0:00:02 > 0:00:06- Two, three, and... Are you going to be the best choir? - ALL: Yeah!- Come on, then.
0:00:06 > 0:00:09Choirmaster Gareth Malone wants to help Britain's workers
0:00:09 > 0:00:11find their voice.
0:00:11 > 0:00:12This is Gareth Malone here.
0:00:12 > 0:00:14Now, I'm here to start a choir.
0:00:14 > 0:00:16Are you interested in joining a choir?
0:00:16 > 0:00:17Maybe, yeah.
0:00:17 > 0:00:20In search of hidden talent, he's creating choirs
0:00:20 > 0:00:23in five of Britain's biggest workplaces.
0:00:23 > 0:00:25I would like you to be in the choir, please.
0:00:25 > 0:00:26SHE SQUEALS
0:00:26 > 0:00:28Whoa!
0:00:28 > 0:00:29Hey!
0:00:29 > 0:00:32This proves that bankers can rock.
0:00:32 > 0:00:34If you were ever going to have a firefighting calendar,
0:00:34 > 0:00:36we've got them in the choir.
0:00:36 > 0:00:40As they compete to be this year's best workplace choir,
0:00:40 > 0:00:42Gareth's demanding musical excellence.
0:00:42 > 0:00:44We are going to sing real music.
0:00:44 > 0:00:46Crescendo, diminuendo.
0:00:46 > 0:00:47SINGING
0:00:47 > 0:00:49HE WHIMPERS
0:00:49 > 0:00:50# ALL: Where you going to run to? #
0:00:50 > 0:00:52If they're going to do justice to music,
0:00:52 > 0:00:54it's got to just pour out of them.
0:00:54 > 0:00:55# ALL: Power to the Lord! #
0:00:55 > 0:01:00Singing brings people together spiritually, socially. It's vital.
0:01:00 > 0:01:01It's vital.
0:01:01 > 0:01:06I have to tap into that part of my mind where all those horrible
0:01:06 > 0:01:08things that I see at work are kept.
0:01:08 > 0:01:10You've got to step up one notch.
0:01:11 > 0:01:15The choirs will face huge public audiences...
0:01:15 > 0:01:18- The appetite to win is now on. - Bricking it at the moment.
0:01:18 > 0:01:21..and be judged by three world-class musicians.
0:01:21 > 0:01:22You are never together.
0:01:22 > 0:01:24Wonderful, wonderful tuning.
0:01:24 > 0:01:25Judgment day is coming.
0:01:25 > 0:01:28This means I will sing for the rest of my life.
0:01:28 > 0:01:31Other than get married, it is one of the best experiences of my life.
0:01:31 > 0:01:34The workplace choir of the year is...
0:01:39 > 0:01:43This programme contains some strong language
0:01:47 > 0:01:50I think when I was young, I thought I'd work somewhere like this.
0:01:50 > 0:01:52It feels like the future.
0:01:54 > 0:01:58Gareth is on his way to London's financial district to start
0:01:58 > 0:02:00a new workplace choir.
0:02:01 > 0:02:04The whole place just reeks of money.
0:02:04 > 0:02:08All the buildings are expensive, everybody is dressed in a suit.
0:02:08 > 0:02:11He's going to one of the world's biggest investment banks.
0:02:11 > 0:02:16There is so much in the papers about evil bankers bringing
0:02:16 > 0:02:19the country to their knees and I'm quite interested to meet
0:02:19 > 0:02:22these people and see what they're really like.
0:02:22 > 0:02:24I'm looking forward to some excellent lunches.
0:02:24 > 0:02:26Cigars, the whole works.
0:02:30 > 0:02:32- Good morning. I'm Gareth.- My name's Tanya. Nice to meet you.- Hello.
0:02:32 > 0:02:34- I'm here to start a choir.- Lovely.
0:02:34 > 0:02:39You'll be going through the turnstiles at the end for security.
0:02:39 > 0:02:40It's quite intimidating.
0:02:41 > 0:02:45Citi has over a quarter of a million employees worldwide,
0:02:45 > 0:02:47of which 9,000 are based in the UK.
0:02:50 > 0:02:51Workers here have everything
0:02:51 > 0:02:55they need to keep them going 24 hours a day.
0:02:55 > 0:02:58Gyms, restaurants, salons and health clinics
0:02:58 > 0:03:00mean the bankers never have to leave the tower.
0:03:02 > 0:03:06Security is paramount because, globally, the bank moves
0:03:06 > 0:03:10over £2 trillion around the world every day.
0:03:10 > 0:03:12It's high-risk.
0:03:13 > 0:03:17Up in the security office is 22-year-old Yana, who has been
0:03:17 > 0:03:22part of the bank's security team for a year, and her passion is music.
0:03:24 > 0:03:28- Morning.- Hi. Good morning. This is your card.- Oh, that...
0:03:28 > 0:03:30I look like a suspected terrorist in that.
0:03:30 > 0:03:31I have to say it's not a great picture.
0:03:31 > 0:03:35- Do you do a lot of singing?- Yeah, I do.- What sort of things do you sing?
0:03:35 > 0:03:37- A mixture of everything, really. - Could you give me a few notes?
0:03:37 > 0:03:39Yeah, sure.
0:03:39 > 0:03:41# Take a little time
0:03:41 > 0:03:43# To hold yourself
0:03:44 > 0:03:47# Take a little time to feel around. #
0:03:48 > 0:03:50Ooh. God.
0:03:50 > 0:03:54Wow. Nice to meet you, Yana. I'll see you at your audition.
0:03:54 > 0:03:55Thank you. Bye.
0:03:56 > 0:03:58In less than two months,
0:03:58 > 0:04:0222 employees will be singing in front of three world-class judges...
0:04:05 > 0:04:06Oh, my gosh.
0:04:06 > 0:04:10..so Gareth's combing all 42 floors of the tower
0:04:10 > 0:04:12for the best singers in the organisation.
0:04:16 > 0:04:17BEEPING
0:04:19 > 0:04:24Even with his pass in hand, getting to meet people is proving tricky.
0:04:27 > 0:04:29I have a pass but it doesn't actually get me
0:04:29 > 0:04:31onto any of the floors.
0:04:35 > 0:04:38Every single floor here has a different function
0:04:38 > 0:04:41and you can't go from one place to the next.
0:04:43 > 0:04:46Every time you try and go through another door within the building,
0:04:46 > 0:04:52there is a machine. You press, beep, the doors open or don't open.
0:04:52 > 0:04:54Hello?
0:04:54 > 0:04:57Trying to form a choir in a place like this is incredibly difficult.
0:04:59 > 0:05:01I've got into easier places, I have to say.
0:05:01 > 0:05:03Everyone says it's easier to go
0:05:03 > 0:05:05and see the Queen than it is to come in here.
0:05:05 > 0:05:07I think it is, actually.
0:05:07 > 0:05:11Eventually, Gareth makes it to the beating heart of the bank -
0:05:11 > 0:05:14the trading floor, where millions of pounds' worth
0:05:14 > 0:05:18of trades are executed every day on behalf of the bank's clients.
0:05:18 > 0:05:21- Are you interested in joining a choir?- I'm a terrible singer.
0:05:21 > 0:05:24- What are you doing, may I ask? - I trade high-yield bonds and CDS.
0:05:24 > 0:05:26Are we talking a lot of money?
0:05:26 > 0:05:30Let's say today I've probably traded 50, 60 million of bonds.
0:05:30 > 0:05:3150, 60 million?
0:05:31 > 0:05:35- Yeah.- Well done. That's an excellent day's work. My God.
0:05:36 > 0:05:38Very tense in here.
0:05:38 > 0:05:41People, just before they've even got to lunchtime,
0:05:41 > 0:05:42dealing in 50, 60 million.
0:05:44 > 0:05:46I'm just... I'm speechless.
0:05:46 > 0:05:48Are you... Are you on the phone?
0:05:48 > 0:05:51- No, I'm not.- Hello. Are you interested in joining a choir?
0:05:51 > 0:05:53I think I'm going to audition, yeah.
0:05:53 > 0:05:57Further up the trading floor, Gareth meets trader Alex Magliaro.
0:05:57 > 0:05:58Could you give me a few notes?
0:05:58 > 0:06:00# Luck be a lady tonight. #
0:06:00 > 0:06:02My colleagues are laughing at me.
0:06:02 > 0:06:05# Luck, if you've ever been a lady to begin with
0:06:05 > 0:06:07# Luck, be a lady tonight. #
0:06:07 > 0:06:10- It's not usual for people to be singing here.- No, it's not.
0:06:10 > 0:06:13And that's... This is an audition out of the middle of nowhere.
0:06:13 > 0:06:16Well done, Alex. Thank you. Lovely to meet you.
0:06:16 > 0:06:19His pass may not grant Gareth access...
0:06:19 > 0:06:22Hello, hi. I'm Gareth Malone, the choirmaster.
0:06:22 > 0:06:24.. but executive PA Anne is on hand to let him
0:06:24 > 0:06:27onto the 42nd floor to meet the bosses.
0:06:30 > 0:06:33- Knock, knock. Hello. I'm Gareth Malone.- Gareth, hi.
0:06:33 > 0:06:37- Maurice Thompson.- Good to meet you. You're in charge, are you?
0:06:37 > 0:06:39- Are you the top man here? - I'm responsible for the UK.
0:06:39 > 0:06:42James is responsible for our banking business in Europe, Middle East
0:06:42 > 0:06:46and Africa. Jenna's responsible for our communications business.
0:06:46 > 0:06:50I do struggle to imagine what sort of numbers you're dealing with here.
0:06:50 > 0:06:54Through the pipes of Citigroup every day,
0:06:54 > 0:06:57- pass trillions of dollars of cash. - How many zeros is that?
0:06:57 > 0:07:02So, a trillion is... So, you've got 1,000 is three.
0:07:02 > 0:07:07Then you've got a million is six. Then you've got a billion is nine.
0:07:07 > 0:07:12- And then it's another three, so it's a lot.- 12.- A trillion is 12...
0:07:12 > 0:07:17- JENNA:- 12 zeros.- Did your maths run out there? Oh, dear, how worrying.
0:07:17 > 0:07:22- That's a lot of zeros.- It's a lot of zeros.- All I know is from the press.
0:07:22 > 0:07:25You guys have a fairly bad reputation.
0:07:25 > 0:07:27Um...
0:07:27 > 0:07:31We are very proud of the people that work here and of our industry.
0:07:31 > 0:07:34It's going through a period of recalibration and change
0:07:34 > 0:07:37for very good reason but it's one of the UK's great industries.
0:07:37 > 0:07:40- Do any of you sing?- We all sing. - No, I don't sing.- You don't sing?
0:07:40 > 0:07:42- I don't sing. - JAMES:- I sing in church.
0:07:42 > 0:07:44- You sing in church?- Yes. - You're going to audition?
0:07:44 > 0:07:46I'll have a try. I'm not holding out much hope.
0:07:49 > 0:07:51Gareth has been to every floor of the tower,
0:07:51 > 0:07:55broadcasting news of the auditions, and now the time has come.
0:07:56 > 0:07:59I wonder if I'll see a lot of singers who are just
0:07:59 > 0:08:05mathematical singers. Nobody wants a mathematical singer, do they?
0:08:05 > 0:08:08James, you're an important man around here.
0:08:08 > 0:08:11- You can have a seat on the front. Hello.- ALL: Hello.
0:08:11 > 0:08:14This is your audition. I'm looking for a blend of voices.
0:08:14 > 0:08:17I'm looking for people with a musical ear.
0:08:17 > 0:08:20I hope that this will be the voice of Citibank
0:08:20 > 0:08:23and the people will see this choir and get a sense of who
0:08:23 > 0:08:26you are as human beings and not just a corporation.
0:08:26 > 0:08:29Gareth's chosen a cautionary cockney rhyme.
0:08:29 > 0:08:31Let's hear your singing. David.
0:08:31 > 0:08:34First is David Poole, the head of private banking.
0:08:34 > 0:08:37We look after a third of the Forbes billionaires around the world
0:08:37 > 0:08:39- so we... - A third of the Forbes billionaires?
0:08:39 > 0:08:42And to be a client coming through the door,
0:08:42 > 0:08:44you have to have 25 million of net worth.
0:08:44 > 0:08:46Yeah, I'm almost there(!) Here we go.
0:08:48 > 0:08:50# Up and down the City Road
0:08:50 > 0:08:52# In and out the Eagle
0:08:52 > 0:08:54# That's the way the money goes
0:08:54 > 0:08:56# Pop! goes the weasel. #
0:08:56 > 0:09:00- Do you sing tenor? - I don't know. You should know that.
0:09:00 > 0:09:03- You may sit down. Thank you very much. Ashley.- Aisling.
0:09:03 > 0:09:04What do you do, Aisling?
0:09:04 > 0:09:07I'm an accountant in the finance department.
0:09:07 > 0:09:09- So you know what everyone earns? - I know what everyone gets.
0:09:09 > 0:09:11HE MOUTHS
0:09:11 > 0:09:13LAUGHTER
0:09:13 > 0:09:15- HE MOUTHS - I'll look it up.
0:09:19 > 0:09:23Auditionees from every department and from the 40 nationalities
0:09:23 > 0:09:27working in the bank flood in over two days.
0:09:27 > 0:09:29# That's the way the money goes
0:09:29 > 0:09:30# Pop! goes the weasel. #
0:09:30 > 0:09:33It's Julie Andrews.
0:09:33 > 0:09:35# Doe, a deer! #
0:09:35 > 0:09:37- What do you do, Jill?- I'm a PA.
0:09:37 > 0:09:40I spend most of my time arranging visas.
0:09:40 > 0:09:42- I'm a lawyer.- A lawyer?- Yes.
0:09:42 > 0:09:44# Up and down the city road
0:09:44 > 0:09:46# In and out the eagle... #
0:09:46 > 0:09:49- Vincent, hello.- Hello. - What do you do?- I'm a cleaner.
0:09:51 > 0:09:54HE SINGS IN FRENCH TO TUNE OF "Pop! Goes The Weasel"
0:09:56 > 0:09:57Pourquoi pas?
0:09:57 > 0:09:59APPLAUSE
0:09:59 > 0:10:01HE SINGS TUNEFULLY IN OWN LANGUAGE
0:10:01 > 0:10:02I just sort of don't really
0:10:02 > 0:10:05want to ask you to sing Up And Down The City Road.
0:10:05 > 0:10:09# ALL: Ah, ah, ah, ah Staying alive, staying alive. #
0:10:09 > 0:10:10Amazing.
0:10:10 > 0:10:12Round of applause.
0:10:15 > 0:10:19- Hello, Yana.- Hello.- You made this fine thing, did you not?- Yes.
0:10:19 > 0:10:21# Up and down the City Road
0:10:21 > 0:10:23# In and out the Eagle
0:10:23 > 0:10:26# That's the way the money goes
0:10:26 > 0:10:28# Pop! Goes the eagle. #
0:10:28 > 0:10:30- The weasel goes pop.- The weasel.
0:10:30 > 0:10:34- Sorry. I don't know this, sorry. - The Eagle is the pub.
0:10:34 > 0:10:36'The most interesting thing I've found'
0:10:36 > 0:10:38is that these are ordinary people.
0:10:38 > 0:10:42Receptionists, and assistants, and people who are doing admin,
0:10:42 > 0:10:45and cleaners, and then you have this exceptional few
0:10:45 > 0:10:48who are essentially making the economy run.
0:10:52 > 0:10:54And that's it.
0:10:54 > 0:10:58After hearing 150 versions of Pop! Goes The Weasel,
0:10:58 > 0:11:01the auditions are finally over.
0:11:01 > 0:11:05Let me out. Let me out.
0:11:05 > 0:11:10There's no air. There is no sound from the outside world. It's very...
0:11:10 > 0:11:11I just want to get out.
0:11:13 > 0:11:15'I didn't think I'd be as nervous as I was.'
0:11:15 > 0:11:18Then when I actually sang, it just came out so it was fine.
0:11:18 > 0:11:20'It went well
0:11:20 > 0:11:23'and it was also good to learn a bit about what everyone else does.'
0:11:23 > 0:11:25There's many roles in this place.
0:11:25 > 0:11:26Fingers crossed.
0:11:28 > 0:11:32The contest allows choirs of up to 24 singers and Gareth wants to
0:11:32 > 0:11:35ensure they reflect the character of each company.
0:11:37 > 0:11:39There's a good mix here.
0:11:39 > 0:11:43I've got a cleaner, and then I've got the head of investment banking.
0:11:43 > 0:11:46I think they're going to be much more classical
0:11:46 > 0:11:48than the other choirs, which will be all very well
0:11:48 > 0:11:50if they're singing classical music.
0:11:50 > 0:11:52They might struggle with popular repertoire.
0:11:52 > 0:11:56I've whittled down to this many and it has been really difficult.
0:11:58 > 0:12:01To create a sound that blends well, he's looking for a balanced
0:12:01 > 0:12:05mix of basses, tenors, alto and soprano voices.
0:12:06 > 0:12:08That's it. Citi Choir.
0:12:11 > 0:12:15Today, the bank's choir is due to meet for the very first time.
0:12:17 > 0:12:20- NEWS REPORTER:- 'Anti-capitalist protests are continuing
0:12:20 > 0:12:21'in central London.'
0:12:21 > 0:12:23'Today was billed as a carnival against capitalism,
0:12:23 > 0:12:27'protesters planning a week of demonstrations in London...'
0:12:27 > 0:12:30It's aimed at these guys.
0:12:32 > 0:12:35It's the third least popular occupation
0:12:35 > 0:12:39after politicians and estate agents.
0:12:39 > 0:12:43Sometimes there is a hesitance to say I work for a large bank
0:12:43 > 0:12:47because of the negative things that people associate with bankers
0:12:47 > 0:12:48and being in a bank.
0:12:48 > 0:12:51You know, there is a whole range of people here,
0:12:51 > 0:12:53and very few people are those
0:12:53 > 0:12:56huge earners that you read about in the press.
0:12:56 > 0:12:58It's such an ivory tower, this place.
0:12:58 > 0:13:01There's two layers of really thick glass between me
0:13:01 > 0:13:02and the demonstration.
0:13:02 > 0:13:04Frankly, you could carry on with your job
0:13:04 > 0:13:08and not even know it was here.
0:13:08 > 0:13:10But it looks pretty peaceful.
0:13:10 > 0:13:13Nonetheless, you're aware that this sort of thing can kick off.
0:13:19 > 0:13:21Like everyone else in the bank,
0:13:21 > 0:13:25Gareth must try to go about his business despite the protest outside.
0:13:25 > 0:13:28So he's meeting his newly formed choir in the foyer.
0:13:28 > 0:13:31- Hello!- Hey!
0:13:31 > 0:13:34- Hi, everyone. Shall we go and get on with our first rehearsal?- Let's.
0:13:34 > 0:13:35Follow me.
0:13:37 > 0:13:41Shall we all see if we can get into one? It does say 21 people in there.
0:13:41 > 0:13:46Pack 'em in. Can I get my whole choir in a lift? Yes! We are all in.
0:13:46 > 0:13:51Excuse me. Room for a small one? Floor 20, please. Going up.
0:13:51 > 0:13:53LAUGHTER
0:13:53 > 0:13:56There's nobody in there. Hello? Thank you.
0:13:56 > 0:14:00The 22-strong choir is made up of 11 nationalities.
0:14:00 > 0:14:04Gareth has less than two months to prepare them to face the judges.
0:14:04 > 0:14:07It's time for me to invest in your future as a choir.
0:14:08 > 0:14:11In for a penny, in for a pound.
0:14:11 > 0:14:17I would like to find a song that represents Citi. Any suggestions?
0:14:17 > 0:14:20We could have Save Me, but that's probably about five years too late.
0:14:20 > 0:14:22Do you know that?
0:14:22 > 0:14:24# Save, save... #
0:14:24 > 0:14:25HE PLAYS: "Save Me" by Queen
0:14:25 > 0:14:26- #- FALSETTO:- Started off so well
0:14:26 > 0:14:28# Why am I singing that high? #
0:14:28 > 0:14:30LAUGHTER
0:14:30 > 0:14:31We Built This City.
0:14:31 > 0:14:34# We built this city!
0:14:34 > 0:14:38# ALL: We built this city on rock'n'roll! #
0:14:38 > 0:14:40Let me get the words up. All right.
0:14:40 > 0:14:42We just wanna dance here
0:14:42 > 0:14:43Someone sold the stage
0:14:43 > 0:14:44They call us irresponsible
0:14:44 > 0:14:45Write us off the page.
0:14:45 > 0:14:47That's probably not good, that line.
0:14:47 > 0:14:48LAUGHTER
0:14:48 > 0:14:51Of course they do that. Everybody does that. It's not true, is it?
0:14:51 > 0:14:53Do we want to draw attention to the fact...?
0:14:53 > 0:14:56People do think that bankers have been irresponsible.
0:14:56 > 0:14:58Are you that kind of bank?
0:14:58 > 0:15:00Responsible finance is what it's all about.
0:15:00 > 0:15:02It might be a good message for people.
0:15:02 > 0:15:06- Sorry Seems To Be The Hardest Word. - Ooh!
0:15:06 > 0:15:08How does it go?
0:15:08 > 0:15:12# ALL: What do I say when it's all over?
0:15:12 > 0:15:16# Sorry seems to be the hardest word. #
0:15:17 > 0:15:19Is it actually your fault, though?
0:15:19 > 0:15:22We might regret it but sorry's not a good word.
0:15:22 > 0:15:24Sorry is genuinely the hardest word to say, isn't it?
0:15:24 > 0:15:26Man In The Mirror by Michael Jackson.
0:15:26 > 0:15:28# I'm starting with the...
0:15:28 > 0:15:30# Gonna make a change. #
0:15:30 > 0:15:31Can we sing it?
0:15:31 > 0:15:34# ALL: No message could have been any clearer
0:15:34 > 0:15:37# If you wanna make the world a better place
0:15:37 > 0:15:40# Take a look at yourself and make the change. #
0:15:40 > 0:15:41# You're gonna lose your...
0:15:41 > 0:15:43- #- HE SCREECHES:- Your mind! # - LAUGHTER
0:15:43 > 0:15:44Ow!
0:15:44 > 0:15:46Man In The Mirror, actually, that's quite good cos
0:15:46 > 0:15:48I mean, what does that say about your business?
0:15:48 > 0:15:50We're taking a good look at ourselves.
0:15:50 > 0:15:52Yeah, it depends how serious you want to be.
0:15:52 > 0:15:55Do you want people to see that, hey, bankers can be fun?
0:15:55 > 0:15:57There was a demonstration outside.
0:15:57 > 0:16:00Do you want to say, "We're listening to that?"
0:16:00 > 0:16:03I think sometimes it's nice to feel some pride in what we do.
0:16:03 > 0:16:06A lot of the time you feel a bit embarrassed telling people
0:16:06 > 0:16:08what you do because you're worried about what people's
0:16:08 > 0:16:11- perceptions of you are going to be.- You don't say...
0:16:11 > 0:16:15What would you say if we met at a party? What would you say you did?
0:16:15 > 0:16:17I'd say, "I work in diversity and HR."
0:16:17 > 0:16:20- Before you'd say, "I work for a bank?"- Mm.- OK.
0:16:20 > 0:16:22Do you think We Built This City
0:16:22 > 0:16:24could come across as being cocky as well?
0:16:24 > 0:16:26I...
0:16:26 > 0:16:28- MURMURING - I like it. It's on the short list.
0:16:28 > 0:16:30It feels like we're hovering around a decision.
0:16:30 > 0:16:33Hands up for We Built This City by Starship.
0:16:33 > 0:16:35OK, majority rules.
0:16:35 > 0:16:37I'm going to go and print the words off
0:16:37 > 0:16:39then we're going to come back and we're going to arrange it.
0:16:39 > 0:16:41Go and take a break. Thank you very much.
0:16:44 > 0:16:47# ALL: Marconi plays the mambo
0:16:47 > 0:16:48# Listen to the radio. #
0:16:48 > 0:16:50They've chosen a song.
0:16:50 > 0:16:53It's really good fun but I'm just worried that that's not
0:16:53 > 0:16:56really what they need to be doing as an organisation.
0:16:56 > 0:17:00Other organisations in this contest are singing really upbeat songs
0:17:00 > 0:17:02because they've had a shocking time
0:17:02 > 0:17:05as a direct result of the financial crisis.
0:17:05 > 0:17:06I'm ready.
0:17:06 > 0:17:09# ALL: We built this city on rock'n'roll. #
0:17:09 > 0:17:11I did print off Man In The Mirror.
0:17:11 > 0:17:14I've got two songs that do two very different things.
0:17:14 > 0:17:19I think your concern about it being arrogant is something to just
0:17:19 > 0:17:21be really careful about.
0:17:21 > 0:17:26There is We Built This City and there is Man In The Mirror.
0:17:26 > 0:17:29People's perception of banking is real.
0:17:29 > 0:17:32There'll be a lot of interest in what your company chooses to sing.
0:17:32 > 0:17:34Let's do Starship straightaway.
0:17:34 > 0:17:37# ALL: Say you don't know me
0:17:37 > 0:17:40# Or recognise my face
0:17:40 > 0:17:43# Say you don't care who goes to...
0:17:43 > 0:17:45# That kind of place
0:17:47 > 0:17:49# ALL: Knee-deep in the hoopla
0:17:49 > 0:17:52# Sinking in your fight
0:17:53 > 0:17:56# Too many runaways
0:17:56 > 0:17:59# Eating up the night. #
0:17:59 > 0:18:02OK, Man In The Mirror, let's sing it. Stand up. Here we go.
0:18:02 > 0:18:05One, two, three, four.
0:18:05 > 0:18:08# I'm gonna make a change
0:18:08 > 0:18:11- # For once in my... # - Hold it on.
0:18:11 > 0:18:13# ..life
0:18:14 > 0:18:17# It's gonna feel real good
0:18:17 > 0:18:18# Gonna make a difference
0:18:18 > 0:18:23# Gonna make it right
0:18:23 > 0:18:25# A summer disregard
0:18:25 > 0:18:28# A broken bottle top
0:18:28 > 0:18:32# And a one-man soul
0:18:32 > 0:18:36# They follow each other on the wind, you know
0:18:36 > 0:18:40# Cos they got nowhere to go
0:18:40 > 0:18:42# That's why I want you to know. #
0:18:42 > 0:18:46Let's hold that there. Have a seat. Well done. That sounded pretty good.
0:18:46 > 0:18:48It's much more interesting, Man In The Mirror.
0:18:48 > 0:18:54- I think we sung it better.- I think we should re-vote.- Yeah, re-vote.
0:18:54 > 0:18:57OK, all those in favour of Michael Jackson. OK.
0:18:57 > 0:18:58We're so fickle!
0:18:58 > 0:19:00You are so fickle.
0:19:01 > 0:19:04'I mean, it's actually taken some courage for me
0:19:04 > 0:19:06'and say to them as bankers,'
0:19:06 > 0:19:09"You know what? Everyone hates you. Everyone's angry.
0:19:09 > 0:19:12' "You need to acknowledge that in your song choice." '
0:19:12 > 0:19:16So, one of the things that I've really noticed about your
0:19:16 > 0:19:19organisation is that you have pretty much everything that you need.
0:19:19 > 0:19:23You can go to the gym, you've got great food on-site. In fact,
0:19:23 > 0:19:25there is no reason ever to leave.
0:19:26 > 0:19:29The one thing I haven't been able to find is a bar.
0:19:29 > 0:19:33I suggest we all leave the building and go and have a drink.
0:19:33 > 0:19:35- Does that sound all right? - MURMURS OF ASSENT
0:19:35 > 0:19:37Follow me. Come on.
0:19:41 > 0:19:43I mean, I'd like to see it as
0:19:43 > 0:19:46- I helped you to make the right decision.- No, I agree.
0:19:48 > 0:19:53It is very unusual to get out of the bank before six o'clock
0:19:53 > 0:19:55in the evening so this is a very refreshing afternoon.
0:19:55 > 0:19:58It's sort of difficult trying to not look at your phone
0:19:58 > 0:20:01cos you're always looking to see if someone's e-mailed you.
0:20:01 > 0:20:04I think there's great potential here and it's nice seeing them
0:20:04 > 0:20:07get to know each other. It's nice to see them let their hair down a bit.
0:20:07 > 0:20:09As much as they do.
0:20:11 > 0:20:14That's them with their hair let down.
0:20:14 > 0:20:16I've got to look out my Michael Jackson tape
0:20:16 > 0:20:17because I don't know...
0:20:17 > 0:20:19- Tape?- Man In The Mirror.- Tape?
0:20:19 > 0:20:22- Yeah, the cassette thing.- Cheers.
0:20:22 > 0:20:23ALL: Cheers!
0:20:23 > 0:20:26A very good start, very strong start. Well done, everyone.
0:20:28 > 0:20:33- Again. - # They follow each other on the...#
0:20:33 > 0:20:35Between his rehearsals,
0:20:35 > 0:20:38Gareth's enlisted a local choirmaster to help with their training.
0:20:38 > 0:20:41Start note, pitching wise, was inaccurate.
0:20:43 > 0:20:47And on top of their 60 hour working week, the bankers are investing
0:20:47 > 0:20:50yet more hours in their own choral crash courses.
0:20:51 > 0:20:55We're doing music theory classes, we'll be doing music interpretation.
0:20:55 > 0:20:59We do get really panicked when we see semi-quavers, in particular.
0:20:59 > 0:21:01This is the crotchet.
0:21:01 > 0:21:04There are people who need a lot of support in order just to get
0:21:04 > 0:21:08up to a basic level of knowing what a piece of music is
0:21:08 > 0:21:10and how to navigate their way around it.
0:21:11 > 0:21:14Crotchet and a minim.
0:21:14 > 0:21:16I will be sick to the back teeth
0:21:16 > 0:21:18if we're first ones to be eliminated.
0:21:21 > 0:21:25I think the choir's taking this very seriously
0:21:25 > 0:21:28and if we win the competition, that's kind of why we're in it,
0:21:28 > 0:21:29to win it.
0:21:34 > 0:21:37Three days later, and Gareth is back at the bank.
0:21:38 > 0:21:42This afternoon will be the choir's second rehearsal.
0:21:42 > 0:21:45But, first, Gareth is heading back to the engine room of the operation.
0:21:45 > 0:21:47The trading floor.
0:21:47 > 0:21:50I don't think you have to be a special kind of person
0:21:50 > 0:21:53to be a trader, but I think you have to have something
0:21:53 > 0:21:57in order to want to come and work here everyday.
0:21:57 > 0:22:0132-year-old Alex has been a bond salesman for four years.
0:22:01 > 0:22:03He's the middleman selling loans.
0:22:03 > 0:22:06There's times where I'll be juggling five or six different trades
0:22:06 > 0:22:08all at the same time.
0:22:08 > 0:22:10I've got some person on the IB, one person on the phone,
0:22:10 > 0:22:1212 hours on the desk.
0:22:12 > 0:22:13Since the crash five years ago,
0:22:13 > 0:22:18115,000 employees worldwide have lost their jobs.
0:22:18 > 0:22:20I think this year, we've gone through
0:22:20 > 0:22:22three rounds of redundancies.
0:22:22 > 0:22:24It just keeps shrinking and shrinking and shrinking,
0:22:24 > 0:22:26and so it just makes the intensity more.
0:22:26 > 0:22:28It's like I need to keep my job.
0:22:28 > 0:22:30I try not to think about it.
0:22:30 > 0:22:32Morning, Alex. Are you in the middle of a deal?
0:22:32 > 0:22:34No, not at the moment.
0:22:34 > 0:22:36- Good, how are you doing? - Good, how you doing? Great.
0:22:36 > 0:22:39Yeah, I've come to learn how to be a trader.
0:22:39 > 0:22:41We're talking fairly large amounts of money?
0:22:41 > 0:22:43Yeah, we're talking millions.
0:22:43 > 0:22:46Sometimes it can be up into the billions.
0:22:46 > 0:22:50- Going through your computer? - Going through this computer.
0:22:50 > 0:22:53It's like an advanced version of Facebook.
0:22:53 > 0:22:55There's not as much people talking about their feelings.
0:22:55 > 0:22:59- It's more numbers.- I think we could work together and do some of this.
0:23:03 > 0:23:06- Put that on. Chop, chop.- Hello. Hi.
0:23:06 > 0:23:09It is one of Alex's associates looking for a loan.
0:23:09 > 0:23:13Hi there, how you doing? Nokia, six, three quarters, 19.
0:23:13 > 0:23:16The traders do up to 20 deals like this every day.
0:23:16 > 0:23:19Yeah, very much a new joiner to the desk. Indeed.
0:23:19 > 0:23:22Thanks very much. Bye.
0:23:22 > 0:23:25- Who was that?- That was Zavier.
0:23:25 > 0:23:29- He asked for a...? - Nokia, six, three quarters, 19.- OK.
0:23:29 > 0:23:32- How much are we talking about for this deal?- Two million euros.
0:23:32 > 0:23:34My palms are actually sweating.
0:23:34 > 0:23:39Yell over to Lowy. There's no running.
0:23:39 > 0:23:41- I'm embarrassed.- What?- Chris?- Yeah.
0:23:43 > 0:23:46Nokia, six and three quarters, 19?
0:23:46 > 0:23:49104, three quarters, 105.
0:23:50 > 0:23:55- Gareth has to see if the offer's enough to seal the deal.- All right.
0:23:55 > 0:23:58My heart is pounding there, seriously. It's very exciting.
0:23:58 > 0:23:59Yeah, Gareth, come on!
0:24:01 > 0:24:06Hey, Zavier, hello there. I've got 104 and three quarters to 105.
0:24:07 > 0:24:10Oh, well. Apologies. Thanks, bye.
0:24:10 > 0:24:13What a complete waste of time that was.
0:24:13 > 0:24:17I almost dealed two million euros.
0:24:18 > 0:24:21- OK. It's high octane, isn't it? - Yeah.
0:24:21 > 0:24:23- Does your heart pound all day? - Yeah, basically.
0:24:23 > 0:24:26Sometimes you're more stressed cos I got to get
0:24:26 > 0:24:28- to choir rehearsal and I don't have time for this.- Sorry.
0:24:28 > 0:24:31Choir's stressing you out.
0:24:34 > 0:24:37- Hello. - ALL:- Hello.
0:24:37 > 0:24:40The wandering choirmaster returns.
0:24:40 > 0:24:43- How do you sound as a choir? How do you rate yourselves?- Amazing.
0:24:43 > 0:24:48Amazing? Are we a bit thin on the ground?
0:24:48 > 0:24:50One, two, three, four, five... Missing James.
0:24:50 > 0:24:53- He's in Istanbul sorting out Turkey. - Sorting out Turkey.
0:24:53 > 0:24:57Somebody needs to. Just the man for the job, I'm sure.
0:24:57 > 0:25:01Being in a rehearsal could cost them millions of pounds. It's ridiculous.
0:25:01 > 0:25:04Pop your sheets down, stand up, let's get ready to sing.
0:25:05 > 0:25:07Two, three, and...
0:25:07 > 0:25:10# I'm gonna make a change
0:25:10 > 0:25:17# For once in my life
0:25:17 > 0:25:23# See the kids in the street with not enough to eat
0:25:23 > 0:25:29# Who am I to be blind Pretending not to see their needs? #
0:25:29 > 0:25:31Good. OK. Well done.
0:25:31 > 0:25:34I hear great potential, so let's try and work through it, shall we?
0:25:34 > 0:25:37One, two, three. And...
0:25:37 > 0:25:41# I'm starting with the man in the mirror... #
0:25:41 > 0:25:42And one...
0:25:42 > 0:25:46# I'm asking him to change his ways... #
0:25:46 > 0:25:48And...
0:25:48 > 0:25:51- # And no message could have been any clearer... #- Energy!
0:25:51 > 0:25:54# If you wanna make the world a better place
0:25:54 > 0:26:00# Take a look at yourself and make a change
0:26:00 > 0:26:06# Na-na-naa, na-na-naa Na-naa, na-naaa. #
0:26:06 > 0:26:07OK, well done. Have a seat.
0:26:07 > 0:26:11I think, really, what you need is an audience.
0:26:11 > 0:26:14So we are going to go and have our first performance right now.
0:26:14 > 0:26:15ALL EXCLAIM
0:26:15 > 0:26:18- Yes, right now.- Where? - Follow me, let's go.
0:26:23 > 0:26:27The banking choir is about to sing in public for the very first time.
0:26:27 > 0:26:30And the location couldn't be more significant.
0:26:32 > 0:26:35Just last week, there was a big demonstration against bankers right here,
0:26:35 > 0:26:38and we're going to be singing about change, and the changes they say
0:26:38 > 0:26:42have happened in their industry, so it seems absolutely appropriate.
0:26:42 > 0:26:44They are a bit nervous.
0:26:44 > 0:26:46We had to learn the words quite quickly.
0:26:46 > 0:26:49I'd never heard it before, which is a deep admission of guilt.
0:26:49 > 0:26:51Hitting some of our notes is quite hard.
0:26:51 > 0:26:53But we've got a couple of good people in our section
0:26:53 > 0:26:55and we just try to go along with them.
0:26:58 > 0:27:00# I'm gonna make a change
0:27:00 > 0:27:07# For once in my life
0:27:07 > 0:27:10# It's gonna feel real good
0:27:10 > 0:27:11# Gonna make a difference
0:27:11 > 0:27:17# Gonna make it right
0:27:17 > 0:27:24# As I turn up the collar on my favourite winter coat
0:27:24 > 0:27:28# This wind is blowing my mind
0:27:28 > 0:27:31# See the kids in the street
0:27:31 > 0:27:33# With not enough to eat
0:27:33 > 0:27:39# Who am I to be blind Pretending not to see their needs?
0:27:39 > 0:27:43# A summer's disregard
0:27:43 > 0:27:46# A broken bottle top
0:27:46 > 0:27:50# And a one man's soul
0:27:50 > 0:27:54# They follow each other on the wind, you know
0:27:54 > 0:27:58# Cos they got no place to go
0:27:58 > 0:28:01# That's why I want you to know
0:28:01 > 0:28:05# I'm starting with the man in the mirror
0:28:07 > 0:28:11# I'm asking him to change his ways
0:28:11 > 0:28:16# And no message could have been any clearer
0:28:16 > 0:28:19# If you wanna make the world a better place
0:28:19 > 0:28:22# Take a look at yourself and make a...
0:28:22 > 0:28:24# Change
0:28:24 > 0:28:32# Na-na-naa, na-na-naa Na-naa, na-naaa
0:28:33 > 0:28:39# Mmmmm. #
0:28:39 > 0:28:41APPLAUSE
0:28:45 > 0:28:50It was absolutely brilliant. Such a liberating experience. I'm so happy.
0:28:50 > 0:28:51It was the first performance.
0:28:51 > 0:28:54It eased the pressure a bit as well. I felt that, anyway.
0:28:54 > 0:28:56To hear them appreciating us singing, that's awesome.
0:28:56 > 0:28:59- You feel the energy. Exactly. - It was really natural.
0:28:59 > 0:29:02I know we are not natural, but that felt really good.
0:29:02 > 0:29:04You are only slightly conscious you're competing
0:29:04 > 0:29:06with the sound of coffee cups and aeroplanes
0:29:06 > 0:29:08and ticker tapes from the stock exchange.
0:29:08 > 0:29:11Apart from that, I think we made a good sound, I think.
0:29:11 > 0:29:13I loved how much you were enjoying it.
0:29:13 > 0:29:15Some of you were just starting to loosen up a bit.
0:29:15 > 0:29:18Um... It doesn't feel like one choir.
0:29:18 > 0:29:20It feels like about five different choirs.
0:29:20 > 0:29:22You are a multinational company
0:29:22 > 0:29:24with all sorts of different singers in here,
0:29:24 > 0:29:27and we've got to find a way to bring that together.
0:29:27 > 0:29:29It was almost there. At least we're off, aren't we?
0:29:29 > 0:29:32We're up and running. Give yourselves a round of applause.
0:29:34 > 0:29:37There's lots of enjoyment going on in the choir, lots of fun,
0:29:37 > 0:29:39lots of people getting into it.
0:29:39 > 0:29:41But not absolutely coming together.
0:29:43 > 0:29:44Of all the choirs I've worked with,
0:29:44 > 0:29:48this is the most spread out in terms of sound. They are really polarised.
0:29:48 > 0:29:50You've got some fantastic gospel voices
0:29:50 > 0:29:52and some fantastic choral voices,
0:29:52 > 0:29:54and they are a little bit opposed at the moment,
0:29:54 > 0:29:55and I want them to come together.
0:29:59 > 0:30:02With their first public performance a useful dress rehearsal,
0:30:02 > 0:30:07Gareth is back to raise the bar and unite the many voices in the choir.
0:30:07 > 0:30:13- Check my pass?- Yes.- On duty is security manager and soprano Yana.
0:30:13 > 0:30:15I was very interested in your audition.
0:30:15 > 0:30:17- Have you been in a choir before? - Yes, I have.
0:30:17 > 0:30:20- I went to a Catholic school. - Oh, really?
0:30:20 > 0:30:23And we always had those choirs, and my teacher, Miss Bond,
0:30:23 > 0:30:27- she would always pick me for...to do the solo part.- What sort of solos?
0:30:27 > 0:30:30Could you give me a little bit of something classical
0:30:30 > 0:30:34- that you've done?- Ah! - Maybe a Christmas carol?
0:30:34 > 0:30:37# Silent night
0:30:37 > 0:30:41# Holy night
0:30:41 > 0:30:45# All is calm
0:30:45 > 0:30:49# All is bright... #
0:30:49 > 0:30:51There's a soprano voice in there.
0:30:51 > 0:30:54You've got choral, soprano-y colours there,
0:30:54 > 0:30:58but there's also a kind of jazzy vibrato to it. Very flexible.
0:30:58 > 0:31:01I think that's good and, you know, I think that...
0:31:01 > 0:31:04if we can turn that into an asset with this choir, you know,
0:31:04 > 0:31:07if its flexibility can become an asset rather than a hindrance,
0:31:07 > 0:31:09which it sort of feels like it is at the moment,
0:31:09 > 0:31:11then it will be unstoppable.
0:31:11 > 0:31:14- I will see you at rehearsal.- OK. - Thank you for your lovely singing.
0:31:17 > 0:31:20The contest has begun. It's game on from here on in.
0:31:20 > 0:31:24Now the pressure mounts as Gareth is about to reveal the contest song
0:31:24 > 0:31:28- the choir will perform in front of the judges.- It's One by U2.
0:31:28 > 0:31:31You all know it? Pass this around.
0:31:31 > 0:31:35U2's 1992 hit was written when the band faced a dilemma
0:31:35 > 0:31:40over their musical direction and speaks of fractured relationships.
0:31:40 > 0:31:44- Good song?- Yes, it's a lovely song. - Good. Stand up, let's try it.
0:31:45 > 0:31:47One, two, three. And...
0:31:47 > 0:31:51# Did I disappoint you?
0:31:51 > 0:31:53# Disappoint you?
0:31:53 > 0:31:57# Bad taste in your mouth?
0:31:57 > 0:31:59# Ooooh
0:31:59 > 0:32:04# You act like you never had love
0:32:04 > 0:32:09# # And you want me to go without
0:32:09 > 0:32:11# Well, it's...
0:32:11 > 0:32:14# One love
0:32:14 > 0:32:16# One blood
0:32:16 > 0:32:21# One life You've got to do what you should... #
0:32:21 > 0:32:24I've never heard it before, but that is beautiful.
0:32:24 > 0:32:25I mean, we'd only tried a few bars
0:32:25 > 0:32:29and I thought, "I think I'm going to like this."
0:32:29 > 0:32:32# ..Do what you should
0:32:32 > 0:32:34# One life... #
0:32:34 > 0:32:36Yeah, that's a really lovely tune.
0:32:36 > 0:32:37Quite high for the sopranos,
0:32:37 > 0:32:41so we're sort of screeching away at the top, but we'll do OK.
0:32:41 > 0:32:45# ..Carry each other. #
0:32:47 > 0:32:52Good, OK, have a seat. It's actually a very strong song, this.
0:32:52 > 0:32:53It's powerful lyrics,
0:32:53 > 0:32:56but you really have to have an understanding of the words
0:32:56 > 0:32:59and you have to have the absolute togetherness and clarity of diction.
0:32:59 > 0:33:01That is absolutely vital.
0:33:01 > 0:33:05I think what we need to think about is diction, and accent as well.
0:33:05 > 0:33:09Out of 22 of you, half of you are not from here.
0:33:09 > 0:33:14So, we just need to agree on something fairly neutral.
0:33:14 > 0:33:15This is an American bank, right?
0:33:15 > 0:33:17So, it sort of makes sense for you
0:33:17 > 0:33:20to sing roughly with an American accent.
0:33:20 > 0:33:22So, Alex, read the lyrics out for us, will you?
0:33:22 > 0:33:25Is it getting better? Or do you feel the same?
0:33:25 > 0:33:28Will it make it easier on you now you've got someone to blame?
0:33:28 > 0:33:32Let's just sing that through from, "Is it getting better?"
0:33:32 > 0:33:35Better. One, two...
0:33:35 > 0:33:39# Is it getting better? #
0:33:39 > 0:33:41# Oooh
0:33:41 > 0:33:45# Or do you feel the same?
0:33:45 > 0:33:46# Oooh... #
0:33:46 > 0:33:49The tenors, it doesn't sound like one section at all.
0:33:49 > 0:33:52# One love... #
0:33:52 > 0:33:54We've got an American, we've got a Brit,
0:33:54 > 0:33:56we've got somebody from Africa.
0:33:56 > 0:33:58We've got a really big range.
0:34:05 > 0:34:07# One love But we're not the same. #
0:34:07 > 0:34:12Executive coach Rafael started his career in the New York office.
0:34:12 > 0:34:16Gareth's charged him with teaching the choir the correct pronunciation.
0:34:16 > 0:34:20- For once in my life. - ALL:- For once in my life.
0:34:20 > 0:34:23# Gonna make a change
0:34:23 > 0:34:25# I'm gonna make a change. #
0:34:25 > 0:34:27This is so anti-elocution.
0:34:27 > 0:34:28Your parents will be pleased
0:34:28 > 0:34:30they spent so much money on your education.
0:34:30 > 0:34:32That song definitely is in my bones
0:34:32 > 0:34:36and it's something I've always loved doing.
0:34:36 > 0:34:37Did I disappoint you?
0:34:37 > 0:34:39ALL: Did I disappoint you?
0:34:39 > 0:34:41HE LAUGHS
0:34:41 > 0:34:45- I can't do this. We can't do this. - Yes, you can. Come on.
0:34:45 > 0:34:47I attribute that to my dad telling me stories
0:34:47 > 0:34:51about family members who were great classical pianists,
0:34:51 > 0:34:55or playing me Chopin, to my cousins who were into musical theatre.
0:34:55 > 0:34:56..Need to go without.
0:34:56 > 0:34:57Singing is my bliss.
0:34:57 > 0:34:59With each other.
0:34:59 > 0:35:00ALL: With each other
0:35:00 > 0:35:03- Think annoying American tourists. - Eh!
0:35:07 > 0:35:10Every choir's contest performance has a soloist.
0:35:10 > 0:35:14Today, Gareth wants to find the bank's star talent.
0:35:14 > 0:35:16I don't know what I'm going to get.
0:35:16 > 0:35:18The important thing is that the soloist feels it.
0:35:18 > 0:35:20And they make you feel the song.
0:35:20 > 0:35:23Whatever the song is, that's the absolute essential element of it.
0:35:23 > 0:35:26They've got to understand the song, and they've got to be able to
0:35:26 > 0:35:29put it across to an audience, to make them feel something.
0:35:29 > 0:35:31I think...what else is the point of music?
0:35:32 > 0:35:35First to audition is the head of private banking.
0:35:35 > 0:35:38Hello, David. Let's try it.
0:35:39 > 0:35:45# Is it getting better
0:35:45 > 0:35:47# Or do you feel the same? #
0:35:51 > 0:35:53OK, fine. How do you feel about the song?
0:35:53 > 0:35:55I love the song. It's a lovely song.
0:35:55 > 0:35:57I mean, I think it comes together beautifully in harmony.
0:35:57 > 0:36:00- Good, David. Thank you very much. - Thank you very much.
0:36:00 > 0:36:02- See you later.- Interesting. Thank you.
0:36:02 > 0:36:05I think it's quite interesting that he's thinking musically.
0:36:05 > 0:36:10He's thinking about the tone, and the quality, and the harmonies.
0:36:10 > 0:36:12But he's not really thinking about the song.
0:36:12 > 0:36:13Hello!
0:36:13 > 0:36:15For the next two hours,
0:36:15 > 0:36:19Gareth hears nine more choir members try for the solo.
0:36:19 > 0:36:23# Is it getting better
0:36:24 > 0:36:28# Or do you feel the same? #
0:36:28 > 0:36:31Good, Paulina. How do you feel about the song?
0:36:31 > 0:36:35I like the fact that a lot of it is in my range.
0:36:35 > 0:36:38Until he goes very high, where I have to squeak.
0:36:38 > 0:36:39SHE LAUGHS
0:36:39 > 0:36:42With the sopranos, but... No, otherwise it's very nice.
0:36:42 > 0:36:44OK, I think I'm happy.
0:36:46 > 0:36:48# Will it make it easier on you... #
0:36:48 > 0:36:51My struggle with some of these guys is that they are almost too bright.
0:36:51 > 0:36:53# You say one love... #
0:36:53 > 0:36:56It's just that lack of guts. It's a bit detached.
0:36:56 > 0:36:59# Is it getting better... #
0:36:59 > 0:37:02What I'm starting to realise is that nobody really knows what the song is
0:37:02 > 0:37:06about, and we haven't really decided what it means here.
0:37:06 > 0:37:09- Hi, Chika, how are you? - I'm good. You?- Very well.
0:37:09 > 0:37:12# One love
0:37:12 > 0:37:14# We get to share it
0:37:14 > 0:37:21# Leaves you, baby, if you don't care for it. #
0:37:22 > 0:37:25- I like that.- Thank you. - How do you feel about the song?
0:37:25 > 0:37:28Honestly, it was the first time I've heard this song.
0:37:28 > 0:37:30OK, so how do you make that personal,
0:37:30 > 0:37:33how do you make that a song about the city?
0:37:33 > 0:37:36You know, it could come across as a question
0:37:36 > 0:37:39that we are asking the world,
0:37:39 > 0:37:43is it getting better, or do you feel like you still have someone
0:37:43 > 0:37:49to blame for the financial crisis and how does that make you feel?
0:37:49 > 0:37:52- Yes, I think I'm happy.- OK. - Thank you very much, bye.- Bye.
0:37:53 > 0:37:55That was genuinely just great.
0:37:55 > 0:37:58She thinks about the words and holds them in her mind as she is
0:37:58 > 0:38:04singing them, and she fixes you with her terrifying stare as she sings.
0:38:04 > 0:38:07It is quite bewitching. She is very good.
0:38:07 > 0:38:11- Hello.- Hello.- Next to audition is bonds trader, Alex.
0:38:11 > 0:38:13Have you done any singing solos before?
0:38:13 > 0:38:14It has been a while, I think.
0:38:16 > 0:38:19- # Is it...#- BLEEP. BLEEP.- Sorry.
0:38:20 > 0:38:21- HIGH-PITCHED:- # Is it...#
0:38:21 > 0:38:24- I don't know where to sing that. - # Is it getting better...#
0:38:28 > 0:38:30# Or do you feel the same?
0:38:33 > 0:38:37# Is it make it easier on you now
0:38:39 > 0:38:42# You've got someone to blame
0:38:42 > 0:38:44# You say
0:38:44 > 0:38:47# One love
0:38:47 > 0:38:49# One life... #
0:38:49 > 0:38:51Sorry, I got lost, I was just listening to you, that's good.
0:38:51 > 0:38:54- I liked that.- I like the song.
0:38:54 > 0:38:59It's really emotional, there's the part of it that feels very...
0:38:59 > 0:39:02hurt and that emotion I can really sit with.
0:39:02 > 0:39:08I split up with my ex about a year ago, so that feels...
0:39:08 > 0:39:11Like all those, anyway. (Fuck.) Sorry.
0:39:11 > 0:39:14- Good, thank you. - OK, thanks very much.
0:39:14 > 0:39:16I think he's great.
0:39:16 > 0:39:19There's something very vulnerable and emotional about him
0:39:19 > 0:39:25in a very sterile and apparently feeling-less environment.
0:39:25 > 0:39:26I think that's fascinating,
0:39:26 > 0:39:29because I don't think people expect that about bankers.
0:39:29 > 0:39:31I think we just think they are all heartless
0:39:31 > 0:39:35masters of the universe, just taking our money!
0:39:35 > 0:39:37Hello, James.
0:39:37 > 0:39:42The solo auditions have left Gareth with a dilemma about who will
0:39:42 > 0:39:44lead the choir in front of the judges.
0:39:44 > 0:39:48There's a very good standard of singing here, technically speaking.
0:39:48 > 0:39:51Everyone is in tune. Everyone's got a good brain.
0:39:51 > 0:39:55I have got three contenders. None of them are perfect.
0:39:55 > 0:39:56Hello!
0:39:56 > 0:39:59Have you been very good and done lots of homework?
0:39:59 > 0:40:04- Yes.- Tenors, have you been good? - Yes.- Are you lying to me?
0:40:04 > 0:40:08- No, we really have! - What about basses?- Yes.
0:40:08 > 0:40:12- Learning how to count. - Learning how to count, ironic!
0:40:14 > 0:40:17So, let's talk about the solo.
0:40:17 > 0:40:21So I wanted somebody who was going to be able to represent you well,
0:40:21 > 0:40:24who was going to be able to sing it with feeling and emotion.
0:40:24 > 0:40:27The person I would like to do the solo is...
0:40:27 > 0:40:29- Alex.- What?!
0:40:29 > 0:40:30LAUGHTER AND CHEERING
0:40:32 > 0:40:36Well done, Alex. Well done.
0:40:36 > 0:40:40I wasn't really expecting that, so that's good.
0:40:40 > 0:40:42My heart is beating.
0:40:42 > 0:40:44I feel pressure for the rest of the guys.
0:40:44 > 0:40:47I don't want to let anybody down so I don't want to be the weak link
0:40:47 > 0:40:50and they go, they should never have picked Alex.
0:40:50 > 0:40:53- Shall we have a listen to Alex sing it?- ALL: Yes!
0:40:53 > 0:40:54Alex, step out here.
0:40:56 > 0:40:58And let's all stand up and let's hear it.
0:41:00 > 0:41:02# Is it getting better... #
0:41:04 > 0:41:07CHOIR HUM IN HARMONY
0:41:07 > 0:41:09# Or do you feel the same?
0:41:13 > 0:41:16# You act like that's not the right line! #
0:41:16 > 0:41:17LAUGHTER
0:41:17 > 0:41:19Will it make it better?
0:41:19 > 0:41:23# You've got someone to blame
0:41:23 > 0:41:27# You say one love
0:41:27 > 0:41:30# One life...#
0:41:30 > 0:41:35Now, I'm inclined to say, Alex, sing the chorus, too, you all right?
0:41:35 > 0:41:39- Yes, that was a lot of nerves. - It was a lot of nerves, yes.
0:41:39 > 0:41:41I think his voice sounded great.
0:41:41 > 0:41:45His interpretation was more vulnerable and kind of intimate.
0:41:45 > 0:41:48It's lovely, isn't it? It's really lovely.
0:41:48 > 0:41:49The instant he just sang the first note,
0:41:49 > 0:41:53I can see why he picked him, the emotion, just the tone of his voice.
0:41:53 > 0:41:55Well done, Alex.
0:41:55 > 0:41:58I feel like now we need to really start to go in the middle
0:41:58 > 0:42:01- and it is a passionate song. - # One love...
0:42:01 > 0:42:04No, you are fading away.
0:42:04 > 0:42:06It has got to be a bit more ferocious.
0:42:06 > 0:42:08Let's put the "one loves" around it.
0:42:08 > 0:42:11- # One love... # - I think we've already lost.
0:42:12 > 0:42:16# One life, you've got to do what you should. #
0:42:16 > 0:42:19It's almost there but it's not quite.
0:42:19 > 0:42:23'I feel like Alex has found the passion that this choir has really been lacking.'
0:42:23 > 0:42:26I feel like it's a technical exercise.
0:42:26 > 0:42:27I just want to shake it out of them.
0:42:27 > 0:42:31First off, I would really like to get to grips with the text.
0:42:31 > 0:42:35All singing is, I think, is taking a word and stretching it out, expressively, over a pitch.
0:42:35 > 0:42:37That's all it is.
0:42:37 > 0:42:40If you don't have a real sense of the text at the front of your mind,
0:42:40 > 0:42:42then I don't think you're singing properly.
0:42:42 > 0:42:45I would like to get out of here. We'll go and sit in the park.
0:42:45 > 0:42:46Let's go, come on.
0:42:49 > 0:42:51Freedom!
0:42:51 > 0:42:54Gareth is determined to make the choir understand
0:42:54 > 0:42:56and convey the meaning of their song.
0:42:56 > 0:42:58Shall we sit here?
0:42:58 > 0:43:02Have a seat. The kind of singing that excites me is singing with purpose.
0:43:02 > 0:43:07You can go to any church up and down the land and see a choral society
0:43:07 > 0:43:11singing beautifully, but not always with conviction.
0:43:11 > 0:43:13I think what makes a workplace choir really work is
0:43:13 > 0:43:16when the song and the people chime together.
0:43:16 > 0:43:19So you have to find a way to get behind those words.
0:43:19 > 0:43:21So what I would quite like to do now is I would like you to find
0:43:21 > 0:43:23a partner and go one line,
0:43:23 > 0:43:27one line, like a conversation that builds into an argument.
0:43:27 > 0:43:31All stand up. Here we go and... Go.
0:43:31 > 0:43:35- Is it getting better? - Do you feel the same?- One life!
0:43:35 > 0:43:37- With each other.- Sisters!
0:43:37 > 0:43:40- Brother!- Now you've got someone to blame.
0:43:40 > 0:43:42- Are you happy?- They are so polite.
0:43:42 > 0:43:47I've asked them to argue and it's so reserved and such nice people,
0:43:47 > 0:43:49they don't want to shout.
0:43:49 > 0:43:52Leaves you, baby, if you don't care for it.
0:43:52 > 0:43:55This is a really strong song. It needs a bit of passion.
0:43:55 > 0:43:58Leaves you, baby, if you don't care for it.
0:43:58 > 0:44:00It's a very polite argument at the moment.
0:44:00 > 0:44:04- Will it make it easier on you now? - You got someone to blame!
0:44:04 > 0:44:07When it leaves...
0:44:07 > 0:44:08THEY LAUGH
0:44:09 > 0:44:13They are getting there, they are warming up.
0:44:13 > 0:44:17- YOU act like you never had love. - And you want ME to go without?
0:44:17 > 0:44:20It's nice to hear them speaking the words
0:44:20 > 0:44:23and actually there's a bit of meaning there.
0:44:23 > 0:44:26Can we get back into choir formation, S, O, T, B.
0:44:26 > 0:44:29The choir has spent all afternoon working on the text.
0:44:29 > 0:44:32Now it's time to see if it shows in their delivery.
0:44:32 > 0:44:34That's it, ready, and...one, two.
0:44:34 > 0:44:35CHOIR SING IN HARMONY
0:44:35 > 0:44:37# One love
0:44:38 > 0:44:40# We get to share it
0:44:40 > 0:44:43# Leaves you, baby
0:44:43 > 0:44:46# If you don't care for it
0:44:47 > 0:44:50# Did I disappoint you?
0:44:50 > 0:44:52# Disappoint you
0:44:52 > 0:44:55# Leave a bad taste in your mouth
0:44:55 > 0:44:57# Oooh
0:44:57 > 0:45:01# You act like you've never had love
0:45:01 > 0:45:05# And you want me to go without... #
0:45:05 > 0:45:06Strong.
0:45:06 > 0:45:09# Well, it's one love... #
0:45:09 > 0:45:11To the end.
0:45:11 > 0:45:17# One life, you've got to do what you should
0:45:17 > 0:45:20# One life
0:45:20 > 0:45:25# With each other, sisters... #
0:45:25 > 0:45:28We are all struggling to learn the notes.
0:45:28 > 0:45:30And the timing.
0:45:30 > 0:45:32None of us had thought about the words and I think that was
0:45:32 > 0:45:36a critical last piece that came into place and he made us focus on that.
0:45:36 > 0:45:38You know, it's beautifully connected us to the song,
0:45:38 > 0:45:39so, fantastic, really.
0:45:45 > 0:45:47- ALEX:- # Is it getting better? #
0:45:50 > 0:45:54Gareth's last rehearsal is spent working with his soloist, Alex.
0:45:57 > 0:46:01- # Will it make it easier on you now?- #
0:46:01 > 0:46:04Good, I think it's going to be good.
0:46:05 > 0:46:09It feels low, doesn't it? # Is it getting better? #
0:46:09 > 0:46:11Let me hear it up the octave, try it.
0:46:11 > 0:46:14- THEY SING HIGHER: # Is it getting better?- #
0:46:17 > 0:46:20# Or do you feel the same?
0:46:20 > 0:46:21# One love... #
0:46:21 > 0:46:24Yeah, I think that's the way to sing it.
0:46:24 > 0:46:27I think it's better up the octave and I think you can do it.
0:46:27 > 0:46:30It feels more edgy, where's that coming from?
0:46:30 > 0:46:33Where is that raaah coming from and why is no-one else doing that?
0:46:33 > 0:46:36I think there has always been something holding me back
0:46:36 > 0:46:38- and now I am thinking... - What has been holding you back?
0:46:38 > 0:46:40For a long time I was holding myself back.
0:46:40 > 0:46:44I left New York, I left my family, coming out of the closet,
0:46:44 > 0:46:45loads of stuff.
0:46:45 > 0:46:49- When did that happen? - When I came out?- Yes.- When I was 25.
0:46:49 > 0:46:52Right. That's quite late by some people's standards.
0:46:52 > 0:46:56Yes, by the kids these days. The last year has been pretty immense.
0:46:56 > 0:47:01I think that comes over when you sing that,
0:47:01 > 0:47:04like there is a sense of abandon in it, which I think is great.
0:47:04 > 0:47:07If you can stand up in front of your entire company and go,
0:47:07 > 0:47:10"This is me, I am Alex," I think that would be a great thing.
0:47:10 > 0:47:15- I'm going to rock out in front of you.- Brilliant.- Globally.- Globally!
0:47:17 > 0:47:20# Is it getting better... #
0:47:20 > 0:47:25It's fantastic that he is from the trading floor because he really
0:47:25 > 0:47:28understands this world and I think he can sing about this world.
0:47:28 > 0:47:33# Will it make it easy on you now
0:47:33 > 0:47:37# You've got someone to blame... #
0:47:37 > 0:47:40I hope that that passion can inspire the rest of them
0:47:40 > 0:47:43and transfer into the overall singing.
0:47:43 > 0:47:45# Don't you share it
0:47:45 > 0:47:51# If it leaves you, baby If you don't care for it... #
0:47:51 > 0:47:55- Ohh!- # Love is a temple, love! #
0:47:55 > 0:47:58I quite like you rocking out on it, that's good.
0:47:58 > 0:48:01The next time I'm back, it's showtime.
0:48:03 > 0:48:05OPERATIC SOLO
0:48:15 > 0:48:17The day of the big performance has arrived.
0:48:19 > 0:48:22The choir will be singing to hundreds of colleagues,
0:48:22 > 0:48:25friends and family, in the atrium of the bank,
0:48:25 > 0:48:28and it will be streamed live to offices around the world.
0:48:30 > 0:48:32It's great acoustic, it's really good.
0:48:32 > 0:48:35This is the perfect place for them to perform.
0:48:37 > 0:48:41I think we'll be a team that hopefully doesn't buckle under the pressure.
0:48:41 > 0:48:45- I think we'll rise to the occasion. - I think today is a defining point.
0:48:45 > 0:48:47It's the first time we're being judged,
0:48:47 > 0:48:50so I don't want to let anyone down.
0:48:50 > 0:48:52At the moment we don't know the judges
0:48:52 > 0:48:55but I would expect that they would be looking for us
0:48:55 > 0:48:58to really pass the message of what we are singing across.
0:49:03 > 0:49:08Judging the contest are three highly acclaimed members of the music community.
0:49:10 > 0:49:15Ken Burton is a gospel aficionado and award-winning conductor.
0:49:16 > 0:49:20I'm expecting to find a really arrogant bunch of singers!
0:49:23 > 0:49:25But, no, I think that they will be good.
0:49:25 > 0:49:27I think the standard will be high.
0:49:27 > 0:49:30The second judge is Professor Paul Mealor,
0:49:30 > 0:49:33an eminent British composer who wrote music for the royal wedding.
0:49:33 > 0:49:36The poor old bankers have gone through a bit of a crisis,
0:49:36 > 0:49:39haven't they, with everyone hating them.
0:49:39 > 0:49:44It's going to be tough for them to pull off a choir that is going to touch people's hearts.
0:49:45 > 0:49:50Finally, internationally renowned opera singer Sarah Fox.
0:49:50 > 0:49:54My particular area as a judge today is the performance aspect,
0:49:54 > 0:49:58so I'm looking at how they present themselves, how they communicate,
0:49:58 > 0:50:02which is frankly, in my opinion, what the whole of music is about.
0:50:03 > 0:50:07The judges will be evaluating the choir on technical ability,
0:50:07 > 0:50:10musicality and performance.
0:50:11 > 0:50:13They'll be giving the choir feedback
0:50:13 > 0:50:17which they'll then have to take on board, or their ambition to win will be over.
0:50:20 > 0:50:23The London atrium is full to capacity.
0:50:23 > 0:50:27New York, Warsaw and Johannesburg are waiting.
0:50:29 > 0:50:32We've just got to go on that stage, be brave
0:50:32 > 0:50:34and do what we came to do.
0:50:34 > 0:50:37Judges are judges, little bit nervous because you don't know what
0:50:37 > 0:50:40they are looking for and what they will, say but I think
0:50:40 > 0:50:43if we just perform our best, that's all we can do.
0:50:43 > 0:50:45CHEERING
0:50:48 > 0:50:50Gather round. We are going global.
0:50:50 > 0:50:54When I came here, it was a very faceless edifice when you arrive,
0:50:54 > 0:50:57and actually, I've got to know you now, I've got to really enjoy your company.
0:50:57 > 0:50:58I've had a lot of fun here
0:50:58 > 0:51:02and I don't think that is what people expect from banks.
0:51:02 > 0:51:05If you connect with that audience, the judges will lap it up.
0:51:05 > 0:51:06Don't cock it up.
0:51:06 > 0:51:08LAUGHTER
0:51:08 > 0:51:12OK, it's time to turn those wretched BlackBerries off, Jason. Oh, good!
0:51:12 > 0:51:15It's all about heart and soul. Are we ready?
0:51:15 > 0:51:18- ALL: Yes.- Let's go and do it. Come on.
0:51:21 > 0:51:24APPLAUSE
0:51:26 > 0:51:27Wow, there's a lot of people here!
0:51:27 > 0:51:30Hello!
0:51:32 > 0:51:35It gives me great pleasure to introduce to you the City Choir!
0:51:35 > 0:51:37CHEERING AND APPLAUSE
0:51:48 > 0:51:52Please welcome our three judges, Paul Mealor, composer,
0:51:52 > 0:51:57Sarah Fox, soprano, and Ken Burton, vocalist and gospel conductor.
0:51:59 > 0:52:02The introductions are not over.
0:52:02 > 0:52:03Hello, New York!
0:52:05 > 0:52:06Hurray!
0:52:08 > 0:52:10It worked!
0:52:10 > 0:52:11Amazing!
0:52:11 > 0:52:14What are you looking for from your choir today?
0:52:14 > 0:52:16World-class performance.
0:52:20 > 0:52:23Well, I'm so glad you could join us.
0:52:26 > 0:52:28As well as the global headquarters in New York,
0:52:28 > 0:52:33offices in two other continents will be tuning in live.
0:52:33 > 0:52:35Let's say hello to Warsaw!
0:52:37 > 0:52:39Couldn't you just pretend, New York?
0:52:39 > 0:52:42LAUGHTER
0:52:42 > 0:52:44CHEERING
0:52:45 > 0:52:47Ladies and gentlemen, the Citi Choir.
0:52:47 > 0:52:50MUSIC: "One" by U2
0:52:50 > 0:52:53# Is it getting better
0:52:55 > 0:52:57# Ooh-ooh
0:52:57 > 0:52:59# Do you feel the same
0:53:01 > 0:53:04# Ooh-ooh
0:53:04 > 0:53:08# Will it make it easier on you now
0:53:08 > 0:53:10# Ooh-ooh
0:53:10 > 0:53:12# You got someone to blame
0:53:14 > 0:53:16# You say
0:53:16 > 0:53:22# One love One life
0:53:22 > 0:53:27# When it's one need In the night
0:53:28 > 0:53:30# One love
0:53:30 > 0:53:32# One love
0:53:32 > 0:53:34# We get to share it
0:53:35 > 0:53:40# Leaves you, baby if you don't care for it
0:53:42 > 0:53:45# Did I disappoint you
0:53:45 > 0:53:48# Disappoint
0:53:48 > 0:53:51# Or leave a bad taste in your mouth?
0:53:54 > 0:53:59# You act like you never had love
0:53:59 > 0:54:04# And you want me to go without
0:54:04 > 0:54:09# Well, it's one love
0:54:09 > 0:54:12# One blood
0:54:12 > 0:54:13# One life
0:54:13 > 0:54:18# You got to do what you should
0:54:18 > 0:54:21# One life
0:54:21 > 0:54:24# With each other
0:54:24 > 0:54:27# Sisters
0:54:27 > 0:54:29# Brothers
0:54:30 > 0:54:32# One life
0:54:32 > 0:54:35# But we're not the same
0:54:35 > 0:54:40# We get to carry each other
0:54:40 > 0:54:46# Mmmm. #
0:54:46 > 0:54:48APPLAUSE
0:54:59 > 0:55:01Citi Choir!
0:55:06 > 0:55:09Warsaw, what did you make of it?
0:55:09 > 0:55:11LAUGHTER
0:55:13 > 0:55:16And finally, Johannesburg.
0:55:16 > 0:55:18CHEERING
0:55:21 > 0:55:22Thank you very much, everyone.
0:55:22 > 0:55:25Our international guests. Let's give them a round of applause.
0:55:28 > 0:55:30Ladies and gentlemen, please welcome our judges.
0:55:42 > 0:55:45We have been digesting your performance
0:55:45 > 0:55:47and we've actually enjoyed ourselves.
0:55:47 > 0:55:49So, technical. There's a tuning issue in this choir.
0:55:49 > 0:55:53And it often happens when sections are together, for example,
0:55:53 > 0:55:56sopranos and tenors, you know that bit when you're in unison?
0:55:56 > 0:55:57Wasn't in unison, I'm afraid.
0:55:57 > 0:55:59From a performance point of view,
0:55:59 > 0:56:01I was very impressed with you on the whole.
0:56:01 > 0:56:04I thought you communicated the song very well.
0:56:04 > 0:56:06There was a confidence in your song,
0:56:06 > 0:56:09and that may come from the fact that there are lots of different
0:56:09 > 0:56:12nationalities, I don't know, but there was something quite vibrant
0:56:12 > 0:56:14about the song which was really lovely.
0:56:14 > 0:56:17Alex, fantastic solo, well done.
0:56:17 > 0:56:19Really fantastic.
0:56:25 > 0:56:27The sound was cohesive.
0:56:27 > 0:56:30It was a very, very wonderful uniform tone.
0:56:30 > 0:56:35But I just want it to be much more rich and much more full bodied.
0:56:35 > 0:56:37That's something I would really like you to work on
0:56:37 > 0:56:39as we move towards the next round.
0:56:46 > 0:56:48Your choir, everyone.
0:56:48 > 0:56:49CHEERING
0:56:53 > 0:56:57When the choir next sings in the contest, it will be going
0:56:57 > 0:57:01head-to-head with the four other choirs for a place in the semifinal.
0:57:01 > 0:57:04I just think it's wonderful how all these different people,
0:57:04 > 0:57:07different ages, different types of job, different backgrounds,
0:57:07 > 0:57:10it came out as one choir.
0:57:10 > 0:57:11Today, I think we got there.
0:57:14 > 0:57:18That first round of applause after we'd performed for the first time
0:57:18 > 0:57:21made me cry a little bit, I've got to admit,
0:57:21 > 0:57:22but don't tell anyone.
0:57:22 > 0:57:24And just really, really powerful.
0:57:25 > 0:57:28Thank goodness that's over.
0:57:28 > 0:57:31It's been 30 or 40 hours in the making getting to this point,
0:57:31 > 0:57:34so we hope we've achieved something.
0:57:34 > 0:57:37Well done. Wow!
0:57:37 > 0:57:40That was a hell of a performance.
0:57:40 > 0:57:42- It just felt right, didn't it? - ALL: Yes.
0:57:42 > 0:57:44Well done, Alex.
0:57:46 > 0:57:48I'm really pleased with them.
0:57:48 > 0:57:51I'm surprised how much soul this group had.
0:57:54 > 0:57:58When I arrived, my view of this place was a soulless, heartless place.
0:57:58 > 0:58:01And actually, I don't think that's the case.
0:58:03 > 0:58:05This was an extraordinary day.
0:58:05 > 0:58:07It's a bank!
0:58:15 > 0:58:20Next time - all five choirs come face to face at the world-renowned
0:58:20 > 0:58:21Royal Academy of Music.
0:58:21 > 0:58:23Ooh! That's quite exciting.
0:58:23 > 0:58:25I've got upgraded.
0:58:25 > 0:58:26In just three days,
0:58:26 > 0:58:29they'll each learn one of the giants of classical music.
0:58:29 > 0:58:31I was miming half of it.
0:58:31 > 0:58:34I bet you've got another gear.
0:58:34 > 0:58:36And they'll perform to stay in the contest.
0:58:36 > 0:58:40Tonight, for the first time, one of these choirs will be leaving.
0:58:40 > 0:58:43I just want to be on the happy bus that leaves here.
0:58:43 > 0:58:45I don't know if it's enough.
0:59:02 > 0:59:05Subtitles by Red Bee Media Ltd