0:00:02 > 0:00:05Ladies and gentlemen, welcome to Proms in the Park 2013,
0:00:05 > 0:00:08from Titanic Slipways, Belfast.
0:02:35 > 0:02:38APPLAUSE AND CHEERING
0:02:44 > 0:02:47- I swear you get better looking every year, Claire.- Stop it, you.
0:02:47 > 0:02:49THEY LAUGH
0:02:49 > 0:02:52- Good evening, everybody. - Ladies and gentlemen,
0:02:52 > 0:02:54it's our great pleasure to welcome you, once again,
0:02:54 > 0:02:58for a second year to Proms in the Park on the Titanic Slipway.
0:02:58 > 0:03:02And we wish, once again, to thank Belfast City Council
0:03:02 > 0:03:05for their support in staging the whole event.
0:03:05 > 0:03:07Absolutely, we are delighted to be back here
0:03:07 > 0:03:10and to complement this beautiful setting, with the amazing backdrop
0:03:10 > 0:03:13of Titanic Belfast buildings behind us,
0:03:13 > 0:03:18we simply had to come up with an equally dazzling musical line-up.
0:03:18 > 0:03:21- And I think we've done it. - Claire, I think you're right.
0:03:21 > 0:03:23We have a fantastic line-up for you.
0:03:23 > 0:03:26We got off to a great start, David Brophy
0:03:26 > 0:03:28and the orchestra with Bizet's Farandole.
0:03:28 > 0:03:30APPLAUSE
0:03:34 > 0:03:38Our next guest is a young man of extraordinary talent.
0:03:38 > 0:03:42He comes from Lithuania, he's won rafts of national and international
0:03:42 > 0:03:47prizes, including the World Cup championship in his instrument.
0:03:47 > 0:03:52Ladies and gentlemen, a big Belfast welcome for Martynas Levickis!
0:03:52 > 0:03:55APPLAUSE AND CHEERING
0:07:22 > 0:07:25APPLAUSE AND CHEERING
0:07:31 > 0:07:36Martynas, a critic in the Times said that you had "shown your extreme
0:07:36 > 0:07:40"artistry on an instrument that used to be thought of as a squeeze-box".
0:07:40 > 0:07:45This is your great passion in life, to change that whole idea, isn't it?
0:07:45 > 0:07:46Exactly as you said.
0:07:46 > 0:07:48So, how are you doing that?
0:07:48 > 0:07:50Well, I'm doing as simple as that,
0:07:50 > 0:07:52playing in Belfast for so many people.
0:07:52 > 0:07:55It's been a great pleasure and I hope you all enjoyed it.
0:07:55 > 0:07:57Oh, we very much did.
0:07:57 > 0:08:00APPLAUSE
0:08:00 > 0:08:03It's probably the first time many people have heard
0:08:03 > 0:08:06Vivaldi on the accordion. Is there anything you wouldn't tackle?
0:08:06 > 0:08:12I think it's great to notify that it's possible to play on accordion
0:08:12 > 0:08:16Bach, Vivaldi, Scarlatti, even Mozart, and even Lady Gaga.
0:08:16 > 0:08:18Wahey!
0:08:18 > 0:08:21Wonderful music tonight, Martynas. Thank you ever so much.
0:08:21 > 0:08:23APPLAUSE
0:08:25 > 0:08:28German-born composer Hans Zimmer is widely
0:08:28 > 0:08:31regarded as one of Hollywood's leading musical talents.
0:08:31 > 0:08:35Having first enjoyed success in the world of pop music,
0:08:35 > 0:08:38with The Buggles, we all remember that world-wide hit,
0:08:38 > 0:08:40Video Killed The Radio Star.
0:08:40 > 0:08:44More recently he joined forces with Steven Spielberg and Tom Hanks
0:08:44 > 0:08:47to score for their television series, The Pacific.
0:08:47 > 0:08:51And from that, here is the very emotive and haunting theme.
0:11:58 > 0:12:00APPLAUSE
0:12:07 > 0:12:11Ladies and gentlemen, it was Victor Borge who once said
0:12:11 > 0:12:14that when an operatic soprano sang her head off
0:12:14 > 0:12:16it generally improved her appearance.
0:12:16 > 0:12:19I don't think even that old curmudgeon would say that
0:12:19 > 0:12:21about our next guest.
0:12:21 > 0:12:24She is a hugely successful artist
0:12:24 > 0:12:27who has made her mark right across the musical canon.
0:12:27 > 0:12:28Ladies and gentlemen,
0:12:28 > 0:12:33the biggest welcome you can muster for Katherine Jenkins!
0:12:33 > 0:12:35APPLAUSE AND CHEERING
0:12:47 > 0:12:50SHE SINGS IN FRENCH
0:15:48 > 0:15:50APPLAUSE AND CHEERING
0:15:55 > 0:16:00- Oh, Katherine! Oh, Katherine! That was wonderful!- Thank you so much.
0:16:00 > 0:16:02Listen, it wasn't always going to be this way
0:16:02 > 0:16:05- cos when you left the Royal Academy you were a teaching singer...- Yes.
0:16:05 > 0:16:07- A singing teacher, should I say.- Yes.
0:16:07 > 0:16:10When did you decide that this was going to be your life?
0:16:10 > 0:16:12I always wanted to be a singer since I was four years old.
0:16:12 > 0:16:16My mum taught me a song called Going Down The Garden To Eat Worms
0:16:16 > 0:16:19and that was my very first little performance in public.
0:16:19 > 0:16:21# Nobody likes to...
0:16:21 > 0:16:23# Going down the garden to eat worms... #
0:16:23 > 0:16:26- I won't sing that for you now.- My first duet with Katherine Jenkins.
0:16:26 > 0:16:27THEY LAUGH
0:16:27 > 0:16:29Erm, so I always knew that's what I wanted to do.
0:16:29 > 0:16:32I just didn't know if I had the chance to really be a singer.
0:16:32 > 0:16:34Your voice is going to get better and better and better,
0:16:34 > 0:16:36so what do you want to do in the future?
0:16:36 > 0:16:38Erm, I think I've been very lucky so far.
0:16:38 > 0:16:41It's nearly ten years since my first album came out
0:16:41 > 0:16:45and I kind of feel like I've just had so many wonderful opportunities.
0:16:45 > 0:16:48To think of anything else is being a little bit greedy,
0:16:48 > 0:16:50so if this continues and I just get to sing
0:16:50 > 0:16:53and I get to come back to Belfast I'll be really happy.
0:16:53 > 0:16:55- Oh, yes, so would we. - CHEERING
0:16:55 > 0:16:57We shall hear more from you later, Katherine,
0:16:57 > 0:17:00but for now let me escort you off.
0:17:00 > 0:17:03APPLAUSE AND CHEERING
0:17:05 > 0:17:07With me now, backstage, I'm delighted to say...
0:17:07 > 0:17:09We're very lucky to be in the presence actually
0:17:09 > 0:17:12of a Golden Globe nominated...the one and only Brian Byrne, composer.
0:17:12 > 0:17:15You've composed the music for the next piece, which is
0:17:15 > 0:17:16very special indeed.
0:17:16 > 0:17:18Tell me about Heartbeat Of Home.
0:17:18 > 0:17:22Well, I was approached three years ago by John and Moya, who were
0:17:22 > 0:17:24the producers for Riverdance
0:17:24 > 0:17:26and they were very exited with this new idea they had,
0:17:26 > 0:17:31mixing Latin music, Afro, Cuban, Caribbean
0:17:31 > 0:17:32with Irish, Scottish music
0:17:32 > 0:17:35and it's incredible what these dancers can do.
0:17:35 > 0:17:37They're so athletic, moving on from Riverdance, 20 years later,
0:17:37 > 0:17:39their bodies, they're like athletes.
0:17:39 > 0:17:42So, really, if they're doing their job right
0:17:42 > 0:17:44and I'm doing my job right, the percussion
0:17:44 > 0:17:47and their feet will blend together and with the voices, you know,
0:17:47 > 0:17:49we have this hopefully new sound.
0:17:49 > 0:17:52And I can't wait, I can't wait to get out there and do it.
0:17:52 > 0:17:55Neither can we. We'd better let you get back out there. All right.
0:17:55 > 0:17:59Prepare yourselves for a dynamic mix of cultural rhythms
0:17:59 > 0:18:00to knock your socks off!
0:18:00 > 0:18:03It is, ladies and gentlemen, our great pleasure to bring you
0:18:03 > 0:18:06this preview of Heartbeat Of Home!
0:18:07 > 0:18:09APPLAUSE AND CHEERING
0:18:25 > 0:18:30# Won't you lead me home to you
0:18:31 > 0:18:38# To all the strength and peace you gave
0:18:38 > 0:18:44# Tomorrow's harbour opens out her arms
0:18:44 > 0:18:50# Shines a watchtower on the wave
0:18:50 > 0:18:56# And you're the flame of every hope
0:18:56 > 0:19:02# That ever faced into the tide
0:19:04 > 0:19:10# Yesterday and now
0:19:10 > 0:19:15# Dreaming is to pursue
0:19:17 > 0:19:23# Shelter me in your arms
0:19:23 > 0:19:29# Oh, lead me home to you
0:19:30 > 0:19:33# Lead me home to you
0:19:33 > 0:19:36# Lead me home to you
0:19:36 > 0:19:39# Lead me home to you
0:19:39 > 0:19:45# Shelter me in your arms
0:19:45 > 0:19:51# Oh, lead me home to you
0:19:51 > 0:19:56# Long on the seas
0:19:56 > 0:20:03# Of hungry, friendless life
0:20:04 > 0:20:08# Searching for a home
0:20:08 > 0:20:16# And the glow of world comes last
0:20:16 > 0:20:23# Hold strong in the storm
0:20:23 > 0:20:28# Guiding constant friend
0:20:28 > 0:20:31# When I was lost upon
0:20:31 > 0:20:35# The lonesome seas
0:20:35 > 0:20:42# Oh, lead me safe to land
0:20:42 > 0:20:48# Light the way to shore
0:20:48 > 0:20:54# Bravely breaking through Lead me home
0:20:54 > 0:20:57# Lead me home
0:20:57 > 0:21:02# Oh, lead me home to you
0:21:04 > 0:21:10# Lead me home Lead me home
0:21:10 > 0:21:19# Oh, lead me home to you. #
0:21:25 > 0:21:28UPBEAT INSTRUMENTAL
0:21:34 > 0:21:37CHORAL SINGING
0:25:54 > 0:25:56CHEERING AND APPLAUSE
0:26:00 > 0:26:02I think we've got a hit on our hands.
0:26:03 > 0:26:05Thanks, too, to the Belfast Community Gospel Choir,
0:26:05 > 0:26:09who lent such a divine background to the proceedings.
0:26:11 > 0:26:13Wow! What a performance!
0:26:13 > 0:26:17Now, our next guest is a man who needs absolutely no introduction.
0:26:17 > 0:26:20He did, in fact, run out of wall space
0:26:20 > 0:26:22for his awards a long, long time ago.
0:26:22 > 0:26:24Ivor Novello Awards, gold discs,
0:26:24 > 0:26:27platinum discs, you name it, he's got it.
0:26:27 > 0:26:30Please will you give a huge, huge welcome
0:26:30 > 0:26:32all the way from Derry-Londonderry,
0:26:32 > 0:26:34the UK City of Culture for 2013,
0:26:34 > 0:26:39it's the man we love so well, Mr Phil Coulter!
0:26:39 > 0:26:40CHEERING AND APPLAUSE
0:29:38 > 0:29:40CHEERING AND APPLAUSE
0:29:42 > 0:29:44Good, good, good.
0:29:44 > 0:29:48Now, have we got any rugby fans in the audience tonight?
0:29:48 > 0:29:50CHEERING
0:29:50 > 0:29:52Maestro?
0:29:54 > 0:29:58# Ireland
0:30:00 > 0:30:03# Ireland
0:30:16 > 0:30:21# Come the day and come the hour
0:30:21 > 0:30:27# Come the power and the glory
0:30:27 > 0:30:31# We have come to answer our country's call
0:30:33 > 0:30:37# From the four proud provinces of Ireland
0:30:37 > 0:30:39Come on!
0:30:39 > 0:30:43# Ireland, Ireland
0:30:43 > 0:30:46# Together standing tall
0:30:46 > 0:30:48Shoulder to shoulder!
0:30:48 > 0:30:53# Shoulder to shoulder
0:30:53 > 0:30:58# We'll answer Ireland's call
0:31:06 > 0:31:09Come on!
0:31:09 > 0:31:11# Ireland
0:31:11 > 0:31:14# Together standing tall
0:31:14 > 0:31:17Shoulder to shoulder!
0:31:17 > 0:31:21# Shoulder to shoulder
0:31:21 > 0:31:25# We'll answer Ireland's call
0:31:25 > 0:31:26Yes, we will!
0:31:26 > 0:31:31# We'll answer Ireland's call. #
0:31:35 > 0:31:37Thank you, Belfast!
0:31:37 > 0:31:39CHEERING AND APPLAUSE
0:31:44 > 0:31:46Oh, Phil, oh, Phil, oh, Phil! Wow!
0:31:46 > 0:31:49Did anyone ever tell you you wrote a mean tune?
0:31:49 > 0:31:51I've never heard it sung by so many people before.
0:31:51 > 0:31:52Great. All in good voice.
0:31:52 > 0:31:57It's funny. I mean, I was thinking, I remember sitting down at my piano,
0:31:57 > 0:32:00just me and the piano, trying to come up with the idea of Ireland's Call.
0:32:00 > 0:32:03And that's the great excitement of being a songwriter.
0:32:03 > 0:32:06- You can never really visualise where it's going to lead.- Yes.
0:32:06 > 0:32:08Starting off as a germ of an idea
0:32:08 > 0:32:11with a title, Ireland's Call, to this.
0:32:11 > 0:32:14You know, that's really exciting. I've had a ball.
0:32:14 > 0:32:17- Have you still got the old energy? - Absolutely. I love it.
0:32:17 > 0:32:18I thank God every day for the fact that
0:32:18 > 0:32:20I'm making a living from something that I love to do.
0:32:20 > 0:32:22It's a real blessing and it's a privilege.
0:32:22 > 0:32:25A real thrill to have you with us this evening, Phil.
0:32:25 > 0:32:27My great pleasure, my great pleasure.
0:32:27 > 0:32:30Now, Johann Strauss was, of course, the king of the Viennese Waltz,
0:32:30 > 0:32:32but he wrote some other dance music as well.
0:32:32 > 0:32:34And just let's see if we can tempt the Fates
0:32:34 > 0:32:37with The Thunder And Lightning Polka.
0:35:41 > 0:35:43CHEERING AND APPLAUSE
0:35:52 > 0:35:54Beside me is David Brophy, the man who has been conducting us
0:35:54 > 0:35:56through tonight's proceedings.
0:35:56 > 0:35:59It has been a knockout performance from everybody, wouldn't you say?
0:35:59 > 0:36:01The Last Night of the Proms is about variety.
0:36:01 > 0:36:03We've had a fantastic variety here this evening.
0:36:03 > 0:36:05And the Ulster Orchestra have been fantastic.
0:36:05 > 0:36:07For two days, they've been dodging raindrops.
0:36:07 > 0:36:10And we've had a variety this evening. It's been really good.
0:36:10 > 0:36:13I know you've a little bit more to do.
0:36:13 > 0:36:16We're going to hand back to Noel and let you get back on stage to finish the show,
0:36:16 > 0:36:20but for now, thank you very much, David Brophy. Back to you, Noel.
0:36:20 > 0:36:22APPLAUSE
0:36:22 > 0:36:24Ladies and gentlemen,
0:36:24 > 0:36:27we're going to invite back onto the stage Katherine Jenkins!
0:36:27 > 0:36:30RAPTUROUS APPLAUSE
0:37:22 > 0:37:24SHE SINGS IN ITALIAN
0:40:47 > 0:40:48CHEERING AND APPLAUSE
0:40:54 > 0:40:57Thank you very much, ladies and gentlemen. Thank you.
0:40:57 > 0:41:00I'd now like to introduce back onto the stage
0:41:00 > 0:41:02our fabulous accordion player.
0:41:02 > 0:41:04We're going to perform for you a duet now.
0:41:04 > 0:41:08This is by Edith Piaf, La Vie En Rose,
0:41:08 > 0:41:10with the wonderful Martynas.
0:41:10 > 0:41:11APPLAUSE
0:41:27 > 0:41:29SHE SINGS IN FRENCH
0:44:57 > 0:45:00APPLAUSE
0:45:13 > 0:45:17Up next is a young girl who has been playing the violin
0:45:17 > 0:45:19since she was just two years of age.
0:45:19 > 0:45:22Then at 13 she became the youngest recording artist
0:45:22 > 0:45:25ever to sign for Warner Classics UK.
0:45:25 > 0:45:29Ladies and gentlemen, you are in for a huge treat.
0:45:29 > 0:45:33Please put your hands together for Chloe Hanslip!
0:45:33 > 0:45:34CHEERING AND APPLAUSE
0:51:30 > 0:51:33CHEERING AND APPLAUSE
0:51:54 > 0:51:57Well, I'm delighted to say Chloe Hanslip has joined me backstage.
0:51:57 > 0:52:00Chloe, lovely to have you here at the Proms.
0:52:00 > 0:52:02I think the crowd out there had an absolutely lovely time
0:52:02 > 0:52:05listening to you. How was it for you?
0:52:05 > 0:52:07- This was your first taste of the Proms.- Thank you.
0:52:07 > 0:52:09Yes, it's been absolutely wonderful to be here
0:52:09 > 0:52:12and to be able to do a Last Night at the Proms is just incredible.
0:52:12 > 0:52:14I've enjoyed every single moment of it.
0:52:14 > 0:52:17You first picked up a violin aged two.
0:52:17 > 0:52:20My parents decided they didn't want another pianist in the house, so gave me a violin.
0:52:20 > 0:52:23And that was how it started and I've never looked back since. I love it.
0:52:23 > 0:52:25Well, we're very glad you haven't looked back.
0:52:25 > 0:52:29Now, this is your second or third time to Northern Ireland. You have been here before.
0:52:29 > 0:52:31Yes, I have. It's wonderful to be back.
0:52:31 > 0:52:35I actually managed to have a little bit of a look around Belfast yesterday.
0:52:35 > 0:52:38I hope to have a bit more of a look tomorrow before I leave.
0:52:38 > 0:52:39Well, we'll look out for you.
0:52:39 > 0:52:42For the moment, thank you very much indeed and good luck.
0:52:42 > 0:52:44Back to you, Noel.
0:52:44 > 0:52:48We have heard her once, we have heard her twice.
0:52:48 > 0:52:50100 times wouldn't be enough.
0:52:50 > 0:52:52But we've time for one more.
0:52:52 > 0:52:54Please welcome Katherine Jenkins!
0:52:54 > 0:52:56CHEERING AND APPLAUSE
0:53:26 > 0:53:29# Quando sono solo sogno all'orizzonte
0:53:29 > 0:53:32# E mancan le parole
0:53:32 > 0:53:35# Si lo so che non c'e luce
0:53:35 > 0:53:38# In una stanza quando manca il sole
0:53:38 > 0:53:46# Se non ci sei tu con me, con me
0:53:46 > 0:53:50# Su le finestre
0:53:50 > 0:53:53# Mostra a tutti il mio cuore
0:53:53 > 0:53:56# Che hai acceso
0:53:56 > 0:54:00# Chiudi dentro me
0:54:00 > 0:54:02# La lace che
0:54:02 > 0:54:07# Hai incontrato per strada
0:54:10 > 0:54:17# Time to say goodbye
0:54:17 > 0:54:23# Paesi che non ho mai
0:54:23 > 0:54:28# Veduto e vissuto con te
0:54:28 > 0:54:31# Adesso si li vivro
0:54:31 > 0:54:38# Con te partiro
0:54:38 > 0:54:42# Su navi per mari
0:54:42 > 0:54:45# Che, io lo so
0:54:45 > 0:54:50# No, no, non esistono piu
0:54:50 > 0:54:53# It's time to say goodbye
0:54:56 > 0:55:02# Quando sei lontana sogno all'orizzonte e mancan le parole
0:55:02 > 0:55:06# E io si lo so che sie con me con me
0:55:06 > 0:55:11# Tu mia luna tu sei qui con me
0:55:11 > 0:55:14# Mio sole tu sei qui con me
0:55:14 > 0:55:20# Con me, con me, con me
0:55:22 > 0:55:30# Time to say goodbye
0:55:30 > 0:55:36# Paesi che non ho mai
0:55:36 > 0:55:41# Veduto e vissuto con te
0:55:41 > 0:55:44# Adesso si li vivro
0:55:44 > 0:55:51# Con te partiro
0:55:51 > 0:55:55# Su navi per mari
0:55:55 > 0:55:58# Che, io lo so
0:55:58 > 0:56:02# No, no, non esistono piu
0:56:02 > 0:56:05# Con te io li rivivro
0:56:05 > 0:56:12# Con te partiro
0:56:12 > 0:56:16# Su navi per mari
0:56:16 > 0:56:19# Che, io lo so
0:56:19 > 0:56:24# No, no, non esistono piu
0:56:24 > 0:56:27# Con te io li rivivro
0:56:27 > 0:56:34# Con te partiro
0:56:40 > 0:56:45# No, no, non esistono piu
0:56:45 > 0:56:50# Io con te. #
0:57:01 > 0:57:03RAPTUROUS APPLAUSE
0:57:03 > 0:57:05Thank you, Belfast. Thank you so much.
0:57:09 > 0:57:12CHEERING
0:57:18 > 0:57:21All our guests tonight, I'm sure you'll agree,
0:57:21 > 0:57:22have been absolutely fabulous.
0:57:22 > 0:57:27Thank you to them for entertaining all of us so regally this evening.
0:57:27 > 0:57:29CHEERING AND APPLAUSE
0:57:31 > 0:57:34Ladies and gentlemen, the Ulster Orchestra,
0:57:34 > 0:57:36leader Tamas Kocsis and, of course, Mr Brophy!
0:57:36 > 0:57:38RAPTUROUS APPLAUSE
0:57:40 > 0:57:43Always a joy. Ladies and gentlemen, we play out tonight
0:57:43 > 0:57:46with Strauss' Radetzky March with a few fireworks.
0:57:46 > 0:57:49It's always good to go out with a bang. You have been fantastic.
0:57:49 > 0:57:52- Good night!- Good night!
0:57:52 > 0:57:54CHEERING AND APPLAUSE