. > :11:31.# Try to hold it down, I know the answer
:11:32. > :11:43.# I can't shake it off and you feel threatened by me
:11:44. > :11:56.# You think you're so important to me, don't you?
:11:57. > :11:59.# But I wanted you to know that you don't belong here
:12:00. > :12:03.# You think you're so important to me, don't you?
:12:04. > :12:13.# You love to tear me down, you pick me apart
:12:14. > :12:18.# Then build me up like I depend on you
:12:19. > :12:25.# But I throw myself from heights that used to scare me
:12:26. > :12:33.# Guess you're surprised I'm the puzzle you can't figure out
:12:34. > :12:50.# You think you're so important to me, don't you?
:12:51. > :12:53.# But I wanted you to know that you don't belong here
:12:54. > :12:56.# You think you're so important to me, don't you?
:12:57. > :13:12.# Say I'm young, I don't care, I won't quit, no, no, no, ho
:13:13. > :13:16.# You're acting like you hurt me but I'm not even listening
:13:17. > :13:23.# You're acting like you hurt me but I'm not even listening
:13:24. > :13:56.# You think you're so important to me, don't you?
:13:57. > :13:59.# But I wanted you to know that you don't belong here
:14:00. > :14:02.# You think you're so important to me, don't you?
:14:03. > :14:24.Wonderful, Sigrid. Album coming this year which we look forward to. Thank
:14:25. > :14:32.you for joining us. I just want to say thank you so much, you played at
:14:33. > :14:37.the last minute. When did we ask you to come on the show? Yesterday. I
:14:38. > :14:45.got a text saying can you do it tomorrow and I'm like, OK, I'm
:14:46. > :14:53.available. Thank goodness they were available as well. And my mum! Yes,
:14:54. > :14:59.anybody who brings their mum, at the last minute, lovely. An
:15:00. > :15:04.international show, full of surprises. From Vancouver, the
:15:05. > :15:27.splendid and wonderful sound of Japandroids.
:15:28. > :16:10.# And succumb to the city and surrender, baby
:16:11. > :16:20.# And make some ears ring from the sound of my singing, baby
:16:21. > :16:31.# And make some ears ring from the sound of my singing, baby
:16:32. > :16:56.# So the girl behind the bar came over
:16:57. > :17:09.# And last drink of the night, last night in town
:17:10. > :17:21.# And make some ears ring from the sound of my singing, baby
:17:22. > :17:32.# And make some ears ring from the sound of my singing, baby
:17:33. > :18:08.# And all I remember was it sounded, baby
:18:09. > :18:28.# And make some ears ring from the sound of my singing, baby
:18:29. > :18:39.# And make some ears ring from the sound of my singing, baby
:18:40. > :19:02.CHEERING APPLAUSE
:19:03. > :19:07.Japandroids, Near To The Wild Heart Of Life from the album of the same
:19:08. > :19:15.name. Thank you so much for joining us, now a wonderful at artist, Joan
:19:16. > :19:32.Shelley! # I saw you there,
:19:33. > :19:39.beside the light post # Your shoulders square,
:19:40. > :19:48.against the nights cold. # I blamed the wind
:19:49. > :19:52.when my legs shook # but your eyes,
:19:53. > :19:56.that hungry look, # I see the ground
:19:57. > :20:26.we walked and claimed # I see the place that
:20:27. > :20:30.holds the weight, # safe from all the storms
:20:31. > :21:03.that form behind me # Push them to plant
:21:04. > :21:25.the force to find # safe from all the storms
:21:26. > :22:08.that form behind me CHEERING
:22:09. > :22:36.APPLAUSE # Right now we could use
:22:37. > :23:03.a little pick-me-up # Seems like the whole damn nation's
:23:04. > :23:06.trying to take us down # All the reason's in the world
:23:07. > :23:13.don't mean shit to me now. # See we thought that we
:23:14. > :23:15.saw that he had a gun # Thought that it looked
:23:16. > :23:18.like he started to run # Thought that we saw
:23:19. > :23:20.that he had a gun # Thought that it looked
:23:21. > :23:23.like he started to run # Do you need another
:23:24. > :23:42.reason to get up # See how fast they turn
:23:43. > :23:45.when you're looking up # Now everybody that's brown can get
:23:46. > :23:52.the lock on the ground # See we thought that we
:23:53. > :23:54.saw that he had a gun # Thought that it looked
:23:55. > :23:57.like he started to run # Thought that we saw
:23:58. > :24:00.that he had a gun # Thought that it looked
:24:01. > :24:02.like he started to run # Just gonna be a witness?
:24:03. > :24:37.(Gonna be a witness?) CHEERING
:24:38. > :25:28.APPLAUSE Thank you so much, Benjamin Booker
:25:29. > :25:32.with Witness. To Joan Shelley, Japandroids, thank you Japandroids,
:25:33. > :25:42.thank you Sigrid, thank you Ibibio Sound Machine, from all of my guests
:25:43. > :25:43.and all of my people on Friday, and now we finish with the legendary
:25:44. > :26:08.10cc. # I went to a party
:26:09. > :26:14.at the local county jail # All the cons were dancing,
:26:15. > :26:20.and the band began to wail. # At the local dance;
:26:21. > :26:32.at the local county jail. # But the sound came over
:26:33. > :26:44.on the police car radio, # Sergeant Baker got
:26:45. > :26:53.a call from the governor # Load up, load up, load up
:26:54. > :27:09.with rubber bullets. # I love to hear those
:27:10. > :27:11.convicts squeal; # It's a shame these
:27:12. > :27:15.slugs ain't real. # But we can't have dancin'
:27:16. > :27:20.at the local county jail. # Sergeant Baker and his men made
:27:21. > :27:26.a bee-line for the jail. # There's a rumor
:27:27. > :27:36.goin round death row # At the local hop;
:27:37. > :27:45.at the local county jail. # Whatcha gonna do about
:27:46. > :28:15.it, whatcha gonna do? # Here Padre, Padre,
:28:16. > :28:40.you talk to your boys... # Trust in me, God will
:28:41. > :28:42.come to set you free. # Why you called in
:28:43. > :29:05.the National Guard, # At the local dance;
:29:06. > :29:15.at the local county jail. # For a guy to spend his time
:29:16. > :29:33.with rubber bullets. # At the local dance;
:29:34. > :29:39.at the local county jail? # At the local dance;
:29:40. > :29:44.at the local county jail. # Whatcha gonna do about
:29:45. > :29:46.it, whatcha gonna do? # Whatcha gonna do about it,
:29:47. > :29:52.whatcha gonna do?# CHEERING
:29:53. > :30:08.APPLAUSE You're looking at
:30:09. > :30:10.a room of double glazing salesman. Have you given her a houseful of
:30:11. > :30:23.free windows just to win a bet?