:00:00. > :00:07.Hello and welcome Singleton Park where we have a
:00:08. > :00:10.stallar Singleton Park where we have a
:00:11. > :00:12.stellar line-up for you. An international Welsh superstar who
:00:13. > :00:13.stellar line-up for you. An has flown across Europe to perform
:00:14. > :00:17.here this evening. She is one of the has flown across Europe to perform
:00:18. > :00:20.finest of her generation. has flown across Europe to perform
:00:21. > :00:21.finect of her generation. And a finest of her generation. And a
:00:22. > :00:24.brand-new Welsh singer-songwriter who is making a name for herself. It
:00:25. > :00:25.can only be BBC Proms in the cal only `e B C Proms in the Park
:00:26. > :01:22.2014. Good evening, Swansea. It is lovely
:01:23. > :01:43.to be back. I'm Tim Rhys-Evans. Good evening, Swansea. It is lovely
:01:44. > :01:49.Josie d'Arby. Tonight, we are Josie d'Apbq. Tolight, ve are here
:01:50. > :01:56.to celebrate the Last Night Josie d'Apbq. Tolight, ve are here
:01:57. > :01:58.Proms. We begin with music from one of Wales' most talented sons, who
:01:59. > :02:03.Proms. We begin with music from one celebrated his 70th birthday this
:02:04. > :02:05.year. Karl Jenkins is one of the UK's most popular contemporary
:02:06. > :02:06.coiposers UK's most popular contemporary
:02:07. > :02:08.composers and one of Wales' most UK's most popular contemporary
:02:09. > :02:13.versatile musicians. From the first UK's most popular contemporary
:02:14. > :02:18.album in the Songs of Sanctuary series, thic is
:02:19. > :03:08.album in the Songs of Sanctuary series, this is the opening
:03:09. > :05:24.Our first geest hs Casi, she is part of The Horizons music scheme,
:05:25. > :05:26.of T`e Horirons lusic sbheme, delivered in partnership with Art
:05:27. > :05:33.of T`e Horirons lusic sbheme, Council Wales. At the moment, I am
:05:34. > :05:33.fealang Council Wales. At the moment, I am
:05:34. > :05:35.feeling quite calm. Council Wales. At the moment, I am
:05:36. > :05:35.feelang quide calm. But, Council Wales. At the moment, I am
:05:36. > :05:36.feeling quite calm. But, probably, feelang quide calm. ut, probably,
:05:37. > :05:38.later on, when I hear the feelang quide calm. ut, probably,
:05:39. > :05:38.lateb on, w`en I hear the whole feelang quide calm. ut, probably,
:05:39. > :05:39.concert feelang quide calm. ut, probably,
:05:40. > :05:39.colcert stabting, the feelang quide calm. ut, probably,
:05:40. > :05:40.concert starting, the excitement feelang quide calm. ut, probably,
:05:41. > :05:42.will probably pump and kick in then. feelang quide calm. ut, probably,
:05:43. > :05:45.What songs gill you be feelang quide calm. ut, probably,
:05:46. > :05:45.What songs will you be singing? I'm singang
:05:46. > :05:47.What songs will you be singing? I'm singing songs that started out with
:05:48. > :05:50.What songs will you be singing? I'm me and the piano in my room. They
:05:51. > :05:50.What songs will you be singing? I'm are specially arranged
:05:51. > :05:51.What songs will you be singing? I'm ara cpecially arpanged for
:05:52. > :05:55.are specially arranged for tonight. Tell us about that. We
:05:56. > :05:56.are specially arranged for tonight. Tell us a`oet th`t. We vere
:05:57. > :05:57.Tell us about that. We were in Cardaff
:05:58. > :05:59.Tell us about that. We were in the
:06:00. > :06:00.Tell us about that. We were in tha first tame I
:06:01. > :06:00.Tell us about that. We were in the first time I got to
:06:01. > :06:00.Tell us about that. We were in tha first tame I got to hear
:06:01. > :06:01.Tell us about that. We were in the first time I got to hear my
:06:02. > :06:01.coipositionc the first time I got to hear my
:06:02. > :06:03.compositions being performed with a compositionc beilg performed with a
:06:04. > :06:05.full orchestra. It was a feeling compositionc beilg performed with a
:06:06. > :06:09.that I probably won't be able to compositionc beilg performed with a
:06:10. > :06:09.describe, compositionc beilg performed with a
:06:10. > :06:10.descbibe, bet it compositionc beilg performed with a
:06:11. > :06:11.describe, but it was phenomenal so compositionc beilg performed with a
:06:12. > :06:13.can't wait to hear them again can'd wait do hear them again
:06:14. > :09:16.tonight Now, our next guest has moved heaven
:09:17. > :09:22.and earth to be with us and crossed Now, our next guest has moved heaven
:09:23. > :09:22.rivers and mountains to join us this evanang
:09:23. > :09:24.rivers and mountains to join us this evening - and I mean that. He is
:09:25. > :09:26.rivers and mountains to join us this of the greatest singers on the
:09:27. > :09:32.planet. I can't quite believe we of the greatest singers on the
:09:33. > :09:32.have got him tonight, so Swansea, go wihd,
:09:33. > :09:34.have got him tonight, so Swansea, go wild, go crazy for Mr Bryn Terfel.
:09:35. > :09:58.You have come a long here? Yes, I was singing in the
:09:59. > :09:58.Vienna State Opera Last Night, I did foqr
:09:59. > :10:01.Vienna State Opera Last Night, I did four performances there, got up at
:10:02. > :10:02.foqr performances there, got up at 4.00am, went to the
:10:03. > :10:03.foqr performances there, got up at 4.00am, wend to the airport. It is a
:10:04. > :10:03.4.00am, went to the airport. It is a lolg
:10:04. > :10:04.4.00am, went to the airport. It is a long way from the
:10:05. > :10:05.4.00am, went to the airport. It is a lolg way drom thd centre of
:10:06. > :10:05.4.00am, went to the airport. It is a long way from the centre of Vienna
:10:06. > :10:08.4.00am, went to the airport. It is a into the airport - about an
:10:09. > :10:08.4.00am, went to the airport. It is a had do be
:10:09. > :10:09.4.00am, went to the airport. It is a had to be there ready in
:10:10. > :10:10.4.00am, went to the airport. It is a had do be t`ere peady in time. I
:10:11. > :10:11.had to be there ready in time. I have
:10:12. > :10:12.had to be there ready in time. I hate been
:10:13. > :10:13.had to be there ready in time. I have been tweeting and Facebooking,
:10:14. > :10:14."On my way, have been tweeting and Facebooking,
:10:15. > :10:14."On my wax, on mx way." have been tweeting and Facebooking,
:10:15. > :10:15."On my way, on my way." The plane have been tweeting and Facebooking,
:10:16. > :10:18.was on time. The journey was have been tweeting and Facebooking,
:10:19. > :10:20.perfect. We arrived to sunshine. Wonderful. You have got a very tight
:10:21. > :10:24.perfect. We arrived to sunshine. schedule. When you have been looking
:10:25. > :10:26.perfect. We arrived to sunshine. ahead and seen Proms in the Park, is
:10:27. > :10:28.that something you have been looking that somethang ynu have been looking
:10:29. > :10:30.forward to? I have that somethang ynu have been looking
:10:31. > :10:31.about getting here. That hurdle that somethang ynu have been looking
:10:32. > :10:34.done now. I can think about my works that somethang ynu have been looking
:10:35. > :10:35.and my songs and what that somethang ynu have been looking
:10:36. > :10:36.and my solgc and what h`ppens nn the that somethang ynu have been looking
:10:37. > :10:37.day here. My parents have that somethang ynu have been looking
:10:38. > :10:38.day here. Mq parents have come day here. My parents have come down
:10:39. > :10:41.from North Wales. So it will be day here. My parents have come down
:10:42. > :10:45.really exciting to perform once again in Wales. This is your
:10:46. > :10:47.really exciting to perform once Proms in the Park, which has its own
:10:48. > :10:49.really exciting to perform once special quality? Yes, I won't know
:10:50. > :10:51.really exciting to perform once until I have dond at.
:10:52. > :10:52.really exciting to perform once until I have done it. You know, I'm
:10:53. > :10:54.unpil h`ve dond at. You know, I'm in the right place. I'm in Wales.
:10:55. > :11:00.unpil h`ve dond at. You know, I'm I'm in South Wales. It is amazing to
:11:01. > :11:00.unpil h`ve dond at. You know, I'm sing
:11:01. > :11:01.unpil h`ve dond at. You know, I'm silg a couple of
:11:02. > :11:03.unpil h`ve dond at. You know, I'm sing a couple of songs and be a
:11:04. > :11:05.unpil h`ve dond at. You know, I'm of this Last Night once again. It is
:11:06. > :11:13.unpil h`ve dond at. You know, I'm tremendous. Yes. The
:11:14. > :11:14.unpil h`ve dond at. You know, I'm tramendous. Yes. T`e next song is
:11:15. > :11:14.unpil h`ve dond at. You know, I'm written by a
:11:15. > :11:15.unpil h`ve dond at. You know, I'm writden by a school
:11:16. > :11:17.unpil h`ve dond at. You know, I'm written by a school teacher in Las
:11:18. > :11:19.unpil h`ve dond at. You know, I'm Vegas. It is called Homeward Bound.
:11:20. > :11:21.unpil h`ve dond at. You know, I'm This appealed to me being a
:11:22. > :11:42.unpil h`ve dond at. You know, I'm son from North Wales.
:11:43. > :12:06.# When the sparrows the moon has gone to bed,
:12:07. > :13:58.# Phen thd gind vill set me rabing as my journey nears its end,
:13:59. > :14:24.# And the path I'll be retracing when I'm homeward bound again.
:14:25. > :14:51.# Sed me dree to fand mx calling and I'll return to you somehow.
:14:52. > :16:34.# Set me free to find my calling and I'll return to you somehow.
:16:35. > :17:04.# Set me free to find my calling and I'll return to you somehow.
:17:05. > :18:20.She was 12 years the BBC Young Musician title back in
:18:21. > :18:23.tha BB Young Murician title b`ck in 2002. Still, only 24, Jennifer Pike
:18:24. > :18:25.tha BB Young Murician title b`ck in is widely regarded as one of the
:18:26. > :18:27.tha BB Young Murician title b`ck in most gifted performers of
:18:28. > :18:29.tha BB Young Murician title b`ck in most gifted performers nf her
:18:30. > :18:30.generation and, ladies and gentlemen, a truly lovely pErsnn,
:18:31. > :18:32.gentlemen, a truly lovely person, too. She's an demand around
:18:33. > :18:34.gentlemen, a truly lovely person, world and we are delighted that
:18:35. > :18:37.gentlemen, a truly lovely person, she's with us tonight. Please
:18:38. > :18:43.gentlemen, a truly lovely person, her a very warm Swansea welcome.
:18:44. > :18:50.I know you did Glasgow last year. This year, Swansea. How's
:18:51. > :18:53.I know you did Glasgow last year. reception been? Fantastic.
:18:54. > :18:55.I know you did Glasgow last year. welcoming. And we have got our own
:18:56. > :18:58.I know you did Glasgow last year. caravan backstage, which is
:18:59. > :19:01.incredible! All in all, five-stars from me! Tell us about your
:19:02. > :19:04.incredible! All in all, five-stars repertoire for this evening? I will
:19:05. > :19:09.repebtoire for this evening? I will be playing the Last Movement of the
:19:10. > :19:11.Tchaikovsky Concerto in t`e first be playing the Last Movement of the
:19:12. > :19:14.half. I can play better than be playing the Last Movement of the
:19:15. > :19:16.speak! It is a fantastic be playing the Last Movement of the
:19:17. > :19:17.piece to bring be playing the Last Movement of the
:19:18. > :19:17.piece to `rang the house be playing the Last Movement of the
:19:18. > :20:19.piece to bring the house down, hopefully,
:20:20. > :24:09.MUSIC: Violin Concerto By
:24:10. > :24:27.Tha gondepfel Jelnafer change of mood now, although the
:24:28. > :24:30.Tha gondepfel Jelnafer title of the next piece may feel a
:24:31. > :24:33.Tha gondepfel Jelnafer little bit premature. Don't be
:24:34. > :24:34.little bit `remature. Don't be fooled, Winter
:24:35. > :24:34.little bit `remature. Don't be fooled, Whnter earnt
:24:35. > :24:37.little bit `remature. Don't be fooled, Winter earnt songwriter
:24:38. > :24:40.fooled, Whnder earnt songwriter Casi Best Song of 2013 on Bethan
:24:41. > :24:41.fooled, Whnder earnt songwriter Casi Radio Wales show last year. Please
:24:42. > :24:43.fooled, Whnder earnt songwriter Casi welcome back to the stage, the
:24:44. > :24:44.fooled, Whnder earnt songwriter Casi wonderful
:24:45. > :25:39.# Why, oh, why, won't the winds just carry him home?
:25:40. > :25:47.# Why, oh, why, won't the winds from the dark
:25:48. > :26:22.# And ark myself just carry him home?
:26:23. > :27:20.# Away he goes any more
:27:21. > :27:31.# Why, oh, why, won't the winds just carry `im hnme?
:27:32. > :27:33.# Why, oh, why, won't the winds just carry him home?
:27:34. > :27:38.# He stole my soul from the dark
:27:39. > :28:45.# Not even the birds sing their song any more
:28:46. > :28:48.Thank you very much. APPLAU E
:28:49. > :28:50.Thank you very much. Casi performing Winter with the BBC
:28:51. > :28:53.Thank you very much. National Orchestra of
:28:54. > :28:53.Thank you very much. Napional Nrchestpa of W`les. Now,
:28:54. > :28:56.Thank you very much. with the fabulous new frock,
:28:57. > :28:59.Thank you very much. welcome back Jennifer Pike to
:29:00. > :29:00.Thank you very much. Banjo and Fiddle where the violin
:29:01. > :29:03.takes on the role of the banjo and Banjo and Fiddle where the violin
:29:04. > :30:04.the fiddle. MUSIC: Banjo and Faddle
:30:05. > :32:47.By Wallial Kroll The next music we
:32:48. > :32:53.started life in the Man of La Manc`a,
:32:54. > :32:53.started life in the Man of La Mancha,
:32:54. > :32:55.started life in the Man of La Malc`a, but
:32:56. > :32:58.started life in the Man of La Mancha, but has been sung by people
:32:59. > :33:01.Mancha, btt has `een sung by pdople ranging from Elvis Presley to Frank
:33:02. > :33:02.Sinadra. ranging from Elvis Presley to Frank
:33:03. > :33:04.Sinatra. We happen to have a Welsh Sinatra. Ve happdn to h`ve a Wdlsh
:33:05. > :33:07.baritone in the house. Sinatra. Ve happdn to h`ve a Wdlsh
:33:08. > :33:07.welcome back to the stage, the one, tha
:33:08. > :33:30.welcome back to the stage, the one, the only, Bryn Terfel.
:33:31. > :34:06.# And to run where the brave dare not fo
:34:07. > :34:32.# To this glorious quest to follow that star
:34:33. > :34:50.# When I'm laid to my rest peaceful and calm
:34:51. > :34:51.# When I'm laid to my rest will be better for this
:34:52. > :34:56.# That one man, scorned and covered with scars
:34:57. > :36:21.# Still strove with his last ounce of courage
:36:22. > :36:23.we have now reached the part of the evanang when
:36:24. > :36:25.we have now reached the part of the evening when we celebrate some
:36:26. > :36:27.we have now reached the part of the the traditions for the last
:36:28. > :36:29.we have now reached the part of the Always a favourite with audiences,
:36:30. > :36:30.we have now reached the part of the we are going to hear the hornpipe
:36:31. > :36:34.from Henry Woods' and tastier, the we are going to hear the hornpipe
:36:35. > :36:39.violin solo performed by we are going to hear the hornpipe
:36:40. > :38:43.Pike -- APPLAUSE
:38:44. > :38:56.wouldn't APPLAUSE
:38:57. > :38:56.woqldn't `e the APPLAUSE
:38:57. > :38:57.wouldn't be the Last Night of the APPLAUSE
:38:58. > :38:57.Proms if APPLAUSE
:38:58. > :38:58.Promc if xoe APPLAUSE
:38:59. > :38:59.Proms if you didn't have Rule Britannia, but onlq in Wales
:39:00. > :39:00.Proms if you didn't have Rule Britannia, but only in Wales would
:39:01. > :39:01.Proms if you didn't have Rule you get some of it
:39:02. > :39:01.Proms if you didn't have Rule yoq get snme of ht sung
:39:02. > :39:11.Proms if you didn't have Rule you get some of it sung in Welsh.
:39:12. > :39:24.# When Britain first at Heaven's command
:39:25. > :39:36.# This was the charter, the charter of the land
:39:37. > :39:42.# And guardian angels sang this strain
:39:43. > :39:53.# Britons never will be slaves Britannia, rule the waves
:39:54. > :40:20.# Rule, Britannia! Britannia, bule the wavds
:40:21. > :42:04.# Rule, Britannia! crown'd
:42:05. > :42:31.# Britons never will be slaves. # Britannia, rule the waves
:42:32. > :42:35.A change of tempo in the traditional last night celebrations now, with
:42:36. > :42:37.last night celebpations now, with one of the world's the greatest
:42:38. > :42:42.singers and one of the best loved silgers ald one nf the best loved
:42:43. > :42:42.Welsh silgers ald one nf the best loved
:42:43. > :42:42.Wehs` sonfs. Welsh songs.
:42:43. > :44:23.Bryn Terfel and Ar Hyd Y Nos. Wehl, hnpe you wall afree, it has
:44:24. > :47:35.been another Wehl, hnpe you wall afree, it has
:47:36. > :47:36.been anotheb fantastic Wehl, hnpe you wall afree, it has
:47:37. > :47:37.been another fantastic Proms in Wehl, hnpe you wall afree, it has
:47:38. > :47:37.park from Wehl, hnpe you wall afree, it has
:47:38. > :47:38.papk from Sangleton Wehl, hnpe you wall afree, it has
:47:39. > :47:39.park from Singleton Park in Swansea. Wehl, hnpe you wall afree, it has
:47:40. > :47:43.Please join me now in Plaace join me nnw in thanking all
:47:44. > :47:51.of our special guests this evening. Mr Bryn Terfel... Jennifer Pike...
:47:52. > :47:58.Mr Bbyn Tdrfel.., Bennifer Pikd... Casi. And, of course, our very own
:47:59. > :47:59.BBC National Orchestra and chorus Casi. And, of course, our very own
:48:00. > :47:59.BBC Natiolal rchestra and chorus Of BBC National Orchestra and chorus of
:48:00. > :47:59.Wahec, BBC National Orchestra and chorus of
:48:00. > :47:59.Wales, and the BBC National Orchestra and chorus of
:48:00. > :48:00.Wahec, and dhe m`n BBC National Orchestra and chorus of
:48:01. > :48:03.Wales, and the man who has BBC National Orchestra and chorus of
:48:04. > :48:08.all together, our wonderful condector,
:48:09. > :48:10.all together, our wonderful conductor. And last but by no means
:48:11. > :48:14.all together, our wonderful least, an enormous thank you to you,
:48:15. > :48:18.all together, our wonderful Swansea, for being an amazing
:48:19. > :48:19.all together, our wonderful audience. So to end the
:48:20. > :48:20.all together, our wonderful au`ience. So to dnd the night, we
:48:21. > :48:23.all together, our wonderful finish with a
:48:24. > :48:24.all together, our wonderful Let's make
:48:25. > :48:24.all together, our wonderful Let's makd cure
:48:25. > :48:29.all together, our wonderful Let's make sure the whole of Wales
:48:30. > :48:48.all together, our wonderful can hear Swansea singing tonight.
:48:49. > :52:11.will keep a welcome in the vales;
:52:12. > :53:09.# We'll kiss away each hour of hiraeth
:53:10. > :54:17.# We'll kiss away each hour to Wales. #
:54:18. > :55:49.# Pa le mae?r wen oedd ar dy wefus Fu?n cynnau ?ngh`riad ffyddlon ff?L?
:55:50. > :55:49.# Guade md, O Thnu great Behov`h Pilgbim
:55:50. > :55:49.# Guade md, O Thnu great Behov`h Pilgrim through this barren
:55:50. > :55:50.# Guade md, O Thnu great Behov`h Pihgbim through thas barren land;
:55:51. > :55:57.# Pilgrim through this barren land; # Pilgrim t`rough this barren land;
:55:58. > :55:59.# I am weak, but T`ou # Pilgrim t`rough this barren land;
:56:00. > :56:07.# I am weak, but Thou art mighty # Pilgrim t`rough this barren land;
:56:08. > :56:07.# Hold me with Thy pow'rful hand # @read
:56:08. > :56:08.# Hold me with Thy pow'rful hand # Bread of heaven, bread of heaven
:56:09. > :56:10.Fead # Bread of heaven, bread of heaven
:56:11. > :56:11.Feed me now and ever more, # Feed me now and
:56:12. > :56:11.Feed me now and ever more, # Deed me now and ever
:56:12. > :56:12.Feed me now and ever more, # Feed me now and ever more
:56:13. > :56:34.# Feed me now and ever lore # O! am aros, O! am
:56:35. > :56:37.# Feed me now and ever lore # O! am apoc, O! am aros
:56:38. > :56:50.# Feed me now and ever lore # Yn ei gariad ddyddiau f'oes
:56:51. > :57:20.# Gwlad beirdd a chantorion, enwogion o fri
:57:21. > :57:49.# Ei gwrol ryfelwyr, gwladgarwyr tra mad
:57:50. > :00:32.with a fantastic line-up, returns
:00:33. > :00:38.What are you qualified to do? of Canterbury.