:00:33. > :00:45.Greetings, listeners and viewers. We begin this show in a small, quiet
:00:46. > :00:48.way with one of the biggest artists in the world today, we welcome Ed
:00:49. > :01:38.Sheeran! # The club isn't the best
:01:39. > :01:40.place to find a lover # Me and my friends
:01:41. > :01:45.at the table doing shots # Drinking fast
:01:46. > :01:47.and then we talk slow # And you come over and start up
:01:48. > :01:51.a conversation with just me # And trust me I'll
:01:52. > :01:53.give it a chance now # Take my hand, stop,
:01:54. > :01:56.put Van the Man on the jukebox # And then we start to dance,
:01:57. > :01:59.and now I'm singing like # Your love was handmade
:02:00. > :02:03.for somebody like me # Grab on my waist
:02:04. > :02:12.and put that body on me # I'm in love with the
:02:13. > :02:20.shape of you # We push and pull like a magnet
:02:21. > :02:22.do # And last night you were in my
:02:23. > :02:29.room # And now my bed sheets smell
:02:30. > :02:32.like you # Every day discovering
:02:33. > :02:34.something brand new # Every day discovering
:02:35. > :02:53.something brand new # I'm in love with the shape
:02:54. > :02:56.of you # One week in we let
:02:57. > :02:58.the story begin # You and me are thrifty,
:02:59. > :03:03.so go all you can eat # Fill up your bag
:03:04. > :03:06.and I fill up a plate # We talk for hours and hours
:03:07. > :03:09.about the sweet and the sour # Leave and get in a taxi
:03:10. > :03:14.then kiss in the back-seat # Tell the driver make the radio
:03:15. > :03:16.play, and I'm singing like # Your love was handmade
:03:17. > :03:21.for somebody like me # Grab on my waist
:03:22. > :03:29.and put that body on me # I'm in love with the
:03:30. > :03:37.shape of you # We push and pull like a magnet
:03:38. > :03:39.do # And last night you were in my
:03:40. > :03:47.room # And now my bed
:03:48. > :03:49.sheets smell like you # Every day discovering
:03:50. > :03:50.something brand new # Every day discovering
:03:51. > :04:11.something brand new # I'm in love with
:04:12. > :04:13.the shape of you # I'm in love with the
:04:14. > :04:35.shape of you # And now my bed
:04:36. > :04:47.sheets smell like you # Every day discovering
:04:48. > :04:49.something brand new # Every day discovering
:04:50. > :05:10.something brand new # I'm in love with the shape of
:05:11. > :05:13.you.# What a joy to have that talented man
:05:14. > :05:39.in this room, Ed Sheeran! It is a room filled with great guess
:05:40. > :05:41.this evening. In this corner we have from Los Angeles, Syd!
:05:42. > :06:05.And joining Ed later on with their beautiful sound. And I will be
:06:06. > :06:15.talking to the legendary Christine McVie. Now, from Memphis, please
:06:16. > :06:36.give it up in the biggest way for Valerie June!
:06:37. > :06:45.# Not any ole body Not any ole body
:06:46. > :06:57.# Somebody Somebody
:06:58. > :06:59.# Get me on the shakedown breakdown showdown
:07:00. > :07:37.# Get me on the shakedown breakdown showdown
:07:38. > :08:35.# Get me on the shakedown breakdown showdown
:08:36. > :08:44.# Get me on the shakedown breakdown showdown
:08:45. > :09:14.The roofing sound of Valerie June from her album, The Order Of Time.
:09:15. > :09:18.And in this corner, are you feeling good? CHEERING
:09:19. > :09:26.So you should because what a great selection of guess we have, joint by
:09:27. > :09:48.a fantastic collection of musicians we welcome Syd. APPLAUSE
:09:49. > :09:52.# I be more than a god in my dreams, it's wishful thinking
:09:53. > :09:55.# I sleep more than I need to, I drink more on the weekend
:09:56. > :09:59.# I eat all meat but fish, I keep my needle with me
:10:00. > :10:05.# I see sharks in the water, I fiend for marijuana
:10:06. > :10:09.# I pray for all my homies, I'm lyin', at least I try
:10:10. > :10:12.# I say that she's my only but got you on my mind
:10:13. > :10:17.# Today I'm only human, but know that when I die
:10:18. > :10:23.# My grave gone be my music, my soul is living through it baby
:10:24. > :10:26.# Take care of the family that you came with
:10:27. > :10:30.# We made it this far and it's amazing
:10:31. > :10:42.# Keep it in the family that you came with
:10:43. > :10:46.# Keep enemies close you know the basics
:10:47. > :10:57.# We gettin' checks in the mail, I don't know if you could tell
:10:58. > :11:02.# Stackin' this bread on the shelf, stackin' my bread on the shelf
:11:03. > :11:06.# I see you mad at yourself, I see them mad at themselves
:11:07. > :11:09.# I hear 'em crying for help, I hear 'em crying for help
:11:10. > :11:12.# Don't be mad if I switch up, my good taste got me this much
:11:13. > :11:16.# Too sweet for your taste buds, I seen you sleepin' girl wake up
:11:17. > :11:20.# They ain't know what sauce was till we served it offa that tonka
:11:21. > :11:25.# Drizzled all on your lobster, put shame to your roster
:11:26. > :11:29.# Me broke, girl dream on, my team on, my weed strong
:11:30. > :11:33.# Need more of what we on, my league always D1
:11:34. > :11:37.# We ball all season, Kobe's on my feet bruh
:11:38. > :11:41.# Pay attention to me bruh, pay me my fee bruh
:11:42. > :11:44.# You seek answers to questions 'bout me, it's in my music
:11:45. > :11:48.# You preach bout revolution and dreams, I really do this
:11:49. > :11:52.# I lead by my example, I see fame as a nuisance
:11:53. > :11:55.# I don't take it for granted but god dammit
:11:56. > :11:58.# Sometimes I can't stand it
:11:59. > :12:01.# Take care of the family that you came with
:12:02. > :12:06.# We made it this far and it's amazing
:12:07. > :12:18.# Keep it in the family that you came with
:12:19. > :12:22.# Keep yo haters close you know the basics
:12:23. > :12:55.Thank you, Syd. All about me. I think, let's face it, if we were to
:12:56. > :12:59.look at a map, we would notice that for instant if we go to Jamaica, you
:13:00. > :13:06.think it has a particularly early on sand. New Orleans has a particularly
:13:07. > :13:11.brilliant distinct sound, and our next artist is from Cuba, also a
:13:12. > :13:12.place with a distinct sound. We now welcome Dayme Arocena.
:13:13. > :13:35.APPLAUSE # Maybe tomorrow
:13:36. > :13:53.I'll have close my heart # And every tear dried
:13:54. > :13:55.I'll be a little stronger # Everyone, every song,
:13:56. > :13:58.every smile # Maybe tomorrow
:13:59. > :14:09.I will stop and fly # Maybe I will know
:14:10. > :14:15.to keep my dreams inside me # But in this moment
:14:16. > :14:19.I know it's not in my hands # My heart is open,
:14:20. > :14:24.still it is an ocean # My mind is shining,
:14:25. > :14:29.the light is going far # My body's searching,
:14:30. > :14:37.my soul is always finding # I just want to love
:14:38. > :15:10.and feeling giving me my life # Maybe tomorrow
:15:11. > :15:20.I will stop and fly # Maybe I will know
:15:21. > :15:24.to keep my dreams inside me # But in this moment
:15:25. > :15:30.I know it's not in my hands # My heart is open,
:15:31. > :15:34.still it is an ocean # My mind is shining,
:15:35. > :15:39.the light is going far # My body's searching,
:15:40. > :15:46.my soul is always finding # I just want to love
:15:47. > :15:56.and feeling giving me my life # I just want to love
:15:57. > :16:06.and feeling giving me # I just want to love
:16:07. > :16:38.giving me my life #. CHEERING
:16:39. > :16:45.. Lovely sound, lovely musician,
:16:46. > :16:53.lovely singing, Dayme Arocena. So, I'd like to introduce, I like the
:16:54. > :16:57.word legend, and I like the word legend when it is applied to this
:16:58. > :17:07.person, the legendary Christine McVie! It is very good to get you on
:17:08. > :17:12.the show at last. You've got this record, which is a joint record, is
:17:13. > :17:18.that you how you would describe it, with Lindsey Buckingham? It didn't
:17:19. > :17:24.start to be anything particularly, but when I rejoined the band, we
:17:25. > :17:29.were just rehearsing and I had already sent some songs over to him,
:17:30. > :17:33.and he was just kind of working it in the studio, and we thought we
:17:34. > :17:36.would go in and put a couple of tracks, which we did. And did you
:17:37. > :17:41.get the other people from Fleetwood Mac to play on it? We were all there
:17:42. > :17:48.because we were rehearsing the tour, except for Stevie Nicks who was
:17:49. > :17:52.doing another project. We didn't have a plan, but without ultimately,
:17:53. > :17:59.why not splinter off and finish the record? It is a lot, almost a
:18:00. > :18:01.Fleetwood Mac record but not quite. It has some great songs, and you
:18:02. > :18:12.have everybody playing on the record? Do you enjoy the recording
:18:13. > :18:22.process? I love it, I prefer a touring, but I love recording, and I
:18:23. > :18:25.love working with Lindsey. With somebody like Lindsey Buckingham who
:18:26. > :18:29.you have worked with for many years, is it much easier to communicate? Do
:18:30. > :18:34.you have to not use Word so often because you know? Very often, I'm
:18:35. > :18:36.sure that applies to a lot of musicians, but me in particular with
:18:37. > :18:42.him, there isn't much talking going on. We have some singing here from
:18:43. > :18:51.you, let's look at this. # Take your time
:18:52. > :19:01.# To cross the line # All without a doubt
:19:02. > :19:03.# In my world everybody's dazed # Nobody wishes for what they
:19:04. > :19:09.couldn't say # Bless my soul
:19:10. > :19:15.# Singing in my world # In my world
:19:16. > :19:17.# Everybody's Gaze # Nobody wishes for what they
:19:18. > :19:24.couldn't say # Bless my soul
:19:25. > :19:30.# Dancer and a dreamer # Singing in my world...
:19:31. > :19:37.APPLAUSE Great sound there. Going back to the
:19:38. > :19:42.early part, what music was first heard? I didn't start as a singer, I
:19:43. > :19:55.was moreover keyboard player, and I was in a band called Chicken Shack,
:19:56. > :19:59.and I was encouraged by Mick who must've seen some singing in me. And
:20:00. > :20:05.you are inspired by the blues early on? Very much so, it was the 60s,
:20:06. > :20:09.and I was a blues player. A lot of American blues artists were coming
:20:10. > :20:15.to perform in England, and it caught on by many English blues bands that
:20:16. > :20:21.then followed, and I just got hooked on Freddie King, BB King, all the
:20:22. > :20:26.great guys, and I learned to play the blues from listening to their
:20:27. > :20:30.records. And Fleetwood Mac, who I believe might be going on tour next
:20:31. > :20:34.year? That is correct. They became one of the most successful bands in
:20:35. > :20:40.the world, played huge stadiums in the 70s and 80s, much as our
:20:41. > :20:46.wonderful guest Ed Sheeran is today. Any advice you would give to him?
:20:47. > :20:51.Stay on your own, Mate! APPLAUSE
:20:52. > :21:01.On that bombshell, that is all we need! Thank you for joining us,
:21:02. > :21:04.Christine McVie. It is wonderful to have you here.
:21:05. > :21:06.Our next artist is one of Britain's great singer-songwriters,
:21:07. > :21:09.He is celebrating 15 years of making music.
:21:10. > :21:45.# I passed the Mallard just the other day
:21:46. > :21:50.# I was riding a train, I was riding away
:21:51. > :22:22.# She's a picture from the age of steam
:22:23. > :22:32.# But it's farewell to the Mallard and you
:22:33. > :23:08.# Tea garden singer but we're just friends
:23:09. > :23:11.# He's driving me down to the band tonight
:23:12. > :23:13.# I'm driving down to the cold, cold sea
:23:14. > :23:19.# To see if the sea can make a change in me
:23:20. > :24:13.# I passed the Mallard just the other day
:24:14. > :24:18.# I was riding a train, I was riding away
:24:19. > :25:19.# So it's farewell to the Mallard and you
:25:20. > :25:51.Mallard, great steam train. Now we have a new duo, please pick it up
:25:52. > :26:01.for Marion hill. # But if you get me out,
:26:02. > :26:06.you get a show # There's so many
:26:07. > :26:09.bodies on the floor # So baby we should
:26:10. > :26:13.go and add some more # Down, d-d-down, d-d-down,
:26:14. > :26:24.d-d-down, down, down? # Everywhere I look
:26:25. > :26:27.are peoples' hands # Thrown up in the air
:26:28. > :26:30.to help them dance # I know you don't
:26:31. > :26:35.have any other plans # Down, d-d-down, d-d-down,
:26:36. > :26:48.d-d-down, down, down? # Down, down, d-d-down,
:26:49. > :26:59.down, d-down, down? # Are you down, are you down,
:27:00. > :27:04.are you d-d-down? # Down, down, d-d-down,
:27:05. > :27:16.down, d-down, down? # You know we could
:27:17. > :27:19.put them all to shame # Isn't this the reason
:27:20. > :27:24.why you came? # So, baby, don't
:27:25. > :27:27.you let it go to waste # Down, d-d-down, d-d-down,
:27:28. > :27:38.d-d-down, down, down? # Every single thing
:27:39. > :27:41.is feeling right # I don't really think
:27:42. > :27:47.that we should fight this # What if we don't
:27:48. > :27:49.stop until it's light? # Down, down, d-down, down?
:27:50. > :28:07.d-d-down, down, down? # Down, down, d-d-down,
:28:08. > :28:12.down, d-down, down? # Are you down, are you down,
:28:13. > :28:15.are you d-d-d-d-down, # Are you down, are you down,
:28:16. > :28:19.are you d-d-down, are you? # Down, down, d-d-down,
:28:20. > :28:22.down, d-down, down? # Are you, are you,
:28:23. > :28:32.are you d-d-down, down? # Down, down, d-d-down,
:28:33. > :28:46.down, d-down, down? # Are you down, are you down,
:28:47. > :28:49.are you d-d-d-d-down, # Are you down, are you down,
:28:50. > :28:52.are you d-d-down, are you? # Down, down, d-d-down,
:28:53. > :28:55.down, d-down, down? # Are you down, are you down,
:28:56. > :29:03.are you d-d-d-d-down, # Are you down, are you down,
:29:04. > :29:06.are you d-d-down, are you? # Down, down, d-d-down,
:29:07. > :29:09.down, d-down, down #. # Well, I could sing
:29:10. > :29:39.you a country tune # And carry the name
:29:40. > :29:45.sweet Valerie June # Well I could play you,
:29:46. > :30:10.play you the blues # And carry the name
:30:11. > :30:17.sweet Valerie June # Well I could play you,
:30:18. > :30:39.play you the blues # Said, I got soul
:30:40. > :31:04.and I got soul # Been tossed and tangled
:31:05. > :31:47.in search of what's good # And, I got soul
:31:48. > :32:16.yeah, I got sweet soul # And I got soul,
:32:17. > :32:31.yeah, I got sweet soul # Singing to you now,
:32:32. > :32:40.now, now, now, now # Talking to you now,
:32:41. > :32:55.now, now, now, now # And, I got soul,
:32:56. > :33:16.yeah, I got sweet soul # Said, I got soul
:33:17. > :33:26.and I got soul # Said, I got soul
:33:27. > :33:37.and I got soul CHEERING
:33:38. > :34:13.Thank you, Valerie June. Seoul. Before that we enjoyed Marian Hill.
:34:14. > :34:16.And now over at the end of the studio a man who has gone from
:34:17. > :34:19.strength to strength with his wonderful songs and he is going to
:34:20. > :34:24.do a song which he has never done before on the television and
:34:25. > :34:25.probably won't again. We are delighted to have with us now Ed
:34:26. > :34:33.Sheeran! CHEERING # I gave all my oxygen
:34:34. > :34:37.to people that could breathe # I gave away my money
:34:38. > :34:43.and now we don't even speak # I drove miles and miles,
:34:44. > :34:49.but would you do the same for me # I gave you my shoulder
:34:50. > :35:06.just for you to cry upon # Gave you constant shelter
:35:07. > :35:09.and a bed to keep you warm # They gave me the heartache
:35:10. > :35:12.and in return I gave a song # Life can get you down so I just
:35:13. > :35:25.numb the way it feels # I drown it with a drink
:35:26. > :35:30.and out-of-date prescription pills # And all the ones that love me,
:35:31. > :35:36.they just left me on the shelf # So before I save someone else,
:35:37. > :35:50.I've got to save myself # I gave you all my energy
:35:51. > :35:54.and I took away your pain # Cos human beings are destined
:35:55. > :36:01.to radiate or drain # Life can get you down so I just
:36:02. > :36:17.numb the way it feels # I drown it with a drink
:36:18. > :36:22.and out-of-date prescription pills # And all the ones that love me,
:36:23. > :36:29.they just left me on the shelf # So before I save someone else,
:36:30. > :36:36.I've got to save myself # But if I don't then I'll go back
:36:37. > :36:48.to where I'm rescuing a stranger # Just because they needed
:36:49. > :36:53.saving, just like that # Oh I'm here again,
:36:54. > :36:58.between the devil and the danger # My dad was wrong,
:36:59. > :37:08.cos I'm not like my mum # Cos she'd just smile
:37:09. > :37:13.and I'm complaining in a song # So before I save someone else,
:37:14. > :37:26.I've got to save myself # Life can get you down so I just
:37:27. > :37:31.numb the way it feels # Or drown it with a drink
:37:32. > :37:35.and out-of-date prescription pills # And all the ones that love me,
:37:36. > :37:42.they just left me on the shelf # And before I blame someone else,
:37:43. > :38:03.I've got to save myself # And before I love someone else,
:38:04. > :38:29.I've got to love myself #. What a great song, I hope you caught
:38:30. > :38:42.that, he might not do it again. Thank you, Ed Sheeran, with Save
:38:43. > :38:46.Myself from the album Divide. What a talented fellow. Let's come up to
:38:47. > :38:49.this end of the room, how are you doing? CHEERING
:38:50. > :38:51.You are looking beautiful and in the middle of you is the incredible
:38:52. > :39:08.talent that is Syd! # Keep it between us,
:39:09. > :39:30.can't let 'em see us # It'll be our secret,
:39:31. > :39:33.don't wanna get caught creeping # Is it really cheating,
:39:34. > :39:37.who says we're cheating # If we had a little more time
:39:38. > :40:18.I'd take it slow babe # You can stay till the morning,
:40:19. > :40:22.when we wake up jump on it # It's the way that you flaunt it,
:40:23. > :40:25.lets me know that you want it # Keep it secret baby,
:40:26. > :41:05.they don't have to know # No more pictures baby,
:41:06. > :41:09.put away your phone # Let 'em wonder what
:41:10. > :41:12.we do when we're alone # Cos you know how I like it, babe,
:41:13. > :41:16.let's do this in private baby # Water still rising,
:41:17. > :43:19.no sign of a storm # The sun don't shine
:43:20. > :43:24.to keep us warm. # I sent a prayer,
:43:25. > :43:35.a prayer up to the Lord, # I'm still waiting,
:43:36. > :43:50.waiting on my reward. # Some rivers run deep,
:43:51. > :43:57.some run wide # Some run dark,
:43:58. > :44:00.their secrets to hide. # I sent a prayer,
:44:01. > :44:10.a prayer up to the Lord, # I'm still waiting,
:44:11. > :44:21.waiting on my reward. # Don't let it rain,
:44:22. > :44:25.don't let it pour # Don't let the wind
:44:26. > :44:30.blow through my door. # I sent a prayer,
:44:31. > :44:39.a prayer up to the Lord, # I'm still waiting,
:44:40. > :45:16.waiting on my reward. # How did I get here,
:45:17. > :45:21.lucky to be alive? # Sometimes you live,
:45:22. > :45:26.but sometimes you just drive. # I sent a prayer,
:45:27. > :45:35.a prayer up to the Lord, # I'm still waiting,
:45:36. > :45:49.waiting on my reward #. # I'm still waiting,
:45:50. > :46:35.waiting on my reward Michael Chapman, Sometimes You Just
:46:36. > :46:45.Drive. . Before but was Syd. And now I scoot up here to talk to the very
:46:46. > :46:50.talented Ed Sheeran. Up at this end of the room with the Internet, that
:46:51. > :47:01.is a complimentary gift from us! I love that song you played before,
:47:02. > :47:07.where did that come from? With Labyrinth, and another girl called
:47:08. > :47:10.Amy, and it was really late in the album, we had nearly finished, Amy
:47:11. > :47:15.just came to stay and the song just happened. I have to say
:47:16. > :47:20.congratulations from the whole studio, a round of applause, because
:47:21. > :47:25.you have a phenomenal success, 18 songs in the top 20. In the old
:47:26. > :47:39.days, you would have done every song! Element do you guys want Top
:47:40. > :47:50.Of The Pops back? To watch! I feel like it is pretty much the only
:47:51. > :47:55.thing on TV. SCREAM what was that about?
:47:56. > :48:00.I find I'm stepping back from reading things, there are two
:48:01. > :48:05.extremes, people either really love you all really hate you, there isn't
:48:06. > :48:08.anything in the middle, and I think sanity lies in the middle, so I am
:48:09. > :48:12.staying away from both. And you can't believe anything you read in
:48:13. > :48:18.the papers, particularly about yourself. Unless they say he is a
:48:19. > :48:25.saint and a genius. If you read stuff like that, you turn into an
:48:26. > :48:30.egotistical maniac, but also there are people who say that you are the
:48:31. > :48:36.worst person ever. You took a year's break. That was brilliant. Weren't
:48:37. > :48:43.there are a lot of people saying, you can't take a break, we need you
:48:44. > :48:46.for this, for that. We had been touring for five years straight, and
:48:47. > :48:50.none of us had taken a break, so it came to a point where some of the
:48:51. > :48:55.people I toured with wanted to work with people different, and I just
:48:56. > :49:00.wanted to take the time, now I never want to stop touring, the year of
:49:01. > :49:05.the Meireles how lucky we are. You are a bit like me in that, I don't
:49:06. > :49:10.have an e-mail, you don't have a mobile phone. Do you think that is
:49:11. > :49:14.the way forward with communication? For communication, no, but going
:49:15. > :49:18.back to the sanity thing, it is. It is to do with being bored and just
:49:19. > :49:21.going online and reading things. I needed to get away from reading what
:49:22. > :49:27.people thought about me, because it doesn't work well. Plus I wanted to
:49:28. > :49:32.step away from being contactable at all times. If someone really, really
:49:33. > :49:38.needs to get in contact with you, they will find a way. Does anyone
:49:39. > :49:44.have WhatsApp? You know when you can see when someone has read it, that
:49:45. > :49:48.drives people's mental, if you read it and haven't replied, if I put it
:49:49. > :49:54.in my pocket, people go mental because you haven't replied. How
:49:55. > :49:57.dare you? Element anyway e-mails me, there is a thing that goes out and
:49:58. > :50:03.says, I might not reply to this, and then people are fine. If they e-mail
:50:04. > :50:05.me, they wouldn't even get that! What is your next song that you will
:50:06. > :50:12.play for us? from Northern Island and every time
:50:13. > :50:29.I see their name somebody whips. We wrote this song called Galway
:50:30. > :50:32.Girl, I'm a big fan of theirs, they are touring the country is doing
:50:33. > :50:36.Glastonbury, you should check them out. It is wonderful to have you
:50:37. > :50:40.here as a guest, and you might want to chat to Christine who says, stay
:50:41. > :50:46.on your own! Have you got anything to say to her? I really like your
:50:47. > :50:51.staff! Wonderful to have you here, thank
:50:52. > :51:00.you, Ed Sheeran! APPLAUSE
:51:01. > :51:04.So now the vibrations are back, and we welcome Valerie June.
:51:05. > :51:07.# Is there a light you have inside you
:51:08. > :51:35.# The day will come when you're ready
:51:36. > :51:47.# Dancing on the astral plane in holy water, cleansing rain
:51:48. > :52:13.# From other worlds but you can't say what keeps you hear
:52:14. > :52:20.# Dancing on the astral plane in holy water, cleansing rain
:52:21. > :52:27.# Dancing on the astral plane in holy water, cleansing wearing
:52:28. > :53:15.# Dancing on the astral plane in the holy water, cleansing rain
:53:16. > :53:23.# Dancing on the astral plane in holy water, cleansing rain
:53:24. > :53:36.# Dancing on the astral plane in holy water, cleansing rain
:53:37. > :54:04.# There is a light you have inside you
:54:05. > :54:46.MAMBO AND JAZZ BLENDED WITH AN AFRO-CUBAN PERCUSSION BEAT.
:54:47. > :57:40.Dayme Arocena, the lovely Cuban sound. Nystrom is, nice piano, nice
:57:41. > :57:50.singing. Before that we enjoyed Valerie June. And now, joined by
:57:51. > :57:57.Beoga, we are lucky to have with us, Ed Sheeran.
:57:58. > :58:00.# You know, she played the fiddle in an Irish band
:58:01. > :58:02.# But she fell in love with an English man
:58:03. > :58:06.# Kissed her on the neck and then I took her by the hand
:58:07. > :58:09.# I met her on Grafton street right outside of the bar
:58:10. > :58:12.# She shared a cigarette with me while her brother played the guitar
:58:13. > :58:15.# She asked me what does it mean, the Gaelic ink on your arm?
:58:16. > :58:19.# Said it was one of my friend's songs, do you want to drink on?
:58:20. > :58:21.# She took Jamie as a chaser, Jack for the fun
:58:22. > :58:24.# She got Arthur on the table with Johnny riding a shotgun
:58:25. > :58:26.# Chatted some more, one more drink at the bar
:58:27. > :58:29.# Then put Van on the jukebox, got up to dance
:58:30. > :58:32.# You know, she played the fiddle in an Irish band
:58:33. > :58:34.# But she fell in love with an English man
:58:35. > :58:37.# Kissed her on the neck and then I took her by the hand
:58:38. > :58:41.# Said, "Baby, I just want to dance" with my pretty little Galway Girl
:58:42. > :58:43.# You're my pretty little Galway Girl.
:58:44. > :58:47.# You know she beat me at darts and then she beat me at pool
:58:48. > :58:50.# And then she kissed me like there was nobody else in the room
:58:51. > :58:54.# As last orders were called was when she stood on the stool
:58:55. > :58:56.# After dancing the ceilidh singing to trad tunes
:58:57. > :58:58.# I never heard Carrickfergus ever sung so sweet
:58:59. > :59:01.# Acapella in the bar using her feet for a beat
:59:02. > :59:04.# Oh, I could have that voice playing on repeat for a week
:59:05. > :59:07.# And in this packed out room swear she was singing to me
:59:08. > :59:10.# You know, she played the fiddle in an Irish band
:59:11. > :59:12.# But she fell in love with an English man
:59:13. > :59:15.# Kissed her on the neck and then I took her by the hand
:59:16. > :59:30.# My, my, my, my, my, my, my Galway Girl
:59:31. > :59:33.# And now we've outstayed our welcome and it's closing time
:59:34. > :59:36.# I was holding her hand, her hand was holding mine
:59:37. > :59:38.# Our coats both smell of smoke, whisky and wine
:59:39. > :59:41.# As we fill up our lungs with the cold air of the night
:59:42. > :59:44.# I walked her home then she took me inside
:59:45. > :59:46.# To finish some Doritos and another bottle of wine
:59:47. > :59:49.# I swear I'm gonna put you in a song that I write
:59:50. > :59:51.# About a Galway Girl and a perfect night
:59:52. > :59:54.# She played the fiddle in an Irish band
:59:55. > :59:56.# But she fell in love with an English man
:59:57. > :59:59.# Kissed her on the neck and then I took her by the hand
:00:00. > :00:38.# My, my, my, my, my, my, my Galway Girl #.
:00:39. > :01:00.Thank you, Ed Sheeran, with Beoga. We will be back on Tuesday with
:01:01. > :01:09.Jamiroquai, Robert Cray and much more. But for now, could you give us
:01:10. > :01:15.maybe a couple of chords in the key of A, let's just say? It is the
:01:16. > :01:17.vibrations in which we say farewell and thank you for all of our
:01:18. > :01:22.wonderful guest to have joined us this evening. Thank you very much
:01:23. > :01:37.Valerie June. Thank you Christine McVie. Thank you Ed Sheeran, thank
:01:38. > :01:47.you Michael Chapman thank you Dayme Arocena, thank you Marian Hill,
:01:48. > :01:51.thank you Syd. CHEERING