:00:14. > :00:18.This programme contains flashing images.
:00:19. > :00:24.Welcome to day two here at T in the Park. Good evening. As you can see
:00:25. > :00:27.from that shot across the main stage, raining - gloomy all day
:00:28. > :00:31.today. Yesterday was a glorious start to T In The Park. It was
:00:32. > :00:33.unusual really and to be honest with you, we're happier like this,
:00:34. > :00:37.because we all know what we're doing. This is what we expect.
:00:38. > :00:41.People are less confused today than they were yesterday. Yesterday, they
:00:42. > :00:45.hadn't brought sun glasses or sun cream. They weren't sure what was
:00:46. > :00:50.going on. Today everyone seems happier, in a weird way. Well could
:00:51. > :00:56.to day two of T in the Park. What a night last night, Biffy Clyro. OMG.
:00:57. > :01:00.They smashed it. You caught up with them as well. Yeah, we will play
:01:01. > :01:04.that in a second. Let's move forward to tonight. Saturday night, we have
:01:05. > :01:10.so much. Headlining we have Paolo Nutini later. We have Pharrell,
:01:11. > :01:20.Rudimental and John Newman as well in this hour. Clean Bandit, Katy B,
:01:21. > :01:28.she'll be chatting with us and Kai -- Keisza with an acoustic chat. Get
:01:29. > :01:32.in touch: If you missed any of yesterday, catch up on all that on
:01:33. > :01:37.the website and red button as well. Let's put a montage out to you as
:01:38. > :01:51.well. Here was the first day, a glorious, sunny Friday at T In The
:01:52. > :02:17.Park 20146789 -- 2014.
:02:18. > :02:28.Why Yeah! I just saw the best band! It was a great vault. So, where do
:02:29. > :02:33.we start with the performance? Five minutes ago, you were on, what are
:02:34. > :02:40.your initial thoughts? It was mind blowing. It's hard to talk about
:02:41. > :02:46.ourselves. We're not normally speechless. We were brilliant. The
:02:47. > :02:51.crowd were brilliant. It was unbelievable scenes. You look out
:02:52. > :02:57.and all you can see is just arms. Just everybody from front to back.
:02:58. > :03:14.We got the tweets coming in saying you know, it must be surreal to feel
:03:15. > :03:19.that after all this time. It was a real special moment in
:03:20. > :03:24.history of this festival. Your band, it's just operatin credible really.
:03:25. > :03:30.Thanks. I'll let you dry off. Thanks Greg. Thank you mate. Take care. See
:03:31. > :03:35.you in a bit. Thanks a lot. Pleasure.
:03:36. > :03:42.How did he know my any more neighbouring - big boy? That's
:03:43. > :03:48.great. I love that awkward moment when a band comes off stage and they
:03:49. > :03:53.want a hug and they're They weren't sweaty. . I think they'd been
:03:54. > :03:58.towelled down! That was last night. Katy B, welcome. Welcome to Hello. T
:03:59. > :04:00.In The Thanks for Park. Having me. You were on the wrong day. You
:04:01. > :04:04.should have been here for the sunshine yesterday. I know!
:04:05. > :04:07.Thankfully there wasn't rain while I was on stage. That was good. Usually
:04:08. > :04:11.I'm in a tent and doing my rain dance praying it's going to rain so
:04:12. > :04:16.people come in. Yeah, it was all right today. How did your set go? It
:04:17. > :04:20.was amazing, really good. I have to say, the left side were amazing.
:04:21. > :04:25.They were giving it everything it was really weird. The right side
:04:26. > :04:29.were really good, but they were more shoulder bubble. You split them. The
:04:30. > :04:33.left side were just like raving hard. It was really strange. I think
:04:34. > :04:36.the left side were the day passes. They were fresh and they were ready.
:04:37. > :04:40.The people from the night before were struggling. That's what it
:04:41. > :04:45.Yeah, was. Yeah. This is an amazing place. The Scottish crowds, you are
:04:46. > :04:49.well versed with touring and Scottish crowds. Look at the mist
:04:50. > :04:53.from the ride. That's just sweat from people. Yeah! That's just hard
:04:54. > :05:00.graft on that machine. If we could get you on any ride right now, which
:05:01. > :05:04.one? You can go on that weird thing. I like hard-core rides. That
:05:05. > :05:15.probably looks the most... That bunkee. That -- That look Bungee. S
:05:16. > :05:19.boring over there. Also with the elements, rain in your I would face.
:05:20. > :05:24.Like the log A day flume. Like, this it's too wet. You know when you go
:05:25. > :05:28.to the Theme Park and you go on one of those things and you get wet, but
:05:29. > :05:32.the sun dries you. The crowd at T in the Park, which we will get back to
:05:33. > :05:36.in a second, because this is your first time, they don't care. They go
:05:37. > :05:41.on the log flume. They won't go on the flume, they just go down it face
:05:42. > :05:45.first. They don't even need the log. It is your first T in the Park. Yes.
:05:46. > :05:50.First of all, why has it taken so long to come here and how was it for
:05:51. > :05:55.you? Yeah, it was great. Yeah, I mean, I don't know. I don't know why
:05:56. > :06:00.it's taken so long. It was brilliant. I had a really great
:06:01. > :06:05.time. I've been looking forward to it especially since Radio 1 Big
:06:06. > :06:09.Weekend, Scottish crowds are always amazing. So, yeah, I couldn't wait
:06:10. > :06:13.to come back. You say you normally play in a tent and when I think of
:06:14. > :06:17.Katy B and I think of your music, I think of nighttime, like in a club,
:06:18. > :06:23.having a bit a bump and a grind. A bit of a bump and a grind! Your mum
:06:24. > :06:26.is interviewing Katy B right now. When you're on a stage in the
:06:27. > :06:31.daylight, do you feel a bit out of place or do you own it now? Do you
:06:32. > :06:36.know what, though, I brought my whole Katy B experience with me
:06:37. > :06:41.today. I had my dancers and my band and like, you know, I felt like, you
:06:42. > :06:45.know, we pulled out all the stops and had a really, you know, gave it
:06:46. > :06:52.everything we had. So it was really fun. People were just singing along.
:06:53. > :06:57.Yeah, it was really good vibes. Didn't feel - even though I do love
:06:58. > :07:04.playing at night, you know, I think that's where my heart is. Yeah in a
:07:05. > :07:09.sweaty tent. But it was fine. I want to know what the Katy B tour bus is
:07:10. > :07:13.like? We interviewed Ed Sheeran and his bus is very chilled. He offered
:07:14. > :07:18.me a bottle of orange squash. Orange squash? He showed me through his
:07:19. > :07:22.World Cup sticker book album. That's what he gets up to. What's it like
:07:23. > :07:30.on the journey back to London tonight, what goes on? Do you put on
:07:31. > :07:37.Little Red the at bum? What do you -- Little Red the album, what do you
:07:38. > :07:45.do? Recreptly it's been anthems from 2002, 2003. -- recently. That's
:07:46. > :07:52.amazing. And then you click on that and it goes into NoDiggity. And then
:07:53. > :07:56.it's a rave. You take control of the play list? I do actually. That's
:07:57. > :08:01.good, you're the I'm quite boss. Hard core. I'm going back with Katie
:08:02. > :08:04.tonight. I'm going to leave you to do the rest of the show. I'm getting
:08:05. > :08:08.a ride back to London with Katy B. Huge congratulations on the number
:08:09. > :08:15.one album by the way. I think it's very well deserved. I think on that
:08:16. > :08:18.record, Crying for No Reason is my favourite song you've ever done.
:08:19. > :08:23.It's an amazing album. A good one today. Let's watch the set now. From
:08:24. > :08:39.earlier on today, this is Katy B at T in the Park.
:08:40. > :08:42.# My feet won't stop, I can't keep still
:08:43. > :08:49.# That beat's so sick, that tune's so ill
:08:50. > :08:53.# Seems they know just how to move me right
:08:54. > :08:57.# He looks my way, won't waste my time
:08:58. > :09:05.# Won't let history repeat in parallel lines
:09:06. > :09:13.# Ooh, I need somebody to calm me down
:09:14. > :09:28.# Ooh, I don't know what I'm running from
:09:29. > :09:31.# But when the sun comes up, it won't be long
:09:32. > :09:45.# I just need someone to talk with me
:09:46. > :09:49.# I lost my friends, I check my phone
:09:50. > :09:52.# Still searching for someone to walk with me
:09:53. > :09:56.# My deep wounds rise, they take their place
:09:57. > :09:59.# All of a sudden this don't feel right
:10:00. > :10:27.# Ooh, I don't know what I'm running from
:10:28. > :10:30.# But when the sun comes up, it won't be long
:10:31. > :11:26.# Ooh, I need somebody to calm me down
:11:27. > :11:40.# Ooh, I don't know what I'm running from
:11:41. > :11:44.# But when the sun comes up, it won't be long
:11:45. > :12:22.CHEERING AND APPLAUSE. How's it going T in the nark you
:12:23. > :12:26.good? Are we ready to party? Are we ready to tear up the lawn? I don't
:12:27. > :12:32.want to see one blade of grass left on there when we finish, OK? This
:12:33. > :12:37.next song is my new single, will the ladies make some noise. Where are my
:12:38. > :12:40.sexy ladies? CHEERING
:12:41. > :12:42.Do your sexiest dance moves right now, girls. This is about a very
:12:43. > :12:47.sexy lady. # But there's just something that
:12:48. > :13:13.you do # Aaliyah, please, this is green
:13:14. > :13:25.envy # Aaliyah, please, this is green
:13:26. > :13:32.envy # Aaliyah, please, oh this is green
:13:33. > :13:40.envy # I push all my problems to the back
:13:41. > :15:47.of my mind # Then they surface in my dreams,
:15:48. > :15:52.they come alive # I sweep all my issues to somewhere
:15:53. > :15:56.I can't find # In hope that I'll forget, but
:15:57. > :16:01.there's just so many times # Why can't I be strong and just
:16:02. > :16:06.confront all my fears? # When my fear is hurting you by
:16:07. > :16:10.being sincere # But how many more days can I run?
:16:11. > :16:15.How many years? # Emotions flooding and now it's all
:16:16. > :16:20.seeming so clear # Crying for no reason, feel the
:16:21. > :16:24.tears roll down # I felt strong but am I breaking
:16:25. > :16:29.now? # Crying for no reason 'cause I
:16:30. > :16:34.buried it deep # 'Cause I never faced all the pain
:16:35. > :16:43.I caused # Now the pain is hitting me full
:16:44. > :16:52.force # I push all my problems to the back
:16:53. > :16:57.of my brain # A darkness deep inside where I
:16:58. > :17:01.just can't find my way # How can I walk with a smile, get
:17:02. > :17:06.on with my day? # When I deceived myself pretending
:17:07. > :17:11.it's all okay # I tried my best to hold it all
:17:12. > :17:15.together, I know # The strings have worn away and now
:17:16. > :17:20.I'm all exposed # I try to hide it all away on top
:17:21. > :17:25.of the shelf # I can lie to everyone but not to
:17:26. > :17:29.myself # Crying for no reason feel the
:17:30. > :17:34.tears roll down # I felt strong but am I breaking
:17:35. > :17:39.now? # Crying for no reason 'cause I
:17:40. > :17:43.buried it deep # 'Cause I never faced all the pain
:17:44. > :17:53.I caused # Now the pain is hitting me full
:17:54. > :18:02.force # 'cause I said that I'll be there
:18:03. > :18:09.for you, care for you. # I walked away 'cause there were
:18:10. > :18:16.things I couldn't say to you, # Crying for no reason, feel the
:18:17. > :18:44.tears roll down # I felt strong but am I breaking
:18:45. > :18:49.now? # Crying for no reason 'cause I
:18:50. > :18:54.buried it deep # 'Cause I never faced all the pain
:18:55. > :19:05.I caused # Now the pain is hitting me full
:19:06. > :19:33.force # me T in the Park. Would you like one
:19:34. > :19:39.more? CHEERING
:19:40. > :19:44.You're not tired? No! This is for all my 24-hour party people.
:19:45. > :19:51.I want to see every single person doing their own little dance right
:19:52. > :19:56.now. Thrchlts song goes out to anyone
:19:57. > :20:00.who's been -- This song goes out to anyone who's been in a club and the
:20:01. > :20:02.lights have come on and you're not ready to go home yet. Are we ready
:20:03. > :20:09.to go home yet? # I will keep on going until they
:20:10. > :20:10.say so # And even when they do, it's
:20:11. > :20:12.so hard for me to go # Some others in the cloakroom
:20:13. > :20:15.and some others out the door # we got to keep on going in
:20:16. > :20:19.the middle of a floor, yeah # So come and play me one more
:20:20. > :20:26.song # So you can't scare me with the
:20:27. > :20:34.lights on # So come and play me just one
:20:35. > :20:41.more song # So you can't scare me with the
:20:42. > :20:49.lights on # Now you can watch me if you like
:20:50. > :20:52.'cause I really don't care # I'll be the same if there was only
:20:53. > :20:56.me inside of here # Because this is where I'm meant to
:20:57. > :21:00.be, I can go nowhere # You'll have to come and move me,
:21:01. > :21:03.if you want me out of here # Because I will keep on going until
:21:04. > :21:07.they say so # And even when they do, it's so
:21:08. > :21:11.hard for me to go # But them others at the cloakroom
:21:12. > :21:14.and some others out the door # So come and play me just one
:21:15. > :21:26.more song # So you can't scare me with the
:21:27. > :21:34.lights on # So come and play me just one
:21:35. > :21:41.more song # So you can't scare me with the
:21:42. > :22:11.lights on # Because I will keep on going until
:22:12. > :22:13.they say so # And even when they do, it's so
:22:14. > :22:14.hard for me to go # But them others at the cloakroom
:22:15. > :22:16.and some others out the door # But them others at the cloakroom
:22:17. > :22:30.and some others out the door # So come and play me just one
:22:31. > :22:41.more song # So you can't scare me with the
:22:42. > :22:49.lights on # So come and play me just one
:22:50. > :22:56.more song # So you can't scare me with the
:22:57. > :23:18.lights on CHEERING AND APPLAUSE. T In The
:23:19. > :23:29.Park, make some noise for yourself, one more time. Cheer For my lovely
:23:30. > :23:34.dancers, we've got Richie, Monka, Lisa, Joe on keys, Jesy on the
:23:35. > :23:35.drums. I've been Katy B, I'll see you soon.
:23:36. > :23:50.CHEERING AND APPLAUSE The incredible Katy B from earlier
:23:51. > :23:54.today on the main You had stage. A great idea going on that tour bus.
:23:55. > :24:00.I'm going to join. Those dancers - my God. Had some tweets. Crying for
:24:01. > :24:06.No Reason is beautiful, love this song. What more could I want from
:24:07. > :24:11.Katy B at T in the We have Park. Our first acoustic performance of the
:24:12. > :24:19.day. Keisza, Canadian pop superstar to be, she has the Best Video of
:24:20. > :24:23.this year by the way. She's from Canada is Keisza. Trained as a
:24:24. > :24:26.sniper, also a professional ballet dancer but decided to become a pop
:24:27. > :24:39.star. This is her in the tree house earlier today.
:24:40. > :24:44.# Taking me higher than I've ever been before
:24:45. > :24:50.# I'm holding it back, just want to shout out, give me more
:24:51. > :24:55.# You're just a hideaway, you're just a feeling
:24:56. > :25:00.# You let my heart escape, beyond the meaning
:25:01. > :25:04.# Not even I can't find a way to stop the storm
:25:05. > :25:10.# Oh baby, it's out of my control, it's going home
:25:11. > :25:16.# But you're just a chance I take to keep on dreaming
:25:17. > :25:21.# You're just another day that keeps me breathing
:25:22. > :25:26.# Baby, I love the way that there's nothing sure
:25:27. > :25:34.# Baby, don't stop me, hideaway with me some more
:25:35. > :25:42.# Ooh, ooh, aah, aah, ooh, ooh, aah, aah, ooh
:25:43. > :25:46.# You send the shiver up the spine that might overflow
:25:47. > :25:53.# You're bringing me closer to the edge, I'm letting go
:25:54. > :25:58.# You're just a hideaway, you're just a feeling
:25:59. > :26:03.# You let my heart escape, beyond the meaning
:26:04. > :26:08.# Putting my head into the clouds I'm floating home
:26:09. > :26:13.# When you can be going I can't find a way to stop
:26:14. > :26:19.# You're just a chance I take to keep on dreaming
:26:20. > :26:30.# You're just another day that keeps me breathing
:26:31. > :26:31.# Baby, I love the way that there's nothing sure
:26:32. > :26:41.# Baby, don't stop me, hideaway with me some more
:26:42. > :26:43.# Bringing me higher than I've ever been before
:26:44. > :26:46.# I'm holding it back, just want to shout it, give me more
:26:47. > :26:51.# You're just a hideaway, you're just a feeling
:26:52. > :26:56.# You let my heart escape, beyond the meaning
:26:57. > :27:01.# Not even I can find a way to stop the storm
:27:02. > :27:07.# Oh baby, it's out of my control what's going on
:27:08. > :27:12.# You're just a chance I take to keep on dreaming
:27:13. > :27:24.# You're just another day, that keeps me breathing
:27:25. > :27:33.# You're a day that keeps me dreaming
:27:34. > :27:34.# Baby, I love the way that there's nothing sure
:27:35. > :27:56.# Baby, don't stop me, hide away with me some more
:27:57. > :28:01.move? Oh, yeah. That was brilliant. I can do more but we haven't got
:28:02. > :28:06.time. It was great to hear an acoustic actually. Earlier on the
:28:07. > :28:12.BBC introducing stage there was an acoustic cover of that very same
:28:13. > :28:15.song then George Ezra played a secret set. Catch that on the red
:28:16. > :28:19.button. Still to come, we have got John Newman. He's in the studio
:28:20. > :28:26.right now, lurking at the back. Hi! Not listening. Shall we go to the
:28:27. > :28:26.Radio 1 BBC Three stage now. Yes. Here's Clean Bandit from earlier
:28:27. > :28:42.today. CHEERING AND APPLAUSE. # Words are so easy to say, oh, ah,
:28:43. > :30:10.yeah # You've got to give it to me, give
:30:11. > :30:23.it to me, give it to me, yeah # And words that I've already
:30:24. > :30:53.heard # If you're looking for devotion,
:30:54. > :31:08.talk to me # Words are so easy to say, oh, ah,
:31:09. > :32:04.yeah That's Clean Bandit from earlier
:32:05. > :32:09.today. Welcome John Newman. Are you Hello. OK? I'm good, all Thankedz
:32:10. > :32:14.for right. -- thanks for being in the tree house today. It's good for
:32:15. > :32:17.people watching as well, watching a drunken man throwing his phone on
:32:18. > :32:21.the floor and storming away to security. It's It's this great. Time
:32:22. > :32:26.of the day on a Saturday that people start chucking themselves and doing
:32:27. > :32:32.That's a dives. Great thing to do. Don't go out there not in that, not
:32:33. > :32:36.these beautiful socks. This is monochrome. I'm into it. You can't
:32:37. > :32:42.see, he's wearing lovely black shoes and white We've got socks. Them. We
:32:43. > :32:51.have spies everywhere. How was your set? Incredible. You covered
:32:52. > :32:56.Glastonbury which was surreal for me, and here again, getting to play
:32:57. > :33:00.on the Radio 1 stage was amazing. Like, it's a Scottish crowd. They're
:33:01. > :33:05.always up for it. It's incredible every time you see Scotland on the
:33:06. > :33:08.tour, you go, yes! Then when you do a festival like this, it's
:33:09. > :33:13.incredible. On such a good day, on the bill as well, it's honestly,
:33:14. > :33:20.great. I'm obsessed with watching you perform live. I love your
:33:21. > :33:28.records, but also your dancing. As a taller gentlemen, you're giving tall
:33:29. > :33:31.blokes encouragement to dance. If you're not very confident at
:33:32. > :33:34.dancing, watch the next bit of footage and afterwards, you'll go,
:33:35. > :33:38.I'm going to go for it. How are you finding settling into life as a pop
:33:39. > :33:43.star? Is it something you've come to terms with? I still see it as like
:33:44. > :33:46.right now I'm sitting having a conversation and these guys are
:33:47. > :33:51.doing what they're doing. In terms of walking down red carpets and
:33:52. > :33:56.things, it's promotion. If somebody offers you a glass of champagne at a
:33:57. > :34:00.posh party that is a free glass of champagne and you should drink. It
:34:01. > :34:03.it's kind of like, in terms of everything else, like, look, it
:34:04. > :34:07.means people have bought records. It means that the hard work that I love
:34:08. > :34:11.doing in studios and being a musician is paying off. So, it's not
:34:12. > :34:15.a bad thing. I wouldn't say I'm a pop star in the slightest, but it's
:34:16. > :34:19.nice to be a successful musician. Let's see you doing your thing from
:34:20. > :34:21.earlier today on the Radio 1 NME stage. Thank you very much John
:34:22. > :34:55.Newmanment -- John Newman.
:34:56. > :35:24.# And if you're cheating, cheat on, yeah
:35:25. > :36:00.# And if you're cheating, cheat on, yeah
:36:01. > :36:26.# And if you're cheating, cheat on, yeah
:36:27. > :37:16.# And if you're cheating, cheat on, yeah
:37:17. > :37:32.# And if you're cheating, cheat on, yeah
:37:33. > :38:37.T In The Park make some noise! CHEERING
:38:38. > :38:42.# I'm calling in to tell you that without you here
:38:43. > :38:54.# There's a sound around this lonely house
:38:55. > :38:58.# That's leaving me filled with fear
:38:59. > :39:27.# Please don't stop loving me Loving me
:39:28. > :39:44.# Please don't stop caring now Caring now
:39:45. > :40:01.# I know you have to work out there
:40:02. > :40:03.# It's for the best, but can't you see?
:40:04. > :40:18.# You've always done what's good for me
:40:19. > :40:43.# To be a child scared, so scared of the night
:40:44. > :40:47.# Please don't stop loving me Loving me
:40:48. > :41:07.# Please don't stop caring now Caring now
:41:08. > :42:03.# Need you back here cos it feels so wrong, yeah
:42:04. > :42:08.# Please don't stop loving me Loving me
:42:09. > :42:24.# Please don't stop caring now Caring now
:42:25. > :42:40.# Please don't stop loving me Loving me
:42:41. > :42:58.# I'm calling in to tell you that without you here
:42:59. > :44:24.# As time goes by there's no pieces left
:44:25. > :44:57.# Why would you want to love somebody
:44:58. > :45:11.# Free to see the world now as my own
:45:12. > :45:29.# Breaks through my mind What I have lost
:45:30. > :45:54.# Why would you want to love somebody
:45:55. > :47:52.One more song! T In The Park, are you ready?
:47:53. > :48:06.CHEERING # Filled with all the strength
:48:07. > :48:30.I found # Filled with all the strength
:48:31. > :50:46.I've found # I told you once I can't do this
:50:47. > :51:41.# Oh, oh Can you love me again?
:51:42. > :53:29.CHEERING AND APPLAUSE T, thank you so much. See you next
:53:30. > :53:34.year! So good. Can you describe what that feels like, at that moment? I
:53:35. > :53:39.don't really know. When you look back there at Love Me Again, when I
:53:40. > :53:43.fell to my knees, that's moment when you go, "Oh, God, what have I just
:53:44. > :53:50.done? Look at these people and what am I doing here? It was a really
:53:51. > :53:54.powerful appearance. Apologies for the naughty word in the first song.
:53:55. > :53:59.It was really powerful. Those moves, seriously. You've taught me a thing
:54:00. > :54:06.or two. Shall I show you? Yes.. Here we go. Any excuse.
:54:07. > :54:16.It's the leg flick. You're putting me and Keisza out of a job. I want
:54:17. > :54:23.to talk aboutical vain Harris, his next -- about Calvin Harris, his
:54:24. > :54:28.next single. You're on it. It's a collaboration that we've done and we
:54:29. > :54:34.just put the picture up online and we've not told people much. We live
:54:35. > :54:38.in a world now where people get given a lot. The nice thing is that
:54:39. > :54:44.I could sit here and it's cool and people ask me it's cool, it's all
:54:45. > :54:48.relaxed. It's been an absolute flash working with that guy -- pleasure
:54:49. > :54:51.working with that guy. He's a genius. People look at the dance
:54:52. > :54:56.world now and go they're just producers, but he's a true musician
:54:57. > :55:01.and crafts his music. He's coming in October. It's not that bad. #12k34r
:55:02. > :55:04.we're excited. I'm very excited. Many congratulations on the number
:55:05. > :55:06.one album, a wicked couple of years. Thanks for being in the tree house.
:55:07. > :55:11.That was stunning today. Thanks John. Thank you. We are going to
:55:12. > :55:12.have some fun now. We want to you guess who this T in the Park
:55:13. > :55:26.performer is. This person's favourite flowers are
:55:27. > :55:35.daisies. They were recently hanging out with One Direction. And are have
:55:36. > :55:41.a collaboration. They are a massive Star Trek fan. When this person
:55:42. > :55:46.hears music, they see colours. They wrote and sang on the most screened
:55:47. > :55:50.track of the year so far. This person has a photographic memory.
:55:51. > :56:00.They wear Mickey Mouse slippers around the house. Esta
:56:01. > :56:08.personaestacontenta. Can you guess who it is? Let us know, on Twitter,
:56:09. > :56:13.#TITP. Do you know who it is? Yeah, I do. Did no-one tell us? No, I'm
:56:14. > :56:19.not trusted with things like this, at all. Loads going on online, you
:56:20. > :56:24.can watch any of the artists on the red button as well. Loads of things
:56:25. > :56:28.are going on. In the next show, we get very excited about Pharrell and
:56:29. > :56:33.Rudimental as well. Who due see today that you -- did you see today
:56:34. > :56:38.that you enjoyed? I really enjoyed George Ezra, a lot of people didn't
:56:39. > :56:43.know he was playing and people recognised the songs and came
:56:44. > :56:49.running in. One girl went, "Oh, my God, it's actually George Ezra." He
:56:50. > :56:54.went on stage and said, "One thing I was supposed to say is that I was on
:56:55. > :57:01.the Introducing Stage later. Have a little break and we're back just as
:57:02. > :57:09.Back to the live music after a quick sports update.
:57:10. > :57:11.It was a record breaking day at the cricket.
:57:12. > :57:14.James Anderson and Joe Root made 198 against India, the highest
:57:15. > :57:24.pride? They're just kicking off against the Netherlands to decide
:57:25. > :57:27.himself in the warm up. Olympic Champion David Rudisha