:00:20. > :00:24.day here at the Reading festival. And what a weekend it's been. Yes.
:00:25. > :00:28.That music was making me miss Royal Blood yesterday a little bit. But we
:00:29. > :00:29.are going to move on. We have a brilliant
:00:30. > :00:31.are going to move on. We have a bring you, the
:00:32. > :00:33.are going to move on. We have a bring you, final night of the
:00:34. > :00:37.Reading festival. It's gone really quick. Look at that sight! What a
:00:38. > :00:44.beautiful weekend it's been. Never get tired of that train depot! And
:00:45. > :00:51.that tree! Oh, the memories. You Me At Six, we'll have them from eighth,
:00:52. > :00:56.you may as well call them You Me at Eight. We have Jungle, Maverick
:00:57. > :01:04.Sabre and Clean Bandit. Also in the tree house this evening, actually
:01:05. > :01:08.the 1975 are waiting there. We have Maverick Sabre and an acoustic
:01:09. > :01:13.performance from Saint Raymond. Get in touch with us on Twitter and
:01:14. > :01:15.Instagram. We'll go back to the main stage from earlier today for some
:01:16. > :01:42.Young Guns. # And all of our moments pass us
:01:43. > :01:55.by before they begin. # And I know I can't deny
:01:56. > :01:59.the burning in your eyes. # The time left is burning
:02:00. > :02:10.me tonight, cos I need it. # Cos if this is love, baby,
:02:11. > :02:16.I want out. # I will light up the sky
:02:17. > :02:23.as we burn it down. # I know you can't doubt it,
:02:24. > :02:27.but let me say. # Cos if this is love, baby,
:02:28. > :02:43.I want out. # All we are is breath
:02:44. > :02:49.against the glass. # Just like the ashes
:02:50. > :02:56.of a fire fading fast. # And I know I can't deny
:02:57. > :03:00.the burning in your eyes. # The time left is burning
:03:01. > :03:11.me tonight, cos I need it. # Cos if this is love, baby,
:03:12. > :03:18.I want out. # I will light up the sky
:03:19. > :03:25.as we burn it down. # I know you can't doubt it,
:03:26. > :03:28.but let me say. # Cos if this is love, baby,
:03:29. > :03:49.I want out. I can't hear you, make some noise
:03:50. > :03:56.for me, come on! It is good to be home! Get those hands up!
:03:57. > :04:07.# I will light up the sky as we burn it down.
:04:08. > :04:14.# Cos if this is love, baby, I want out.
:04:15. > :04:21.# I will light up the sky as we burn it down.
:04:22. > :04:25.# I know you can't doubt it, but let me say.
:04:26. > :04:36.# Cos if this is love, baby, I want out.
:04:37. > :05:10.was Young Guns. That was the drum vest.
:05:11. > :05:21.I might do that myself, do the side boob showing. You're worse than me.
:05:22. > :05:25.OK, we have Maverick Sabre coming for a chat in a second. First time
:05:26. > :05:27.at Reading and he feel on stage earlier. We have some flashing
:05:28. > :06:12.lights. # I can still taste you on my lips,
:06:13. > :06:14.your tenderness # The way you made me feel
:06:15. > :06:20.before you left # And I just wasn't ready, cash on,
:06:21. > :06:31.walk out on today # Oh Lord, still you always keep me
:06:32. > :06:36.wanting # Only this time it seems,
:06:37. > :07:07.they've always been # People love to say,
:07:08. > :07:13.I'm blind to see # Oh Lord, still you always
:07:14. > :07:29.keep me wanting # Oh Lord, you picked me up
:07:30. > :08:01.so many times # No more,
:08:02. > :08:07.I tried to stop loving you # Oh, still you always
:08:08. > :08:22.keep me wanting Reading, how are you feeling? I want
:08:23. > :10:09.to hands in the air for this one. # The way I'm livin' is cold
:10:10. > :10:20.and now I'm sitting # And these days
:10:21. > :10:24.how I've been feeling # Where do we turn
:10:25. > :10:35.if there's no one? # Lord knows I need you here
:10:36. > :10:39.to tell me so # Where do we turn
:10:40. > :10:45.if there's no one? # Lord knows these days
:10:46. > :10:49.they feel so dark alone # They've run after
:10:50. > :11:08.the fortune and fame # I've been fighting for love
:11:09. > :11:10.never a diamond # Because dollars
:11:11. > :11:17.seems to own this place # Lord knows I need you here
:11:18. > :11:43.to tell me so # Where do we turn
:11:44. > :11:47.if there's no one? # Lord knows
:11:48. > :11:53.these days feel so dark alone # I don't want to be alone
:11:54. > :12:17.but I'm all alone here for you # Where do we turn
:12:18. > :12:31.if there's no one? # Where do we turn
:12:32. > :12:38.if there's no one? # Lord knows these days
:12:39. > :13:25.feel so dark alone guy at the front there. Maverick
:13:26. > :13:28.Sabre from earlier on today. More music from here in a second. He's
:13:29. > :13:32.here, let's chat. Welcome to our tree house. Thank you for having me.
:13:33. > :13:39.A beautiful view you've got from up here so thank you for having me. How
:13:40. > :13:45.was your set, your Reading debut? I loved it. You can tell that the
:13:46. > :13:49.crowd you know, are based off a heavy kind of rock foundation from
:13:50. > :13:53.the past, even though they are quite a young crowd, they don't remember
:13:54. > :13:59.that past, they are still loud and excited. As you can tell by the
:14:00. > :14:04.screaming. Let it loose, release it! You were saying they are constantly
:14:05. > :14:09.on the verge of moshing? Yes, they are a young crowd but probably don't
:14:10. > :14:13.remember the days when it was pure rock festivals, it's excitable and a
:14:14. > :14:17.blessing to perform in front of a crowd like that. It's a rarity.
:14:18. > :14:24.There is a lot babies and kids here today. I saw a couple with the
:14:25. > :14:31.little ear must haves on. Glad they started off young -- ear muffs.
:14:32. > :14:36.Glastonbury have yummy mummies going through the mud with their buggies
:14:37. > :14:42.going, we have to get there before it starts. I saw a few babies. In
:14:43. > :14:47.terms of you and the album, we have had a few tracks and it's got Ain't
:14:48. > :14:53.Nobody on there. When is the album out? Should be out early next year
:14:54. > :14:57.hopefully. I've been away for a year-and-a-half, two years. I wanted
:14:58. > :15:01.to take time to experience life and not write songs about being in the
:15:02. > :15:04.back of a cab on the way to a show or on a tour bus, I wanted to
:15:05. > :15:09.experience life and not cheat my fans, you know. I always hike to
:15:10. > :15:14.give my full heart and soul in every bit of music I ever put out and yes,
:15:15. > :15:18.I feel like I've achieved that and understood myself a lot more. I've
:15:19. > :15:23.grown and learned a lot more about myself. While you were away, were
:15:24. > :15:29.you travelling, seeing the world or sat at home on the PlayStation? No,
:15:30. > :15:34.I did quite a lot of travelling, India, South Africa. A friend of
:15:35. > :15:38.mine brought me out there to work on a project out there which changed my
:15:39. > :15:47.life. I spent a bit of time in Jamaica recording and spent a bit of
:15:48. > :15:57.time in New York recording as well. I recorded with someone who is
:15:58. > :16:07.on-the-record who I met in New York. I was in New York with Idris Elba.
:16:08. > :16:14.Some nice friends to have. Yes, Idris Elba is doing an album himself
:16:15. > :16:18.in homage to studying Mandela because he played Mandela in a movie
:16:19. > :16:24.and spent a lot of time in South Africa and around Johannesburg so he
:16:25. > :16:29.brought me and Mr Hodgson out there, to work with South African
:16:30. > :16:32.musicians. Really, it was to write a record to pay homage to the South
:16:33. > :16:36.African people, the homage, the culture, the spirit, Mandela himself
:16:37. > :16:42.and what Idris learnt being out there. It was a spiritual awakening
:16:43. > :16:46.for me. If anyone's worked ever with South African musicians, the purity
:16:47. > :16:49.is something I can't explain as a musician and opened my eyes to a
:16:50. > :16:53.lotthings. You are taking your time with the new record which is a good
:16:54. > :16:57.thing with experiencing these new things. Is it daunting to come to a
:16:58. > :17:00.new festival for you and, when you walk out from the wings hoping
:17:01. > :17:03.people will be there for you, because you have been away for a
:17:04. > :17:10.while and not released an album so it must be daunting to be thinking,
:17:11. > :17:13.oh, will there be anyone there. The weirdest experience was coming back
:17:14. > :17:18.after two years and playing new song force the first time. For the first
:17:19. > :17:21.record ah lot of the songs I'd be playing for years, I'd been
:17:22. > :17:24.performing since I was 13 and 14 years of age in Ireland so we were
:17:25. > :17:29.well trained before the first album came out and doing the songs off
:17:30. > :17:32.that record. It was daunting to come out and do first material but I'm
:17:33. > :17:37.very blessed and honoured that the crowd came out like they did today
:17:38. > :17:40.and at Leeds on Friday. Massive crowd. It was brilliant.
:17:41. > :17:42.Let's take a look at two more songs from you. With flashing lights,
:17:43. > :18:27.thank you, Maverick Sabre. MUSIC:
:18:28. > :19:03.Walk Into The Sun... MUSIC:
:19:04. > :19:38.Walk Into The Sun... Left side make some noise. Right
:19:39. > :20:10.side make some noise. I want everyone to raise your hands
:20:11. > :20:28.up. # All I gotta do
:20:29. > :20:38.# Is walk into the sun # Yeah
:20:39. > :20:43.# All I gotta do # All I want to do now, now, now
:20:44. > :20:50.# All I gotta do # Is walk into the sun... #
:20:51. > :21:03.Thank you. I am going to do one last song, I
:21:04. > :21:09.love every single one of you, I hope the sunshine comes out for you.
:21:10. > :21:29.Reading, if you are enjoying yourselves, scream!
:21:30. > :21:39.# I need sunshine and I need angels I need
:21:40. > :21:56.# I need blue skies I need oh oh good times, I
:21:57. > :22:00.# Something good, yeah, something good
:22:01. > :22:19.# Back then, I had not seen half them things I'd ever thought I'd see
:22:20. > :22:25.# Become someone I'd never thought I'd be
:22:26. > :22:34.# I need sunshine and I need angels I need
:22:35. > :22:44.# I need blue skies I need oh oh good times I need
:22:45. > :22:48.# Something good, yeah Something good,
:22:49. > :22:59.# Something good, yeah Something good
:23:00. > :23:14.# With everything around me to look for in life
:23:15. > :23:17.# And them people that would doubt me
:23:18. > :23:41.# And all them girls that I used to see running round
:23:42. > :23:44.# Was like the rain that I used to see pouring down, hey, hey, hey
:23:45. > :23:48.# I need sunshine and I need angels I need
:23:49. > :23:56.# I need blue skies I need oh oh good times, I need
:23:57. > :24:09.# Something good, yeah Something good
:24:10. > :25:51.the Radio 1 NME stage. That was Maverick Sabre. We have a very
:25:52. > :25:53.special treat for you tonight. The first acoustic performance of
:25:54. > :25:59.Sunday, ladies and gentlemen of the tree house, make some noise for the
:26:00. > :26:06.1975, well, two of them! Gentlemen! All good?
:26:07. > :26:09.Talking to me? I can't even hear you. Take it away!
:26:10. > :26:39.One, two, three... # Bite your face to spite your nose
:26:40. > :26:41.# 17 and a half years old # Worrying about my brother finding
:26:42. > :26:50.out # What's the none in doing what
:26:51. > :26:57.you're told? # I said "no"!
:26:58. > :27:00.# Oh, give it a rest, I could persuade you
:27:01. > :27:03.# I'm not your typical stoned 18-year-old
:27:04. > :27:07.# Give me a night I'll make you # I know you're looking for
:27:08. > :27:13.salvation in secular age # But girl I'm not your saviour
:27:14. > :27:17.# Wrestle to the ground # God help me now
:27:18. > :27:21.# Because they're just girls breaking hearts
:27:22. > :27:27.# Eyes bright, uptight, just girls # But she can't be what you need if
:27:28. > :27:31.she's 17 # They're just girls
:27:32. > :27:39.They're just girls # A pair of frozen hands to hold,
:27:40. > :27:43.# Oh, she's so southern so she feels the cold,
:27:44. > :27:46.# One moment I was tearing off your blouse,
:27:47. > :27:56.# Now you're living in my house # What happened to just messing
:27:57. > :28:02.around? # I said "you, I think you better
:28:03. > :28:06.go, I can't take you" # You just sit and get stoned with
:28:07. > :28:09.30-year-olds and you think you've made it
:28:10. > :28:15.# Well shouldn't you be with somebody your own age
:28:16. > :28:22.# Instead of making changes? # Wrestle to the ground
:28:23. > :28:27.# God help me now because # They're just girls breaking hearts
:28:28. > :28:32.# Eyes bright, uptight, just girls # But she can't be what you need if
:28:33. > :28:40.she's 17 # They're just girls
:28:41. > :29:16.# Yes, they're just girls Thank you.
:29:17. > :29:21.APPLAUSE I love that song acoustic. Thanks! I
:29:22. > :29:25.love it! Can you hear me over there? Vaguely. It's noisy, I do apologise
:29:26. > :29:30.for the lack of glass. It's quite nice.
:29:31. > :29:35.It's a nice breeze through. How are you? Nice to see you. Hi, Jen. High,
:29:36. > :29:44.are you all right? Yes. How was Leeds? Mental. It was manic. We are
:29:45. > :29:50.expecting the same thing I think. But yes, Leeds as well, northern
:29:51. > :29:56.crowd! You are on in about an hour's time. I know. What time is it? 7.
:29:57. > :29:59.30ish so you are on in an hour. What are the pre-match warm-ups? What do
:30:00. > :30:06.you do before you go on? Do you have a huddle? We do an intimate touch of
:30:07. > :30:11.each other's hair and recreate scenes from films like Ghost and
:30:12. > :30:17.stuff like that! Just to setsle in before we go on. Greg and I do a
:30:18. > :30:20.similar thing. We do. I'm excited for tonight. Thank you for coming to
:30:21. > :30:24.the tree house and have a great show. 1975, everybody!
:30:25. > :30:28.APPLAUSE OK, let's have some light music from the
:30:29. > :30:34.Radio 1 NME stage from earlier today. This is the Mighty Jungle.
:30:35. > :30:55.With flashing lights. Don't forget about the lights!
:30:56. > :31:03.# MUSIC:
:31:04. > :31:08.Time # Time and time again!
:31:09. > :31:12.# Say it again # Just hold on tight
:31:13. > :31:17.# Don't let in, yeah # I'll run all right, hur
:31:18. > :31:22.# Say it again # Just hold on tight
:31:23. > :31:27.# Don't let it in, yeah # I'll run all night,
:31:28. > :31:32.# Don't let it in # Just let it out
:31:33. > :31:36.# Time and time and time and time and time again
:31:37. > :31:41.# # Time and time and time and time
:31:42. > :31:54.and time and time again # You see me
:31:55. > :31:58.# Just you see me # I know, you know
:31:59. > :32:06.# Time and time again # Here, time and time again
:32:07. > :32:15.# Yeah # Say it again
:32:16. > :32:21.# Just hold on tight # Don't let it in, yeah
:32:22. > :32:25.# I'll run all right, # Don't let it in
:32:26. > :32:29.# Just let it out # Time and time and time and time
:32:30. > :32:36.and time again # Time and time and time and time
:32:37. > :32:39.again # #... # Reading!
:32:40. > :33:10.How you all doing! ? # Not emen vow
:33:11. > :33:13.# Me head is in space # You know, you know
:33:14. > :33:20.# Just let it out # Dent let it in, yeah
:33:21. > :33:21.# I'll run all right, # Don't let it in
:33:22. > :33:26.# Just let it out # Time and time and time and time
:33:27. > :33:30.again # Just hold on tight,
:33:31. > :33:33.# Don't let it in, yeah # I'll run all right
:33:34. > :33:36.# Don't let it in # Just let it out
:33:37. > :33:39.# Time and time and time and time again
:33:40. > :35:22.# Time and time and time and time again.
:35:23. > :35:30.They made the BBC sound list. Very exciting act I would say. Had a very
:35:31. > :35:30.good time by the looks of it on the stage earlier today.
:35:31. > :35:36.good time by the looks of it on the stage earlier today. Loads of people
:35:37. > :35:41.loving the 1975. Lauren says the aCowes Tim version of Girls is
:35:42. > :35:47.beautiful. Incredible hearing Girls aCowes Tim by 1975, more of them,
:35:48. > :35:55.please, says this Tweeter. Feel free to Tweet us:
:35:56. > :35:59.I've got a message saying, I should be at Reading Festival but I'm not
:36:00. > :36:03.but tonight BBC Three will be my best friend again. If you want to
:36:04. > :36:08.see more of Jungle, they are on the red button at 9. We have a chat with
:36:09. > :36:13.Clean Bandit coming up. They have had a great few years.
:36:14. > :36:15.We'll do that straight after the performance from earlier on today.
:36:16. > :36:33.There is some strobing! # Never said any of this
:36:34. > :36:38.was gonna be simple # Sometimes all it takes
:36:39. > :36:42.is just a simple oh-oh-oh # Because the place you want to
:36:43. > :36:47.reach is right in front of you # I guess you're gonna run out luck,
:36:48. > :37:26.love, sooner or later # Your turn, my darling,
:37:27. > :38:06.I can't live without you # Seven days of the week
:38:07. > :38:16.I can't stop think about you # Me hear them saying
:38:17. > :38:43."I'm sorry, girl" # Tell her friends, then mos,
:38:44. > :38:54.how she no trusts me # Well, if I saw you down from here,
:38:55. > :38:57.let me pay # Since the last three months,
:38:58. > :39:00.you know you want me # Me won't pick up me phone,
:39:01. > :39:04.no dial-dial-oo # Here baby, let me love you,
:39:05. > :39:06.you know I wan't some # No me wish you know about my,
:39:07. > :39:09.my manual # Won't pick up the phone,
:39:10. > :39:12.no dial-dial-oo # Here baby, let me love you,
:39:13. > :39:15.you know I want some # No me wish you know about my,
:39:16. > :39:17.my manual # You can see
:39:18. > :40:46.there's something in the way # I've tried to show you,
:40:47. > :40:50.my door is open # I don't know
:40:51. > :40:54.how much more I can take # Since you've chosen,
:40:55. > :40:58.to leave me frozen # Am I the only one,
:40:59. > :41:02.who sees what you've become? # We're running out of time,
:41:03. > :41:09.two wrongs can make it right # People making choices
:41:10. > :41:20.they can't fake # To fill my days and nights
:41:21. > :41:39.with something # You've wandered down a path
:41:40. > :42:21.I can't explain # We're running out of time
:42:22. > :42:25.Two wrongs can make it right # To fill my days and nights
:42:26. > :42:48.with something # I'm not gonna
:42:49. > :42:49.compromise # Just don't say
:42:50. > :43:02.it will be all right # You're not holding yourself
:43:03. > :43:06.in your arms tonight # In only a moment
:43:07. > :43:14.you'll say goodbye # To fill my days and nights
:43:15. > :43:34.with something # Oh, oh, oh, oh
:43:35. > :43:52.I, I, I, I, I Reading! Are you ready to have some
:43:53. > :44:24.fun? Make some noise! The first vocalist we ever worked
:44:25. > :46:19.with! # I kept it in my head
:46:20. > :47:21.and I kept trying to fight # I said mmm move your left,
:47:22. > :47:23.move your right # Come a little closer
:47:24. > :47:28.if you like the limelight # I want to surround
:47:29. > :47:31.and keep you here in my sight # I said move your left,
:47:32. > :47:33.move your right # Getting abuse
:47:34. > :47:35.cos everyone's taking all their time # They chase and flex the beat,
:47:36. > :47:38.it's on my mind # Moves like that aren't cool,
:47:39. > :47:40.or even crime # Aliente, mezzoforte,
:47:41. > :48:23.allegro or andante # We're rushing now,
:48:24. > :48:29.we're building heat # The doors are open,
:48:30. > :48:32.but the music's in time # Cruising at the speed
:48:33. > :48:36.where where consider # This is Mozart's House
:48:37. > :49:16.a couple of movements ow main stage earlier on and we have
:49:17. > :49:19.them for an interview, well two of them. Welcome. Thank you so much for
:49:20. > :49:23.coming up here. How you doing? Pretty good. Last year was your
:49:24. > :49:30.first Reading in the dance tent. How did it compare to today? They were
:49:31. > :49:36.completely mad, like we had moshing during our second song today and
:49:37. > :49:40.last year as well. We played a song called UK shanty that no-one really
:49:41. > :49:43.knows because it was never released as a single but there was a big
:49:44. > :49:48.Moshe pit. There is not enough Moshing to vie Lynnses, not enough,
:49:49. > :49:53.it's good to see! I like it when, I don't know the name of your band
:49:54. > :49:59.mate, when he plays it like a little guitar. Yes. Your set earlier was
:50:00. > :50:03.insane. The tent was completely rammed. The outskirts became
:50:04. > :50:07.completely rammed and we had to move out of the tent just to be able to
:50:08. > :50:11.dance. Cool. Could you tell how packed it was, seas of people coming
:50:12. > :50:17.in and finding a way to stream into your pit? Yes. It was scary looking
:50:18. > :50:23.out and you see it and it's a huge Hoared of people but it's exciting
:50:24. > :50:29.as well. Obviously it was the dream to as big and as popular but did you
:50:30. > :50:36.imagine this so soon? No. It doesn't feel that soon. We got together like
:50:37. > :50:43.six years ago. We've been working together since then. The soonness
:50:44. > :50:49.doesn't feel that short. We never expected to go to number one or be
:50:50. > :50:53.in the pop charts at all really. Did you think you would ever play a
:50:54. > :50:58.festival like Reading? I don't know. I'd never expected to be doing
:50:59. > :51:04.anything like this at this stage. It's amazing. Did you guys go to
:51:05. > :51:08.festivals when you were growing up, Reading or Leeds? I went to
:51:09. > :51:12.Glastonbury when I was 16. That was my first festival. Yes, me too. We
:51:13. > :51:17.were there at the same time but didn't know each other then. You
:51:18. > :51:21.came to my attention a couple of years ago when I heard the song A
:51:22. > :51:25.and I fell in love with the video and thought, who is this, what is
:51:26. > :51:28.this, it's very different. It was your aim obviously to do something
:51:29. > :51:34.different with pop music and it seems to have gone very, very well.
:51:35. > :51:37.The success of Rather Be, did you ever think, that's a good one, when
:51:38. > :51:43.you wrote that one? It's interesting. One of the first times
:51:44. > :51:48.we played that was at Reading here, we'd been playing it live before we
:51:49. > :51:52.recorded it properly, we were testing it out and I think yes one
:51:53. > :51:56.of the reactions was at Reading and Leeds last year, we thought, oh,
:51:57. > :52:03.yeah, this one is going down quite well, let's record it.
:52:04. > :52:07.Understatement of the year! The song that knocked Pharrell's Happy off
:52:08. > :52:14.the charts. What is coming up next? You have been on the road for for
:52:15. > :52:18.ever? Yes, just more and more. We've got Ibiza rocks this week, then we
:52:19. > :52:23.are off to the States for a month. Then a UK tour and then a European
:52:24. > :52:29.Tour. How is it going in the States, as well as it is here? Yes, it's
:52:30. > :52:36.cool I think. We are getting random updates. Rather Bewas number one on
:52:37. > :52:41.the Shazam charts a couple of weeks ago. It's number four in iTunes or
:52:42. > :52:48.something like that now. Yeah, we are doing our first tour there in
:52:49. > :52:53.September and it's quite exciting. We've been to New York and LA before
:52:54. > :52:58.but nowhere else. We are going to go to San Francisco and Portland and
:52:59. > :53:01.loads places. Amazing. Long may it continue because I'm a big fan and I
:53:02. > :53:10.think it's a really refreshing change to pop music and all the very
:53:11. > :53:15.best! Thank you so much. Thank you. You've been Tweeting while playing?
:53:16. > :53:21.Yes. We have one more song from your set so it feels great to finish off
:53:22. > :53:31.with Rather Be with flashing imagery.
:53:32. > :53:35.# We're a thousand miles from comfort
:53:36. > :53:47.# But as long as you are with me, there's no place I rather be
:53:48. > :53:54.# I would wait forever, exulted in the scene
:53:55. > :54:03.# As long as I am with you, my heart continues to beat
:54:04. > :54:07.# With every step we take, Kyoto to The Bay
:54:08. > :54:15.# We're different and the same, gave you another name
:54:16. > :54:23.# If you gave me a chance I would take it
:54:24. > :54:27.# It's a shot in the dark but I'll make it
:54:28. > :54:30.# Know with all of your heart, you can't shame me
:54:31. > :54:35.# When I am with you, there's no place I rather be
:54:36. > :54:39.# N-n-n-no, no, no, no place I rather be
:54:40. > :54:50.# N-n-n-no, no, no, no place I rather be
:54:51. > :54:58.# We staked out on a mission to find our inner peace
:54:59. > :55:06.# Make it everlasting so nothing's incomplete
:55:07. > :55:14.# It's easy being with you, sacred simplicity
:55:15. > :55:22.# As long as we're together, there's no place I rather be
:55:23. > :55:26.# With every step we take, Kyoto to The Bay
:55:27. > :55:34.# We're different and the same, gave you another name
:55:35. > :55:42.# If you gave me a chance I would take it
:55:43. > :55:46.# It's a shot in the dark but I'll make it
:55:47. > :55:50.# Know with all of your heart, you can't shame me
:55:51. > :55:54.# When I am with you, there's no place I rather be
:55:55. > :56:02.# N-n-n-no, no, no, no place I rather be
:56:03. > :56:21.# When I am with you, there's no place I rather be
:56:22. > :56:26.# Yeah-e-yeah-e-yeah-e-yeah-e-yeah, yeah, yeah
:56:27. > :56:29.# If you gave me a chance I would take it
:56:30. > :56:37.# It's a shot in the dark but I'll make it
:56:38. > :56:49.# N-n-n-no, no, no, no place I there's no place I rather be
:56:50. > :57:04.# N-n-n-no, no, no, no place I rather be. #
:57:05. > :57:31.Clean Bandit on the Radio 1 NME stage. I spat then. The house that
:57:32. > :57:37.bought them all a new house. A song. Kenny says got goose bumps watching
:57:38. > :57:42.them, wish I was there. A text from my mum, really like Clean Bandit.
:57:43. > :57:45.Like in capitals, emphasis on like from Lesley Long. There you go. Emmy
:57:46. > :57:48.says I love 1975 and from Lesley Long. There you go. Emmy
:57:49. > :57:54.says I love Clean Bandit and everyone else. I think my heart
:57:55. > :57:56.might explode. We are back in a few minutes with You Me At Six and Saint
:57:57. > :58:05.Raymond. Do not go anywhere! Here's the latest in the world
:58:06. > :58:10.of sport. Man United are still looking
:58:11. > :58:12.for their first Premier League win Jack Rodwell headed
:58:13. > :58:20.in the Sunderland equaliser. Stoke were helped by goal line
:58:21. > :58:24.technology in the early kick-off.