0:00:32 > 0:00:35APPLAUSE.
0:00:35 > 0:00:39Welcome to another edition of the show.
0:00:39 > 0:00:41Legends, newies, people from all over the globe -
0:00:41 > 0:00:42we've got the lot!
0:00:42 > 0:00:49Please welcome now - 10cc!
0:00:56 > 0:00:59# Gimme your body.
0:00:59 > 0:01:03# Gimme your mind.
0:01:03 > 0:01:07# Open your heart.
0:01:07 > 0:01:11# Pull down your blind.
0:01:11 > 0:01:15# Gimme your love, gimme it all.
0:01:15 > 0:01:18# Gimme in the kitchen, gimme in the hall.
0:01:18 > 0:01:22# Art for art's sake.
0:01:22 > 0:01:26# Money for God's sake.
0:01:26 > 0:01:29# Art for art's sake.
0:01:29 > 0:01:34# Money for God's sake.
0:01:34 > 0:01:37# Gimme the readies.
0:01:37 > 0:01:41# Gimme the cash.
0:01:41 > 0:01:45# You give me a bullet.
0:01:45 > 0:01:49# Gimme a smash.
0:01:49 > 0:01:52# Gimme a silver, gimme a gold.
0:01:52 > 0:01:57# Make it a million for when I get old.
0:01:57 > 0:02:00# Art for art's sake.
0:02:00 > 0:02:04# Money for God's sake.
0:02:04 > 0:02:07# Art for art's sake.
0:02:07 > 0:02:12# Money for God's sake.
0:02:12 > 0:02:15# Money talks so listen to it.
0:02:15 > 0:02:19# Money talks to me.
0:02:19 > 0:02:23# Anyone can understand it.
0:02:23 > 0:02:30# Money can't be beat, oh no.
0:02:51 > 0:02:53# When you get down, down to the root.
0:02:53 > 0:02:55# Don't give a damn, don't give a hoot.
0:02:55 > 0:02:57# Still gotta keep makin' the loot.
0:02:57 > 0:03:02# Chauffeur driven.
0:03:06 > 0:03:08# Gotta make her quick as you can.
0:03:08 > 0:03:10# Give her lovin', make you a man.
0:03:10 > 0:03:12# Get her in the palm of your hand.
0:03:12 > 0:03:15# Bread from heaven.
0:04:02 > 0:04:05# Gimme a country.
0:04:05 > 0:04:09# Where I can be free.
0:04:09 > 0:04:12# I don't need no unions.
0:04:12 > 0:04:17# Burying me.
0:04:17 > 0:04:20# Keep me in exile the rest of my days.
0:04:20 > 0:04:24# Burn me in hell but as long as it pays.
0:04:24 > 0:04:28# Art for art's sake.
0:04:28 > 0:04:31# Money for God's sake.
0:04:31 > 0:04:35# Art for art's sake.
0:04:35 > 0:04:40# Money for God's sake.
0:04:40 > 0:04:47APPLAUSE.
0:04:47 > 0:04:48Thank you so much!
0:04:48 > 0:04:4910cc, Art For Art's Sake.
0:04:49 > 0:04:51Thank you to 10cc.
0:04:51 > 0:04:53First of all, I must say that unfortunately,
0:04:53 > 0:04:56as advertised, Stormzy is unwell so he couldn't be here.
0:04:56 > 0:04:58We've got somebody fantastic to replace him.
0:04:58 > 0:05:01But we do have artists from every five corners of the globe,
0:05:01 > 0:05:03ladies and gentlemen.
0:05:03 > 0:05:04We have from...
0:05:04 > 0:05:07All the way from Los Angeles, Benjamin Booker!
0:05:07 > 0:05:10APPLAUSE.
0:05:10 > 0:05:11The wonderful Benjamin Booker.
0:05:11 > 0:05:13We have, from Louisville, Kentucky, Joan Shelley!
0:05:13 > 0:05:16APPLAUSE.
0:05:16 > 0:05:20The camera is stuck over there so I'm going to come to you.
0:05:20 > 0:05:23We have, from London and Nigeria, stepping in at the last minute,
0:05:23 > 0:05:25we are delighted to have Ibibio Sound Machine!
0:05:25 > 0:05:29APPLAUSE.
0:05:29 > 0:05:30All over the globe.
0:05:30 > 0:05:33We are so pleased to have from Norway, Sigrid!
0:05:33 > 0:05:36APPLAUSE.
0:05:36 > 0:05:38But now, from Vancouver, let's big it up, please,
0:05:38 > 0:05:42for the Japandroids!
0:05:42 > 0:05:46APPLAUSE.
0:06:10 > 0:06:13# The future's under fire.
0:06:13 > 0:06:15# The past is gaining ground.
0:06:15 > 0:06:20# A continuous cold war between my home and my hometown.
0:06:20 > 0:06:23# I was destined to die dreaming.
0:06:23 > 0:06:26# When one day, my best friend.
0:06:26 > 0:06:29# With passion and pure provocation.
0:06:29 > 0:06:31# Summoned me and said.
0:06:31 > 0:06:34# You can't condemn your love.
0:06:34 > 0:06:37# To linger here and die.
0:06:37 > 0:06:39# Can't leave your dreams to chance.
0:06:39 > 0:06:42# Or to a spirit in the sky.
0:06:42 > 0:06:45# May your heart always be ardent.
0:06:45 > 0:06:47# Your conscience always clear.
0:06:47 > 0:06:50# And succumb to the city and surrender, baby.
0:06:50 > 0:06:53# I'll be waiting here.
0:06:53 > 0:06:55# And it got me all fired up.
0:06:55 > 0:06:58# To go far away.
0:06:58 > 0:07:01# And make some ears ring from the sound of my singing, baby.
0:07:01 > 0:07:03# Oh oh, oh oh.
0:07:03 > 0:07:05# And it got me all fired up.
0:07:05 > 0:07:09# To go far away.
0:07:09 > 0:07:12# And make some ears ring from the sound of my singing, baby.
0:07:12 > 0:07:14# Oh oh, oh oh.
0:07:14 > 0:07:16# So I left my home.
0:07:16 > 0:07:20# And all I had.
0:07:20 > 0:07:24# I used to be good but now I'm bad.
0:07:33 > 0:07:35# It was last call at my local.
0:07:35 > 0:07:37# And I stalled saying goodbye.
0:07:37 > 0:07:40# So the girl behind the bar came over.
0:07:40 > 0:07:43# And she took me aside.
0:07:43 > 0:07:48# She kissed me like a chorus, said give 'em hell for us.
0:07:48 > 0:07:51# And last drink of the night, last night in town.
0:07:51 > 0:07:53# Baby, this one is on the house.
0:07:53 > 0:07:56# And it got me all fired up.
0:07:56 > 0:07:59# To go far away.
0:07:59 > 0:08:02# And make some ears ring from the sound of my singing, baby.
0:08:02 > 0:08:04# Oh oh, oh oh.
0:08:04 > 0:08:06# And it got me all fired up.
0:08:06 > 0:08:09# To go far away.
0:08:09 > 0:08:13# And make some ears ring from the sound of my singing, baby.
0:08:13 > 0:08:14# Oh oh, oh oh.
0:08:14 > 0:08:18# So I left my home.
0:08:18 > 0:08:21# And all I had.
0:08:21 > 0:08:24# I used to be good but now I'm bad.
0:08:34 > 0:08:36# It was bedlam in my bed that night.
0:08:36 > 0:08:38# And like a silent scream.
0:08:38 > 0:08:41# My body broke out in a sweat.
0:08:41 > 0:08:44# From seeing you in dreams.
0:08:44 > 0:08:47# You called out to me.
0:08:47 > 0:08:50# I sang back to you.
0:08:50 > 0:08:52# And all I remember was it sounded, baby.
0:08:52 > 0:08:54# Like all hell breaking loose.
0:08:54 > 0:09:02# And it got me all fired up.
0:09:02 > 0:09:06# To go far away.
0:09:06 > 0:09:09# And make some ears ring from the sound of my singing, baby.
0:09:09 > 0:09:11# Oh oh, oh oh.
0:09:11 > 0:09:14# Fired up.
0:09:14 > 0:09:17# To go far away.
0:09:17 > 0:09:20# And make some ears ring from the sound of my singing, baby.
0:09:20 > 0:09:23# Oh oh, oh oh.
0:09:23 > 0:09:25# So I left my home.
0:09:25 > 0:09:27# And all I had.
0:09:27 > 0:09:32# I used to be good but now I'm bad.
0:09:33 > 0:09:38APPLAUSE.
0:09:38 > 0:09:41Thank you, Japandroids.
0:09:41 > 0:09:43Near To The Wild Heart Of Life.
0:09:43 > 0:09:46Their philosophy, their album and the song they just played for you.
0:09:46 > 0:09:49Now, we welcome into the studio some people that very kindly stepped
0:09:49 > 0:09:52in at the very last minute to join us because Stormzy couldn't be here.
0:09:52 > 0:09:56We're so pleased to have the wonderful West African
0:09:56 > 0:09:57sound of Ibibio Sound Machine.
0:09:57 > 0:10:04APPLAUSE.
0:10:19 > 0:10:29SHE SINGS IN IBIBIO.
0:10:50 > 0:11:00SHE SINGS IN IBIBIO.
0:11:17 > 0:11:21# Give me a reason.
0:11:23 > 0:11:29# Give me a reason.
0:11:35 > 0:11:45SHE SINGS IN IBIBIO.
0:12:15 > 0:12:20SHE SINGS IN IBIBIO.
0:12:28 > 0:12:38APPLAUSE.
0:12:38 > 0:12:40Ibibio Sound Machine.
0:12:40 > 0:12:45Give Me A Reason, from their Uyai album.
0:12:45 > 0:12:48Let's hear it for them, thank you!
0:12:48 > 0:12:51Thank you for coming in at the last moment, as well.
0:12:51 > 0:12:53So, now an artist, this is his second album.
0:12:53 > 0:12:55He came on the show a few years ago.
0:12:55 > 0:12:56He now has this new record.
0:12:56 > 0:12:57It is really great.
0:12:57 > 0:12:59It's got a beautiful feel, a beautiful band,
0:12:59 > 0:13:00it is Benjamin Booker!
0:13:00 > 0:13:06APPLAUSE.
0:13:18 > 0:13:20# Am I.
0:13:20 > 0:13:22# Am I.
0:13:22 > 0:13:25# Gonna be a witness?
0:13:25 > 0:13:28# Gonna be a witness?
0:13:28 > 0:13:30# Am I.
0:13:31 > 0:13:32# Am I.
0:13:32 > 0:13:35# Gonna be a witness?
0:13:35 > 0:13:39# Gonna be a witness?
0:13:39 > 0:13:42# Right now we could use a little pick-me-up.
0:13:42 > 0:13:45# Seems like the whole damn nation's trying to take us down.
0:13:45 > 0:13:46# When your brother's dying.
0:13:46 > 0:13:47# Mother's crying.
0:13:47 > 0:13:48# TV's lying.
0:13:48 > 0:13:51# All the reason's in the world don't mean ...
0:13:51 > 0:13:52to me now.
0:13:52 > 0:13:54# See we thought that we saw that he had a gun.
0:13:54 > 0:13:57# Thought that it looked like he started to run.
0:13:57 > 0:13:59# Thought that we saw that he had a gun.
0:13:59 > 0:14:02# Thought that it looked like he started to run.
0:14:02 > 0:14:03# Am I.
0:14:03 > 0:14:05# Am I.
0:14:05 > 0:14:07# Gonna be a witness?
0:14:07 > 0:14:11# Gonna be a witness?
0:14:11 > 0:14:13# Am I.
0:14:13 > 0:14:16# Am I.
0:14:16 > 0:14:18# Gonna be a witness?
0:14:18 > 0:14:22# Gonna be a witness?
0:14:22 > 0:14:24# Do you need another reason to get up.
0:14:24 > 0:14:27# See how fast they turn when you're looking up.
0:14:27 > 0:14:28# They say your dangerous.
0:14:28 > 0:14:29# Cancerous.
0:14:29 > 0:14:30# Not to trust.
0:14:30 > 0:14:33# Now everybody that's can get the...
0:14:33 > 0:14:36# See we thought that we saw that he had a gun.
0:14:36 > 0:14:38# Thought that it looked like he started to run.
0:14:38 > 0:14:41# Thought that we saw that he had a gun.
0:14:41 > 0:14:43# Thought that it looked like he started to run.
0:14:43 > 0:14:45# Am I.
0:14:45 > 0:14:48# Am I.
0:14:48 > 0:14:50# Gonna be a witness?
0:14:50 > 0:14:53# Gonna be a witness?
0:14:53 > 0:14:56# Am I.
0:14:56 > 0:14:58# Am I.
0:14:58 > 0:15:00# Gonna be a witness?
0:15:01 > 0:15:03# Gonna be a witness?
0:15:04 > 0:15:06# Gonna be a witness?
0:15:14 > 0:15:17# Gonna be a witness?
0:15:17 > 0:15:19# Gonna be a witness?
0:15:20 > 0:15:26# Am I?
0:15:26 > 0:15:35# Whoooo.
0:15:40 > 0:15:49APPLAUSE.
0:15:49 > 0:15:51Witness, from his album, Witness, Benjamin Booker!
0:15:51 > 0:15:56APPLAUSE.
0:15:56 > 0:15:59Now, a wonderful songwriter from Louisville, Kentucky,
0:15:59 > 0:16:01who we welcome into the studio.
0:16:01 > 0:16:04Please big it up for Joan Shelley!
0:16:04 > 0:16:09APPLAUSE.
0:16:28 > 0:16:31# I saw you there.
0:16:31 > 0:16:36# Beside the light post.
0:16:36 > 0:16:39# Your shoulders square.
0:16:39 > 0:16:44# Against the night's cold.
0:16:44 > 0:16:49# I blamed the wind and my legs shook.
0:16:49 > 0:16:53# But your eyes, that hungry look.
0:16:53 > 0:16:57# It shot through me.
0:16:57 > 0:17:02# Didn't you see?
0:17:02 > 0:17:05# And now I dream.
0:17:05 > 0:17:10# I dream of you and me.
0:17:10 > 0:17:13# Out in the fall.
0:17:13 > 0:17:17# Always the fall.
0:17:17 > 0:17:22# I see the ground we walked and played.
0:17:22 > 0:17:27# I see the place that holds the weight.
0:17:27 > 0:17:31# The size of you.
0:17:31 > 0:17:35# Well, what I do.
0:17:35 > 0:17:40# Tell me where to lie and I will.
0:17:40 > 0:17:47# Ship unto you sent, where I find you.
0:17:49 > 0:17:52# Tie me to the banks and hold me.
0:17:52 > 0:18:00# Safe from all the storms that fall behind me.
0:18:00 > 0:18:05# Out on the blank sea.
0:18:05 > 0:18:08# And take my hands.
0:18:08 > 0:18:13# My idle time.
0:18:13 > 0:18:21# Push them to plant, the forms defined.
0:18:21 > 0:18:25# That it was all we had to do.
0:18:25 > 0:18:29# Reach the highest limb for fruit.
0:18:29 > 0:18:33# That was for you.
0:18:33 > 0:18:38# Only for you.
0:18:38 > 0:18:45# Tell me where to land, I'll aim my ship until you send,
0:18:45 > 0:18:51where I'll find you.
0:18:51 > 0:18:55# Tie me to the banks and hold me.
0:18:55 > 0:19:03# Safe from all the storms that fall behind me.
0:19:03 > 0:19:08# Out on the blank sea.
0:19:11 > 0:19:19APPLAUSE.
0:19:19 > 0:19:29Joan Shelley, Where I'll Find You.
0:19:30 > 0:19:33Now we go into what is becoming Legends Corner,
0:19:33 > 0:19:36known as Legends Corner because it is a corner
0:19:36 > 0:19:37where legends are.
0:19:37 > 0:19:39And the legend here now is Graham Gouldman.
0:19:39 > 0:19:40Welcome, Graham.
0:19:40 > 0:19:45APPLAUSE.
0:19:45 > 0:19:48A lovely table we have got here.
0:19:48 > 0:19:52It is great to have you here on the show and some of the original
0:19:52 > 0:19:54members of 10cc and some new members as well.
0:19:54 > 0:19:57What is the current line-up?
0:19:57 > 0:19:59The current line-up is we have got Rick Fenn, who has been
0:19:59 > 0:20:01with the band since 1976.
0:20:01 > 0:20:04Paul Burgess, who has been with us since 1973,
0:20:04 > 0:20:07from when the original four of us went on the road.
0:20:07 > 0:20:10We have got Mick Wilson, who has been with us
0:20:10 > 0:20:11for a mere 20 years.
0:20:11 > 0:20:12New boy?
0:20:12 > 0:20:16And Keith Hayman, 12 years, very new boy.
0:20:16 > 0:20:18Bands that have been together for a long time or have played
0:20:18 > 0:20:22together often have huge rows and a love-hate relationship.
0:20:22 > 0:20:25It is that true with your band or how does it work?
0:20:25 > 0:20:29The band that exists today are really like a bunch of friends.
0:20:29 > 0:20:31And we get on really well.
0:20:31 > 0:20:35When we play, people come up to us all the time and say,
0:20:35 > 0:20:37you look like you are really enjoying yourselves.
0:20:37 > 0:20:39And the fact is, we really are.
0:20:39 > 0:20:40We love playing together.
0:20:40 > 0:20:42Is he your friend?
0:20:42 > 0:20:43Yes?
0:20:43 > 0:20:44They all say yes!
0:20:44 > 0:20:47Just checking!
0:20:47 > 0:20:50Of course, you have written lots of songs for 10cc but also
0:20:50 > 0:20:52lots of songs for other people.
0:20:52 > 0:20:53Herman's Hermits, No Milk Today.
0:20:53 > 0:20:55The Hollies, Bus Stop.
0:20:55 > 0:20:57The Yardbirds, For Your Love.
0:20:57 > 0:21:00What is the favourite of your songs you have written?
0:21:00 > 0:21:03That is a tough one but I think I would have to say Bus Stop.
0:21:03 > 0:21:05I really like doing that.
0:21:05 > 0:21:07For me, as a songwriter, that was the nearest I got
0:21:07 > 0:21:09to what I was looking for.
0:21:09 > 0:21:11And what was it you were looking for?
0:21:11 > 0:21:14Just some sort of perfection that you can never really attain.
0:21:14 > 0:21:15There's always something.
0:21:15 > 0:21:18But I love that song very much.
0:21:18 > 0:21:21And when you had written that song, did you think, right,
0:21:21 > 0:21:25I have got to get it to The Hollies or I have to get it to anybody?
0:21:25 > 0:21:26How did it work?
0:21:26 > 0:21:27I actually wrote it for The Hollies.
0:21:27 > 0:21:29Because they had already recorded a song of mine,
0:21:29 > 0:21:31Look Through Any Window, prior to that.
0:21:31 > 0:21:34And as it happens, I was playing in a band that was supporting
0:21:34 > 0:21:38The Hollies at Stoke Town Hall and they said, have
0:21:38 > 0:21:39you got any songs?
0:21:39 > 0:21:40I said, yes, I have just written one.
0:21:40 > 0:21:44And we went to the quietest and smallest room in the building
0:21:44 > 0:21:47and I played it to them and they said it's great,
0:21:47 > 0:21:49make a demo and we'll record it.
0:21:49 > 0:21:51I think within about three weeks, they had recorded it.
0:21:51 > 0:21:54Now, we have a clip in a moment of Rubber Bullets,
0:21:54 > 0:21:57which is 10cc in concert in 1974.
0:21:57 > 0:21:59What inspired that song?
0:21:59 > 0:22:02Well, this song was originally...
0:22:02 > 0:22:05The original idea came from Kevin and Lol.
0:22:05 > 0:22:08I sort of joined in at the end of it and wrote the middle part.
0:22:08 > 0:22:11It was really films like Angels With Dirty Faces,
0:22:11 > 0:22:14those Jimmy Cagney films, with the padre and the priest
0:22:14 > 0:22:18looking after the prisoners.
0:22:18 > 0:22:21And it was an absolutely brilliant song, I think.
0:22:21 > 0:22:25We have a little bit, if we can take you down the time tunnel,
0:22:25 > 0:22:27out of Legends Corner, down the time tunnel.
0:22:27 > 0:22:28And here we go...
0:22:28 > 0:22:29# Well, the band were playing.
0:22:29 > 0:22:33# And the booze began to flow.
0:22:33 > 0:22:39# But the sound came over on the police car radio.
0:22:39 > 0:22:42# Down at Precinct forty-nine.
0:22:42 > 0:22:45# Having a tear-gas of a time.
0:22:45 > 0:22:47# Sergeant Baker got a call from the governor
0:22:47 > 0:22:51of the county jail.
0:22:51 > 0:22:57# Load up, load up, load up with rubber bullets.
0:22:57 > 0:23:03# Load up, load up, load up with rubber bullets.
0:23:03 > 0:23:06# I love to hear those convicts squeal.
0:23:06 > 0:23:09# It's a shame these slugs ain't real.
0:23:09 > 0:23:15# But we can't have dancin' at the local county jail.
0:23:15 > 0:23:17APPLAUSE.
0:23:17 > 0:23:18Nice.
0:23:18 > 0:23:19Two drummers.
0:23:19 > 0:23:22Yes, you have to have two!
0:23:22 > 0:23:24Bookends as drummers, drummer at either end, there.
0:23:24 > 0:23:26That was 1974.
0:23:26 > 0:23:29In music and in the world, what do you think was
0:23:29 > 0:23:33better and worse in 1974?
0:23:33 > 0:23:35I think the music was great in 1974.
0:23:35 > 0:23:40For me, the '60s were where my roots came from.
0:23:40 > 0:23:44And I think there was a lot of prog rock towards the end of it.
0:23:44 > 0:23:48I didn't really care for that too much.
0:23:48 > 0:23:53But I think the '70s as a decade was a great music decade.
0:23:53 > 0:23:54Yeah.
0:23:54 > 0:23:57Finally, and I would just like to get this straight
0:23:57 > 0:24:00because has been a lot of conjecture over the years in the newspapers
0:24:00 > 0:24:04about the meaning behind the name of 10cc.
0:24:04 > 0:24:07For once and for all, where does the name come from?
0:24:07 > 0:24:09What does it mean?
0:24:09 > 0:24:10I will tell you the truth.
0:24:10 > 0:24:14The name 10cc was thought up by Jonathan King,
0:24:14 > 0:24:17who ran our first record label, UK Records.
0:24:17 > 0:24:21He came up to our studio, we were born in the studio,
0:24:21 > 0:24:24we had not been on the road, we weren't a real band.
0:24:24 > 0:24:25He said, have you got a name?
0:24:25 > 0:24:26We said, no.
0:24:26 > 0:24:29He said, I had a dream last night I was standing in front
0:24:29 > 0:24:32of the Hammersmith Apollo and on the hoarding it said 10cc -
0:24:32 > 0:24:34the best band in the world.
0:24:34 > 0:24:38And we said, that'll do!
0:24:38 > 0:24:39We didn't really stress it!
0:24:39 > 0:24:40OK.
0:24:40 > 0:24:42So nothing lewd, really?
0:24:42 > 0:24:45I think you are referring to the fact that the average
0:24:45 > 0:24:47male ejaculation is 9cc?
0:24:47 > 0:24:49That's the bit I was trying to get to!
0:24:49 > 0:24:51That's the one!
0:24:51 > 0:24:53Well, we use that because it's shorter and more interesting.
0:24:53 > 0:24:56Yes, that was what I was trying to get to the bottom of.
0:24:56 > 0:24:58Thank you so much for joining us!
0:24:58 > 0:24:59Graham Gouldman of 10cc.
0:24:59 > 0:25:02If I see a bit of innuendo in that script, I whip it out immediately!
0:25:02 > 0:25:07So, now, over in this corner, please welcome Japandroids!
0:25:17 > 0:25:23# Born to marry the bottle in a ceremony that lasts forever.
0:25:23 > 0:25:27# And cursed to carry on a bus and all alone.
0:25:27 > 0:25:31# Weak and weary on the run and on the road.
0:25:31 > 0:25:34# But if you'll hide me and heal me in your.
0:25:34 > 0:25:38# Sanctuary, I'll stay forever so.
0:25:38 > 0:25:41# Leave the light on, I'll leave the bottle to its own.
0:25:41 > 0:25:46# So many miles.
0:25:46 > 0:25:50# So much to lose.
0:25:50 > 0:25:53# A devil by my side.
0:25:53 > 0:25:58# And right between us two.
0:25:58 > 0:26:05# And I pray those yellow lines on the I5.
0:26:05 > 0:26:08# Bring me back home to you.
0:26:08 > 0:26:12# Bring me back home to you.
0:26:12 > 0:26:15# Back home to you.
0:26:22 > 0:26:28# Born to marry the bottle in a ceremony that lasts forever and.
0:26:28 > 0:26:32# Cursed to carry on a bus and all alone.
0:26:32 > 0:26:36# Weak and weary on the run and on the road.
0:26:36 > 0:26:39# But if you'll hide me and heal me in your.
0:26:39 > 0:26:43# Sanctuary, I'll stay forever so.
0:26:43 > 0:26:48# Leave the light on, I'll leave the bottle to its own.
0:26:49 > 0:26:52# So many miles.
0:26:52 > 0:26:55# So much to lose.
0:26:55 > 0:26:58# A devil by my side.
0:26:58 > 0:27:03# And right between us two.
0:27:03 > 0:27:09# And I pray those yellow lines on the I5.
0:27:09 > 0:27:12# Bring me back home to you.
0:27:12 > 0:27:16# Bring me back home to you.
0:27:16 > 0:27:20# Back home to you.
0:28:06 > 0:28:09# So many miles.
0:28:09 > 0:28:13# So much to lose.
0:28:13 > 0:28:16# A devil by my side.
0:28:16 > 0:28:20# And right between us two.
0:28:20 > 0:28:26# And I pray those yellow lines on the I5.
0:28:26 > 0:28:29# Bring me back home to you.
0:28:29 > 0:28:33# Bring me back home to you.
0:28:33 > 0:28:35# Back home to you.
0:28:36 > 0:28:37# Back home to you.
0:28:37 > 0:28:39# Back home to you.
0:28:39 > 0:28:41# Back home to you.
0:28:41 > 0:28:42# Back home to you.
0:28:42 > 0:28:44# Back home to you.
0:28:44 > 0:28:45# Bring me back home to you.
0:28:45 > 0:28:47# Back home to you.
0:28:47 > 0:28:51# Back home to you.
0:28:51 > 0:29:01APPLAUSE.
0:29:47 > 0:29:51# I'm not in love.
0:29:51 > 0:29:56# So don't forget it.
0:29:56 > 0:29:57# It's just a silly phase.
0:29:57 > 0:30:03# I'm going through.
0:30:03 > 0:30:05# And just because.
0:30:05 > 0:30:10# I call you up.
0:30:10 > 0:30:13# Don't get me wrong.
0:30:13 > 0:30:17# Don't think you've got it made.
0:30:17 > 0:30:19# I'm not in love.
0:30:19 > 0:30:21# No, no.
0:30:21 > 0:30:25# It's because...
0:30:25 > 0:30:29# I like to see you.
0:30:29 > 0:30:30# But then again.
0:30:30 > 0:30:34# That doesn't mean.
0:30:34 > 0:30:36# You mean that much to me.
0:30:36 > 0:30:37# So if I call you.
0:30:37 > 0:30:46# Don't make a fuss.
0:30:46 > 0:30:51# Don't tell your friends.
0:30:51 > 0:30:55# About the two of us.
0:30:55 > 0:31:01# I'm not in love.
0:31:01 > 0:31:02# No, no.
0:31:02 > 0:31:06# It's because...
0:31:06 > 0:31:12# Ooh, you'll wait a long time for me.
0:31:12 > 0:31:19# Ooh, you'll wait a long time.
0:31:19 > 0:31:27# Ooh, you'll wait a long time for me.
0:31:27 > 0:31:37# Ooh, you'll wait a long time.
0:31:37 > 0:31:38# I keep your picture.
0:31:38 > 0:31:41# Upon the wall.
0:31:41 > 0:31:44# It hides a nasty stain.
0:31:44 > 0:31:48# That's lying there.
0:31:48 > 0:31:52# So don't you ask me.
0:31:52 > 0:31:55# To give it back.
0:31:55 > 0:31:57# I know you know.
0:31:57 > 0:32:02# It doesn't mean that much to me.
0:32:02 > 0:32:11# I'm not in love.
0:32:28 > 0:32:38# Aah, aah.
0:32:50 > 0:32:51# Aah, aah.
0:32:51 > 0:32:57# Ooh, baby.
0:32:57 > 0:33:06# I'm not in love, I'm not in love.
0:33:06 > 0:33:23# Yeah, yeah.
0:33:23 > 0:33:27CHEERING AND APPLAUSE.
0:33:31 > 0:33:32Great song.
0:33:32 > 0:33:37Originally released in 1975, 10CC.
0:33:37 > 0:33:41Before that, Japandroids!
0:33:41 > 0:33:45And now, let's welcome an artist whose song is a
0:33:45 > 0:33:48big hit all over the world.
0:33:48 > 0:33:50She is from Bergen in Norway and she is
0:33:50 > 0:33:52going to do an acoustic version of the song
0:33:52 > 0:33:54you might have been hearing on the
0:33:54 > 0:33:55radio.
0:33:55 > 0:33:56Please welcome, Sigrid.
0:33:56 > 0:34:03CHEERING AND APPLAUSE.
0:34:15 > 0:34:22# You shut me down, you like the control.
0:34:22 > 0:34:29# You speak to me like I'm a child.
0:34:29 > 0:34:35# Try to hold it down, I know the answer.
0:34:35 > 0:34:41# I can't shake it off and you feel threatened by me.
0:34:41 > 0:34:43# I tried to play it nice but.
0:34:43 > 0:34:46# Oh-oh-oh, ooh, ooh.
0:34:46 > 0:34:50# Don't kill my vibe.
0:34:50 > 0:34:53# Oh-oh-oh, ooh, ooh.
0:34:53 > 0:34:56# Don't break my stride.
0:34:56 > 0:35:00# You think you're so important to me, don't you?
0:35:00 > 0:35:03# But I wanted you to know that you don't belong here.
0:35:03 > 0:35:06# You think you're so important to me, don't you?
0:35:06 > 0:35:10# Don't kill my vibe.
0:35:10 > 0:35:17# You love to tear me down, you pick me apart.
0:35:17 > 0:35:23# Then build me up like I depend on you.
0:35:23 > 0:35:31# But I throw myself from heights that used to scare me.
0:35:31 > 0:35:36# Guess you're surprised I'm the puzzle you can't figure out.
0:35:36 > 0:35:38# I tried to play it nice but.
0:35:38 > 0:35:40# Oh-oh-oh, ooh, ooh.
0:35:40 > 0:35:44# Don't kill my vibe.
0:35:44 > 0:35:47# Oh-oh-oh, ooh, ooh.
0:35:47 > 0:35:50# Don't break my stride.
0:35:50 > 0:35:52# I tried to play it nice but.
0:35:52 > 0:35:54# You think you're so important to me, don't you?
0:35:54 > 0:35:57# But I wanted you to know that you don't belong here.
0:35:57 > 0:36:00# You think you're so important to me, don't you?
0:36:00 > 0:36:04# Don't kill my vibe.
0:36:04 > 0:36:20# Say I'm young, I don't care, I won't quit, no, no, no, ho.
0:36:20 > 0:36:23# You're acting like you hurt me but I'm not even listening.
0:36:23 > 0:36:24# Hey, no-ooh-ooh-ooh.
0:36:24 > 0:36:28# You're acting like you hurt me but I'm not even listening.
0:36:28 > 0:36:29# Don't kill.
0:36:29 > 0:36:39# Don't kill my vibe.
0:36:40 > 0:36:47# Don't kill my vibe.
0:36:47 > 0:36:49# I tried to play it nice but.
0:36:49 > 0:36:50# Oh-oh-oh, ooh, ooh.
0:36:50 > 0:36:51# Don't kill my vibe.
0:36:51 > 0:36:54# Oh-oh-oh, ooh, ooh.
0:36:54 > 0:36:56# Don't break my stride.
0:36:56 > 0:36:59# I tried to play it nice but.
0:36:59 > 0:37:01# You think you're so important to me, don't you?
0:37:01 > 0:37:04# But I wanted you to know that you don't belong here.
0:37:04 > 0:37:07# You think you're so important to me, don't you?
0:37:07 > 0:37:12# Don't kill my vibe.
0:37:12 > 0:37:16CHEERING AND APPLAUSE.
0:37:19 > 0:37:21Thank you so much, Sigrid!
0:37:21 > 0:37:23Don't Kill My Vibe and her album is coming
0:37:23 > 0:37:25this year and we look forward to hearing that,
0:37:25 > 0:37:31exquisite and unusual sound.
0:37:31 > 0:37:33Now we go back into this corner and enjoy the sensational
0:37:33 > 0:37:34Benjamin Booker!
0:37:34 > 0:37:42CHEERING AND APPLAUSE.
0:38:20 > 0:38:24# Somehow I'm so selfish, on my own.
0:38:24 > 0:38:30# I'll be damned if I don't get what I want.
0:38:30 > 0:38:35# Take it now while I have the chance.
0:38:35 > 0:38:42# Right now, I can only think for one.
0:38:42 > 0:38:44# It's right on you, right on you, right on you.
0:38:44 > 0:38:47# It's right on you, yeah, it's right on you.
0:38:47 > 0:38:54# Yeah, it's right on you.
0:38:54 > 0:38:57# Block those keys order G
0:38:57 > 0:39:04# It's like everything I touch is gold.
0:39:04 > 0:39:09# I'll be fine, stop by, 25.
0:39:09 > 0:39:16# They say kids these days will live forever.
0:39:16 > 0:39:18# It's right on you, right on you, right on you.
0:39:18 > 0:39:21# It's right on you, yeah, it's right on you.
0:39:21 > 0:39:28# Yeah, it's right on you.
0:39:28 > 0:39:32# Death is hard to im-, is hard to im-.
0:39:32 > 0:39:38# Is hard to imagine.
0:39:38 > 0:39:43# Death is hard to im-, is hard to im-.
0:39:43 > 0:39:50# Is hard to imagine.
0:39:50 > 0:39:52# It's right on you, right on you, right on you.
0:39:52 > 0:39:56# It's right on you, yeah, it's right on you.
0:39:56 > 0:39:59# Yeah, it's right on you.
0:39:59 > 0:40:08CHEERING AND APPLAUSE.
0:40:24 > 0:40:27# Her ode to love.
0:40:27 > 0:40:36# Who rules your mind today.
0:40:38 > 0:40:40# What words hold you in their sway?
0:40:40 > 0:40:41# As you move your body like.
0:40:41 > 0:40:46# A puppet on its lines.
0:40:46 > 0:40:53# Too easy to see influence.
0:40:53 > 0:40:56# Rest up, lady.
0:40:56 > 0:41:02# Lay back now.
0:41:02 > 0:41:06# Here the hands, here the mouth.
0:41:06 > 0:41:19# If you were made for me.
0:41:19 > 0:41:29# We'd be home.
0:41:39 > 0:41:42# See the morning light.
0:41:42 > 0:41:45# Gentle as it tries.
0:41:45 > 0:41:54# To make you new every morning.
0:41:54 > 0:42:01# But if there is a light and stronger tools provided.
0:42:01 > 0:42:09# To fire and water throw you.
0:42:09 > 0:42:13# Rest up, lady.
0:42:13 > 0:42:16# Lay back now.
0:42:16 > 0:42:22# Here the hands, here the mouth.
0:42:22 > 0:42:34# If you were made for me.
0:42:34 > 0:42:43# Then we'd be home.
0:42:48 > 0:42:50CHEERING AND APPLAUSE.
0:42:57 > 0:43:00Sweet song.
0:43:00 > 0:43:01We'd Be Home.
0:43:01 > 0:43:02Joan Shelley!
0:43:02 > 0:43:05CHEERING AND APPLAUSE.
0:43:05 > 0:43:09Before that we enjoyed Benjamin Booker.
0:43:09 > 0:43:11Now I think we will change the vibrations
0:43:11 > 0:43:11once again.
0:43:11 > 0:43:13Are you ready for a different vibration?
0:43:13 > 0:43:14AUDIENCE: YES!
0:43:14 > 0:43:16Do you think that the people at home are ready
0:43:16 > 0:43:18for a different vibration?
0:43:18 > 0:43:19AUDIENCE: YES!
0:43:19 > 0:43:20It could be you, couldn't it?
0:43:20 > 0:43:22Let's change the vibration and make another
0:43:22 > 0:43:25wonderful sound appear which is, we welcome Ibibio Sound Machine!
0:43:25 > 0:43:28CHEERING AND APPLAUSE.
0:43:46 > 0:43:53SHE SINGS IN IBIBIO.
0:44:01 > 0:44:03# She looked at the open door.
0:44:03 > 0:44:05# Staring at the floor.
0:44:05 > 0:44:10# Heartbeat going so fast.
0:44:10 > 0:44:11# Land of confusion.
0:44:11 > 0:44:13# She got free at last.
0:44:13 > 0:44:14# Free at last to run.
0:44:14 > 0:44:20# Behind she don't know.
0:44:20 > 0:44:26SHE SINGS IN IBIBIO.
0:44:35 > 0:44:36# She's free to run.
0:44:36 > 0:44:38# Run and make a new start.
0:44:38 > 0:44:40# Should she go or should she stay?
0:44:40 > 0:44:42# In these walls she knows.
0:44:42 > 0:44:50# Behind she don't know.
0:44:50 > 0:44:55SHE SINGS IN IBIBIO.
0:45:39 > 0:45:44SHE SINGS IN IBIBIO.
0:46:06 > 0:46:14SHE RAPS IN IBIBIO.
0:46:50 > 0:47:12# Hey, hey, hey!
0:47:12 > 0:47:16SHE RAPS IN IBIBIO.
0:47:24 > 0:47:32CHEERING AND APPLAUSE.
0:47:32 > 0:47:36Marvellous.
0:47:36 > 0:47:41Ibibio Sound Machine!
0:47:41 > 0:47:42From the Uyai record.
0:47:42 > 0:47:49Uyai!
0:47:49 > 0:47:51I can see somebody's mum doing a bit of rapping there.
0:47:51 > 0:47:54So now, let's change the vibrations, because we can.
0:47:54 > 0:47:57It's Japandroids!
0:48:02 > 0:48:08# Flesh is foreign, friends are far.
0:48:08 > 0:48:12# Decks run deep, sleep is minced or marred.
0:48:12 > 0:48:18# And it's all out war for the soul between.
0:48:18 > 0:48:23# Dreams that are hungry and the fears that feed.
0:48:23 > 0:48:29# But I'll carry it, by chariot, through blood and blows.
0:48:29 > 0:48:38# Under starless skies of fire, into great unknown.
0:48:38 > 0:48:40# Living on the lam and the frontier of.
0:48:40 > 0:48:46# A free life of free will for the thrill of your love.
0:49:04 > 0:49:08# Spill your secrets and paint my days.
0:49:08 > 0:49:14# Passion is your palette, your canvases cafes.
0:49:14 > 0:49:18# And null my nights in the harbour and hell.
0:49:18 > 0:49:23# Of the cantina's counsel and meals of mezcal.
0:49:23 > 0:49:25# Plans to settle down.
0:49:25 > 0:49:28# Plans to up and split.
0:49:28 > 0:49:33# Plans loose as the morals we are planning with.
0:49:33 > 0:49:38# Baby be the beast, but free what burdens be.
0:49:38 > 0:49:44# And I'll love you if you love me.
0:49:45 > 0:50:00# All life long, 'til I'm gone.
0:50:04 > 0:50:08# Cigarettes, sorcery, and biblical sins.
0:50:08 > 0:50:13# Hangovers, heathens, harlots, and anti-heroines.
0:50:13 > 0:50:18# The cabarets, the getaways, and the afterglow.
0:50:18 > 0:50:23# A little money and whatever's on the radio.
0:50:23 > 0:50:25# Plans to settle down.
0:50:25 > 0:50:28# Plans to up and split.
0:50:28 > 0:50:32# Plans loose as the morals we are planning with.
0:50:32 > 0:50:37# Baby be the beast, but free what burdens be.
0:50:37 > 0:50:45# And I'll love you if you love me.
0:50:45 > 0:51:04# All life long, 'til I'm gone.
0:51:04 > 0:51:23# All life.
0:51:23 > 0:51:38# All life long, 'til I'm gone.
0:51:38 > 0:51:44CHEERING AND APPLAUSE.
0:52:03 > 0:52:07# Happiness, haven't we been through this?
0:52:07 > 0:52:10# Tell you that I love you.
0:52:10 > 0:52:14# Just try smiling.
0:52:14 > 0:52:18# Some people take advantage.
0:52:18 > 0:52:25# But I know, sometimes you don't mind.
0:52:25 > 0:52:27# Freshen up, I see her in the party.
0:52:27 > 0:52:34# Just stay a little longer, at least try and smile.
0:52:34 > 0:52:37# The perk of getting older.
0:52:37 > 0:52:43# Is learning to ignore the way we feel.
0:52:43 > 0:52:50# And that's hardly working, hardly working, hardly working.
0:52:50 > 0:52:53# Out.
0:52:53 > 0:52:55# And it's been hardly working.
0:52:55 > 0:52:58# Hardly working.
0:52:58 > 0:53:06# Hardly working out.
0:53:11 > 0:53:15# I know you give me all the things in life that I may never have had.
0:53:15 > 0:53:17# I know it's supposed to mean something.
0:53:17 > 0:53:20# Maybe I should just be glad.
0:53:20 > 0:53:22# But now I'm hearing voices.
0:53:22 > 0:53:26# Now I'm hearing voices.
0:53:26 > 0:53:36# You have got to get out now.
0:53:36 > 0:53:40# A new assurance brings a confidence I never had.
0:53:40 > 0:53:52# Now I'm making choices.
0:53:52 > 0:53:56# That I hardly knew.
0:53:57 > 0:54:03# Hallelujah.
0:54:03 > 0:54:05# We're off the ground.
0:54:05 > 0:54:08# Hallelujah.
0:54:08 > 0:54:09# We're off the ground.
0:54:09 > 0:54:11# We're are all just lost in pieces.
0:54:11 > 0:54:12# Don't you worry.
0:54:12 > 0:54:14# Just remember.
0:54:14 > 0:54:21# I was almost gone.
0:54:24 > 0:54:25CHEERING AND APPLAUSE.
0:54:32 > 0:54:34The talent that is Benjamin Booker with his Off The Ground.
0:54:34 > 0:54:40From his Witness LP, before that, Japandroids!
0:54:40 > 0:54:41Can I just point out?
0:54:41 > 0:54:45Those whole set of amplifiers are just for him and quite rightly so
0:54:45 > 0:54:48and that is what gives them their power.
0:54:48 > 0:54:50But now we go into this corner, welcome back, the legendary
0:54:50 > 0:54:5110CC!
0:54:51 > 0:55:01CHEERING AND APPLAUSE.
0:55:05 > 0:55:08# Do the Wall Street shuffle.
0:55:08 > 0:55:13# Hear the money rustle.
0:55:13 > 0:55:18# Watch the greenbacks tumble.
0:55:18 > 0:55:23# Feel the sterling crumble.
0:55:23 > 0:55:26# You need a yen to make a mark.
0:55:26 > 0:55:28# If you want to make money.
0:55:28 > 0:55:31# You need the luck to make a buck.
0:55:31 > 0:55:36# If you want to be Getty, Rothschild.
0:55:36 > 0:55:40# You've gotta be cool on Wall Street.
0:55:40 > 0:55:41# When your index is low.
0:55:41 > 0:55:46# Dow Jones ain't got time for the bums.
0:55:46 > 0:55:50# They wind up on skid row with holes in their pockets.
0:55:50 > 0:55:53# They plead with you, buddy can you spare the dime.
0:55:53 > 0:55:55# But you ain't got the time.
0:55:55 > 0:56:07# Doin' the.
0:56:07 > 0:56:12# Oh, Howard Hughes.
0:56:12 > 0:56:16# Did your money make you better?
0:56:16 > 0:56:18# Are you waiting for the hour.
0:56:18 > 0:56:22# When you can screw me?
0:56:22 > 0:56:23# 'Cause you're big enough.
0:56:23 > 0:56:28# To do the Wall Street Shuffle.
0:56:28 > 0:56:33# Let your money hustle.
0:56:33 > 0:56:38# Bet you'd sell your mother.
0:56:38 > 0:56:47# You can buy another.
0:57:25 > 0:57:35# Doin' the.
0:57:35 > 0:57:36# You buy and sell.
0:57:36 > 0:57:37# You wheel and deal.
0:57:37 > 0:57:39# But you're living on instinct.
0:57:39 > 0:57:40# You get a tip.
0:57:40 > 0:57:42# You follow it.
0:57:42 > 0:57:48# And you make a big killing.
0:57:48 > 0:57:58# On Wall Street.
0:58:56 > 0:59:00CHEERING AND APPLAUSE.
0:59:00 > 0:59:02Thank you, 10CC.
0:59:02 > 0:59:03Wall Street Shuffle.
0:59:03 > 0:59:05You can discover more about all the different people we
0:59:05 > 0:59:07have if you go to our website.
0:59:07 > 0:59:11We will be back on Tuesday at ten o'clock, live with Paul Weller, and
0:59:11 > 0:59:14much more, but let's end with a little bit of a groove that
0:59:14 > 0:59:16maybe could involve everyone in the room
0:59:16 > 0:59:18and perhaps you as well.
0:59:18 > 0:59:20I suggest at this moment that you turn your
0:59:20 > 0:59:24television up just a little bit and get a percussive instrument ready.
0:59:24 > 0:59:27It might just be a teaspoon on the edge of a cup of coffee,
0:59:27 > 0:59:28but could you give us that the groove, please?
0:59:29 > 0:59:31We are in the key of E if you are at home.
0:59:44 > 0:59:50Give me the microphone here, please.
0:59:50 > 0:59:52# Yeah, yeah.
0:59:52 > 1:00:00AUDIENCE: # YEAH, YEAH.
1:00:00 > 1:00:00Keep going.
1:00:00 > 1:00:04Thank you to all our guests.
1:00:04 > 1:00:07Benjamin Booker!
1:00:07 > 1:00:13Joan Shelley.
1:00:13 > 1:00:15Japandroids.
1:00:15 > 1:00:20Dazzling.
1:00:20 > 1:00:24Sigrid!
1:00:24 > 1:00:34We love Ibibio Sound Machine.
1:00:39 > 1:00:43I hope you have got something going at home.
1:00:43 > 1:00:49Thank you, 10CC!
1:00:49 > 1:00:52Get ready to turn it.
1:00:52 > 1:00:56One, two, one, two, three and...