Two Door Cinema Club and Madness

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:00:27. > :00:32.Hello. Welcome to another evening of live music here on BBC Three.

:00:32. > :00:37.This is Reading 2011. Ve. It is a beautiful day -- isn't it. It is a

:00:37. > :00:42.beautiful day today, isn't it? There is a lovely skyline here.

:00:42. > :00:48.There is some fantastic music. We have been lucky to see bands we

:00:48. > :00:56.love, Jimmy Wild. You will see some great live performances on the show

:00:56. > :00:59.tonight. We are here on BBC Three until midnight. We will give you

:00:59. > :01:05.acoustic performances here and some chats as well. That is all on the

:01:05. > :01:10.way. Do not go anywhere. It is about BBC Three tonight. We have

:01:10. > :01:18.The Strokes... Pulp. It will be a great night of live music. We are

:01:18. > :01:26.starting with a quality performance from someone I saw on Jools Holland

:01:26. > :01:35.in 2006. He blew me away. Seasick Steve and he has a special friend

:01:35. > :01:41.on stage with him, John Paul Jones from Led Zeppelin. This is Seasick

:01:41. > :01:51.from Led Zeppelin. This is Seasick Steve.

:01:51. > :02:20.

:02:20. > :02:26.# I don't know why she love me # She's full of lightning

:02:26. > :02:36.# She's my buried treasure # I don't know why she love me

:02:36. > :02:48.

:02:48. > :02:51.# Smart as a whip # All the boys love her

:02:51. > :02:55.# I don't know why she love me but she do

:02:55. > :03:03.# I don't know why she love me but it's true

:03:04. > :03:13.# Aahhh, ahhh, ahhh, ahhh

:03:14. > :03:14.

:03:14. > :04:11.Apology for the loss of subtitles for 57 seconds

:04:11. > :04:16.# Smart as a whip when she's in school

:04:16. > :04:18.# All the boys love her Yeah, it's true

:04:18. > :04:21.# I don't know why she love me but she do

:04:21. > :04:23.# I don't know why she love me but she do

:04:23. > :04:26.# I don't know why she love me but it's true

:04:26. > :04:31.# I don't know why she love me

:04:31. > :04:37.# I don't know why she love me but she do

:04:37. > :04:47.# I don't know why she love me but she do

:04:47. > :04:47.

:04:47. > :04:57.CHEERING AND APPLAUSE

:04:57. > :05:02.

:05:02. > :05:02.The

:05:02. > :05:03.The fantastic

:05:03. > :05:07.The fantastic Seasick

:05:07. > :05:13.The fantastic Seasick Steve. I did research and all his guitars have

:05:13. > :05:19.fantastic names. That guitar is called the three string transwonder.

:05:19. > :05:25.You have made that up! We are joined by lovely people now. In the

:05:25. > :05:29.Tree House, give it up for Two Door Cinema Club. Are you well? Not bad.

:05:29. > :05:33.Are you well? Very well. We will see some of your set in a minute.

:05:33. > :05:39.How did it go for you today? went really well. The thing that

:05:39. > :05:44.kind of always puts me off being on a Main Stage is the crowd are at

:05:44. > :05:49.least 20 metres from where you are playing. I find it hard to get

:05:49. > :05:56.involved. I feel it detached to get involved. I can see them singing

:05:56. > :06:00.and dancing. I don't feel part of it. I need to watch it again to re-

:06:00. > :06:04.live it. Your relationship with Reading started on the Introducing

:06:04. > :06:08.Stage, where the crowd are there. Then you moved on to the NME and

:06:08. > :06:13.the Main Stage this year. We were on the NME stage last year. We did

:06:13. > :06:16.not play Reading the year before, but we played Leeds and played the

:06:16. > :06:22.stage which is smaller than the introducing. That was really up

:06:22. > :06:27.close and personal. This is a bit of a departure.

:06:27. > :06:32.We are used to having everyone close to us. We are not that big

:06:32. > :06:36.enough for that big gap. Maybe the big bands love that. We are used to

:06:36. > :06:42.the closeness. I looked on Twitter today. One of you guys posted a

:06:42. > :06:46.picture of you at the airport, hounded by fans being mobbed.

:06:46. > :06:50.were doing a home-coming show in Northern Ireland. We arrived at the

:06:50. > :06:54.airport. Our taxi that was supposed to take us there was really late.

:06:54. > :07:04.We were hanging around and all these girls had been queuing up and

:07:04. > :07:05.

:07:05. > :07:14.waiting in the airport, waiting to meet, I think they were there for

:07:14. > :07:19.EllieGoldi -- Ellie Golding. Can we do a close-up of their faces.

:07:19. > :07:25.If you see these two young men at an airport, hound them. They want

:07:25. > :07:30.to see you and hug you. They wanted to speak to the lead singer, but

:07:30. > :07:35.that is fine. Pulp playing later. Are you big fans? I am. I am very

:07:35. > :07:38.excited. I have not seen them since... I went to watch them at

:07:39. > :07:43.Glastonbury, but it was busy so I could not hear or see anything.

:07:43. > :07:48.Hopefully today I will get a better view and hear more. I have memories

:07:48. > :07:53.of being a kid and me and my brother singing Pulp songs. You

:07:53. > :07:59.know you had ka set players, you had the microphone and you could....

:07:59. > :08:08.Play and record at the same time. How did it go from Spice Girls to

:08:08. > :08:14.Pulp? I am glad you didn't mention.... Celine Dion. We will

:08:14. > :08:24.see some of your set now. Would you like to see it back. I would love

:08:24. > :08:24.

:08:24. > :09:07.Apology for the loss of subtitles for 57 seconds

:09:07. > :09:17.# If I hadn't been there # Look past the blinding light

:09:17. > :09:36.

:09:36. > :09:41.# Tell me your favourite things # Difference in opinion

:09:41. > :09:47.# Collect all your questions Because this time we've all night

:09:47. > :09:52.# And you could see it change

:09:52. > :09:57.# Look past the blinding light Look past the blinding light

:09:57. > :10:03.# Just keep talking now

:10:03. > :10:13.# Tell me your favourite things Tell me your favourite things

:10:13. > :10:39.

:10:39. > :10:44.# And you could see it change

:10:44. > :10:48.# Look past the blinding light Look past the blinding light

:10:48. > :10:52.# Just keep talking now

:10:52. > :11:02.# Tell me your favourite things Tell me your favourite things. #

:11:02. > :11:40.

:11:40. > :11:40.Reading, how's it

:11:40. > :11:50.Reading, how's it going?

:11:50. > :11:58.

:11:58. > :12:03.# And she spoke words that would melt in your hands

:12:03. > :12:05.# And she spoke words that would melt in your hands

:12:05. > :12:10.# And she spoke words of wisdom

:12:10. > :12:15.# To the basement people, to the basement, many surprises await you

:12:15. > :12:21.# In the basement, people In the basement

:12:21. > :12:25.# You hear the last time You know we're gonna find you

:12:25. > :12:27.# Sick in the car seat cos you're not up to going

:12:27. > :12:33.# Out on the main streets completing your mission

:12:33. > :12:36.# You hear the last time You know we're gonna find you

:12:36. > :12:39.# Sick in the car seat cos you're not up to going

:12:39. > :12:46.# Out on the main streets completing your mission

:12:46. > :12:52.# And she spoke words that would melt in your hands

:12:52. > :12:57.# And she spoke words of wisdom

:12:57. > :13:01.# To the basement people, to the basement, many surprises await you

:13:01. > :13:06.# In the basement, people In the basement

:13:06. > :13:12.# You hear the last time, you know we're gonna find you

:13:12. > :13:15.# Sick in the car seat cos you're not up to going

:13:15. > :13:21.# Out on the main streets completing your mission

:13:21. > :13:24.# You hear the last time You know we're gonna find you

:13:24. > :13:26.# Sick in the car seat cos you're not up to going

:13:26. > :13:29.# Out on the main streets completing your mission

:13:30. > :13:39.# You hear the last time You know we're gonna find you

:13:40. > :13:57.

:13:57. > :14:01.# You hear the last time You know we're gonna find you

:14:01. > :14:03.# Sick in the car seat cos you're not up to going

:14:04. > :14:09.# Out on the main streets completing your mission

:14:09. > :14:11.# You hear the last time, you know we're gonna find you

:14:11. > :14:15.# Sick in the car seat cos you're not up to going

:14:15. > :14:22.# Out on the main streets completing your mission. #

:14:22. > :14:32.CHEERING AND APPLAUSE

:14:32. > :15:11.

:15:11. > :15:15.# You gotta step up your game to make it to the top, so go

:15:15. > :15:16.# Gotta little competition now

:15:16. > :15:18.# You're going to find it hard to cope with living on your own now

:15:18. > :15:21.# Uh oh

:15:21. > :15:23.# Let's make this happen, girl

:15:24. > :15:25.# We're gonna show the world that something good can work

:15:25. > :15:28.# And it can work for you And you know that it will

:15:28. > :15:31.# Let's get this started, girl We're moving up, we're moving up

:15:31. > :15:37.# It's been a lot to change but you will always get what you want

:15:37. > :15:39.# It took a little time to make a little better

:15:39. > :15:41.# It's only going up Just one thing and another

:15:41. > :15:45.# You know, you know

:15:45. > :15:46.# It took a little time to make a little better

:15:46. > :15:48.# It's only going up Just one thing and another

:15:48. > :15:53.# You know, you know

:15:53. > :15:55.# Let's make this happen, girl

:15:55. > :15:58.# We're gonna show the world that something good can work

:15:58. > :16:02.# And it can work for you And you know that it will

:16:02. > :16:04.# Let's get this started, girl We're moving up, we're moving up

:16:04. > :16:14.# It's been a lot to change but you will always get what you want

:16:14. > :16:17.

:16:17. > :16:25.EXCITED WHOOPING AND SHOUTING

:16:25. > :16:28.# Let's make this happen, girl

:16:28. > :16:30.# We're gonna show the world that something good can work

:16:30. > :16:33.# And it can work for you And you know that it will

:16:33. > :16:36.# Let's get this started, girl We're moving up, we're moving up

:16:36. > :16:41.# It's been a lot to change but you will always get what you want

:16:41. > :16:43.# Let's make this happen, girl

:16:43. > :16:45.# We're gonna show the world that something good can work

:16:45. > :16:49.# And it can work for you And you know that it will

:16:49. > :16:52.# Let's get this started, girl We're moving up, we're moving up

:16:52. > :17:01.# It's been a lot to change but you will always get what you want. #

:17:01. > :17:11.CHEERING AND APPLAUSE

:17:11. > :17:26.

:17:26. > :17:26.Thank

:17:26. > :17:26.Thank you

:17:26. > :17:36.Thank you very

:17:36. > :17:57.

:17:57. > :18:03.# You don't want to be alone # And I can say, it's What You Know

:18:03. > :18:13.# But you've known me the whole time

:18:13. > :18:50.

:18:50. > :19:00.# To realise # And I can take it

:19:00. > :19:04.# This is starting to feel like It's right before my eyes

:19:04. > :19:11.# And I can taste it It's my sweet beginning

:19:11. > :19:18.# And I can tell just what you want You don't want to be alone

:19:18. > :19:24.# You don't want to be alone And I can't say it's what you know

:19:24. > :19:34.# But you've known it the whole timeYeah, you've known it the whole time

:19:34. > :19:38.

:19:38. > :19:41.# Maybe next year I'll have no time

:19:41. > :19:45.# To think about the questions to address

:19:45. > :19:51.# Am I the one to try to stop the fire?

:19:52. > :19:56.# I wouldn't test you, I'm not the best you could have attained

:19:56. > :20:00.# Why try anything? I will get there

:20:00. > :20:06.# Just remember I know

:20:06. > :20:12.# And I can tell just what you want You don't want to be alone

:20:12. > :20:15.# You don't want to be alone

:20:15. > :20:23.# And I can't say it's what you know

:20:23. > :20:30.# But you've known it the whole timeYeah, you've known it the whole time

:20:30. > :20:40.# And I can tell just what you want You don't want to be alone

:20:40. > :20:51.

:20:51. > :20:58.# And I can tell just what you want You don't want to be alone

:20:58. > :21:08.# You don't want to be alone And I can't say it's what you know

:21:08. > :21:08.

:21:08. > :21:12.# But you've known it the whole time

:21:12. > :21:21.# Yeah, you've known it the whole time. #

:21:21. > :21:31.CHEERING AND APPLAUSE

:21:31. > :21:31.

:21:31. > :22:14.Apology for the loss of subtitles for 57 seconds

:22:14. > :22:16.# Another Saturday Another careless move

:22:16. > :22:19.# Tells the world That you're thinking of what to do

:22:19. > :22:21.# A window opens up And someone calls your name

:22:21. > :22:24.# But I can tellYou don't know how to play this game

:22:25. > :22:31.# I know this isn't it

:22:31. > :22:38.# You'll hit your target some day

:22:38. > :22:43.# So now you're on your own

:22:43. > :22:46.# Won't you come back home?

:22:46. > :22:50.# To see you're not that kind

:22:50. > :22:55.# And find the strength To find the strength

:22:55. > :23:01.# To find another way To find another way

:23:01. > :23:10.# To find another way To find another way

:23:10. > :23:14.# So tell me what you need And I'll accommodate

:23:14. > :23:17.But if too long goes by You just might be too late

:23:17. > :23:21.# An opportunity You can't afford to waste

:23:21. > :23:25.# So have the lines in your head first, for heaven's sake

:23:25. > :23:27.# You hear the day beckoning

:23:27. > :23:36.# Know what it's all in your head

:23:36. > :23:42.# So now you're on your own Won't you come back home?

:23:42. > :23:52.# To see you're not that kind And find the strength

:23:52. > :23:52.

:23:52. > :24:02.# To find the strength To find another way

:24:02. > :24:11.

:24:11. > :24:17.# So now you're on your own Won't you come back home?

:24:17. > :24:24.# To see you're not that kind And find the strength

:24:24. > :24:29.# To find the strength So now you're on your own

:24:29. > :24:37.# Won't you come back home? To see you're not that kind

:24:37. > :24:43.# And find the strength To find the strength

:24:43. > :24:44.# To find another way. #

:24:44. > :24:53.CHEERING AND APPLAUSE

:24:53. > :24:53.Here's

:24:53. > :24:53.Here's one

:24:53. > :25:03.Here's one more.

:25:03. > :25:35.

:25:35. > :25:45.# White coats and clever minds # You get a lot

:25:45. > :26:23.

:26:23. > :26:30.# A longer sentence brings no more # It's to compromise

:26:30. > :26:35.# It's just a common view I guess it's lost on you

:26:35. > :26:40.# Now I can talk, no-one gets off

:26:40. > :26:41.# I know how you like to

:26:41. > :26:45.# Now I can talk, no-one gets off

:26:45. > :26:50.# Now I can talk, no-one gets off

:26:50. > :26:58.# Now I can talk, no-one gets off

:26:58. > :27:08.# I know how you like to

:27:08. > :27:29.

:27:29. > :27:34.# Now I can talk, no-one gets off

:27:34. > :27:40.# Now I can talk, no-one gets off

:27:40. > :27:44.# Now I can talk, no-one gets off

:27:44. > :27:47.# I know how you like to

:27:47. > :27:54.# Now I can talk, no-one gets off

:27:54. > :28:04.CHEERING AND APPLAUSE

:28:04. > :28:04.

:28:04. > :28:05.Thank

:28:05. > :28:05.Thank you

:28:05. > :28:09.Thank you Reading,

:28:09. > :28:15.Thank you Reading, see you soon. It was nice talking to the boys.

:28:15. > :28:20.Aren't they lovely? We have an acoustic for you from the joy

:28:20. > :28:26.formidable. That will be very special. We asked you to get in

:28:26. > :28:33.touch via Twitter which you can do. We asked for suggestions and ideas

:28:34. > :28:39.as to what Mr Greg James should go out and do. I wonder if anybody

:28:39. > :28:45.went with the stroking of The Strokes idea I put forward. Thank

:28:45. > :28:54.you for your suggestions. Get in touch via Twitter. What did you get

:28:54. > :28:59.up to at Reading Fest - let's see! Thank you for all your dares. It is

:28:59. > :29:04.my job to carry these dares out on the fields of Reading festival.

:29:04. > :29:10.Let's go. OK, first challenge set by you beautiful people was to get

:29:10. > :29:20.on to the BBC introducing -- BBC Introducing Stage and do a sound

:29:20. > :29:21.

:29:21. > :29:27.check. This is challenge number one. One, one, two, two. Reading, can

:29:27. > :29:36.you hear me? Have you had a good day?

:29:36. > :29:43.Are you better than Leeds? Leeds sucks, right? One, one, hey, hey,

:29:43. > :29:48.two, two. Great! Thanks everyone for this challenge. I have now got

:29:48. > :29:52.to go and speak to one of my favourite bands who I have not met

:29:52. > :29:57.before and give them Bombay mix, because they are Bombay bicycle

:29:57. > :30:02.club. Thanks to Fearne and Reg and all you lovely people. This is

:30:02. > :30:09.their tour bus. So.... Hi, lads.

:30:09. > :30:14.What is that? Well I have been set a challenge to feed one of my

:30:14. > :30:19.favourite bands, Bombay Bicycle Club with Bombay mix. This is the

:30:19. > :30:24.first time I have met you. Would you like some? Some for you. You

:30:24. > :30:34.have quite a lot there. This is my favourite snack!

:30:34. > :30:43.Do we have to eat it all? No. Have a great set tonight. I've leave

:30:43. > :30:48.that with you. My next dare is to find two hats

:30:48. > :30:55.for Fearne and Reggie to wear on the telly tonight. Please may I

:30:55. > :30:58.have some free hats? It is not what we're doing, Sir. I will give you a

:30:58. > :31:05.discount. If I say Fearne and Reggie will wear them for 10

:31:05. > :31:10.seconds on TV, can I have them for free? Tenner for both of them.

:31:11. > :31:16.said they will wear the hats and googles for the duration of a link

:31:16. > :31:24.on BBC Three, can I have them for free? You can have them for the day

:31:24. > :31:28.for free - absolutely! Fearne and Reg, these are yours!

:31:28. > :31:36.No chance! Thank you. Those hats are lovely. We have the hats. Yes,

:31:36. > :31:42.do hand them over. That's your one. That's my one. Also Elliot, thanks

:31:42. > :31:46.for suggesting for Greg to eat Bombay mix with Bombay Bicycle Club.

:31:46. > :31:54.That was a good idea. I don't know what you're laughing at Geoff! If

:31:54. > :32:04.you want to Tweet us you can: People are sending in dares. One

:32:04. > :32:05.

:32:05. > :32:15.thing that... Thank you, that is really on. J Ham Six said he should

:32:15. > :32:20.follow a guy around and stair in his eyes. A band I know, which are

:32:20. > :32:24.Dave Grohl's favourite, they are brilliant. This is the Joy

:32:24. > :32:34.Formidable. # Well, hello

:32:34. > :32:39.

:32:39. > :32:49.# Are you ready? # This much delight fills columns to

:32:49. > :32:52.

:32:52. > :32:59.# Colours run prime, paint a picture so bright

:32:59. > :33:03.# All these things about me you never can tell

:33:04. > :33:09.# You make me sleep so badly invisible friend

:33:09. > :33:12.# Turn the dial on my words

:33:12. > :33:15.# I can feel they fall short

:33:15. > :33:17.# Turn the dial, chime alarm

:33:17. > :33:23.# Watch these hands move apart

:33:23. > :33:33.# Turn the dial on my words

:33:33. > :33:35.

:33:35. > :33:41.# I can see you staying here

:33:41. > :33:51.# Fierce steps shadow, life's will gone shallow

:33:51. > :33:54.

:33:54. > :33:59.# All these things about me you never can tell

:33:59. > :34:03.# You make me sleep so badly invisible friend

:34:03. > :34:10.# You make me sleep so badly invisible friend

:34:10. > :34:18.# You make me sleep so badly invisible friend

:34:18. > :34:20.# Turn the dial on my words

:34:20. > :34:23.# I can feel they fall short

:34:23. > :34:27.# Turn the dial, chime alarm

:34:27. > :34:31.# Watch these hands move apart

:34:32. > :34:35.# Turn the dial on my words

:34:35. > :34:45.# I can see you staying here. #

:34:45. > :34:45.

:34:45. > :35:29.Apology for the loss of subtitles for 57 seconds

:35:29. > :35:30.Glbg thank you

:35:30. > :35:31.Glbg thank you the

:35:31. > :35:35.Glbg thank you the Joy

:35:35. > :35:39.Glbg thank you the Joy Formidable. Have you had a good Reading? We've

:35:39. > :35:44.had a great time. This is our third year here. It is nice coming back

:35:44. > :35:47.every year. There's been a natural growth to the band. It's a very

:35:47. > :35:55.sentimental festival for us. That was beautiful. Thank you very much.

:35:55. > :36:00.Thank you very much. I've had to take it off. Are spikes and bobbles

:36:01. > :36:04.too much? No, Fearne. I find myself on the side of the Main Stage. I

:36:04. > :36:09.was shoulder-to-shoulder having a good dance to an amazing band

:36:09. > :36:19.formed back in 1976. I am talking about Madness. Did you catch any of

:36:19. > :36:20.

:36:20. > :36:25.the set? I saw some of the -- it played back. A lot of people

:36:25. > :36:35.dressed as Suggs. Let's look at that.

:36:35. > :36:43.

:36:43. > :36:48.Hey you - don't watch that, watch this, this is the heavy, heavy

:36:48. > :36:52.monster sound. So, if you are coming off the

:36:52. > :37:02.street and beginning to feel the heat. Well listen.... You better

:37:02. > :37:03.

:37:03. > :37:13.# Well, listen, buster # To the rockingest rock steady beat-

:37:13. > :37:13.

:37:13. > :39:42.Apology for the loss of subtitles for 57 seconds

:39:42. > :39:44.# Received a letter # Don't seem they wanna know you

:39:44. > :39:46.# They've laid it down given you their score

:39:46. > :39:48.# Within the first two lines it bluntly read

:39:48. > :39:50.# You're not to come see us no more

:39:50. > :39:51.# Keep away from our door

:39:52. > :39:53.# Don't come around here no more

:39:53. > :39:55.# What on earth did you do that for?

:39:55. > :39:57.# Our aunt she don't wanna know she says

:39:57. > :39:59.# What will the neighbours think

:39:59. > :40:01.# They'll think we don't that's what

:40:01. > :40:03.# They'll think we don't but I will

:40:03. > :40:04.# Cos I know they think I don't

:40:04. > :40:07.# Our uncle he don't wanna know

:40:07. > :40:17.# He says we are a disgrace to the human race

:40:17. > :40:40.

:40:40. > :40:42.# He says how can you show your face

:40:42. > :40:45.# They've made a commitment You're an embarrassment

:40:45. > :40:47.# Yes, an embarrassment a living endorsement

:40:47. > :40:48.# The intention that you have booked

:40:48. > :40:50.# Was an intention that was overlooked

:40:50. > :40:53.# They say stay away Don't want you home today

:40:53. > :40:57.# Keep away from our door Don't come round here no more

:40:57. > :41:04.# Our dad don't wanna know he says

:41:04. > :41:10.# This is serious matter Too late to reconsider

:41:10. > :41:13.# No-one's gonna wanna know ya

:41:14. > :41:16.# Our mum she don't wanna know

:41:16. > :41:20.# She says I'm feeling twice as old

:41:20. > :41:23.# She says thought she had her head on her shoulder

:41:23. > :41:30.# Cos I'm feeling twice as older

:41:30. > :41:40.# I'm feeling twice as older

:41:40. > :42:07.

:42:08. > :42:17.# You're an embarrassment. #

:42:18. > :42:19.

:42:19. > :42:29.CHEERING AND APPLAUSE

:42:29. > :42:35.

:42:35. > :42:35.Ladies

:42:35. > :42:35.Ladies and

:42:35. > :42:45.Ladies and gentlemen

:42:45. > :42:50.

:42:50. > :42:59.# Morning, miss # Morning, miss

:42:59. > :43:00.# So if you'll serve # Box of balloons,

:43:00. > :43:04.# A bag of party poppers that pop in the night

:43:04. > :43:06.# A toothbrush, a hairspray Plastic grin

:43:06. > :43:08.# Miss Clay on all corners has just walked in

:43:09. > :43:11.# Welcome to the house of fun now I've come of age

:43:11. > :43:14.# Welcome to the house of fun

:43:15. > :43:18.# Welcome to the lion's den Temptation's on his way

:43:18. > :43:27.# Welcome to the house of...

:43:27. > :43:31.# No, no, miss, you've misunderstood

:43:31. > :43:34.# 16 - big boy full pint, in my manhood

:43:34. > :43:36.# I'm up to date and the date's today

:43:36. > :43:38.# So if you'll serve I'll be me on my way

:43:38. > :43:41.# Welcome to the house of fun now I've come of age

:43:41. > :43:44.# Welcome to the house of fun

:43:44. > :43:46.# Welcome to the lion's den Temptation's on his way

:43:46. > :43:56.# Welcome to the house of...

:43:56. > :43:57.

:43:57. > :44:01.# I'm sorry, sorry, son but we don't stock

:44:01. > :44:04.# Party gimmicks in this shop

:44:04. > :44:07.# Try the house of fun It's quicker if you run

:44:07. > :44:10.# This is a chemist not a joker's shop

:44:10. > :44:13.# Party hats, simple enough, clear

:44:13. > :44:16.# Comprehendez, savvy, understand Do you hear?

:44:16. > :44:21.# A pack of party hats with the coloured tips

:44:21. > :44:24.# I'm too late, gorgon's heard gossip

:44:24. > :44:27.# Hello, Joe, hello, Miss Clay Many happy returns from the day

:44:27. > :44:30.# Welcome to the house of fun now I've come of age

:44:30. > :44:34.# Welcome to the house of fun

:44:34. > :44:36.# Welcome to the lion's den Temptation's on his way

:44:36. > :44:41.# Welcome to the house of fun

:44:41. > :44:44.# Welcome to the house of fun Now I've come of age

:44:44. > :44:47.# Welcome to the house of fun

:44:47. > :44:51.# Welcome to the lion's den Temptation's on his way

:44:51. > :44:56.# Welcome to the house of fun

:44:56. > :45:06.# Welcome to the house of fun Now I've come of age. #

:45:06. > :45:09.

:45:09. > :45:09.Thank

:45:09. > :45:09.Thank you

:45:09. > :45:19.Thank you very

:45:19. > :45:20.

:45:20. > :45:24.Thank you very much. Yes, we're # Naughty boys in nasty schools

:45:25. > :45:26.# All the teachers in the pub Passing round the ready-rub

:45:26. > :45:29.# Trying not to think of when The lunch-time bell will ring again

:45:29. > :45:32.# Oh, what fun we had! But did it really turn out bad?

:45:32. > :45:36.# All I learnt at schoolWas how to bend, not break the rules

:45:36. > :45:38.# Oh, what fun we had! But at the time it seemed so bad

:45:39. > :45:42.# Trying different ways To make a difference to the...

:45:42. > :45:46.# Headmaster's had enough today All the kids have gone away

:45:46. > :45:48.# Gone to fight with next-door's school

:45:48. > :45:50.# Every term, that is the rule

:45:50. > :45:53.# Sits alone and bends his cane Same old backsides again

:45:53. > :45:55.# All the small ones tell tall tales

:45:55. > :45:57.# Walking home and squashing snails

:45:57. > :45:59.# Oh, what fun we had! But did it really turn out bad?

:45:59. > :46:03.# All I learnt at schoolWas how to bend, not break the rules

:46:03. > :46:06.# Oh, what fun we had! But at the time it seemed so bad

:46:06. > :46:16.# Trying different ways To make a difference to the days

:46:16. > :46:24.

:46:24. > :46:27.# Lots of girls and lots of boys Lots of smells and lots of noise

:46:27. > :46:29.# Playing football in the park Kicking push-bikes after dark

:46:29. > :46:32.# Baggy trousers, dirty shirt Pulling hair and eating dirt

:46:33. > :46:37.# Teacher comes to break it up Back of the 'ead with a plastic cup

:46:37. > :46:40.# Oh, what fun we had! But did it really turn out bad?

:46:40. > :46:43.# All I learnt at schoolWas how to bend, not break the rules

:46:43. > :46:46.# Oh, what fun we had! But at the time it seemed so bad

:46:46. > :46:55.# Trying different ways To make a difference to the days

:46:55. > :47:04.# Baggy trousers

:47:04. > :47:07.# Baggy trousers

:47:07. > :47:17.# Baggy trousers

:47:17. > :47:17.

:47:17. > :48:21.Apology for the loss of subtitles for 57 seconds

:48:21. > :48:25.# Our house # In the middle of our street

:48:25. > :48:30.# Our house # In the middle of our street

:48:30. > :48:34.# Our house # There's always something

:48:34. > :48:38.happening # It's usually quite loud

:48:38. > :48:41.# And our mum # She's so house proud

:48:41. > :48:47.# This is not allowed # Our house

:48:47. > :48:50.# In the middle of our street # Our house

:48:51. > :48:54.# In the middle of our street # Our house

:48:54. > :49:00.# In the middle of our street # Our house

:49:00. > :49:03.# In the middle of our # My father gets home late from

:49:03. > :49:09.work # # Mother plans to iron his shirt

:49:09. > :49:15.# Then takes the kids to school # She's the one they're going to

:49:15. > :49:25.miss # The heart is working, man

:49:25. > :49:35.

:49:35. > :49:39.# In show business today # Our house

:49:39. > :49:45.# In the middle of our street # Our house

:49:45. > :49:50.# In the middle of our # When we were young

:49:50. > :49:55.# Such a very good time # Such a fine time

:49:55. > :50:01.# Such a happy time # Nothing would come between us

:50:01. > :50:05.# Two dreamers # And father wears his Sunday best

:50:05. > :50:09.# Mother's telling us she needs a rest

:50:09. > :50:14.# Her kids are playing up downstairs

:50:14. > :50:17.# My brother's got a date to keep # He can't keep around

:50:17. > :50:21.# Our house # In the middle of our street

:50:21. > :50:24.# Our house # In the middle of our...

:50:25. > :50:29.# Our house # In the middle of our street

:50:29. > :50:33.# Our house # In the middle of our....

:50:33. > :50:37.# Our house # Was our castle

:50:37. > :50:41.# Our house # In the middle of our...

:50:41. > :50:47.# Our house # That is where we used to sleep

:50:47. > :50:52.# Our house, in the middle of our street #

:50:52. > :50:59.Cheercheer Thank you. -- CHEERING AND APPLAUSE

:50:59. > :51:06.# THANK YOU. THANK YOU VERY MUCH. RIGHT, ARE YOU STILL HERE?

:51:06. > :51:16.I SAID, Are you still here? That's good, because I've got one

:51:16. > :51:23.

:51:23. > :51:33.more thing to say to you! N-A-D-N-E -S-S

:51:33. > :51:33.

:51:33. > :53:09.Apology for the loss of subtitles for 57 seconds

:53:09. > :53:19.# Yes, what have you got? # And I won't be the one

:53:19. > :53:21.

:53:21. > :53:31.# And I won't be the one # And I won't be the one

:53:31. > :53:57.

:53:58. > :54:02.Lovely. A bit of Madness and you were there watching that.

:54:02. > :54:08.Beautiful! I warned everyone about me dancing. I did it there. That's

:54:08. > :54:14.why I was not there. Earlier Two Door Cinema Club told us they had

:54:14. > :54:22.an altercation with the offspring of Madness who tried to take beer.

:54:22. > :54:27.Don't mess with Two Club. That is the story. You may have seen this

:54:27. > :54:32.bad boy make an appearance. Thank you team for putting my name on it!

:54:32. > :54:42.We want to solidfy that. This is full with some of your names. If

:54:42. > :54:43.

:54:43. > :54:53.you want to get in touch you can hashtag us. It's hash tag Reading

:54:53. > :54:56.

:54:56. > :55:02.Fest. Hello to At A Lot Of Love. Now we will be back on air on BBC

:55:02. > :55:10.Three at 8.43, to be precise. We have got loads of lovely stuff

:55:10. > :55:19.for you. You'll see something of Everything Everything. We have an