Example & Florence + the Machine

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:00:17. > :00:23.This programme contains flashing images.

:00:23. > :00:29.Wasn't the news brilliant. Congratulations to Andy Murray. He

:00:29. > :00:35.is in the final. I reckon there will be a lot of Murray masks being

:00:35. > :00:40.worn in the crowd tomorrow. When a place to be when a Scot gets to

:00:40. > :00:47.Wimbledon. In the show we will have Example and we will get his live

:00:47. > :00:50.music in a minute and plus Florence and the Machine. I can hear her now.

:00:50. > :00:55.And also an acoustic from King Charles.

:00:55. > :01:02.If you want to get questions in, we have got good ones coming in

:01:02. > :01:05.already, you can do that by Twitter or on the Facebook page or you can

:01:05. > :01:10.check out some more of the great performances that we have had on

:01:10. > :01:14.day one of T in the Park on the website.

:01:14. > :01:19.There is so much to remember, isn't there? Oh man.

:01:19. > :01:23.I will warn you it is 9am and Example is not only a big fan of

:01:24. > :01:33.strobe lights, he is a fan of swearing. So this next bit, lock up

:01:34. > :01:34.

:01:34. > :02:28.Apology for the loss of subtitles for 54 seconds

:02:28. > :02:38.your nans because there is flashing T in the Park let's go. Everybody

:02:38. > :02:38.

:02:39. > :02:48.from the front to the back. Let me see you.

:02:49. > :02:52.

:02:52. > :02:56.This programme # Will they believe us

:02:56. > :02:59.# Did we chase the rabbit into Wonderland?

:02:59. > :03:03.# There's 100 grand Would they understand

:03:03. > :03:06.# It was all to stay away for the longest

:03:06. > :03:12.# Longest, longest longest, longest...?

:03:12. > :03:14.# March on, always after us Lost troops half the class of us

:03:15. > :03:16.# You've likely seen the last of us

:03:16. > :03:18.# Stick around Yeah, like Elastoplast

:03:18. > :03:20.# Not half-mast, raise a flag

:03:20. > :03:22.# Keep the sign to let you know that we're coming

:03:22. > :03:25.# And we're nasty, man

:03:25. > :03:29.# Don't need Sleeping Beauty No, it's what you do to me

:03:29. > :03:32.# Come midnight and daybreak Yes, please go find me a namesake

:03:32. > :03:36.# We got faith but don't need Bibles Take the Michael, hear my recital

:03:36. > :03:37.# Right holds the title, quite vital

:03:37. > :03:41.# We get high on the opposite of night, all

:03:41. > :03:43.# Told to stay away for the longest time

:03:43. > :03:50.# It was long, it was wrong But it felt so right

:03:50. > :03:51.# See you at the finish line See you at the finish line

:03:51. > :03:53.# If you've got the heart to join us

:03:53. > :03:55.# If we don't kill ourselves

:03:55. > :03:59.# We'll be the leaders of a messed-up generation

:03:59. > :04:02.# If we don't kid ourselves

:04:02. > :04:08.# Will they believe us if we tell them the reasons why

:04:08. > :04:10.# Do we take it too far? Take it too far?

:04:10. > :04:14.# Did we chase the rabbit into Wonderland

:04:14. > :04:17.# There's 100 grand Will they understand

:04:17. > :04:27.# It was all to stay away for the longest, longest, longest

:04:27. > :04:33.

:04:33. > :04:36.# March on, always after us Lost troops, half the class of us

:04:36. > :04:38.# You've likely seen the last of us

:04:38. > :04:40.# Stick around Yeah, like Elastoplast

:04:40. > :04:42.# Not half-mast raise a flag

:04:42. > :04:44.# Kick the sign to let you know that we're coming

:04:44. > :04:47.# And we're nasty, man

:04:47. > :04:50.# Don't need Sleeping Beauty No, it's what you do to me

:04:50. > :04:54.# Come midnight and daybreak Yes, please go find me a namesake

:04:54. > :04:57.# We got faith but don't need Bibles Take the Michael, hear my recital

:04:57. > :04:59.# Right holds the title, quite vital

:04:59. > :05:01.# We get high on the opposite of night, all

:05:01. > :05:04.# We just grow If it's late then we'll show

:05:04. > :05:05.# We don't wait, we just grow

:05:06. > :05:08.# If you hate, we don't show

:05:08. > :05:09.# We don't wait, we just grow

:05:09. > :05:11.# If it's late then we'll show

:05:11. > :05:12.# We don't wait, we just grow

:05:12. > :05:16.# If we know...

:05:16. > :05:17.# If we don't kill ourselves

:05:17. > :05:22.# We'll be the leaders of a messed-up generation

:05:22. > :05:24.# If we don't kid ourselves

:05:24. > :05:29.# Will they believe us if we tell them the reasons why?

:05:29. > :05:33.# Do we take it too far? Take it too far?

:05:33. > :05:36.# Did we chase the rabbit into Wonderland?

:05:36. > :05:40.# There's 100 grand Would they understand

:05:40. > :05:45.# It was all to stay away for the longest

:05:45. > :05:55.CHEERING AND APPLAUSE

:05:55. > :06:04.

:06:04. > :06:06.# I needed more than just a kiss good night

:06:06. > :06:09.# Had to go get something out my system

:06:09. > :06:11.# I ignored the warnings

:06:11. > :06:13.# Bit the fruit She might have tasted good

:06:13. > :06:17.# But, man, she was my kryptonite

:06:17. > :06:19.# Shoulda known she was trouble from the start

:06:19. > :06:23.# I knew she'd broken hearts I thought I'd take that chance

:06:23. > :06:25.# Danced with the devil in the pale moonlight

:06:25. > :06:29.# Alarm bells rang but I loved the drama

:06:29. > :06:30.# In a dark place but I loved the karma sutra

:06:30. > :06:33.# Should have closed that door but I kept going back for more

:06:33. > :06:34.# She's electric

:06:34. > :06:39.# She's the current running through my veins

:06:39. > :06:46.# She's a siren Hearing voices that I can't explain

:06:46. > :06:55.# Now I should be thinking it over Instead I'm calling her over

:06:55. > :06:56.# Now she's here and she won't go quietly

:06:56. > :06:59.# I should be thinking it over Instead I'm calling her over

:06:59. > :07:03.# Now she's here and she won't go quietly

:07:03. > :07:05.# I needed more than just a cheap thrill ride

:07:05. > :07:09.# See, I need something that ran deep inside

:07:09. > :07:10.# Ignored the warnings

:07:11. > :07:13.# Bit the fruit She might have tasted good

:07:13. > :07:18.# But, man, she was my kryptonite

:07:18. > :07:19.# Should have known it wouldn't last for a year

:07:19. > :07:22.# I knew it'd all end in tears I cracked

:07:22. > :07:25.# She was mind addictive Never felt scripted, unpredictable

:07:25. > :07:28.# Tied up but no strings attached Left scratch marks on my back

:07:28. > :07:32.# Her cold eyes got me excited and I can't hide the truth

:07:32. > :07:34.# She's electric

:07:34. > :07:37.# She's the current running through my veins

:07:37. > :07:40.# I just can't kick the habit Kick, kick, kick, kick the habit

:07:40. > :07:44.# She's a siren Hearing voices that I can't explain

:07:44. > :07:46.# I just can't kick the habit

:07:46. > :07:52.# Now I should be thinking it over Instead I'm calling her over

:07:52. > :07:56.# Now she's here and she won't go quietly

:07:56. > :07:59.# I should be thinking it over Instead I'm calling her over

:07:59. > :08:09.# Now she's here and she won't go quietly

:08:09. > :08:16.

:08:16. > :08:17.We

:08:17. > :08:17.We are

:08:17. > :08:19.We are going

:08:19. > :08:25.We are going to see who can bounce # It's just another case

:08:25. > :08:35.# It's just another case of Another case of

:08:35. > :08:35.

:08:35. > :09:15.Apology for the loss of subtitles for 54 seconds

:09:15. > :09:18.# It's just another case of do or die

:09:18. > :09:22.# Can't see the end of this or who survives

:09:22. > :09:28.# It's just another case of do or die

:09:28. > :09:35.CHEERING AND APPLAUSE

:09:35. > :09:35.Thank

:09:35. > :09:36.Thank you.

:09:36. > :09:40.Thank you. I'm

:09:40. > :09:47.Thank you. I'm going to count to three and I want everybody in this

:09:47. > :09:57.field to shout, "hey good morning." One, two, three.

:09:57. > :09:58.

:09:58. > :09:59.# How can I explain it # How can ten hours

:09:59. > :10:01.# I cry ten men's tears as it disappears

:10:01. > :10:02.# With the passionate atmosphere

:10:02. > :10:03.# Took your glove as a souvenir

:10:03. > :10:04.# Left the other on the pillow as I stroked your ear

:10:04. > :10:05.# One last breath of your hair

:10:05. > :10:07.# Stared for a second Then the doorway beckoned

:10:07. > :10:08.# See, I'm a lover not a fighter

:10:08. > :10:09.# So I didn't fight the fact that I more than liked ya

:10:09. > :10:12.# Didn't matter we were under influence

:10:12. > :10:14.# Made sense this was more than lust

:10:14. > :10:18.# I don't own you, you don't own me One night only, if only

:10:18. > :10:20.# I could take you back and just show you off

:10:20. > :10:23.# But I guess if I did that The magic is lost

:10:23. > :10:26.# Believe me, I wanna stay

:10:26. > :10:31.# But I'm off and away

:10:31. > :10:34.# Hey, good morning

:10:34. > :10:40.# We watch the sun come up

:10:40. > :10:41.# It's calling

:10:41. > :10:48.# I want another day with you

:10:48. > :10:49.# You and that red dress What a pairing

:10:49. > :10:51.# I kept staring You couldn't have said less

:10:51. > :10:53.# Can't let my head rest Thinking about ya

:10:53. > :10:55.# Really wanna look into your Catwoman eyes

:10:55. > :11:00.# Turn back time, cos it flies by You know, them Marty McFly vibes

:11:00. > :11:03.# See, I can picture the bright lights. sights and night skies

:11:03. > :11:05.# And boats go by

:11:05. > :11:06.# I don't why it happened so fast

:11:06. > :11:08.# When I tried to speak your language, I'm happy you laughed

:11:08. > :11:09.# Cos I'm hardly a linguist

:11:09. > :11:12.# Spoke through kisses cos you didn't speak English

:11:12. > :11:14.# And it was hard to distinguish

:11:14. > :11:16.# Love at first sight or holiday romance?

:11:17. > :11:18.# Don't care I was lost in the moment

:11:18. > :11:23.# I really shoulda missed that flight

:11:23. > :11:28.# Believe me, I wanna stay But I'm going away

:11:29. > :11:32.# Hey, good morning

:11:32. > :11:41.# We watch the sun come up It's calling

:11:41. > :11:49.# I want another day with you

:11:50. > :11:51.# We watch the sun come up It's calling

:11:51. > :11:53.# Hey, good morning

:11:53. > :11:55.# We watch the sun come up It's calling

:11:55. > :11:57.# It's calling

:11:57. > :12:06.# I want another day with you

:12:06. > :12:07.# I don't think I could be dreaming I felt your touch

:12:07. > :12:11.# No, I remember you breathing when I woke up

:12:11. > :12:14.# Now all I have are these memories I can't trust

:12:15. > :12:19.# Just one day won't be enough

:12:19. > :12:27.# Hey, good morning

:12:27. > :12:30.# Hey, good morning

:12:30. > :12:36.# We watch the sun come up

:12:36. > :12:38.# It's calling

:12:38. > :12:44.# I want another day with you

:12:44. > :12:46.# Hey, good morning

:12:46. > :12:51.# We watch the sun come up

:12:51. > :12:55.# It's calling

:12:55. > :13:02.# I want just one more day with you. #

:13:02. > :13:12.CHEERING AND APPLAUSE

:13:12. > :13:20.

:13:20. > :13:20.I

:13:20. > :13:21.I can't

:13:21. > :13:31.I can't hear

:13:31. > :14:02.

:14:02. > :14:06.# I want I want everybody here to put the

:14:06. > :14:16.arms around the person next to you. Everybody grab hold of the person

:14:16. > :14:51.

:14:51. > :15:01.# I want T in the Park, I want to get a

:15:01. > :15:28.

:15:28. > :15:32.picture of all you beautiful people. # You want me to come over

:15:32. > :15:35.# Go to talk, then we choke It's like our neck's in a noose

:15:35. > :15:40.# Avoid the obvious We should be facing the truth

:15:40. > :15:43.# Start to think it could be fizzling out

:15:43. > :15:47.# Kinda shocked because I never really had any doubts

:15:47. > :15:54.# Look into your eyes Imagine life without ya

:15:54. > :15:59.# And the love kickstarts again

:15:59. > :16:01.# Starts again

:16:01. > :16:06.# And the love kickstarts again

:16:06. > :16:12.# Starts again

:16:12. > :16:13.# It's the same old you The same old me

:16:13. > :16:15.# You get bored and I get cold feet

:16:15. > :16:19.# Get high, get wandering eyes Forget I've never had it so sweet

:16:19. > :16:21.# I realise what I've got when I'm outta town

:16:21. > :16:23.# Cos deep down You're my girl in a golden crown

:16:23. > :16:25.# My princess And I don't wanna let you down

:16:25. > :16:27.# No, I don't want to let you down

:16:27. > :16:31.# Down, down, down, down, down, down

:16:31. > :16:35.# You want me to come over I got an excuse

:16:35. > :16:38.# Might be holding your hand but I'm holding it loose

:16:38. > :16:42.# Go to talk, then we choke It's like our neck's in a noose

:16:42. > :16:47.# Avoid the obvious We should be facing the truth

:16:47. > :16:50.# Start to think it could be fizzling out

:16:50. > :16:54.# Kinda shocked because I never really had any doubts

:16:54. > :16:59.# Look into your eyes Imagine life without ya

:17:00. > :17:02.# Kick-kickstarts again

:17:02. > :17:05.# Start to think it could be fizzling out

:17:05. > :17:09.# Kinda shocked because I never really had any doubts

:17:09. > :17:14.# Look into your eyes Imagine life without ya

:17:14. > :17:20.# Imagine life without ya Without ya, without ya

:17:20. > :17:23.# And the love kickstarts again

:17:23. > :17:26.# Starts again

:17:26. > :17:30.# And the love kickstarts again

:17:30. > :17:34.# Starts again

:17:34. > :17:37.# Kick-kickstarts

:17:37. > :17:39.# It's the same old you The same old me

:17:39. > :17:41.# You get bored and I get cold feet

:17:41. > :17:43.# Get high, get wandering eyes

:17:43. > :17:45.# Forget I've never ever had it so sweet

:17:45. > :17:47.# I realise what I've got when I'm outta town

:17:47. > :17:49.# Cos deep down You're my girl in a golden crown

:17:49. > :17:51.# My princess I don't wanna let you down

:17:51. > :17:53.# Kick-kickstarts again

:17:53. > :17:56.# Start to think it could be fizzling out

:17:56. > :18:01.# Kinda shocked because I never really had any doubts

:18:01. > :18:05.# Look into your eyes Imagine life without ya

:18:05. > :18:11.# And the love kickstarts again

:18:11. > :18:12.# Start to think it could be fizzling out

:18:12. > :18:16.# Kinda shocked because I never really had any doubts

:18:16. > :18:22.# Look into your eyes Imagine life without ya

:18:23. > :18:25.# And the love kickstarts again

:18:25. > :18:27.CHEERING AND APPLAUSE

:18:27. > :18:27.Scanned,

:18:27. > :18:28.Scanned, thank

:18:28. > :18:32.Scanned, thank you.

:18:32. > :18:37.Scanned, thank you. -- Scotland, thank you.

:18:38. > :18:40.It was some experience watching an Example performance with Example

:18:40. > :18:43.sitting next to you. I can't let this slide.

:18:43. > :18:49.Some of the quotes have been amazing.

:18:49. > :18:54.He had to hush the crew and say, "Listen to this bit here." You have

:18:54. > :18:59.got to be your own worst critic. You are your own best fan.

:18:59. > :19:05.listen, listen Greg, you have got to be your own best fan and your

:19:05. > :19:11.own worst critic. I was watching that and saying the symbols need to

:19:11. > :19:17.be quieter and the guitar needs to be louder. You have got to assess

:19:17. > :19:22.it. And then he comes out with, "This is the best job in the

:19:22. > :19:29.world." Seeing those people smiling, how can you possibly want to stop

:19:29. > :19:32.this? How has that that compared to what has gone before? As it got

:19:32. > :19:39.bigger and bigger, every time we played to a crowd whether in a

:19:39. > :19:45.small dance tent. Two years ago we played to 4 four or 5,000 people,

:19:45. > :19:49.every time you set a new new bar for you have, you want to raise and

:19:49. > :19:56.raise and I watched loads of bands I respect and I take different

:19:56. > :20:06.things, you catch catch Coldplay and you go, I want their lights and

:20:06. > :20:09.you watch Dizzy and go, "I want their sound.". You watch watch

:20:09. > :20:14.watch Florence and you want her hair.

:20:14. > :20:19.I tried to take it off her. The Scottish crowd are the best in

:20:19. > :20:24.the world. How does this crowd compare? Honestly, honestly, so the

:20:24. > :20:30.best gig this year, the top three when I did the Arena tour.

:20:30. > :20:36.I think it was sold out every night? It was sold out. Thanks for

:20:36. > :20:40.that. The best gigs were Aberdeen, Glasgow and MEN. I always know you

:20:40. > :20:46.come north of the border, there is something in the air. They're just

:20:46. > :20:51.crazy. Tonight set the bar. It set the bar.

:20:51. > :20:56.I'm like wondering what gig this year could possibly be bigger than

:20:56. > :21:01.that? In terms of your band as well, having that full set-up behind you,

:21:01. > :21:06.it just works so well. When we perform like obviously, you

:21:06. > :21:11.know, me being me, I love the attention! No, really? No, really!

:21:11. > :21:17.But at the same time I want to portray what I do like as a band.

:21:17. > :21:24.Even people know me as Example, I regularly get tweets or people on

:21:24. > :21:29.Facebook, "Example are the best band." I don't mind being a band. A

:21:29. > :21:32.front man in front of a DJ and a load of people who don't care. I

:21:32. > :21:35.encourage my band to get out there and just behave how they want and

:21:35. > :21:39.that adds a real element to the show that's lacking because there

:21:39. > :21:46.is not many live bands performing as these festivals.

:21:46. > :21:51.You are one of my favourite live acts to watch. You know I take the

:21:51. > :21:56.mickey out of you for selling out the Arena tour. He has done that

:21:56. > :22:01.all night. It has got huge over the last few years. I know you write

:22:01. > :22:05.all the time. I'm not really stopping. Five or ten years ago,

:22:05. > :22:10.there was a safety net, if you had a massive album that sold millions

:22:10. > :22:14.of copies, you go afford to go away. It is a harsh industry, you can be

:22:14. > :22:18.massive one year and have a load of number ones and I'm not going to

:22:18. > :22:23.name names and there are people who had number ones and they have

:22:23. > :22:27.disappeared. You can't afford to get put in with that crowd. I want

:22:27. > :22:31.to keep releasing and bettering my last single and that's the plan. It

:22:31. > :22:37.is up to the public to decide whether they think the new single

:22:37. > :22:41.is better than the last one. After we did the arenas which I wanted to

:22:41. > :22:47.do, but never knew if I would get there. After the arenas and it is

:22:47. > :22:51.stadiums. A few year when we were playing in Camden and I said I'm

:22:51. > :22:55.going to do arenas and everyone laughed and now I want to do

:22:55. > :22:59.stadiums, the great thing is having Ed Sheeran and good mates, but

:22:59. > :23:03.people I respect hugely and take things from their show and what

:23:03. > :23:08.they are doing career wise and they are watching and come up to me

:23:08. > :23:14.afterwards and say, "You can get to that stadium level and go and do

:23:14. > :23:17.it.". There was a load of people... I hope so.

:23:17. > :23:22.Would you like to watch, it is a silly question, would you like to

:23:22. > :23:27.watch some more of your set set? Don't. I'm coming across really

:23:27. > :23:31.badly here. You were both singing along. You

:23:31. > :23:36.were trying to outrap him. I will probably watch that and go

:23:36. > :23:39.back to my keyboard player and go, "What are you doing? Why are you

:23:39. > :23:49.looking like that?" I have got to assess it.

:23:49. > :23:51.

:23:51. > :23:56.This is some more Example. This is a brand-new song. I want

:23:56. > :24:04.everyone to pretend they know the words already.

:24:04. > :24:06.# I been feeling some weight # I been carrying

:24:06. > :24:10.# If we carry this through you're a soldier

:24:10. > :24:13.# Now you make them cringe for the damage

:24:14. > :24:21.# Together, forever, something We've said enough

:24:21. > :24:25.# The pressure, will test ya So here's the best that I can do

:24:25. > :24:35.# Heading up to the unknown It goes at daylight pace

:24:35. > :24:40.

:24:40. > :24:44.# It go-wo-oh-wo-oh-es

:24:44. > :24:51.# Someone tell me where did the sun go?

:24:51. > :24:58.# Someone tell me where did the sun go?

:24:58. > :24:59.# Someone tell me where did the sun go?

:24:59. > :25:03.# Let me tell you how it exactly is So hard, hard to find happiness

:25:03. > :25:05.# Too many things here act as acting is

:25:05. > :25:06.# Don't let them back in Stop the tracking here

:25:06. > :25:12.# One day everything's immaculate Next day someone took your Capulet

:25:12. > :25:13.# Another day I'm gonna feel miraculous

:25:13. > :25:15.# In the sun by now, I'm an activist

:25:15. > :25:25.# Someone tell me where did the sun go?

:25:25. > :25:38.

:25:38. > :25:48.# Don't let them back in Stop the tracking here

:25:48. > :25:49.# Someone tell me where did the sun go?

:25:49. > :25:54.# Someone tell me where did the sun go?

:25:54. > :26:02.# Someone tell me where did the sun go?

:26:02. > :26:09.# Someone tell me where did the sun go?

:26:09. > :26:19.# Someone tell me where did the sun go?

:26:19. > :26:20.

:26:21. > :26:22.# Taking the parking ticket too far

:26:22. > :26:23.# Rabbit in the wedding, man Zippidy do-da

:26:23. > :26:26.# In the classroom Last man standing

:26:26. > :26:27.# Hustling, gambling Putting ma hands in

:26:27. > :26:29.# Probably shouldn't mess up my heartbeat

:26:29. > :26:32.# It all starts quick Then it gets dark quick

:26:32. > :26:33.# I know I keep chancing

:26:33. > :26:43.# There's always gonna be another girl on the market

:26:43. > :26:46.

:26:46. > :26:47.Everybody

:26:47. > :26:47.Everybody show

:26:47. > :26:54.Everybody show me

:26:54. > :27:02.# Someone tell me # Someone tell me where did

:27:02. > :27:09.# Someone tell me where did the sun go?

:27:09. > :27:17.# Someone tell me where did the sun go?

:27:17. > :27:22.# Someone tell me where did the sun go? #

:27:22. > :27:30.APPLAUSE AND CHEERING

:27:30. > :27:30.Everybody

:27:30. > :27:31.Everybody point

:27:31. > :27:41.Everybody point to

:27:41. > :27:44.

:27:44. > :27:54.# I've never been afraid # I have never been afraid

:27:54. > :27:59.

:27:59. > :28:09.# But now I want off this ride # I need a new funfair

:28:09. > :28:33.

:28:33. > :28:37.# Cos you changed the way # Cos you changed the way

:28:37. > :28:40.# We used to be so, so soulful Al Green on the background vocals

:28:40. > :28:42.# Teetotal on the next high

:28:42. > :28:44.# We get by with a so-called soul mate

:28:44. > :28:46.# Made for each other chit-chat But that

:28:46. > :28:48.# Dried up, wise up to the cutting-edge facts

:28:48. > :28:50.# Now I'm chilling on my jack jones

:28:50. > :28:52.# Looking for a way back home But I can't get back

:28:52. > :28:55.# Our love feels wrong Please wind it back

:28:55. > :28:59.Can't hide the cracks

:28:59. > :29:03.# I guarantee you'll miss me

:29:03. > :29:07.# Cos you changed the way you kiss me

:29:07. > :29:17.# I've never been afraid of the highest heights

:29:17. > :29:17.

:29:17. > :29:20.# I've never been afraid of the highest heights

:29:20. > :29:23.# Or afraid of flying now

:29:23. > :29:28.# I've never been afraid of the wildest fights

:29:28. > :29:32.# Not afraid of dying

:29:32. > :29:36.# I need a new funfair cos you're scaring me

:29:36. > :29:39.# And I don't like where we're going

:29:39. > :29:41.# I guarantee you'll miss me

:29:41. > :29:51.# Cos you changed the way you kiss me

:29:51. > :29:56.

:29:56. > :29:56.All

:29:56. > :29:56.All right

:29:56. > :30:05.All right Scotland

:30:05. > :30:15.All right Scotland let's have it. # Cos you changed the way

:30:15. > :30:15.

:30:15. > :30:25.# Our love feels wrong # Cos you changed the way

:30:25. > :30:48.

:30:48. > :30:58.# Cos you changed the way # I've never been afraid

:30:58. > :31:08.# I've never been afraid # I need a new funfair

:31:08. > :31:08.

:31:08. > :31:51.Apology for the loss of subtitles for 54 seconds

:31:51. > :31:58.# Cos you changed the way Ladies and gentlemen, one last time.

:31:59. > :32:08.Make some noise for me. # Cos you changed the way

:32:09. > :32:11.

:32:11. > :32:17.I have got a few changes I want to make.

:32:17. > :32:25.We will get you that DVD of it. My mum mum lives in Australia and

:32:25. > :32:29.when I say I've done a gig, I don't know if she believes me.

:32:29. > :32:39.That is pretty special. Thank you for letting me sit here and enjoy

:32:39. > :32:43.

:32:43. > :32:50.it. We had no choice! Fred says is Greg getting bigger or

:32:50. > :32:57.it just me? He hasn't jumped around as much as you have. That was an

:32:57. > :33:02.amazing experience to watch examp examp Example with Example.

:33:02. > :33:07.When I did the Isle of Wight the other week, I watched the DVD and

:33:07. > :33:13.made notes on my way home! I need a haircut. This is awful.

:33:13. > :33:20.We are going to let you celebrate. If you want to get into a festival,

:33:20. > :33:23.you need... Passes. Go and celebrate with your girlfriend who

:33:23. > :33:28.has come across from Australia. I love you.

:33:28. > :33:33.It is going to be a nice night. All right. There you go.

:33:33. > :33:43.We are going to take it down a notch.

:33:43. > :33:48.

:33:48. > :33:58.. We are going to watch King # The brightest lights

:33:58. > :34:07.

:34:07. > :34:17.# Will be chased # Oh, the dawn light

:34:17. > :34:20.

:34:20. > :34:25.# Hang the villains and the crooks # Oh the moonlight shadows

:34:25. > :34:27.# Only the moment you're in can delight in sin

:34:27. > :34:30.# So forget your regrets and pains

:34:30. > :34:35.# The brightest lights cast the darkest shadows

:34:35. > :34:40.# And that's where I'll be found

:34:40. > :34:46.# For what's hiding by the morning

:34:46. > :34:56.# Will be chased by daylight's hounds

:34:56. > :34:56.

:34:56. > :34:59.# Well, the twilight shivers as darkness is risen

:34:59. > :35:02.# Cold ash poured over the sun

:35:02. > :35:04.# For the sun to rise again he must go through hell

:35:04. > :35:08.# To see what the darkness has done

:35:08. > :35:11.# The depraved are tamed Caught in pleasures chains

:35:11. > :35:13.# Are willingly surrendering

:35:13. > :35:16.# There's a song to your soul while you bow to gold

:35:16. > :35:22.# This song the angels sing

:35:22. > :35:26.# The brightest lights cast the darkest shadows

:35:26. > :35:33.# And that's where I'll be found

:35:33. > :35:38.# For what's hiding by the morning

:35:38. > :35:44.# Will be chased by daylight's hounds

:35:44. > :35:49.# The brightest lights cast the darkest shadows

:35:49. > :35:55.# And that's where I'll be found

:35:55. > :36:01.# For what's hiding by the morning

:36:01. > :36:10.# Will be chased by daylight's hounds

:36:10. > :36:15.# The brightest lights cast the darkest shadows

:36:15. > :36:22.# And that's where I'll be found

:36:22. > :36:28.# For what's hiding by the morning

:36:28. > :36:38.# Will be chased by daylight's hounds. #

:36:38. > :36:41.

:36:41. > :36:41.We

:36:41. > :36:41.We missed

:36:41. > :36:45.We missed a

:36:45. > :36:51.We missed a trick, that's how we should have dressed tonight.

:36:51. > :36:56.It did look like us. It would look like us if we had a breakdown.

:36:56. > :37:02.I can't stop laughing after that. Been on tour with Mumford and Sons.

:37:02. > :37:07.They are the same folky family. The Mumford, the single version has

:37:07. > :37:17.Mumford and Sons doing the vocals. We are going to check out a band

:37:17. > :37:18.

:37:18. > :38:02.Apology for the loss of subtitles for 54 seconds

:38:02. > :38:12.who were on today on the Radio One # A better night sleep at home

:38:12. > :38:12.

:38:12. > :40:14.Apology for the loss of subtitles for 54 seconds

:40:14. > :40:17.# While the angels walk with # That was nice that.

:40:17. > :40:21.The Red Button has started as well so there is loads of stuff that you

:40:21. > :40:25.can check on and the website for lots of performances from T in the

:40:25. > :40:26.Park and keep your questions coming in. Professor Green is coming in

:40:26. > :40:36.later on. He is.

:40:36. > :40:38.

:40:38. > :40:44.We have got his performance coming Tinie Tempah. Yes. I think it is

:40:44. > :40:49.her third time back at T in the Park. She has an effortless

:40:49. > :40:53.brilliance. This is her first main stage at the

:40:53. > :40:56.T in the Park. She was at Hackney. The sun was out, it was great in

:40:56. > :41:06.the sun, but it was good in the dark as well.

:41:06. > :41:06.

:41:06. > :42:40.Apology for the loss of subtitles for 54 seconds

:42:40. > :42:50.Well, here she is on the main stage # Each breath screaming

:42:50. > :43:12.

:43:12. > :43:22.# The breath that passed # That slipped from your mouth

:43:22. > :43:24.

:43:24. > :43:34.# The breath that passed # That slipped from your mouth

:43:34. > :44:10.

:44:10. > :44:14.# I have this breath # And I keep it in my chest

:44:14. > :44:17.# I pray to God this breath will last

:44:17. > :44:19.# As it pushes past my lips

:44:19. > :44:29.# As I... #

:44:29. > :44:35.

:44:35. > :44:45.# Ah ah ah ah ah

:44:45. > :44:52.

:44:52. > :44:56.# Oooh oooh ooh

:44:56. > :45:06.# Oooh oooh ooh

:45:06. > :45:14.

:45:14. > :45:17.CHEERING AND APPLAUSE

:45:17. > :45:17.Thank

:45:18. > :45:27.Thank you.

:45:27. > :45:31.# The looking glass so shiny and new

:45:31. > :45:34.# How quickly the glamour fades

:45:34. > :45:38.# I start spinning slipping out of time

:45:38. > :45:42.# Was that the wrong pill to take

:45:42. > :45:43.# Raise it up

:45:43. > :45:46.# You made a deal and now it seems you have to offer up

:45:46. > :45:50.# But will it ever be enough

:45:50. > :45:53.# Raise it up, raise it up

:45:53. > :45:55.# It's not enough

:45:55. > :45:58.# Raise it up, raise it up

:45:58. > :46:01.# Here I am a rabbit-hearted girl

:46:01. > :46:06.# Frozen in the headlights

:46:06. > :46:15.# It seems I've made the final sacrifice

:46:15. > :46:25.# We raise it up this offering

:46:25. > :46:31.# We raise it up

:46:31. > :46:34.# This is a gift It comes with a price

:46:34. > :46:38.# Who is the lamb and who is the knife

:46:38. > :46:42.# Midas is king and he holds me so tight

:46:42. > :46:45.# And turns me to gold in the sunlight

:46:45. > :46:51.# I look around but I can't find you

:46:51. > :46:52.# Raise it up

:46:52. > :46:54.# If only I could see your face

:46:54. > :46:56.# Raise it up

:46:56. > :46:59.# Instead of rushing towards the skyline

:46:59. > :47:01.# Raise it up

:47:01. > :47:03.# I wish that I could just be brave

:47:03. > :47:06.# I must become a lion-hearted girl

:47:06. > :47:12.# Ready for a fight

:47:12. > :47:22.# Before I make the final sacrifice

:47:22. > :47:28.

:47:28. > :47:33.# We raise it up this offering

:47:33. > :47:39.# We raise it up

:47:39. > :47:41.# This is a gift It comes with a price

:47:41. > :47:42.# Who is the lamb and who is the knife

:47:42. > :47:45.# Midas is king and he holds me so tight

:47:45. > :47:55.# And turns me to gold in the sunlight

:47:55. > :47:56.

:47:56. > :48:01.# Raise it up, raise it up

:48:01. > :48:03.# Raise it up, raise it up

:48:03. > :48:09.# And in the spring

:48:09. > :48:17.# And it blows away with the changing wind

:48:17. > :48:19.# The waters turn from blue to red

:48:19. > :48:29.# As towards the sky I offer it

:48:29. > :48:29.

:48:29. > :49:40.Apology for the loss of subtitles for 54 seconds

:49:40. > :49:42.# Who is the lamb and who is the knife

:49:42. > :49:48.# Midas is king and he holds me so tight

:49:48. > :49:55.# And turns me to gold in the sunlight

:49:55. > :49:56.# This is a gift it comes with a price

:49:56. > :49:58.# Who is the lamb and who is the knife

:49:58. > :50:03.# Midas is king and he holds me so tight

:50:03. > :50:12.# And turns me to gold in the sunlight

:50:12. > :50:22.CHEERING AND APPLAUSE

:50:22. > :50:35.

:50:35. > :50:35.It

:50:35. > :50:36.It is

:50:36. > :50:46.It is so

:50:46. > :50:54.

:50:54. > :50:57.It is so nice to see you all. You # This is a gift

:50:57. > :51:07.# Midas is king and he holds me so tight

:51:07. > :51:08.

:51:08. > :51:16.# And turns me to gold in the sunlight

:51:16. > :51:26.CHEERING AND APPLAUSE

:51:26. > :51:48.

:51:48. > :51:49.# When we first came here we were cold and we were clear

:51:49. > :51:55.# With no colours in our skin we were light and paper thin

:51:55. > :52:02.# And when we first came here we were cold and we were clear

:52:02. > :52:12.# With no colours in our skin till we let the spectrum in

:52:12. > :52:12.

:52:12. > :52:16.# Say my name and every colour illuminates

:52:16. > :52:24.# We are shining and we will never be afraid again

:52:24. > :52:32.# Say my name as every colour illuminates

:52:32. > :52:40.# We are shining and we will never be afraid again

:52:40. > :52:50.# Say my name as every colour illuminates

:52:50. > :52:55.

:52:55. > :52:55.Let's

:52:55. > :52:56.Let's see

:52:56. > :53:02.Let's see you

:53:02. > :53:11.Let's see you girls on the # And when we come for you

:53:11. > :53:20.# And when it's time to pray dressed up all in gray

:53:20. > :53:27.# With metal on our tongues and silver in our lungs

:53:27. > :53:33.# Say my name and every colour illuminates

:53:33. > :53:40.# We are shining and we will never be afraid again

:53:40. > :53:49.# Say my name as every colour illuminates

:53:49. > :53:59.# We are shining and we will never be afraid again

:53:59. > :53:59.

:53:59. > :54:06.# Say my name as every colour illuminates

:54:06. > :54:16.# We are shining and we will never be afraid again

:54:16. > :54:18.

:54:18. > :54:19.# And when we come back we'll be dressed in black

:54:20. > :54:23.# And you'll scream my name aloud

:54:23. > :54:26.# And we won't eat and we won't sleep

:54:26. > :54:36.# We'll drag bodies from a ground

:54:36. > :54:41.

:54:41. > :54:51.# So say my name and every colour illuminates

:54:51. > :54:51.I

:54:51. > :54:51.I will

:54:51. > :55:01.I will see

:55:01. > :55:05.

:55:06. > :55:15.I will see you at the back and the # So say my name

:55:16. > :55:18.

:55:18. > :55:28.# Say my name as every colour illuminates

:55:28. > :55:35.

:55:35. > :55:38.# We are shining and we will never be afraid again

:55:38. > :55:48.# Say my name as every colour illuminates

:55:48. > :55:53.

:55:53. > :56:00.# Say my name, we are shining

:56:00. > :56:08.# Say my name, say my name

:56:08. > :56:18.# And we will never be afraid again. #

:56:18. > :56:24.

:56:24. > :56:24.Absolutely

:56:24. > :56:25.Absolutely one

:56:25. > :56:30.Absolutely one of

:56:30. > :56:34.Absolutely one of my favourite live performers. Whenever Florence sings,

:56:34. > :56:38.the sun comes out. Yes! It feels like you are hearing

:56:39. > :56:44.the songs for the first time. There is something magical about her