Episode 5

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0:00:27 > 0:00:30CHEERING AND APPLAUSE

0:00:30 > 0:00:33Greetings, listeners, wherever you are! Welcome to this show.

0:00:33 > 0:00:37And welcome to Stereophonics!

0:00:37 > 0:00:40CHEERING AND APPLAUSE

0:01:05 > 0:01:10# Wolves in their words Don't play by their rules

0:01:10 > 0:01:15# From mouth to ear Anything's possible

0:01:15 > 0:01:21# Set the needle down Take it back to the start

0:01:21 > 0:01:26# When do we lose Just how free we are?

0:01:27 > 0:01:32# Help yourself to what you want Yeah, caught by the wind

0:01:32 > 0:01:37# Believing you can fly Celebrate everything

0:01:38 > 0:01:43# Sunbathing on the roof Watching aeroplanes

0:01:43 > 0:01:49# Believing you can live Yeah, forever in a day

0:01:49 > 0:01:53# Hey, whoa, oh, oh, oh

0:01:54 > 0:01:59# Whoa, oh, oh, oh

0:02:00 > 0:02:05# Every chain got a broken link

0:02:05 > 0:02:10# Jump off the boat You can swim or sink

0:02:11 > 0:02:16# The swallows dive through the summer nights

0:02:16 > 0:02:21# Something beautiful Money just don't buy

0:02:22 > 0:02:26# Help yourself to what you want Yeah, caught by the wind

0:02:28 > 0:02:33# Believing you can fly Celebrate everything

0:02:33 > 0:02:38# Sunbathing on the roof Watching aeroplanes

0:02:39 > 0:02:43# Believing you can live Yeah, forever in a day

0:02:43 > 0:02:49# Don't say it's over It's never over

0:02:49 > 0:02:54# There's always time to change And start again today

0:02:54 > 0:02:56# Right now

0:02:58 > 0:03:03# Wolves in their words Don't play by their rules

0:03:03 > 0:03:08# From mouth to ear Anything's possible

0:03:08 > 0:03:13# Help yourself to what you want Yeah, caught by the wind

0:03:14 > 0:03:18# Believing you can fly Celebrate everything

0:03:20 > 0:03:24# Sunbathing on the roof Watching aeroplanes

0:03:26 > 0:03:29# Believing you can live Yeah, forever in a day

0:03:32 > 0:03:35# Oh, yeah Oh, yeah

0:03:36 > 0:03:41# Oh, yeah Celebrate everything

0:03:42 > 0:03:46# Oh, yeah

0:03:50 > 0:03:53Oh, caught by the wind Oh, yeah

0:03:55 > 0:04:00# Oh, yeah Oh, yeah

0:04:03 > 0:04:07# Caught by the wind. #

0:04:18 > 0:04:21CHEERING AND APPLAUSE

0:04:21 > 0:04:25So wonderful to have them back in this room, Stereophonics!

0:04:25 > 0:04:29Caught By The Wind! More from them later on.

0:04:29 > 0:04:31Who? Who have we gathered in this lovely selection

0:04:31 > 0:04:33of people this evening?

0:04:33 > 0:04:35We have, in this corner, from London,

0:04:35 > 0:04:38the wonderful Richard Thompson! CHEERING AND APPLAUSE

0:04:38 > 0:04:43Returning from Dagenham, the sensational Zara McFarlane!

0:04:43 > 0:04:46CHEERING AND APPLAUSE

0:04:46 > 0:04:49From Los Angeles, it is The White Buffalo!

0:04:49 > 0:04:51CHEERING AND APPLAUSE

0:04:51 > 0:04:53We're delighted to also welcome from Los Angeles,

0:04:53 > 0:04:57Moses Sumney! CHEERING AND APPLAUSE

0:04:58 > 0:05:01The extraordinary dextrous skills of the great piano player,

0:05:01 > 0:05:04from Japan, it is Hiromi!

0:05:04 > 0:05:06CHEERING AND APPLAUSE

0:05:06 > 0:05:10And now, from the Bronx, we welcome Hurray For The Riff Raff!

0:05:10 > 0:05:13CHEERING AND APPLAUSE

0:05:27 > 0:05:28# I been a lonely girl

0:05:29 > 0:05:32# I been a lonely girl

0:05:32 > 0:05:34# But I'm ready for the world

0:05:35 > 0:05:38# Ready for the world

0:05:38 > 0:05:40# I been a heart for hire

0:05:41 > 0:05:44# I been a heart for hire

0:05:44 > 0:05:46# And my love's on the funeral pyre

0:05:46 > 0:05:49# Oh, my love's on the funeral pyre

0:05:51 > 0:05:56# When will you, when will you help me out?

0:05:58 > 0:06:02# You can't even pick me out of the crowd

0:06:02 > 0:06:06# Oh, oh, oh, oh, oh, oh, oh

0:06:17 > 0:06:19# I been nobody's child

0:06:20 > 0:06:23# I been nobody's child

0:06:23 > 0:06:26# So my blood's started running wild

0:06:26 > 0:06:29# Oh, my blood's started running wild

0:06:30 > 0:06:31# I been a hungry ghost

0:06:33 > 0:06:35# I been a hungry ghost

0:06:35 > 0:06:38# And I travelled from coast-to-coast

0:06:38 > 0:06:42# Oh, I travelled from coast-to-coast

0:06:43 > 0:06:47# When will you, when will you help me out?

0:06:49 > 0:06:54# You can't even pick me out of the crowd

0:06:54 > 0:07:00# Oh, and I I don't need you any more

0:07:01 > 0:07:07# So then, why am I standing at your door?

0:07:07 > 0:07:10# Oh, oh, oh, oh, oh-oh, oh

0:07:22 > 0:07:24# I been a lonely girl

0:07:25 > 0:07:27# I been a lonely girl

0:07:27 > 0:07:30# But I'm ready for the world

0:07:30 > 0:07:33# I'm ready for the world

0:07:34 > 0:07:35# I'm ready for the world

0:07:36 > 0:07:39# I'm ready for the world

0:07:40 > 0:07:42# Ready for the world

0:07:43 > 0:07:45# Ready for the world

0:07:46 > 0:07:48# Ready for the world

0:07:49 > 0:07:52# Ready for the world

0:07:52 > 0:07:53# Hey! #

0:08:10 > 0:08:11Come on!

0:08:17 > 0:08:19# Oh, I'm ready for the world

0:08:19 > 0:08:22# Well, I'm ready for the world

0:08:23 > 0:08:26# Ready for the world

0:08:26 > 0:08:30# I'm ready for the world. #

0:08:32 > 0:08:35CHEERING AND APPLAUSE

0:08:38 > 0:08:40Hurray For The Riff Raff!

0:08:42 > 0:08:44Their song, Hungry Ghost.

0:08:44 > 0:08:47What a lovely concept, a hungry ghost.

0:08:47 > 0:08:48From their album, The Navigator.

0:08:48 > 0:08:51The next guest that I'm going to welcome over here

0:08:51 > 0:08:54came on the show once before. This is her third album now.

0:08:54 > 0:08:59We welcome... The album's called Arise... We welcome Zara McFarlane!

0:08:59 > 0:09:01CHEERING AND APPLAUSE

0:09:12 > 0:09:16# Things can't go on, you see us tryin'

0:09:18 > 0:09:20# Tryin', tryin'

0:09:21 > 0:09:23# From the early morn

0:09:27 > 0:09:30# Things can't go on, you see us cryin'

0:09:32 > 0:09:34# Cryin', cryin'

0:09:35 > 0:09:38# Till the dawn

0:09:40 > 0:09:42# Still we hold on

0:09:42 > 0:09:44# So we don't fall

0:09:47 > 0:09:52# But our hope won't save us all

0:09:54 > 0:09:56# Still we hold on

0:09:56 > 0:09:59# So we don't fall

0:10:01 > 0:10:05# But our hope won't save us all

0:10:07 > 0:10:11# So we're fussin' and a-fightin'

0:10:11 > 0:10:14# We won't take a bow

0:10:14 > 0:10:18# Yes, we're fussin' and a-fightin'

0:10:18 > 0:10:21# We won't let it go

0:10:21 > 0:10:24# Yes, we're fussin' and a-fightin'

0:10:24 > 0:10:28# We won't take a bow

0:10:28 > 0:10:32# Yes, we're fussin' and a-fightin'

0:10:32 > 0:10:35# We won't let it go

0:10:37 > 0:10:41# Things can't go on, there's too much lyin'

0:10:43 > 0:10:45# Lyin', lyin'

0:10:47 > 0:10:48# On the wall

0:10:52 > 0:10:56# Things can't go on, the world is sighin'

0:10:58 > 0:11:00# Sighin', sighin'

0:11:01 > 0:11:04# On the soul

0:11:06 > 0:11:10# Grow strong and stand up tall

0:11:12 > 0:11:17# Cos time won't wait to save us all

0:11:20 > 0:11:24# Grow strong and stand up tall

0:11:27 > 0:11:31# Cos time won't wait to save us all

0:11:33 > 0:11:37# So we're fussin' and a-fightin'

0:11:37 > 0:11:40# We won't take a bow

0:11:40 > 0:11:44# Yes, we're fussin' and a-fightin'

0:11:44 > 0:11:47# We won't let it go

0:11:47 > 0:11:51# Yes, we're fussin' and a-fightin'

0:11:51 > 0:11:55# We won't let it go

0:11:55 > 0:11:58# Yes, we're fussin' and a-fightin'

0:11:58 > 0:12:03# We won't let it go

0:12:03 > 0:12:05# Aah, aah, aah

0:12:06 > 0:12:10# Let it go

0:12:10 > 0:12:12# Aah, aah, aah

0:12:12 > 0:12:15# We won't, we won't, we won't let it go

0:12:15 > 0:12:17# We won't, we won't

0:12:17 > 0:12:19# Aah, aah, aah

0:12:19 > 0:12:23# We won't, we won't let it go

0:12:23 > 0:12:27# No, no, no, no, no, no No, no, no, no, no, no

0:12:27 > 0:12:32# Let it go. #

0:12:32 > 0:12:36CHEERING AND APPLAUSE

0:12:40 > 0:12:41Zara McFarlane!

0:12:41 > 0:12:43Fussin' and Fightin', from her album, Arise.

0:12:43 > 0:12:45Nice band! Feeling good?

0:12:45 > 0:12:47Nice cymbals!

0:12:48 > 0:12:51So, now, our next artist has been on the show before.

0:12:51 > 0:12:54He's been recording for years, he's now made acoustic versions

0:12:54 > 0:12:59of a lot of his great songs and put them on some new albums.

0:12:59 > 0:13:01We welcome Richard Thompson!

0:13:01 > 0:13:04CHEERING AND APPLAUSE

0:13:09 > 0:13:14# We used to say that come the day

0:13:16 > 0:13:19# We'd all be making songs

0:13:21 > 0:13:24# Or finding better words

0:13:24 > 0:13:27# These ideas never lasted long

0:13:32 > 0:13:37# The way is up along the road

0:13:39 > 0:13:42# The air is growing thin

0:13:44 > 0:13:47# Too many friends who tried

0:13:47 > 0:13:51# Swept off this mountain with the wind

0:13:54 > 0:13:56# Meet on the ledge

0:13:56 > 0:13:59# We're gonna meet on the ledge

0:14:01 > 0:14:07# When my time is up, I'm gonna see all of my friends

0:14:07 > 0:14:09# Meet on the ledge

0:14:09 > 0:14:12# We're gonna meet on the ledge

0:14:14 > 0:14:16# If you really mean it

0:14:16 > 0:14:20# It all comes round again

0:14:47 > 0:14:53# Yet now, I see I'm all alone

0:14:54 > 0:14:57# But that's the only way to be

0:15:00 > 0:15:02# You'll have your chance again

0:15:03 > 0:15:07# Then you can do the work for me

0:15:09 > 0:15:12# Meet on the ledge

0:15:12 > 0:15:16# We're gonna meet on the ledge

0:15:16 > 0:15:22# When my time is up, I'm gonna see all of my friends

0:15:22 > 0:15:25# Meet on the ledge

0:15:25 > 0:15:28# We're gonna meet on the ledge

0:15:29 > 0:15:32# If you really mean it

0:15:32 > 0:15:37# It all comes round again. #

0:15:40 > 0:15:44CHEERING AND APPLAUSE

0:15:45 > 0:15:48Meet On The Ledge, Richard Thompson!

0:15:48 > 0:15:49Marvellous.

0:15:49 > 0:15:53Very talented family, actually. Extraordinary family.

0:15:53 > 0:15:55From his Acoustic Classics II.

0:15:55 > 0:15:57Marvellous records of acoustic versions,

0:15:57 > 0:15:58getting right to the point of the songs.

0:15:58 > 0:16:00Speaking of the point of the songs,

0:16:00 > 0:16:02our next guest has some amazing songs on his new record.

0:16:02 > 0:16:04He always has amazing songs.

0:16:04 > 0:16:06And we welcome him - he is Kelly Jones!

0:16:06 > 0:16:09CHEERING AND APPLAUSE Nice to see you, Kelly.

0:16:10 > 0:16:11Um...

0:16:12 > 0:16:14Congratulations on your new record,

0:16:14 > 0:16:16- just about to come out, any minute now.- Yeah.

0:16:16 > 0:16:18- Scream Above The Sounds is the title.- Yeah.

0:16:18 > 0:16:20Where does that come from?

0:16:20 > 0:16:23I guess it's a bit of a comment on...

0:16:23 > 0:16:24There's a lot of intrusion

0:16:24 > 0:16:28and 24/7 bad news in people's lives these days, and I guess there's

0:16:28 > 0:16:31a lot of small, good things that people could be celebrating as well,

0:16:31 > 0:16:33in life, and just shout about that, really.

0:16:33 > 0:16:36Well, give us an example of the sort of thing you mean.

0:16:36 > 0:16:40Well, Caught By The Wind was written in the aftermath of, like,

0:16:40 > 0:16:42the Bataclan, we've played the Bataclan in Paris.

0:16:42 > 0:16:45So, the verse started talking about "the wolves in the woods

0:16:45 > 0:16:48"don't play by the rules", kind of thing, and I thought the song

0:16:48 > 0:16:50was kind of going to go down a darker angle,

0:16:50 > 0:16:54but then, the chorus started celebrating all the innocent stuff

0:16:54 > 0:16:55I did when I was a kid,

0:16:55 > 0:16:57like lying on my mother's roof sunbathing,

0:16:57 > 0:17:00looking at the aeroplanes and making shapes out of clouds

0:17:00 > 0:17:01and all that sort of stuff.

0:17:01 > 0:17:03So, it went on to be much more of a celebratory song

0:17:03 > 0:17:06than a dark song, you know?

0:17:06 > 0:17:09- This is now your tenth record.- Yeah.

0:17:09 > 0:17:12- And 20 years since you started, really.- Yeah.

0:17:12 > 0:17:15I mean... And you've stayed on, been a huge success, songs get better

0:17:15 > 0:17:19and better - what do you think is the key to doing that?

0:17:19 > 0:17:22Songs. I think the song's always been

0:17:22 > 0:17:25the governor of our band, really. When we started out,

0:17:25 > 0:17:29we thought a record deal was the first rung on the ladder.

0:17:29 > 0:17:32But I wanted a catalogue of music, like, you know,

0:17:32 > 0:17:35Creedence Clearwater Revival or The Kinks, or...

0:17:35 > 0:17:38- I wanted songs to, you know, stand the test of time.- Yeah, yeah.

0:17:38 > 0:17:40That's all I ever wanted to achieve.

0:17:40 > 0:17:43It wasn't about fame and money and all that sort of stuff.

0:17:43 > 0:17:45- Well, we've got a little clip... - Have you?

0:17:45 > 0:17:49- Yes, a little clip, and we're going to go down memory lane...- Are we?

0:17:49 > 0:17:52- ..together, yes, in the back of a transit van...- How far?

0:17:52 > 0:17:54Here is More Life In A Tramp's Vest,

0:17:54 > 0:17:57- this is from 1997. When I was 12.- Yeah!

0:17:57 > 0:17:58LAUGHTER

0:17:58 > 0:18:02# The flower man sits down in the street

0:18:02 > 0:18:05# Surrounded by the stock he bought back last week

0:18:05 > 0:18:08# Bring back the ladies wearing lipstick on their teeth

0:18:08 > 0:18:11# Make up, we make up a crappy joke

0:18:11 > 0:18:15# Sit back, relax and have a smoke

0:18:15 > 0:18:18# Mack the Knife swigs a can and sings the day away

0:18:18 > 0:18:22# There's more life, more life, more life in a tramp's vest

0:18:24 > 0:18:29# There's more life, more life, more life in a tramp's vest

0:18:30 > 0:18:35# There's more life, more life, more life in a tramp's vest

0:18:36 > 0:18:41# There's more life, more life, more life in a tramp's vest... #

0:18:41 > 0:18:43CHEERING AND APPLAUSE

0:18:43 > 0:18:45That was good!

0:18:47 > 0:18:51Do you have any recollections at all of 1997?

0:18:51 > 0:18:53I've got recollections of that.

0:18:53 > 0:18:56I was told, we go round in a circle

0:18:56 > 0:18:57and the first one to cock it up is when we stop.

0:18:57 > 0:18:59And I looked across, and there was Ry Cooder,

0:18:59 > 0:19:02the Buena Vista Social Club, Stevie Winwood,

0:19:02 > 0:19:05and I walked up to the mic and I hit my nose, my chin, my teeth,

0:19:05 > 0:19:08and I had to stop, and I was the first one to make it all stop, yeah.

0:19:08 > 0:19:09- Oh, no!- Because they made us

0:19:09 > 0:19:12stand on those little podiums that we used in the video.

0:19:12 > 0:19:14I tell you what, I noticed there were

0:19:14 > 0:19:15little birthday cakes on there.

0:19:15 > 0:19:19- Yeah, but it sounded all right, though.- It did sound all right.

0:19:19 > 0:19:20It did sound all right.

0:19:20 > 0:19:22It's the first time I'd ever seen the back of my head, that was.

0:19:22 > 0:19:24That's the great thing about television.

0:19:24 > 0:19:26If somebody says, "Why did you start in television?"

0:19:26 > 0:19:28- So I can see the back of my head. - Exactly, yeah.

0:19:28 > 0:19:30And you're going to be going on tour, I guess.

0:19:30 > 0:19:32Do you look forward to touring?

0:19:32 > 0:19:35Yeah, because we've got ten albums' worth of material now to pick

0:19:35 > 0:19:37and choose from. So, we've got this catalogue...

0:19:37 > 0:19:39I always loved people like Tom Petty and stuff like that,

0:19:39 > 0:19:41so you'd see these bands where there wasn't, like,

0:19:41 > 0:19:44a big frontman prancing about, it was just about a catalogue of songs.

0:19:44 > 0:19:47- We can do that now.- And when you go on tour, do you go tourist,

0:19:47 > 0:19:48do you go and look at things when you're...?

0:19:48 > 0:19:52We get in bed earlier. It tends to just be curry and beer.

0:19:52 > 0:19:53Curry and beer?

0:19:53 > 0:19:55- We've got Curry Finder on the phone. - Really?- Yeah.

0:19:55 > 0:19:58Do you have a curry straight after the show?

0:19:58 > 0:20:01We do tend to have a curry after the show, yeah.

0:20:01 > 0:20:03Mother India, in Edinburgh and Glasgow...

0:20:03 > 0:20:05Yeah, but my thing is, the timing of it, right?

0:20:05 > 0:20:08So, you want to come offstage, you walk offstage, the applause is, if

0:20:08 > 0:20:11you're lucky, still going, and there is the curry on the table, there.

0:20:11 > 0:20:13It's not like we're going to wait around,

0:20:13 > 0:20:15we haven't got time for that!

0:20:15 > 0:20:17- No, the lamb has to be still hot from the takeaway.- Exactly.

0:20:17 > 0:20:20People don't realise, when bands are on tour, everybody,

0:20:20 > 0:20:22all the artists in this room, am I right -

0:20:22 > 0:20:25the most important thing is what you're going to eat that night!

0:20:25 > 0:20:27- Exactly. Because it's not easy, is it?- It's not easy.

0:20:27 > 0:20:29Everyone has had their dinner, but we haven't,

0:20:29 > 0:20:32- we've got to wait till late. - There's a lot of waiting around!

0:20:32 > 0:20:34But we don't want sympathy, we want applause,

0:20:34 > 0:20:35for the wonderful Kelly Jones!

0:20:35 > 0:20:37CHEERING AND APPLAUSE

0:20:39 > 0:20:42What a great voice that man's got.

0:20:42 > 0:20:43Super voice.

0:20:43 > 0:20:45An extraordinary,

0:20:45 > 0:20:49magnificent selection of artists in this room now.

0:20:49 > 0:20:52We welcome, from Los Angeles, The White Buffalo!

0:20:52 > 0:20:55CHEERING AND APPLAUSE

0:20:56 > 0:20:58One, two, three!

0:20:58 > 0:21:02# Billy wasn't sober, he got pulled over in Chinatown

0:21:04 > 0:21:07# Liquor on his breath, stuffs a pistol in the cushion

0:21:07 > 0:21:09# Rolls the window down

0:21:09 > 0:21:13# Oh, well, his heart, it races like a hundred yard dash

0:21:13 > 0:21:15# Stone-cold on his face

0:21:16 > 0:21:19# Policeman sends him reluctantly on his way

0:21:22 > 0:21:26# Billy wasn't sober, he was hungover, it was 10am

0:21:28 > 0:21:32# Another day of work, clutching the pillow like his only friend

0:21:33 > 0:21:36# Oh, well, he's past his prime, he's a dinosaur

0:21:36 > 0:21:39# Steadfast in his ways

0:21:39 > 0:21:43# No aces left, but he still has cards to play

0:21:45 > 0:21:51# And he hopes today he'll swim his way to Avalon

0:21:52 > 0:21:55# He's not all the way down

0:21:57 > 0:22:01# Billy's getting older, the chip on his shoulder's getting heavier

0:22:02 > 0:22:08# The weight of the world spins and obscures into oblivion

0:22:08 > 0:22:11# This ain't living, it's waiting around to die

0:22:11 > 0:22:13# There must be another way

0:22:14 > 0:22:17# Under his breath, he says, things have got to change

0:22:20 > 0:22:25# And he hopes today, he'll swim his way to Avalon

0:22:26 > 0:22:30# He's not all the way down

0:22:31 > 0:22:36# And he hopes today, he'll swim his way to Avalon

0:22:37 > 0:22:42# He's not all the way down

0:22:42 > 0:22:44# Searching, but he got no soul

0:22:45 > 0:22:48# Wishing he could flip a switch

0:22:49 > 0:22:53# Turn his life around and face the fact

0:22:53 > 0:22:55# That life's a bitch

0:22:56 > 0:23:01# And he hopes today, he'll swim his way to Avalon

0:23:02 > 0:23:06# He's not all the way down

0:23:07 > 0:23:12# And he hopes today, he'll swim his way to Avalon

0:23:14 > 0:23:19# He's not all the way down

0:23:19 > 0:23:23# And he hopes today, he'll swim his way to Avalon

0:23:25 > 0:23:32# He's not all the way down. #

0:23:34 > 0:23:38CHEERING AND APPLAUSE

0:23:42 > 0:23:45The White Buffalo, with Avalon!

0:23:45 > 0:23:49From their album, Darkest Darks, Lightest Lights.

0:23:49 > 0:23:51Some rather good titles this week.

0:23:51 > 0:23:53So, let's hold it a moment,

0:23:53 > 0:23:57and this next artist we've got here this evening is truly extraordinary.

0:23:57 > 0:24:00She has brought her ten-piece orchestra with her,

0:24:00 > 0:24:03and those ten pieces of the orchestra

0:24:03 > 0:24:04are in fact her ten fingers.

0:24:04 > 0:24:07She is one of the most remarkable players that I've met recently,

0:24:07 > 0:24:11a dear friend, an extraordinary person and a dazzling pianist,

0:24:11 > 0:24:13it is Hiromi!

0:24:13 > 0:24:16CHEERING AND APPLAUSE

0:27:41 > 0:27:44CHEERING AND APPLAUSE

0:28:12 > 0:28:14# Suzie Q

0:28:14 > 0:28:17# What makes you

0:28:18 > 0:28:22# On the inside, outside

0:28:22 > 0:28:24# Upside, downside

0:28:24 > 0:28:26# It's true

0:28:26 > 0:28:29# He never looked at you

0:28:29 > 0:28:33# What told me inside, outside

0:28:33 > 0:28:37# Upside, downside

0:28:37 > 0:28:39# You're a back-seat driver on the side of the road

0:28:39 > 0:28:42# Ten cups of coffee and you're gonna explode

0:28:42 > 0:28:46# Want to mow me down like a domino

0:28:46 > 0:28:49# You're riding around like Geronimo

0:28:49 > 0:28:52# Back-seat driver on the side of the road

0:28:52 > 0:28:55# Ten cups of coffee and you're gonna explode

0:28:55 > 0:28:58# You want to mow me down like a domino

0:28:58 > 0:29:04# You're riding around like Geronimo

0:29:12 > 0:29:14# Cadillac in blue

0:29:14 > 0:29:17# It never suited you

0:29:18 > 0:29:22# What told me inside, outside

0:29:22 > 0:29:25# Upside, downside

0:29:25 > 0:29:27# It's true

0:29:27 > 0:29:30# You've got me hooked on you

0:29:30 > 0:29:35# But you're with me inside, outside

0:29:35 > 0:29:37# Upside, downside

0:29:37 > 0:29:41# You're a back-seat driver on the side of the road

0:29:41 > 0:29:44# Ten cups of coffee and you're gonna explode

0:29:44 > 0:29:47# You want to mow me down like a domino

0:29:47 > 0:29:50# You're riding around like Geronimo

0:29:50 > 0:29:53# Back-seat driver on the side of the road

0:29:53 > 0:29:55# Ten cups of coffee and you're gonna explode

0:29:55 > 0:29:59# You want to mow me down like a domino

0:29:59 > 0:30:02# You're riding around like Geronimo

0:30:02 > 0:30:05# Ooh, yeah

0:30:32 > 0:30:35# Ooh-ooh-ooh-ooh

0:30:35 > 0:30:38# Ooh-ooh-ooh-ooh

0:30:38 > 0:30:41# Ooh-ooh-ooh-ooh

0:30:41 > 0:30:44# Ooh-ooh-ooh-ooh

0:30:44 > 0:30:47# You're a back-seat driver on the side of the road

0:30:47 > 0:30:50# Ten cups of coffee and you're gonna explode

0:30:50 > 0:30:53# You want to mow me down like a domino

0:30:53 > 0:30:56# You're riding around like Geronimo

0:30:56 > 0:31:00# You're a back-seat driver at the side of the road

0:31:00 > 0:31:02# Ten cups of coffee and you're going to explode

0:31:02 > 0:31:05# Geronimo!

0:31:05 > 0:31:11# You're riding around like Geronimo. #

0:32:05 > 0:32:07CHEERING AND APPLAUSE

0:32:12 > 0:32:18Stereophonics with Geronimo from Scream Above The Sounds

0:32:18 > 0:32:22and before that, we enjoyed the extraordinary Hiromi.

0:32:22 > 0:32:24CHEERING AND APPLAUSE

0:32:24 > 0:32:26We have more extraordinary

0:32:26 > 0:32:28and wonderful talent in this room this evening.

0:32:28 > 0:32:29We now welcome, please,

0:32:29 > 0:32:33from Los Angeles, the wonderful sound of Moses Sumney.

0:32:33 > 0:32:36CHEERING AND APPLAUSE

0:32:37 > 0:32:39# I'm not a body

0:32:39 > 0:32:44# The body is but a shell

0:32:45 > 0:32:47# I disembody

0:32:47 > 0:32:49# But suffering is sovereign

0:32:49 > 0:32:55# Still

0:32:55 > 0:32:59# No grasp of reality

0:33:00 > 0:33:06# The world is a wonderland scene

0:33:08 > 0:33:12# I don't know

0:33:12 > 0:33:15# What we are

0:33:15 > 0:33:18# But every cell in the corpus

0:33:18 > 0:33:25# Resembles stars

0:33:25 > 0:33:30# Signal into the sky

0:33:30 > 0:33:38# God sings to me in reply

0:33:39 > 0:33:41HE VOCALISES IN HARMONY

0:33:53 > 0:33:56HE VOCALISES IN HARMONY

0:34:11 > 0:34:13# Don't bother calling

0:34:13 > 0:34:16# I'll call you

0:34:18 > 0:34:21# Don't bother calling

0:34:21 > 0:34:26# I'll call you

0:34:36 > 0:34:38# I'm not somebody

0:34:38 > 0:34:43# Somebody would savour us

0:34:43 > 0:34:47# You need a solid, but I'm made of liquid

0:34:47 > 0:34:54# Trust in me

0:34:54 > 0:34:58# I am the son of the sea

0:34:58 > 0:35:05# And I'll call you when I feel finally free

0:35:06 > 0:35:10# I don't know

0:35:10 > 0:35:15# What we are

0:35:15 > 0:35:19# But all I know is I can't go away

0:35:19 > 0:35:25# With you with half a heart

0:35:27 > 0:35:29# Don't bother calling

0:35:29 > 0:35:32# I'll call you

0:35:35 > 0:35:37# Don't bother asking

0:35:37 > 0:35:42# For the truth

0:35:42 > 0:35:45# Don't bother calling

0:35:45 > 0:35:48# I'll call you

0:35:50 > 0:35:53# Don't bother calling

0:35:53 > 0:35:57# I'll call you. #

0:36:02 > 0:36:05CHEERING AND APPLAUSE

0:36:12 > 0:36:15# Today, I feel weak

0:36:15 > 0:36:19# But tomorrow, I'll feel a queen

0:36:19 > 0:36:23# I was raised by the street

0:36:23 > 0:36:26# Do you know what that really means?

0:36:28 > 0:36:31# All this hurt I suffered

0:36:31 > 0:36:34# It just begins again

0:36:36 > 0:36:39# In a baby girl

0:36:39 > 0:36:44# Or a full-grown man

0:36:44 > 0:36:47# Tomorrow will come

0:36:47 > 0:36:51# Like the turning of the sun

0:36:51 > 0:36:56# Over tall buildings

0:36:56 > 0:36:59# And the beating of a drum

0:36:59 > 0:37:02# It lives in my heart

0:37:03 > 0:37:06# But buried in the past

0:37:06 > 0:37:10# Here comes the navigator

0:37:10 > 0:37:15# She knows you're fading fast

0:37:48 > 0:37:51# The prophets warned us

0:37:51 > 0:37:54# Well, they swore it was true

0:37:54 > 0:37:58# Well, here we go, baby

0:37:58 > 0:38:02# It can happen to you

0:38:02 > 0:38:07# Beware of men who barter

0:38:07 > 0:38:11# With the people's fate

0:38:11 > 0:38:14# Here comes the navigator

0:38:14 > 0:38:19# Refugee patron saint

0:38:19 > 0:38:25# Oh, where will all my people go?

0:38:25 > 0:38:31# The navigator wants to know

0:38:31 > 0:38:32# Oh-oh-oh-oh

0:38:32 > 0:38:36# Oh-oh-whoa-oh

0:38:36 > 0:38:42# Oh, where will all my people live?

0:38:42 > 0:38:47# The navigator, she won't forgive

0:39:08 > 0:39:14# Oh, where, where will all my people go?

0:39:14 > 0:39:19# The navigator, she wants to know

0:39:19 > 0:39:22# Wants to know! #

0:39:29 > 0:39:33CHEERING AND APPLAUSE

0:39:34 > 0:39:37Hurray For The Riff Raff!

0:39:37 > 0:39:41The title track of their album, The Navigator.

0:39:41 > 0:39:45Before that, we heard the lovely voice of Moses Sumney.

0:39:45 > 0:39:48CHEERING AND APPLAUSE Lovely falsetto voice.

0:39:48 > 0:39:51So, now, our next artist, as I explained... It's great, actually.

0:39:51 > 0:39:53If you've got a great catalogue of songs,

0:39:53 > 0:39:56to put them all into one place in their original form,

0:39:56 > 0:39:58which of course would just be with the instrument,

0:39:58 > 0:40:00whatever it is you've written them on,

0:40:00 > 0:40:03and that is what our next artist has done with his new album.

0:40:03 > 0:40:06We welcome Richard Thompson. CHEERING AND APPLAUSE

0:40:08 > 0:40:10# By Devonside

0:40:12 > 0:40:15# She was a-marching

0:40:17 > 0:40:20# It was a gang

0:40:20 > 0:40:24# Of no great size

0:40:25 > 0:40:29# And surrender was the banner

0:40:29 > 0:40:32# That she carried

0:40:34 > 0:40:37# And hungry was the shiver

0:40:37 > 0:40:40# In her eyes

0:40:44 > 0:40:47# She met a boy

0:40:49 > 0:40:51# His health was failing

0:40:52 > 0:40:55# She dropped the banner

0:40:55 > 0:41:00# And took her prize

0:41:01 > 0:41:04# And the only food she had

0:41:04 > 0:41:07# Was bread and morphine

0:41:09 > 0:41:13# But he fed on the shiver

0:41:13 > 0:41:16# In her eyes

0:41:47 > 0:41:50# By Devonside

0:41:51 > 0:41:54# His love was drifting

0:41:55 > 0:41:59# He looked for comfort

0:41:59 > 0:42:03# Otherwise

0:42:04 > 0:42:09# And there never was a rope or chain about him

0:42:12 > 0:42:15# Oh, she held him with the shiver

0:42:15 > 0:42:19# In her eyes

0:42:19 > 0:42:22# Oh, she said, my John

0:42:23 > 0:42:25# I'll be your pillow

0:42:27 > 0:42:30# I'll be your lover

0:42:30 > 0:42:33# Mother, whore and wife

0:42:36 > 0:42:42# And he said he'd loved, but never seen her

0:42:43 > 0:42:47# When the light fell from the shiver

0:42:47 > 0:42:50# In her eyes. #

0:43:06 > 0:43:09CHEERING AND APPLAUSE

0:43:12 > 0:43:16Richard Thompson with Devonside - what a lovely song

0:43:16 > 0:43:19from Acoustic Classics 2, lovely songs, of course,

0:43:19 > 0:43:21for an acoustic form.

0:43:21 > 0:43:23Thank you so much, Richard. I'm going down this way now.

0:43:23 > 0:43:24Lovely to see you again.

0:43:24 > 0:43:27So we've now got a pretty international show

0:43:27 > 0:43:29because we have, I just think, an...

0:43:29 > 0:43:32If you were tuned in 15 minutes ago, which I hope you were,

0:43:32 > 0:43:36you will have seen the amazing talent of our guest here, Hiromi!

0:43:36 > 0:43:38CHEERING AND APPLAUSE

0:43:38 > 0:43:42It's so nice to have you here, Hiromi. It's so great.

0:43:42 > 0:43:44And I suppose the first thing I've got to ask,

0:43:44 > 0:43:46when you first learned the piano

0:43:46 > 0:43:49cos there's amazing pianists from Japan, aren't there,

0:43:49 > 0:43:51but what was the first thing that you learned

0:43:51 > 0:43:53that you thought, "This is it, the piano's for me now"?

0:43:53 > 0:43:55What was it?

0:43:55 > 0:43:59When I played very classic scale Hanon with swing.

0:43:59 > 0:44:00And how did you do that?

0:44:00 > 0:44:02Play it straight first. How does it go straight?

0:44:02 > 0:44:04SHE PLAYS A SCALE

0:44:06 > 0:44:07And then how do you swing it?

0:44:07 > 0:44:11SHE PLAYS A JAUNTIER VERSION OF THE SAME SCALE

0:44:11 > 0:44:14Yeah, nice. Beautiful, lovely!

0:44:14 > 0:44:18Now, we were talking earlier about some of the piano players

0:44:18 > 0:44:20and pianists we like and one of them,

0:44:20 > 0:44:23who's up on the piano there now who was born in 1917,

0:44:23 > 0:44:25the end of the First World War, he would have been 100 this month -

0:44:25 > 0:44:27there's Thelonious Monk.

0:44:27 > 0:44:30Let's have a round of applause for Thelonious Monk.

0:44:30 > 0:44:32APPLAUSE

0:44:32 > 0:44:35- Shall we have a crack at a bit of a Monk tune?- Yes.- OK, then.

0:44:35 > 0:44:36I'll start, then.

0:47:06 > 0:47:09CHEERING AND APPLAUSE

0:47:15 > 0:47:17The fantastic Hiromi!

0:47:17 > 0:47:19CHEERING

0:47:19 > 0:47:24With our tribute to Thelonious Sphere Monk on his birthday.

0:47:24 > 0:47:27Happy birthday, Thelonious Monk! Thank you, Hiromi.

0:47:29 > 0:47:32I love the fact that in every corner of this room,

0:47:32 > 0:47:35different grooves come out and every groove I like the sound of.

0:47:35 > 0:47:38I love the way that we've got this lovely Jamaican sound

0:47:38 > 0:47:41mashed up over here. We welcome Zara McFarlane.

0:47:41 > 0:47:44CHEERING AND APPLAUSE

0:48:03 > 0:48:05# Oh, me

0:48:05 > 0:48:07# Oh, my

0:48:07 > 0:48:09# The cost of living

0:48:09 > 0:48:12# Gets so high

0:48:12 > 0:48:14# My, my

0:48:14 > 0:48:17# What now?

0:48:17 > 0:48:19# Got to make it

0:48:19 > 0:48:21# Don't know how

0:48:21 > 0:48:23# We believe

0:48:23 > 0:48:26# Peace begins within

0:48:30 > 0:48:33# We believe

0:48:33 > 0:48:35# Peace begins within

0:48:40 > 0:48:43# Don't like war

0:48:43 > 0:48:45# Bring us peace

0:48:45 > 0:48:47# Won't you excuse me

0:48:47 > 0:48:49# While I get over this?

0:48:49 > 0:48:52# Oh, me

0:48:52 > 0:48:54# Oh, my

0:48:54 > 0:48:58# Feeling so bad, I cannot cry

0:48:58 > 0:49:01# We believe

0:49:01 > 0:49:04# Peace begins within

0:49:08 > 0:49:10# We believe

0:49:10 > 0:49:13# Peace begins within

0:49:16 > 0:49:20SHE SCATS

0:49:26 > 0:49:28SHE SCATS

0:49:36 > 0:49:38# Oh, me

0:49:38 > 0:49:41# Oh, my

0:49:41 > 0:49:43# Want to see heaven

0:49:43 > 0:49:45# Don't want to die

0:49:45 > 0:49:47# We believe

0:49:47 > 0:49:50# Peace begins within

0:49:54 > 0:49:57# We believe

0:49:57 > 0:49:59# Peace begins within

0:50:23 > 0:50:25# Oh, me

0:50:25 > 0:50:28# Oh, my

0:50:28 > 0:50:31# Want to see heaven

0:50:31 > 0:50:33# Don't want to die

0:50:33 > 0:50:35# We believe

0:50:35 > 0:50:37# Peace begins within

0:50:41 > 0:50:43# We believe

0:50:43 > 0:50:46# Peace begins within

0:50:50 > 0:50:53# We believe

0:50:53 > 0:50:56# Peace begins within

0:51:00 > 0:51:02# We believe

0:51:02 > 0:51:05# Peace begins within

0:51:09 > 0:51:12# We believe

0:51:12 > 0:51:14# Peace begins within

0:51:14 > 0:51:18# We do believe, we do believe

0:51:18 > 0:51:20# We believe

0:51:20 > 0:51:24# Peace begins within

0:51:24 > 0:51:27SHE SCATS

0:51:27 > 0:51:30# We believe

0:51:30 > 0:51:33# Peace begins within

0:51:33 > 0:51:37SHE SCATS

0:51:37 > 0:51:39# We believe

0:51:39 > 0:51:42# Peace begins within. #

0:51:43 > 0:51:46CHEERING AND APPLAUSE

0:51:49 > 0:51:52Zara McFarlane - Peace Begins Within,

0:51:52 > 0:51:56and you would be well advised

0:51:56 > 0:52:00cos it's the London Jazz Festival coming up, you can see Zara there.

0:52:00 > 0:52:03Yes, Zara McFarlane, thank you so much!

0:52:03 > 0:52:05CHEERING AND APPLAUSE Now, immediately behind me,

0:52:05 > 0:52:07a beautifully contrasting lovely band.

0:52:07 > 0:52:09We welcome The White Buffalo!

0:52:09 > 0:52:11CHEERING AND APPLAUSE

0:52:23 > 0:52:25# Oh, darlin', darlin'

0:52:25 > 0:52:27# What have I done?

0:52:30 > 0:52:34# I've been astray from you too long

0:52:37 > 0:52:41# All my days have turned to darkness

0:52:43 > 0:52:48# I believe my heart has turned to stone

0:52:49 > 0:52:51# Oh, darlin', darlin'

0:52:51 > 0:52:54# What have I done?

0:52:56 > 0:53:00# Now I don't say anything at all

0:53:02 > 0:53:07# God don't listen to me, no ways

0:53:09 > 0:53:14# Now I'm left here all alone

0:53:14 > 0:53:20# Ooh-ooh, I hear what the neighbours say

0:53:22 > 0:53:27# That poor boy, he's lost his way

0:53:27 > 0:53:30# I let the others pray

0:53:33 > 0:53:36# Oh, darlin', darlin'

0:53:36 > 0:53:38# What have I done?

0:53:40 > 0:53:44# Now I do my talking with a gun

0:53:46 > 0:53:52# And blood will spill into the gutters

0:53:54 > 0:53:58# It will stain the morning sun

0:53:59 > 0:54:04# Ooh-ooh, tell me what the hell I've done

0:54:07 > 0:54:10# Can I stop at one?

0:54:11 > 0:54:14# Or have I just begun? #

0:54:17 > 0:54:19Ha!

0:54:20 > 0:54:22# Take out the bodies that live

0:54:22 > 0:54:25# Lord, it gets me high

0:54:25 > 0:54:29# I think I'm going to get my fill

0:54:29 > 0:54:31# Of taking lives

0:54:31 > 0:54:37# Lord, I don't want to let my baby down

0:54:37 > 0:54:40# I just want to give us something

0:54:40 > 0:54:48# One of a kind

0:54:50 > 0:54:52# Oh, darlin', darlin'

0:54:52 > 0:54:54# What have I done?

0:54:56 > 0:55:00# I've been astray from you too long

0:55:02 > 0:55:07# All my days have turned to darkness

0:55:09 > 0:55:13# Hell is leaving the light on

0:55:13 > 0:55:20# Ooh-ooh, they'll hang me way up high

0:55:20 > 0:55:25# God himself will drop me from the sky

0:55:27 > 0:55:30# And let me swing a while

0:55:33 > 0:55:35# Oh, darlin', darlin'

0:55:35 > 0:55:38# What have I done?

0:55:40 > 0:55:43# Oh, darlin', darlin'

0:55:43 > 0:55:46# What have I done?

0:55:46 > 0:55:48# Oh, darlin', darlin'

0:55:48 > 0:55:51# What have I done?

0:55:51 > 0:55:54# Oh, darlin', darlin'

0:55:54 > 0:55:57# What have I done?

0:55:57 > 0:56:00# Oh, darlin', darlin'

0:56:00 > 0:56:03# What have I done?

0:56:03 > 0:56:06# Oh, darlin', darlin'

0:56:06 > 0:56:09# What have I done?

0:56:09 > 0:56:12# Oh, darlin', darlin'

0:56:12 > 0:56:15# What have I done?

0:56:15 > 0:56:18# Oh, darlin', darlin'

0:56:18 > 0:56:24# What have I done?

0:56:24 > 0:56:27# What have I done? #

0:56:27 > 0:56:29CHEERING AND APPLAUSE

0:56:52 > 0:56:57# Chances are you'd like to be untouchable

0:56:59 > 0:57:05# Chances are you want to feel irresistible

0:57:06 > 0:57:13# Chances are you want to be rock and roll

0:57:13 > 0:57:16# For you, for you

0:57:16 > 0:57:18# All the others

0:57:18 > 0:57:22# They will turn you on

0:57:23 > 0:57:28# Chances are you want to feel in control

0:57:30 > 0:57:36# Chances are you want to be less alone

0:57:37 > 0:57:42# Chances are you'd like to go and get divorced

0:57:44 > 0:57:47# For you, for you

0:57:47 > 0:57:52# Or your lover that you depend upon

0:58:05 > 0:58:11# Chances are you'd like to bend or break the rules

0:58:12 > 0:58:17# Chances are you'd like to let it all hang loose

0:58:19 > 0:58:24# Chances are you'd like to feel more love at home

0:58:26 > 0:58:31# Chances are you'd like to feel less insecure

0:58:33 > 0:58:37# Chances are you're really going to mess it up

0:58:39 > 0:58:44# Chances are, they're probably going to drink it up

0:58:46 > 0:58:52# Chances are you maybe feel the world for me

0:58:53 > 0:58:58# Chances are you wind up sleeping up with the enemy

0:59:00 > 0:59:04# Don't hold it back

0:59:04 > 0:59:07# Don't hold it back

0:59:07 > 0:59:11# Don't hold it back

0:59:11 > 0:59:14# Don't hold it, yeah

0:59:21 > 0:59:25# Don't be disillusioned

0:59:25 > 0:59:28# It soon works out

0:59:28 > 0:59:30# What seems so uncertain

0:59:32 > 0:59:36# It soon works out

0:59:36 > 0:59:38# Yeah

0:59:41 > 0:59:45# Ohhhh, whoa-oh

0:59:45 > 0:59:49# It soon works out

0:59:49 > 0:59:51# Ohhh, whoa-oh

0:59:51 > 0:59:54# It soon works out

0:59:54 > 0:59:59# Ohhh, oh-whoa-ho

1:00:00 > 1:00:07# It soon works out

1:00:07 > 1:00:11# Yeah, it soon works out

1:00:16 > 1:00:18# Chances are

1:00:18 > 1:00:20# Chances are

1:00:20 > 1:00:21# Chances are

1:00:21 > 1:00:23# Chances are

1:00:23 > 1:00:25# Chances are

1:00:25 > 1:00:28# Chances are. #

1:00:40 > 1:00:43- CHEERING AND APPLAUSE - Thank you!

1:00:44 > 1:00:49The wonderful Stereophonics with Chances Are.

1:00:49 > 1:00:52So, if you have enjoyed this show, do have a look at our website.

1:00:52 > 1:00:53There's loads more.

1:00:53 > 1:00:56We'll be back on Tuesday at ten o'clock with Noel Gallagher.

1:00:56 > 1:00:57Yes, we'll be here with him.

1:00:57 > 1:00:59Dua Lipa, Aimee Mann,

1:00:59 > 1:01:03Superorganism and me and Jose Feliciano, Rita Wilson -

1:01:03 > 1:01:06so much more. Will you come and join us next week?

1:01:06 > 1:01:08CHEERING I'll take that as a yes.

1:01:08 > 1:01:10Could I invite you to give us a little thing

1:01:10 > 1:01:12you've got, I think, in the key of B natural,

1:01:12 > 1:01:14my favourite key and my philosophy in life? Here we go.

1:01:14 > 1:01:18THEY PLAY SLOW-PACED ROCK Nice!

1:01:18 > 1:01:20So I'd like to thank all of the wonderful guests

1:01:20 > 1:01:21we've had in the room this evening.

1:01:21 > 1:01:23Thank you, Stereophonics!

1:01:23 > 1:01:25CHEERING AND APPLAUSE

1:01:25 > 1:01:27Thank you, Richard Thompson!

1:01:27 > 1:01:29CHEERING

1:01:29 > 1:01:33Thank you, Zara McFarlane, at the London Jazz Festival soon,

1:01:33 > 1:01:34CHEERING a marvellous band.

1:01:34 > 1:01:37Another wonderful band, The White Buffalo!

1:01:37 > 1:01:39CHEERING

1:01:39 > 1:01:42The amazing voice, the amazing guitar - Moses Sumney!

1:01:42 > 1:01:44CHEERING

1:01:44 > 1:01:47My new best friend -

1:01:47 > 1:01:49the amazing, the one and only

1:01:49 > 1:01:51extraordinary hands of Hiromi!

1:01:53 > 1:01:58We loved inviting back to the studio Hurray For The Riff Raff!

1:01:58 > 1:02:00CHEERING

1:02:00 > 1:02:04One, two, three and... MUSIC FADES