:00:22. > :00:26.Hello and welcome to T in the Park 2013, live here from Balado. We have
:00:26. > :00:36.had outstanding performances so far and we are only just going into the
:00:36. > :00:36.
:00:36. > :01:32.Apology for the loss of subtitles for 56 seconds
:01:32. > :01:39.live music from Paloma Faith, the Courteeneers and The View and seeing
:01:39. > :01:42.how mum Ford and sons -- Mumford and Sons went down and Calvin Harris. I
:01:42. > :01:46.saw both performances and they're worth sticking around for,
:01:46. > :01:50.especially Calvin Harris' show, it was nothing short of breathtaking.
:01:50. > :01:54.Great fun. Next we are going to go and see The View who are a band who
:01:54. > :01:59.have played this Festival seven times in the past. But they still
:01:59. > :02:03.walked on that stage as if it was the first time. The energy, the
:02:03. > :02:13.enthusiasm, and the sing-alongs they brought to the Festival was
:02:13. > :02:39.
:02:39. > :02:49.# Skip away from a drunken day # Steal away from a drunken night
:02:49. > :02:50.
:02:50. > :03:00.# I left the pub when we got kicked out and wake me up on Sunday
:03:00. > :03:00.
:03:00. > :03:10.# I run away from a broken day and wake me up on Sunday
:03:10. > :03:11.
:03:11. > :03:14.# Cos when I'm looking for something new I won't ask you
:03:14. > :03:21.# I'm not stealing hope from you I'm not stealing hope from you
:03:21. > :03:31.# I'm not stealing hope from you I'm not stealing hope from you
:03:31. > :03:44.
:03:44. > :03:49.# Shift is done and I sing this song and wake me up on a Sunday
:03:49. > :03:59.# Cos when I'm looking for something new I won't ask you
:03:59. > :04:03.
:04:03. > :04:10.# I'm not stealing hope from you I'm not stealing hope from you
:04:10. > :04:19.# I'm not stealing hope from you I'm not stealing hope from you
:04:19. > :04:29.# I'm not stealing hope from you I'm not stealing hope from you
:04:29. > :04:51.
:04:51. > :04:54.# Take a note of the scenic road, girl
:04:54. > :04:56.# Jump around, to the stolen To the stolen sound
:04:56. > :05:02.# So jump around, to the stolen To the stolen sound
:05:02. > :05:12.# I'm not stealing hope from you I'm not stealing hope from you
:05:12. > :05:12.
:05:12. > :05:15.# Wake me up on a Sunday Wake me up on a Sunday
:05:15. > :05:25.# I'm not stealing hope from you I'm not stealing hope from you
:05:25. > :05:25.
:05:25. > :06:06.Apology for the loss of subtitles for 56 seconds
:06:06. > :06:06.That
:06:06. > :06:07.That was
:06:07. > :06:14.That was The
:06:14. > :06:18.today with their track Sunday on The Main Stage here at T in the Park. An
:06:18. > :06:24.amazing performance. I am sure you all spotted a few rosy faces in the
:06:24. > :06:27.crowd there, seeing too much of the sun. I think the lead singer of The
:06:27. > :06:31.View Kyle can be included in that. It's great to see how many people
:06:31. > :06:34.were singing along at what was an early slot at the Festival. Now next
:06:34. > :06:41.on the show we are going to bring a little bit of glamour to the
:06:41. > :06:51.Festival. Paloma Faith was playing tonight on The Main Stage and wait
:06:51. > :06:51.
:06:51. > :07:39.Apology for the loss of subtitles for 56 seconds
:07:39. > :07:43.until you see the high heels she was # # Shining in
:07:43. > :07:52.# Her splendour # Now she's gone
:07:52. > :08:02.# And I'm picking up the pieces # I watch you cry
:08:02. > :08:05.
:08:05. > :08:15.# Don't you see I am by your side # Now she's gone
:08:15. > :08:19.# And I'm picking up the pieces # She left behind
:08:19. > :08:24.# I found a photograph behind the TV # You look so happy, are you missing
:08:24. > :08:34.the way it used to be? # And I have changed this room
:08:34. > :08:35.
:08:35. > :08:45.around more often lately # It's clear that me and these four
:08:45. > :08:46.
:08:46. > :08:51.walls still know it's hers and yours # Perfect heart, she's flawless
:08:51. > :08:55.# She's the other woman # Shining in her splendour
:08:55. > :09:02.# You were lost # Now she's gone
:09:02. > :09:07.# And I'm picking up the pieces # I watch you cry
:09:07. > :09:14.# But you don't see # That I am the one by your side
:09:14. > :09:23.# Cause she's gone # In her shadow is it me you see?
:09:23. > :09:27.# Cause all that's left is you and I # And I'm picking up the pieces she
:09:27. > :09:35.left behind # Are we liars in denial?
:09:35. > :09:40.# Are we smoke without the fire? # Tell me please, is this worth it?
:09:40. > :09:48.# I deserve it # Cause she's gone
:09:49. > :09:52.# And I'm picking up the pieces # I watch you cry
:09:52. > :09:58.# But you don't see that I am the one by your side
:09:58. > :10:04.# Cause she's gone In her shadow is it me you see?
:10:04. > :10:11.# Cause all that's left is you and I # And I'm picking up the pieces
:10:11. > :10:15.# She left behind You are all going to sing. You have
:10:15. > :10:25.to sing it. Everybody together. Here we go.
:10:25. > :10:53.
:10:53. > :11:03.# Picking up the pieces Keep going!
:11:03. > :11:29.
:11:29. > :11:39.# Picking up the pieces # I'm picking up the pieces
:11:39. > :11:39.
:11:39. > :12:19.Apology for the loss of subtitles for 56 seconds
:12:19. > :12:27.Thank you for singing T in the Park. I am Paloma Faith. Give it up for my
:12:27. > :12:30.amazing band. This is Fall to Grace. So much glamour. That was Paloma
:12:31. > :12:35.Faith recorded live on The Main Stage earlier this evening at T in
:12:35. > :12:39.the Park. It's amazing to see the crowd getting so excited by that. A
:12:39. > :12:45.huge stage performance, having dancers and transforming The Main
:12:45. > :12:49.Stage with the flowers and that band were fantastic, as well. Great
:12:49. > :12:55.sing-along we had from the T in the Park crowd. Next we are going to a
:12:55. > :13:02.man who performed on the King Tut Stage today, Miles Kane who always
:13:02. > :13:12.puts in an amazing performance. Here he is recorded at T in the Park,
:13:12. > :13:43.
:13:43. > :13:53.# True romance # Crawling through
:13:53. > :14:18.
:14:19. > :14:28.# I'm on higher ground # Sub-zero
:14:29. > :14:39.
:14:39. > :14:49.# I'm on higher ground # All in good time you'll find
:14:49. > :15:18.
:15:18. > :15:28.# Tinted spectacles # Heaven rows
:15:28. > :15:34.
:15:34. > :15:43.# All in good time you'll find that I'm the first of mine
:15:43. > :15:47.# My kind, my kind
:15:47. > :15:50.# Yeah I'm the first of mine
:15:50. > :15:53.# My kind, my kind
:15:53. > :15:57.# Yeah I'm the first of mine
:15:57. > :16:00.# My kind, my kind
:16:00. > :16:03.# My kind, my kind
:16:03. > :16:05.# Yeah I'm the first of mine
:16:05. > :16:10.# My kind, my kind
:16:10. > :16:20.# My kind, yeah. #
:16:20. > :16:29.
:16:29. > :16:29.Thank
:16:29. > :16:29.Thank you
:16:30. > :16:35.Thank you very
:16:35. > :16:39.Thank you very much. Miles Kane recorded today on the King Tut tent
:16:39. > :16:42.here. That was his third performance in a row at the Festival. Now next
:16:42. > :16:47.we are going to a band who are perfect for that time in the
:16:47. > :16:53.Festival when you are feeling a little bit tired at about 6.00pm.
:16:53. > :16:56.Noah and The Whale performed on the stage earlier - no, we are not going
:16:56. > :17:01.to that. We are going to Texas, Festival favourites. When you watch
:17:01. > :17:04.Texas they're one of those bands you go I know a couple of songs and you
:17:04. > :17:14.see the performance and you know every single one. Here is Texas
:17:14. > :17:46.
:17:46. > :17:49.recorded earlier with Inner Smile. # And took me in so soon
:17:49. > :17:59.# Just maybe I'm ready to show myself to you
:17:59. > :18:08.# So if I lose my patience # You must try to understand
:18:08. > :18:18.# If I lose my patience, oh, yeah # Cos you make me feel
:18:18. > :18:29.
:18:29. > :18:38.# Yeah, yeah, you make me feel # Come on and make your move
:18:38. > :18:40.# And free me # If I am a river below you escape
:18:40. > :18:45.away to # But maybe I'm ready
:18:45. > :18:55.# I'm falling into you # So if I lose my patience
:18:55. > :18:57.
:18:57. > :19:03.# You must try to understand # And if I lose my patience
:19:03. > :19:07.# Oh, yeah # Cos you make me feel
:19:07. > :19:15.# Yeah, yeah # You make me feel wild
:19:15. > :19:25.# You touch my inner smile # You got me in the mood
:19:25. > :19:26.
:19:26. > :19:36.# So come on make your move # And free me
:19:36. > :19:54.
:19:54. > :19:59.# Free me # Yeah, yeah
:19:59. > :20:08.# You make me feel # Yeah, yeah
:20:08. > :20:16.# You make me feel wild # You touch my inner smile
:20:16. > :20:26.# You got me in the mood # Come on make your move
:20:26. > :20:28.
:20:28. > :20:37.# And touch my inner smile # And get my inner smile
:20:37. > :20:46.# Smile, smile, yeah # Sometimes I need to be alone
:20:46. > :20:56.# Sometimes I'm needing you to phone # Sometimes you make me feel so high
:20:56. > :21:00.# There's times I ask myself why See, I bet you found you were
:21:00. > :21:04.humming along there. That's the effect Texas have. An amazing
:21:04. > :21:10.performance from earlier today on The Main Stage. Now this time we are
:21:10. > :21:20.going to see Noah and The Whale who were playing around the same sort of
:21:20. > :21:35.
:21:35. > :21:40.time. Here's their track Life Goes # Lisa likes brandy
:21:40. > :21:46.# She's got deep brown eyes That've seen it all
:21:46. > :21:49.# Working at a nightclub That was called The Avenue
:21:49. > :21:52.# The barmen used to call her "Little Lisa, Looney Tunes"
:21:52. > :21:59.# She went on almost anyone From the hard time living
:21:59. > :22:01.# Till the Chelsea days
:22:01. > :22:02.# From when her hair was sweet blonde
:22:02. > :22:07.# Till the day it turned grey She said "L-I-F-E G-O-E-S O-N"
:22:07. > :22:09.# You've got more than money And sense, my friend
:22:10. > :22:15.# You've got heart And you go in your own way
:22:15. > :22:18.# L-I-F-E G-O-E-S O-N
:22:18. > :22:21.# What you don't have now Will come back again
:22:21. > :22:31.# You've got heart And you go in your own way
:22:31. > :22:39.
:22:39. > :22:41.# Some people wear their history Like a map on their face
:22:41. > :22:44.# And Joey was an artist Just living out a case
:22:44. > :22:50.# But his best work Was his letters home
:22:50. > :22:53.# His standard works of fiction About imaginary success
:22:53. > :22:56.# The chorus girls in neon Were his closest things to friends
:22:57. > :23:02.# But to a writer The truth is no big deal
:23:02. > :23:05.# From the hard time living To the sleepless nights
:23:05. > :23:08.# And the black and blue body From the weekend fights
:23:08. > :23:11.# He'd say "L-I-F-E G-O-E-S O-N"
:23:11. > :23:14.# You've got more than money And sense, my friend
:23:14. > :23:19.# You've got heart And you go in your own way
:23:19. > :23:22.# L-I-F-E G-O-E-S O-N
:23:22. > :23:25.# What you don't have now Will come back again
:23:25. > :23:32.# You've got heart And you go in your own way
:23:32. > :23:36.# On my last night on earth I won't look to the sky
:23:36. > :23:43.# Just breathe in the air And blink in the light
:23:43. > :23:49.# On my last night on earth I'll pay a high price
:23:49. > :23:55.# To have no regrets And be done with my life
:23:55. > :23:58.# L-I-F-E G-O-E-S O-N
:23:58. > :24:01.# You've got more than money And sense, my friend
:24:01. > :24:06.# You've got heart And you go in your own way
:24:06. > :24:10.# L-I-F-E G-O-E-S O-N
:24:10. > :24:13.# What you don't have now Will come back again
:24:13. > :24:18.# You've got heart And you go in your own way
:24:18. > :24:21.# L-I-F-E G-O-E-S O-N
:24:21. > :24:24.# You've got more than money And sense, my friend
:24:24. > :24:30.# You've got heart And you go in your own way
:24:30. > :24:33.# L-I-F-E G-O-E-S O-N
:24:33. > :24:36.# What you don't have now Will come back again
:24:36. > :24:38.# You've got heart
:24:38. > :24:48.# And you go in your own way. #
:24:48. > :25:14.
:25:14. > :25:15.An
:25:15. > :25:15.An asome
:25:15. > :25:20.An asome set
:25:20. > :25:26.An asome set there. -- awesome set there. Yesterday ended here at T in
:25:26. > :25:29.the Park with a triumph apt set from Mumford and Sons, a band who played
:25:29. > :25:39.the Festival three times and have gone through the rank getting bigger
:25:39. > :25:39.
:25:39. > :26:46.Apology for the loss of subtitles for 56 seconds
:26:46. > :26:56.and bigger stages each time. Here's And I will wait, I will wait for you
:26:56. > :26:56.
:26:56. > :28:37.Apology for the loss of subtitles for 56 seconds
:28:37. > :28:47.# And I will wait, I will wait for # And I'll kneel down
:28:47. > :28:47.
:28:47. > :30:17.Apology for the loss of subtitles for 56 seconds
:30:17. > :30:21.# And I'll kneel down Thank you very much, T. An awesome
:30:21. > :30:25.performance from last night. You can see that whole set on the BBC
:30:25. > :30:29.website right now. Check that out if you love a bit of banjo action. The
:30:29. > :30:35.next band are a band who have risen through the ranks of the stages here
:30:35. > :30:45.at T in the Park. It's Frightened Rabbit.
:30:45. > :30:45.
:30:45. > :31:47.Apology for the loss of subtitles for 56 seconds
:31:47. > :31:57.# Put the brakes # Would you get old, old fashioned
:31:57. > :32:30.
:32:30. > :32:40.# Put the wall clock in the top # Of the open fire and the shuffle
:32:40. > :32:40.
:32:40. > :33:31.Apology for the loss of subtitles for 56 seconds
:33:31. > :33:41.# Would you get old, old fashioned # We won't have to rely
:33:41. > :33:41.
:33:41. > :34:31.Apology for the loss of subtitles for 56 seconds
:34:31. > :34:37.# Would you get old, old fashioned person in that crowd not screaming
:34:37. > :34:44.along at the end. That was Frightened Rabbit ordered --
:34:44. > :34:50.recorded about 25 minutes ago. These boys have legged it right here. It's
:34:50. > :34:56.Grant and Scott. How are you doing? Still sweating. It would be easy to
:34:56. > :35:00.say you are sweaty, but you are roasting. We like to keep it real.
:35:00. > :35:04.Is that what we are doing? I would rather not look sweaty on the telly.
:35:04. > :35:10.Tell us how it feels to have played what is probably your biggest
:35:10. > :35:15.Scottish show to date? Great, yeah. Amazing. You know, great fun. It's
:35:15. > :35:20.one of those things that now it's over you can kind of breathe a sigh
:35:20. > :35:24.of relief and get on with the night. Amazing. Really good. A lot of fun.
:35:24. > :35:32.Is it actually as deafening when the crowd are singing to you guys as it
:35:32. > :35:38.is to be in that crowd or do you -- do you shrug it off They're further
:35:38. > :35:42.away. I wish they were closer. I like to see eyeballs. That's one -
:35:42. > :35:45.people do love to sing at Festivals but here more than anywhere else we
:35:45. > :35:48.have been - people get into it. Sometimes it sounds like a football
:35:48. > :35:53.crowd or something. It's an amazing experience to get that coming back
:35:54. > :36:00.at you. There's going to be hoarse voices tomorrow thanks to you boys.
:36:00. > :36:09.I would hope so. You played on the T Break stage here. Tell us what that
:36:09. > :36:14.journey has been like from a tent to about a few people to thousands.
:36:14. > :36:19.Let's round it up! Amazing. The thing is T in the Park has brought
:36:19. > :36:23.our band - a couple of those kind of watershed moments where we weren't
:36:23. > :36:27.really expecting anyone to turn up or not this many and the first time
:36:27. > :36:32.we played it was more people than we expected. Second time was way more
:36:32. > :36:36.and today it always surpasses expectations. Our journey from T
:36:36. > :36:41.Break to the Radio One Stage has been incredible and T in the Park
:36:41. > :36:45.has marked certain parts of our career. Very quickly, is there
:36:45. > :36:51.anyone you have seen back stage that's like really famous that you
:36:51. > :36:59.have looked at each other and gone, oh, my God, chat to them! We were
:36:59. > :37:03.right next to Kesha. I have heard she's a thing for beards. She's in
:37:03. > :37:11.the right place, I believe. There's loads of creepy guys with beards
:37:11. > :37:15.lingering outside her dressing room. I hear you like beards! Thank you
:37:15. > :37:23.for joining us, we will let you get away and towel yourselves down!
:37:23. > :37:29.Enjoy the evening. All the best. OK. Now live from Balado it's T in the
:37:29. > :37:35.Park 2013 we are going to two performances in a row. Shortly The
:37:35. > :37:45.Fratellis, always a Festival favourite, but first it's The
:37:45. > :37:45.
:37:45. > :39:26.Apology for the loss of subtitles for 56 seconds
:39:26. > :39:31.# She turns to me and says # # You're not 19 forever
:39:32. > :39:41.# Pull yourself together # I know it seems strange
:39:41. > :39:45.# But things they change # Older woman and an ever so
:39:45. > :39:55.slightly younger man # God bless the band
:39:55. > :40:13.
:40:13. > :40:21.# They're doing all they can # You're not 19 forever
:40:21. > :40:24.# I know it seems strange but things they change
:40:25. > :40:32.# Older woman and an ever so slightly younger man
:40:32. > :40:42.# God bless the band # They're doing all they can
:40:42. > :40:51.
:40:51. > :41:01.# God bless Scotland # # You're not 19 forever
:41:01. > :41:09.
:41:09. > :41:19.# You're not 19 forever # It's not big, it's definitely not
:41:19. > :41:19.
:41:19. > :43:16.Apology for the loss of subtitles for 56 seconds
:43:16. > :43:20.# It's not big, it's definitely not # She said you got me wrong
:43:20. > :43:23.# I would have sold them to you # If I could have just kept the last
:43:23. > :43:27.of my clothes on # Call me up take me down with you
:43:27. > :43:33.when you go # I could be your regular belle
:43:33. > :43:34.# And I'll dance for little Steven and Joanna around the back of my
:43:34. > :43:38.hotel # I was good she was hot
:43:38. > :43:42.# Stealing everything she got # I was bold she was over the worst
:43:42. > :43:46.of it # Gave me gear thank you dear, bring
:43:46. > :43:56.your sister over here # Let her dance with me just for the
:43:56. > :44:13.
:44:13. > :44:18.hell of it # Chelsea, Chelsea, I believe that
:44:18. > :44:20.when you're dancing # Slowly sucking your sleeve
:44:20. > :44:24.# The boys get lonely after you leave
:44:24. > :44:30.# And it's one for the dagger and another for the one you believe
:44:30. > :44:32.# Chelsea, Chelsea, I believe that when you're dancing slowly sucking
:44:33. > :44:35.your sleeve # The boys get lonely after you
:44:35. > :44:43.leave # It's one for the dagger and
:44:43. > :44:53.another for the one you believe # The one you believe
:44:53. > :45:03.
:45:03. > :45:09.# The one you believe # No, no, no
:45:09. > :45:13.As ever, a classic performance by the Fratellis today. It's like that
:45:14. > :45:19.track is a Festival anthem of sorts. You walk about the site and you will
:45:19. > :45:24.hear big groups of people singing along. It's an absolute classic. A
:45:24. > :45:27.great performance there. If you want to see even more T in the Park
:45:27. > :45:31.coverage you can click over to the red button on your remote control
:45:31. > :45:37.right now. We have Paloma Faith bringing that glamour we saw earlier
:45:37. > :45:42.on, you can see her full performance on the red button. Next on BBC2
:45:42. > :45:52.Scotland we are going to see Chase and Status who put on an absolutely
:45:52. > :45:56.
:45:56. > :46:06.massive performance last night. Scotland, it's about time! Make some
:46:06. > :46:30.
:46:30. > :46:35.# I am a man with a heavy heart # Riding with automatic
:46:35. > :46:41.# So I know I need this sweet sensation
:46:41. > :46:47.# Sweet sensation
:46:47. > :46:57.# The music that we play will ease your mind
:46:57. > :47:03.
:47:03. > :47:05.# It's a blind faith A cruel waste, a bitter taste
:47:05. > :47:09.# So I know I need this sweet sensation
:47:09. > :47:15.# Sweet sensation
:47:15. > :47:22.# The music that we play will ease your mind
:47:22. > :47:27.# Sweet sensation
:47:27. > :47:37.# The music that we play will ease your mind
:47:37. > :47:41.
:47:41. > :47:44.# What is a man to do with his mind?
:47:44. > :47:47.# When it's working overtime?
:47:47. > :47:52.# The best I can do is not dance with the devil
:47:53. > :48:00.# I keep myself sane I won't waste this time and space
:48:00. > :48:07.# So I know I need this sweet sensation
:48:07. > :48:13.# Sweet sensation
:48:13. > :48:20.# The music that we play will ease your mind
:48:20. > :48:27.# Sweet sensation
:48:27. > :48:37.# The music that we play will ease your mind
:48:37. > :48:41.
:48:41. > :48:45.# I am a man with a heavy heart
:48:45. > :48:53.# I am a man with a heavy heart
:48:53. > :48:55.# It's a blind faith, a cruel waste
:48:55. > :48:59.# What a bitter taste
:48:59. > :49:05.# So I know I need this sweet sensation
:49:05. > :49:11.# Sweet sensation
:49:11. > :49:19.# The music that we play will ease your mind
:49:19. > :49:25.# Sweet sensation
:49:25. > :49:33.# The music that we play will ease your mind
:49:33. > :49:40.# I am a man with a heavy heart
:49:40. > :49:47.# I am a man with a heavy heart
:49:47. > :49:51.# It's a blind faith, a cruel waste
:49:51. > :49:54.# What a bitter taste
:49:54. > :50:04.# So I know I need this sweet sensation
:50:04. > :50:09.
:50:10. > :50:10.Massive
:50:10. > :50:11.Massive performance
:50:11. > :50:16.Massive performance from
:50:16. > :50:20.Status recorded yesterday here at T in the Park. Now it's funny The
:50:20. > :50:23.Frightened Rabbit boys were saying T in the Park can be a benchmark on a
:50:23. > :50:30.band's career and the next band we are going to show you that couldn't
:50:30. > :50:40.be truer of. They started playing at the first ever T in the Park in 1994
:50:40. > :50:40.
:50:40. > :51:33.Apology for the loss of subtitles for 56 seconds
:51:33. > :51:43.on the Comedy Tent, no less, this is # Is it because I lied
:51:43. > :51:43.
:51:43. > :53:19.Apology for the loss of subtitles for 56 seconds
:53:19. > :53:24.# Is it because I lied single person does the pogo, you
:53:24. > :53:28.know this one? On the final chorus will you do this? Will you do it? I
:53:28. > :53:37.want to see everyone, even the security guards at the front. Guys,
:53:37. > :53:39.you have to do it otherwise it won't rain and everyone will wlam you --
:53:39. > :53:45.blame you. Do we have a deal? Security are putting their thumbs
:53:45. > :53:55.up. We are going to get a pogo, excellent! I will give you the
:53:55. > :54:25.
:54:25. > :54:35.signal. I think you know when the # Is it because I lied
:54:35. > :54:35.
:54:35. > :56:30.Apology for the loss of subtitles for 56 seconds
:56:30. > :56:34.Amazing scenes from earlier this evening in the King Tut's Tent, that
:56:34. > :56:40.was the amazing Travis. We are going to leave you tonight with a band - a
:56:40. > :56:49.man who had a pretty amazing night last night, MrCalvin Harris. Here he
:56:49. > :56:59.is lighting up the BBC Radio One Stage with Drinking from the Bottle.
:56:59. > :56:59.
:56:59. > :57:59.Apology for the loss of subtitles for 56 seconds
:57:59. > :58:09.# Tonight we're drinking from the bottle
:58:09. > :58:19.
:58:19. > :58:21.# We're drinking from the bottle # I was done with this thing
:58:21. > :58:25.# Getting it wrong then everything is all right
:58:25. > :58:29.# Got them girls along Heidi, Rihanna, all types
:58:29. > :58:33.# If you anti' lean, then you are in the wrong scene
:58:33. > :58:37.Note if you anti' high then you not on my vibe
:58:37. > :58:42.# Tell the bar that we don't need to sparkle or nothing
:58:42. > :58:49.# Keep the bottles come coming out all night
:58:49. > :58:52.# Life's too lort # We live, we die, we give, we try,
:58:52. > :58:55.we kiss, we fight, # All so we can have a good time
:58:55. > :58:58.# I'm in here busy looking for the next top model
:58:58. > :59:04.# Who's wearing something new, something old
:59:04. > :59:06.# And something borrowed # I know this crazy life can be a bitter bill