:00:15. > :00:21.on BBC3. -- welcome back. We have so much and then at 11. 45, blink 128
:00:22. > :00:28.and Disclosure. Acoustics from St Raymond. I can see Calum's smiling
:00:29. > :00:34.face and Raleigh Ritchie and The Kooks. From the Main Stage earlier,
:00:35. > :00:44.their fifth appearance at the Reading Festival. Their fourth
:00:45. > :01:18.album. Calf year Youth went straight in at number one. Here they are.
:01:19. > :01:47.Sing it if you know it, ladies and gentlemen!
:01:48. > :02:21.# I give, you take # Some things, they never change
:02:22. > :02:26.# Just change # Stay with me
:02:27. > :04:23.# It's the greatest joke don't go letting me down
:04:24. > :04:35.# I'm in pain. So, yes, it is painful
:04:36. > :05:09.# Until these chains, chains are redundant
:05:10. > :05:14.# The brave die young and that's all right for some
:05:15. > :05:17.# But I'm after something long term, long term
:05:18. > :05:24.# I've only got problems and no solutions
:05:25. > :05:30.# But you're the world to someone else who told you
:05:31. > :06:23.# Dream a little big dream a little bigger
:06:24. > :06:36.# But there's no message at the bottom
:06:37. > :06:57.# I said you've got a chip on your shoulder
:06:58. > :07:04.# There's your life and now it's over
:07:05. > :07:38.# Dream a little big dream a little bigger
:07:39. > :07:50.Ladies and gentlemen, give it up for Alex from all-time low!
:07:51. > :07:54.boys, make some noise! This one is for the boys, it is called Room to
:07:55. > :08:03.Breathe! Let's go! for the boys, it is called Room to
:08:04. > :08:27.to bounce, right now! # I've honestly never felt
:08:28. > :08:44.this alone # Then all I need is a little room
:08:45. > :10:16.to breathe # Then all I need is a little room
:10:17. > :11:36.to breathe # Someone else's past
:11:37. > :12:43.is always cleaner # Would someone meet me
:12:44. > :12:53.on the other side # Oh, I don't really know
:12:54. > :12:57.where our ghosts go Reading, you look stunning! Sing it
:12:58. > :13:36.if you know it... # Would someone meet me
:13:37. > :14:18.on the other side This is your last chance, to dance,
:14:19. > :14:23.to move... ! # Would someone meet me
:14:24. > :14:29.on the other side # Would someone meet me
:14:30. > :14:40.on the other side # Oh, I don't really know where
:14:41. > :15:15.our ghosts go Thank you, Reading. You Me at six!
:15:16. > :15:19.Shout out to all of the people that have been keeping you safe this
:15:20. > :15:30.weekend, and we will see you next year!
:15:31. > :15:35.mane Stage. You Me At Six earlier. Well and truly deserved slot for
:15:36. > :15:38.them of the Very presumptuous. "We'll see you next year."
:15:39. > :15:49.Headliners. You Me At Six were brilliant, says a
:15:50. > :15:52.Tweeter. I loved Alex from All Time Low's guest appearance. They are
:15:53. > :15:57.brilliant to watch. They put on a great show. Thank you for your
:15:58. > :16:03.Tweet. We have another acoustic performance for you now. This is a
:16:04. > :16:08.great story from this guy. On the introducing Introducing Stage last
:16:09. > :16:15.year. An amazing place for new artists. Totally. T in the Park and
:16:16. > :16:21.Glastonbury and here at Reading and Leeds, BBC supporting unsigned
:16:22. > :16:26.undiscovered talent that is under the radar. And Calum, we have been
:16:27. > :16:32.supporting heavily. We love him. And fresh from the stage today. He has
:16:33. > :16:36.come up to see us in the Tree House. Welcome S sacks int Raymond. Take it
:16:37. > :16:53.away. # We were just young,
:16:54. > :16:54.something we outgrew # Should I be on my way?
:16:55. > :17:03.# You're leading me astray # You know that I want you to know
:17:04. > :17:27.that I want you # Changing faces always out
:17:28. > :17:36.of blue # We've been talking
:17:37. > :17:42.but talking's all we do # Should I be on my way?
:17:43. > :17:46.# Eliminate the games we play # Should I be on my way back home?
:17:47. > :17:51.# Should I be on my way? # I want you to know that I want
:17:52. > :18:14.you, # You know that I want you to know
:18:15. > :18:17.that I want you, # You know that I want you to know
:18:18. > :18:20.that I want you # You speak
:18:21. > :18:52.in tongues I filled my lungs # I buy my time,
:18:53. > :19:00.you cast a line and my heart opens # I want you to know that I want
:19:01. > :19:02.you # I want you to know that I want
:19:03. > :19:11.you # I want you to know that I want
:19:12. > :19:14.you # I want you to know that I
:19:15. > :19:56.want you. been? How was your show? Good.
:19:57. > :20:01.Really fun It looked you busy. We can see from the stairs, at the back
:20:02. > :20:05.here, it looked very busy. It was a surprise to me. I didn't know how
:20:06. > :20:10.many people was Go going to come out. A Nis day of celebration. The
:20:11. > :20:13.single came out -- a nice day. I have seen you playing all around the
:20:14. > :20:20.country and other countries. How did it feel to come back and go full
:20:21. > :20:24.circle and play back Reading? There is something special about Reading
:20:25. > :20:29.and Leeds, and it was nice to be back in the UK. How was the set at
:20:30. > :20:33.Leeds? Really good. Surprised by how many people turned out and know the
:20:34. > :20:38.words The same but more northern. Album, details, when can we expect
:20:39. > :20:42.more? Finishing it up in the next month and dropping it hopefully in
:20:43. > :20:47.the next four months or so. Really excited. ! We are very excited.
:20:48. > :20:55.Thank you very much. # Cut my life into pieces... #
:20:56. > :21:00.I will teleport myself back to being 13 and thinking I wanted to be a
:21:01. > :21:29.rody for Papa Roach. This is such a moment. Enjoy, Last Resort.
:21:30. > :21:44.# Cut my life into pieces, this is my last resort
:21:45. > :21:52.# Suffocation, no breathing, don't give a **** if I cut my arm bleeding
:21:53. > :21:56.# Don't give a **** if I cut my arm bleeding
:21:57. > :21:58.# Do you even care if I die bleeding?
:21:59. > :22:03.# Would it be wrong would it be right
:22:04. > :22:06.# Cos I'm losing my sight losing my mind
:22:07. > :22:24.# Wish somebody would tell me I'm fine
:22:25. > :22:29.# I never realised I was spread too thin
:22:30. > :22:31.# 'Til it was too late and I was empty within
:22:32. > :22:33.# Hungry, feeding on chaos and living in sin
:22:34. > :22:36.# It all started when I lost my mother
:22:37. > :22:39.# No love for myself and no love for another
:22:40. > :22:42.# Searching to find a love upon a higher level
:22:43. > :22:44.# Finding nothing but questions and devils
:22:45. > :22:46.# Cos I'm losing my sight losing my mind
:22:47. > :22:50.# Wish somebody would tell me I'm fine
:22:51. > :22:52.# Cos I'm losing my sight losing my mind
:22:53. > :22:54.# Wish somebody would tell me I'm fine
:22:55. > :23:01.# Nothing's all right nothing is fine
:23:02. > :23:46.# I'm crying, I'm crying I'm crying, I'm crying
:23:47. > :23:48.# Cos I'm losing my sight losing my mind
:23:49. > :23:49.# Wish somebody would tell me I'm fine
:23:50. > :23:51.# Cos I'm losing my sight losing my mind
:23:52. > :24:02.# Wish somebody would tell me I'm fine
:24:03. > :24:12.# Nothing's all right nothing is fine
:24:13. > :25:35.Thank you so much! We love you! And we are Papa Roach!
:25:36. > :25:40.name? Coby Dicks. Reading always had those legendary slots on a Sunday.
:25:41. > :25:46.Papa Roach on today. "I'm jumping around in my room right now,
:25:47. > :25:52.brilliant." Real nostalgic tough from them today. We are about the
:25:53. > :25:57.eclectic mix here on BBC3. We go from Papa Roach, seamlessly, into a
:25:58. > :26:05.bit of The Kooks. Here they are from earlier on today at the Reading
:26:06. > :26:35.festival. Let's go. Are you feeling this?
:26:36. > :26:42.# If that's the way you wanna live your life
:26:43. > :26:50.# To the world that we are thrown to, yeah
:26:51. > :27:04.# I need someone to love in the middle of the day
:27:05. > :27:06.# I want someone to be, and someone to drive around town
:27:07. > :27:09.# I need someone to love when the chips are down
:27:10. > :27:15.# Will you love me when the chips are down?
:27:16. > :27:22.# Could you love me when the world is crashing all around?
:27:23. > :27:24.# You can try and be someone you're not
:27:25. > :27:29.# If that's the river that you want to cross
:27:30. > :27:32.# You can choose the life of a bohemian
:27:33. > :27:36.# Or you can choose the material world
:27:37. > :27:49.# I need someone to love in the middle of the day
:27:50. > :27:54.# I need someone to love when the chips are down
:27:55. > :28:13.# I need someone to be, someone to drive around town
:28:14. > :28:16.# Love me when the chips are down, oh
:28:17. > :28:33.# Could you love me when the world is crashing all around?
:28:34. > :29:09.# I need someone to love in the middle of the day
:29:10. > :29:14.# I want someone to be, and someone to drive around town
:29:15. > :29:17.# I need someone to love, one to love, one to love
:29:18. > :29:41.# Will you love me when the chips are down
:29:42. > :30:05.# Could you love me when the world is crashing all around?
:30:06. > :30:32.We have been away, a little while... We are going to play a bunch of new
:30:33. > :31:10.stuff... I hope that you guys remember this one.
:31:11. > :31:13.# I know that she knows that I'm not fond of asking
:31:14. > :31:33.# True or false it may be She's still out to get me
:31:34. > :32:34.# True or false it may be She's still out to get me
:32:35. > :33:00.# I know that she knows that I'm not fond of asking
:33:01. > :33:03.# True or false it may be She's still out to get me
:33:04. > :33:06.# I know that she knows that I'm not fond of asking
:33:07. > :33:12.# True or false it may be She's still out to get me
:33:13. > :34:57.# Start a family # You're my best friend
:34:58. > :35:05.# And you're so good to me # Yeah, we could settle down
:35:06. > :35:17.# And start a family # C os your my best friend
:35:18. > :35:45.# You were living in the city # Had the world at your feet
:35:46. > :35:55.# We could settle down # And start a family
:35:56. > :35:59.# Your my best friend # And you're so good to me
:36:00. > :36:13.# Oh # Yeah, we could settle down
:36:14. > :36:26.# And start a family # Because Cos you're my best friend
:36:27. > :36:36.# Westside... # Let me see you
:36:37. > :36:46.# Well, we could settle down # And start a family
:36:47. > :36:56.# Cos your my best friend # And you're so good to me
:36:57. > :37:03.# You're so good to me # Yeah, you're so good to me
:37:04. > :37:07.# Your my best friend # We'll start a family
:37:08. > :37:28.# Yeah you're so good to me Westside. Thank you very much, good
:37:29. > :37:47.night. CHEERING AND APPLAUSE
:37:48. > :37:56.The Kooks from earlier today. I think it worked, Papa Roach to the
:37:57. > :38:02.Kooks. Kooks Into a lovely adeucic set. Very excited to have Raleigh
:38:03. > :38:08.Ritchie N welcome to the Treehouse. Welcome, Sir. In your own time, an
:38:09. > :38:11.amazing T-shirt. We'll talk about that afterwards. Live on BBC3. Take
:38:12. > :38:17.it away. # I'll make it
:38:18. > :38:22.worth your while when I'm successful # But when I'm here I need your
:38:23. > :38:24.kindness # stressful Clumsily gassed myself
:38:25. > :38:37.by thinking I'll be better off alone # I'll leave my peace in pieces all
:38:38. > :38:45.around the decent people back at # home, cause I'm a big boy an adult
:38:46. > :39:00.now or nearly If i pull the wool # back from my eyes I can see
:39:01. > :39:16.clearly The world is at my feet and # I am standing on the ceiling
:39:17. > :39:20.And I fall fall fall when it all # down And I won't be crushed by the
:39:21. > :39:24.weight of this town I'll fall from # the sky, but I won't fall forever
:39:25. > :39:28.I'll fall but when I rise I'll be # stronger than ever Official man,
:39:29. > :39:30.delusions grand, now I'm a free # agent I'm here to make a stand for
:39:31. > :39:42.causes I don't understand to make a # statement I fall short on
:39:43. > :39:45.knowledge, I don't even watch the # Cause
:39:46. > :41:16.I'm a big boy an adult now or nearly # If i pull the wool back from my
:41:17. > :41:20.eyes I can see clearly The world is # at my feet and I am standing
:41:21. > :41:22.on the ceiling # And I fall fall fall when it
:41:23. > :41:26.all comes down And I won't be # crushed by the weight of this town
:41:27. > :41:30.I'll fall from the sky, but I won't # fall forever, I'll fall but when I
:41:31. > :41:58.rise I'll be stronger than ever We are going to sit in a line and
:41:59. > :42:01.talk to each other. Welcome to our Treehouse. A wonderful performance.
:42:02. > :42:03.Thank you. A huge record which had a lot of success. We played it a lot
:42:04. > :42:07.on Radio 1. Thank you for the lot of success. We played it a lot
:42:08. > :42:12.support. Does it seem odd listening to your songs on the radio? It is
:42:13. > :42:15.super weird. There is nothing like switching the radio on incidentally
:42:16. > :42:18.and hearing your song. It's bizarre. You go - this is a good one, turn
:42:19. > :42:24.and hearing your song. It's bizarre. up. Do you singalong? You must do.
:42:25. > :42:30.Have you heard this song? . Hay, guys, have you heard this? How was
:42:31. > :42:35.your set? So good. Probably one of the best shows of the summer. I
:42:36. > :42:39.loved T a great crowd and they really, like, went with me on it and
:42:40. > :42:44.they jumped around and sang along and stuff. It was cool. As well as
:42:45. > :42:49.being a musician you are an actor, you are in Game of Thrones do you
:42:50. > :42:53.find people are coming to it first because of the acting or because the
:42:54. > :42:55.tunes are good? Maybe. I think there are some people who don't realise
:42:56. > :43:01.and then they realise after the fact. I think there are also some
:43:02. > :43:08.people that are kind of sceptical. But be, I haven't really had any
:43:09. > :43:14.negative reactions. I don't have that view on it. I
:43:15. > :43:17.don't think anyone who is in Game of Thrones could get a negative
:43:18. > :43:23.reaction. It must be so cool to be in a show that's so well-loved and
:43:24. > :43:27.massive. It is pretty cool. What is it like on set? Do you prefer being
:43:28. > :43:32.on set or in front of a crowd, singing? I prefer to be doing this.
:43:33. > :43:41.This is like - I kind of lose myself a little bit. At the same time, it
:43:42. > :43:44.is me. It is like screaming into a pillow, therapeutic. Thank you for
:43:45. > :43:48.performing for us. Right now, back to the Radio 1 NME stage for the
:43:49. > :44:34.Horrors with some strobing. # Waiting,
:44:35. > :44:46.watching it happening # Things are the way they have to
:44:47. > :44:58.be # Still
:44:59. > :45:10.life, you know I'm listening. # The moment that you want is coming
:45:11. > :45:18.if you give it time # When you wake
:45:19. > :45:20.up, when you wake up, # When you wake up,
:45:21. > :45:35.when you wake up # Yourself appears in
:45:36. > :45:59.front of me # The moment that you want is coming
:46:00. > :46:25.if you give it time # When you wake
:46:26. > :46:28.up, when you wake up, # When you wake up,
:46:29. > :46:40.when you wake up # When you wake up,
:46:41. > :47:14.when you wake up # When you wake up,
:47:15. > :47:29.when you wake up # When you wake up,
:47:30. > :47:36.when you wake up # When you wake up,
:47:37. > :47:50.when you wake up # When you wake up,
:47:51. > :47:58.when you wake up # When you wake up,
:47:59. > :49:05.when you wake up There will be more from them later.
:49:06. > :49:19.The most underrated band it the festival, I would say. Brilliant.
:49:20. > :49:25.Lots in from Raleigh Ritchie. "Are you kidding me, I didn't recognise
:49:26. > :49:30.him?" Incredible to see him. It has been an amazing weekend. Let's look
:49:31. > :49:34.back on a few memories. I'm out and about on the final Dave
:49:35. > :49:37.Reading 2000146789 an amazing weekend. It is not over yet. --
:49:38. > :49:41.2014. I'm going to chat to some fans and
:49:42. > :49:46.see what they have learned this weekend. What are the Reading
:49:47. > :49:51.survival tips? Wet wipes. Lots of baby wipes. Warm clothes are key.
:49:52. > :49:55.Wear shoes, if you get stood on, you are not going to get your feet
:49:56. > :50:00.crushed. Make sure you keep your place at the barrier at all costs.
:50:01. > :50:07.We have been through eight cans of dry shampoo. My hair is greasy. Now
:50:08. > :50:18.we are just embracing the dirt. What has been been the best moment?
:50:19. > :50:25.The mobPitts. Over on the MNE stage - awesome. We got to see Jake Bugg
:50:26. > :50:32.yesterday. The best. I love that guy. On Friday we couldn't believe
:50:33. > :50:38.how good it was. The Arctic Monkeys My highlight was the Arctic Monkeys,
:50:39. > :50:45.I cried through the set. Paramo wrecks set. My best bit was Jamie T
:50:46. > :50:51.When he was the surprised act, it was pretty cool. -- Parmor.
:50:52. > :50:57.What are you learned this weekend? Watch out for tent pegs. #i6 fallen
:50:58. > :51:05.over four or five. They are a very loud, lively bunch of people.
:51:06. > :51:14.Is Only at a festival will you meet randomers? Is there any one moment?
:51:15. > :51:18.The mobbing and -- the moshing and last night he had an accident. I'm
:51:19. > :51:25.on honeymoon, I don't think I will ever forget it. Did you ask those
:51:26. > :51:33.kids to do that pose? 100%. I bet his mate will be chuffed he had an
:51:34. > :51:41.accident. I told you that. He didn't reveal that. It was that guys bottom
:51:42. > :51:48.accident? What was your highlight? Arctic Monkeys for me. Queens of the
:51:49. > :51:55.Stone am age on Friday. It didn't have the passion of biffy
:51:56. > :51:57.last year. Here is a song from last night, with
:51:58. > :53:00.some strobing. # Are you mine
:53:01. > :53:04.# I guess what I'm trying to say # I wished away
:53:05. > :53:07.# Entire lifetimes # Someone business behaving
:53:08. > :53:08.# For days # Someone business behaving
:53:09. > :53:15.# Time # Are you mine
:53:16. > :53:31.# I go crazy # Well are you mine
:53:32. > :54:03.# Well are you mine so in case
:54:04. > :54:14.# I just want to hear you say you've go the me baby, are you mine
:54:15. > :54:21.# She's a silver lining, lone ranger riding
:54:22. > :54:28.# Through an open space in my mind when she's not right there beside me
:54:29. > :54:32.# I go crazy cause here isn't where I want to be
:54:33. > :54:35.# And satisfaction feels like a distant memory
:54:36. > :54:42.# And I can't help myself # All I want to hear her say is' are
:54:43. > :54:58.you mine' # Well, are you mine are you mine
:54:59. > :55:02.# are you mine Are you mine tomorrow or just mine tonight #
:55:03. > :56:13.CHEERING AND APPLAUSE # She's a silver lining
:56:14. > :56:26.# A lone ranger riding # Through an open space
:56:27. > :56:30.# In my mind when she's in the right there beside me
:56:31. > :56:34.# I go crazy cause here isn't where I want to be
:56:35. > :56:36.# And satisfaction feels like a distant memory
:56:37. > :56:43.# And I can't help myself # All I want to hear her say is
:56:44. > :56:50.# Are you mine? Well, are you mine Are you mine tomorrow
:56:51. > :57:05.# Are you mine # Or just tonight
:57:06. > :57:11.# Are you mine # CHEERING AND APPLAUSE
:57:12. > :57:15.So cool, so confident. Arctic Monkeys headlining the main stage
:57:16. > :57:20.last night. The confidence is unbelievable. They have always been
:57:21. > :57:25.confident but when you go back to when they were first on the scene,
:57:26. > :57:29.him with his long hair ascally, now look at him, the transformation is
:57:30. > :57:34.brilliant. What a great way it finish, Saturday night. Last night,
:57:35. > :57:39.tonight it is all about blink 182 and Disclosure as well. Loads to
:57:40. > :57:48.catch up with, as well. We have Blink and Disclosure at 11. 45pm on
:57:49. > :57:52.BBC 3. On the Red Button now, Jungle and The Horrors. If you want to
:57:53. > :58:00.catch up with anything, you can go online. We will see you back here at
:58:01. > :58:01.11. 45pm, with Blink hop 82 and Disclosure. Come back.