:01:47. > :01:53.T is for... Tunes. Trilby. Tremendous. Taxidermy. Tenacity.
:01:53. > :02:00.Tantamount brilliance. Torrential. T is for touch. Tulips. Therapy
:02:00. > :02:10.Tattoo. T is for tatties. T for T In The Park. T is for T in the Park
:02:10. > :02:19.
:02:19. > :02:23.Hello BBC Scotland and welcome back to T In The Park. We have loads to
:02:23. > :02:33.cram into this 45 minutes. KT Tunstall will pop in for a chat. We
:02:33. > :02:43.
:02:43. > :02:53.have live music from the Phantom This programme may contain strong
:02:53. > :02:53.
:02:53. > :04:41.Apology for the loss of subtitles for 107 seconds
:04:41. > :04:46.And there's still more to come. Let's not waste any more time and
:04:46. > :04:49.get across to the main stage to your final headliners for T In The
:04:49. > :04:59.Park. A bit of strobing in this and a bit of strong language. This is
:04:59. > :04:59.
:04:59. > :05:41.Apology for the loss of subtitles for 107 seconds
:05:41. > :05:51.# I've seen your face in another life
:05:51. > :05:56.
:05:56. > :06:02.# Why did you have to go and let it # Why did you have to go and let it
:06:02. > :06:12.# In too deep and out of time # Why did you have to go and let it
:06:12. > :06:22.
:06:22. > :06:32.die? # Simple man and his blushing bride
:06:32. > :06:35.# Intervenous, intertwined # Hearts gone cold, your hands were
:06:35. > :06:39.tied # Why did you have to go and let it
:06:39. > :06:43.die? # Why did you have to go and let it
:06:43. > :06:50.die? # Why did you have to go and let it
:06:50. > :06:54.die? # In too deep and out of time
:06:54. > :07:01.# Why did you have to go and let it die?
:07:01. > :07:10.# Did you ever think of me? # You're so considerate.
:07:10. > :07:16.# Did you ever think of me? # Oh, so considerate.
:07:16. > :07:19.# In too deep and lost in time # Why did you have to go and let it
:07:19. > :07:22.die? # Beautiful vains and blood shot
:07:22. > :07:27.eyes # Why did you have to go and let it
:07:27. > :07:31.die? # Hearts gone cold and hands were
:07:31. > :07:34.tied # Why did you have to go, let it
:07:34. > :07:44.die? # Why did you have to go, let it
:07:44. > :07:57.
:07:57. > :08:04.# Did you ever think of me? # You're so considerate
:08:04. > :08:12.# Did you ever think of me? # Oh, so considerate
:08:12. > :08:14.# In too deep and lost in time # Why did you have to go and let it
:08:14. > :08:16.die? # Beautiful veins and blood shot
:08:16. > :08:21.eyes # Why did you have to go and let it
:08:21. > :08:23.die? # Hearts gone cold and hands were
:08:23. > :08:29.tied # Why did you have to go and let it
:08:30. > :08:39.die? # Why did you have to go and let it
:08:40. > :08:40.
:08:40. > :08:49.die? # Whoa let this die.
:08:49. > :08:58.# Why did you let this die? # Why did you have to go and let
:08:58. > :09:08.this die? # Why did you let it die? #
:09:08. > :09:34.
:09:34. > :09:44.I'm going to dedicate this song to a friend who lost a friend. This
:09:44. > :09:45.
:09:45. > :09:55.one goes out to my friend Lemmy from Motorhead. Because my good
:09:55. > :10:00.friend Lemmy lost a good friend of his today, a guy, who you might not
:10:00. > :10:10.know, but any friend of Lemmy is a friend of mine. So this one goes
:10:10. > :10:23.
:10:23. > :10:33.# The ground Will drop out from # Your heart will stop
:10:33. > :10:33.
:10:33. > :11:46.Apology for the loss of subtitles for 107 seconds
:11:46. > :11:56.# The clocks will stop # I'll bet, I'll bet
:11:56. > :12:14.
:12:14. > :12:24.# Your eyes will close # You will forget to hope
:12:24. > :12:24.
:12:24. > :13:57.Apology for the loss of subtitles for 107 seconds
:13:57. > :14:07.# I'll bet, I'll bet # Your heart will stop
:14:07. > :14:07.
:14:07. > :15:14.Apology for the loss of subtitles for 107 seconds
:15:14. > :15:21.# I'll bet, I'll bet Thank you. Thanks Alan. You're the
:15:21. > :15:26.best locking guitar tech in the whole world.
:15:26. > :15:30.And he's from Scotland, too! CHEERING
:15:30. > :15:36.Everybody knows the best techs are from Scotland.
:15:36. > :15:45.They are. There's a lot of you too. You don't have locking colleges
:15:45. > :15:55.here? BOO Oh, come on! I locking dropped out
:15:55. > :15:58.
:15:58. > :16:04.of high school, look at me! College, smollege, teach you a bunch of shit.
:16:04. > :16:06.We might not need to know. No-one ever taught me how to do this.
:16:06. > :16:16.# I've got another confession # Everyone's got their chains
:16:16. > :16:20.
:16:20. > :16:22.# Is someone getting the best # The best, the best
:16:22. > :16:24.# Is someone getting the best the best
:16:24. > :16:26.# The best, the best the best of you?
:16:26. > :16:30.# Is someone getting the best
:16:30. > :16:37.# The best, the best the best of you?
:16:37. > :16:42.# Are you gone in onto someone new?
:16:43. > :16:46.# I needed somewhere to hang my head
:16:46. > :16:49.# Without your noose
:16:49. > :16:53.# You gave me something that I didn't have
:16:53. > :16:56.# But had no use
:16:56. > :16:59.# I was too weak to give in
:16:59. > :17:03.# Too strong to lose
:17:03. > :17:06.# My heart is under arrest again
:17:07. > :17:10.# But I break loose
:17:10. > :17:14.# My head is giving me life or death
:17:14. > :17:18.# But I can't choose
:17:18. > :17:21.# I swear I'll never give in
:17:21. > :17:26.# No, I refuse
:17:26. > :17:32.# Is someone getting the bestthe best, the best, the best of you?
:17:32. > :17:40.# Is someone getting the bestthe best, the best, the best of you?
:17:40. > :17:42.# Has someone taken your faith?
:17:42. > :17:44.# It's real, the pain you feel
:17:44. > :17:48.# Your trust, you must confess
:17:48. > :17:54.# Is someone getting the bestthe best, the best, the best of you?
:17:54. > :18:04.# Ow, ow!
:18:04. > :18:11.
:18:11. > :18:17.# Has someone taken your faith?
:18:17. > :18:24.# Ow, ow!
:18:24. > :18:25.# Has someone taken your faith?
:18:25. > :18:27.# It's real, the pain you feel
:18:27. > :18:31.# The life, the love you'd die to heal
:18:31. > :18:35.# The hope that starts the broken hearts
:18:35. > :18:39.# Your trust, you must confess
:18:39. > :18:45.# Is someone getting the bestthe best, the best, the best of you?
:18:45. > :18:53.# Is someone getting the bestthe best, the best, the best of you?
:18:53. > :19:03.# Well, I've got another confession my friend
:19:03. > :19:42.
:19:42. > :19:48.# Ow, ow!
:19:48. > :19:51.# Ow, ow!
:19:51. > :20:01.# Ow, ow!
:20:01. > :20:20.
:20:20. > :20:25.# I've got another confession to make Thank you, good night. Oh, how
:20:25. > :20:30.does he do that. If you want to see more, we're showing the entire set
:20:30. > :20:35.on BBC Three at 10.45. BBC introducing is about unsigned,
:20:35. > :20:40.under the radar musicians, the chance to get on a stage at a big
:20:40. > :20:46.festival and show us what they've got. Our voice and ears of BBC
:20:46. > :20:50.introducing is alley McCrae with the best of BBC introducing.
:20:50. > :20:54.I've been coming to T in the Park since I was 16 years old. For me
:20:54. > :20:57.the best part of the festival is seeing young bands on the small
:20:57. > :21:07.stages, before they become megastarts. This is the place that
:21:07. > :21:10.
:21:10. > :21:14.happened. This is the BBC Right so we are all about every
:21:14. > :21:18.kind of genre of new music. That includes hip-hop. Therecy
:21:18. > :21:23.flourishing hip-hop scene in Scotland. At the top of the pile is
:21:23. > :21:30.this man. How was that set for you? Amazing. That was crazy. Tell us a
:21:30. > :21:35.bit about how it felt to be part of the BBC introducing? It felt
:21:35. > :21:39.amazingly. It just all Spiraled, through Vic playing me back in the
:21:39. > :21:45.day, to go -- to going on the show, you playing me and coming here.
:21:45. > :21:55.Hopefully you can put me in touch with Westwood. We'll see what we
:21:55. > :22:01.
:22:01. > :22:04.I think this is the reason why they come, to find new music. Want to
:22:04. > :22:09.give the smaller bands a chance to be heard, to be scene. This gives
:22:09. > :22:13.an opportunity to be on a bigger stage. Yeah, and have a crowd that
:22:13. > :22:23.you'd not normally have. T In The Park, put your hands together for
:22:23. > :22:36.
:22:36. > :22:43.one of the most exciting bands in How do you feel? Awesome. Out of
:22:43. > :22:49.breath. That reaction was unbelievable. BBC interdueing, sum
:22:49. > :22:54.it up? How's the experience been for you? Top notch. Really cool.
:22:54. > :22:57.Crazy. That's only a taster of the 22 bands we've had on the stage
:22:57. > :23:01.this weekend. If you want to see more highlights go online and
:23:01. > :23:08.remember, if you're making music in this country, you can send your
:23:08. > :23:15.music to us, via the BBC introducing uploader. Go to
:23:15. > :23:24.bbc.co.uk/introducing and that might be you next year.
:23:24. > :23:28.I love Ally. I liked what I heard last night. KT Tunstall is here.
:23:28. > :23:32.It wouldn't be T in the Park if I didn't chat to you. It's lovely to
:23:32. > :23:37.be here. It's so nice to be here. How long since you have been here?
:23:37. > :23:41.I don't know, at least three years I think. Wow. You've been off and
:23:41. > :23:48.got married, travelled the word. Wrote an album. I remember this was
:23:48. > :23:57.the first festival that I ever came to. Dito. In the back of a transit
:23:57. > :24:03.called -- singing with a band called Scooby Doo collaboration. It
:24:03. > :24:08.doesn't feel it's changed that much. Today were you... It's amazing.
:24:08. > :24:10.It's, the atmosphere in that place is undescribable. It's a feat of
:24:10. > :24:14.camping technology. I don't understand how you can have a tent
:24:14. > :24:20.that fits 10,000 people. It's brilliant. How was it? Great. I
:24:20. > :24:24.have to say that if I had to choose, I'd probably go with the tent as a
:24:24. > :24:28.gig. Because you're just really sweaty and close and everyone os
:24:28. > :24:33.packed in to see it. You can really see the whites of people's eyes.
:24:33. > :24:37.It's such a good vibe. Even though there's 10,000 people this there,
:24:37. > :24:43.you get incredible intimacy. Yeah, I had a new experience this year. I
:24:43. > :24:47.got hit by quite a lot of stuff. This was fine. Soft toys or? There
:24:47. > :24:53.was liquid, which I didn't really... Don't investigate that. I didn't
:24:53. > :24:58.analyse. But there was a few missiles of the plastic bottle
:24:58. > :25:03.flavour, which actually got me quite fired up. I quite liked it.
:25:03. > :25:08.That's not to say I want to encourage that at my gigs or other
:25:08. > :25:14.gigs. Any way... Is there kind of slap bang in the middle of a summer
:25:14. > :25:19.of festivals and tours? Yeah pretty much in the middle. Glasto we've
:25:19. > :25:26.had. I've come straight from Belgium and Latitude next weekend.
:25:26. > :25:32.Going up to the outer Hebrides for heb kelt felt Val and playing
:25:32. > :25:37.Orkney as well. Have you done that before? No, I can't wait. There's
:25:37. > :25:43.something cool doing a festival on an island where you're captive.
:25:43. > :25:53.want to see your performance. This is Katie earlier on today in the
:25:53. > :25:54.
:25:54. > :25:57.This song is for anybody who has been through a horrible break up.
:25:57. > :26:07.That's pretty much everyone. This song is about the fact you can do
:26:07. > :26:22.
:26:22. > :26:32.# Oh, oh, oh, # Come on
:26:32. > :26:52.
:26:52. > :26:55.# We could make it easy # We could do it right
:26:55. > :27:02.# Because you know the time has come
:27:02. > :27:07.# It must be done # We're going down
:27:07. > :27:14.# Down hey, hey # Come on
:27:14. > :27:24.# See the light # Come on
:27:24. > :27:32.
:27:32. > :27:38.# The door is open # Got to do it
:27:38. > :27:48.# Got to do it soon hrb got to get this evil beast out of the room
:27:48. > :27:49.
:27:49. > :27:51.# Because he's greedy # I let him creep up on us from
:27:51. > :28:01.behind # He's not getting you
:28:01. > :28:08.
:28:08. > :28:15.# Because you know the time has # Come on, can you see the light?
:28:15. > :28:18.# Come on, you know it feels right # The door is open, are you gonna
:28:18. > :28:25.take the ride? # We're playing it all wrong
:28:25. > :28:35.# That's why I'm saying it, come on, get in
:28:35. > :28:40.
:28:40. > :28:44.# Get in # Na, na, na, na
:28:44. > :28:51.# I'll take the anger # You take the pain
:28:51. > :28:56.# And we'll promise that we won't go back again
:28:56. > :28:59.# Because the time has come # We could break these chains
:29:00. > :29:04.# And baby we could run # So keep your eyes on the road
:29:04. > :29:14.# Keep your hands on the wheel ksh because we know the time is right
:29:14. > :29:15.
:29:15. > :29:20.# We just might make it going downhill.
:29:20. > :29:30.# Come on, can you see the light? # Come on, you know it feels right.
:29:30. > :29:33.
:29:33. > :29:40.# The door is open # Are you gonna take the ride?
:29:40. > :29:44.# Come on, can you see the light? # Come on, you know it feels right.
:29:44. > :29:47.# The door is open # Are you gonna take the ride?
:29:48. > :29:52.# We're playing it all wrong, that's why I'm saying it
:29:52. > :30:02.# Come on, get in # Get in
:30:02. > :30:09.
:30:09. > :30:15.# Come on # I love KT Tunstall. Charlotte
:30:15. > :30:20.Hathaway on guitar. I saw that. Saw Katie, she was fantastic. What a
:30:20. > :30:25.character as well. We know her well. We grew up with her. Saw a bit of
:30:25. > :30:30.KT Tunstall. Saw a bit of Tinie Tempaah. I've had a really varied
:30:30. > :30:37.day. I've been running round the site. Saw a band called United
:30:37. > :30:39.Fruit. Saw a bit of BBC introducing. Saw dot JR there. Meeting loads of
:30:39. > :30:43.punters and having great conversations everywhere. There's
:30:43. > :30:48.been a bit of mud, there's been a bit of rain. But the highlight of
:30:48. > :30:55.my day was meeting Blondie. wow! I grew up with Blondie right,
:30:55. > :31:00.I managed to interview Christine, and Debbie Harry from the band. We
:31:00. > :31:04.hit it off. You know when you do an interview and you bond with the
:31:04. > :31:09.band. You're off for dinner with Blondie, is that what you're
:31:09. > :31:12.saying? I would like to say so, but I think they're playing London.
:31:13. > :31:17.That was an absolute highlight for me. I've been having a great time.
:31:17. > :31:24.The band that we're going to check out a tune by wrt band that started
:31:24. > :31:28.my day. I got here pretty early about 11.55am, this band took to
:31:28. > :31:34.the stage. To me, they're one of the best bands around, whether it's
:31:34. > :31:39.Scotland or beyond. They've released a couple of records on
:31:39. > :31:44.Chemical Underground records. Check mate savage the first one and the
:31:44. > :31:54.Want the second. Here they're playing the acoustic version of
:31:54. > :31:59.
:31:59. > :32:09.everybody knows it's true. It's the # When I was a falling bird
:32:09. > :32:10.
:32:10. > :32:20.# Everybody stay add way # Everybody craned their heads
:32:20. > :32:21.
:32:21. > :32:31.# To see my change in shape # And the weightless dance
:32:31. > :32:31.
:32:31. > :32:38.# Against a torch light moon # Everybody knows it's true
:32:38. > :32:45.# The ship that sailed on its deck with sand
:32:45. > :32:52.# And I combed my hair and prayed, do not take us down
:32:52. > :33:02.# We we're made of stone and we are not hollow
:33:02. > :33:05.
:33:05. > :33:15.# Everybody knows it's true # From the shallow to the top
:33:15. > :33:16.
:33:16. > :33:26.# Everybody wants to learn, but the cost is just the words
:33:26. > :33:34.
:33:34. > :33:39.# I crucify my own # Everybody knows it's true
:33:39. > :33:49.# It was an arresting time # Like a secret care
:33:49. > :33:50.
:33:51. > :33:57.# Like the saddest rainbow, which you tied into my bones
:33:58. > :34:04.# Faded to blue # Everybody knows it's true
:34:04. > :34:11.# Not in my life # Barely rich enough from the
:34:11. > :34:21.shadow to the top # Everybody wants to learn, but the
:34:21. > :34:29.
:34:29. > :34:39.cross is by the words I crucified my own.
:34:39. > :34:39.
:34:39. > :35:22.Apology for the loss of subtitles for 107 seconds
:35:22. > :35:27.# Everybody knows it's true Wow. Thank you so much, guys.
:35:27. > :35:33.Really appreciate you coming in. Andy, what is that thing you're
:35:33. > :35:39.playing, I want one? This is a kaso from about 1982 or something like
:35:39. > :35:46.that. I think it's meant to be a children's toy. It's got a
:35:46. > :35:50.calculator. I've got one. How was T for you today? Lovely. Muddy.
:35:50. > :35:55.are things going at the moment, I know you're down in London recently.
:35:55. > :35:59.A couple of friends saw you at a gig, which they said was incredible.
:35:59. > :36:05.Things are picking up in terms of people knowing about you and the
:36:05. > :36:10.music is fab. I hope stkpwhro. What are your plans? Latitude next week.
:36:10. > :36:17.We're playing on Friday. We're playing Belgium on the Friday night
:36:17. > :36:26.and the festival on the Saturday. It's the B weekend. I want some
:36:26. > :36:29.sleep. A few hours sleep. No! Plans for a new album, are you thinking
:36:29. > :36:34.about that? Early days yet? We've got a few ideas. Probably take
:36:34. > :36:39.about three years to come to fruition. I'm sure we can wait.
:36:39. > :36:44.Hopefully you'll still remember us by then. Really appreciate you
:36:44. > :36:47.coming in. It's great when you come in and do that for us. The Phantom
:36:47. > :36:53.Band everybody. Check out the two albums they have for you. Please do
:36:53. > :36:57.check them out. Now, Foo Fighters, whole set is coming to you on BBC 3,
:36:57. > :37:03.very, very shortly. So make sure you stay tuned for that. We have
:37:03. > :37:12.more on the red button. Stay in touch with us as well. Head to the
:37:12. > :37:16.website bbc.co.uk/T In The Park, # Bbctitp. Loads of great Foo
:37:16. > :37:19.Fighters tracks. I've been asked to pick a highlight. It's been so hard
:37:19. > :37:22.to pick something. Last night was quite an emotional night. I think
:37:23. > :37:26.just seeing those big bands an the way they finish their sets is
:37:26. > :37:30.something that I think you guys need to relive. We're going to
:37:30. > :37:34.check out the last track from Coldplay last night, which was
:37:34. > :37:37.pretty special and we'll see you back here on BBC Three for more
:37:37. > :37:47.from the Foo Fighters, your headliners on the last day. This is
:37:47. > :38:02.
:38:02. > :38:05.# I turn the music up # I've got my records on
:38:05. > :38:11.# I shut ut world outside until the lights come on
:38:11. > :38:19.# Maybe the trees are gone # I feel my heart stop beating
:38:19. > :38:22.# And all the kids they dance, # But till Monday morning feels
:38:22. > :38:32.another path # I turn the music up
:38:32. > :38:44.
:38:44. > :38:53.# I'm on a role this time and # I turn the music up,
:38:53. > :38:55.# I turn the music up # Don't want to see
:38:55. > :38:58.# Maybe I'm in the black, maybe I'm on my knees
:38:58. > :39:02.# Maybe I'm in the gap between the two trapezes
:39:02. > :39:06.# But my heart is beating and my pulses start
:39:06. > :39:11.# Cathedrals in my heart
:39:11. > :39:15.# As we saw
:39:15. > :39:19.# Oh, this light
:39:19. > :39:23.# I swear you emerge blinking into
:39:23. > :39:27.# To tell me it's all right
:39:27. > :39:34.# As we soar walls
:39:34. > :39:38.# Every siren is a symphony
:39:38. > :39:43.# And every tear's a waterfall
:39:43. > :39:47.# Is a waterfall, ah
:39:47. > :39:50.# Is a waterfall, ah
:39:50. > :39:55.# Is a waterfall
:39:55. > :39:59.# Every tear is a waterfall, ah
:39:59. > :40:02.# So you can hurt
:40:02. > :40:06.# Hurt me bad
:40:06. > :40:12.# But still I'll raise
:40:12. > :40:20.# The flag
:40:20. > :40:24.# Oh
:40:25. > :40:29.# It was a wa-ah-ah-ah, waterfall
:40:29. > :40:39.# A wa-ah-ah-ah, waterfall
:40:39. > :40:54.
:40:54. > :40:57.# Oh, oh