:00:16. > :00:21.and scenes of Welcome back. We told you we
:00:21. > :00:27.weren't going to be away long. This is T in the Park on BBC Three. We
:00:27. > :00:32.are leading up to the Foo Fighters, headliners, at a quarter to 11. We
:00:32. > :00:40.are hoping that Beady Eye will pop in for a chat, but they are running
:00:40. > :00:48.a bit late. Also a special acoustic performance. Labyrinth was
:00:48. > :00:54.beautiful. And The Pierces. we've got you Tinie Tempah. A huge
:00:54. > :01:04.chunk of his set. He got into the Scottish spirit with his wardrobe.
:01:04. > :01:06.
:01:06. > :01:11.You can join us on-line: Hello to McFadden 1. Time for last
:01:11. > :01:15.T in the Park coverage. Coldplay were epic last night. Tonight's
:01:15. > :01:22.headliners will be featured on BBC Three, and that's Foo Fighters.
:01:22. > :01:29.That will be incredible. What's your highlight been so far? I was
:01:29. > :01:39.in the Slam Tent and the people were going nuts. Here are some
:01:39. > :01:51.
:01:51. > :01:56.# Don't want to look right down # You make me break down
:01:56. > :02:00.# I don't wannabe like that # I don't wanna look like that,
:02:00. > :02:08.yeah, yeah # I don't wanna look like that
:02:08. > :02:18.# You make me break down # Make me break down
:02:18. > :02:24.
:02:24. > :02:28.# Yeah # And we've got so much more to come
:02:28. > :02:34.tonight. We are here for hours, so there is no need for you to go
:02:34. > :02:38.anywhere. Exactly, keep it here on BBC Three. I can't say it enough,
:02:39. > :02:44.Foo Fighters's set will be incredible. Tinie Tempah has become
:02:44. > :02:52.a seasoned proat festivals. His live sets get better and better.
:02:52. > :02:57.Last year at Glastonbury he popped on for one song with. Snoop Dog. He
:02:57. > :03:02.took it on and now he just steps on that stage and looks like he is
:03:02. > :03:08.meant to be there. He is loving it. We'll bring awe huge chunk of his
:03:08. > :03:18.set. I must warn you there is going to be a bit of strobing and a bit
:03:18. > :03:18.
:03:18. > :07:14.Apology for the loss of subtitles for 235 seconds
:07:14. > :07:24.# Girl, you better keep your Everybody make some noise!
:07:24. > :07:47.
:07:47. > :07:57.Yeah! CHEERING
:07:57. > :07:57.
:07:57. > :09:50.Apology for the loss of subtitles for 235 seconds
:09:50. > :10:00.Yeah and I went from the kid in Imagine satisfaction when you make
:10:00. > :10:00.
:10:00. > :12:27.Apology for the loss of subtitles for 235 seconds
:12:27. > :12:32.Ricky on bass, ladies and # With designer shoes, doing things
:12:32. > :12:35.# Leave your baggage at the stairs and your worries at the door
:12:35. > :12:37.# You don't have to think about problems any more
:12:37. > :12:44.# I can make you believe in anything
:12:44. > :12:46.# Uh, I know that everything'schanged, but I'm under this illusion
:12:46. > :12:48.# Just so I don't go insane
:12:48. > :12:58.# I can make you believe in anything
:12:58. > :13:29.
:13:29. > :13:30.I think I've
:13:30. > :13:31.I think I've found
:13:31. > :13:32.I think I've found my
:13:32. > :13:39.I think I've found my favourite festival!
:13:39. > :13:43.CHEERING T in the Park Scotland, are you
:13:43. > :13:53.guys ready for a real big fat sing along, yeah?
:13:53. > :14:05.
:14:05. > :14:11.CHEERING # Look where we are, we've done
:14:11. > :14:14.# And every time I nearly hit the ground you were my cushion
:14:14. > :14:18.# There's evidence that proves that you were heaven sent
:14:18. > :14:21.# Cos when I needed rescuing you were there at my defence
:14:21. > :14:25.# Girl, in you I find a friend, you make me feel alive again
:14:25. > :14:29.# I feel like the brightest star cos you made me shine again
:14:29. > :14:33.# No matter where we are
:14:33. > :14:36.# No matter just how far our paths may lead
:14:36. > :14:41.# We don't need no shields cos love is the armour that we need
:14:41. > :14:43.# We're invincible
:14:43. > :14:45.# Invincible
:14:45. > :14:50.# Invincible
:14:50. > :14:52.# We're invincible
:14:52. > :14:53.# Invincible
:14:53. > :14:57.# Invincible
:14:57. > :15:00.# We're invincible
:15:00. > :15:01.# Ah, from the wildest water Ah, to the highest mountains
:15:01. > :15:03.# Ah, you and I for ever Even through the driest deserts
:15:03. > :15:07.# You lift me higher than ever I feel as light as a feather
:15:07. > :15:11.# And when we're fighting togetherwe can take on the weather
:15:11. > :15:14.# I will keep you warm through every single storm you
:15:14. > :15:16.# Ever have to walk through
:15:16. > :15:18.# I will go before you
:15:18. > :15:21.# I will be the voice when you need someone to talk to
:15:21. > :15:26.# Please don't ever doubt me Let me reassure you
:15:26. > :15:28.# No matter where we are
:15:28. > :15:32.# No matter just how far our paths may lead
:15:32. > :15:40.# We don't need no shields cos love is the armour that we need
:15:40. > :15:44.# We're invincible We are
:15:44. > :15:46.# No matter where we are
:15:46. > :15:47.# No matter just how far our paths may lead
:15:47. > :15:51.# We don't need no shields cos love is the armour that we need
:15:51. > :15:53.# We're invincible We are
:15:53. > :15:57.# Invincible
:15:57. > :15:59.# We're invincible We are
:15:59. > :16:02.# Invincible
:16:03. > :16:06.# Invincible
:16:06. > :16:08.# We're invincible We are
:16:08. > :16:18.# Invincible, invincible
:16:18. > :16:27.
:16:27. > :16:27.T
:16:27. > :16:27.T in
:16:27. > :16:33.T in the
:16:33. > :16:43.T in the Park I want to see which side is louder. You guys on the
:16:43. > :16:43.
:16:43. > :18:35.Apology for the loss of subtitles for 235 seconds
:18:35. > :18:45.right side. Help ehelp me sing # Oh, written in the stars
:18:45. > :18:48.
:18:48. > :18:52.# Seasons come and go # Let's go, yeah
:18:52. > :18:54.# That's why they play my song on so many different dials
:18:54. > :18:57.# Cos I got more ... hits than a disciplined child
:18:57. > :19:00.# So when they see me Everybody brrrap, brrraps
:19:00. > :19:02.# Man I'm like a young gun fully black Barack
:19:02. > :19:05.# I cried teardrops over the massive attack
:19:05. > :19:09.# I only make hits like I work with the racket and bat
:19:09. > :19:10.# Look at my jacket and hat
:19:10. > :19:13.# So damn berserk, so down to earth I'm bringing gravity back
:19:13. > :19:15.# Adopted by the major I want my family back
:19:15. > :19:18.# People work hard just to get all their salary taxed
:19:18. > :19:21.# Look I'm just a writer from the ghetto like Malory Blackman
:19:21. > :19:24.# Where the hell's all the sanity at?
:19:24. > :19:27.# Damn I used to be the kid that no-one cared about
:19:27. > :19:31.# That's why you have to keep screaming till they hear you out
:19:31. > :19:35.# Oh, written in the stars A million miles away
:19:35. > :19:40.# A message to the main, oh
:19:40. > :19:46.# Seasons come and go but I will never change
:19:46. > :19:56.# And I'm on my way
:19:56. > :19:59.
:19:59. > :20:02.# Oh oh oh oh Oh
:20:02. > :20:04.# Yeah, I needed a change When we ate we never tip
:20:04. > :20:08.# Cos we needed the change I needed a break
:20:08. > :20:11.# For a sec I even gave up Believing and praying
:20:11. > :20:13.# I even done the legal stuff and was leaded astray
:20:13. > :20:15.# They say the money is the route to the evillest ways
:20:15. > :20:17.# But have you ever been so hungry it keeps you awake?
:20:17. > :20:21.# Mate, now my hunger would leave 'em amazed, great
:20:21. > :20:25.# It feels like a long time coming, fam
:20:25. > :20:28.# Since the day I thought of that cunning plan
:20:28. > :20:30.# One day I had a dream I tried to chase it
:20:30. > :20:33.# But I wasn't going nowhere Running man
:20:33. > :20:36.# I knew that maybe someday I would understand
:20:36. > :20:38.# Trying to change a tenner to a hundred grand
:20:38. > :20:41.# Everyone's a kid that no-one cares about
:20:41. > :20:44.# You just gotta keep screaming till they hear you out
:20:44. > :20:49.# Oh, written in the stars a million miles away
:20:49. > :20:54.# A message to the main, oh
:20:54. > :20:59.# Seasons come and go but I will never change
:20:59. > :21:06.# And I'm on my way Ishi, Eric Turner, let's go
:21:06. > :21:09.# Oh oh oh oh OH
:21:09. > :21:13.# Oh oh oh oh OH
:21:13. > :21:23.# Oh oh oh oh OH
:21:23. > :21:36.
:21:36. > :21:46.# Oh, written in the stars # Seasons come and go
:21:46. > :21:47.
:21:47. > :22:31.Apology for the loss of subtitles for 235 seconds
:22:31. > :22:36.CHEERING AND APPLAUSE YoT, that was amazing. I think we
:22:36. > :22:45.should play Written in the Stars one more time, just because it
:22:45. > :22:51.sounds so beautiful. 3, 2, 1... # It's written in the stars
:22:51. > :22:53.# A million miles away # A message to the main
:22:53. > :22:58.# Ooooh # Seasons come and go
:22:58. > :23:04.# But I will never change # And I'm on my way
:23:04. > :23:10.# One more time It's written in the stars
:23:10. > :23:12.# A million miles away # A message to the main
:23:12. > :23:16.# Oooh # Seasons come and go
:23:16. > :23:26.# But I will never change # And I'm on my way
:23:26. > :24:00.
:24:00. > :24:03.# She says she likes my watch # And she stay up all hours
:24:03. > :24:06.# She said she loves my songs She bought my MP3
:24:06. > :24:10.# And so I put her number in my Bold BB
:24:10. > :24:14.# I got a black BM She got a white TT
:24:14. > :24:17.# She wanna see what's hiding in my CK briefs
:24:17. > :24:27.# I tell her Wear suspenders and some PVC
:24:27. > :24:44.
:24:44. > :24:54.# Check one, action!
:24:54. > :25:16.
:25:16. > :25:19.# She pose for FHM She like my Black LV
:25:19. > :25:23.# We spinnin' LPR, up on my APC
:25:23. > :25:29.# I'm in my PRPS and my Nike SBs Ravin' with SHM
:25:29. > :25:32.# London to NYC I got my visa and my visa
:25:32. > :25:35.# A diva and her dealer
:25:35. > :25:39.# I'm up on the guest list with the Swedish House Mafia
:25:39. > :25:42.# You can find me on a table full of vodka and tequila
:25:42. > :25:47.# Surrounded by some bunnies and it ain't even Easter
:25:47. > :25:50.# I wake up in the morning with a mild case of amnesia
:25:50. > :25:56.# With a girl that like a girl like Lindsay Lohan, Queen Latifah
:25:56. > :25:58.# A few ... are pullin'
:25:58. > :25:59.# Yeah, Guetta must be fever
:25:59. > :26:09.# And that's standard procedure from Miami to Ibiza. #
:26:09. > :26:45.
:26:45. > :26:45.Now it's all
:26:46. > :26:46.Now it's all about
:26:46. > :26:48.Now it's all about you,
:26:49. > :26:53.Now it's all about you, T in the Park. Very a proposal for you. I
:26:53. > :27:00.need everybody I can see out from from the front all the way to the
:27:00. > :27:04.bark to get as low as you possibly can. As low as you possibly can.
:27:04. > :27:09.When I sing the chorus again, take one and everybody get into position.
:27:09. > :27:18.I want everybody to jump as high as I can. Scotland, everybody as low
:27:18. > :27:28.as you can right now. Go low, go low. As low as you can.
:27:28. > :27:38.Low, that's good. You, low. Low. Low. Everybody, go
:27:38. > :27:38.
:27:38. > :28:35.Apology for the loss of subtitles for 235 seconds
:28:35. > :28:40.CHEERING AND APPLAUSE Wow!
:28:40. > :28:50.Security guards, I'm so sorry. It's about to get a little bit worse.
:28:50. > :28:50.
:28:50. > :29:53.Apology for the loss of subtitles for 235 seconds
:29:53. > :30:03.Did you know why? Because that # Just in case that don't impress
:30:03. > :30:03.
:30:03. > :33:49.Apology for the loss of subtitles for 235 seconds
:33:49. > :33:53.He's just getting better and better live. An incredible set today at T
:33:53. > :33:59.in the Park 2011. For all of you people trying to look up his kilt,
:33:59. > :34:03.shame on you. Why? I don't think he enjoyed that much! What a crowd
:34:03. > :34:08.reaction. And the way he got the crowd going as well. Love the kilt,
:34:08. > :34:13.and the Scottish flag on the back, a nice touch. Over the last couple
:34:14. > :34:18.of days we'd really nice acoustic performances in the tree house from
:34:18. > :34:23.some of the stages for which we don't have cameras. But right now
:34:23. > :34:31.we are going to check out Greg James I wouldn't associate with a
:34:31. > :34:41.festival - recycling. Hello, this is absolutely brilliant.
:34:41. > :34:44.
:34:44. > :34:49.What on earth is it? This is Jacques le Trash, he goes round the
:34:49. > :34:54.festival electing people's rubbish and plates. It is a very good thing,
:34:54. > :35:01.looking after the Earth obviously. Of course. I imagine if you take
:35:01. > :35:07.that into the areennoo drunks will try to get into it. We've had a lot
:35:07. > :35:11.of that. I'm going to pop round to the back. You are doing a good job.
:35:11. > :35:17.Thank you. In a pantomime the back end is the worst end. I think it is
:35:17. > :35:25.the best end, the most expressive. Go on, express yourself with the
:35:25. > :35:30.end. Greg and some of the revellers
:35:30. > :35:38.there expressing themselves. He did not look confused by that. We've
:35:38. > :35:45.been taking your messages on-line. Hello to tutti-frutti 27. Highlight
:35:45. > :35:55.so far has to be Coldplay. So looking forward to Foo Fighters.
:35:55. > :36:02.
:36:02. > :36:09.10.45pm on BBC Three. This is the # Well, I'm just waiting for
:36:09. > :36:19.# Just a silhouette # I'm just waiting
:36:19. > :36:24.
:36:24. > :36:34.# Going head to head # And just waiting for
:36:34. > :36:42.
:36:42. > :36:52.# Cos it's hard to feel like # We're just waiting for
:36:52. > :36:59.
:36:59. > :37:09.# We're just waiting for # And your immortal smile
:37:09. > :37:16.# When I close my eyes it's all I # I'm just waiting for
:37:16. > :37:20.# Yeah, a way to see this old life all disappear
:37:20. > :37:22.# Take a gamble on your heart
:37:22. > :37:24.# It will lead you through the dark
:37:24. > :37:28.# You're just waiting for a chance to come
:37:28. > :37:34.# Cos it's hard to feel likeyou're worth something in this life
:37:34. > :37:42.# When you're walking next to me I can hear my body speak
:37:42. > :37:47.# We're just waiting for a chance to come
:37:47. > :37:51.# We're just waiting for a chance to come
:37:51. > :37:54.# And no-one's gonna get in my way
:37:54. > :37:58.# Got to figure it out for myself
:37:58. > :38:02.# Yeah, no-one's gonna make me stay
:38:02. > :38:06.# Got to figure it out for myself
:38:06. > :38:10.# Cos I don't need nothing
:38:10. > :38:20.# I'm just waiting for a chance to come. #
:38:20. > :38:39.
:38:39. > :38:40.I
:38:40. > :38:40.I love
:38:40. > :38:44.I love this,
:38:44. > :38:52.I love this, all throughout that Edith was playing the air fiddle.
:38:52. > :38:58.Noah and the Whale doing fantastic acoustic performances for us. We
:38:58. > :39:02.are in for a treat, Beady Eye are backstage. There might be a little
:39:02. > :39:12.backstage. There might be a little bit of swearing when we track, so I
:39:12. > :39:36.
:39:36. > :39:46.apologise for that right now. First # What of the stage fading away
:39:46. > :40:04.
:40:04. > :40:10.# I'm wondering why # The ox and Moon were counting me
:40:10. > :40:12.# I had to give in # Make the thunder and lightning
:40:12. > :40:18.sing # In the eye of the storm
:40:18. > :40:21.# There's no right and no wrong # So long, so long
:40:21. > :40:31.# Someday all the world will sing my song
:40:31. > :40:34.
:40:34. > :40:44.# Still life remains # Somewhere in my heart the beat
:40:44. > :41:22.
:41:22. > :41:26.# Thought it was the end of the world
:41:26. > :41:30.# Beat with guitars # And all that I understand
:41:30. > :41:35.# Is air through metal and wood # I'm misunderstood
:41:35. > :41:44.# And wasted on money and fame # I'll throw it away
:41:44. > :41:50.# Just to prove that I can # I'm the last of a dying breed
:41:50. > :41:57.# And it's not the end of the world, oh, no
:41:57. > :42:02.# It's not even the end of the day # So long, so long
:42:02. > :42:08.# Someday all the world will sing my song
:42:08. > :42:18.# Still life remains # Somewhere in my heart the beat
:42:18. > :42:18.
:42:19. > :42:22.goes on # So long, so long
:42:22. > :42:28.# Someday all the world will sing my song
:42:28. > :42:38.# Still life remains # Somewhere in my heart the beat
:42:38. > :42:38.
:42:38. > :42:42.goes on # Song lo, so long
:42:42. > :42:49.# Someday all the world will sing my song
:42:49. > :42:59.# Still life remains # Somewhere in my heart the beat
:42:59. > :43:06.
:43:06. > :43:14.goes on Let me know if they say otherwise.
:43:14. > :43:19.CHEERING AND APPLAUSE That was Beady Eye on the Radio 1
:43:19. > :43:24.NME stage. The lads have joined us. Hello. You've got to be happy with
:43:25. > :43:31.that one. Absolutely freaked out by it, man. Scotland win. I'm not just
:43:31. > :43:37.saying that because I'm here, because I needed a bit of that.
:43:37. > :43:42.Happy? Best festival we've done. Best gig maybe. Really? We haven't
:43:42. > :43:47.discussed it yet. Feel free to discuss now. We are you nervous?
:43:47. > :43:52.But go out there with a bit of trepidation? I went out there with
:43:52. > :43:58.the fucking arse to be honest - sorry for swearing. Could you feel
:43:58. > :44:03.it in the room? I'm never nervous, man. A lot of people go, if you are
:44:03. > :44:09.not nervous you are dead. I'm not nervous, I just want a good sound.
:44:09. > :44:13.No nerves, man. A great sense of relief, man, having walked off. The
:44:13. > :44:22.crowd really wanted it and we played alright. It's new songs that
:44:22. > :44:27.people don't know that well yet. It's all new, man. Somebody said to
:44:27. > :44:35.us earlier, "Any surprises tonight?" So I said, "An hour of
:44:35. > :44:40.'em." You guys said when Beady Eye started it is not about Oasis.
:44:40. > :44:44.made a decision not to play them. We've got to move away from that.
:44:44. > :44:50.It is not right with people's heads and our heads to be switching from
:44:50. > :44:55.the two, you know what I mean? with the Beady Eye gig. I know it's
:44:55. > :44:58.weird and, that but that's life. Word is you guys are looking at the
:44:58. > :45:03.second album. How sit sounding at the moment? We know what we are
:45:03. > :45:09.going to do with it, you know what I mean? Without a doubt it's going
:45:09. > :45:13.to be better sounds, definitely. It will be out next year without a
:45:13. > :45:18.doubt. Looking forward to making the third album and the fourth. We
:45:18. > :45:23.are here to stay, without a day. was going to say, we've got a plan
:45:23. > :45:27.of when we are going to record it, who is going to record it. All the
:45:27. > :45:35.big things are decided. It should be after the tour finishes.
:45:35. > :45:40.were saying you've just got back from the States. Understoodleville.
:45:40. > :45:48.I like that. What's the reaction to the new material in the States?
:45:48. > :45:56.They were off their Snoods. Chicago was like a home crowd, even though
:45:56. > :46:00.we don't come from Scotland. It was just a few gigs but every one of
:46:00. > :46:05.the venues had a good time. An exciting start. Are you feeling
:46:05. > :46:10.that excitement? Are you feeling like a new band, in a way, of that
:46:10. > :46:15.kind of starting out, it is that kind of thing... All the perks of a
:46:15. > :46:23.new band with the experience of an old band. Reacting to stuff, you go,
:46:23. > :46:29.yeah. It's like any band. I went to see the Arctic Monkeys last night
:46:29. > :46:34.and they only played a few of their old songs. It happens to all bands,
:46:34. > :46:38.but in band is only playing fucking 15 - sorry for swearing. These new
:46:38. > :46:44.songs will be old songs within a year. With that said, how important
:46:44. > :46:48.would you say festivals like T in the Park are for the development of
:46:49. > :46:54.Beady Eye? Very important. This is where you get the people floating
:46:54. > :47:03.by. They might hear Roller and think, "I like that." I remember
:47:04. > :47:07.hearing that on the radio. Not Radio 1! At festivals it is not
:47:07. > :47:11.everything that is nailed down. We'll catch you by surprise. We are
:47:11. > :47:16.not scared to roll our sleeves up and get our hands dirty, you know
:47:16. > :47:24.what I mean? It's got to be done, because no-one else is going to do
:47:24. > :47:30.it for us. You've got such a history with T. Oasis played the
:47:30. > :47:34.very first T in 1994. That was our best ever gig. We heard we were
:47:34. > :47:40.playing in a tent tonight, so we've been doing interviews saying, "It's
:47:40. > :47:45.great we are in a tent" and there is no tent! I'm super--chuffed you
:47:45. > :47:50.guys have come on. Thank for having us. We are going to check out
:47:50. > :48:00.another performance now from Beady Eye, who were on the Radio 1 NME
:48:00. > :48:00.
:48:00. > :49:10.Apology for the loss of subtitles for 235 seconds
:49:10. > :49:20.# There's nothing you can do because there is no solution
:49:20. > :49:31.
:49:31. > :49:34.# You gotta get down to the noise # The sound goes round and we start
:49:34. > :49:37.to climb # The lips curl up and it kills my
:49:37. > :49:41.line # The beat is steal and the scene
:49:41. > :49:44.is sewn # I see her eyes and her eyes are
:49:44. > :49:48.blown # The floor's an ocean and this
:49:48. > :49:52.wave is breaking # Your head is gone and your body's
:49:52. > :49:56.shaking # There's nothing you can do
:49:56. > :50:06.because there is no solution # You gotta get down to the noise
:50:06. > :50:06.
:50:06. > :50:16.and confusion Out of our minds on the stage
:50:16. > :50:16.
:50:16. > :50:58.Apology for the loss of subtitles for 235 seconds
:50:58. > :51:01.# Out of our minds on the stage # The beat breaks down so we pick
:51:01. > :51:04.it up # The floor shakes down but it's
:51:04. > :51:08.not enough # The beam is up and the kids are
:51:08. > :51:11.high # I've seen them move and it blows
:51:11. > :51:15.my eyes # The floor's an ocean and this
:51:15. > :51:17.wave is breaking # Your head is gone and your body's
:51:17. > :51:21.shaking # There's nothing you can do
:51:21. > :51:30.because there is no solution # You gotta get down to the noise
:51:30. > :51:40.and confusion Out of our minds on the stage
:51:40. > :51:40.
:51:40. > :53:58.Apology for the loss of subtitles for 235 seconds
:53:58. > :54:04.# Out of our minds on the stage Wow! Awesome. He looked like he
:54:04. > :54:10.didn't want to leave the stage. cares so much. I hope you guys got
:54:10. > :54:14.that from our little chat with him. This new thing, Oasis aside, he is
:54:14. > :54:20.passionate with this and hopes it works. He accepts this album hasn't
:54:20. > :54:25.done as well as he hoped it would. They were bouncing offstage like a
:54:25. > :54:30.brand-new band. I appreciate them coming up straight off the stage.
:54:30. > :54:34.So 10.45 is too foot. It is exciting. You just speak to anyone
:54:34. > :54:40.here in terms of who they are excited about and the tweets coming
:54:40. > :54:45.in from you guys. This man got to see them earlier. Keep it on BBC
:54:45. > :54:51.Three to find out what happened when I spoke to Dave Grohl before
:54:51. > :54:57.they went to headline T in the Park. That's 10.45pm on BBC Three.
:54:57. > :55:05.some other people who are excited about Foo Fighters.
:55:05. > :55:09.The Foo Fighters. When they come on the stage we'll be like... Energy,
:55:09. > :55:14.passion, music. Foo Fighters are going to rock. They are a festival
:55:14. > :55:21.band. You can't not have a good time when you see Foo Fighters.
:55:21. > :55:26.Total legends. Good drummer and guitarist. Nothing can beat a bit
:55:26. > :55:33.of Dave Grohl going... It makes sense. When Dave and the band come
:55:33. > :55:39.on stage I will scream like a girl. I will be giving it loud, as they
:55:39. > :55:45.say. It's going to be an insane night tonight.