:00:08. > :00:13.language and strobe lighting effects.
:00:14. > :00:16.Hello and welcome back the final part of Saturday at The Reading
:00:17. > :00:20.festival and what a day it's been. We talked about Royal Blood. What
:00:21. > :00:26.else? The acoustic was incredible up here. Right now, we are all about
:00:27. > :00:30.one of the biggest bands on the planet, touring new album for
:00:31. > :00:35.months. This is the final date. I cannot wait for this. And, before we
:00:36. > :00:42.go to it, let's remind everybody of why they are so special.
:00:43. > :00:48.Five number one albums, seven Brit Awards, 19 NMEs. These for pals from
:00:49. > :00:52.Sheffield have become Britain's biggest rock'n'roll band.
:00:53. > :00:56.They are global. We are act tick Monkeys, don't believe the hype. Do
:00:57. > :01:01.believe them actually. They were at Reading in 2005. They
:01:02. > :01:06.were catapulted into the Stratosphere. Their 2006 debut album
:01:07. > :01:17.was launched. Stratosphere. Their 2006 debut album
:01:18. > :01:25.The fastest sell debut album since chart downloads began. That same
:01:26. > :01:28.year, they played the main stage. The gift for telling stories of
:01:29. > :01:32.drink, dancing and teenage romance, the boys next door captured the
:01:33. > :01:41.hearts of the public and critics alike. Bagging themselves the 2006
:01:42. > :01:50.Mercury Music Prize. Somebody call 999. Pals since seven, the Arctics
:01:51. > :01:56.were now on a roll. Follow up, worst nightmare followed and the band made
:01:57. > :02:02.history with 17 hits in the top 100 at one time.
:02:03. > :02:08.Late that year, they made their Glastonbury debut, headlining the
:02:09. > :02:15.Pyramid stage, of course. Their success just kept coming.
:02:16. > :02:20.Over the next four years, two more chart-topping records landed in the
:02:21. > :02:25.shape of Humbug and Suck it Subpoena see. They played Reading at
:02:26. > :02:37.2009. Thanks for having us. You have been exceptional.
:02:38. > :02:45.-- suck it See. A sleeker, suited and booted Arctic Monkeys appeared
:02:46. > :02:50.appeared in their adopted town of LA. You can ride your mopeds there.
:02:51. > :02:55.Other than that, it's pretty much the same.
:02:56. > :02:57.The finished record, AM, was revealed last September, full of
:02:58. > :03:11.melody and huge hits. They are a band at the peak of their
:03:12. > :03:15.power and tonight they are back to top the Saturday night bill at
:03:16. > :03:17.Reading for their second time. What do they have in store? We'll just
:03:18. > :04:00.have to Suck it See! # Have you got colour
:04:01. > :04:04.in your cheeks? # Do you ever get that fear
:04:05. > :04:07.that you can't shift # The type that sticks around
:04:08. > :04:11.like summat in your teeth? # Are there some aces
:04:12. > :04:17.up your sleeve? # I dreamt about you
:04:18. > :04:22.nearly every night this week # Cos there's this tune I found
:04:23. > :04:29.that makes me think of you somehow # For saying things
:04:30. > :05:01.that you can't say tomorrow day # Ever thought of calling
:05:02. > :05:10.when you've had a few? # Busy being yours
:05:11. > :05:21.to fall for somebody new # Been wondering if your heart's
:05:22. > :05:33.still open # And if so I wanna know
:05:34. > :05:39.what time it shuts # It's just I'm constantly
:05:40. > :05:46.on the cusp # I don't know if you feel the same
:05:47. > :05:58.as I do # For saying things
:05:59. > :06:29.that you can't say tomorrow day # Ever thought of calling
:06:30. > :06:36.when you've had a few # For saying things that you can't
:06:37. > :07:12.say tomorrow day # Do you want me
:07:13. > :07:34.crawling back to you? # We're grateful
:07:35. > :08:55.And so strangely comforted # Because we can't take our eyes
:08:56. > :09:06.Off your T-shirt and ties combinatio # Someone to kiss,
:09:07. > :09:20.Someone to kick you # There's not a net
:09:21. > :09:25.You couldn't slip through # Because you're smooth
:09:26. > :09:27.And you're wet # And she's not aware yet,
:09:28. > :09:30.But she's yours # I imagine that
:09:31. > :09:38.It's there on a plate # You're a wrong liberate
:09:39. > :09:41.Means you'll never be frightened # To make them wait for a while
:09:42. > :09:44.I doubt it's your style # Acquire
:09:45. > :09:51.The eyes are on fire # Calm, collected and commanding
:09:52. > :10:23.You leave the other story standing # With your ignitions and jokes
:10:24. > :10:27.Bet there's hundreds of blokes # That have wept cos you've
:10:28. > :10:29.Stolen their... # Cos we can't take our eyes
:10:30. > :10:40.Off your T-shirt and ties combinatio # For you to say the first word
:10:41. > :12:16.So you're waiting and waiting and... # It's what you're there for
:12:17. > :12:28.Don't you know # Instead you'll just do the same
:12:29. > :12:52.As they all do # The only reason
:12:53. > :12:58.that you came # Well don't you always
:12:59. > :13:05.Do the same # Get on your dancing shoes
:13:06. > :13:36.You sexy little swine # So you're waiting and waiting
:13:37. > :15:01.And. # # Arabella's got some
:15:02. > :15:04.interstellagator skin boots # And a helter skelter
:15:05. > :15:07.around her little finger # She's got a Barbarella
:15:08. > :15:14.silver swimsuit # And when she needs a shelter
:15:15. > :15:17.from reality # My days end best when
:15:18. > :15:29.this sunset gets itself behind # That little lady sitting
:15:30. > :15:33.on the passenger side # It's much less picturesque
:15:34. > :15:38.without her catching the light # The horizon tries, but it's just
:15:39. > :15:49.not as kind on the eyes # Just might have tapped into
:15:50. > :15:56.your mind and soul # But she's a modern lover,
:15:57. > :16:18.it's an exploration # And her lips are like
:16:19. > :16:25.the galaxy's edge # And a kiss the colour of
:16:26. > :16:28.a constellation # My days end best when this sunset
:16:29. > :16:38.gets itself behind # That little lady
:16:39. > :16:43.sitting on the passenger side # It's much less picturesque
:16:44. > :16:48.without her catching the light # The horizon tries but it's just
:16:49. > :16:56.not as kind on the eyes # Just might have tapped into
:16:57. > :17:07.your mind and soul # That's magic
:17:08. > :17:15.in a cheetah-print coat # Rubs her lips
:17:16. > :17:23.'round the Mexican Coke # Makes you wish that
:17:24. > :17:26.you were the bottle # Takes a sip of your soul
:17:27. > :18:00.and it sounds like # Just might have tapped into
:18:01. > :18:05.your mind and soul # Go into business
:18:06. > :19:14.with a grizzly bear # But just don't sit down
:19:15. > :19:40.Cos I've moved your chair # But just don't sit down
:19:41. > :20:12.Cos I've moved your chair # But just don't sit down
:20:13. > :21:01.Cos I've moved your chair # Despair to the point
:21:02. > :22:30.that they provoke # The punch line
:22:31. > :22:33.before they have told the joke # The sheer desperation
:22:34. > :22:36.to be seen # Despair to the point
:22:37. > :22:42.where they provoke you # To tell the locking punch line
:22:43. > :22:46.before you have told the joke # Sorry, sunshine, it doesn't exist
:22:47. > :22:52.It wasn't in the top 100 list # And it's the thousandth time
:22:53. > :22:55.and it's even bolder # Don't be surprised
:22:56. > :22:58.when you get bent over # He told ya
:22:59. > :23:04.that you were gagging for it # She saw it and she grabbed it
:23:05. > :23:08.and it wasn't what it seemed # The kids all dream of making it
:23:09. > :23:11.whatever that means # A tangle on the television
:23:12. > :23:17.and the magazine # D'you reckon
:23:18. > :23:19.that they do it for a joke? # D'you reckon
:23:20. > :23:22.that they make 'em take an oath? # "Of any poseur
:23:23. > :23:35.or professional pretender around" # When did your list
:23:36. > :23:39.replace the twist and turn? # Like the fist
:23:40. > :23:43.replaced the kissed-on concern # And if you're bothered
:23:44. > :23:46.I don't want your prayers # And it's the thousandth time
:23:47. > :24:16.and it's even bolder # Don't be surprised
:24:17. > :24:20.when you get bent over # He told ya
:24:21. > :24:26.that you were dying for it # Let's have a game
:24:27. > :24:28.on the Teddy Picker # Not quick enough
:24:29. > :24:30.Can I have it quicker? # Already thick
:24:31. > :24:32.and you're getting thicker # Let's have a game
:24:33. > :24:37.on the Teddy Picker # Not quick enough
:24:38. > :24:41.Can I have it quicker? # Outside the cafe by
:24:42. > :25:17.the cracker factory # And my thoughts got rude,
:25:18. > :25:25.as you talked and chewed # That I haven't been
:25:26. > :25:41.called cold before # As you bit into your strawberry
:25:42. > :25:43.lace # And then a flip in your attention
:25:44. > :25:46.in the form of a gobstopper # Is all you have left and all
:25:47. > :25:49.is going to waste # Your past times,
:25:50. > :25:55.consisted of the strange # And I love that little game
:25:56. > :26:01.you had called # And how you like to aggravate the
:26:02. > :26:05.ice-cream man on rainy afternoons # The next time that I caught
:26:06. > :26:18.my own reflection # You never looked like yourself
:26:19. > :26:32.from the side # With folded arms you occupy
:26:33. > :26:38.the bench like toothache # Saw them puffed your chest out
:26:39. > :26:43.like you never lost a war # And though I try so not to suffer
:26:44. > :26:47.the indignity of reaction # There was no cracks to grasp
:26:48. > :26:52.or gaps to claw # And your past times consisted
:26:53. > :26:56.of the strange # And I hate that little game
:26:57. > :27:02.you had called # And how you like to aggravate the
:27:03. > :27:12.icky man on rainy afternoons # But not half as impossible as
:27:13. > :27:18.everyone assumes # Your past times consisted of
:27:19. > :27:55.the strange # And I hate that little game
:27:56. > :28:00.you had called # Your past times consisted
:28:01. > :28:20.of the strange # And I hate that little game
:28:21. > :30:31.you had called afternoon
:30:32. > :30:34.# The nights are drawn out long # And you're kissing to cut through
:30:35. > :30:37.the gloom # With a could have drop coloured
:30:38. > :30:42.tong # And you were sitting in the corner
:30:43. > :30:47.with the coats all piled high # And I thought you might be mine
:30:48. > :30:55.# In a small world on an exceptionally rainy Tuesday night
:30:56. > :30:58.# In the right place and time # When the zeros line up on the
:30:59. > :31:04.24-hour clock # When you know who's calling even
:31:05. > :31:11.though the number is blocked # When you walked around your house
:31:12. > :31:19.wearing my sky blue Lacoste and your knee Socks
:31:20. > :31:25.# Well you cured knee Socks
:31:26. > :31:28.# Yeah, you made it all all right # I got a feeling I might have lit
:31:29. > :31:34.the very fuse # That you were trying not to light
:31:35. > :31:37.# You were a stranger in my phone book
:31:38. > :31:42.# I was acting like I knew # Cos I had nothing to lose
:31:43. > :31:44.# When the winter's in full swing and your dreams just aren't coming
:31:45. > :31:51.true and your dreams just aren't coming
:31:52. > :31:54.# Ain't it funny what you'll do # When the zeros line up on the 24
:31:55. > :31:59.hour clock # When you know who's calling even
:32:00. > :32:05.though the number is blocked # When you walked around your house
:32:06. > :32:12.wearing my sky blue Lacsote # And your knee Socks
:32:13. > :32:20.The late afternoon # The ghost in your room that you
:32:21. > :32:23.always thought didn't approve of you knocks boots
:32:24. > :32:27.# Never stopped you letting me get hold of the sweet spot by the scruff
:32:28. > :32:30.of your # Knee Socks
:32:31. > :32:33.# You and me could have been a team # Each had a half of a King and
:32:34. > :32:38.Queen seat # Like the beginning of Mean Streets
:32:39. > :32:41.# You could be my baby, you could be my baby
:32:42. > :32:48.# You could be my baby # You and me could have been a team
:32:49. > :32:52.# Each had a half of King and Queen sat
:32:53. > :32:54.# Like the beginning of Mean Streets # You could be my baby,
:32:55. > :33:04.# Like the beginning of Mean Streets # You could be my be my baby
:33:05. > :33:33.# You could be my baby, be my baby...
:33:34. > :33:44.# When the zeros lined up but the number's blocked, when you've come
:33:45. > :33:50.undone # When you wore my sky blue Lacoste
:33:51. > :33:56.and your knee Socks # When the zeros line up on the 24
:33:57. > :33:59.hour clock # When you now who's calling even
:34:00. > :34:05.though the number is blocked # When you walked around your house
:34:06. > :34:51.wearing my sky blue Lacoste # And your knee Socks
:34:52. > :35:05.# Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
:35:06. > :35:29.ooh... # # Your name isn't Rio
:35:30. > :40:19.But I don't care for sand # Lighting a fuse
:40:20. > :40:22.might result in a bang # I bet that you look good
:40:23. > :40:25.On the dance floor # I don't know
:40:26. > :40:28.if you're looking for romance, or # I don't know
:40:29. > :40:31.What you're looking for # I said, "I bet that you look good
:40:32. > :40:34.on the dance floor # "Dancing to electro-pop
:40:35. > :40:38.Like a robot from 1984 # I wish you'd stop ignoring me
:40:39. > :40:56.Because you're sending me to despair # Without a sound
:40:57. > :41:00.yeah, you're calling me # Your name isn't Rio
:41:01. > :41:07.But I don't care for sand # Lighting a fuse might result
:41:08. > :41:10.In a bang, with a bang-go! # I bet that
:41:11. > :41:13.You look good on the dance floor # I don't know
:41:14. > :41:15.If you're looking for romance, or # I said, "I bet that
:41:16. > :41:22.You look good on the dance floor # "Dancing to electro-pop
:41:23. > :41:30.Like a robot from 1984 # Oh there ain't no love
:41:31. > :41:33.No Montagues or Capulets # Well, I bet that
:41:34. > :42:04.You look good on the dance floor # I don't know
:42:05. > :42:06.If you're looking for romance, or # I said, "I bet that
:42:07. > :42:14.You look good on the dance floor # "Dancing to electro-pop
:42:15. > :43:50.Like a robot from 1984. # quickening canoe
:43:51. > :43:53.# The first of its kind to get to the moon
:43:54. > :43:57.# The first of its kind to get to # Trust some elipses to chase you
:43:58. > :44:00.round the room # Through the curly straws and
:44:01. > :44:15.metaphors and goo! # Been watching all the Neon
:44:16. > :44:19.blossoms # Flickering
:44:20. > :44:24.# You look as if you've all forgotten where you've been
:44:25. > :44:36.# Going riding through the thunder suckle fuzz canyon
:44:37. > :45:04.# I'm going riding through the thunderstorm of suckle fuzz
:45:05. > :45:13.# Pictures of a quickening canoe # The first of its kind to get to
:45:14. > :45:28.the moon # Give me an eanie, meany, minie, mo
:45:29. > :46:29.# Or an in, dip, dog, rock'n'roll...
:46:30. > :46:35.# Old yellow bricks # Love's a risk,
:46:36. > :46:40.# Quite the little escapologist # Looked so miffed,
:46:41. > :46:45.# When you wished # For a thousand places better than
:46:46. > :46:48.this # You're a fugitive
:46:49. > :46:51.# But you don't know what you're running from
:46:52. > :46:57.# You can't kid us # And you couldn't trick anyone
:46:58. > :47:01.# Houdini, love you don't know what you're running away from
:47:02. > :47:07.# Who wants to sleep in the city that never wakes up Blinded by
:47:08. > :47:13.nostalgia # Who wants to sleep in the city
:47:14. > :47:18.that never wakes up? # He was enraged by the way
:47:19. > :47:21.# That the Emperor put traps in the cage
:47:22. > :47:26.# And the days she being dull, # Lead to the nights reading beer
:47:27. > :47:30.bottles # You're such a fugitive
:47:31. > :47:34.# But you don't know what you're running from,
:47:35. > :47:38.# You can't kid us, and you couldn't trick anyone
:47:39. > :47:45.# Houdini love you don't know what you're running away from
:47:46. > :47:48.# Who wants to sleep in the city that never wakes up?
:47:49. > :47:52.# Blinded by nostalgia? # Who wants to sleep in a city that
:47:53. > :47:54.never wakes up? # You're a loss just because it
:47:55. > :48:26.wasn't all that you thought # You're at a loss just because
:48:27. > :48:29.# It wasn't all that you thought it was
:48:30. > :48:35.# You're a fugitive but you don't know what you're running away from
:48:36. > :48:38.# She said I want to sleep in the city that never wakes up
:48:39. > :48:44.# And revel in nostalgia # I know I said he wants to sleep in
:48:45. > :48:52.the city that never wakes up but # DrNy was
:48:53. > :49:52.# What is going on? # Give him half the chance I bet
:49:53. > :50:03.he'd rob you if he can # You can see it in his hands
:50:04. > :50:11.# He's got a driving battle # And I seen him with girls of the
:50:12. > :50:15.night # Like Roxanne who puts on her red
:50:16. > :50:16.light # He'll be all right
:50:17. > :55:20.# Cos he's a scum bag, don't you whether she left already or not
:55:21. > :55:24.# Leather jacket, collar popped like Cantona
:55:25. > :55:27.# Never knowing when to stop # Sunglasses indoors, par for the
:55:28. > :55:31.course # Lights in the floors and the suite
:55:32. > :55:36.on the walls, cages and poles # Call off the search for your soul,
:55:37. > :55:42.or put it on old again # She's having a sly indoor smoke
:55:43. > :55:46.# And she calls the folks who run this her oldest friends
:55:47. > :55:51.# Sipping a drink and laughing at imaginary jokes
:55:52. > :55:57.# As all the signals are sent, her eyes invite you to approach
:55:58. > :56:01.# # And it seems as though those lumps
:56:02. > :56:05.in your throat # That you just swallowed have got
:56:06. > :56:21.you going # Come on, come on, come on
:56:22. > :56:29.# Number one party anthem # She's a certified mind-blower
:56:30. > :56:39.# Knowing full well that I don't # May I suggest there's somewhere
:56:40. > :56:44.from which you might know her # Used to get the ball to roll
:56:45. > :56:47.# Drunken monologues, confused because
:56:48. > :56:56.# It's not like I'm falling in love # I just want you to do me no good
:56:57. > :57:07.# You look like you could # The
:57:08. > :57:14.# Come on, come on, come on # Come on, come on, come on
:57:15. > :57:21.# Number one party anthem # Come on, come on, come on
:57:22. > :57:29.# Before the moment's gone # Number one party anthem
:57:30. > :57:32.# Yeah, yeah # The look of love, the rush of
:57:33. > :57:37.blood # The "she's with me", the Gallic
:57:38. > :57:42.shrug # The shutterbugs, the camera plus
:57:43. > :57:46.# The black-and-white, the colour dodge
:57:47. > :57:50.# The good time girls, the cubicles # The house of fun, the number one
:57:51. > :58:35.party anthem # Come on, come on, come on,
:58:36. > :58:43.Her, come on, come on, come on # Before the moment's gone
:58:44. > :58:53.# Number one party anthem # Number one party anthem
:58:54. > :59:52.# Yeah, yeah, yeah... # This song goes out to anybody who
:59:53. > :00:39.ever woke up to a message that says "you're up early".
:00:40. > :00:41.# The mirror's image tells me it's home time
:00:42. > :00:44.# But I'm not finished cos you're not by my side
:00:45. > :00:47.# And as I arrive I thought I saw you leaving carrying your shoes
:00:48. > :00:54.# Decided that once again I was just dreaming of bumping into you
:00:55. > :01:13.# "Hi, why'd you only call me when you're high?"
:01:14. > :01:17.# Somewhere darker talking the same shite
:01:18. > :01:22.# I need a partner, well "Are you out tonight?"
:01:23. > :01:26.# It's harder and harder to get you to listen more
:01:27. > :01:47.# Why'd you only call me when you're high?
:01:48. > :02:11.# It sorta feels like I'm running out of time
:02:12. > :02:13.# I haven't found what I was hoping to find
:02:14. > :02:17.# You said you "Gotta be up in the morning, gonna have an early night"
:02:18. > :02:20.# And "You're starting to bore me baby,
:02:21. > :02:35.# "Why'd you only call me when you're high?"
:02:36. > :02:39.# Why'd you only ever phone me when you're high?
:02:40. > :02:52.# Why'd you only ever phone me when you're high?
:02:53. > :02:55.# Why'd you only ever phone me when you're high?
:02:56. > :03:43.# You used to get it in your fishnets
:03:44. > :04:24.# Flicking through a book of sex tips
:04:25. > :06:08.# You used to get it in your fishnets
:06:09. > :09:09.# At least as deep as the Pacific Ocean
:09:10. > :15:35.# Cast patterns on the ceiling, but you're feeling fine
:15:36. > :15:53.# So we all go back to yours, and you sit and talk to me on the floor
:15:54. > :15:55.# There's no need to show me 'round baby,
:15:56. > :16:31.# So we all go back to yours, and you sit and talk to me on the floor
:16:32. > :16:34.# There's no need to show me 'round baby,
:16:35. > :16:41.# I've been wondering whether later when you tell everybody to go
:16:42. > :16:57.# Don't get that sinking feeling, don't fall apart
:16:58. > :17:57.# So we all go back to yours, and you sit and talk to me on the floor
:17:58. > :17:59.# There's no need to show me 'round baby,
:18:00. > :18:04.# I've been wondering whether later when you tell everybody to go
:18:05. > :18:51.# What's been happening in your world?
:18:52. > :19:05.# I heard that you fell in love or near enough
:19:06. > :19:16.# I wanna grab both your shoulders and shake, baby
:19:17. > :19:23.# I get the feeling I left it too late, but, baby
:19:24. > :19:29.# If that watch don't continue to swing
:19:30. > :19:37.# Or the fat lady fancies having a sing, I'll be here
:19:38. > :19:39.# Waiting ever so patiently for you to
:19:40. > :20:20.# It sounds like settling down or giving up
:20:21. > :20:26.# But it don't sound much like you, girl
:20:27. > :20:32.# I wanna grab both your shoulders and shake, baby
:20:33. > :20:40.# I get the feeling I left it too late, but, baby
:20:41. > :20:44.# If that watch don't continue to swing
:20:45. > :20:48.# Or the fat lady fancies having a sing, I'll be here
:20:49. > :20:52.# Waiting ever so patiently for you to
:20:53. > :21:11.# Darling, how could you be so blind?
:21:12. > :21:26.# Darling, how could you be so blind?
:21:27. > :21:30.# I wanna grab both your shoulders and shake, baby
:21:31. > :21:38.# I get the feeling I left it too late, but, baby
:21:39. > :21:43.# If that watch don't continue to swing
:21:44. > :21:48.# Or the fat lady fancies having a sing, I'll be here
:21:49. > :21:51.# Waiting ever so patiently for you to
:21:52. > :22:38.Jamie Cook to the left on the electric guitar!
:22:39. > :22:45.Mr Thomas Roley over there on the Eccles field Electrical, et cetera,
:22:46. > :22:48.set set radio. Mr Matthew on the drums! Thank you for having us. We
:22:49. > :23:02.are the Arctic Monkeys. # I'm a puppet on a string,
:23:03. > :23:04.Tracy Island # Time traveling diamond cutter
:23:05. > :23:05.shaped heartaches # That's come to find you, four in
:23:06. > :23:09.some velvet morning years too late # She's a silver lining,
:23:10. > :23:11.lone ranger riding # When she's not right there
:23:12. > :23:14.beside me # All I want to hear her say is
:23:15. > :23:26."Are you mine?" # Well, are you mine?
:23:27. > :23:30.# I guess what I'm trying to say is I need the deep end
:23:31. > :23:38.# Well, are you mine? Are you mine?
:23:39. > :23:52.# I guess what I'm trying to say is I need the deep end
:23:53. > :24:00.# Unfair we're not somewhere misbehaving for days
:24:01. > :24:03.# Great escape, lost track of time and space
:24:04. > :24:08.# She's a silver lining climbing on my desire
:24:09. > :24:13.# And I go crazy cos here isn't where I want to be
:24:14. > :24:16.# And satisfaction feels like a distant memory
:24:17. > :24:24.# All I want to hear her say is "Are you mine?"
:24:25. > :24:30.# Well, are you mine? Are you mine tomorrow?
:24:31. > :24:34.# Are you mine? Or just mine tonight?
:24:35. > :24:52.# Are you mine? Are you mine?
:24:53. > :24:57.# So in case I'm mistaken I just want to hear you say
:24:58. > :25:12.# She's a silver lining, lone ranger riding
:25:13. > :25:20.# When she's not right there beside me
:25:21. > :25:23.# I go crazy cos here isn't where I want to be
:25:24. > :25:28.# And satisfaction feels like a distant memory
:25:29. > :25:34.# All I want to hear her say is "Are you mine?"
:25:35. > :25:40.# Well, are you mine? Are you mine tomorrow?
:25:41. > :25:44.# Are you mine? Or just mine tonight?
:25:45. > :25:49.# Are you mine? Are you mine tomorrow?
:25:50. > :27:41.# # Feels like a memory
:27:42. > :27:42.# I can't help myself # Yeah
:27:43. > :28:01.# # Well I Up are you mine?
:28:02. > :28:55.What a great way to end the campaign on the latest album AM. That is
:28:56. > :29:00.Arctic Monkeys headliner, Saturday night of The Reading festival.
:29:01. > :29:07.Swagger! Where's the cheeky one gone. They went to the UEA and a
:29:08. > :29:12.cheeky boy from Sheffield was on the stage. What a transformation.
:29:13. > :29:17.Where's the spotty kid from the Cardiff Barfly? ! People are talking
:29:18. > :29:22.about his hips and him being a smoothie. Sounding as slick as Alex
:29:23. > :29:28.Turner's hair. I went out there to have a look at it. What was it like?
:29:29. > :29:33.Great. Really, really good. It's a real sing-along crowd. Was it louder
:29:34. > :29:37.in the crowd than the PA? At times. It was great. That's the
:29:38. > :29:41.biggest crud of the weekend for sure on the main stage, as far as you
:29:42. > :29:45.could see all the way back for Arctic Monkeys. Tim says this is an
:29:46. > :29:48.absolutely killer set list from Arctic Monkeys holding the crowd so
:29:49. > :29:54.well. Also one text saying, we are seeing
:29:55. > :30:00.my sister lying on the floor in a puddle of love after seeing Alex
:30:01. > :30:04.Turner. Not sure if that's a euphemism. Reading Leeds is the end
:30:05. > :30:12.of the campaign for the latest album and what a way to finish. Hope you
:30:13. > :30:20.enjoyed Arctic Monkeys. Paramore have been on, and Blink 182
:30:21. > :30:39.tomorrow. Excited? Yes. Headlining the NME tonight was someone we'd be
:30:40. > :31:04.rude not to have a look at. # Sometimes I don't know where we
:31:05. > :31:07.are going # Sometimes I feel you should be
:31:08. > :31:10.crawling back to me # Time is ticking by without us
:31:11. > :31:13.knowing # Before you know it, it will be too
:31:14. > :31:18.late to see # You keep on talking but it makes
:31:19. > :31:23.no sense at all, sense at all, sense at all
:31:24. > :31:29.# Sense at all You keep on talking but it make no
:31:30. > :32:22.sense at all # How did you know
:32:23. > :32:26.# Cos I never told # You found out
:32:27. > :32:30.# I got a crush on you # You found out I got a crush on you
:32:31. > :32:40.# How did you know # Cos I never told--% you found out
:32:41. > :32:44.# I got a crush on you # -- cos I never told
:32:45. > :32:46.# I got a crush on you # How did you know
:32:47. > :32:48.# Cos I never told # You found out
:32:49. > :33:06.# I got a How did you know
:33:07. > :33:11.# Cos I never told # You find out, I got a crush on you
:33:12. > :33:14.# How did you know # Cos I never told
:33:15. > :33:20.# You found out # I got a crush on you
:33:21. > :33:25.# You found out # I've got a crush on you
:33:26. > :33:27.# How did you know # Cos I never told
:33:28. > :33:34.# You found out # I've got a crush on you
:33:35. > :33:40.# You found out # I've got a crush, crush, crush
:33:41. > :33:48.# How did you # You found out
:33:49. > :33:52.# How did you # You found out
:33:53. > :33:57.# I've got a crush on you # How did you
:33:58. > :34:05.# You found out # How did you
:34:06. > :34:07.# I've got a crush, crush, crush, crush
:34:08. > :34:13.# How did you know # Cos I never told--you found out
:34:14. > :34:16.# I got a crush on you # My heart feels the same
:34:17. > :34:29.# You found out # I got a crush on you
:34:30. > :34:37.# # You found out
:34:38. > :34:42.# # You found out
:34:43. > :35:36.# I've got a crush on you... # # Crush on you
:35:37. > :38:50.# Crush on you 100 years ago... Civilisation was
:38:51. > :38:56.obliterated in a few minutes of blazing horror
:38:57. > :39:07.It was dooment Domesday. The end of the world.
:39:08. > :41:54.A bit of Nero from the NME Radio 1 stage. Those were the headliners.
:41:55. > :41:58.Loads more online if you want to see it. What a day! What a day! The
:41:59. > :41:59.crowd looked like they were absolutely loving Nero. It's crazy
:42:00. > :42:03.that they were so absolutely loving Nero. It's crazy
:42:04. > :42:09.watching Arctic Monkeys but still that tent was so full. Massive.
:42:10. > :42:11.Hello to Chris Howarth Arctic Monkeys fantastic tonight, wish I
:42:12. > :42:16.was there but the coverage has been great. Bringing the festival into my
:42:17. > :42:21.living room, thank you. Mikey Lee says almost skanking in my bedroom
:42:22. > :42:27.because of BBC Three, sounding brilliant. And Lauren saying why
:42:28. > :42:30.haven't I Ben to an Arctic Monkeys gig yet, it's on my to do list and
:42:31. > :42:34.another person saying they've still got it. Of course they have.
:42:35. > :42:38.We are back on tomorrow. Loads of good stuff tomorrow. What is going
:42:39. > :42:42.on? It's massive. On the red button, pretty much right now, we've Imagine
:42:43. > :42:50.Dragons, then tomorrow, here on BBC Three, we've got Maverik Sabre,
:42:51. > :42:57.Clean Bandit, saint Raymond and Randy Richie. The Kooks, and your
:42:58. > :43:01.headliners, Blink 182 and Disclose sure, it will be a massive day. See
:43:02. > :43:03.you tomorrow right here on BBC Three!