0:00:03 > 0:00:07Hello and welcome to a special Easter Sunday Songs Of Praise.
0:00:07 > 0:00:10I am in Poole in Dorset, to go behind the scenes
0:00:10 > 0:00:13of the town's community Passion play,
0:00:13 > 0:00:15to discover how it is having a meaningful and lasting effect
0:00:15 > 0:00:18on the lives of some of its actors.
0:00:18 > 0:00:22I have seen the Lord! Don't be sad. He came back for us.
0:00:22 > 0:00:24'I had lost a lot of my self-confidence,
0:00:24 > 0:00:27'but Poole Passion really helped me'
0:00:27 > 0:00:29to find that again.
0:00:29 > 0:00:32I'll be meeting a pastor from war-torn Syria,
0:00:32 > 0:00:36to find out why he'll be returning to his ministry there,
0:00:36 > 0:00:38in spite of the war.
0:00:38 > 0:00:40I want to serve the church back home
0:00:40 > 0:00:43and I want Christians to know what's going on.
0:00:45 > 0:00:47And David is in Oxford,
0:00:47 > 0:00:51to rediscover the long-lost tradition of carols at Easter.
0:00:51 > 0:00:54SINGING IN LATIN
0:01:06 > 0:01:08And as well as a wonderful mix of music,
0:01:08 > 0:01:11including a familiar carol for Easter,
0:01:11 > 0:01:14I'll also bring you details of how you can get involved
0:01:14 > 0:01:17with our Gospel Choir Of The Year competition.
0:01:17 > 0:01:19But we start in Birmingham,
0:01:19 > 0:01:21recalling what happened
0:01:21 > 0:01:24on the morning of the first Easter day -
0:01:24 > 0:01:25Christ's resurrection -
0:01:25 > 0:01:28celebrated in a great song from the writing team
0:01:28 > 0:01:30of Stuart Townend and Keith Getty.
0:01:34 > 0:01:37CONGREGATION SINGS
0:02:14 > 0:02:17WOMEN SING
0:02:24 > 0:02:26MEN SING
0:02:33 > 0:02:36ALL SING
0:04:00 > 0:04:03Since medieval times, the Passion play,
0:04:03 > 0:04:06depicting the last days in the life of Christ,
0:04:06 > 0:04:10has been at the heart of Easter worship for millions of Christians,
0:04:10 > 0:04:11and here in Poole,
0:04:11 > 0:04:14people from all walks of life have come together
0:04:14 > 0:04:18to produce their own community Passion play.
0:04:18 > 0:04:21One, two, three...and action.
0:04:23 > 0:04:24I'm Jamie Derrick, I'm 35,
0:04:24 > 0:04:27I play the role of Marcus, who captures Jesus.
0:04:27 > 0:04:29I will tell you a story,
0:04:29 > 0:04:31- but you're going to have to help me.- Yes?
0:04:31 > 0:04:34'My name is Faustine. I'm 39.
0:04:34 > 0:04:36'I am originally from France,'
0:04:36 > 0:04:38but now I live in Bournemouth
0:04:38 > 0:04:40and I am playing the part of Mary Magdalene.
0:04:40 > 0:04:43Reaching out to people from all parts of community
0:04:43 > 0:04:45has been at the heart of the Poole Passion
0:04:45 > 0:04:48since it began in 2009.
0:04:48 > 0:04:52It is the brainchild of director and drama professional Sharon Coyne.
0:04:53 > 0:04:57Can we wind back to when you say Magdalene is a great speaker?
0:04:57 > 0:05:00'I was up in London and I saw an exhibition'
0:05:00 > 0:05:02and I was so inspired by it,
0:05:02 > 0:05:04because it was the Passion,
0:05:04 > 0:05:07and it was slow, moving actors
0:05:07 > 0:05:11in modern-day costume and I thought, "We could do that.
0:05:11 > 0:05:14"That is something we could do down here in Poole."
0:05:14 > 0:05:17So just explain how it's grown over the years.
0:05:17 > 0:05:21Well, it started as, supposedly, a one-off of two nights,
0:05:21 > 0:05:26with a cast of about, maybe, 30 to 40
0:05:26 > 0:05:29and now, it has grown to five nights
0:05:29 > 0:05:32and a full company of about 100.
0:05:34 > 0:05:36The cast is made up of people
0:05:36 > 0:05:39from a wide variety of very different backgrounds and ages,
0:05:39 > 0:05:41with actors ranging from seven years old
0:05:41 > 0:05:43right up to 80.
0:05:44 > 0:05:48While teaching drama in a local rehab centre,
0:05:48 > 0:05:50Sharon met recovering addict Jamie.
0:05:51 > 0:05:54I started using drugs and alcohol around the age of 12,
0:05:54 > 0:05:57started off just smoking marijuana, cannabis,
0:05:57 > 0:05:58and then it progressed.
0:05:58 > 0:06:01I was also quite excessively drinking.
0:06:01 > 0:06:04It, kind of, gradually got worse and it spiralled out of control.
0:06:06 > 0:06:08Two years ago, Sharon invited Jamie
0:06:08 > 0:06:11to become a cast member for the Poole Passion
0:06:11 > 0:06:12and he's never looked back.
0:06:14 > 0:06:18When I first done in the play, I didn't have much confidence,
0:06:18 > 0:06:21so it was, like, quite a big boost of confidence
0:06:21 > 0:06:24and it is working with a lot of people from the community,
0:06:24 > 0:06:28which was really important, as well, because I felt part of something.
0:06:28 > 0:06:30Somebody help me!
0:06:30 > 0:06:32Faustine has played the part of Mary Magdalene
0:06:32 > 0:06:36ever since the production began seven years ago
0:06:36 > 0:06:39and getting involved has had a major impact on her life.
0:06:39 > 0:06:43They have taken my Lord out of the tomb. Please...
0:06:43 > 0:06:47'I became quite disabled, became a recluse.'
0:06:47 > 0:06:50So Sharon decided to get me involved,
0:06:50 > 0:06:52to see if that could help me to get out of my shell.
0:06:52 > 0:06:56'I had lost a lot of my self-confidence,
0:06:56 > 0:07:00'but Poole Passion really helped me to find that again.'
0:07:01 > 0:07:05Some people have actively said, "Oh, I don't act, I can't do it."
0:07:05 > 0:07:07And yet, here they are,
0:07:07 > 0:07:10finding a voice and working together.
0:07:10 > 0:07:13They are courageous, I think,
0:07:13 > 0:07:16to stand in front of people in a costume and speak.
0:07:16 > 0:07:18WOMAN SINGING
0:07:18 > 0:07:21Since the start, Sharon has been striving
0:07:21 > 0:07:24to make the Poole Passion relevant and ground-breaking.
0:07:24 > 0:07:27Every time that we've done it, this will be our fifth production,
0:07:27 > 0:07:30we have changed the role of Jesus.
0:07:30 > 0:07:34So, so far, we have had a woman Jesus,
0:07:34 > 0:07:37we have had a Nigerian Jesus,
0:07:37 > 0:07:40we've got an Irish Jesus this time,
0:07:40 > 0:07:41and we have changed it,
0:07:41 > 0:07:44and that makes people look at the play differently.
0:07:44 > 0:07:48As the production prepares for the first night,
0:07:48 > 0:07:50cast members like Faustine and Jamie
0:07:50 > 0:07:54are grateful for the way the play has helped turn their lives around.
0:07:54 > 0:07:58I feel a lot of parallels with the story of the Roman guard
0:07:58 > 0:08:00who is, kind of, this brutal man,
0:08:00 > 0:08:03but Jesus got down and healed him,
0:08:03 > 0:08:06and I feel like that is what has happened to me.
0:08:06 > 0:08:08Later in the programme, I'll see first-hand
0:08:08 > 0:08:11how Sharon and the cast's first big night performance
0:08:11 > 0:08:13of the Poole Passion turns out.
0:08:13 > 0:08:15It is just very scary!
0:08:15 > 0:08:17SHE LAUGHS NERVOUSLY
0:08:22 > 0:08:24CONGREGATION SINGS
0:08:54 > 0:08:56MEN SING
0:09:04 > 0:09:06ALL SING
0:09:27 > 0:09:30WOMEN SING
0:09:37 > 0:09:40ALL SING
0:10:38 > 0:10:41Lord Enthroned In Heavenly Splendour,
0:10:41 > 0:10:45written back in their 19th century, but with that classic timeless feel
0:10:45 > 0:10:49of many of our great Easter hymns and, down the years,
0:10:49 > 0:10:54the Easter message has been set to a whole variety of styles of music,
0:10:54 > 0:10:57some of which have been lost in the mists of time.
0:10:57 > 0:11:00And so, in search of those old musical treasures,
0:11:00 > 0:11:03David has gone to a very old city, to find out more.
0:11:03 > 0:11:06# Ding-dong merrily on high... #
0:11:06 > 0:11:09Oxford, the City of Dreaming Spires -
0:11:09 > 0:11:11the perfect place to delve into history
0:11:11 > 0:11:14and to enjoy some carol singing.
0:11:14 > 0:11:15NEEDLE SCRATCHES
0:11:15 > 0:11:16No, not that kind of carol.
0:11:16 > 0:11:19There isn't a shepherd, wise man or a baby in sight.
0:11:19 > 0:11:21I've come here to rediscover
0:11:21 > 0:11:23the lost tradition of carols for Easter.
0:11:26 > 0:11:28Carols are actually songs of celebration
0:11:28 > 0:11:30dating back to medieval times
0:11:30 > 0:11:33and some were written specifically for Easter.
0:11:33 > 0:11:36'I have come to Oxford's famous Bodleian Library
0:11:36 > 0:11:39'to meet historian Dr Eleanor Parker, to find out more.'
0:11:39 > 0:11:41Eleanor, when I think of carols,
0:11:41 > 0:11:43I think of O Little Town Of Bethlehem, Away In A Manger -
0:11:43 > 0:11:45I think of Christmas. But originally,
0:11:45 > 0:11:48carols weren't just for Christmas, you're saying, right?
0:11:48 > 0:11:51That's right. Carols can be sung all year round and in the Middle Ages,
0:11:51 > 0:11:53people would sing carols on any occasion
0:11:53 > 0:11:55where they got together to celebrate something.
0:11:55 > 0:11:57But if carols aren't Christmas songs,
0:11:57 > 0:11:59what is a carol?
0:11:59 > 0:12:02Well, originally, the word would refer to dancing,
0:12:02 > 0:12:04so it comes from the idea of dancing in a ring
0:12:04 > 0:12:08and the songs that people sang as they danced would be called carols.
0:12:08 > 0:12:11And what form did they take? What were they like?
0:12:11 > 0:12:14Well, we actually have an example and I can show you one right now.
0:12:14 > 0:12:15Oh, wow. Yes, please.
0:12:20 > 0:12:23So, what we have got here is a Medieval Latin song.
0:12:23 > 0:12:24What is it about?
0:12:24 > 0:12:27It is really about the season of spring
0:12:27 > 0:12:29and it talks about how, in spring,
0:12:29 > 0:12:32things get warmer and the birds start to sing,
0:12:32 > 0:12:34flowers reappear on the Earth,
0:12:34 > 0:12:37and it talks about all these things as a reflection
0:12:37 > 0:12:38of the creative power of God.
0:12:38 > 0:12:41So why did people stop singing them?
0:12:41 > 0:12:43Why did Easter carols go out of fashion?
0:12:43 > 0:12:47One of the reasons is that the main occasions for singing them
0:12:47 > 0:12:49just, kind of, died out, as society changed,
0:12:49 > 0:12:53but another one might be that carols could sometimes be a bit subversive,
0:12:53 > 0:12:55because they could be sung by anyone.
0:12:55 > 0:12:59Authorities didn't always like people singing carols
0:12:59 > 0:13:01and tried to stamp it out a bit.
0:13:01 > 0:13:02So, were there protest carols?
0:13:02 > 0:13:04There were political and satirical carols,
0:13:04 > 0:13:08making fun of the rich or criticising social inequality.
0:13:08 > 0:13:11But they did keep being sung for quite a long time
0:13:11 > 0:13:14in folk tradition, even as late as the 19th or 20th century.
0:13:19 > 0:13:23To hear what our Easter carol sounds like in its original Latin,
0:13:23 > 0:13:26we have invited young musicians who specialise in early music
0:13:26 > 0:13:29to the majestic hall of New College.
0:13:29 > 0:13:31THEY PLAY TRADITIONAL TUNE
0:13:37 > 0:13:40THEY SING IN LATIN
0:13:49 > 0:13:53Eleanor, how does it feel to hear this music
0:13:53 > 0:13:55in this place?
0:13:55 > 0:13:57It's really lovely. I mean, this is just the kind of place
0:13:57 > 0:14:00where carols would have been sung in medieval Oxford,
0:14:00 > 0:14:02so it is really, really nice to hear it.
0:14:05 > 0:14:07Now, I have got the English lyrics,
0:14:07 > 0:14:09I can really see what you were saying
0:14:09 > 0:14:13about them speaking about spring and what it is like,
0:14:13 > 0:14:14and then speaking about God
0:14:14 > 0:14:16and weaving it all...
0:14:16 > 0:14:17Is this quite typical
0:14:17 > 0:14:20of the way that people used to write
0:14:20 > 0:14:21in this period?
0:14:21 > 0:14:24Yeah, medieval poets really loved writing about the spring
0:14:24 > 0:14:27and they liked seeing the signs of God in the natural world
0:14:27 > 0:14:29and, of course, the new life that comes
0:14:29 > 0:14:32with the resurrection of Christ at Easter is reflected
0:14:32 > 0:14:35in the new life that we see in the signs of the world around us.
0:14:42 > 0:14:44And now a French traditional carol,
0:14:44 > 0:14:46which is perfectly suited for springtime
0:14:46 > 0:14:47and the resurrection.
0:14:47 > 0:14:51CONGREGATION AND CHOIR SING
0:16:30 > 0:16:32MEN SING
0:16:45 > 0:16:48ALL SING
0:17:02 > 0:17:04CHOIR SINGS
0:17:18 > 0:17:20Well, I love carols, so it is nice to think
0:17:20 > 0:17:23we are allowed to sing them twice a year.
0:17:23 > 0:17:25And singing is right at the heart
0:17:25 > 0:17:28of our Gospel Choir Of The Year competition,
0:17:28 > 0:17:30so if your choir is thinking of entering,
0:17:30 > 0:17:35do it now, because this year's competition closes on May 1st.
0:17:35 > 0:17:39You can get all the details and the terms and conditions that you need
0:17:39 > 0:17:45on our website...
0:17:45 > 0:17:47To whet your appetite, here is a performance
0:17:47 > 0:17:49from one of last year's finalists.
0:17:51 > 0:17:55# Why do you cry?
0:17:57 > 0:18:02# He has risen
0:18:03 > 0:18:06# Why are you weeping?
0:18:08 > 0:18:12# He's not dead
0:18:12 > 0:18:16# He paid it all
0:18:17 > 0:18:24# On that lonely highway
0:18:24 > 0:18:28# And his anointing
0:18:28 > 0:18:33# I can feel
0:18:33 > 0:18:37# He shed his blood
0:18:37 > 0:18:38# Ohh, ohh, ohh
0:18:38 > 0:18:42# For my transgressions
0:18:42 > 0:18:45# Ohh, ohh, ohh
0:18:45 > 0:18:47# And by his stripes
0:18:49 > 0:18:54# We are healed
0:18:54 > 0:18:59# So, as you go
0:18:59 > 0:19:06# Through life's journey
0:19:06 > 0:19:09# Don't you worry
0:19:09 > 0:19:15# Lift up your head
0:19:15 > 0:19:18# Don't you cry
0:19:18 > 0:19:21# Ohh, ohh, ohh
0:19:21 > 0:19:23# Stop your weeping
0:19:23 > 0:19:26# Ohh, ohh, ohh
0:19:26 > 0:19:31# He has risen
0:19:31 > 0:19:35# He's not dead
0:19:37 > 0:19:41# Whoa, don't...cry
0:19:43 > 0:19:48# Wipe...your eyes
0:19:48 > 0:19:56# He's...not...dead
0:19:56 > 0:19:59# Whoa, whoa, whoa, whoa
0:19:59 > 0:20:04# Don't...cry
0:20:04 > 0:20:09# Wipe your eyes
0:20:09 > 0:20:15# He's not...
0:20:15 > 0:20:25# Dead. #
0:20:25 > 0:20:28APPLAUSE
0:20:38 > 0:20:42This week's attacks in Brussels have been a stark reminder
0:20:42 > 0:20:47of the long shadow of terrorism that exists in our world today.
0:20:50 > 0:20:54Fortunately, such attacks are not part of OUR daily lives,
0:20:54 > 0:20:56but the same is not true for many Syrians,
0:20:56 > 0:21:00who are desperate to escape violence and flee the country.
0:21:00 > 0:21:04But there is one Syrian Christian who has been visiting Britain
0:21:04 > 0:21:06with no wish to stay here.
0:21:06 > 0:21:09He feels that his ministry is to be alongside
0:21:09 > 0:21:11those who are caught in the midst of conflict.
0:21:11 > 0:21:13Josie has been to the New Life Centre
0:21:13 > 0:21:16in Northallerton in North Yorkshire, to meet him.
0:21:16 > 0:21:17There is very little
0:21:17 > 0:21:20good news coming out of Syria at the moment,
0:21:20 > 0:21:23but for some people there, suffering the ravages of war,
0:21:23 > 0:21:25hope and comfort come in the form
0:21:25 > 0:21:28of Pastor Edward Awabdeh.
0:21:28 > 0:21:31He is in the UK to meet the Christian charity
0:21:31 > 0:21:32that helps support him.
0:21:32 > 0:21:35We never thought that Syria
0:21:35 > 0:21:41will plunge into such depths of darkness and killing.
0:21:41 > 0:21:47Of course, Damascus is a city that plays a big part in the Bible.
0:21:47 > 0:21:51What is the climate like there for Christians at the moment?
0:21:51 > 0:21:57The risk they go through is a risk on everybody who lives in Damascus.
0:21:57 > 0:22:01Everything you rely on, you just lost.
0:22:01 > 0:22:04Everything that was a priority in your life,
0:22:04 > 0:22:07you find out that it's lost its value completely.
0:22:09 > 0:22:11We go through some risky days
0:22:11 > 0:22:15with random shelling from around Damascus
0:22:15 > 0:22:17and that is very scary,
0:22:17 > 0:22:20because you cannot guess where this bomb will fall on.
0:22:27 > 0:22:33But any area that is threatened by the extremist Islamists,
0:22:33 > 0:22:38like Isis, Jabhat al-Nusra and others, they are very intolerant,
0:22:38 > 0:22:42to the degree that you deserve to be killed, if you're not like them.
0:22:45 > 0:22:48It is so sad to see people
0:22:48 > 0:22:52who want to take everything out, everything Christian.
0:22:52 > 0:22:55What is your message for those of us here?
0:22:55 > 0:22:59I want to tell the people of the whole world
0:22:59 > 0:23:01that evil is real.
0:23:01 > 0:23:04We can touch it every day.
0:23:04 > 0:23:09But Jesus and his victory is real also,
0:23:09 > 0:23:12and you can experience that every day.
0:23:13 > 0:23:17And one such triumph in the face of evil is the painful story
0:23:17 > 0:23:21of a teenage boy's sacrifice, in order to stay true to his faith.
0:23:23 > 0:23:30He knew that this town was taken by Jabhat al-Nusra.
0:23:30 > 0:23:32And he was expecting, the whole family,
0:23:32 > 0:23:36expecting that they might kill this son.
0:23:36 > 0:23:39They tried to protect him,
0:23:39 > 0:23:44to give him a false ID or something like that,
0:23:44 > 0:23:46but he rejected, his mother said.
0:23:46 > 0:23:52He said, "No, Jesus said if you deny me before man,
0:23:52 > 0:23:55"I will deny you before my Father in Heaven."
0:23:55 > 0:23:57And this is what happened.
0:23:57 > 0:23:59They asked him to deny Jesus
0:23:59 > 0:24:06and he said, "I want to be faithful to my Lord and Saviour."
0:24:06 > 0:24:08And they killed him right away.
0:24:08 > 0:24:13This is the age of martyrdom.
0:24:13 > 0:24:16In terms of going back to Syria, which you are doing very shortly,
0:24:16 > 0:24:19what are your feelings about returning?
0:24:19 > 0:24:22I can't wait.
0:24:23 > 0:24:27We feel that we are living a divine, meaningful life.
0:24:27 > 0:24:33We are so blessed to be the heart of Jesus for the broken-hearted
0:24:33 > 0:24:38and for the crushed and for people who are suffering at such a time.
0:24:38 > 0:24:43I would have not preferred to be anywhere else in the Earth
0:24:43 > 0:24:44at such a time.
0:24:50 > 0:24:52CONGREGATION SINGS
0:25:41 > 0:25:44MEN SING
0:26:04 > 0:26:07WOMEN SING
0:26:37 > 0:26:40ALL SING
0:27:31 > 0:27:34The one who has dipped his hand into the bowl with me
0:27:34 > 0:27:36will be the one to betray me.
0:27:36 > 0:27:39In Dorset, the early scenes of the Poole Passion
0:27:39 > 0:27:40are being played out.
0:27:40 > 0:27:42Judas, what are you saying?
0:27:42 > 0:27:46After seven months of painstaking preparations and rehearsals,
0:27:46 > 0:27:49tonight is the first of five performances.
0:27:49 > 0:27:52We have worked so hard to put this play together
0:27:52 > 0:27:54and we are just ready, now,
0:27:54 > 0:27:56to share this piece of work.
0:27:56 > 0:28:03The King of the Jews, Your Majesty(!)
0:28:03 > 0:28:05The productions moves across two churches,
0:28:05 > 0:28:10with a street procession of Jesus being led to his crucifixion.
0:28:10 > 0:28:12Come on, Jesus!
0:28:12 > 0:28:14Playing Jesus is an amazing privilege.
0:28:14 > 0:28:18You know, it's a... a fantastic emotional journey.
0:28:18 > 0:28:21It has given me a, sort of, greater understanding,
0:28:21 > 0:28:24in my own particular faith and beliefs,
0:28:24 > 0:28:26especially with the message
0:28:26 > 0:28:32of love, compassion, forgiveness and tolerance to all mankind.
0:28:36 > 0:28:39The Passion play being told in this way, in this community,
0:28:39 > 0:28:41makes it real, makes it relevant.
0:28:41 > 0:28:45It allows people to engage in an emotional way,
0:28:45 > 0:28:48and it really reaches deep inside us, at some level
0:28:48 > 0:28:51we perhaps really can't fully understand.
0:28:51 > 0:28:55Magdalene says that she was lost, that she was troubled
0:28:55 > 0:28:58and that, when she met Jesus,
0:28:58 > 0:29:00she found a new way of life.
0:29:00 > 0:29:06And for me, finding the Passion play gave me a new way of life.
0:29:06 > 0:29:10Do not touch me, Mary. Do not hang on to me.
0:29:10 > 0:29:12You have to let me go.
0:29:12 > 0:29:15The play culminates with the scene of the resurrection.
0:29:15 > 0:29:19I have seen the Lord! Don't be sad. He came back for us.
0:29:19 > 0:29:23For Sharon, this part of the story is the lynchpin
0:29:23 > 0:29:25of every Christian's faith.
0:29:25 > 0:29:27This is the message.
0:29:27 > 0:29:32If it had ended, if the resurrection hadn't happened,
0:29:32 > 0:29:35we definitely wouldn't be telling the story today.
0:29:35 > 0:29:37We would be lost.
0:29:37 > 0:29:41# Still be thou my vision... #
0:29:41 > 0:29:46It is because there is hope
0:29:46 > 0:29:49that Jesus did come back from the dead
0:29:49 > 0:29:53that is a very powerful and key message
0:29:53 > 0:29:55for Christians all over the world.
0:29:55 > 0:29:58APPLAUSE
0:29:58 > 0:30:01Jesus is for now. He is for everybody now.
0:30:01 > 0:30:04He died for all of us 2,000 years ago.
0:30:04 > 0:30:06It's just as relevant now as it was then.
0:30:06 > 0:30:07I have done two, now.
0:30:07 > 0:30:11I am not well enough to do any more. This is my last, I am sorry to say.
0:30:11 > 0:30:13So it was quite emotional for you.
0:30:13 > 0:30:17Well, I can't tell you how emotional it is been. I'm breaking up, now.
0:30:17 > 0:30:21It is spiritual and you feel moved,
0:30:21 > 0:30:25and I think we all feel moved inside, when we do it.
0:30:25 > 0:30:27APPLAUSE
0:30:30 > 0:30:34Well, we end the programme today, of course,
0:30:34 > 0:30:37remembering the victims of those attacks in Brussels this week,
0:30:37 > 0:30:41but also remembering that the message of Christ's resurrection,
0:30:41 > 0:30:44especially on this most important day
0:30:44 > 0:30:46in the Christian calendar, is hope.
0:30:46 > 0:30:47So, wherever you are,
0:30:47 > 0:30:50I wish you a safe and a peaceful Easter.
0:30:55 > 0:30:57CONGREGATION SINGS
0:31:47 > 0:31:50MEN SING
0:32:05 > 0:32:08WOMEN SING
0:32:22 > 0:32:25ALL SING