:00:00. > :00:22.This programme contains strong language and flashing images.
:00:23. > :00:30.Welcome back to the final day of it. In the Park from the BBC at
:00:31. > :00:35.Strathallan castle. It is the final day and we'll be
:00:36. > :00:43.bringing you the Red Hot Chili Peppers. They are on the stage as we
:00:44. > :00:50.speak. If you think I'm in a bright jacket, wait until you see them.
:00:51. > :00:57.Chad Smith popped in this afternoon he we had an interview with him.
:00:58. > :01:01.We'll play you that. We'll bring you James Bay and LCD Sounded System
:01:02. > :01:06.currently headlining on the radio 1 stage. Get in touch, we would love
:01:07. > :01:06.to know what you think of the performances.
:01:07. > :01:09.stage. Get in touch, we would love to know what you think of the
:01:10. > :01:14.performances. Effect in touch using the hashtag.
:01:15. > :01:19.First to band who were on the -- get in touch using the hashtag. First to
:01:20. > :01:25.a band on the main stage earlier on, and they were joined by another
:01:26. > :01:30.park. This is Chase and Status, joined by Slave. Everybody feeling
:01:31. > :01:36.good? Scotland, this is what we need right now. Make some noise for the
:01:37. > :02:00.Slaves. That's knotted my plan, I don't want
:02:01. > :02:04.to be that man # That's not my plan
:02:05. > :02:09.# I don't want to be that man # That's not my plan
:02:10. > :02:11.# I don't want to be that man. # Orders, to orders, to orders, to
:02:12. > :02:26.orders. # That's my
:02:27. > :02:32.# That's in the my plan # I don't want to be that man
:02:33. > :02:47.# That's not my plan, I don't want to be that man.
:02:48. > :02:59.# That's not #3450i plan # I don't want to be that man. --
:03:00. > :03:07.# That's not my plan # I don't want to be that man
:03:08. > :03:08.# Not plea. - # Not me.
:03:09. > :03:23.T In The Park. #
:03:24. > :03:30.Don't be mistaken # Don't be mistaken
:03:31. > :03:39.# Don't move it knob no # That's not my plan
:03:40. > :03:41.# I don't want to be that man # That's not my plan
:03:42. > :04:03.# I don't want to be that man # That's in the my plan anybody
:04:04. > :04:12.don't wanna be that man #
:04:13. > :04:39.To exercise restraight or direction over, dominate or command, the car
:04:40. > :04:42.is difficult to control at high speeds. That zone is control bid
:04:43. > :04:47.enemy troops. # That's not my plan
:04:48. > :04:54.# I don't wanna be that man # That's in the my plan
:04:55. > :04:59.# I don't wanna be that man # That's not my plan
:05:00. > :05:01.# I don't wanna be that man. # That's not my plan
:05:02. > :05:20.# I don't wanna be that man # Control
:05:21. > :05:22.# That's note my plan # I don't wanna be that man
:05:23. > :05:39.# Thank you, love you. Oh, nice work
:05:40. > :05:46.there from Chase and Status, joined by Slave. Phenomenal band. A new
:05:47. > :05:50.album coming August 5th stay with us, we'll give you as much as we can
:05:51. > :05:54.from the final day, including headliners, the Red Hot Chili
:05:55. > :05:58.Peppers who are on the main stage as we speak. If you were with us at the
:05:59. > :06:03.start of our Jake Bugg show you saw me get fan girl about a band heading
:06:04. > :06:07.over to the radio 1 stage to headline. Whilst they have been on,
:06:08. > :06:11.I managed to download this particular app. If I was going to
:06:12. > :06:17.give you a visual aid for the next band this would be it. I have been
:06:18. > :06:54.playing along to the entire set. Of course it is LCD Sound System.
:06:55. > :06:59.# Daft Punk is playing at my house, my house
:07:00. > :07:14.# I'll show you the ropes, kid # Show you the ropes
:07:15. > :07:17.# Got a bus and a trailer at my house, my house
:07:18. > :07:23.# I'll show you the ropes, kid # Show you the ropes
:07:24. > :07:38.# Well, Daft Punk is playing at my house, my house
:07:39. > :07:46.# You got to set them up kid, set them up
:07:47. > :08:00.# Set them up up, ooh-ooh, yeah
:08:01. > :08:03.# Well, Daft Punk is playing at my house, my house
:08:04. > :08:21.# There's every kid for miles at my house, my house
:08:22. > :08:24.# And the neighbours call the police?
:08:25. > :08:27.# There's a fist fight brewing at my house, my house?
:08:28. > :08:34.# Because the jocks can't get in the door
:08:35. > :08:38.# When Daft Punk is playing at my house, my house
:08:39. > :09:37.COWBELL SOLO up, ooh-ooh, yeah
:09:38. > :09:43.# Got everybody's PA in my house, my house
:09:44. > :09:47.# And Sarah's girlfriend is working the door
:09:48. > :09:53.# Got everybody's PA in my house, my house
:09:54. > :10:02.# All the robots descend from the bus
:10:03. > :10:07.# There's a freak-out brewing in my house, my house
:10:08. > :10:16.# Cos Daft Punk is playing at my house, my house
:10:17. > :10:46.# Set them up up, ooh-ooh, yeah
:10:47. > :11:11.# Never, never, never let them go never let them go
:11:12. > :11:33.Looking up, it has started to rain. Well done, that's your fault. Well,
:11:34. > :11:42.that's going to be a dream for me, being in LCD Sound System, just
:11:43. > :11:49.being cowgirl lady. To you see that, that's a job, Cowbell man. We are
:11:50. > :11:54.going to bring you the Red Hot Chili Peppers. Chad Smith is popping in
:11:55. > :11:58.for a chat and we'll give you some James Bay. Earlier on today, a
:11:59. > :12:08.little brighter and more daylight than it was, not dark here, it never
:12:09. > :12:09.gets dark. Earlier on here is Nathaniel Rateliff and the Night
:12:10. > :13:01.Sweats. # nobody going to give a damn
:13:02. > :13:09.# son of a bitch # Son of a bitch
:13:10. > :13:16.# Give me a drink # One more night Here we go. Oh, oh.
:13:17. > :13:23.# Oh, oh. # Oh, oh. Let me hear you. Be
:13:24. > :13:27.# Oh, oh # Oh,
:13:28. > :13:32.oh Now for 17 years I've been throwing
:13:33. > :13:39.them back #17 more will bury me
:13:40. > :13:43.# And somebody please just tie me down
:13:44. > :13:45.# Or somebody get me a God damming drink
:13:46. > :13:50.# Son of a bitch # Give me a drink
:13:51. > :13:53.# One more night # This can't be me
:13:54. > :14:02.# Son of a bitch # If I can't get clean
:14:03. > :14:19.# I'm gonna drink my life away Take it away.
:14:20. > :14:36.# Mm, # Mm
:14:37. > :14:41.# My heart is breaking # Hands are shaking
:14:42. > :14:52.# Bugs are crawling all over me #.
:14:53. > :14:58.# Hands are shaking # Bugs are crawling all over me
:14:59. > :15:02.# my heart was aching # Hands are shaking
:15:03. > :15:09.# Bugs are crawling all over me # my heart was aching
:15:10. > :15:17.# Hands are shaking, # Because are crawling all over me
:15:18. > :15:18.# Son of a bitch moon give me a drink
:15:19. > :15:20.# One more night # This can't be me
:15:21. > :15:30.# Son of a bitch # If I can't get clean
:15:31. > :16:00.# I'm gonna drink my life away Hey, hey
:16:01. > :16:18.# Oh, oh # Oh, oh, oh, oh
:16:19. > :16:27.# Oh, oh # Oh, oh oh, oh, oh Thank you guys
:16:28. > :16:32.so much. Take care of each other. We'll see you soon.
:16:33. > :16:37.It is an interesting choice, the Night Sweats. Not the most glamorous
:16:38. > :16:43.choice of names. Thank you very much everybody getting in touch. Bethany
:16:44. > :16:50.is wishing she is here to see James Bay. Stay there, he may come up
:16:51. > :16:55.next. Alex thinks me might cry for two hours after the Chili's set. And
:16:56. > :17:00.we have one hop can't wait for them to come on. I promise you, it is not
:17:01. > :17:05.long now until we been you them. The headliners on the final day. First,
:17:06. > :18:21.to the Main Stage and the wonderful Mr James Bay.
:18:22. > :19:06.# Hold back the river Let me look in your eyes
:19:07. > :19:13.# Can stop for a minute and see where you hide
:19:14. > :19:51.# Hold back the river Let me look in your eyes
:19:52. > :19:58.# Can stop for a minute and be by your side
:19:59. > :20:05.# Hold back the river Let me look in your eyes
:20:06. > :20:12.# Can stop for a minute and see where you hide
:20:13. > :21:02.# Hold back the river Let me look in your eyes
:21:03. > :21:09.# Can stop for a minute and be by your side
:21:10. > :21:16.# Hold back the river Let me look in your eyes
:21:17. > :21:23.# Can stop for a minute and be by your side
:21:24. > :23:12.The fabulous Mr James Bay playing a track from his album the Chaos and
:23:13. > :23:16.Calm. He is about to finish getting to the end of the touring schedule.
:23:17. > :23:19.He is back to the States and then back, take a break and work on new
:23:20. > :23:23.material. He had an amazing response from the crowd at T In The Park.
:23:24. > :23:27.Right, time for the main event, then. Your final headliners at T In
:23:28. > :23:31.The Park P the Red Hot Chili Peppers. They have been here before.
:23:32. > :23:37.They have a great relationship with the Scottish crowd. What was great
:23:38. > :23:43.was to catch up with Mr Chad Smith before they took the stage. Welcome
:23:44. > :23:48.back to T In The Park. You have already warmed up? Yes, with my
:23:49. > :23:52.buddy Jake and played a song. It was fun. I love watching. We stood
:23:53. > :23:57.watching you guys, we saw Josh and Zane and you guys hanging out, being
:23:58. > :24:03.part of the team and getting the vibe. Yes, it is great. We love T we
:24:04. > :24:07.have played here lots of times. I don't know how many times. Good
:24:08. > :24:11.memories? A bunch. It is usually raining. So I'm happy to see that
:24:12. > :24:17.the tradition continues. How did the Jake thing come about? Is it a case
:24:18. > :24:26.you bump into him and you go - how's about you come up? I played on his
:24:27. > :24:33.record Sian grey la. The one - Shangrila. So it was nice. And we
:24:34. > :24:37.said we were on the same bill, yes, sure, man, come down, play the
:24:38. > :24:44.drums, don't break them. He knows you too well. I get excited. It is
:24:45. > :24:49.the only way I know how to do it. He is a really good guy. I like him and
:24:50. > :24:52.his band. Great people. Obviously a great musician. He gets a great
:24:53. > :24:55.response from the crowd. A huge crowd there for him. Yes. Great to
:24:56. > :25:00.see. They are hanging in there. They are hanging tough. This is the third
:25:01. > :25:06.day, right? Hard-core. I drove by all those tents, in the mud and I'm
:25:07. > :25:11.just going - that's a young man's game right there, boy, wow. God
:25:12. > :25:15.bless them. You are not a camping man. You have been around Europe
:25:16. > :25:22.playing new records from a wonderful new album the Getaway. I saw you
:25:23. > :25:26.guys in Belgium last weekend. In fact I was quite perturbed when I
:25:27. > :25:32.got up for breakfast and you were sat at the table next to me chatting
:25:33. > :25:36.to another band. Yes, I love them. I was there the night before we had
:25:37. > :25:40.gotten in and I didn't know they were playing the night before, or I
:25:41. > :25:51.would have gone and saw them They are amazing. Their show is, I think,
:25:52. > :25:55.ununequaled. They are uncred I will. People probably don't think or --
:25:56. > :25:59.they are incredible. People probably don't think or know that they are
:26:00. > :26:03.really funny guys. We just laughed the whole time. But they are not on
:26:04. > :26:07.stage but they are a bunch of comics. There was eaves dropping
:26:08. > :26:11.going on by me at breakfast but I could tell they were funny. I love
:26:12. > :26:15.those guys. We had a good time. A nice morning. And the energy from
:26:16. > :26:19.you guys come on stage as well. I got out front to watch you last
:26:20. > :26:24.weekend. It was so exciting because, you know, it is the Chili Peppers.
:26:25. > :26:29.You have so many tunes to choose from but the new album, it feels
:26:30. > :26:35.like, you guys, the energy has been rapped up even more so. You know --
:26:36. > :26:40.ramped up. We are so excited by our new record. We love playing all of
:26:41. > :26:45.our songs but it is fun to play the new ones, we are starting to do
:26:46. > :26:49.them. When a new one comes out on a set list, it is great, we need to
:26:50. > :26:53.play Dark Necessity. We are trying not to play too many new ones. It is
:26:54. > :27:00.a festival and a lot of people don't really know our new record but it is
:27:01. > :27:05.fun to just, it really gets you kind of pumped up. But we love to play
:27:06. > :27:11.and every time we go out there, we play our little hearts out. You can
:27:12. > :27:17.tell. Do you get any say in the set list? Anthony does the set list. It
:27:18. > :27:21.is kind of based on how he is feeling, his voice. But, he passes
:27:22. > :27:27.around to. We make our suggestions, what about this one or maybe that
:27:28. > :27:32.one? But for the most part, he is in charge of the set list. What are you
:27:33. > :27:35.most enjoying playing from the new record? Do you have a favourite
:27:36. > :27:39.track you are loving playing from the new record? Man, you know, there
:27:40. > :27:44.is a song we have called Detroit that's kind of a rocker that I
:27:45. > :27:49.really love. I grew up in Detroit, Michigan, so it has a special place
:27:50. > :27:54.in my heart. I love that one. I love all the new ones, we are trying to
:27:55. > :27:58.switch songs. We played Dark Necessities and playing the Getaway
:27:59. > :28:03.nightly, but we are trying to switch up the other two to get new songs
:28:04. > :28:08.into the set but I'm digging Detroit right now. Hopefully we'll play it
:28:09. > :28:12.tonight. If it is not on the list I will be like - Anthony, what about
:28:13. > :28:16.Detroit? Please, pretty please. Thank you for coming to talk to us
:28:17. > :28:19.Thank you for having us. We appreciate your support. We love
:28:20. > :28:28.everybody here in Scotland. Even though it rains We will be back in
:28:29. > :30:57.the fall, too. I think it is the Hydro. She knows. Thank you, Chad.
:30:58. > :43:10.CHEERING AND APPLAUSE So, this is the festival!
:43:11. > :43:18.Very nice, very nice. You guys talking about the Cup over
:43:19. > :43:30.there? CHEERING AND APPLAUSE
:43:31. > :44:25.# Southern girl with a Scarlett drawl
:44:26. > :47:18.CHEERING AND APPLAUSE Thanks.
:47:19. > :49:16.# Dark necessities are part of my design
:49:17. > :49:19.# Tell the world that I'm falling from the sky
:49:20. > :49:34.# Dark necessities are part of my design
:49:35. > :49:39.# You got no time for the afterthought
:49:40. > :49:44.# They're like ice cream for an astronaut
:49:45. > :50:05.# Dark necessities are part of my design
:50:06. > :50:09.# Tell the world that I'm falling from the sky
:50:10. > :50:25.# Dark necessities are part of my design
:50:26. > :50:30.# The darkness helps to sort the shine
:50:31. > :50:43.# The darkness helps to sort the shine
:50:44. > :51:18.# Dark necessities are part of my design
:51:19. > :51:23.# Tell the world that I'm falling from the sky
:51:24. > :51:51.# Dark necessities are part of my design
:51:52. > :52:49.CHEERING AND APPLAUSE Thank you. You know, we've been on
:52:50. > :52:53.tour, I've been on tour on my adult life. When I was a kid, I never
:52:54. > :52:56.dream die would get to travel around the world and play music all over
:52:57. > :53:03.the world. -- dream that I would get. We've been playing for 30
:53:04. > :53:06.years, you know, and still to have the opportunity and a privilege to
:53:07. > :53:12.travel across to the other side of the world and come here and play
:53:13. > :53:17.here, being in Scotland is the greatest treat for which I'm so
:53:18. > :53:20.grateful and I will never, ever, ever take it for granted! Thank you
:53:21. > :55:00.so much! Thank you! # You never know
:55:01. > :55:45.# Don't ask me why # I feel so good
:55:46. > :55:56.# You never know #...
:55:57. > :56:11.The mothes in fucker # Will not go
:56:12. > :56:19.# If you have to ask # You'll never know
:56:20. > :56:20.# Funky motherfuckers # Will not be told
:56:21. > :57:24.# CHEERING AND
:57:25. > :59:14.APPLAUSE # I'm a freak of nature,
:59:15. > :00:01.walking totem pole # I'm a freak of nature,
:00:02. > :00:26.walking totem pole # I'm a freak of nature,
:00:27. > :01:03.walking totem pole # I heard your voice
:01:04. > :04:33.through a photograph # I thought it up it
:04:34. > :04:36.brought up the past # Once you know
:04:37. > :04:40.you can never go back # I've got to take
:04:41. > :04:47.it on the otherside # Stranger things could
:04:48. > :05:01.never change my mind # I've got to take
:05:02. > :05:44.# The ashtray's full and I'm spillin' my guts
:05:45. > :05:47.# She wants to know am I still a slut
:05:48. > :05:55.# I've got to take it on the otherside
:05:56. > :05:59.# Scarlet starlet and she's in my bed
:06:00. > :06:06.# Push the trigger and pull the thread
:06:07. > :06:10.# I've got to take it on the otherside
:06:11. > :07:04.# Turn me on, take me for a hard ride
:07:05. > :07:07.# Burn me out, leave me on the otherside
:07:08. > :12:20.# Wanna feel it all around get ya, wanna get you
:12:21. > :12:28.Little bit of woman in a black dress? You heard it. With a drum
:12:29. > :12:41.stick in his left hand is our friend Chris. And the drumstick somehow
:12:42. > :13:01.makes him feel better. More comforting. I understand. I've got a
:13:02. > :13:28.rainbow dog. So far away. The whole balcony!
:13:29. > :13:31.# We will do our thing tonight alright
:13:32. > :14:14.# You don't have to keep it if it's mine
:14:15. > :14:16.# (Another lonely superstar to getaway inside your car)
:14:17. > :14:24.# (Surrender to the brave inside a lover that another tried)
:14:25. > :14:30.# Sitting in your car and on your street
:14:31. > :14:39.# Take a spin to find out how we feel
:14:40. > :14:47.# Turn it up and no we can't be found
:14:48. > :14:55.# Find out that the trick is never cheap
:14:56. > :15:21.# You don't have to keep it if it's mine
:15:22. > :15:23.# (Another lonely superstar to getaway inside your car)
:15:24. > :15:40.# (Surrender to the brave inside a lover that another tried)
:15:41. > :15:46.# We will do our thing tonight, alright
:15:47. > :16:20.# A May December might not be so smart
:16:21. > :16:23.# (Another lonely superstar to getaway inside your car)
:16:24. > :16:28.# Arrivals that we wish would not depart
:16:29. > :16:37.# (Surrender to the brave inside a lover that another tried)
:16:38. > :18:34.# Siveretta the jets of a lifetime # Go and get her I've got her on my
:18:35. > :18:36.mind # Nothing better the feeling is so
:18:37. > :18:38.fine # Simply put I saw your love stream
:18:39. > :18:47.flow # Come on baby cos there's in name
:18:48. > :18:50.for # Give it up and I got what I came
:18:51. > :19:01.for # Universally speaking
:19:02. > :19:04.# I take it back and you make me nervous
:19:05. > :19:08.# Nothing better than love and service
:19:09. > :19:33.# Universally speaking # I I win in the long run
:19:34. > :19:43.# I saw your crime # Dying to get high
:19:44. > :19:53.# Two of a kind # Beats all hands tonight
:19:54. > :19:58.# Silveretta are the jets of a lifetime
:19:59. > :20:02.# Go and get her, I've got her on my mind
:20:03. > :20:10.# All the better to make it so fine # Simply put, I saw your love stream
:20:11. > :20:13.flow # Come on baby cos there's in name
:20:14. > :20:17.for # Give it up and I got what I came
:20:18. > :20:22.for # Universally speaking
:20:23. > :20:24.# Take it back and you make me nervous
:20:25. > :20:31.# Nothing better than love and service
:20:32. > :20:44.# Universally speaking # I win in the long run
:20:45. > :20:48.# Silveretta the jets of a lifetime # Go and get her I've got her on my
:20:49. > :20:49.mind # Nothing better the feeling is so
:20:50. > :21:00.fine # Simply put I saw your love stream
:21:01. > :21:02.flow # Simply put I saw your love stream
:21:03. > :21:47.flow CHEERING AND
:21:48. > :21:56.APPLAUSE Do you know how to play this on the
:21:57. > :22:14.guy snar no idea? You know everything, come on. We
:22:15. > :22:19.have We've travelled a lot of ground in the last couple of days and we've
:22:20. > :22:24.worked with a lot of amazing people here. I want to thank each and every
:22:25. > :22:32.one of them them for Brigging us here and getting us here safe. And
:22:33. > :23:11.making us who we are. -- bringing us here.
:23:12. > :23:14.# I called the teacher cause I wanted to confess it now
:23:15. > :23:18.# Can I make the time for me to come and get it blessed somehow
:23:19. > :23:21.# She spoke to me in such a simple and decisive tone
:23:22. > :23:25.# Her sweet admission left me feeling in position from
:23:26. > :23:29.# I don't take these things so personal
:23:30. > :23:43.# Somebody hooted and they hollered can I buy a vowel
:23:44. > :23:47.# Don't let her catch you in the act of throwing in the towel
:23:48. > :23:55.# And when it's not as it appears to be, the flagrant foul
:23:56. > :23:58.# Can I put my fingers in your mouth before you start to growl?
:23:59. > :24:00.# I don't think that it's so terrible
:24:01. > :24:17.# Tell me now, I know that it just won't stop
:24:18. > :24:25.# You will find your flow when you go robot
:24:26. > :24:28.# I want to thank you and spank you upon your silver skin
:24:29. > :24:35.# You've got to choose it to use it, so let me plug it in
:24:36. > :24:51.# Sometimes I feel like I'm a sentimental trooper
:24:52. > :24:54.# She cried so hard, you know she looked like Alice Cooper
:24:55. > :24:56.# I don't think that it's so personal
:24:57. > :25:16.# Tell me now, I know that it just won't stop
:25:17. > :25:24.# You will find your flow when you go robot
:25:25. > :25:27.# I want to thank you and spank you upon your silver skin
:25:28. > :25:34.# You've got to choose it to use it, so let me plug it in
:25:35. > :26:03.# Can I come and get you when I hit you in your party clothes?
:26:04. > :26:05.# Let's turn this cosplay holiday, what we obey
:26:06. > :26:07.# And now we're welcoming each other to this cabaret
:26:08. > :26:10.# I don't think that it's so terrible
:26:11. > :26:29.# Tell me now, I know that it just won't stop
:26:30. > :26:37.# You will find your flow when you go robot
:26:38. > :26:40.# I want to thank you and spank you upon your silver skin
:26:41. > :26:50.# You've got to choose it to use it, so let me plug it in
:26:51. > :28:10.That's Sammy on the other base. When we recorded the song it had two
:28:11. > :28:19.bases on it. One of I tried to plate -- play both parts it sounded crap.
:28:20. > :28:27.Sally was like, I could do it. And he stepped up. -- Sammy. He brought
:28:28. > :28:36.some Mexican funk to Scotland. So, thanks, Sammy. Some of that Mexican
:28:37. > :29:14.funk in Scotland! Mexican funk in Scotland. It's a poem by Yates!
:29:15. > :34:19.# Am I on the right side of the left side of your brain
:34:20. > :34:24.# Can you see the rising of old yesterday's remains
:34:25. > :34:30.# Funkadelic said it best I think you know the rest
:34:31. > :34:36.# Time don't stand a chance against this motor madness
:34:37. > :35:53.# He did it with the little thing I think it's called a Ford
:35:54. > :35:58.# Funkadelic said it best I think you know the rest
:35:59. > :36:04.# Time don't stand a chance against this motor madness
:36:05. > :43:31.Love, love, love love love! Thank you so much.
:43:32. > :46:21.# Suicide an month before I met you # Deep regrets I never could forget
:46:22. > :46:25.you # Somehow you made your way to my
:46:26. > :46:28.decade # Ayo ayo
:46:29. > :46:32.# In the sun I see you with your guard down
:46:33. > :46:34.# Number one you're moving to a hard town
:46:35. > :46:44.# Do not dismiss the promise that you made me
:46:45. > :46:51.# Ayo ayo ayo # Favor some
:46:52. > :46:54.# Way too young # Slave to none
:46:55. > :47:01.# Way too young # Say goodbye my love
:47:02. > :47:05.# I can see it in your soul # Say goodbye my love
:47:06. > :47:09.# Thought that I could make you whole
:47:10. > :47:29.# Let your lover sail # Death was made to fail
:47:30. > :47:38.# Slip away into the Solar System # Straighter rays you find a way to
:47:39. > :47:46.twist them, some like it dark and oi know where to
:47:47. > :47:53.# Ayo ayo responsible Serpentine I think she was an Aussie
:47:54. > :48:02.# Bloody hell, a common kamikaze # Give up the ghost before you go
:48:03. > :48:07.# Ayo ayo responsible ayo wonder in say goodbye my love
:48:08. > :48:15.# I can see it in your soul # Say goodbye my love
:48:16. > :48:22.# Thought I could make you hole # let your lover sale
:48:23. > :48:50.# Death was made to fail your flickering is more than just a
:48:51. > :48:52.small flail # Welcome to the party
:48:53. > :48:59.# It's a ball game # Pick up the stick and it's time to
:49:00. > :49:02.get hit with # Ayo ayo
:49:03. > :49:05.# Suicide is never going to save you # When I cried it was because I came
:49:06. > :49:08.too # You are the one I want to know
:49:09. > :49:09.right now # Ayo
:49:10. > :50:08.# Ayo the first time we've played that
:50:09. > :50:58.song to people here. # Give it away give it
:50:59. > :51:06.away give it away now # I can't tell if I'm
:51:07. > :51:08.a kingpin or a pauper # Greedy little people
:51:09. > :51:11.in a sea of distress # Keep your more
:51:12. > :51:13.to receive your less # I'm a low brow but I
:51:14. > :51:19.rock a little know how # No time for the piggies
:51:20. > :51:21.or the hoosegow # Get smart get down
:51:22. > :51:23.with the pow wow # Never been a better
:51:24. > :51:25.time than right now # Goodness me can't
:51:26. > :51:35.you see I'm gonna cough it # Give it away give it
:51:36. > :52:19.away give it away now # Come and drink it
:52:20. > :52:24.up from my fertility # Blessed with a bucket
:52:25. > :52:26.of lucky mobility # My mom I love her
:52:27. > :52:29.'cause she love me # Long gone are the times
:52:30. > :52:32.when she scrub me # Feelin' good my
:52:33. > :52:34.brother gonna hug me # Drink my juice young
:52:35. > :52:36.love chug-a-lug me # Give it away give it
:52:37. > :53:09.away give it away now # What I've got you've got
:53:10. > :53:12.to give it to your mama # What I've got you've got
:53:13. > :53:14.to give it to your pappa # What I've got you've got
:53:15. > :53:17.to give it to your daughter # You do a little dance and then
:53:18. > :53:32.you drink a little water # Give it away give it
:53:33. > :54:04.away give it away now # Give it away
:54:05. > :54:42.# Please, give it away. # Just give it away!
:54:43. > :55:07.# Going to give it away! # Give it away!
:55:08. > :55:12.I hope you've had so much fun! I hope you had you a good time! Thank
:55:13. > :55:18.you! CHEERING AND APPLAUSE
:55:19. > :55:30.I love yous. Thank you.
:55:31. > :55:39.What a band. The energy they exude and that huge crowd, sticking around
:55:40. > :55:44.in the rain, as you can see in the final night, the Sunday night here.
:55:45. > :55:48.There we are, that is how wet it is. Here we are at T In The Park at
:55:49. > :55:55.Strathallan Castle. The crowd loving that. Can we take a moment to
:55:56. > :56:00.appreciate how amazing Chad's drum kit it. I mean, I lost count. The
:56:01. > :56:03.green trans pansy was a thing of beauty. I loved that. Also, we
:56:04. > :56:07.should mention that celebrations will be going on well into the
:56:08. > :56:12.night. 20 miles away from here, about 20 minutes away from here, bun
:56:13. > :56:16.Blaine, the home town of Andy Murray today. If people are driving and
:56:17. > :56:20.leaving site I'm sure the party will be continuing close to the site here
:56:21. > :56:24.at T In The Park. Thank you to everybody for getting in touch the
:56:25. > :56:31.we have a couple of late tweets from people. Ali tweeting:
:56:32. > :56:38.If nothing, else, hopefully, Ali it'll get you in the mood for coming
:56:39. > :56:45.next year for listen for the tickets for Chili shows later on in the
:56:46. > :56:51.year. Chelsea was loving Dark Necessity. I thought the new stuff
:56:52. > :56:59.was as brilliant as the old stuff. Hard it pick a set.
:57:00. > :57:02.Leann had memories of seeing them at hatch den park. It is ten years
:57:03. > :57:07.since they were here previously in 2006. We look forward to welcoming
:57:08. > :57:12.them back to Scotland again. Thank you for watching over the weekend.
:57:13. > :57:16.We have had a blast here at T In The Park. If you want to relive any of
:57:17. > :57:20.the moments, there are loads of great performances, be that the full
:57:21. > :57:25.set or just clips from the festival, from the whole festival over the
:57:26. > :57:30.weekend, talking about the likes of Disclosure, Catfish and the Bottle
:57:31. > :57:44.Men, you have Slave, 1975 and loads more. Highlights including My le,
:57:45. > :57:48.Serbs Kane's white track suit. LCD Sound system and Calvin Harris. It
:57:49. > :57:52.has been a great weekend. Thank you very much for watching. We will
:57:53. > :57:57.hopefully see you back here next year. But if you want to check out
:57:58. > :59:07.more performances head online. Thank you for watching.
:59:08. > :59:15.'is dedicated to trainspotters and train lovers.
:59:16. > :59:21.'Come and explore classic locomotives -
:59:22. > :59:25.'as we get the stats on Britain's railway network -