Episode 8

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0:00:29 > 0:00:32CHEERING AND APPLAUSE

0:00:33 > 0:00:38Welcome back to Later, and welcome to The xx.

0:00:48 > 0:00:50# I don't blame you

0:00:52 > 0:00:55# We got carried away

0:00:56 > 0:00:58# I can't hold on

0:00:59 > 0:01:02# To an empty space

0:01:03 > 0:01:07# Now you've found a new star to orbit

0:01:07 > 0:01:09# It could be love

0:01:09 > 0:01:12# I think you're too soon to call us old

0:01:13 > 0:01:17# When and where did we go cold?

0:01:17 > 0:01:21# I thought I had you on hold

0:01:21 > 0:01:24# Every time I let you leave

0:01:24 > 0:01:27# I always saw you coming back to me

0:01:29 > 0:01:32# When and where did we go cold?

0:01:32 > 0:01:35# I thought I had you on hold

0:01:35 > 0:01:38# Where does it stop? Where does it stop?

0:01:38 > 0:01:42# You've got the body You've got the body

0:01:42 > 0:01:45# Where does it stop? Where does it stop?

0:01:45 > 0:01:46# Where do you dare me to?

0:01:46 > 0:01:48# You got the body You got the body

0:01:48 > 0:01:50# I thought I had you on hold

0:01:50 > 0:01:52# Where does it stop? Where does it stop?

0:01:52 > 0:01:54# Where do you dare me to?

0:01:54 > 0:01:56# You've got the body You've got the body

0:01:56 > 0:01:58# Where do you dare me to?

0:01:58 > 0:02:00# Where does it stop? Where does it stop?

0:02:00 > 0:02:01# Where do you dare me to?

0:02:01 > 0:02:03# You've got the body You've got the body

0:02:03 > 0:02:05# Where do you dare me to? Dare me to

0:02:05 > 0:02:09# My young heart chose to believe

0:02:09 > 0:02:11# We were destined

0:02:13 > 0:02:15# Young hearts

0:02:15 > 0:02:17# All need love

0:02:17 > 0:02:18# Call it a lesson

0:02:20 > 0:02:22# The stars and the charts

0:02:22 > 0:02:24# And the cards make sense

0:02:24 > 0:02:26# Only when we want them to

0:02:28 > 0:02:32# When I lie awake staring into space

0:02:32 > 0:02:34# I see a different view

0:02:35 > 0:02:39# Now you've found a new star to orbit

0:02:39 > 0:02:41# It could be love

0:02:41 > 0:02:44# I think you're too soon to call us old

0:02:46 > 0:02:49# When and where did we go cold?

0:02:49 > 0:02:53# I thought I had you on hold

0:02:53 > 0:02:55# And every time I let you leave

0:02:56 > 0:03:00# I always saw you coming back to me

0:03:01 > 0:03:03# When and where did we go cold?

0:03:05 > 0:03:07# I thought I had you on hold

0:03:09 > 0:03:11# I thought I had you on hold

0:03:12 > 0:03:15# I thought I had you on hold

0:03:22 > 0:03:24# Where does it stop? Where does it stop?

0:03:24 > 0:03:26# Where do you dare me to?

0:03:26 > 0:03:28# You've got the body You've got the body

0:03:28 > 0:03:30# Where do you dare me to?

0:03:30 > 0:03:32# Where does it stop? Where does it stop?

0:03:32 > 0:03:34# Where do you dare me to?

0:03:34 > 0:03:36# You've got the body You've got the body

0:03:36 > 0:03:37# Where do you dare me to?

0:03:37 > 0:03:39# Where does it stop? Where does it stop?

0:03:39 > 0:03:41# Where do you dare me to?

0:03:41 > 0:03:43# You've got the body You've got the body

0:03:43 > 0:03:45# Where do you dare me to? Dare me to

0:03:45 > 0:03:47# Where does it stop? Where does it stop?

0:03:47 > 0:03:49# Where do you dare me to?

0:03:49 > 0:03:51# You've got the body You've got the body

0:03:51 > 0:03:53# Dare me to, dare me to

0:03:54 > 0:03:57# And every time I let you leave

0:03:57 > 0:04:01# I always saw you coming back to me

0:04:02 > 0:04:06# When and where did we all cold?

0:04:06 > 0:04:14# I thought I had you on hold

0:04:14 > 0:04:16# I thought I had you on hold. #

0:04:27 > 0:04:28CHEERING AND APPLAUSE

0:04:33 > 0:04:38Certainly lively to have them back in this room, The xx, with On Hold.

0:04:38 > 0:04:41More from them this evening. Tonight, a room full of

0:04:41 > 0:04:44extraordinary people from extraordinary places in the world.

0:04:44 > 0:04:45From New Orleans,

0:04:45 > 0:04:48we're going to be welcoming Trombone Shorty Orleans Avenue.

0:04:50 > 0:04:55Another one of my favourite places, from Jamaica, we welcome Chronixx.

0:04:55 > 0:04:57Another one of my favourite places,

0:04:57 > 0:05:01from Nashville, we will be welcoming Maren Morris.

0:05:02 > 0:05:04And we have an intimate chat with Goldie

0:05:04 > 0:05:07and with Tim Westwood.

0:05:07 > 0:05:11Nice to see you. More chats in a moment.

0:05:11 > 0:05:14From Los Angeles, it will be the wonderful Haim.

0:05:16 > 0:05:21And now from Brighton, we're pleased to welcome back Royal Blood.

0:05:21 > 0:05:24CHEERING AND APPLAUSE

0:05:28 > 0:05:31# Every time I'm with it alone

0:05:33 > 0:05:35# It picks me up

0:05:35 > 0:05:37# You just send me down

0:05:39 > 0:05:42# I can feel it rushing under my skin

0:05:44 > 0:05:48# You're a cage, won't you let me in?

0:05:50 > 0:05:51# On my toes

0:05:52 > 0:05:55# Lock the door

0:05:55 > 0:05:56# Pretty face

0:05:58 > 0:05:59# Through the walls

0:06:01 > 0:06:05# Don't know if I'd be so sure again

0:06:05 > 0:06:06# Oh

0:06:10 > 0:06:12# My eyes are still burning red

0:06:15 > 0:06:18# So turn the lights out

0:06:20 > 0:06:23# You're not so hard to forget

0:06:26 > 0:06:28# With all the lights out

0:06:39 > 0:06:42# Every time I'm stuck in the ground

0:06:43 > 0:06:47# Spin me round, won't you spin me round?

0:06:49 > 0:06:54# You're a void, a crack in the mirror

0:06:55 > 0:06:58# See me now, if you could see me now

0:07:00 > 0:07:01# You slipped through

0:07:03 > 0:07:05# The night

0:07:05 > 0:07:07# Then walked out

0:07:08 > 0:07:10# Skin tight

0:07:11 > 0:07:15# But you don't matter that much to me

0:07:16 > 0:07:20# No, you don't matter that much to me

0:07:26 > 0:07:29# My eyes are still burning red

0:07:31 > 0:07:34# So turn the lights out

0:07:36 > 0:07:39# You're not so hard to forget

0:07:42 > 0:07:45# With all the lights out

0:07:47 > 0:07:50# So turn the lights out

0:07:52 > 0:07:55# Just turn the lights out

0:08:47 > 0:08:50# My eyes are still burning red

0:08:52 > 0:08:55# So turn the lights out

0:08:58 > 0:09:00# You're not so hard to forget

0:09:03 > 0:09:05# With all the lights out. #

0:09:23 > 0:09:25CHEERING AND APPLAUSE

0:09:31 > 0:09:35What an extraordinarily powerful sound from just two men.

0:09:35 > 0:09:37Thank you, Royal Blood, with Lights Out...

0:09:37 > 0:09:38CHEERING AND APPLAUSE

0:09:38 > 0:09:40..from How Did We Get So Dark? album.

0:09:43 > 0:09:47So now, a man from one of my favourite places, New Orleans,

0:09:47 > 0:09:50performing one of the songs from his fantastic new record.

0:09:50 > 0:09:52He's going to be doing an Allen Toussaint song,

0:09:52 > 0:09:56we welcome Trombone Shorty Orleans Avenue.

0:09:56 > 0:09:58CHEERING AND APPLAUSE

0:10:24 > 0:10:26# Here come the girls, girls

0:10:26 > 0:10:28# Girls, girls, girls

0:10:28 > 0:10:31# Here come the girls, girls

0:10:31 > 0:10:32# Girls, girls, girls

0:10:32 > 0:10:34# You looking so good

0:10:34 > 0:10:37# It's a darn god shame, that they all couldn't be mine

0:10:37 > 0:10:38# You looking so pretty

0:10:38 > 0:10:40# It's a darn god pity

0:10:40 > 0:10:41# Oh, you're looking so fine

0:10:41 > 0:10:43# I say, look out, brother

0:10:43 > 0:10:46# Let me get further, little closer to the one I love

0:10:46 > 0:10:48# Anything better than the opposite sex

0:10:48 > 0:10:50# They must-a kept it up above

0:10:50 > 0:10:52# Here come the girls, girls

0:10:52 > 0:10:54# Girls, girls, girls

0:10:54 > 0:10:56# Here come the girls, girls

0:10:56 > 0:10:59# Girls, girls, girls

0:10:59 > 0:11:01# I can live without coffee, I can live without tea

0:11:01 > 0:11:03# But I'm livid about the honeybee

0:11:03 > 0:11:04# I'm not a fillet steak

0:11:04 > 0:11:06# I can leave or take

0:11:06 > 0:11:08# But the girls are part of me

0:11:08 > 0:11:10# I say, oh, water

0:11:10 > 0:11:12# I don't need no lemonade

0:11:12 > 0:11:14# But to live without girls

0:11:14 > 0:11:15# I can't live without girls

0:11:15 > 0:11:17# It's like a man with a hole in his head

0:11:17 > 0:11:19# Here come the girls, girls

0:11:19 > 0:11:20# Girls, girls, girls

0:11:20 > 0:11:23# Here come the girls, girls

0:11:23 > 0:11:25# Girls, girls, girls

0:11:25 > 0:11:27# Bored out of my head

0:11:27 > 0:11:30# While the foxes do their thing

0:11:30 > 0:11:32# You make me feel so good inside

0:11:32 > 0:11:34# I got to jump up and sing

0:11:34 > 0:11:37# I said, nah-nah-nah-nah-nah

0:11:37 > 0:11:39# Nah-nah-nah

0:11:39 > 0:11:41# Nah-nah-nah-nah-nah

0:11:41 > 0:11:43# Nah-nah-nah

0:11:43 > 0:11:45# Nah-nah-nah-nah-nah

0:11:45 > 0:11:47# Nah-nah-nah

0:11:47 > 0:11:50# Nah-nah-nah-nah-nah

0:11:50 > 0:11:52# Nah-nah-nah

0:11:54 > 0:11:57# I'm not saying I can live on love alone

0:11:59 > 0:12:01# That's the only thing that turns me on

0:12:03 > 0:12:05# I was born to be free just once

0:12:05 > 0:12:06# Freedom of choice

0:12:06 > 0:12:08# Ring that bell

0:12:08 > 0:12:09# Give all the girls to me

0:12:09 > 0:12:11# Here come the girls, girls

0:12:11 > 0:12:13# Girls, girls, girls

0:12:13 > 0:12:16# Here come the girls, girls

0:12:16 > 0:12:18# Girls, girls, girls

0:12:18 > 0:12:20# Here come the girls, girls

0:12:20 > 0:12:22# Girls, girls, girls

0:12:22 > 0:12:24# Here come the girls, girls

0:12:24 > 0:12:26# Yeah! #

0:13:33 > 0:13:34CHEERING AND APPLAUSE

0:13:43 > 0:13:45Trombone Shorty Orleans Avenue.

0:13:45 > 0:13:48Here Come The Girls

0:13:48 > 0:13:51from his terrific new record Parking Lot Symphony.

0:13:54 > 0:13:59In every corner of this room there is contrasting, brilliant music.

0:13:59 > 0:14:02In this corner we now welcome back into the studio some people

0:14:02 > 0:14:05who not that long ago were on our Hootenanny!

0:14:05 > 0:14:07CHEERING Exactly.

0:14:07 > 0:14:09And we're very pleased to have them back here now.

0:14:09 > 0:14:11From Los Angeles, we welcome Haim.

0:14:11 > 0:14:12CHEERING AND APPLAUSE

0:14:22 > 0:14:25# Some things are long forgotten

0:14:26 > 0:14:29# Some things were never said

0:14:31 > 0:14:35# We were on one endless road, baby

0:14:35 > 0:14:39# But I had a wandering heart

0:14:39 > 0:14:43# I said, we were opposite lovers Said it from the beginning

0:14:43 > 0:14:48# You kept trying to prove me wrong Said you'd always see it through

0:14:48 > 0:14:50# But I know that I ran you down

0:14:52 > 0:14:56# So you ran away with your heart

0:14:56 > 0:14:59# But just know that I want you back

0:15:00 > 0:15:03# Just know that I want you back

0:15:05 > 0:15:06# Just know that I want you

0:15:06 > 0:15:09# I'll take the fall and the fault in us

0:15:09 > 0:15:11# I'll give you all the love I never gave before I left you

0:15:13 > 0:15:16# Just know that I want you back

0:15:17 > 0:15:20# Just know that I want you back

0:15:22 > 0:15:24# Just know that I want you

0:15:24 > 0:15:26# I'll take the fall and the fault in us

0:15:26 > 0:15:28# I'll give you all the love I never gave before I left you

0:15:30 > 0:15:33# I know it's hard to hear it

0:15:34 > 0:15:37# And it may never be enough

0:15:38 > 0:15:41# But don't take it out on me now

0:15:43 > 0:15:46# Cos I blame it all on myself

0:15:47 > 0:15:51# And I had a fear of forgiveness Said it from the beginning

0:15:51 > 0:15:56# I was too proud to say I was wrong Said you'd always see me through

0:15:56 > 0:15:58# All that time is gone

0:15:58 > 0:16:00# No more fearing control

0:16:00 > 0:16:04# I'm ready for the both of us now

0:16:04 > 0:16:07# Just know that I want you back

0:16:08 > 0:16:11# Just know that I want you back

0:16:12 > 0:16:14# Just know that I want you

0:16:14 > 0:16:16# I'll take the fall and the fault in us

0:16:16 > 0:16:19# I'll give you all the love I never gave before I left you

0:16:21 > 0:16:24# Just know that I want you back

0:16:26 > 0:16:28# Just know that I want you back

0:16:29 > 0:16:32# Just know that I want you

0:16:32 > 0:16:34# I'll take the fall and the fault in us

0:16:34 > 0:16:37# I'll give you all the love I never gave before I left you

0:16:38 > 0:16:41# Just know that I want you back

0:16:42 > 0:16:45# Just know that I want you back

0:16:46 > 0:16:48# Just know that I want you

0:16:48 > 0:16:50# I'll take the fall and the fault in us

0:16:50 > 0:16:54# I'll give you all the love I never gave before I left you

0:16:55 > 0:16:58# Just know that I want you back

0:17:00 > 0:17:03# Just know that I want you back

0:17:03 > 0:17:05# Just know that I want you

0:17:05 > 0:17:08# I'll take the fall and the fault in us

0:17:08 > 0:17:10# I'll give you all the love I never gave before I left you

0:17:12 > 0:17:15# Just know that I want you back

0:17:16 > 0:17:19# Just know that I want you back

0:17:20 > 0:17:22# Just know that I want you

0:17:22 > 0:17:24# I'll take the fall and the fault in us

0:17:24 > 0:17:27# I'll give you all the love I never gave before I left you

0:17:29 > 0:17:32# Just know that I want you back

0:17:33 > 0:17:36# Just know that I want you back

0:17:37 > 0:17:39# Just know that I want you

0:17:39 > 0:17:41# I'll take the fall and the fault in us

0:17:41 > 0:17:44# I'll give you all the love I never gave before I left you

0:17:46 > 0:17:49# Just know that I want you back

0:17:50 > 0:17:54# Just know that I want you back, baby

0:17:54 > 0:17:56# Just know that I want you

0:17:56 > 0:17:58# I'll take the fall and the fault in us

0:17:58 > 0:18:01# I'll give you all the love I never gave before I left you. #

0:18:07 > 0:18:08CHEERING AND APPLAUSE

0:18:15 > 0:18:17Want You Back

0:18:17 > 0:18:19from their excellent new album Something To Tell You.

0:18:19 > 0:18:21Thank you, Haim.

0:18:27 > 0:18:30And now here next to my television on one side

0:18:30 > 0:18:33and a sensational guest on the other, we welcome Goldie.

0:18:33 > 0:18:36It's great to have you here.

0:18:36 > 0:18:38Good to see you tickling the old ivories out there.

0:18:38 > 0:18:42Oh, I love playing with them. I love all that.

0:18:42 > 0:18:43It's banging the piano, it's great.

0:18:43 > 0:18:46Now, congratulations on your new record. Thank you.

0:18:46 > 0:18:49It's a great record you've got here. It's the first one...

0:18:49 > 0:18:52It's almost 20 years. Why have we had to wait so long?

0:18:52 > 0:18:54I've been sitting in the sun a lot, really,

0:18:54 > 0:18:56just contemplating my life.

0:18:56 > 0:18:58Where have you been sitting in the sun?

0:18:58 > 0:19:00In Thailand, in Asia, so I thought, 20 years,

0:19:00 > 0:19:02it was a great album that was,

0:19:02 > 0:19:04and I thought, "It's about time I produced a really good album."

0:19:04 > 0:19:06And there's 16 tracks on there

0:19:06 > 0:19:08and there's a lot of diversity with it as well, which I like.

0:19:08 > 0:19:11Because you're like a producer, really, aren't you? Yeah.

0:19:11 > 0:19:14In that you bring lots of different artists together.

0:19:14 > 0:19:16Who have you brought together? With this, I mean,

0:19:16 > 0:19:18I was doing the Pat Metheny track on there with Pat

0:19:18 > 0:19:20which is Are You Going With Me?

0:19:20 > 0:19:21Which is my all-time favourite record.

0:19:21 > 0:19:23And then Jose James, from New York,

0:19:23 > 0:19:26we've been speaking a long time about putting this record together.

0:19:26 > 0:19:29And it's basically the Barry track that I wrote, I'd always wanted to redo that.

0:19:29 > 0:19:33I thought the original version was a bit macabre, so I thought... Which you wrote with him?

0:19:33 > 0:19:35Yeah, I wrote the track for him, which was Truth,

0:19:35 > 0:19:36which is kind of a lost track, really.

0:19:36 > 0:19:39It was one of those things that no-one ever realised

0:19:39 > 0:19:42I had wrote that and it was a ballad.

0:19:42 > 0:19:44So, I thought, "Let me just revisit the whole album."

0:19:44 > 0:19:47And especially working with Matt and the Heritage guys,

0:19:47 > 0:19:50it's been a really good, a good aspect to the music.

0:19:50 > 0:19:52Of course, you were a pioneer of drum and bass.

0:19:52 > 0:19:54Where does that come from in the first place?

0:19:54 > 0:19:57I think it was looking at Detroit techno music, really, and looking at

0:19:57 > 0:20:00what was happening with European kind of house music and stuff.

0:20:00 > 0:20:01And I think we kind of derived that,

0:20:01 > 0:20:03I mean, breakbeat, New York, was my whole thing,

0:20:03 > 0:20:05hip-hop in the '80s was a big influence.

0:20:05 > 0:20:09I think drummers were really my thing. I studied a lot of really good drummers

0:20:09 > 0:20:11and Art Blakey was one of the guys I looked at.

0:20:11 > 0:20:15A lot of pneumatic tape of Art Blakey stuff. He's great, isn't he? I mean, amazing.

0:20:15 > 0:20:17We've got a little clip of you here, so people can have an idea of

0:20:17 > 0:20:20what you're doing, which is on this screen here.

0:20:20 > 0:20:22# I'm a hustler, babe

0:20:22 > 0:20:23# No ifs and maybes

0:20:23 > 0:20:25# I go in for days

0:20:25 > 0:20:27# Homie, I'll all to play

0:20:27 > 0:20:29# I'm a hustler, baby

0:20:29 > 0:20:30# I'm never main

0:20:30 > 0:20:32# I'm going to bring the noise

0:20:32 > 0:20:34# Watch me tear it down

0:20:34 > 0:20:36# I'm a test away

0:20:36 > 0:20:37# From another place

0:20:37 > 0:20:39# To a brighter day

0:20:39 > 0:20:41# The way I pimp the game. #

0:20:41 > 0:20:43# Inner city life

0:20:43 > 0:20:46# Inner city pressure

0:20:46 > 0:20:49# Inner city life

0:20:49 > 0:20:52# Inner city pressure

0:20:52 > 0:20:55# Taking over me

0:20:55 > 0:20:58# Oh, yeah. #

0:21:00 > 0:21:03What's that footage from there that we've just seen?

0:21:03 > 0:21:06That was from... We did two nights at Ronnie Scott's.

0:21:06 > 0:21:08And Sally Green, a friend of mine, said,

0:21:08 > 0:21:09"You've got to come and do this."

0:21:09 > 0:21:12And I enjoyed putting that together with Heritage Ensemble.

0:21:12 > 0:21:15I mean, some of the talent coming through like

0:21:15 > 0:21:18Natalie Duncan, Tyler Daley, Children of Zeus,

0:21:18 > 0:21:21those guys from Manchester, there's some amazing talent up north.

0:21:21 > 0:21:24And I like working with new people,

0:21:24 > 0:21:26Terri Walker is an amazing voice, she's been around,

0:21:26 > 0:21:28Terri is an amazing, amazing singer,

0:21:28 > 0:21:31so I actually wrote a few songs for her,

0:21:31 > 0:21:33and the same with Natalie, just finding that place where

0:21:33 > 0:21:36no-one's going, I think, and that's what's important.

0:21:36 > 0:21:38So we did that and that kind of spiralled the whole idea,

0:21:38 > 0:21:41so we got... July, we have the full Heritage Orchestra

0:21:41 > 0:21:43at Henley Festival, which is going to be great.

0:21:43 > 0:21:46In November we do a countrywide tour for the Ensemble,

0:21:46 > 0:21:48which is going to be The Journey Man tour. We look forward to seeing you

0:21:48 > 0:21:50there with The Journey Man record. Thank you.

0:21:50 > 0:21:54I almost forgot, three vinyls, all in the box of one.

0:21:54 > 0:21:57Thank you very much for joining us. Goldie. Thank you.

0:21:57 > 0:21:59CHEERING AND APPLAUSE

0:22:01 > 0:22:05Now, speaking of music that I like, I like this music here

0:22:05 > 0:22:07because this is the sort of thing that gets me going.

0:22:07 > 0:22:10From Jamaica, we welcome Chronixx.

0:22:10 > 0:22:11CHEERING AND APPLAUSE

0:22:26 > 0:22:29# Skankin', groovin'

0:22:29 > 0:22:33# Hallelujah, yeah

0:22:33 > 0:22:35# Skankin', groovin'

0:22:35 > 0:22:38# Could you help me, Jah Jah?

0:22:38 > 0:22:42# Skankin', groovin'

0:22:42 > 0:22:44# Under pressure

0:22:44 > 0:22:45# Don't you know?

0:22:45 > 0:22:47# Skankin', groovin'

0:22:47 > 0:22:49# Yeah

0:22:51 > 0:22:54# Under the pressures of life and it tough

0:22:54 > 0:22:57# Nuh stay down, mama, time fi get up

0:22:57 > 0:22:59# Nuh bother with the downful style

0:22:59 > 0:23:02# Strictly upful vibes

0:23:02 > 0:23:06# When the bills dem, the rent and the mortgage due

0:23:06 > 0:23:08# Weh' mi chalice

0:23:08 > 0:23:12# When your best friends are gone and it's only you

0:23:12 > 0:23:14# Light up a spliff, turn up the music

0:23:14 > 0:23:16# Skankin' sweet

0:23:16 > 0:23:19# Everybody want to feel irie

0:23:19 > 0:23:22# Forget your troubles and rock with me

0:23:22 > 0:23:26# You nuh feel how reggae music sweet, yeah-e-yeah

0:23:26 > 0:23:28# Skankin' sweet

0:23:28 > 0:23:31# Everybody want to feel irie

0:23:31 > 0:23:34# Forget your troubles and rock with me

0:23:34 > 0:23:39# You nuh feel how reggae music sweet, yeah-e-yeah

0:23:39 > 0:23:40# Skankin' sweet

0:23:40 > 0:23:44# For every pain there's a melody, yeah

0:23:44 > 0:23:46# For every trouble there's a harmony

0:23:46 > 0:23:48# That brings everything together

0:23:48 > 0:23:51# So make we sing together

0:23:51 > 0:23:54# And who say life nuh hard?

0:23:54 > 0:23:57# And every man got their struggle

0:23:57 > 0:24:00# I begging you help me, Lord

0:24:00 > 0:24:03# Let me overcome my trouble

0:24:03 > 0:24:06# Skankin' sweet

0:24:06 > 0:24:08# Everybody want to feel irie

0:24:08 > 0:24:11# Forget your troubles and rock with me

0:24:11 > 0:24:14# You nuh feel how reggae music sweet... #

0:24:14 > 0:24:15# Come on

0:24:15 > 0:24:18# Skankin' sweet

0:24:18 > 0:24:20# Everybody want to feel irie

0:24:20 > 0:24:23# Forget your troubles and rock with me

0:24:23 > 0:24:27# You nuh feel how reggae music sweet, yeah

0:24:28 > 0:24:30# Skankin' sweet

0:24:30 > 0:24:34# We skankin' till ah morning come, baby

0:24:35 > 0:24:40# Until the day when my troubles are gone

0:24:42 > 0:24:45# And we're groovin' inna Jah Jah name

0:24:48 > 0:24:53# We're groovin' all my troubles away

0:24:53 > 0:24:55# Skankin' sweet

0:24:55 > 0:24:57# Everybody want to feel irie

0:24:57 > 0:25:00# Forget your troubles and rock with me

0:25:00 > 0:25:05# You nuh feel how reggae music sweet, my baby

0:25:05 > 0:25:07# Skankin' sweet

0:25:07 > 0:25:09# Everybody want to feel

0:25:09 > 0:25:13# Forget your troubles and rock with me

0:25:13 > 0:25:17# You nuh feel how reggae music sweet, sweet, sweet

0:25:17 > 0:25:19# Skankin' sweet

0:25:19 > 0:25:21# Everybody want to feel irie

0:25:21 > 0:25:22# Everybody want to feel irie

0:25:22 > 0:25:24# Forget your troubles and rock with me

0:25:24 > 0:25:29# Forget your troubles and rock with me

0:25:29 > 0:25:31# Whoa, yeah

0:25:31 > 0:25:34# Everybody want to feel irie

0:25:34 > 0:25:37# Forget your troubles and rock with me

0:25:37 > 0:25:42# You nuh feel how reggae music sweet, yeah-e-yeah

0:25:42 > 0:25:44# Skankin' sweet. #

0:25:55 > 0:25:57CHEERING AND APPLAUSE

0:26:17 > 0:26:23# If I scream at the top of my lungs

0:26:23 > 0:26:28# Will you hear what I don't say?

0:26:28 > 0:26:33# If I dance like I'm on a stage

0:26:33 > 0:26:39# Will you see I seem out of place?

0:26:39 > 0:26:43# If I put on a disguise

0:26:43 > 0:26:49# Will you think everything's all right?

0:26:49 > 0:26:54# If I leave before the end

0:26:54 > 0:26:59# Will you forget that I was there?

0:26:59 > 0:27:02# When you saw me leaving

0:27:04 > 0:27:08# Did you think I had a place to go?

0:27:09 > 0:27:13# Since you've stopped believing

0:27:15 > 0:27:19# I've had to put on my own show

0:27:23 > 0:27:27# I'll put on a performance

0:27:29 > 0:27:31# I'll put on a show

0:27:34 > 0:27:36# It is a performance

0:27:38 > 0:27:42# I do it all so

0:27:43 > 0:27:46# You won't see me hurting

0:27:48 > 0:27:51# When my heart it breaks

0:27:53 > 0:27:56# I'll put on a performance

0:27:58 > 0:28:01# I'll put on a brave face

0:28:05 > 0:28:08# Even when I was hiding

0:28:09 > 0:28:12# You could always find me

0:28:15 > 0:28:19# Now you've stopped looking for me

0:28:19 > 0:28:24# But I'm still playing hide and seek

0:28:25 > 0:28:27# I want you to notice

0:28:30 > 0:28:32# But you just don't see

0:28:34 > 0:28:37# The show is wasted on you

0:28:38 > 0:28:41# So I perform for me

0:28:41 > 0:28:44# When you saw me leaving

0:28:46 > 0:28:50# Did you think I had a place to go?

0:28:52 > 0:28:55# Since you've stopped believing

0:28:57 > 0:29:02# I've had to put on my own show

0:29:23 > 0:29:26# I'll put on a performance

0:29:28 > 0:29:30# I'll put on a show

0:29:32 > 0:29:35# It is a performance

0:29:37 > 0:29:40# I do it all so

0:29:42 > 0:29:45# You won't see me hurting

0:29:47 > 0:29:49# When my heart it breaks

0:29:51 > 0:29:55# I'll put on a performance

0:29:56 > 0:30:00# I'll put on a brave face. #

0:30:06 > 0:30:08APPLAUSE

0:30:15 > 0:30:18Incredible artists in this room.

0:30:18 > 0:30:21The xx with their song Performance from the album I See You.

0:30:21 > 0:30:22Thank you, The xx.

0:30:22 > 0:30:24Beautiful performance.

0:30:25 > 0:30:28Before that, we enjoyed Chronixx.

0:30:28 > 0:30:30CHEERING

0:30:30 > 0:30:33More from their upcoming album Chronology as the show goes on.

0:30:33 > 0:30:36But now, an amazing new artist who has won a Grammy -

0:30:36 > 0:30:41quite rightly so, in my view - for the best country solo performance.

0:30:41 > 0:30:44Please welcome Maren Morris.

0:30:44 > 0:30:46APPLAUSE

0:30:47 > 0:30:53# Can I get a hallelujah?

0:30:53 > 0:30:56# Yeah

0:30:56 > 0:31:02# Can I get a hallelujah?

0:31:02 > 0:31:04# Yeah

0:31:04 > 0:31:10# Can I get an amen?

0:31:10 > 0:31:13# Ooh...

0:31:13 > 0:31:16# I've cussed on a Sunday

0:31:16 > 0:31:19# I've cheated and I've lied

0:31:19 > 0:31:22# I've fallen down from grace

0:31:22 > 0:31:25# A few too many times

0:31:25 > 0:31:28# But I find holy redemption

0:31:28 > 0:31:32# When I put this car in drive

0:31:32 > 0:31:38# Roll the windows down and turn up the dial

0:31:38 > 0:31:42# Can I get a hallelujah?

0:31:42 > 0:31:44# Can I get an amen?

0:31:44 > 0:31:47# Feels like the Holy Ghost running through ya

0:31:47 > 0:31:50# When I play the highway FM

0:31:50 > 0:31:54# I find my soul revival

0:31:54 > 0:31:57# Singing every single verse

0:31:57 > 0:32:03# Yeah, I guess that's my church

0:32:03 > 0:32:07# When Hank brings the sermon

0:32:07 > 0:32:10# And Cash leads the choir

0:32:10 > 0:32:13# It gets my cold coal heart burning

0:32:13 > 0:32:16# Hotter than a ring of fire

0:32:16 > 0:32:19# When this wonderful world gets heavy

0:32:19 > 0:32:24# And I need to find my escape

0:32:24 > 0:32:27# I just keep the wheels rolling, radio scrolling

0:32:27 > 0:32:30# Until my sins wash away

0:32:30 > 0:32:34# Can I get a hallelujah?

0:32:34 > 0:32:36# Can I get an amen?

0:32:36 > 0:32:40# Feels like the Holy Ghost running through ya

0:32:40 > 0:32:43# When I play the highway FM

0:32:43 > 0:32:46# I find my soul revival

0:32:46 > 0:32:50# Singing every single verse

0:32:50 > 0:32:55# Yeah, I guess that's my church

0:33:07 > 0:33:12# Can I get a hallelujah?

0:33:12 > 0:33:14# Can I get an amen?

0:33:14 > 0:33:18# Feels like the Holy Ghost running through ya

0:33:18 > 0:33:21# When I play the highway FM

0:33:21 > 0:33:24# I find my soul revival

0:33:24 > 0:33:28# Singing every single verse

0:33:28 > 0:33:33# Yeah, I guess that's my church

0:33:33 > 0:33:38# Hey, can I get a hallelujah?

0:33:38 > 0:33:40# Can I get an amen?

0:33:40 > 0:33:44# Feels like the Holy Ghost running through ya

0:33:44 > 0:33:47# When I play the highway FM

0:33:47 > 0:33:50# I find my soul revival

0:33:50 > 0:33:53# Singing every single verse

0:33:53 > 0:34:06# Yeah, I guess that's my church

0:34:06 > 0:34:13# Yeah, I guess that's my church. #

0:34:14 > 0:34:16APPLAUSE

0:34:23 > 0:34:25Dazzling display, and what a wonderful song.

0:34:25 > 0:34:27Maren Morris with My Church from her album Hero.

0:34:30 > 0:34:32Lovely bit of vocalisation.

0:34:32 > 0:34:36Now, I'm liking the vibration of every corner of this room

0:34:36 > 0:34:38and I hope you're joining me.

0:34:38 > 0:34:41We welcome back now Trombone Shorty and Orleans Avenue.

0:34:41 > 0:34:44APPLAUSE

0:34:44 > 0:34:45Hey!

0:34:56 > 0:34:57Uh!

0:35:36 > 0:35:40# You rode me over down on Esplanade

0:35:40 > 0:35:44# Loaned you my love and now you're MIA

0:35:45 > 0:35:48# I know you played me, baby That's OK

0:35:48 > 0:35:51# You keep the kicks and the jacket

0:35:51 > 0:35:52# And the money, honey

0:35:52 > 0:35:54# I just want my heart back

0:35:54 > 0:35:57# Where it at? Where it at?

0:35:57 > 0:35:59# Give me my heart back

0:35:59 > 0:36:01# Where it at? Where it at?

0:36:01 > 0:36:04# I just want my heart back

0:36:04 > 0:36:06# Where it at? Where it at?

0:36:06 > 0:36:08# Give me my heart back

0:36:08 > 0:36:10# Where it at? Where it at?

0:36:10 > 0:36:11Uh!

0:36:11 > 0:36:16# I tried to find you, baby, Did my best

0:36:16 > 0:36:20# But love don't come with any GPS

0:36:20 > 0:36:22# I haven't left the house

0:36:22 > 0:36:23# I'm a mess

0:36:23 > 0:36:27# You keep the kicks and the jacket and the money, honey

0:36:27 > 0:36:30# I just want my heart back

0:36:30 > 0:36:32# Where it at? Where it at?

0:36:32 > 0:36:34# Give me my heart back

0:36:34 > 0:36:36# Where it at? Where it at?

0:36:36 > 0:36:39# I just want my heart back

0:36:39 > 0:36:40# Where it at? Where it at?

0:36:40 > 0:36:43# Give me my heart back

0:36:43 > 0:36:44# Where it at?

0:36:44 > 0:36:46Here we go, y'all. Oh, yeah!

0:36:50 > 0:36:51Come on.

0:36:54 > 0:36:55Hey, hey!

0:36:59 > 0:37:02Oh, yeah! I think I need to play a little bit on this.

0:37:39 > 0:37:41# I don't wanna fight

0:37:41 > 0:37:44# Just need a little company

0:37:44 > 0:37:46# Maybe hook up tonight

0:37:46 > 0:37:48# Somewhere in the Maroni

0:37:48 > 0:37:50# But you can be on your way

0:37:50 > 0:37:52# And I can be on mine

0:37:52 > 0:37:56# Just give me back my cardiac and go on being a dime

0:37:56 > 0:38:01# You rode me over down on Esplanade

0:38:01 > 0:38:05# Loaned you my love and now you're MIA

0:38:05 > 0:38:08# I know you played me, baby That's OK

0:38:08 > 0:38:12# You keep the kicks and the jacket and the money, honey

0:38:12 > 0:38:15# I just want my heart back

0:38:15 > 0:38:17# Where it at? Where it at?

0:38:17 > 0:38:19# Give me my heart back

0:38:19 > 0:38:21# Where it at? Where it at?

0:38:21 > 0:38:23# I just want my heart back

0:38:23 > 0:38:26# Where it at? Where it at?

0:38:26 > 0:38:29# Give me my heart back, baby

0:38:29 > 0:38:30# Yeah, yeah, yeah. #

0:38:40 > 0:38:44APPLAUSE AND CHEERING

0:38:46 > 0:38:49Trombone Shorty and Orleans Avenue, Where It At?

0:38:51 > 0:38:54From Parking Lot Symphony.

0:38:54 > 0:38:56This album's got all sorts of beautiful things on there.

0:38:56 > 0:38:58Oh, it's really a marvellous album.

0:38:58 > 0:39:00I can't tell you how much I'm enjoying it

0:39:00 > 0:39:01and I'm enjoying everybody in the room.

0:39:01 > 0:39:03It's time for a guest over here.

0:39:03 > 0:39:05Are you ready for a guest over here? CHEERING

0:39:05 > 0:39:07I hoped you were. Let's welcome the great DJ

0:39:07 > 0:39:09and master of lots of different stuff,

0:39:09 > 0:39:11Tim Westwood. Thank you. APPLAUSE

0:39:11 > 0:39:14Nice to be here. Very good to be here. Now...

0:39:14 > 0:39:20You've got this great compilation CD of hip-hop bangers, has come out.

0:39:20 > 0:39:22Exactly. And for three decades, you've been broadcasting,

0:39:22 > 0:39:26DJing, rap and hip-hop. How did you first get into this music?

0:39:26 > 0:39:29I mean, I first started... When I was just starting as a DJ,

0:39:29 > 0:39:34was as hip-hop began and I could just see the power of this music,

0:39:34 > 0:39:37the voice of a generation and I just... It was my passion.

0:39:37 > 0:39:39I just fell in love with it, man,

0:39:39 > 0:39:41and I wanted to rep the culture from that day to now

0:39:41 > 0:39:44so I have been tearing down the radio on a Saturday night,

0:39:44 > 0:39:47Capital Xtra, doing it real big. Ripping down clubs, it's what we do.

0:39:47 > 0:39:50Now, hip-hop club bangers, what I want to know is

0:39:50 > 0:39:53how did you choose the different people to go on there?

0:39:53 > 0:39:55It's easy because it's the records we still play. Yeah.

0:39:55 > 0:39:57So I played them the day they came out to this day.

0:39:57 > 0:39:59So a banger is something that...

0:39:59 > 0:40:01It does not stop. Undeniable.

0:40:01 > 0:40:03It's historic? It is.

0:40:03 > 0:40:06Just like myself, legends never die. Yeah.

0:40:06 > 0:40:07LAUGHTER That's what they say.

0:40:07 > 0:40:09And we are the heart in the game.

0:40:09 > 0:40:11Every modest man has said the same thing to me. Thank you, sir.

0:40:11 > 0:40:14Now, I think that one of the great things about what...

0:40:14 > 0:40:16And 25 years deep as well, congratulations.

0:40:16 > 0:40:17Thank you very much. I can't believe it.

0:40:17 > 0:40:20I think we're going to be here for another 25 minutes. Me too.

0:40:20 > 0:40:22So, erm... How do you get into the club banger category?

0:40:22 > 0:40:25That category? Exactly, that category. If you want to be...

0:40:25 > 0:40:27If you want to bang out as a banger,

0:40:27 > 0:40:30it is important that it's a timeless record.

0:40:30 > 0:40:32It's a record which doesn't go away. Right.

0:40:32 > 0:40:35Just rings off, it stays in the club, doesn't die.

0:40:35 > 0:40:37So these are classics from generation to generation

0:40:37 > 0:40:39and they mean as much today as when they first came out.

0:40:39 > 0:40:43Joints like Notorious BIG, DMX, Eminem, Kanye West.

0:40:43 > 0:40:46And Ludacris, you've got on there. Oh, we love Luda, man.

0:40:46 > 0:40:49And we've got him doing Stand Up,

0:40:49 > 0:40:51which is a great track and we've got him doing it here on the show.

0:40:51 > 0:40:53Let's just have a quick look at ourselves.

0:40:53 > 0:40:55# Stand up!

0:40:55 > 0:40:57# Say what, say what, what Stand up!

0:40:57 > 0:40:58# Say what, say what, what

0:40:58 > 0:41:00# Stand up!

0:41:00 > 0:41:02# Say what, say what, what Stand up!

0:41:02 > 0:41:03# When I move, you move

0:41:03 > 0:41:04# Just like that?

0:41:04 > 0:41:07# When I move, you move Just like that?

0:41:07 > 0:41:08# When I move, you move

0:41:08 > 0:41:09# Just like that?

0:41:09 > 0:41:11# Hell, yeah Hey, DJ, bring that back

0:41:11 > 0:41:13# When I move, you move Just like that?

0:41:13 > 0:41:15# When I move, you move

0:41:15 > 0:41:16# Just like that?

0:41:16 > 0:41:18# When I move, you move Just like that?

0:41:18 > 0:41:21# Hell, yeah Hey, DJ, bring that back

0:41:21 > 0:41:23# How you ain't gon' cut...out me?

0:41:23 > 0:41:28# I'm the god...reason you in VIP CEO you don't have to see ID

0:41:28 > 0:41:30# I'm young, wild, and strapped like Chi-Ali

0:41:30 > 0:41:31Blaow!

0:41:31 > 0:41:33# We ain't got nothing to worry about

0:41:33 > 0:41:35# Whoopa, let security carry 'em out

0:41:35 > 0:41:37# Watch out for my medallion My diamonds are reckless

0:41:37 > 0:41:40# Feels like a midget is hanging from my necklace... #

0:41:42 > 0:41:43Really love that track. That's great. We love Luda.

0:41:43 > 0:41:46He's great. And good for having him on, man. He's great.

0:41:46 > 0:41:47What do you love about him?

0:41:47 > 0:41:50What you've got to understand about Luda, he started as a radio DJ

0:41:50 > 0:41:54and he went from being a radio DJ to a rap artist to a movie star.

0:41:54 > 0:41:57Right. Look what happened to me, nothing! Well... Hardly!

0:41:57 > 0:42:00I mean, hang on, you're a radio star, a great DJ star...

0:42:00 > 0:42:02I'm trying, baby, it's what I do. You know... Yeah, man.

0:42:02 > 0:42:04We're the last of the real ones.

0:42:04 > 0:42:06Now, erm... You spend your life DJing

0:42:06 > 0:42:08and doing radio shows and that.

0:42:08 > 0:42:10When you're relaxing at home,

0:42:10 > 0:42:13is there other sorts of music you listen to we might be surprised by?

0:42:13 > 0:42:14I don't think you'd be surprised,

0:42:14 > 0:42:17but I love a lot of dance or a lot of bashment.

0:42:17 > 0:42:18I love listening to that.

0:42:18 > 0:42:22I listen to a lot of Afro beats and, you know, I listen to hip-hop, man.

0:42:22 > 0:42:24I mean... What I'm sort of getting at,

0:42:24 > 0:42:26once somebody told me that Buddy Rich,

0:42:26 > 0:42:29the wild man drummer of jazz, they went round his house and he was

0:42:29 > 0:42:32listening to sort of Floyd Cramer, very easy listening music at night.

0:42:32 > 0:42:34The air was filled with relaxing smoke and everything and

0:42:34 > 0:42:36he was just like... Exactly.

0:42:36 > 0:42:38I wondered if you went back home and listen to Beethoven or...?

0:42:38 > 0:42:40I just don't do drugs. No. Beethoven?

0:42:40 > 0:42:44No, I don't do drugs! I don't do drugs. Just checking.

0:42:44 > 0:42:46It's great to have you. It's a wonderful new record

0:42:46 > 0:42:47and thank you for discussing that with us.

0:42:47 > 0:42:51Tim Westwood. Thank you. APPLAUSE

0:42:53 > 0:42:56Now we welcome back, in this corner, Haim.

0:42:56 > 0:42:57APPLAUSE

0:43:14 > 0:43:17# Gave you my love, you gave me nothing

0:43:17 > 0:43:19# Said what I gave wasn't enough

0:43:20 > 0:43:22# You had me feeling I was foolish

0:43:22 > 0:43:25# Forever thinking this could be the one

0:43:26 > 0:43:30# I wasn't even in the running

0:43:30 > 0:43:33# Already had your mind made up

0:43:33 > 0:43:35# You left me searching for a reason

0:43:35 > 0:43:39# Why'd you leave, left me in the dust

0:43:41 > 0:43:44# And now you're saying that you need me, babe

0:43:45 > 0:43:47# Right now, right now

0:43:47 > 0:43:51# And now you're saying that you need me, baby

0:43:51 > 0:43:54# Right now, right now

0:43:54 > 0:43:58# And now you're saying that you love me, love me, baby

0:43:58 > 0:44:00# Right now, right now

0:44:00 > 0:44:02# And now you're saying that you need

0:44:02 > 0:44:03# You're saying that you need

0:44:03 > 0:44:07# Saying that you need me Right now

0:44:08 > 0:44:11# Gave you my love, thought I could trust you

0:44:11 > 0:44:14# You let me down at every turn

0:44:14 > 0:44:18# You had me hanging on a dream you never believed

0:44:18 > 0:44:21# You gave me your word

0:44:21 > 0:44:23# Finally on the other side now

0:44:25 > 0:44:27# And I could see for miles

0:44:27 > 0:44:30# And I've forgotten every line

0:44:32 > 0:44:35# But, ooh, now you're saying that you need me, babe

0:44:37 > 0:44:39# Right now, right now

0:44:39 > 0:44:43# And now you're saying that you need me, babe

0:44:43 > 0:44:45# Right now, right now

0:44:45 > 0:44:49# And now you're saying that you love me, love me, baby

0:44:49 > 0:44:51# Right now, right now

0:44:51 > 0:44:53# And now you're saying that you need

0:44:53 > 0:44:54# You're saying that you need

0:44:54 > 0:44:57# Saying that you need me Right now

0:44:59 > 0:45:02# Did you think this would be easy?

0:45:06 > 0:45:08# You thought this would be easy

0:45:10 > 0:45:12# Not now, not now

0:45:12 > 0:45:17# I know you heard me through an open window

0:45:17 > 0:45:20# Whispers can't reach your ear

0:45:20 > 0:45:23# Whispers sounded so clear

0:45:49 > 0:45:53# And now you're saying that you need me, babe

0:45:53 > 0:45:55# Right now, right now

0:45:55 > 0:46:00# And now you're saying that you need me, babe

0:46:00 > 0:46:02# Right now, right now

0:46:02 > 0:46:06# And now you're saying that you love me, love me, baby

0:46:06 > 0:46:08# Right now, right now

0:46:08 > 0:46:10# And now you're saying that you need

0:46:10 > 0:46:12# Saying that you need me

0:46:12 > 0:46:14# Saying that you need me Right now

0:46:14 > 0:46:17# You're saying that you need me, baby

0:46:19 > 0:46:21# Right now, right now

0:46:21 > 0:46:25# You're saying that you need me, baby

0:46:25 > 0:46:27# Right now, right now

0:46:27 > 0:46:32# And now you're saying that you love me, love me, baby

0:46:32 > 0:46:34# Right now, right now

0:46:34 > 0:46:36# And now you're saying that you need

0:46:36 > 0:46:37# Saying that you need

0:46:39 > 0:46:40# Right now... #

0:47:33 > 0:47:35APPLAUSE

0:47:39 > 0:47:43What an exceptional moment in this studio. And all of the set.

0:47:43 > 0:47:47Thank you, Haim, with Right Now from their Something To Tell You LP.

0:47:47 > 0:47:49Thank you very much indeed.

0:47:49 > 0:47:51I just happened to be doing a gig in Vienna the other day

0:47:51 > 0:47:54and I went into Teuchtler Records, open in 1948,

0:47:54 > 0:47:56and I got this signed record of Louis Armstrong.

0:47:56 > 0:47:58I looked at it earlier and I thought, do you know,

0:47:58 > 0:48:01He is the great legend of New Orleans, but the new next great

0:48:01 > 0:48:04legend of New Orleans is the man that here tonight, Trombone Shorty.

0:48:04 > 0:48:07CHEERING Really great to see you, Troy.

0:48:07 > 0:48:08Listen, it's great.

0:48:08 > 0:48:11Now, he's one of the great fathers. What was special about him?

0:48:11 > 0:48:14Well, you know, every time he played, each and every note,

0:48:14 > 0:48:15it meant something to him, you know?

0:48:15 > 0:48:19His horn was very bright when he played and he had a great smile

0:48:19 > 0:48:21and a great personality, the same way that we do in New Orleans,

0:48:21 > 0:48:22the way we were taught.

0:48:22 > 0:48:25Everything should be played from the heart and bring joy to the world

0:48:25 > 0:48:28and that's what Louis Armstrong represents. Yeah, he's a great man.

0:48:28 > 0:48:30Listen, your record is really great.

0:48:30 > 0:48:32There are so many different variations of musical styles on it.

0:48:32 > 0:48:34It's wonderful. Thank you. Thank you for joining us.

0:48:34 > 0:48:36Trombone Shorty. More from him in a moment.

0:48:36 > 0:48:38APPLAUSE Bit of New Orleans stuff in there.

0:48:38 > 0:48:42Yeah. Speaking about the music that we like,

0:48:42 > 0:48:46the music of Jamaica and here is one of the great new artists of Jamaica.

0:48:46 > 0:48:47We welcome Chronixx.

0:48:47 > 0:48:49CHEERING

0:48:53 > 0:48:57# Anuh everybody a go like we

0:48:57 > 0:48:59# Still we irie

0:48:59 > 0:49:02# 'Cah mi nuh love likes

0:49:02 > 0:49:03# Inna dancehall style

0:49:03 > 0:49:07# Anuh everybody a go like we Anuh everybody a go like we

0:49:07 > 0:49:09# Still me irie

0:49:09 > 0:49:11# 'Cah we no love likes, no

0:49:11 > 0:49:13# So every time me voice

0:49:13 > 0:49:15# Mi dweet fi di love Mi nuh dweet fi di likes

0:49:15 > 0:49:18# Dweet fi di love Mi nuh dweet fi di likes

0:49:18 > 0:49:21# Dweet fi di love Mi nuh dweet fi di likes, no

0:49:21 > 0:49:23# Dweet fi di love We nuh dweet fi di likes

0:49:23 > 0:49:25# Mek dem know, success don't come overnight

0:49:25 > 0:49:28# Mek dem know a substance over hype

0:49:28 > 0:49:31# Dweet fi di love Mi nuh dweet fi di likes

0:49:31 > 0:49:32# Dweet fi di love Mi nuh dweet fi di likes

0:49:32 > 0:49:35# 'Nuff a dem love likes, dat don't right

0:49:35 > 0:49:38# Si dung and a post and a tweet whole night

0:49:38 > 0:49:40# See dem pon social media ah type

0:49:40 > 0:49:43# Gwaan like say dem deh ah studio ah voice

0:49:43 > 0:49:45# How me never buck dem up pon no flight?

0:49:45 > 0:49:48# And me never see dem ah live no tour life

0:49:48 > 0:49:51# You Mr Man, how you have so much likes? Mm

0:49:51 > 0:49:53# Marley still ah lead pon iTunes

0:49:53 > 0:49:56# Simply mean we nuh ready yet

0:49:56 > 0:49:59# We fi put the music first, dancehall

0:49:59 > 0:50:01# While we deh ya, and a war and a hype

0:50:01 > 0:50:04# Ri-ri ah work, work, work dancehall

0:50:04 > 0:50:06# So when you see me hail Selassie I Now

0:50:06 > 0:50:09# And every tune weh mi have a write Now

0:50:09 > 0:50:11# And every show weh we headline Now

0:50:11 > 0:50:13# No wi nuh dweet fi di likes

0:50:13 > 0:50:14# Mek we tell dem

0:50:14 > 0:50:17# We dweet fi di love Mi nuh dweet fi di likes

0:50:17 > 0:50:19# Dweet fi di love Mi nuh dweet fi di likes

0:50:19 > 0:50:22# Dweet fi di love Mi no dweet fi di likes

0:50:22 > 0:50:24# Dweet fi di love Mi nuh dweet fi di likes

0:50:24 > 0:50:27# Never tell di youths fi buss nuh shot and queng dem

0:50:27 > 0:50:29# Instead mi tell dem sell di gun an buy a yeng yeng

0:50:29 > 0:50:32# Dweet fi di love We nuh dweet fi di likes

0:50:32 > 0:50:35# Dweet fi di love Wi nuh dweet fi di likes

0:50:39 > 0:50:42# Dem nuh like we but we nuh response

0:50:42 > 0:50:44# Fly out and mek dem love we from a distance

0:50:44 > 0:50:47# Come home fi two weeks vacation

0:50:47 > 0:50:50# Nuff a dem still stuck inna di quick sand

0:50:50 > 0:50:52# Nuff mi hear a seh dem ah di big man

0:50:52 > 0:50:55# Inna Jamaica ah dem have di hit song

0:50:55 > 0:50:57# Ah Gentleman mi hear ah play ah Finland

0:50:57 > 0:51:00# Me never hear dem play inna Pakistan

0:51:00 > 0:51:03# Simply mean we no ready yet

0:51:03 > 0:51:05# Stop gwaan like ah you own dancehall

0:51:05 > 0:51:08# While we deh ya, and a war and a hype

0:51:08 > 0:51:10# Nuh Drake a control dancehall

0:51:10 > 0:51:13# Give me a beat and a mic

0:51:13 > 0:51:15# Ready fi go studio go voice

0:51:15 > 0:51:18# When me put da song ya pon mi timeline

0:51:18 > 0:51:20# No mi nuh dweet fi di likes, mek me tell dem

0:51:20 > 0:51:23# Dweet fi di love we nuh dweet for the likes

0:51:23 > 0:51:25# Dweet fi di love we no dweet fi di likes

0:51:25 > 0:51:28# Dweet fi di love Mi no dweet fi di likes

0:51:28 > 0:51:31# Dweet fi di love Mi nuh dweet fi di likes

0:51:31 > 0:51:33# Skanking to the beat, everybody move yuh feet

0:51:33 > 0:51:36# Granny know fi dweet and mi mommy know how fi dweet

0:51:38 > 0:51:41# Dweet fi di love Mi nuh dweet fi di likes... #

0:52:01 > 0:52:03APPLAUSE

0:52:26 > 0:52:29# I was an honest boy, yeah

0:52:29 > 0:52:31# I was brought up right

0:52:33 > 0:52:36# Fell for an honest girl, yeah

0:52:36 > 0:52:38# We were so tight

0:52:38 > 0:52:43# If only luck was always on our side

0:52:46 > 0:52:50# You gave in all your secrets

0:52:50 > 0:52:52# Didn't give in mine

0:52:54 > 0:52:57# Nowhere to left run, no

0:52:57 > 0:52:59# We live to shine

0:52:59 > 0:53:04# If only love was always on your side

0:53:07 > 0:53:11# And I was just a stranger passing by

0:53:27 > 0:53:30# You saw me driving my car

0:53:30 > 0:53:32# Like a dog running wild

0:53:34 > 0:53:37# Oh, my hands were shaking

0:53:37 > 0:53:40# Singing, "Where are you now?"

0:53:41 > 0:53:45# I wish I could go back somehow

0:53:48 > 0:53:53# Just tell me, baby, where are you now?

0:53:53 > 0:53:55# Where are you now?

0:54:04 > 0:54:08# I've tasted every potion

0:54:08 > 0:54:09# They don't taste like you

0:54:11 > 0:54:14# You're a teardrop in an ocean

0:54:14 > 0:54:17# Still we're drinking through

0:54:17 > 0:54:20# I still wonder where you are

0:54:20 > 0:54:23# And who you're talking to

0:54:23 > 0:54:28# When I think about it I can't move

0:54:28 > 0:54:31# So where are you now?

0:54:35 > 0:54:37# Where are you now?

0:54:42 > 0:54:43# Yeah! #

0:55:04 > 0:55:06APPLAUSE

0:55:08 > 0:55:10Thank you, Royal Blood.

0:55:12 > 0:55:17Where Are You Now? from the How Did We Get So Dark? album.

0:55:17 > 0:55:20Before that, we enjoyed very much indeed Chronixx.

0:55:20 > 0:55:22APPLAUSE Well done, brilliant.

0:55:22 > 0:55:25Chronixx, brilliant. A room full of wonderful people this week.

0:55:25 > 0:55:28And great variations of people.

0:55:29 > 0:55:33And now we welcome back, in this corner, The xx.

0:55:33 > 0:55:35APPLAUSE

0:55:39 > 0:55:40# Singing...

0:55:40 > 0:55:43# Oh, oh, oh

0:55:43 > 0:55:46# Go on, I dare you

0:55:48 > 0:55:50# Oh, oh, oh

0:55:50 > 0:55:52# I dare you

0:55:56 > 0:56:00# I'm in love with it

0:56:00 > 0:56:03# Intoxicated

0:56:03 > 0:56:06# I'm in rapture

0:56:06 > 0:56:11# From the inside I can feel that you want to

0:56:11 > 0:56:14# Way up high on it

0:56:15 > 0:56:17# Feeling suspended

0:56:19 > 0:56:20# I'm enamoured

0:56:22 > 0:56:26# Way up in the sky I could see that you want to

0:56:26 > 0:56:31# I've been a romantic for so long

0:56:34 > 0:56:38# All I've ever heard are love songs

0:56:39 > 0:56:41# Singing...

0:56:41 > 0:56:43# Oh, oh, oh

0:56:43 > 0:56:45# Go on, I dare you

0:56:48 > 0:56:50# Oh, oh, oh

0:56:50 > 0:56:52# I dare you

0:56:55 > 0:56:57# I get chills

0:56:58 > 0:57:02# Heart rate multiplies

0:57:02 > 0:57:08# I'm on a different kind of high

0:57:10 > 0:57:12# A rush of blood

0:57:14 > 0:57:16# Is not enough

0:57:17 > 0:57:23# I need my feelings set on fire

0:57:27 > 0:57:31# Now I'm deep in it

0:57:31 > 0:57:35# Infatuated

0:57:35 > 0:57:38# Strong attraction

0:57:38 > 0:57:43# Side by side and I know that you want to

0:57:43 > 0:57:48# I've been a romantic for so long

0:57:50 > 0:57:54# All I've ever heard are love songs

0:57:56 > 0:57:57# Singing...

0:57:57 > 0:57:58# Oh, oh, oh

0:58:00 > 0:58:03# Go on, I dare you

0:58:05 > 0:58:07# Oh, oh, oh

0:58:07 > 0:58:09# I dare you

0:58:13 > 0:58:17# I can hear it now like I heard it then

0:58:20 > 0:58:24# I can hear it now like I heard it then

0:58:28 > 0:58:32# I can hear it now like I heard it then

0:58:36 > 0:58:39# I can hear it now like I heard it then

0:58:42 > 0:58:43# Singing...

0:58:43 > 0:58:46# Oh, oh, oh

0:58:46 > 0:58:48# Go on, I dare you

0:58:50 > 0:58:52# Oh, oh, oh

0:58:52 > 0:58:54# I dare you

0:58:58 > 0:59:00# Oh, oh, oh

0:59:00 > 0:59:03# Go on, I dare you

0:59:06 > 0:59:08# Oh, oh, oh

0:59:08 > 0:59:10# I dare you. #

0:59:45 > 0:59:47APPLAUSE

0:59:54 > 0:59:57Thank you. The xx and I Dare You. What a brilliant sound.

0:59:57 > 0:59:59How lovely to have that here.

0:59:59 > 1:00:01If you look at our website, you will see that we are going

1:00:01 > 1:00:04to be back in September and when we come back,

1:00:04 > 1:00:06it's a whole new series, and we start with

1:00:06 > 1:00:10a very special event at the Royal Albert Hall to celebrate 25 years.

1:00:10 > 1:00:11So I've got my phone out.

1:00:11 > 1:00:15As soon as this show ends, I'm going to be straight on trying

1:00:15 > 1:00:18to book some super artists to appear on it.

1:00:18 > 1:00:21In the meantime, let's thank all of the wonderful guests

1:00:21 > 1:00:23that we've had in the room this evening.

1:00:23 > 1:00:25Have you got a bit of a groove amongst your person there?

1:00:25 > 1:00:28FUNK BEAT

1:00:28 > 1:00:29Oh, yeah!

1:00:37 > 1:00:39# Yeah, yeah, yeah, yeah

1:00:39 > 1:00:42ALL: # Yeah, yeah, yeah, yeah

1:00:42 > 1:00:44# Yeah, yeah, yeah, yeah

1:00:44 > 1:00:46# Yeah, yeah, yeah, yeah... #

1:00:46 > 1:00:51Thank you, Trombone Shorty and Orleans Avenue.

1:00:51 > 1:00:52Thank you, Royal Blood.

1:00:55 > 1:00:56Thank you, Haim.

1:00:59 > 1:01:03Thank you, Goldie. Thank you, Tim Westwood.

1:01:04 > 1:01:06Thank you, Maren Morris.

1:01:08 > 1:01:11# Da, da, da, da... # Thank you, Chronixx.

1:01:15 > 1:01:17And thank you, The xx.

1:01:19 > 1:01:22One, two, three, and... MUSIC ENDS