:00:19. > :00:24.Hello, and welcome back to Reading 2011 here on BBC Three. We are
:00:24. > :00:29.moments away from Pulp. That's right. Still to come tonight on BBC
:00:29. > :00:33.Three, we've got The Strokes and Jane's Addiction as well, but we're
:00:33. > :00:38.literally moments away from the moment we have been waiting for.
:00:38. > :00:40.Also in our tree house we have a beautiful acoustic for you, one of
:00:40. > :00:46.my favourites, Benjamin Francis Leftwich, is going to be here a
:00:46. > :00:53.little bit later on. Don't forgets you can Tweet us or Facebook us, go
:00:53. > :00:58.online too. If you want to Tweet us and end up in Reggie's random
:00:58. > :01:03.tombola... It's mine now. You just have to do #bbcreadingfest if you
:01:03. > :01:07.have any comments or questions about the Reading Festival or want
:01:07. > :01:11.to shout-out. That is what you need to do. I love the massive shout-
:01:11. > :01:17.outs they do before they go on stage. The main stage has gone dark
:01:17. > :01:23.because the moment is nearly upon us. They're about to walk on - in
:01:23. > :01:33.fact, they're doing it right now. This is Pulp headlining the Main
:01:33. > :01:33.
:01:33. > :02:25.Apology for the loss of subtitles for 52 seconds
:02:25. > :02:29.# Though it makes good sense # You said you'd never be sure
:02:29. > :02:39.# Though it makes good sense for # Still you bought a toy that can
:02:39. > :03:06.
:03:06. > :03:16.# No, I don't care # Just as long as you save
:03:16. > :03:24.
:03:24. > :03:34.# Well, at least there's someone # And you never have to face
:03:34. > :03:54.
:03:54. > :04:03.# But you know that we've changed # Now I don't care
:04:03. > :04:06.# Just as long as you save a piece for me, oh, yeah
:04:06. > :04:16.# You wanna go home. #
:04:16. > :04:28.
:04:28. > :04:33.# You say you've got to go home
:04:34. > :04:43.# You say you've got to go home
:04:44. > :04:48.
:04:48. > :04:49.# I can't remember a worse time
:04:49. > :04:53.# But you know that we've changed so much since then
:04:53. > :04:55.# Oh, yeah, we've grown
:04:56. > :04:58.# Now I don't care what you're doing
:04:58. > :05:02.# No, I don't care if you screw him
:05:02. > :05:07.# Just as long as you save a piece for me, oh, yeah
:05:07. > :05:15.# You wanna go home
:05:15. > :05:18.# I can't remember a worse time
:05:18. > :05:20.# But you know that we've changed so much since then
:05:20. > :05:26.# Oh, yeah, we've grown
:05:26. > :05:28.# Now I don't care what you're doing
:05:28. > :05:30.# No, I don't care if you screw him
:05:30. > :05:38.# Just as long as you save a piece for me, oh, yeah
:05:38. > :05:48.# You wanna go home. #
:05:48. > :05:53.
:05:53. > :05:53.Good
:05:53. > :05:54.Good evening.
:05:54. > :05:59.Good evening. One
:05:59. > :06:01.Good evening. One question: Reading, are you ready? Sorry. Reading, are
:06:01. > :06:04.you ready? CHEERING AND APPLAUSE
:06:04. > :06:07.Thank you. Good evening. We are Pulp.
:06:07. > :06:16.APPLAUSE You are Reading. It's Saturday
:06:16. > :06:23.night. You know - CHANTING
:06:23. > :06:27.No, the name of the group is Pulp. # Pulp, Pulp, Pulp #
:06:27. > :06:36.So this is dedicated to those people - they said they were
:06:36. > :06:38.writing - they were actually playing Grand Theft Auto outdoors.
:06:38. > :06:46.# We like driving on a Saturday That wasn't writing. This is
:06:46. > :06:53.dedicated to those guys and gals. # We don't look for trouble
:06:53. > :06:59.# Hey you, you in the Jesus sandals wouldn't you like to come
:06:59. > :07:07.# Over and watch some vandals smashing up someone's home?
:07:07. > :07:15.# We can't help it, we're so thick
:07:15. > :07:16.# We can't think
:07:16. > :07:20.# Can't think of anything but shit, sleep and drink
:07:20. > :07:25.# Oh, and we like women "Up the women" we say
:07:25. > :07:29.# And if we get lucky we might even meet some one day
:07:29. > :07:34.# Hey you, you in the Jesus sandals wouldn't you like to come
:07:34. > :07:43.# Over and watch some vandals smashing up someone's home?
:07:43. > :07:53.# Mister, we just want your car coswe're taking a girl to the reservoir
:07:53. > :07:55.
:07:55. > :08:03.# Oh, all the papers say it's a tragedy
:08:03. > :08:07.# But don't you want to come and see?
:08:07. > :08:17.# Mister, we just want your car coswe're taking a girl to the reservoir
:08:17. > :08:52.
:08:52. > :08:59.# Oh, all the papers say it's a tragedy
:08:59. > :09:09.# Mister, we just want your car coswe're taking a girl to the reservoir
:09:09. > :09:10.
:09:10. > :09:19.# Oh, all the papers say it's a tragedy
:09:19. > :09:24.# But don't you want to come and see?
:09:24. > :09:34.# Mister, we just want your car coswe're taking a girl to the reservoir
:09:34. > :09:44.# Oh, all the papers say it's a tragedy. #
:09:44. > :10:01.
:10:01. > :10:04.# Mis-shapes, mistakes, misfits
:10:04. > :10:07.# We'd like to go to town but we can't risk it
:10:07. > :10:10.# Oh, cos they just want to keep us out
:10:10. > :10:15.# You could end up with a smack in the mouth
:10:15. > :10:17.# Just for standing out oh, really
:10:17. > :10:21.# Brothers, sisters, can't you see?
:10:21. > :10:25.# The future's owned by you and me
:10:25. > :10:28.# There won't be fighting in the street
:10:29. > :10:35.# They think they've got us beat but revenge is going to be so sweet
:10:35. > :10:38.# We're making a move we're making it now
:10:38. > :10:40.# We're coming out of the sidelines
:10:40. > :10:44.# Just put your hands up it's a raid, yeah
:10:44. > :10:48.# We want your homes we want your lives
:10:48. > :10:51.# We want the things you won't allow us
:10:51. > :10:54.# We won't use guns we won't use bombs
:10:54. > :10:59.# We'll use the one thing we've got more of - that's our minds
:10:59. > :11:08.# Check your lucky numbers
:11:08. > :11:11.# That much money could drag you under, oh
:11:11. > :11:16.# What's the point in being rich
:11:16. > :11:19.# If you can't think what to do with it?
:11:19. > :11:22.# Cos you're so bleeding thick
:11:22. > :11:26.# Oh, we weren't supposed to be
:11:26. > :11:30.# We learnt too much at school now we can't help but see
:11:30. > :11:34.# That the future that you've got mapped out
:11:34. > :11:38.# Is nothing much to shout about
:11:38. > :11:41.# We're making a move we're making it now
:11:41. > :11:44.# We're coming out of the sidelines
:11:44. > :11:47.# Just put your hands up it's a raid, yeah
:11:47. > :11:54.# We want your homes we want your lives
:11:54. > :11:56.# We want the things you won't allow us
:11:56. > :11:59.# We won't use guns we won't use bombs
:11:59. > :12:01.# We'll use the one thing we've got more of - that's our minds
:12:01. > :12:11.# Brothers, sisters, can't you see?
:12:11. > :12:28.
:12:28. > :12:30.# Brothers, sisters, can't you see?
:12:30. > :12:33.# The future's owned by you and me
:12:33. > :12:35.# There won't be fighting in the street
:12:35. > :12:38.# They think they've got us beat
:12:38. > :12:43.# But revenge is going to be so sweet
:12:43. > :12:45.# We're making a move we're making it now
:12:45. > :12:47.# We're coming out of the sidelines
:12:47. > :12:50.# Just put your hands up it's a raid
:12:50. > :12:55.# We want your homes we want your lives
:12:55. > :12:58.# We want the things you won't allow us
:12:58. > :13:01.# We won't use guns we won't use bombs
:13:01. > :13:03.# We'll use the one thing we've got more of - that's our minds
:13:03. > :13:13.# And that's our minds, yeah. #
:13:13. > :13:15.
:13:15. > :13:25.# And that's our minds, yeah. #
:13:25. > :13:29.
:13:29. > :13:29.Thank
:13:29. > :13:39.Thank you.
:13:39. > :13:40.
:13:40. > :13:42.Ah-hah!
:13:42. > :13:43.Ah-hah! Are
:13:43. > :13:46.Ah-hah! Are you
:13:46. > :13:50.Ah-hah! Are you there? You're a long way away, aren't you? Can you
:13:50. > :13:57.see us? CHEERING AND APPLAUSE
:13:57. > :13:59.We can see you. You look OK. Oh, there you are. Hi. Hi. Have you had
:13:59. > :14:04.a nice day? CHEERING AND APPLAUSE
:14:05. > :14:10.Good. And we're going to keep that going. Yes, we are. The first song
:14:10. > :14:18.we played was called Do You Remember the First Time? Strangely
:14:18. > :14:28.enough, the first time we ever played here at Reading was exactly
:14:28. > :14:29.
:14:29. > :14:31.17 years agoed today - bzew-whua- whua-whua. Who was here? Let me
:14:31. > :14:40.rephrase it. Who was born? CHEERING AND APPLAUSE
:14:40. > :14:45.OK. Me. And the song we're playing next was the very first time we
:14:45. > :14:55.played it. It's a dirty little number, and it's called Pencil
:14:55. > :15:02.
:15:02. > :15:12.Skirt. It's a dirty little number, # Like the look upon his face
:15:12. > :15:13.
:15:13. > :15:20.# Oh, but I know that you want something to play with, baby
:15:20. > :15:26.# I'll be around when he's not in town
:15:26. > :15:30.# I'll show you how you're doing it wrong
:15:30. > :15:33.# I really love it when you tell me to stop
:15:33. > :15:40.# Oh, it's turning me on
:15:40. > :15:47.# You can tell me some lies about the good times that you've had
:15:47. > :15:53.# But I've kissed your more mother twice
:15:53. > :15:59.# And now I'm working on your dad
:15:59. > :16:01.# I'll be around when he's not in town
:16:01. > :16:05.# I'll show you how you're doing it wrong
:16:05. > :16:08.# I really love it when you tell me to stop
:16:08. > :16:12.# Oh, it's turning me on
:16:12. > :16:22.# If you look under the bed then I can see my house from here
:16:22. > :16:57.
:16:57. > :17:01.# So just lie against the wall
:17:01. > :17:07.# And watch my conscience disappear now, baby
:17:07. > :17:10.# I'll be around when he's not in town
:17:10. > :17:14.# I'll show you how you're doing it wrong
:17:14. > :17:17.# I really love it when you tell me to stop
:17:17. > :17:23.# Oh, it's turning me on
:17:23. > :17:28.# I only come here cos I know it makes you sad
:17:28. > :17:33.# I only do it cos I know you know it's bad
:17:33. > :17:37.# Oh, yes, I know that it's ugly and it shouldn't be like that
:17:37. > :17:47.# Oh, but oh, it's turning me on. #
:17:47. > :18:02.
:18:02. > :18:03.Thanks
:18:03. > :18:03.Thanks a
:18:03. > :18:11.Thanks a lot.
:18:11. > :18:16.Thanks a lot. Ooh, it's tir thety - - dirty, that yeah. We'll go from
:18:16. > :18:20.that, which is not very romantic to - anybody in love tonight? Anybody
:18:20. > :18:24.just met somebody? Anybody just met somebody here at the festival
:18:24. > :18:29.today? It's a beautiful place to find people. If there is, we'll
:18:29. > :18:33.dedicate this next song to you. It's the most romantic song we ever
:18:33. > :18:36.managed to write, and as we have been travelling around Europe, each
:18:36. > :18:40.day I look at things that happened on the day, and the other day there
:18:40. > :18:48.was a really nice quote which seemed to go with this song. It
:18:48. > :18:52.said, "Every heart sings a song incomplete until until another
:18:52. > :18:58.heart whispers back." That's my Plato, you know? I know that was on
:18:58. > :19:03.the tip of your tongue, Plato. He's from Greece. You'll be hearing more
:19:03. > :19:13.about Greece later on. Don't you worry. But this song is called
:19:13. > :19:19.
:19:19. > :19:24.# I wrote the song two hours # I didn't know your name
:19:24. > :19:32.# Oh, I could have stayed at home and gone to bed
:19:32. > :19:41.# I could have gone to see a film instead
:19:41. > :19:47.# You might have changed your mind and seen your friends
:19:47. > :19:57.# Life could have been verydifferent then but something changed
:19:57. > :20:00.
:20:00. > :20:10.# Do you believe that there's someone up above?
:20:10. > :20:13.
:20:13. > :20:19.# Do you believe that there's someone up above?
:20:19. > :20:26.# Does he have a timetable directing acts of love?
:20:26. > :20:33.# Why did I write this song on that day?
:20:33. > :20:39.# Why did you touch my hand and softly say
:20:39. > :20:45.# Stop asking questions that don't matter anyway?
:20:45. > :20:55.# Just give us a kiss to celebrate here today something changed
:20:55. > :20:58.
:20:58. > :21:08.# When we woke up that morning we had no way of knowing
:21:08. > :21:21.
:21:21. > :21:28.# When we woke up that morning we had no way of knowing
:21:28. > :21:32.# That in a matter of hours we'd change the way we were going
:21:32. > :21:40.# Where would I be now if we'd never met
:21:40. > :21:50.# Would I be singing this song to someone else instead?
:21:50. > :21:53.
:21:53. > :21:57.# I dunno
:21:57. > :22:07.# But like you said something changed. #
:22:07. > :22:21.
:22:21. > :22:22.OK.
:22:22. > :22:22.OK. Let's
:22:22. > :22:27.OK. Let's cut
:22:27. > :22:31.OK. Let's cut to the chase. Are you up - are you up for it?
:22:31. > :22:38.CHEERING AND APPLAUSE OK. All right. Because, basically,
:22:38. > :22:40.if you're up for it, we're up for it. It's Saturday, right? Saturday,
:22:40. > :22:46.so traditionally, you probably would be out at a disco or
:22:46. > :22:50.something like that, yeah? Am I right? Maybe. Maybe you might be at
:22:50. > :22:52.a disco, so because you're missing out on that by being here, would
:22:52. > :22:58.you like to dance anyway? CHEERING AND APPLAUSE
:22:58. > :23:03.Yeah? Because I was thinking before I came on stage, well, it's a bit
:23:03. > :23:09.chilly, but if you're going to dance, I'll take my jacket off. All
:23:09. > :23:17.right? So you're not shitting me, are you? Are you going to dance? I
:23:17. > :23:27.said, are you going to dance? I am almost believing you now. Are you
:23:27. > :23:52.
:23:52. > :23:58.really going to dance? You'd better # Well, we were born
:23:58. > :24:02.# Your name is Deborah, Deborah It never suited ya
:24:02. > :24:08.# They said that when we grew up we'd get married and never split up
:24:08. > :24:15.# We never dated, although often I thought of it
:24:15. > :24:20.# Oh, Deborah, do you recall?
:24:20. > :24:25.# Your house was very small with wood chip on the wall
:24:25. > :24:32.# When I came around to call you didn't notice me at all
:24:32. > :24:38.# I said let's all meet up in the year 2000
:24:38. > :24:43.# Won't it be strange when we're all fully grown?
:24:43. > :24:48.# Be there two o'clock by the fountain down the road
:24:48. > :24:52.# I never knew that you'd get married
:24:52. > :24:56.# I would be living down here on my own
:24:56. > :25:00.# On that damp and lonely Thursday years ago
:25:00. > :25:05.# You were the first girl at school to get breasts
:25:05. > :25:08.# Martyn said that yours were the best
:25:08. > :25:11.# The boys all loved you but I was a mess
:25:11. > :25:15.# I had to watch them trying to get you undressed
:25:15. > :25:18.# We were friends but that was as far as it went
:25:18. > :25:21.# I used to walk you home sometimes but it meant
:25:21. > :25:29.# Oh, it meant nothing to you cos you were so popular
:25:29. > :25:31.# Oh, Deborah, do you recall?
:25:31. > :25:36.# Your house was very small with wood chip on the wall
:25:36. > :25:42.# When I came around to call you didn't notice me at all
:25:42. > :25:50.# I said let's all meet up in the year 2000
:25:50. > :25:53.# Won't it be strange when we're all fully grown?
:25:53. > :25:58.# Be there two o'clock by the fountain down the road
:25:58. > :26:02.# I never knew that you'd get married
:26:02. > :26:07.# I would be living down here on my own on
:26:07. > :26:13.# That damp and lonely Thursday years ago
:26:13. > :26:21.# Oh ,yeah
:26:21. > :26:31.# Oh ,yeah
:26:31. > :26:33.
:26:33. > :26:37.# Your house was very small with wood chip on the wall
:26:37. > :26:45.# When I came around to call you didn't notice me at all
:26:45. > :26:48.# I said let's all meet up in the year 2000
:26:49. > :26:52.# Won't it be strange when we're all fully grown?
:26:52. > :26:57.# Be there two o'clock by the fountain down the road
:26:57. > :27:01.# I never knew that you'd get married
:27:01. > :27:06.# I would be living down here on my own
:27:06. > :27:12.# On that damp and lonely Thursday years ago
:27:12. > :27:15.# Oh, what are you doing Sunday, baby?
:27:15. > :27:18.# Would you like to come and meet me maybe?
:27:18. > :27:21.# You can even bring your baby
:27:21. > :27:23.# Oh ooh ooh, ooh ooh ooh ooh
:27:23. > :27:28.# Oh, what are you doing Sunday, baby?
:27:28. > :27:31.# Would you like to come and meet me maybe?
:27:31. > :27:35.# You can even bring your baby
:27:35. > :27:40.# Oh ooh ooh, ooh ooh ooh ooh
:27:40. > :27:50.# Ooh ooh ooh ooh
:27:50. > :28:08.
:28:08. > :28:09.You
:28:09. > :28:09.You don't
:28:09. > :28:16.You don't stop.
:28:16. > :28:21.You don't stop. You don't stop. No, no, you don't stop. We're going to
:28:21. > :28:25.have smoke on stage, and the smoke is blowing towards you, and it's
:28:25. > :28:29.blowing towards you because it's the beginning of the concert, and
:28:29. > :28:33.the smoke has special properties, and they should start kicking in
:28:33. > :28:39.now - some time around now, and you're in the field because you're
:28:39. > :28:45.at the disco, and you wanted the keep going, and so you went out and
:28:45. > :28:55.you met this guy. You didn't even know his name.
:28:55. > :29:05.(Speaks another language) (Horn)
:29:05. > :29:25.
:29:25. > :29:29.# Oh, is this the way they say # Or just 20,000 people
:29:29. > :29:32.# And I don't quite understand just what this feeling is
:29:32. > :29:39.# But that's OK cos we're all sorted out for E's and wizz
:29:39. > :29:42.# And tell me when the spaceship lands
:29:42. > :29:44.# Cos all this has just got to mean something
:29:44. > :29:52.# In the middle of the night
:29:52. > :29:54.# It feels all right
:29:54. > :29:56.# But then tomorrow morning
:29:56. > :30:02.# Oh, oh, then you come down
:30:02. > :30:12.# Oh, yeah, the pirate radio told us what was going down
:30:12. > :30:18.
:30:18. > :30:23.# Oh, and no-one seems to know exactly where it is
:30:23. > :30:28.# But that's okay OK cos we're all sorted out for E's and wizz
:30:28. > :30:34.# At 4 o'clock, the normal world seems very, very, very far away
:30:34. > :30:40.# All right! In the middle of the night
:30:40. > :30:42.# It feels all right
:30:42. > :30:44.# But then tomorrow morning
:30:44. > :30:51.# Oh, oh, then you come down
:30:51. > :31:00.# Just keep on moving!
:31:00. > :31:10.# Everybody asks your name
:31:10. > :31:12.# Everybody asks your name
:31:12. > :31:13.# They say we're all the same
:31:13. > :31:17.# And it's, nice one, geezer
:31:17. > :31:19.# But that's as far as the conversation went
:31:19. > :31:20.# I lost my friends I dance alone
:31:20. > :31:22.# It's six o'clock I wanna go home
:31:22. > :31:24.# But it's, no way, not today
:31:24. > :31:28.# Makes you wonder what it meant
:31:28. > :31:32.# And this hollow feeling grows and grows
:31:32. > :31:35.# And grows and grows and grows
:31:35. > :31:36.# And you want to phone your mother
:31:36. > :31:38.# And say, Mother I can never come home again,
:31:38. > :31:41.# Cos I seem to have left an important part of my brain
:31:41. > :31:44.# Somewhere
:31:44. > :31:47.# Somewhere in a field in Hampshire, all right
:31:48. > :31:50.# In the middle of the night
:31:50. > :31:52.# It feels all right
:31:52. > :31:53.# But then tomorrow morning
:31:53. > :32:03.# Oh, oh, then you come down
:32:03. > :32:13.# What if you never come down? #
:32:13. > :32:16.
:32:16. > :32:24.# Oh, oh, then you come down
:32:24. > :32:34.# What if you never come down? #
:32:34. > :32:34.
:32:34. > :33:26.Apology for the loss of subtitles for 52 seconds
:33:26. > :33:29.# Right down, right down to the broken handle
:33:29. > :33:33.# On the third drawer down of the dressing table
:33:33. > :33:37.# And the world outside this room has also assumed a familiar shape
:33:37. > :33:41.# The same events shuffled in a slightly different order each day
:33:41. > :33:44.# Just like a modern shopping centre
:33:44. > :33:54.# And it's so cold yeah, it's so cold
:33:54. > :34:12.
:34:12. > :34:22.# What is this feeling called love?
:34:22. > :34:22.
:34:22. > :34:27.# Why me, why you, why here why now?
:34:27. > :34:37.# It doesn't make no sense, no
:34:37. > :34:39.
:34:39. > :34:43.# It's not convenient, no
:34:43. > :34:46.# It doesn't fit my plans, no
:34:46. > :34:49.# It's something I don't understand, oh
:34:49. > :34:59.# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E.
:34:59. > :35:02.# Oh, what is this thing that is happening to me?
:35:02. > :35:12.# And as I'm standing across this room
:35:12. > :35:13.
:35:13. > :35:15.# So what do I do?
:35:15. > :35:17.# I've got a slightly sick feeling in my stomach
:35:17. > :35:21.# Like I'm standing on top of a very high building, oh yeah
:35:21. > :35:24.# All the stuff they tell you about in the movies
:35:24. > :35:27.# But this isn't chocolate boxes and roses
:35:27. > :35:30.# It's dirtier than that like some small animal
:35:30. > :35:32.# That only comes out at night
:35:32. > :35:37.# And I see flashes of the shape of your breasts
:35:37. > :35:39.# And the curve of your belly
:35:39. > :35:44.# And I may have to sit down and catch my breath
:35:44. > :35:54.# And it's so cold yeah, it's so cold
:35:54. > :35:59.
:35:59. > :36:07.# It's so cold yeah, it's so cold
:36:07. > :36:17.# What is this feeling called love?
:36:17. > :36:27.# Why me, why you, why here why now?
:36:27. > :36:34.
:36:34. > :36:36.# It doesn't make no sense, no
:36:36. > :36:38.# It's not convenient, no
:36:38. > :36:41.# It doesn't fit my plans, no
:36:41. > :36:48.# It's something I don't understand, oh
:36:48. > :36:55.# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E.
:36:55. > :36:59.# Oh, what is this thing that is happening to me?
:36:59. > :37:09.# F.E.E.L.I.N.G. C.A. double L.E.D. L.O.V.E.
:37:09. > :37:12.
:37:12. > :37:22.# Oh yeah, oh yeah oh yeah, oh yeah. #
:37:22. > :37:46.
:37:46. > :37:46.I
:37:46. > :37:47.I need
:37:47. > :37:52.I need to
:37:52. > :38:02.I need to see you a bit closer even though you're so far away. Where
:38:02. > :38:17.
:38:17. > :38:27.are you? I spy with my little eye something big. -- beginning with -
:38:27. > :38:31.
:38:31. > :38:41.# I spy the worst place in the world # Oh, you didn't do bad
:38:41. > :38:46.
:38:46. > :38:52.# I'm still stuck here Oh, but I'll get out
:38:52. > :39:02.# Oh, yeah, I'll get out
:39:02. > :39:06.
:39:06. > :39:08.# Can't you see the giant that walks around you
:39:08. > :39:11.# Seeing through your petty lives?
:39:11. > :39:13.# Do you think I do these things for real?
:39:13. > :39:15.# I do these things just so I survive
:39:15. > :39:22.# And you know I will survive
:39:22. > :39:25.# It may look to the untrained eye
:39:25. > :39:28.# I'm sitting on my arse all day
:39:28. > :39:31.# I'm biding time until the day I take you all on
:39:31. > :39:34.# My Lords and Ladies
:39:34. > :39:38.# I will prevail, I cannot fail
:39:38. > :39:42.# Cos I spy
:39:42. > :39:43.# Oh, I've got your numbers, taken notes
:39:44. > :39:45.# I know the ways your minds work I've studied
:39:45. > :39:50.# And your minds are just the same as mine
:39:50. > :39:52.# Except that you are clever swines
:39:52. > :39:54.# You never let your mask slip you never admit to it
:39:54. > :39:57.# You're never hurried
:39:57. > :39:59.# Oh, no no no
:39:59. > :40:03.# And every night I hone my plan how I will get my satisfaction
:40:03. > :40:08.# How I will blow your paradise away, away, away
:40:08. > :40:16.# Cos I spy
:40:17. > :40:22.# And it's just like in the old days
:40:22. > :40:26.# I used to compose my own critical notices in my head
:40:26. > :40:31.# "The crowd gasp at Cocker's masterful control
:40:31. > :40:36.# "Of the bicycle skilfully avoiding
:40:36. > :40:39.# "The dog turd next to the corner shop."
:40:39. > :40:41.# Imagining a blue plaque above the place
:40:41. > :40:44.# I first ever touched a girl's chest
:40:44. > :40:47.# But hold on, you've got to wait for the best
:40:47. > :40:49.# You see you should take me seriously
:40:49. > :40:53.# Very seriously indeed
:40:54. > :40:58.# Cos I've been sleeping with your wife for the past 16 weeks
:40:58. > :41:04.# Smoking your cigarettes drinking your brandy
:41:04. > :41:08.# Messing up the bed that you chose together
:41:08. > :41:10.# And in all that time I just wanted you
:41:10. > :41:12.# To come home unexpectedly one afternoon
:41:12. > :41:14.# And catch us at it in the front room
:41:14. > :41:19.# You see I spy for a living and I specialise in revenge
:41:19. > :41:25.# On taking the things I know will cause you pain
:41:25. > :41:30.# I can't help it I was dragged up
:41:30. > :41:33.# My favourite parks are car parks
:41:33. > :41:35.# Grass is something you smoke
:41:35. > :41:38.# Birds are something you shag
:41:38. > :41:45.# Take your Year In Provence and shove it up your arse
:41:45. > :41:49.# Your Ladbroke Grove looks turn me on, yeah
:41:49. > :41:52.# With roach burns in designer dresses skin
:41:52. > :41:54.# Stretched tight over high cheek-bones
:41:54. > :41:57.# And thousands of tiny dryness lines beating a path
:41:57. > :42:00.# To the corners of your eyes
:42:00. > :42:03.# And every night I hatch my plan
:42:03. > :42:05.# It's not a case of woman vs man
:42:06. > :42:10.# It's more a case of haves against haven'ts
:42:10. > :42:14.# And I just happen to have got what you need
:42:14. > :42:21.# Just exactly what you need, yeah
:42:21. > :42:25.# La la la la la la la la la la
:42:25. > :42:27.# In the midnight hour
:42:27. > :42:31.# La la la la la la la la la la
:42:31. > :42:36.# I will come to you I will come to you
:42:36. > :42:41.# I will take you from this sickness dinner parties and champagne
:42:41. > :42:46.# I'll hold your body and make it sing again
:42:46. > :42:50.# Come on - sing again
:42:50. > :42:53.# Let's sing again, oh yeah
:42:53. > :42:56.# Cos I spy
:42:56. > :42:59.# Yes, I spy
:42:59. > :43:08.# I spy a boy and I spy a girl
:43:08. > :43:17.# I spy a boy and I spy a girl
:43:17. > :43:27.# I spy the chance to change the world
:43:27. > :43:27.
:43:27. > :43:37.# To change your world. #
:43:37. > :44:08.
:44:08. > :44:09.On this day
:44:09. > :44:09.On this day in
:44:09. > :44:16.On this day in 1859
:44:16. > :44:18.On this day in 1859 petrol was discovered for the first time in
:44:18. > :44:26.Titusville, Pennsylvania. Is that a cause for celebration? I don't know.
:44:26. > :44:31.OK. This - APPLAUSE
:44:31. > :44:39.Yeah, this is for anybody who enjoys hiding in wardrobes.
:44:39. > :44:49.I thought there would be more of you than that.
:44:49. > :44:49.
:44:49. > :45:41.Apology for the loss of subtitles for 52 seconds
:45:41. > :45:51.# We listened outside # Well, that was all right
:45:51. > :46:02.
:46:02. > :46:12.# Well, that was all right # And she was with some kid
:46:12. > :46:35.
:46:35. > :46:45.# I listened outside I heard her # Cos you might go
:46:45. > :46:49.
:46:49. > :46:59.# And I thought # I listened outside, I heard you
:46:59. > :47:31.
:47:31. > :47:41.# Well, I guess # And then she opened up her
:47:41. > :47:43.
:47:43. > :47:46.# Oh, listen, we were on # I heard you stop
:47:46. > :47:49.# I know you won't believe it's true
:47:49. > :47:52.# I only went with her cos she looks like you
:47:52. > :47:56.# Oh, I want to take you home
:47:56. > :47:59.# I want to give you children
:47:59. > :48:09.# You might be my girlfriend yeah. #
:48:09. > :48:09.
:48:09. > :49:01.Apology for the loss of subtitles for 52 seconds
:49:01. > :49:01.Oh, yeah. Yeah,
:49:01. > :49:01.Oh, yeah. Yeah, yeah,
:49:01. > :49:06.Oh, yeah. Yeah, yeah, yeah,
:49:06. > :49:13.Oh, yeah. Yeah, yeah, yeah, yeah, yeah, yeah, yeah! Yeah, yeah, yeah,
:49:13. > :49:19.yeah, yeah, yeah, yeah! AUDIENCE: Yeah, yeah, yeah, yeah,
:49:19. > :49:29.yeah, yeah, yeah. Yeah, yeah, yeah.
:49:29. > :49:29.
:49:29. > :49:33.AUDIENCE: Yeah, yeah, yeah. No, no, AUDIENCE: No, no, no. Perhaps,
:49:33. > :49:41.perhaps, perhaps. AUDIENCE: Perhaps, perhaps, perhaps.
:49:41. > :49:50.Sometimes you make a decision and it's sometimes right. This is for
:49:50. > :50:00.the guy - I admire a guy who can keep his tongue up a vagina for
:50:00. > :50:02.
:50:02. > :50:12.that long. This is for the guy with # And in a moment
:50:12. > :50:16.# He's standing far too near How the hell did you get here?
:50:16. > :50:20.# Semi-naked in somebody else's room
:50:20. > :50:26.# I'd give my whole life to see it
:50:26. > :50:36.# Just you stood there only in your underwear
:50:36. > :50:37.
:50:37. > :50:41.# If fashion is your trade then when you're naked
:50:41. > :50:46.# I guess you must be unemployed yeah
:50:46. > :50:54.# Cos once it's underway there's no escaping the fact
:50:54. > :50:58.# That you're a girl and he's a boy
:50:58. > :51:01.# You couldn't stop it now
:51:01. > :51:03.# There's no way to get out
:51:03. > :51:05.# He's standing much too near
:51:05. > :51:06.# How the hell did you get here?
:51:06. > :51:11.# Semi-naked in someone else's room
:51:11. > :51:16.# I'd give my whole life to see it
:51:16. > :51:26.# Just you stood there only in your underwear
:51:26. > :51:27.
:51:27. > :51:37.# If you close your eyes and just remember
:51:37. > :51:58.
:51:58. > :52:01.# If you close your eyes and just remember
:52:01. > :52:05.# That this is what you wanted last night
:52:05. > :52:10.# So why is it so hard for you to touch him?
:52:10. > :52:14.# For you to go and give yourself to him?
:52:14. > :52:19.# I couldn't stop it now There's no way to get out
:52:19. > :52:23.# He's standing much too near and how the hell did you get here?
:52:23. > :52:29.# Semi-naked in somebody else's room
:52:29. > :52:33.# I'd give my whole life to see it
:52:33. > :52:43.# Just you stood there only in your underwear
:52:43. > :52:48.
:52:48. > :52:51.# Do, do do do do, do, do
:52:51. > :52:57.# Do, do do do do, do, do
:52:58. > :53:07.# Do, do do do do, do, do
:53:08. > :53:08.
:53:08. > :56:40.Apology for the loss of subtitles for 52 seconds
:56:40. > :56:44.# Want to see you # You name the drama
:56:44. > :56:49.# It seems I saw you in some teenage wet dream
:56:49. > :56:55.# I like your get-up if you know what I mean
:56:55. > :57:05.# I want it bad, I want it now
:57:05. > :57:13.
:57:13. > :57:23.# Oh, can't you see I'm ready now
:57:23. > :57:23.
:57:23. > :57:27.# I've seen all the pictures I've studied them forever
:57:27. > :57:33.# I wanna make a movie so let's star in it together
:57:33. > :57:43.# Don't make a move till I say "Action"
:57:43. > :57:53.# Oh, here comes the Hardcore life
:57:53. > :57:56.
:57:56. > :58:06.# Put your money where your mouth is tonight
:58:06. > :58:08.
:58:08. > :58:13.# Leave your make-up on and I'll leave on the light
:58:13. > :58:19.# Come over here,babe and talk in the mic
:58:19. > :58:23.# Oh yeah, I hear you now
:58:23. > :58:28.# It's gonna be one hell of a night
:58:28. > :58:33.# You can't be a spectator, oh no
:58:33. > :58:43.# You got to take these dreams and make them whole
:58:43. > :58:44.
:58:44. > :58:54.# Oh, this is Hardcore There is no way back for you
:58:54. > :58:56.
:58:56. > :59:05.# Oh, this is Hardcore this is me on top of you
:59:05. > :59:15.# And I can't believe that it took me this long
:59:15. > :59:20.
:59:20. > :59:27.# That it took me this long
:59:27. > :59:34.# This is the eye of the storm
:59:34. > :59:40.# It's what men in stained raincoats pay for
:59:40. > :59:50.# but in here it is pure
:59:50. > :59:51.
:59:51. > :00:01.# Yeah, this is the end of the line
:00:01. > :00:02.
:00:02. > :00:11.# I've seen the storyline played out so many times before
:00:11. > :00:21.# Oh, that goes in there Then that goes in there
:00:21. > :00:22.
:00:22. > :00:28.# Then that goes in there Then that goes in there
:00:28. > :00:38.# And then it's over
:00:38. > :00:42.
:00:42. > :00:52.# Oh, what a hell of a show but what I want to know
:00:52. > :00:54.
:00:54. > :01:02.# What exactly do you do for an encore?
:01:02. > :01:12.# Cos this is Hardcore. #
:01:12. > :01:12.
:01:12. > :02:02.Apology for the loss of subtitles for 52 seconds
:02:02. > :02:02.No
:02:02. > :02:02.No matter
:02:02. > :02:06.No matter how
:02:06. > :02:11.No matter how dark the night gets at some point the sky starts to get
:02:11. > :02:20.brighter. Do you know what it means? It means the sun's about to
:02:20. > :02:30.come up. Do you know what? The thing is, do you go like, "oh, too
:02:30. > :03:00.
:03:00. > :03:04.early!" or do you go "Yes, bathe me I used to hate this song
:03:04. > :03:07.# Made me feel # Was overfill the ashtray
:03:07. > :03:17.Because of everything I've done # All my achievements
:03:17. > :03:51.
:03:51. > :03:56.# Tried to live my whole life # Why'd you have to rise
:03:56. > :03:59.# Just turned over closed the curtains on the day
:03:59. > :04:08.# But here comes sunrise
:04:08. > :04:18.# Yeah, here's your sunrise
:04:18. > :04:19.
:04:19. > :04:22.# When you've been awake all night long
:04:22. > :04:25.# And you feel like crashing out at dawn
:04:25. > :04:30.# But you've been awake all night
:04:30. > :04:40.# So why should you crash out at dawn? #
:04:40. > :04:40.
:04:40. > :08:14.Apology for the loss of subtitles for 52 seconds
:08:14. > :08:14.Thanks to Mr
:08:14. > :08:14.Thanks to Mr Richard
:08:14. > :08:24.Thanks to Mr Richard Hall
:08:24. > :08:44.
:08:44. > :08:54.Thanks to Mr Richard Hall there on # We made it through the night.
:08:54. > :09:15.
:09:15. > :09:25.# And go for a walk past people # Before they tell us
:09:25. > :09:27.
:09:27. > :09:32.# Come on, it's through come on, it's time
:09:32. > :09:36.# Oh, look at you, you
:09:36. > :09:41.# You're looking so confused, just what did you lose?
:09:41. > :09:51.# If you can make an order could you get me one?
:09:51. > :09:59.
:09:59. > :10:06.# If you can make an order could you get me one?
:10:06. > :10:16.# Two sugars would be great cos I'm fading fast
:10:16. > :10:20.# And it's nearly dawn
:10:20. > :10:25.# If they knocked down this place
:10:25. > :10:30.# This place, it'd still look much better than you
:10:30. > :10:37.# Move, move quick you've gotta move
:10:37. > :10:41.# Come on, it's through Come on, it's time
:10:41. > :10:47.# Oh, look at you, you
:10:47. > :10:57.# You're looking so confused What did you lose?
:10:57. > :10:58.
:10:58. > :11:08.# Oh, it's OK, it's just your mind
:11:08. > :11:10.
:11:10. > :11:20.# If we get through this alive I'll meet you next week
:11:20. > :11:29.
:11:29. > :11:34.# If we get through this alive I'll meet you next week
:11:34. > :11:37.# Same place, same time
:11:37. > :11:42.# Oh, move, move quick You've gotta move
:11:42. > :11:46.# Come on, it's through Come on, it's time
:11:46. > :11:52.# Oh, look at you, you
:11:52. > :12:02.# You're looking so confused What did you lose?
:12:02. > :12:04.
:12:04. > :12:07.# That's what you get from clubbing it
:12:07. > :12:11.# You can't go home an d go to bed because it hasn't worn off yet
:12:11. > :12:15.# And now it's morning
:12:15. > :12:18.# There's only one place we can go
:12:18. > :12:25.# It's around the corner in Soho where other broken people go
:12:25. > :12:35.# Let's go. #
:12:35. > :12:49.
:12:49. > :12:50.Thank
:12:50. > :12:50.Thank you.
:12:50. > :12:54.Thank you. Well,
:12:54. > :12:56.Thank you. Well, I don't know, obviously Reading's not that far
:12:56. > :13:04.from London. You've probably been to London, yeah?
:13:04. > :13:14.Yeah? Vastly overrated - obviously! But
:13:14. > :13:21.just around the corner from Italia is Charing Cross Road. Until a few
:13:21. > :13:25.months ago was the Royal College of Art. Do you know where I'm heading.
:13:25. > :13:29.Now f you were paying attention earlier, I said it is exactly 14
:13:29. > :13:34.years since we played here at Reading, the first time we played
:13:34. > :13:41.here. It's also exactly 14 years since we played this next song for
:13:41. > :13:48.the first time. I remember coming here trying to finish the words off
:13:48. > :13:53.in time for the concert. We played it. In the middle of the
:13:53. > :14:00.afternoon, afterwards a good friend, who is here tonight, said, "You've
:14:00. > :14:03.written one there!" that's all he said. It was true. It sent us on a
:14:03. > :14:12.strange journey. If Pulp are only ever remembered for this song - I
:14:12. > :14:19.don't care! It's a good song. You know, Black Lace are only
:14:19. > :14:29.remembered for Agadoo. It could be a lot worse!
:14:29. > :15:01.
:15:01. > :15:11.# I want to do whatever # I want to sleep with common people
:15:11. > :15:37.
:15:37. > :15:42.# I said, Pretend you've got no # Well, I can't see anyone else
:15:42. > :15:44.# You want to see whatever common people see
:15:45. > :15:48.# You want to sleep with common people
:15:49. > :15:52.# You want to sleep with common people, like me?
:15:52. > :15:59.# But she didn't understand
:15:59. > :16:04.# She just smiled and held my hand
:16:04. > :16:06.# Rent a flat above a shop
:16:06. > :16:09.# Cut your hair and get a job
:16:09. > :16:12.# Smoke some fags and play some pool
:16:12. > :16:15.# Pretend you never went to school
:16:15. > :16:18.# But still you'll never get it right
:16:18. > :16:21.# Cos when you're laid in bed at night
:16:21. > :16:24.# Watching roaches climb the wall
:16:24. > :16:28.# If you called your dad
:16:28. > :16:30.# He could stop it all, yeah
:16:30. > :16:32.# You'll never live like common people
:16:32. > :16:34.# You'll never do whatever common people do
:16:34. > :16:37.# You'll never fail like common people
:16:37. > :16:40.# You'll never watch your life
:16:40. > :16:44.# Slide out of view
:16:44. > :16:45.# And dance and drink and screw
:16:46. > :16:48.# Because there's nothing else to do
:16:48. > :16:58.# Sing along with the common people
:16:58. > :17:04.
:17:04. > :17:14.# Sing along with the common people
:17:14. > :17:16.
:17:16. > :17:18.# Sing along with the common people
:17:18. > :17:19.# Sing along
:17:19. > :17:21.# And it might just get you through
:17:21. > :17:23.# Laugh along with the common people
:17:23. > :17:25.# Laugh along even though
:17:25. > :17:27.# They're laughing at you
:17:27. > :17:29.# And the stupid things that you do
:17:29. > :17:31.# Because you think
:17:31. > :17:32.# That poor is cool
:17:33. > :17:42.# I want to live with common people
:17:43. > :18:02.
:18:02. > :18:02.#
:18:02. > :18:02.# And
:18:02. > :18:10.# And the
:18:10. > :18:20.# And the chip stains will come out. # How it feels to live your life
:18:20. > :18:23.
:18:23. > :18:33.# It will all come true # And where nowhere left to go
:18:33. > :18:34.
:18:35. > :18:37.# Wonder why # Smoke some fags and play some
:18:37. > :18:44.pool # Where you went to school
:18:44. > :18:49.# Never get it right # So you lay in bed at night
:18:49. > :18:56.# Watching roaches climb up the wall
:18:56. > :19:03.# Ever lived like Common People # Ever do whatever Common People do
:19:03. > :19:13.# You never watch your life slide out of you
:19:13. > :19:34.
:19:34. > :19:44.# Dance and smoke and screw Well, this's about all from us for
:19:44. > :19:44.
:19:44. > :19:54.tonight. How was it?
:19:54. > :19:58.CHEERING AND APPLAUSE How was it?
:19:58. > :20:02.You've been fantastic. I want to applaud you. Thank you very much
:20:02. > :20:09.indeed. You've got the strokes to look
:20:09. > :20:19.forward to in a few minutes First of all, I want you to show
:20:19. > :20:20.
:20:20. > :20:24.your appreciation of the people on the stage. Can you say thank you to
:20:24. > :20:32.Russell on the violin. APPLAUSE
:20:32. > :20:42.You ae been listening to Mr -- you've been listening to Mr Mark
:20:42. > :20:48.
:20:48. > :20:57.Web. Miss Canda on the keyboard. Mr Richard Hallin on the electric
:20:57. > :21:07.guitar. This is Steve on the four-string
:21:07. > :21:10.
:21:10. > :21:15.electric bass and Mr Leo Abrahams on six-string electric guitar. My
:21:15. > :21:24.name is Jarvis. I'm on the monitors.
:21:24. > :21:31.When I grow up, when I grow up, when I grow up I want to, I wanna,
:21:31. > :21:35.I wanna, I wanna live with Common People like you
:21:35. > :21:40.# I want to live with Common People like you
:21:40. > :21:43.# Want to live with Common People like you
:21:43. > :21:47.# Wanna live with Common People like you
:21:47. > :21:57.# Wanna live with Common People like you
:21:57. > :21:58.
:21:58. > :22:08.# Wanna live with Common People like you -you-you
:22:08. > :22:15.
:22:16. > :22:25.Thank you. Thank you very much for being here.
:22:26. > :22:48.
:22:48. > :22:58.We love you. Yes, we do! Thank you. Bye!
:22:58. > :23:04.
:23:04. > :23:10.A wonderful slice of Pulp. That was a beautiful, beautiful set, wasn't
:23:10. > :23:13.it? The snake-hips, the moves! did not see that coming at all. It
:23:14. > :23:17.was brilliant. Amazing. It was a beautiful set. So lovely to hear
:23:17. > :23:20.all the sets. The crowd were going crazy.
:23:20. > :23:23.They are. They are on their way back now. You can hear them
:23:24. > :23:27.shouting and screaming. They are having a fantastic time. It was
:23:27. > :23:31.brilliant to show you that much of Pulp. We have The Strokes coming as
:23:31. > :23:41.well. They will be on that Main Stage later F you want to Tweet us
:23:41. > :23:44.
:23:44. > :23:52.there is time. If you want to shout out hsh-tag Reading Fest.
:23:52. > :23:59.Can I delve in there? Give someone a shout. Sarah, it is a complicated
:23:59. > :24:05.one. The most difficult thing you could
:24:05. > :24:11.pull out and find. Still to come, we will show you Bombay bicycle
:24:11. > :24:16.club. A band who were fantastic live. Here in our lovely treetop,
:24:16. > :24:23.we are bringing you special acoustic performances. Things for
:24:23. > :24:28.you lovely viewers. We've had the Joy Formidable.
:24:28. > :24:32.Big Deal. Today you will get Benjamin Francis later. I have seen
:24:32. > :24:36.him before. He is so quiet. I am worried if there is a lot of noise
:24:36. > :24:40.from The Strokes and he is in here we might have to listen very hard.
:24:41. > :24:45.He is beautiful live. He will do a nice acoustic set for us later on.
:24:45. > :24:49.There is the red button on your remote control that brings you
:24:49. > :24:55.loads of stuff that we are not getting to show you. At the moment
:24:55. > :25:00.The Kills and.... Jimmy wild. I saw them live here. It was a brilliant
:25:00. > :25:05.set F you are a huge fan you will not be disappointed. Press red and
:25:05. > :25:10.you can see that set and The Kills. Do not go anywhere. We will be back
:25:10. > :25:15.shortly with a massive chunk of The Strokes as well as Bombay Bicycle
:25:15. > :25:19.Club as well. They will swap over at Leeds. You
:25:19. > :25:27.will get The Strokes first there and Pulp afterwards. The Strokes