Highlights: Day 2

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:00:00. > :00:00.This programme contains scenes of repetitive flashing images

:00:00. > :00:28.Good evening and welcome to our T in the Park coverage, day two on the

:00:29. > :00:32.BBC. You may be thinking, where is she? I will tell you. I am on the

:00:33. > :00:38.main stage. It's not terrifying at all. Not only is the red huge crowd

:00:39. > :00:41.out front waiting in anticipation for Mr Calvin Harris, there are so

:00:42. > :00:46.many people on this stage getting ready for his arrival. And we will

:00:47. > :00:51.bring you that as it happens. We're going to wait here until he is ready

:00:52. > :00:55.but before and after that, so much more from the day two at T in the

:00:56. > :00:59.Park. So many great performances to bring you. And you will also hear

:01:00. > :01:05.from Calvin Harris. But a huge crowd out here already. Waiting for him to

:01:06. > :01:12.arrive on the main stage. And we will stay here until he arrives.

:01:13. > :01:15.Please get in touch and tell us who you are excited to see. You might

:01:16. > :01:23.have checked out some of the staff on the iPlayer or the website, using

:01:24. > :01:27.the hashtag BBCTITP. So let's get some music on the way. Let's head to

:01:28. > :01:50.a gentleman on the stage earlier today, tiny timbre. -- Tinie Tempah.

:01:51. > :02:03.# Might take a fly out for the weekend

:02:04. > :02:09.# Had a couple hits and a couple solos

:02:10. > :02:12.# Now I got a couple rents and a couple more boats

:02:13. > :02:15.# I was jumping off the mandem with a polo

:02:16. > :02:19.# I was jumping off the mandem with a polo

:02:20. > :02:24.# I could make a honey give away her last Rolo

:02:25. > :02:26.# Then I say sure, yo, you know how it goes

:02:27. > :02:42.# Yeah, rollie on the wrist, that's me, me

:02:43. > :02:53.# I was getting blowed but few girls were putting out

:02:54. > :02:56.# Told them I was gonna blow back when I was in the south

:02:57. > :03:01.# Since she want me she don't want the coco

:03:02. > :03:04.# So I made her send it back less she want my loco

:03:05. > :03:08.# Used to have a black my piece of Roco

:03:09. > :03:10.# Now everyone I go people want a photo

:03:11. > :03:13.# I could make a honey give away her last Rolo

:03:14. > :03:16.# Then I say sure, yo, you know how I roll

:03:17. > :03:39.# I like cruising around the West End

:03:40. > :03:47.# I don't need your money for my rent

:03:48. > :03:51.# I'm not an eight or a nine, I'm a ten

:03:52. > :04:22.# Might take a fly out for the weekend

:04:23. > :04:27.# Had a couple hits and a couple solos

:04:28. > :04:30.# Now I got a couple rents and a couple more boats

:04:31. > :04:34.# I was jumping off the mandem with a polo

:04:35. > :04:39.# I could make a honey give away her last Rolo

:04:40. > :04:41.# Then I say sure, yo, you know how it goes

:04:42. > :04:53.# I know you, I know you want the good thing

:04:54. > :05:01.See these things, I want to know what they are. Stay with us.

:05:02. > :05:04.Calvin's production will be revealed shortly as he takes to the stage.

:05:05. > :05:06.Sticking to the main stage with more performances from earlier on. If you

:05:07. > :05:09.want a watchful performances, head to the website. Or head to the

:05:10. > :05:24.iPlayer. Earlier on we were blown away by the response to Jess Glynne.

:05:25. > :05:39.# Standing in a crowded room and I can't see your face

:05:40. > :05:48.# Put your arms around me Tell me everything's OK

:05:49. > :05:53.# In my mind, I'm running round a cold and empty space

:05:54. > :06:01.# Just put your arms around me Tell me everything's OK

:06:02. > :06:10.# Break my bones but you won't see me fall, oh

:06:11. > :06:16.# The rising tide will rise against them all, oh

:06:17. > :06:37.# Cos I don't wanna walk on my own any more

:06:38. > :06:42.# I'm ready for this There's no denying

:06:43. > :06:44.# I'm ready for this You stop me falling

:06:45. > :06:47.# I'm ready for this I need you all in

:06:48. > :06:49.# I'm ready for this So darling, hold my hand

:06:50. > :07:01.# Soul is like a melting pot when you're not next to me

:07:02. > :07:04.# Tell me that you've got me and you're never gonna leave

:07:05. > :07:07.# Tryna find a moment where I can find release

:07:08. > :07:29.# Please tell me that you've got me and you're never gonna leave

:07:30. > :07:31.# Break my bones but you won't see me fall, oh

:07:32. > :07:34.# The rising tide will rise against them all, oh

:07:35. > :07:55.# Cos I don't wanna walk on my own any more

:07:56. > :08:00.# I'm ready for this There's no denying

:08:01. > :08:02.# I'm ready for this You stop me falling

:08:03. > :08:04.# I'm ready for this I need you all in

:08:05. > :08:08.# I'm ready for this So darling, hold my hand

:08:09. > :08:21.I want you to sing this bit. As loud as you can, come on.

:08:22. > :08:26.# So please don't make me wait cos I don't wanna break

:08:27. > :08:34.# That you don't make me wait and never let me break

:08:35. > :08:47.# Cos I don't wanna walk on my own any more

:08:48. > :09:03.# Cos I don't wanna walk on my own any more

:09:04. > :09:12.# I'm ready for this There's no denying

:09:13. > :09:25.# I'm ready for this You stop me falling

:09:26. > :09:27.# I'm ready for this I need you all in

:09:28. > :09:30.# I'm ready for this So darling, hold my hand

:09:31. > :09:32.# I'm ready for this There's no denying

:09:33. > :09:37.# I'm ready for this You stop me falling

:09:38. > :09:39.# I'm ready for this I need you all in

:09:40. > :09:48.# I'm ready for this So darling, hold my hand

:09:49. > :10:00.Thank you. Thank you so much. For having me and my band. I am Jess

:10:01. > :10:43.Glynne. Thank you. Come on, I couldn't let the

:10:44. > :10:47.opportunity pass. Let's stay on the main stage and a band who brought

:10:48. > :10:52.swagger. They were suave with amazing musicianship and eight

:10:53. > :11:12.cracking white tracksuit. It is The Last Shadow Puppets.

:11:13. > :11:14.# To sneak off away From your stomach

:11:15. > :11:20.# And captured what seemed all unknowing and candid

:11:21. > :11:33.# The boring would Warn you be careful

:11:34. > :11:39.# In order to tame This relentless marauder

:11:40. > :11:44.# She was walking on the tables In the glass house

:11:45. > :12:09.# And she would throw A feather boa in the road

:12:10. > :12:13.# If she thought that it would set the scene

:12:14. > :12:15.# Unfittingly dipped Into your companions

:12:16. > :13:11.# Before my mind can get too reckless

:13:12. > :13:26.# Is enough to make the sweat grow cold.

:13:27. > :13:56.Now, those gentlemen you can see on the balcony are a fact Calvin

:13:57. > :14:00.Harris's mates, you will find out more about them and just a second.

:14:01. > :14:07.Last Shadow Puppets, we will have more from them later, and the other

:14:08. > :14:11.headliners, 1975, headlining on the radio one stage, and Travis,

:14:12. > :14:15.headlining in King Tut's. Calvin Harris is back on the main stage,

:14:16. > :14:19.headlining. He's done it before. One thing he has never done at T in the

:14:20. > :14:25.Park is host a stag party. I caught up with him earlier. My best friend

:14:26. > :14:30.from Dumfries runs a pub called Queen of the South. He's getting

:14:31. > :14:36.married. You are best man? I'm best man. We have recreated his pub here,

:14:37. > :14:41.and all of his mates I hear, everyone that goes to the pub. 50 of

:14:42. > :14:46.them. What a nice thing to do. They are nice now, let's see what

:14:47. > :14:51.happens. You won't be concerned about this? Well, I'll be here. You

:14:52. > :14:59.are headlining, ninth time that the T in the Park? It's not. It's nine

:15:00. > :15:05.years since I first played. I think I've been here seven times. I first

:15:06. > :15:10.played in 2007. It's a long time since. I remember the last time, you

:15:11. > :15:15.had an amazing production, it was fantastic. Is the aim to outdo the

:15:16. > :15:22.previous time, make it bigger and better every time you come back?

:15:23. > :15:27.Yes. It's quite simple. In terms of the records, I need to keep putting

:15:28. > :15:33.out songs that are successful. Even to justify to myself that I should

:15:34. > :15:38.be doing it. So, I've done that. I need to do a different production

:15:39. > :15:47.every year. I tried a new thing out at Coachella. I didn't design it

:15:48. > :15:53.myself. It looks out of control. Bringing it here, I know that I

:15:54. > :16:01.can't visually do better than this. So, the music kind of... It's the

:16:02. > :16:06.music. But as far as this goes, you can push it really far and it can

:16:07. > :16:09.get really crazy. I like the idea of that. I know nobody else is doing

:16:10. > :16:13.that. I remember being on a buggy with you at the old site, and we

:16:14. > :16:22.went to the side stage and you are second on a stage. About 20 minutes

:16:23. > :16:27.later, you could not see the back of the crowd. You thought nobody was

:16:28. > :16:33.going to come. It was phenomenal. Amazing. Do you ever get time to...

:16:34. > :16:37.Not reflect, but go, man, what I've achieved? I think I do that when I

:16:38. > :16:41.come back to places like ear. The rest of the time it's just... You

:16:42. > :16:50.are carrying on, you are in your zone. Coming back here, it resets

:16:51. > :16:55.you. And you do remember times when you played the same festivals again

:16:56. > :16:59.and again. You remember what happened, the situations and how

:17:00. > :17:07.they were. It's like talking to yourself as well. You go, I remember

:17:08. > :17:14.that buggy then, I remember Lady Gaga, she had one single out at the

:17:15. > :17:22.time. Yes, it was a surprise. But it's been a fun time. We had Will

:17:23. > :17:33.Smith last time. Who have we got tonight? Apart from your 60 mates

:17:34. > :17:37.out there? I've brought Dizzee. I love him. It's going to go off out

:17:38. > :17:42.there! That was a big turning point for both of you? Eight years since

:17:43. > :17:50.we had a single out together, we just put another one out a couple of

:17:51. > :17:53.weeks ago. He has come to do that. At Wireless last night, he stage

:17:54. > :17:59.dived and didn't do the second verse. I told him not to do that.

:18:00. > :18:06.You never know what he's going to do. You think he's going to be chill

:18:07. > :18:10.and he gets excited. Thank you so much for chatting to us ahead of

:18:11. > :18:13.this huge show. Have the best time with your mates. Good luck with the

:18:14. > :18:18.best man speech as well. Is that more nerve wracking than headlining

:18:19. > :18:24.T in the Park? Of course, it takes a lot more preparation and I'll have

:18:25. > :19:36.no visuals! Maybe invite dizzy along? Good idea! Nice one.

:19:37. > :19:45.T in the Park, how you feeling? If you know the words, let me hear you

:19:46. > :20:13.sing this. # You're giving me such sweet

:20:14. > :20:14.loving. # You're giving me such sweet

:20:15. > :20:49.loving. My name is Calvin Harris. How you

:20:50. > :21:16.feeling? # And it's not enough

:21:17. > :21:17.to tell me that you care # When we both know

:21:18. > :21:18.the words are empty air Left me see everybody's hands in

:21:19. > :22:56.there. # Don't act like you forgot... I

:22:57. > :24:20.want to see you jump this time. # Too afraid of your heart to let

:24:21. > :25:17.you go # Feeling like we good to rise

:25:18. > :25:45.# I love you, you'll never know

:25:46. > :25:52.# When the daylight comes you feel so cold

:25:53. > :25:55.# You know I'm too afraid of my heart to let you go

:25:56. > :26:49.Be the one that makes tonight

:26:50. > :28:46.T in the Park, you feeling good? Make some noise!

:28:47. > :32:33.I want to see everybody's hands in the air!

:32:34. > :32:36.# Lightning strikes every time she moves

:32:37. > :32:57.# Lightning strikes every time she moves

:32:58. > :33:53.# Who knows why it's gotta be this way

:33:54. > :34:15.# Lightning strikes every time she moves

:34:16. > :35:17.# Lightning strikes every time she moves

:35:18. > :35:21.# Lightning strikes every time she moves

:35:22. > :39:05.T in the Park, Sunday night, how are you feeling?!

:39:06. > :39:14.# I need to be free with you tonight

:39:15. > :42:26.Wrote I really want to see you jump this time!

:42:27. > :44:43.# Sometimes I feel like throwing my hands up in the air

:44:44. > :44:46.# I know I can count on you # Sometimes I feel like saying, Lord

:44:47. > :44:53.I just don't care # You got the love to see me through

:44:54. > :44:57.# Sometimes the road is just too rough

:44:58. > :45:00.# And I failed at what I do # Sometimes it feels like life just

:45:01. > :45:05.too tough # You got the Love I need to see you

:45:06. > :45:08.through # When time is hard, you are my

:45:09. > :45:12.Daily Mail # When the days are hard, I know my

:45:13. > :47:14.saviour's love is real. # Show you what it feels like, now

:47:15. > :47:55.I'm on the outside. T in the Park, Saturday night, how

:47:56. > :48:04.we feeling? # Straight gassed, got

:48:05. > :51:43.the whole place hype Every time I'm around there's a hype

:51:44. > :52:08.Touchdown and the crowd get's hyped Straight gassed, got

:52:09. > :52:09.the whole place hype I'm a bad boy and I do

:52:10. > :52:11.what I like Every time I'm around there's a hype Touchdown

:52:12. > :52:12.and the crowd get's hyped Straight gassed, got

:52:13. > :52:34.the whole place hype Every time I'm around there's a hype

:52:35. > :52:35.Touchdown and the crowd get's hyped Straight gassed, got

:52:36. > :52:36.the whole place hype I'm a bad boy and I do

:52:37. > :52:38.what I like Every time I'm Straight gassed, got

:52:39. > :53:18.the whole place hype Scotland, I love you! Take care of

:53:19. > :53:40.yourself! T in the Park, make some noise for

:53:41. > :53:50.Dizzee Rascal! T in the Park, my name is Calvin

:53:51. > :54:21.Harris. It's a pleasure to be here. # I feel so close to you

:54:22. > :57:15.right now. # There was this DJ, and I don't know

:57:16. > :57:22.what he was doing, but it was sick. And then this cat came in, not like,

:57:23. > :57:33.a feline, but this guy, I don't know what he was really saying. Or he was

:57:34. > :57:45.saying was eat, sleep, rave repeater.

:57:46. > :58:37.Eat, sleep, rave repeat.

:58:38. > :59:15.Let me see everyone with their hands in the air, right now.

:59:16. > :03:58.T in the Park, let me see you jump this time!

:03:59. > :04:18.Linear using. -- let me hear you saying.

:04:19. > :04:20.# Hello, it's me. # They say that time is supposed to

:04:21. > :04:46.heal you. I've

:04:47. > :04:48.forgotten how it felt before # There's such

:04:49. > :05:00.a difference between us # I must have called a thousand

:05:01. > :05:12.times # To tell you I'm sorry

:05:13. > :05:40.for breaking your heart # It clearly doesn't

:05:41. > :05:55.tear you apart anymore T in the Park, you sound fucking

:05:56. > :09:55.fantastic tonight! Make some noise for yourselves!

:09:56. > :10:09.Are let me see you clap your hands. # Off with your head.

:10:10. > :13:29.# Dans till you're dead. # Heads will roll.

:13:30. > :13:40.# It's the way I'm feeling I just can't deny.

:13:41. > :14:50.# Shine a light through an open door.

:14:51. > :15:07.# It's the way I'm feeling I just can't deny.

:15:08. > :18:37.Sing it! # One more time, Wagoner

:18:38. > :18:42.# One more time, we're gonna celebrate

:18:43. > :20:17.# I'm just feeling celebration tonight

:20:18. > :20:28.# Celebrated # Don't wait too late

:20:29. > :20:33.# # Ray Guy celebrated

:20:34. > :20:47.# One more time... Saturday night, T in the Park! You

:20:48. > :26:24.feeling good? Make some noise! If you've got a light on your phone,

:26:25. > :26:31.let me see the light on your phone. Let's see how many we can get. Let's

:26:32. > :34:11.see your light. # Blame it on the night. # Don't

:34:12. > :34:16.blame it on me. # Blame it on the night. # Don't blame it on me. #

:34:17. > :35:53.Don't blame it on me. I want to say thank you so much. My

:35:54. > :36:13.name is Calvin Harris. Take care of yourselves. Thank you.

:36:14. > :36:16.# I'll be better this time, I will be better this time

:36:17. > :38:07.I want to see you jump one last time!

:38:08. > :38:19.T in the Park, how are you feeling?! I've got a special request while I'm

:38:20. > :38:27.here. I want to dedicate this to mark urban. After three, I want

:38:28. > :38:35.everybody in this crowd to shout, Urban! One, two, three. Urban! One,

:38:36. > :39:07.two, three, Urban! T in the Park, make some fucking

:39:08. > :40:30.noise! Thank you so much. Take care of

:40:31. > :40:34.yourselves. EDITH BOWMAN: When he said that he had something special

:40:35. > :40:38.planned for that production, he was not joking. I don't know if you

:40:39. > :40:43.noticed but those spirals that I was excited about, they got hoisted up

:40:44. > :40:47.halfway through the set. And did you see them at the back of the crowd,

:40:48. > :40:52.engulfing and cuddling the crowd? Phenomenal. He must've spent his

:40:53. > :40:58.entire fee on all the production on that set. We have loads more to come

:40:59. > :41:02.in from day two here at T in the Park on the EU for joining us. We're

:41:03. > :41:06.going to get as many performances as we can now for the rest of the

:41:07. > :41:17.night. And feel free to get in touch. You can use our hashtag,

:41:18. > :41:22.which is #BBCTITP. Page's dad was watching Calvin on the TV, full

:41:23. > :41:26.blast. But where was Page? Brian agrees that it was a brilliant set

:41:27. > :41:34.and Beth is sad she was not there. Next time, maybe. But we have loads

:41:35. > :41:43.more still to come. More to come from our headliners on the #BBCTITP

:41:44. > :41:47.weight King Tut's stage. But more, coming from this lot, who just nail

:41:48. > :41:53.it. And the crowd love it, pretty much making up of young ladies who

:41:54. > :42:05.love every word, singing it all back. This is The 1975. # This is

:42:06. > :42:06.called the Sound. # Well I know when you're around

:42:07. > :42:09.cos I know the sound # Well, I know when you're around

:42:10. > :42:14.cos I know the sound # Well I know when you're around

:42:15. > :42:22.cos I know the sound # I can't believe

:42:23. > :42:31.I forgot your name # She said "I've got a problem

:42:32. > :42:37.with your shoes and your tunes" # And I thought you were

:42:38. > :42:45.straight, now I'm wondering # What does it matter if I lie

:42:46. > :42:53.to you? # I don't regret it but I'm

:42:54. > :42:56.glad that we're through # So don't you tell me that

:42:57. > :42:59.you just don't get it # Well I know when you're around

:43:00. > :43:03.cos I know the sound # Well I know when you're around

:43:04. > :43:09.cos I know the sound # A sycophantic, prophetic,

:43:10. > :43:22.Socratic junkie wannabe # I can't see the difference

:43:23. > :43:36.in it either way # And we left things

:43:37. > :43:45.to protect my mental health # But you call me when you're bored

:43:46. > :43:48.and you're playing with yourself # What does it matter if I lie

:43:49. > :43:53.to you? # I don't regret it but I'm

:43:54. > :43:56.glad that we're through # So don't you tell me that

:43:57. > :43:59.you just don't get it # Well I know when you're around

:44:00. > :44:07.cos I know the sound # Well I know when you're around

:44:08. > :44:12.cos I know the sound # Well I know when you're around

:44:13. > :44:18.cos I know the sound # Well I know when you're around

:44:19. > :44:41.cos I know the sound T in the Park, you've got a

:44:42. > :44:45.reputation for being awesome. I need you to channel that. Everybody is

:44:46. > :44:51.going to jump up and down on account of four. You ready? One, two,

:44:52. > :45:23.# Well I know when you're around cos I know the sound

:45:24. > :45:27.# Well I know when you're around cos I know the sound

:45:28. > :45:36.# Well I know when you're around cos I know the sound

:45:37. > :45:43.# Well I know when you're around cos I know the sound

:45:44. > :47:42.# But the grass is always greener on the other side

:47:43. > :47:44.# The neighbour's got a new car that you want to drive

:47:45. > :47:45.# And when time is running out you want to stay alive

:47:46. > :48:30.# But the grass is always greener on the other side.

:48:31. > :48:32.# The neighbour's got a new car that you wanna drive.

:48:33. > :48:38.# And when time is running out you wanna stay alive.

:48:39. > :48:50.# But the grass is always greener on the other side.

:48:51. > :48:52.# The neighbour's got a new car that you wanna drive.

:48:53. > :48:58.# And when time is running out you wanna stay alive.

:48:59. > :50:05.The wonderful Travis, back headlining T in the Park. Listen...

:50:06. > :50:11.You hear that? Pipes have started in the artist area. 1975 just walked

:50:12. > :50:16.past and made their way back to the dressing room in the corner.

:50:17. > :50:18.Including their two backing singers, who had black bags wrapped around

:50:19. > :50:25.their feet to keep them clean, going through the mud. They've got to be

:50:26. > :50:30.happy with that set, 1975 headlining on the radio one stage. Great to see

:50:31. > :50:36.Travis back, they have a fantastic new album Everything At Once, It's

:50:37. > :50:39.Out now. We have loads more coming up. We're going to bring you the

:50:40. > :50:44.likes of Jack Garratt, more Last Shadow Puppets, Tom Adel to name a

:50:45. > :50:54.few. If you want to see more of those sets now, there is loads

:50:55. > :50:58.online. We will get more and more sets up there from T in the Park,

:50:59. > :51:04.from the main stages, as quickly as they can. There are a couple of

:51:05. > :51:08.them. You've got to look at their feet. See? It's brilliant! It's the

:51:09. > :51:13.noise that it makes, I don't know if you can catch that as they walk

:51:14. > :51:19.past. 1975 backing singers, the Little shuffle that they do. The

:51:20. > :51:25.pipes! Music to my ears. Absolutely music to my ears. Right now we are

:51:26. > :51:29.going to head back to the main stage, the band that have the job of

:51:30. > :51:34.going on just before Calvin Harris, you know what, the crowd absolutely,

:51:35. > :51:37.absolutely loved the band. They gave him such a great response. This is

:51:38. > :51:47.the wonderful Bastille. So, what would you little

:51:48. > :52:07.maniacs like to do first? # Now you'll be missing

:52:08. > :52:37.# What's gonna be left of the world if you're not in it?

:52:38. > :53:11.# Caught off guard by your favorite song

:53:12. > :53:20.# It's such a shame we had to see them burn

:53:21. > :53:27.# What's gonna be left of the world if you're not in it?

:53:28. > :53:53.You have to learn to live in the jungle

:53:54. > :56:18.# Many days fell away with nothing to show

:56:19. > :56:43.# Does it almost feel like nothing changed at all?

:56:44. > :56:51.# Does it almost feel like you've been here before?

:56:52. > :57:00.# How am I gonna be an optimist about this?

:57:01. > :57:04.# We were caught up and lost in all of our vices

:57:05. > :57:12.# In your pose as the dust settled around us

:57:13. > :57:36.# Does it almost feel like nothing changed at all?

:57:37. > :57:45.# Does it almost feel like you've been here before?

:57:46. > :58:09.# How am I gonna be an optimist about this?

:58:10. > :58:17.Thank you so much! I want to see how high you guys can jump.

:58:18. > :58:54.# Does it almost feel like nothing changed at all?

:58:55. > :59:03.# Does it almost feel like you've been here before?

:59:04. > :59:08.# How am I gonna be an optimist about this?

:59:09. > :59:59.# Does it almost feel like nothing changed at all? #

:00:00. > :00:08.Are thank you so, so much. Have an amazing weekend. Thank you so much

:00:09. > :00:13.for coming. We will see you later, somewhere out on the field.

:00:14. > :00:18.Bastille, making everybody feel so happy on the main stage. They have a

:00:19. > :00:22.new album coming in October. So much energy, constantly bouncing. I think

:00:23. > :00:27.the Buckfast might have helped just a little bit. We have loads more to

:00:28. > :00:31.come, more The Last Shadow Puppets on the way. But heading over to the

:00:32. > :00:35.King Tut's tense now, a young man who was here three years ago, and

:00:36. > :00:39.only manage two songs because he lost his voice. He is an absolute

:00:40. > :00:44.rule that the minute. I have been playing tracks from his new album

:00:45. > :00:48.and his debut album. Tom Modell was very happy to be back at T in the

:00:49. > :00:50.Park today, to revisit what he should have done three years ago.

:00:51. > :01:13.Having a blinder. Here he is. # But it's so cold

:01:14. > :01:20.and I don't know where # I brought you daffodils

:01:21. > :01:24.in a pretty string # But they won't flower

:01:25. > :01:40.like they did last spring # I'm just so tired to share

:01:41. > :01:45.my nights # All my tears have been

:01:46. > :02:52.used up # But I sang them

:02:53. > :03:17.all to another heart # I want to sing a song

:03:18. > :04:15.that'd be just ours # But I sang them all to another

:04:16. > :05:36.heart He's so good, he's 25 and he is such

:05:37. > :05:40.an incredible musician and singer and songwriter. Nobody is really

:05:41. > :05:43.doing what he does at the minute. He really stays true to the music that

:05:44. > :05:47.he wants to make and it makes me really wants to be able to play the

:05:48. > :05:57.piano when I watch him play live. There is an hear of slight edginess,

:05:58. > :06:02.maybe, in terms of the arrival of Calvin's stag do. If you have joined

:06:03. > :06:07.us, Calvin Harris just joined us on the main stage, and he had 60 mates

:06:08. > :06:12.with him, because it is his mate's stag do and they have recreated his

:06:13. > :06:17.mate's Pub in his eerie over there. I can hear the sound of things on

:06:18. > :06:25.the go at the moment. I'm just waiting on 60 men to arrive. We will

:06:26. > :06:30.let you know when they do or maybe we want. Let's crack on with more

:06:31. > :06:33.music. Jack Garrett is on the way, and more The Last Shadow Puppets but

:06:34. > :06:38.right now, a band who are no stranger to T in the Park. This is

:06:39. > :07:08.Kaiser Chiefs. # Know what ya doing

:07:09. > :07:41.Doing to me? Ahaa-ahaa-aaaa # Ruby, Ruby, Ruby, Ruby

:07:42. > :07:51.Ahaa-ahaa-aaaa # Let the clocks be reset

:07:52. > :08:06.And the pendulums held # There is nothing at all

:08:07. > :08:08.Except the space in-between # Do ya, do ya, do ya, do ya

:08:09. > :08:25.Ahaa-ahaa-aaaa # Ruby, Ruby, Ruby, Ruby

:08:26. > :08:31.Ahaa-ahaa-ahaa-aaaa # Could it be, could it be

:08:32. > :08:36.That you're joking with me # And you don't really see

:08:37. > :08:47.You with me-ee? # Could it be, could it be

:08:48. > :08:50.That you're joking with me # And you don't really see

:08:51. > :08:52.You with me? # Do ya, do ya, do ya, do ya

:08:53. > :09:59.Ahaa-ahaa-aaaa I think that was the point where the

:10:00. > :10:04.Biblical rain was happening. It was unbelievable. I have never seen the

:10:05. > :10:07.rain like it. We were in a tent at one point and it was louder than

:10:08. > :10:12.everything else going on in the tent. It was so loud. Kaiser Chiefs

:10:13. > :10:17.there at this wonderful festival. Thank you to everybody getting in

:10:18. > :10:21.touch. Lynne was gutted that she had to leave site earlier and missed the

:10:22. > :10:25.1975. Fear not as you will be able to see all of that on the iPlayer

:10:26. > :10:30.tomorrow. I will give you details of where you can see more sets and

:10:31. > :10:34.extended sets. Leah and her man had been raving all night in the living

:10:35. > :10:45.room. That is a great image. Keep it going. And you can see extended

:10:46. > :10:53.highlights on the iPlayer or head to our website, and I can hear them,

:10:54. > :10:58.they are back. The stag party is back. Be warned. Can we have

:10:59. > :11:03.security, please, surrounding this whole area? They might want to run

:11:04. > :11:06.on telly at any point. Let's go over to a gentleman who came offstage

:11:07. > :11:11.downhearted because I think he was tired about having been at festivals

:11:12. > :11:13.nonstop. The crowd loved his performance and I thought it was

:11:14. > :11:18.faultless. This is the wonderful Jack Garrett.

:11:19. > :11:24.# My nights are broken up by the sounds of women I'll never meet

:11:25. > :11:37.# And when my eyes are closed I can start to feel you staring at me

:11:38. > :11:49.# The right side of my bed always left me feeling stuck in between

:11:50. > :11:58.# Everything I know and all the lies I tell myself so I can sleep

:11:59. > :12:17.# Don't you worry about it Don't you worry about it

:12:18. > :12:23.# And let me worry about it Let me worry about it

:12:24. > :12:33.# You came around to say that you'd been away like I hadn't known

:12:34. > :12:47.# As if I don't wake up every single day not seeing you go

:12:48. > :12:54.# As if this moon of ours only shines a half to make me feel whole

:12:55. > :13:07.# As if I haven't felt your breath in every step I take

:13:08. > :13:30.# Don't you worry about it Don't you worry about it

:13:31. > :13:35.# And let me worry about it Let me worry about it

:13:36. > :13:47.# Don't you worry about it Don't you worry about it

:13:48. > :14:11.# And let me worry about it Let me worry about it

:14:12. > :14:24.# Don't you worry about it Don't you worry about it

:14:25. > :15:33.It's astonishing what he's able to do, he's a phenomenal guitar player,

:15:34. > :15:36.to do everything else he does, do it all himself, I think is just

:15:37. > :15:43.wonderful. Absolutely brilliant. Jack Garratt, filling that huge

:15:44. > :15:47.stage. And a band that do what they do so brilliantly. I was so excited

:15:48. > :15:51.to hear the Last Shadow Puppets were back with a new album. Everything we

:15:52. > :15:55.have come to expect and even more excited to see they were playing T

:15:56. > :15:56.in the Park. They were brilliant, they came on with the swagger you

:15:57. > :16:39.expect. # Gloomy conga of glum

:16:40. > :16:44.looking beauties # Strolling through

:16:45. > :16:54.the opening scene # Aviation in the evening

:16:55. > :17:22.I can feel it coming on # Mama told me you should start

:17:23. > :17:29.as you mean to go wrong # Or else you're never

:17:30. > :17:39.gonna get it right # Senorita, well you need not come

:17:40. > :17:50.coke head close to me # Cos I can hear you

:17:51. > :18:01.perfectly clear from here # Aviation in the evening

:18:02. > :18:08.I can feel it coming on # Mama told me you should start

:18:09. > :18:14.as you mean to go wrong # Or else you're never

:18:15. > :18:24.gonna get it right # Elementary hallelujahs

:18:25. > :18:30.Annalise's dulcet tones # Aviation in the evening

:18:31. > :18:37.I just can't leave it alone # I reckon I just might

:18:38. > :18:46.have broke the ice # The colourama in your eyes

:18:47. > :18:58.It takes me on a moonlight drive # It's the way you wing it

:18:59. > :20:03.While you're figuring it out. # So good! Love what they do. I was a

:20:04. > :20:08.bit concerned with the bass player's fringe, getting tangled up. That's

:20:09. > :20:16.almost always got time for. We will be back tomorrow, nine o'clock on

:20:17. > :20:20.BBC Four with a set from Jake Bugg. Then back again on BBC Two Scotland

:20:21. > :20:24.and BBC Four at ten o'clock with highlights from Day three at T in

:20:25. > :20:31.the Park, including the fabulous red hot chilli Peppers. In the meantime,

:20:32. > :20:37.check out the iPlayer and the website, bbc.co.uk/tinthepark for

:20:38. > :20:41.extended highlights from the first two days of this amazing festival.

:20:42. > :20:45.It's been a wonderful day. We leave you with a band that played a bit

:20:46. > :20:49.earlier on. Make sure you join us back here tomorrow, BBC Four, nine

:20:50. > :20:51.o'clock, four Jake Bugg. We leave you with Catfish and the Bottlemen.

:20:52. > :21:22.Enjoy. # There's always someone

:21:23. > :21:27.to lead on with you # Evidently proved

:21:28. > :21:35.that I didn't need you # She said, oh, please,

:21:36. > :21:37.you're obsessed! # She said

:21:38. > :21:51.I'm feeling like it's put on # But, babe

:21:52. > :22:03.you know I've tried and failed # But you just don't know

:22:04. > :22:07.how it feels # To lose something you never had

:22:08. > :22:13.and never will # Evidently proved that

:22:14. > :22:27.I don't need you or no-one # You see, I'm feeling like

:22:28. > :22:50.it's put on # But, babe

:22:51. > :23:08.you know I've tried and failed # But you just don't know

:23:09. > :23:09.how it feels # To lose something

:23:10. > :23:15.you never had and never will # But, babe

:23:16. > :23:16.You know I've tried and failed # But you just don't know

:23:17. > :23:17.how it feels # To lose something

:23:18. > :23:43.you never had and never will # I'm a pacifier

:23:44. > :24:55.Whoa-oh-oh-oh-oh-oh Thank you! T in the Park, if you've

:24:56. > :25:04.not lost your voice already, this is the one called Cocoon.

:25:05. > :25:40.# You'd stay and try to out-drink me

:25:41. > :26:16.# And you've got that visible breathing

:26:17. > :26:27.# You'd stay and try to out-drink me

:26:28. > :27:09.# And if you wanna shut down and pose as positive and

:27:10. > :27:22.# And if you wanna act more drunk than usual

:27:23. > :27:25.# To help you get away with more than

:27:26. > :28:39.# You'd stay and try to out-drink me