Paolo Nutini

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:00:10. > :00:13.language and scenes of Repetitive Flashing Images.

:00:14. > :00:18.Welcome back to the Saturday night of T in the Park in 2014. The rain

:00:19. > :00:22.is coming down. They brought us outside. We appreciate it. What was

:00:23. > :00:26.your favourite part of today? I love this festival. I think it's

:00:27. > :00:31.brilliant. Today, my absolute highlight was Twin Atlantic. I know

:00:32. > :00:35.how much it means to be back at the festival. They came to us as boys.

:00:36. > :00:40.They had a brilliant set today on the Main Stage. That will be online

:00:41. > :00:47.for you to look at, bbc.co.uk/tinthepark and George

:00:48. > :00:54.Ezra. So great. I saw Sam suck on what looked like a mic stand. No.

:00:55. > :00:59.No. When you go walking in the hills. He had one of those attached

:01:00. > :01:06.to a mic stand so he didn't have to use his hands for bottles. We are

:01:07. > :01:09.live until 11.30pm bringing you Paolo Nutini and Bombay Bicycle

:01:10. > :01:13.Club. You saw Paolo Nutini earlier today? . I had a chat with him am he

:01:14. > :01:20.is so nice. Let us look at my chat. Why not! Welcome Paolo Nutini.

:01:21. > :01:26.Hello. Hello Jen. Is how are you? Good. Thanks for having How are me.

:01:27. > :01:31.You feeling today? Feeling good. Feeling nervous. I'm feeling, you

:01:32. > :01:36.know, excited. All of the different emotions. You have played T quite a

:01:37. > :01:41.few times. It's been four years since you were last here? Yeah. It's

:01:42. > :01:47.been four years since I did much really... Yeah. Yeah, it's good. I

:01:48. > :01:50.didn't know whether we would be able to get the opportunity. The album

:01:51. > :01:55.has been out for a matter of months. I didn't know whether it would be on

:01:56. > :02:00.the cards this time around. This is like the defining Scottish festival.

:02:01. > :02:07.Over the last four years have you missed, watching it on TV or coming

:02:08. > :02:12.along and going - can't wish to play T? I have an army of friends. We are

:02:13. > :02:17.saying we will camp out. Going to have a laugh tonight. It feels like

:02:18. > :02:22.there is a certain Scottish camaraderie around here. You covered

:02:23. > :02:27.churches at Glastonbury, what is it about them you love? A lot to love.

:02:28. > :02:33.The music. You find a lot of bands that can deliver them. The lyrics.

:02:34. > :02:37.The stories. For them to drag you in as much as the hooks and the beats.

:02:38. > :02:43.That excited me the most about it. I love her voice as well. I think it's

:02:44. > :02:48.wicked. The I don't see what there is not to I agree like. . Brilliant

:02:49. > :02:53.pop music with intelligent lyrics at the same time, the whole package? I

:02:54. > :03:03.don't know what you call it. It's great. Dine mike. -- dynomite. If

:03:04. > :03:14.you look at the bands that are on. Biffy Clyro. Their pyros and light

:03:15. > :03:18.and everything is fabulous. Calvin, likewise, I think if it suits it,

:03:19. > :03:23.and it's done, not just for impact, because it makes sense. It

:03:24. > :03:27.compliments the music well, great. We have elements. We are not going

:03:28. > :03:32.out there with nothing. We have got - I have some things. Some ideas

:03:33. > :03:39.that we're going to get across, but it's not... You know, I wouldn't say

:03:40. > :03:42.it's going to be the catalyst of the show. OK. The music is the catalyst

:03:43. > :03:48.of the show? Of course. All about the songs? Of course. That is the

:03:49. > :03:53.thing. I think we are best sometimes when we just realise that and go

:03:54. > :03:58.with it. I actually kind of agree with you. Sometimes no point in

:03:59. > :04:02.smoke and mirrors if the music you have is that - A little bit of

:04:03. > :04:07.smoke. Little bit of smoke and Tinie bit of mirrors. Don't think there

:04:08. > :04:11.are mirrors. We can get some mirrors. We can get a mirror. Thank

:04:12. > :04:19.you very much, Paolo Nutini. Thank you. I should do my hair like him,

:04:20. > :04:23.what do you reckon? Yes. We had a discussion. My fringe is long at the

:04:24. > :04:30.moment. He was considering getting his cut. As a style icon he is not a

:04:31. > :04:35.bad one. I'm not cool enough to do. It You have to be sexy... Talk about

:04:36. > :04:41.it off camera. He didn't want to seem to look at me. Didn't know what

:04:42. > :04:45.was wrong with my face. You had a massive greenie, he couldn't bear

:04:46. > :04:50.it. You will see him in a bit on BBC Three. I want to play a track from

:04:51. > :04:55.the Bombay Bicycle Club set. They went on to the Radio 1 BBC Three

:04:56. > :04:59.stage. Their fourth album going to number one. A huge achievement for

:05:00. > :05:07.this band. Let us go to their set now and watch It's All Right Now.

:05:08. > :05:32.# It's all right now, I don?t wanna wait

:05:33. > :06:40.# Tell me are you sleeping still tonight

:06:41. > :06:48.# Is this the place where it all stems from

:06:49. > :07:54.# Tell me are you sleeping still tonight

:07:55. > :08:03.# It?s all right now, I don?t wanna wait

:08:04. > :08:20.# It?s all right now, I don?t wanna wait

:08:21. > :08:39.# It's all right now, I don't wanna wait

:08:40. > :08:59.# It's all right now, I don?t wanna wait

:09:00. > :09:17.# It's all right now, I don?t wanna wait. #

:09:18. > :09:20.radio on BBC Three Stage. You can follow it online at

:09:21. > :09:30.bbc.co.uk/tinthepark. I would suggest you do. We put on a mini

:09:31. > :09:42.festival called G in the Park. They did a special cover of Robins with

:09:43. > :09:52.Every Heart Beat. If you missed Imagine Dragons that is on the Red

:09:53. > :09:59.Button. Press Red. On BBC live we about Paolo Nutini. He is a local

:10:00. > :10:03.boy. It's good to have him back. T in the Park has been good to Paolo

:10:04. > :10:10.Nutini, or is it the other way round? 2007 he found himself on the

:10:11. > :10:14.Main Stage after his debut on the T Break Stage the year before. Quite a

:10:15. > :10:18.leap. He had released the album These Streets, that same year. These

:10:19. > :10:24.Streets peaked at number three in the album charts. Since then it has

:10:25. > :10:28.been certificatified five times platinum, how many is that then?

:10:29. > :10:39.Quite a lot. He last dropped T in his new shoes in 2010. The he crowd

:10:40. > :10:53.couldn't get enough. His second album went straight to number one in

:10:54. > :10:59.2009. Sun sigh Side Up went platinum sect six times. He released his next

:11:00. > :11:04.album that went to number one. He sold 4.8 million records. His

:11:05. > :11:10.Scottish legend status is secured. Get ready to scream again, girls.

:11:11. > :11:16.Paolo Nutini is about to hit the stage.

:11:17. > :11:28.He is your headliner in T in the Park, and on BBC Three, it's Paolo

:11:29. > :12:00.Nutini. SCREAMING.

:12:01. > :12:03.# How was I to know you'd just come along?

:12:04. > :12:05.# (And funk my life up) Lips like they've been singing

:12:06. > :12:08.# Sexed up strawberry songs (Just funk my life up)

:12:09. > :12:10.# Never heard it coming, thought it's just another woman

:12:11. > :12:13.# With a shotgun in her hand (Funk my life up)

:12:14. > :12:16.# She's the bass, she's the beat, she's the rhythm, she's the band

:12:17. > :12:39.# Beats are dripping on me, like spider milk

:12:40. > :12:42.# And I never heard the warning when I woke up this morning

:12:43. > :12:49.# She's my rock, she's my bud, she's tequila, she's a trip

:12:50. > :13:04.# How can I refuse? I'm not fit to choose

:13:05. > :13:10.# I said the only way I win is the way I lose

:13:11. > :13:14.# And I never got the script, I unzipped

:13:15. > :13:17.# Got a little bit wet up in my brain

:13:18. > :13:19.# She's your church, she's your sin, she's atomic

:13:20. > :13:33.# And the girl, so fine you wanna scream

:13:34. > :13:46.# She gets me silly, she's like a trick on me

:13:47. > :13:50.# Hell, I don't even know her name but yet she sticks to me

:13:51. > :13:53.# And in the climax she would scream with me

:13:54. > :13:58.# She gets me funny, she doesn't want none of my money

:13:59. > :14:00.# So I pour it over her like gasoline

:14:01. > :14:03.# Light a match and then I'm back in my teens

:14:04. > :14:14.# Unload, reload, eyes back swinging,

:14:15. > :14:19.# Sweet thing, knows things, Jeff Beck sings

:14:20. > :14:32.# And the girl so fine makes you wanna scream Hallelujah

:14:33. > :15:21.# Yeah, the girl, so fine, you wanna scream

:15:22. > :16:34.# There was no sweeter fruit than this

:16:35. > :17:37.# Let me down easy Since you feel to stay is wrong

:17:38. > :17:40.# On a better day we'd be waiting on our corner

:17:41. > :17:56.# Out of sight, out of love, out of time

:17:57. > :18:28.# Let me down Let me down easy

:18:29. > :19:29.Paolo. Thanks for coming to watch us.

:19:30. > :19:36.# I wonder if she's been naked in her room since I've been gone

:19:37. > :19:39.# I wonder if she's said to them as she said to me before

:19:40. > :19:53.# How ever much you use me baby, come on use me more

:19:54. > :20:00.# To see a girl that's sweeter than an apple picked from Adam's tree

:20:01. > :20:07.# And I wonder if she's been pressed against an unfamiliar wall

:20:08. > :20:12.# And said to all those men as she said to me before

:20:13. > :20:33.# I'll make you want me more and more

:20:34. > :20:56.# I'm missing has been in London for a while

:20:57. > :21:03.# They say she's left a letter up the stair for everyone

:21:04. > :21:07.# It's pinned against her bedroom door for all the world to see

:21:08. > :21:13.# How ever much I loved you, you will always love me more

:21:14. > :21:28.# You will always love me more

:21:29. > :21:51.# I'll love you more and more, I'll love you more

:21:52. > :22:06.# I'll love you more and more, I'll love you more

:22:07. > :22:18.# I'll love you more and more and more... #

:22:19. > :22:36.# I'll love you more and more, I'll love you more

:22:37. > :23:10.# I'll love you more and more and more...

:23:11. > :23:26.record. I hope you dig it. Sing along if you know it.

:23:27. > :24:12.# While the rain came a-tumbling down

:24:13. > :25:28.# While the rain came a-tumbling down

:25:29. > :28:15.I can't really explain how good this feels.

:28:16. > :28:24.This song is about a girl in a hurry.

:28:25. > :28:27.# You said you'd marry me if I was 23

:28:28. > :29:11.# Then I'm definitely waiting for you

:29:12. > :29:32.# Let me take you where you'll let me

:29:33. > :29:53.# All the times that you just left me

:29:54. > :30:41.# Because leaving just upsets me, yeah, she just left me

:30:42. > :30:43.# And what thing I could have done

:30:44. > :30:57.# All the times that you just left me

:30:58. > :33:44.How's your T in the Park been so far? Awesome.

:33:45. > :34:53.# I kiss the sky to send her blue a letter

:34:54. > :35:19.# Gonna treat her like a real man can

:35:20. > :35:46.# She's got me feeling so much better

:35:47. > :35:49.# Oh, you trade all the money in the world

:35:50. > :36:08.# All the while, she'll make you feel so much better

:36:09. > :36:21.# Oh, that girl, makes me wanna be a better

:36:22. > :36:36.# Sure she sees, gonna treat her like a real man can

:36:37. > :37:26.# You make me feel alright You make me feel alright

:37:27. > :37:37.# You know I might get eager I might lose my cool

:37:38. > :38:27.# I said that girl makes me wanna be a better man

:38:28. > :38:41.# Sure she see she fit, gonna treat her like a real man can

:38:42. > :38:53.# Gonna treat her like a real man can

:38:54. > :39:14.# Gonna treat her like a real man can

:39:15. > :39:39.Let's try to make sure that everybody makes it out of here in

:39:40. > :39:52.one piece. This is a song by a band who played

:39:53. > :40:09.yesterday, a Scottish band, one of my favourite new bands.

:40:10. > :40:30.# Hiding from you in this skin, so old

:40:31. > :40:32.# Honest in every way I know you appear

:40:33. > :41:16.# Honest in every way I know you appear

:41:17. > :44:21.This next song - how's everybody doing? Well good?

:44:22. > :44:53.# And all the corners of our pictures

:44:54. > :45:13.# They still symbolise what you mean to me

:45:14. > :45:27.# Well, I'd be a fool to want more from you

:45:28. > :46:05.# And the devil moves and clings to us

:46:06. > :46:24.# Sometimes it feels like it's all I've gotten

:46:25. > :46:41.# You'd be a fool to want more from me

:46:42. > :47:00.# I'll be gone in a while I'll be gone in a while

:47:01. > :47:54.# And the promises captured in one kiss

:47:55. > :47:54.# We hide and we seek and we squander

:47:55. > :48:40.# It's all that I do It's all that I do

:48:41. > :49:06.CHEERING AND APPLAUSE. # You asked me to remember

:49:07. > :49:19.# A kiss is just a kiss # A kiss is but a kiss

:49:20. > :50:25.# A kiss is but a kiss # # I got this soul crow on my

:50:26. > :50:30.shoulder # The evil eyed leads a curious

:50:31. > :50:34.fight # And even angels can get caught in

:50:35. > :50:40.the end # With their halos round their

:50:41. > :50:41.throat # Part time lovin' on the primitive

:50:42. > :50:50.still # Two glass mantras on a hook, on a

:50:51. > :50:54.rail # Seems like I'm doing the same old

:50:55. > :51:09.shit # And all the rest seems

:51:10. > :52:11.circumstantial # Scattered cross a less predictable

:52:12. > :52:15.stage # Scrambled softly, they're all over

:52:16. > :52:19.your plate # Seems like I'm doing the same old

:52:20. > :55:07.shit # I'll be your man. # I'll be your

:55:08. > :55:14.man. # I'll be your man.

:55:15. > :55:22.# I'll be your man. # I got money in the meter

:55:23. > :56:26.and a two-bar heater # I got legs on my chairs

:56:27. > :56:33.and a head full of hair # I got legs on my chairs

:56:34. > :56:38.and a head full of hair # I got a shelf full of books

:56:39. > :56:45.and most of my teeth # A few pairs of socks

:56:46. > :56:47.and a door with a lock # I got food in my belly

:56:48. > :56:54.and a licence for my telly # And nothing's going

:56:55. > :57:00.to bring me down # A few pairs of socks

:57:01. > :57:02.and a door with a lock # And nothing's going

:57:03. > :57:27.to bring me down # I got a nice guitar

:57:28. > :57:28.and tyres on my car # I got most of the means

:57:29. > :57:31.and scripts for the scenes # I'm out and about,

:57:32. > :57:35.so I'm in with a shout # I got a fair bit of chat

:57:36. > :57:37.but better than that # Food in my belly

:57:38. > :57:46.and a licence for my telly # And nothing's going

:57:47. > :00:50.Nice. Lovely moves. So, as if there wasn't enough already, let's have a

:00:51. > :01:01.song I call a little bum squeezing song. So play your part.

:01:02. > :01:14.Squeeze an cars. -- arse.

:01:15. > :01:35.# It gets me, it gets me where it hurts me most

:01:36. > :02:03.# It gets me, it gets me where it hurts me most

:02:04. > :02:11.# Like five rapid to the gut it's not so easy to see

:02:12. > :02:16.# And I've been gone far, far too long

:02:17. > :02:22.# To expect you not to change even a little bit

:02:23. > :02:26.# And I guess I hope I'm still the kind of guy

:02:27. > :02:43.# Cause life's a ball here on the road and these four wheels

:02:44. > :02:44.# Oh, but something about the whole thing

:02:45. > :02:53.# Cause I love you girl, I don't want you

:02:54. > :03:13.# Cause I love you girl, I don't want you

:03:14. > :03:43.# Well, they've worn enough in the wind

:03:44. > :03:52.# And I wonder if you're half as innocent as you assured me

:03:53. > :04:02.# Or if you thank him for his time and just never call again

:04:03. > :04:13.# And after all the lights and shows and long hope lanes

:04:14. > :04:27.# Cause I love you girl, I don't want you

:04:28. > :04:46.# Cause I love you girl, I don't want you

:04:47. > :08:16.# We are proud individuals living on the city

:08:17. > :08:30.# But the flames couldn't go much higher

:08:31. > :08:51.# But no one No nobody

:08:52. > :09:04.# Can give you the power To rise over love

:09:05. > :09:48.# Mass confusion spoon fed to the blind

:09:49. > :09:55.# Serves now to define our cold society

:09:56. > :10:26.# You just got to hold on!

:10:27. > :10:59.# To those who can hear me, I say, do not despair

:11:00. > :11:02.# The misery that is now upon us is but the passing of greed

:11:03. > :11:06.# the bitterness of men who fear the way of human progress

:11:07. > :11:09.# The hate of men will pass, and dictators die

:11:10. > :11:12.# And the power they took from the people will return to the people

:11:13. > :11:17.# And so long as men die, liberty will never perish

:11:18. > :11:19.# Don't give yourselves to these unnatural men

:11:20. > :11:23.# Machine men with machine minds and machine hearts!

:11:24. > :11:27.# You are not machines, you are not cattle, you are men!

:11:28. > :11:30.# You, the people, have the power to make this life free and beautiful

:11:31. > :11:33.# To make this life a wonderful adventure

:11:34. > :11:59.# Over fear Into freedom

:12:00. > :12:09.# Into freedom! From which we'll rise over love

:12:10. > :12:15.# And over hate Through this iron sky

:12:16. > :12:44.# Freedom! Oh!

:12:45. > :12:57.# Rain on me! Rain on me!

:12:58. > :13:18.# Rain on me! Rain on me!

:13:19. > :13:30.# We are proud individuals living on the city

:13:31. > :13:52.Thanks. I think we've got one more song for

:13:53. > :13:56.you. I can't thank you enough for coming

:13:57. > :14:03.to watch me today. I've been dying to get back here.

:14:04. > :14:26.CHEERING This is unbelievable.

:14:27. > :14:31.# I was perched outside in the pouring rain

:14:32. > :14:48.# Although not the most honest means of travel

:14:49. > :15:15.# Just give me some candy, before I go

:15:16. > :15:40.# But to her it plays out all the same

:15:41. > :15:51.# I know you got plenty to offer, baby

:15:52. > :15:56.# But I guess I've taken quite enough

:15:57. > :15:59.# While I'm some stain there on your bed-sheet

:16:00. > :16:18.# Just give me some candy Before I go

:16:19. > :17:22.# Just give me some candy Before I go

:17:23. > :20:01.# Waiting and waiting. CHEERING AND APPLAUSE. # Waiting and waiting.

:20:02. > :20:03.Ladies and gentleman, thank you very much.

:20:04. > :20:27.CHEERING AND APPLAUSE You won't mind if I do you one more

:20:28. > :21:01.of my own? CHEERING

:21:02. > :25:06.Enjoy Calvin. I'll see you out there.

:25:07. > :25:14.CHEERING AND APPLAUSE One more for the band!

:25:15. > :25:36.CHEERING AND APPLAUSE Thank you.

:25:37. > :25:58.CHEERING AND APPLAUSE Really a special moment for that

:25:59. > :26:01.man, his sixth appearance at T In The Park. Hope you enjoyed Paolo

:26:02. > :26:04.Nutini from the main stage. It's fair to say, he enjoyed. It He

:26:05. > :26:09.looked like he was having a fantastic time. Inspiring signs in

:26:10. > :26:15.the crowd. And when he said, "I will see you guys out there," he wasn't

:26:16. > :26:19.lying. He's camping all weekend. I love that he will be there for

:26:20. > :26:25.Calvin in a bit. What's everybody else thinking? Let me read these

:26:26. > :26:32.out, when they load. Because I just pressed the wrong button with my big

:26:33. > :26:41.thumb. Paolo is easy on the eye, all of a quiver. Michael says, "When I

:26:42. > :26:47.grow up, I want to to be Paolo." That's going to be incredible for

:26:48. > :26:52.that band, Chvrches to get him to do a cover of a cover. When you're a

:26:53. > :26:56.band of a certain level, it's great when bigger bands pick up those

:26:57. > :26:59.artists and support them. It is a Scottish camaraderie thing that we

:27:00. > :27:04.find a lot at T In The Park. I hope you enjoyed it. There's plenty more

:27:05. > :27:08.to come from here. Right now on the red button, Calvin Harris will be

:27:09. > :27:12.streamed live on there. If you are at home, whether you're on your own

:27:13. > :27:17.or with friends, that's a good back drop to a Saturday night. We're back

:27:18. > :27:23.tomorrow at 8pm, live on BBC 3 with Jake Bugg, Arctic Monkeys, Bastille

:27:24. > :27:26.and loads more. On the website, it's Elbow. Have a great night. See you

:27:27. > :27:29.tomorrow at 8pm. See you soon.