Live

:00:45. > :00:47.# Stomp, stomp # Drop the beat

:00:47. > :00:48.# Why you do it, do it, do it like a dude?

:00:49. > :00:49.# Drop the beat Nasty face

:00:49. > :00:51.# Why you looking at me?

:00:51. > :00:55.# Dirty, dirty, dirty, dirty Dirty, dirty sucker

:00:55. > :00:57.# You think I can't get hurt like you, you mother?

:00:57. > :01:00.# I can do it like a brother Do it like a dude

:01:00. > :01:04.# Grab my crotch Wear my hat

:01:04. > :01:08.# Do it, do it, do it Do it like a brother

:01:08. > :01:10.# Do it like a dude

:01:10. > :01:11.# Grab my crotch Wear my hat

:01:11. > :01:14.# Do it like a dude

:01:14. > :01:17.# We can do it like the mandem, mandem, hey, hey

:01:17. > :01:19.# We can do it like the mandem Mandem, suga, suga, suga

:01:20. > :01:29.# Hey, hey, hey, hey Hey, hey hey

:01:30. > :01:34.

:01:34. > :01:44.This programme contains scenes of Repetitive Flashing Images (e.g. strobe lighting)

:01:44. > :01:46.

:01:46. > :01:56.# Grab my crotch Wear my hat

:01:56. > :01:59.

:01:59. > :02:01.# I can do it like a brother Do it like a dude

:02:01. > :02:03.# Grab my crotch Wear my hat

:02:03. > :02:05.# Do it, do it, do it Do it like a brother

:02:05. > :02:09.# Do it like a dude

:02:09. > :02:16.# Grab my crotch Wear my hat

:02:16. > :02:21.Wear my hat low like you

:02:21. > :02:24.# Do it like a brother Do it like a dude

:02:24. > :02:25.# We can do it like the mandem, mandem, hey

:02:25. > :02:29.# We can do it like the mandem Mandem, suga, suga, suga

:02:29. > :02:32.# We can do it like the mandem, mandem, hey

:02:32. > :02:33.# Rolling, rolling, rolling Rolling money like a pimp

:02:33. > :02:35.# My B-I-T-C-H is on my like this

:02:35. > :02:39.# Dirty, dirty, dirty, dirty Dirty, dirty sucker

:02:39. > :02:42.# You think I can't get hurt like you, you mother?

:02:42. > :02:46.# I can do it like a brother Do it like a dude

:02:46. > :02:49.# Grab my crotch Wear my hat low like you

:02:49. > :02:52.# Do it like a brother Do it like a dude

:02:52. > :02:55.# Grab my crotch Wear my hat low like you

:02:56. > :02:59.# We can do it like the mandem, mandem, hey

:02:59. > :03:04.# We can do it like the mandem Mandem, suga, suga, suga

:03:04. > :03:07.# We can do it like the mandem, mandem, hey

:03:07. > :03:11.# We can do it like the mandem Mandem, suga, suga, suga

:03:11. > :03:14.# Boys, I'm saying what you wanna?

:03:14. > :03:17.# Boys, you need to lick my dollar

:03:17. > :03:21.# Boys ge-getting hot under the collar, holla, holla

:03:21. > :03:24.# Whoa, oh-whoa, oh-whoa

:03:24. > :03:33.# Boys, I'm saying what you wanna?

:03:33. > :03:41.# Do it like a brother Do it like a dude

:03:41. > :03:44.# Grab my crotch Wear my hat low like you

:03:44. > :03:48.# We can do it like a brother Do it like a dude

:03:48. > :03:51.# Grab my crotch Wear my hat low like you

:03:51. > :03:57.# Do it like a brother Do it like a dude

:03:57. > :04:00.# We can do it like the mandem Mandem, suga, suga, suga

:04:00. > :04:03.# We can do it like the mandem, mandem, hey

:04:03. > :04:06.# We can do it like the mandem Mandem, suga, suga, suga

:04:06. > :04:16.# Do it do it like a dude. #

:04:16. > :04:28.

:04:28. > :04:29.Give

:04:29. > :04:30.Give it

:04:30. > :04:36.Give it up

:04:36. > :04:41.Give it up MOBO 2011! Glasgow, how you feeling! Give it up for Jessie

:04:41. > :04:48.J one more time. We love Jessie. How you doing guys? OK, if you

:04:48. > :04:57.haven't already guessed it this is the MOBO Awards 2011 in association

:04:57. > :05:05.with Lebara Mobile. I am Alesha Dixon and this man next to me is

:05:05. > :05:11.Jason Derulo! Stallion? I guess I do like polo mints and I do have a

:05:11. > :05:15.big... All right, MOBO is back in style coming to you live from the

:05:15. > :05:19.SECC in Glasgow. We loved it so much two years ago we are back.

:05:19. > :05:24.This year we are bringing it bigger and better before with a stellar

:05:24. > :05:31.line-up of performances, the cream of the UK talent and the VIP is

:05:31. > :05:35.overflowing with A-listers. That would explain why I saw Tinchy and

:05:35. > :05:39.Dappy squeezed into a dressing room full of female dancers. The only

:05:39. > :05:46.explanation. What better way to celebrate than with a line-up so

:05:46. > :05:51.dangerous it comes with its own high vis jacket and hard hat for

:05:51. > :05:58.safety. Who wants to see what's coming up? Tonight's show is going

:05:58. > :06:05.to be huge. Dappy has no regrets. Katy B keeps moving with the lights

:06:05. > :06:09.on. Jason Derulo finds his it girl. MOBO pays tribute to Amy Winehouse.

:06:10. > :06:14.Tinchy Stryder gets off the record. Alexis Jordan is stepping on the

:06:14. > :06:21.gas. Professor Green is reading about it, plus a show-stopping

:06:21. > :06:25.performance by Boyz II Men. Before all that it's time to

:06:25. > :06:34.introduce the last two members of the MOBO Awards 2011 presenting

:06:34. > :06:39.team, our boys back stage, give it up for Dappy and Tinchy. What's up,

:06:39. > :06:44.Glasgow, I am here with my boy Tinchy and I am seeing the craziest

:06:44. > :06:50.things. I have seen everyone, is here, all these A-list stars.

:06:50. > :06:54.else is here, I am starstruck. I have seen Boyz II Men. Listen, I

:06:54. > :07:01.heard you have these fit dancers somewhere. Yeah, you know what, I

:07:01. > :07:11.have got some... I am spontaneous. That's the dressing room. Check it

:07:11. > :07:19.

:07:19. > :07:27.Hey... This ain't no dancer, bro. What's happening? Some hunks.

:07:27. > :07:33.look like dancers? We flip off buildings. You look like you are

:07:33. > :07:38.having an exercise and that. wasn't expecting that, see you in a

:07:38. > :07:41.bit. Back to Alesha and Jason. Thanks boys. Try to keep out of

:07:41. > :07:45.trouble until we come back to you. Time for the first award of this

:07:45. > :07:49.year's show voted for by you the public like all our category awards.

:07:49. > :07:53.It's a category that gets bigger and bigger. True story, as one

:07:53. > :07:56.critic said of this category, you can't reinvent the wheel but it's

:07:56. > :08:01.like the UK scene has put alloys on it. And then some. Of course, we

:08:01. > :08:05.are talking about Best Hip hop- grime act. From roots in America

:08:05. > :08:10.it's developed into a genre that's massive on both sides of the

:08:10. > :08:14.Atlantic. To present this award we got a duo no strangers to the MOBO

:08:14. > :08:24.scene. Welcome a man who knows a thing or two about winning awards

:08:24. > :08:46.

:08:46. > :08:51.himself, one third of N-Dubz, Fazer Hello Glasgow! Amazing. What a

:08:51. > :08:55.crowd. Look, since the turn of the century grime and hip hop have

:08:55. > :08:59.dominated the charts both here and in the US making it one of the most

:08:59. > :09:03.popular forms of music in history, recent history should I say.

:09:03. > :09:10.can tell how huge grime and hip hop is by the fact that some of its

:09:10. > :09:15.finest artists are represented in every category of the MOBO Awards

:09:15. > :09:18.attonight from best newcomer to Best Album to Best Song song.

:09:18. > :09:22.have worked with most of the guys here tonight nominated for the

:09:22. > :09:32.awards and I got to say it's amazing to see them getting a

:09:32. > :09:32.

:09:32. > :10:22.Apology for the loss of subtitles for 50 seconds

:10:22. > :10:30.recognition they deserve. Look at Oh! I like that.

:10:30. > :10:40.The winner is Tinie Tempah. Give it up for Tinie!

:10:40. > :10:40.

:10:40. > :11:21.Apology for the loss of subtitles for 50 seconds

:11:21. > :11:26.Can everyone make some noise for Jourdan Dunn, bloody heck! All

:11:26. > :11:28.right, ladies and gentlemen, MOBOes, when I came here today I wasn't

:11:28. > :11:33.really expecting anything so I am very grateful for this award. Thank

:11:33. > :11:41.you so much. I just want to thank everybody who's making amazing

:11:41. > :11:46.black music at the minute, the UK is such a great place, Wretch 32,

:11:46. > :11:53.Jessie J, Tinchy Stryder, Dappy, N- Dubz, Chipmunk it's amazing. Rizzle

:11:53. > :11:58.Kicks as well, you are incredible. I want to thank the MOBO Awards,

:11:58. > :12:06.Kanya is amazing as well. Management, the whole team, I want

:12:06. > :12:16.to big up Par lophone. Also big up God, and my family and all the fans,

:12:16. > :12:23.

:12:23. > :12:27.Congratulations, Tinie. I sensed a lot of love on stage

:12:27. > :12:32.then. If you are lapping up the magic of MOBO you don't have to sit

:12:32. > :12:39.at home shouting words of love at your TV, get online and get

:12:39. > :12:45.chatting to fellow fans. I think it's time we gave ourselves a

:12:45. > :12:50.nickname, Alesha and Jason, Jalesha? I am in. What a better way

:12:50. > :12:54.to start a show than with a public declaration of presenter love. The

:12:54. > :12:59.only thing that can follow that is another award. Tell them about it.

:12:59. > :13:04.To introduce the next award we have two artists who have five MOBOes

:13:04. > :13:14.between them, not to mention a mercury and Brits and international

:13:14. > :13:37.

:13:37. > :13:43.acclaim, it's Chipmunk and Ms Glasgow, what's good?! You know

:13:43. > :13:49.what it is, Best Album, presenting this award, it's all good. Well,

:13:49. > :13:53.this award recognises the hard slog that goes into making an album from

:13:53. > :13:58.the recording, to the writing, the blood, sweat and tears that goes

:13:58. > :14:08.into what can only be described as a labour of love. Yes, previous

:14:08. > :14:08.

:14:08. > :14:16.winners have included Kanye West, the College Dropout and 50 Cent's

:14:16. > :14:26.Get Rich or Die Trying. It's an impressive role call. This year's

:14:26. > :14:26.

:14:26. > :15:13.Apology for the loss of subtitles for 50 seconds

:15:13. > :15:23.winner is about to be added to that Thanks. And the winner is... Jessie

:15:23. > :15:42.

:15:42. > :15:47.Wow! I have to keep this quick. I did not expect to win that at all.

:15:47. > :15:51.I just want to say the biggest thank you to my fans, because I

:15:51. > :16:01.watched this last year by myself in my living room and no one knew who

:16:01. > :16:08.

:16:08. > :16:12.I was and now I just won Best Album, Our next performer is part of the

:16:12. > :16:20.UK's biggest hip hop groups clocking up four MOBO awards over

:16:20. > :16:28.the years. Tonight he is on his own as Tulisa is on the X Factor and

:16:28. > :16:38.Fazer is proving himself as a hot producer. Dappy is ready to take

:16:38. > :16:51.

:16:51. > :17:00.If you like real music, make some # Ooh-oh, ooh-oh, ooh-oh-oh

:17:00. > :17:01.# This is my King's Speech I'm nowhere near the end

:17:01. > :17:04.# If I s-s-s-s-stutter Sorry, I ain't heaven sent

:17:04. > :17:06.# I messed my life up Yeah, I've been down

:17:06. > :17:08.# I'm a changed man now Chris Brown

:17:08. > :17:11.# You know I feel your pain Cos I done been through it

:17:11. > :17:14.# I'm Kurt Cobain But I just couldn't do it

:17:14. > :17:17.# No point in turning back Just to hit rewind

:17:17. > :17:18.# Back To The Future Ma-Marty McFly

:17:18. > :17:22.# Deep inside there's a fire

:17:22. > :17:24.# Cos I'm no longer looking at a reflection that I admire

:17:24. > :17:27.# I paint the picture of a fighter

:17:27. > :17:29.# But that someone looking back at me, says I'm a liar

:17:29. > :17:33.# If I should die before I wake The least that I could ever say

:17:33. > :17:38.# I made mistakes But held on to my faith

:17:38. > :17:43.# Cos when I look in a mirror

:17:43. > :17:45.# I don't even recognize myself

:17:45. > :17:48.# Got the heart of a winner

:17:48. > :17:50.# But looking back at me is someone else

:17:50. > :17:53.# No regrets, no regrets

:17:53. > :17:55.# No point in crying over yesterday

:17:55. > :17:58.# No regrets, no regrets

:17:58. > :18:01.# Cos we ain't even seen the best of days

:18:01. > :18:05.# Ooh-oh, ooh-oh, ooh-oh-oh Na-na, na-na, na-ah

:18:05. > :18:10.# Ooh-oh, ooh-oh, ooh-oh-oh

:18:10. > :18:14.# This is my last chance I'm on my final straw

:18:14. > :18:16.# I came so close to b-b-breaking like a spinal chord

:18:16. > :18:17.# I came so close to b-b-breaking like a spinal chord

:18:17. > :18:18.# I came from nothing Some kid in Camden

:18:18. > :18:22.# Now I'm flyer than the birds Richard Branson

:18:22. > :18:24.# I'm a prince And yes, Will, get the crown

:18:24. > :18:27.# Kate stays in my dungeon when her sister's round

:18:27. > :18:29.# So please forgive me if I make mistakes

:18:29. > :18:32.# But I'll blow the bloody doors off, Michael Caine

:18:32. > :18:35.# If I should die before I wake

:18:36. > :18:37.# The least that I could ever say

:18:37. > :18:41.# I made mistakes but held on to my faith

:18:41. > :18:46.# Ooh-oh Cos when I look in a mirror

:18:46. > :18:48.# I don't even recognize myself

:18:48. > :18:51.# Got the heart of a winner

:18:51. > :18:53.# But looking back at me is someone else

:18:53. > :18:56.# No regrets, no regrets

:18:56. > :18:58.# No point in crying over yesterday

:18:58. > :19:01.# No regrets, no regrets

:19:01. > :19:03.# Cos we ain't even seen the best of days

:19:04. > :19:07.# I'm free to be whatever I Cos I'm famous

:19:07. > :19:09.# Call me Gallagher Cos I'm so Shameless

:19:09. > :19:11.# The papers sell their pages at the cost of my failures

:19:11. > :19:13.# Victimised by the public Don't know if I can take this

:19:13. > :19:16.# So I sing, so when you feel like there's no more

:19:17. > :19:19.# And nothing left But the life you've broken

:19:19. > :19:22.# No regrets No turning back

:19:22. > :19:25.# Pick up yourself and tell them I'm just being me

:19:25. > :19:28.# Ooh-oh, ooh-oh, ooh-oh-oh

:19:28. > :19:29.# Cos when I look in a mirror

:19:29. > :19:30.# I don't even recognize myself

:19:30. > :19:33.# Got the heart of a winner

:19:33. > :19:35.# But looking back at me is someone else

:19:36. > :19:38.# No regrets, no regrets

:19:38. > :19:40.# No point in crying over yesterday

:19:40. > :19:42.# No regrets, no regrets

:19:43. > :19:47.# Cos when we ain't even seen the best of days

:19:47. > :19:53.# No regrets, no regrets

:19:53. > :19:59.# No point in crying over yesterday

:19:59. > :20:00.# No regrets, no regrets

:20:00. > :20:03.# No point in crying over yesterday

:20:03. > :20:06.# No regrets, no regrets

:20:06. > :20:16.# Cos when we ain't even seen the best of days. #

:20:16. > :20:17.# Got the heart of a winner

:20:17. > :20:19.# But looking back at me is someone else

:20:19. > :20:22.# No regrets, no regrets

:20:22. > :20:24.# No point in crying over yesterday

:20:24. > :20:27.# No regrets, no regrets

:20:27. > :20:37.# Cos when we ain't even seen the best of days

:20:37. > :20:38.

:20:38. > :20:38.Make

:20:38. > :20:39.Make some

:20:39. > :20:43.Make some noise

:20:44. > :20:50.Make some noise for Dappy there. What that man doesn't know about a

:20:50. > :20:54.hat is not worth knowing. Alesha, check my swag, how do I look?

:20:54. > :20:57.not a look everyone can pull off, babe. For every artist nominated

:20:57. > :21:02.tonight this year has been huge and tonight is a time when they can put

:21:02. > :21:05.their feet up and soak up the glory of their hard hard work the last 12

:21:05. > :21:10.months has brought them. We came up with a list of highlights that will

:21:10. > :21:16.make you want to press rewind and do it all over again. Exactly. Chip,

:21:16. > :21:21.what's been the highlight for you this year? I think one of the

:21:21. > :21:27.highlights for me has definitely been my friend, my brother, Wretch

:21:27. > :21:37.32 coming through, and cracking into that mainstream market.

:21:37. > :21:44.agree. Not bad. What was the highlight of your year, Tinie?

:21:44. > :21:54.first single I wrote, in America, we haven't got there yet, but it's

:21:54. > :21:58.a great start. Congratulations. Here is what we came up with.

:21:58. > :22:03.MOBO Awards 2010, who could forget them? What's been happening in the

:22:03. > :22:07.12 months since then. Fast forward to 2011 and MOBO music is

:22:07. > :22:12.dominating charts everywhere. Here in the UK eight of the top ten

:22:12. > :22:16.albums belong to MOBO artists. Not content with chart domination, JLS

:22:16. > :22:23.made thousands of dreams come true with their silver screen debut when

:22:23. > :22:27.their concert was shown in cinemas nationwide in 3-D.

:22:27. > :22:30.Jessie J looked like nothing could hold her back when her debut album

:22:30. > :22:36.stormed into the charts both sides of the Atlantic and then she broke

:22:36. > :22:42.her foot. When Tulisa was announced as a new

:22:42. > :22:47.judge on X Factor fans and press alike were thrown into a frenzy.

:22:47. > :22:52.You were amazing. I would love to mentor you. I must say, Tulisa, we

:22:52. > :22:54.might be fighting over this one. With former MOBO performer Kelly

:22:54. > :22:58.Rowland at her side world domination is a certainty.

:22:59. > :23:07.But it wasn't just British artists getting fans hot under the collar

:23:07. > :23:10.this summer, as temperatures soared with Nicki Minaj fever. This year

:23:11. > :23:19.we said goodbye to great friends and incredible influences, amongst

:23:20. > :23:27.them the unforgetible Gill Scott and legend Nate Dog but it was the

:23:27. > :23:36.death of Amy Winehouse that rocked music fans all over the world.

:23:36. > :23:42.Finally, MOBO artists went collaboration crazy this year.

:23:42. > :23:45.So many amazing moments, but you can't go back. You wouldn't want to

:23:45. > :23:48.because better things are coming up, in fact, right now. Best African

:23:48. > :23:57.Act. The good times keep coming because to present it please

:23:57. > :24:07.welcome a man who churns out hits before breakfast, that's how he

:24:07. > :24:18.

:24:18. > :24:21.Are you all having a good time?! Wow, a lot of very excited faces.

:24:21. > :24:27.It's only just started. I have been given the greatest honour of

:24:27. > :24:32.presenting the award for Best African Act. You all know Africa is

:24:32. > :24:36.the world's second largest and most populous continent, think of the

:24:36. > :24:41.talent and music produced on a daily basis, each country has its

:24:41. > :24:45.own traditions and distinct vibe. So imagine how hard it is to break

:24:45. > :24:49.that down and to be represented just by five acts. Nominees have

:24:49. > :24:54.done incredibly well to achieve this level of recognition. A

:24:54. > :24:57.massive big up to them all, it's been a tough task. Over the last

:24:57. > :25:01.few months the judges have listened to more African music than you

:25:01. > :25:11.could knew existed. Just to get to this very moment right here, so

:25:11. > :25:11.

:25:11. > :25:59.Apology for the loss of subtitles for 50 seconds

:25:59. > :26:02.And the winner is... Wizkid.

:26:02. > :26:12.Sadly, he is not here tonight because he is working in Africa. So

:26:12. > :26:13.

:26:13. > :26:18.we are going to accept this on his behalf and make sure he gets it.

:26:18. > :26:22.The award for Best African Act there, we truly are representing

:26:22. > :26:27.tonight. How is your first MOBO experience going? This Glasgow

:26:27. > :26:32.crowd is crazy! I am having the time of my life. I got to say, I

:26:32. > :26:37.don't want it to end. I would go so far as to say I would give it a 7!

:26:37. > :26:40.Unbelievable. Everywhere I go that man follows me. I am scared you are

:26:40. > :26:46.going to be judging my dancing when I get up here. Believe me, you are

:26:46. > :26:56.a ten out of ten, you are all right. Nice! Let's find out what Tinchy is

:26:56. > :27:01.up to back stage and talk about what else, Alesha likes about me.

:27:01. > :27:05.Welcome back people. Perfect Perfect timing, I am with the main

:27:05. > :27:09.man. I am good, brother. How are you feeling? I am feeling nice, man.

:27:09. > :27:13.It's a good night, we are in Glasgow, it's a good vibe. Make

:27:13. > :27:17.some noise! All right, so Wretch, you are about to jump on stage now.

:27:17. > :27:22.What do you do before you get there, to warm up, little stretches?

:27:22. > :27:26.all about me getting in the vibe, man. As long as I am with my people,

:27:26. > :27:30.I am nice. The first time I must have heard Wretch 32 was years back

:27:30. > :27:35.and I want to know, 12 months ago, did you picture yourself being here

:27:35. > :27:38.up for three MOBOes? It's been mad. Everything's surprised me along the

:27:38. > :27:42.way. But it happened so fast that I don't even get to take everything

:27:42. > :27:46.in. But at the same time, we are still smiling man, God bless.

:27:46. > :27:50.know you are a big Reggae fan and I want to know who do you think is

:27:50. > :28:00.going to get the Reggae award? one is going to be tight but I am

:28:00. > :28:10.hoping either damian Marley or Mavado. It's your time to go on

:28:10. > :28:14.As you have just seen Wretch 32 is our next performer of the night. He

:28:14. > :28:19.is fully warmed up and ready to go. What do you do before you go on

:28:19. > :28:26.stage? My mum always tells me to brush my teeth with a bottle of

:28:27. > :28:34.Jack. Wasn't that Ke$ha? Why would my mum be giving advice to Ke$ha?

:28:34. > :28:40.He is the UK's hottest MC. All right, he is the... # My time, show

:28:40. > :28:44.time... Yeah! All right, I get it. All right, aside from Alesha, with

:28:44. > :28:48.a number one single under his belt this guy is sa real force in

:28:48. > :28:58.British hip hop. One of my favourites, please give it up for

:28:58. > :28:58.

:28:58. > :29:40.Apology for the loss of subtitles for 50 seconds

:29:40. > :29:44.# You whispered to me # It's like you're always

:29:44. > :29:46.# And everybody in the car want to try and get involved

:29:46. > :29:50.# Yeah, then you make a silly tone

:29:50. > :29:52.# Puppy love Now I'm like give a dog a bone

:29:52. > :29:54.# Shut me upHow? I could breathe and have a flow

:29:54. > :29:56.# Our love's concrete We should leave it set in stone

:29:56. > :30:00.# And whenever I'm in doubt You forever calm me down

:30:00. > :30:04.# Sometimes I'm a dummy so I know would've crashed

:30:04. > :30:09.# If you never was around

:30:09. > :30:10.# So don't go

:30:10. > :30:11.# Don't leave

:30:11. > :30:13.# Please stay

:30:13. > :30:16.# With me

:30:16. > :30:17.# You are the only thing

:30:18. > :30:20.# I need to get by, to get by

:30:20. > :30:30.# The mirror can't look me in the eye, no way

:30:30. > :30:55.

:30:55. > :30:56.# The mirror can't look me in the eye, no way

:30:56. > :30:58.# I float like a ribbon in the sky No plane

:30:58. > :31:01.# Smooth or rugged I'ma Usain run it Cos I does it in my own lane

:31:01. > :31:06.# Flash for the picture

:31:06. > :31:08.# She'll come back no hasta la vista

:31:08. > :31:10.# Computer love iMac with my finger

:31:10. > :31:13.# Baby, I'm a man Not your mister

:31:13. > :31:16.# I missed you

:31:16. > :31:17.My life style's terribly wild

:31:17. > :31:18.# But you'll never catch me on The Jeremy Kyle Show

:31:18. > :31:21.# Explosive terrorist style

:31:21. > :31:24.# Don't think I'ma blow I get you therapy now, whoa

:31:24. > :31:29.# I miss school and I haven't got a job yet

:31:29. > :31:32.# I went clubbing till my world was revolving

:31:32. > :31:41.# With pretty women and alcohol, eh

:31:41. > :31:43.# Choo-choo, go hard Go faster

:31:44. > :31:47.# Stack peas every day

:31:47. > :31:54.# Zum-zum, down the rabbit hole. #

:31:54. > :31:55.# Choo-choo, go hard Go faster

:31:55. > :32:05.# Stack peas every day

:32:05. > :32:05.

:32:05. > :32:51.Apology for the loss of subtitles for 50 seconds

:32:51. > :32:51.#

:32:51. > :32:51.# Stack peas every day

:32:51. > :32:52.# Go

:32:52. > :32:54.# Go faster,

:32:54. > :32:55.# Go faster, #

:32:55. > :32:55.# Stack

:32:55. > :32:56.# Stack Ps every

:32:56. > :32:57.# Stack Ps every day

:32:57. > :32:58.# I

:32:58. > :32:58.# I ride

:32:58. > :32:58.# I ride this...

:32:58. > :32:58.# Choo-choo, go hard Go faster

:32:58. > :32:59.# I ride this... Beat

:32:59. > :32:59.# I ride this... Beat like

:32:59. > :32:59.# I ride this... Beat like a

:32:59. > :33:01.# I ride this... Beat like a tractor

:33:01. > :33:01.# Stack peas every day

:33:01. > :33:02.tractor #

:33:02. > :33:02.# I

:33:02. > :33:02.# I ride

:33:03. > :33:07.# I ride this...

:33:07. > :33:17.# I ride this... Like a train # Go faster

:33:17. > :33:26.

:33:26. > :33:30.An amazing performance there from Wretch 32 featuring Josh and Lloyd.

:33:30. > :33:37.Next we are honouring the year's Best Videos. There have been iconic

:33:37. > :33:47.winners of this this over the years, TLC's No Scrubs, and Beyonce's

:33:47. > :33:50.

:33:50. > :33:55.Single ladies. I would love to see Funny, that's not how I remember it.

:33:55. > :34:05.Me neither. Here to present the award be upstanding for the

:34:05. > :34:14.

:34:14. > :34:20.gorgeous Yasmin and Mr Brit film Yeah, what's going on Glasgow! What

:34:20. > :34:26.are you saying, MOBO, it's good to be here. With the beautiful Yasmin,

:34:26. > :34:30.looking definitely my size. Are you on Twitter? Let me stop gassing and

:34:30. > :34:34.get back to business. Are you guyss ready for more winners? There is a

:34:34. > :34:38.talent coming through right now but you know, all the UK artists right

:34:38. > :34:43.now raising the levels but to be an all-round artist it's not just

:34:43. > :34:48.about your track, you got to have the right visuals. You got to get

:34:48. > :34:58.your hands on a bang of a video. These artists did exactly that.

:34:58. > :34:58.

:34:58. > :35:53.Apology for the loss of subtitles for 50 seconds

:35:53. > :36:03.All right! The winner is... Tinchy Stryder and Dappy, Spaceship!

:36:03. > :36:38.

:36:38. > :36:47.Woah! It's like I have been here like five times now, about time,

:36:47. > :36:57.man. I want to thank everyone who voted. I want to thank those who

:36:57. > :37:02.done the video, big up Tinie, big up my brother from another, go

:37:02. > :37:06.speak to them. First of all, I want to say something that anyone wants

:37:06. > :37:12.to make it in life, all I got to say is never give up on something

:37:12. > :37:16.you can't go a day without thinking about, am I right? Number two, I

:37:16. > :37:21.want to big up Jack anarchy, new management, I love you guys, you

:37:21. > :37:26.have done a lot for me straightaway. Tinchy, I love you even more, my

:37:26. > :37:36.brother. I want to thank my mum and dad, my whole family, thank the

:37:36. > :37:43.

:37:43. > :37:50.Lord, amen. Glasgow, we love you. I'd say that video was a little

:37:50. > :37:56.better than a chubby kid dancing to Beyonce. Less chaffing involved.

:37:56. > :38:00.Now it's time to talk about fusions and syncopation and it can only be

:38:00. > :38:08.the Best Jazz award. The thing many people don't realise

:38:08. > :38:13.about jazz is that it's not a niche musical genre but the backbone to

:38:13. > :38:18.most of today's R&B and pop music. It's still inspiring musicians

:38:18. > :38:23.today, look at artists such as The Roots, Corinne Bailey Rae and the

:38:23. > :38:29.late Amy Winehouse. Jazz crosses continents and ethnicity and it

:38:29. > :38:33.spawned a legion of divas from Bessie Smith through to Peggy Lee

:38:33. > :38:40.and some of the most celebrated musicians of all time, miles Davies,

:38:40. > :38:44.Nat King Cole and Duke Ellington. At this year's Grammys Esperanza

:38:44. > :38:48.Spalding beat Justin Bieber in the Best Newcomer category. Very

:38:48. > :38:58.impressive and it proves the genre still is relevant as ever. Let's

:38:58. > :38:58.

:38:58. > :39:41.Apology for the loss of subtitles for 50 seconds

:39:41. > :39:51.look at who has been making waves Thank you, darling. It looked good,

:39:51. > :40:18.

:40:18. > :40:22.don't worry. The winner is... Thank you so much. Things like this

:40:22. > :40:25.don't happen to jazz musicians everyday, so we are massively

:40:25. > :40:29.grateful to the MOBO Awards for this amazing honour. Thank you to

:40:29. > :40:32.everyone who voted for us. Thank you to our record label Addition

:40:32. > :40:35.Records, thank you to our friends and family for your support.

:40:35. > :40:39.Everyone who has come out on the road and come to our gigs and

:40:39. > :40:42.supported us, we appreciate it. I would like to thank these guys for

:40:42. > :40:50.being amazing musicians and I would also like to thank people who have

:40:50. > :40:54.been involved in the records, thank you so much. My girl, and everyone,

:40:54. > :40:57.check out British jazz music, there's so much amazing stuff

:40:57. > :41:07.happening, you won't be disappointed. Thank you so much

:41:07. > :41:12.

:41:12. > :41:19.I am a massive fan of our next performer she's a feisty redhead

:41:19. > :41:29.who perfectly mixes funky house, dubstep and UK garage, she is the

:41:29. > :41:30.

:41:30. > :41:37.love child of Magnetic Man and Donaeo! With a mercury nomination

:41:37. > :41:47.and tour and hook up with Tinie Tempah we can expect big things,

:41:47. > :41:47.

:41:47. > :42:48.Apology for the loss of subtitles for 50 seconds

:42:48. > :42:51.she's still only 22. Welcome to the # Step in a di club

:42:51. > :42:54.# And them a come a watch me and a clock me

:42:54. > :42:55.# Bass come like a trigger and the DJ come and shock we

:42:55. > :42:57.# Riddim take control and nothing can't stop me

:42:57. > :43:02.# Vibes them got me, so me now beg a glass of water now

:43:02. > :43:05.# Dance is getting hotter now

:43:05. > :43:06.# Drowning in the heat and I don't want to leave rude girl

:43:06. > :43:09.# You know we look hot

:43:09. > :43:12.# From we tick to time We dip drop

:43:12. > :43:14.# Caught up in the night and we ain't ready to go home yet

:43:14. > :43:18.# Say so For me to go

:43:18. > :43:19.# Out the door Middle of the floor

:43:19. > :43:25.# I keep on moving with the lights on

:43:25. > :43:33.# So come on play me just one more song

:43:33. > :43:34.# I keep on moving with the lights on

:43:34. > :43:37.# So come on play me just one more song

:43:37. > :43:40.# I keep on moving with the lights on

:43:40. > :43:44.# So you can't scare me with the lights on

:43:44. > :43:48.# I keep on moving with the lights on

:43:48. > :43:52.# So come on play me just one more song

:43:52. > :43:55.# I keep on moving with the lights on

:43:55. > :43:59.# So you can't scare me with the lights on

:43:59. > :44:07.# Care Here

:44:07. > :44:17.# Where Want me out of here

:44:17. > :44:23.# Say so For me to go

:44:23. > :44:31.# Out the door Middle of the floor

:44:31. > :44:33.# I keep on moving with the lights on

:44:34. > :44:37.# So come on play me just one more song

:44:37. > :44:40.# I keep on moving with the lights on

:44:40. > :44:44.# So you can't scare me with the lights on

:44:44. > :44:48.# I keep on moving with the lights on

:44:48. > :44:52.# So come on play me just one more song

:44:52. > :44:55.# I keep on moving with the lights on

:44:55. > :44:59.# So you can't scare me with the lights on

:44:59. > :45:03.# Just one more, please Play come gimme, Mr Sound

:45:03. > :45:05.# Boy, me na done You no see me

:45:05. > :45:06.# Free in the heat In the beat

:45:06. > :45:08.# Till I sleep, Lord a'mercy how the vibes so sweet

:45:08. > :45:10.# Bad gal, stamina Can't done, lights on

:45:10. > :45:12.# Still a dip and go down Tick it and a tock

:45:12. > :45:15.# And a dip it and a drop it

:45:15. > :45:17.# And a rock it My selector don't stop it

:45:17. > :45:21.# I keep on moving with the lights on

:45:21. > :45:22.# So come on play me just one more song

:45:22. > :45:25.# I keep on moving with the lights on

:45:25. > :45:29.# So you can't scare me with the lights on

:45:29. > :45:33.# I keep on moving with the lights on

:45:33. > :45:36.# So come on play me just one more song

:45:36. > :45:40.# I keep on moving with the lights on

:45:40. > :45:50.# So you can't scare me with the lights on. #

:45:50. > :46:10.

:46:10. > :46:10.Katy

:46:10. > :46:10.Katy B

:46:11. > :46:15.Katy B there

:46:15. > :46:20.Katy B there and a surprise appearance from three-time MOBO

:46:20. > :46:24.Award winner Ms Dynamite. Who's having a good time! Are we ready to

:46:24. > :46:30.get international? Good job, it's time to present the MOBO Award

:46:30. > :46:37.award for Best International Act. Some of the biggest stars are

:46:37. > :46:41.wrestling each other for this award tonight, the thought of beion, --

:46:41. > :46:46.Beyonce, Rihanna all engaging in bodily contact is enough to turn

:46:46. > :46:56.any woman, surely that's not just me? To present the award please

:46:56. > :47:00.

:47:00. > :47:10.welcome a MOBO winner in his own right, Mr Hudson and a buzzing

:47:10. > :47:21.

:47:21. > :47:27.Good evening the MOBOs! It's beautiful to be back in Glasgow.

:47:28. > :47:31.Great memories for me from the MOBOs 2009, I loved the show. I got

:47:31. > :47:35.to perform for all of you and I am not going to mention the afterparty,

:47:35. > :47:42.it got a bit messy. You guys coming to the afterparty tonight? All you

:47:42. > :47:48.lot at the back? Wicked. Wicked. it's great to see some of the

:47:48. > :47:51.world's biggest superstars all on the same bill, man. The Best

:47:52. > :48:01.International Act, collectively these guys have had more hit

:48:02. > :48:02.

:48:02. > :48:52.Apology for the loss of subtitles for 50 seconds

:48:52. > :49:02.records than I have had hot meals. Ouch! And the winner of Best

:49:02. > :49:04.

:49:04. > :49:09.International Artist is Rihanna! Now, unfortunately, MOBOs, Ri-Ri is

:49:09. > :49:15.performing in London tonight at the 02. She can't be here, she sends

:49:15. > :49:21.her apologies, no need to BOO and certainly don't shoot the messenger.

:49:21. > :49:28.She's a pal of mine, I promise her if she won I would get this to her

:49:28. > :49:36.safe. So, you can trust me on that. Congratulations Ri-Ri. Nice one

:49:36. > :49:41.MOBOs, lots of love. Joining us now we have one of the

:49:41. > :49:45.biggest rappers, how are you feeling? Good. That is a suave suit,

:49:45. > :49:49.I must say. You can't tell me there ain't a lot of beautiful ladies

:49:49. > :49:52.here tonight? There is a lot of pretty women. I am going to watch

:49:52. > :49:59.what I say because my girlfriend is with me tonight, so she is

:49:59. > :50:09.obviously the most beautiful woman - women - woman, yeah, I am going

:50:09. > :50:11.

:50:11. > :50:21.to stop digging right now. What a big hole. Show me your best

:50:21. > :50:22.

:50:22. > :50:25.Scottish abg scent -- accent. Man ken... Exactly this time last year

:50:25. > :50:30.we performed at the MOBOs, that was wicked. How are you going to stop

:50:30. > :50:34.that? I got the pleasure of performing with the lovely Emeli

:50:34. > :50:39.Sande and we got a little medley we are going to do. Fingers crossed it

:50:39. > :50:44.will go well. What, can't I make a song with you? I can write a big

:50:44. > :50:51.song, you know. Definitely. We already start making a song. Let's

:50:51. > :50:57.finish the song. The lovely Professor Green. I think he's got

:50:57. > :51:04.to go soon. Yeah, I better get ready so I can do my performance

:51:04. > :51:09.otherwise I am going to miss it. Smash it. Coming up: Dionne

:51:09. > :51:14.Bromfield performs a touching tribute to a true star. Tinchy and

:51:14. > :51:22.Dappy bring some of that back stage magic to the stage. Professor Green

:51:22. > :51:25.makes the headlines. Boyz II Men show us how it's done.

:51:25. > :51:29.We are not even going to let you catch your breath. We have another

:51:29. > :51:34.award and this one is absolutely what MOBO is all about. New talent.

:51:34. > :51:37.For the first time ever this year the Best Newcomer award has been

:51:37. > :51:42.voted for exclusively on Facebook and voting has gone up to the wire.

:51:42. > :51:48.No one knows the importance of new UK talent like our next guest. To

:51:48. > :51:58.present the award for Best Newcomer in association with Lebara Mobile,

:51:58. > :52:12.

:52:12. > :52:16.it's last year's winner, Mr Tinie What's going on Glasgow!

:52:16. > :52:19.Very amazing to be here. This award is particularly special to me, I

:52:19. > :52:24.was here last year feeling the same nerves as I know everyone of the

:52:24. > :52:28.nominees will be feeling right now. I feel your pain guys, don't worry.

:52:28. > :52:32.I did all right, luckily it was all right for me. Best Newcomers is

:52:32. > :52:35.special because it's the first time many artists get the chance to see

:52:36. > :52:39.their hard work recognised. It wasn't that long ago many of us

:52:39. > :52:44.were creating mix tapes in our bedrooms dreaming of sitting the

:52:44. > :52:48.big time and watching the MOBOs thinking one day. If you stick at

:52:48. > :52:58.it big things can happen. It gives me great pleasure to introduce the

:52:58. > :52:58.

:52:58. > :54:35.Apology for the loss of subtitles for 50 seconds

:54:35. > :54:45.nominees for this year's Best All right, the Best Newcomer goes

:54:45. > :54:59.

:54:59. > :55:05.to Jessie J! OK. Can I just firstly say how

:55:05. > :55:09.amazing this category is, so every single artist in there deserves

:55:09. > :55:13.this. So, I am - I am not very good at speeches but I will say thank

:55:13. > :55:17.you to my record label, thank you to my management, thank you to

:55:17. > :55:26.everyone that has a part of making my dreams, my reality and again

:55:26. > :55:34.thank you to my heartbeats, you rock so hard. You guys. This one's

:55:34. > :55:38.for you. Thank you, Tinie. Thank you guys.

:55:38. > :55:42.Now imagine some of you have been wondering where Jason has

:55:42. > :55:47.disappeared to, it's not because we didn't have the budget to match his

:55:47. > :55:51.demands, although ten swans, oiled dancing girls and a chocolate

:55:51. > :55:54.fountain aren't entirely necessary. It's better than that, after all he

:55:54. > :56:00.is an international star and I have a hunch you want to see him doing

:56:00. > :56:10.what he does best. Say no more, because here he is. Give it up for

:56:10. > :56:14.

:56:14. > :56:23.# I've been looking under rocks # I've been like

:56:23. > :56:26.# They can hit the exit # Cos I finally found the girl

:56:26. > :56:27.# Much more than a GRAMMY award That's how much you mean to me

:56:27. > :56:33.# You could be my it girl

:56:33. > :56:34.# Lovin' you could be a crime

:56:34. > :56:37.# Crazy how we fit, girl

:56:37. > :56:39.# This is it, girl

:56:39. > :56:40.# Give me 25 to life

:56:40. > :56:42.# I just wanna rock all night long

:56:42. > :56:43.# And put you in the middle of my spotlight

:56:43. > :56:46.# You could be my it girl

:56:46. > :56:48.# You're my biggest hit, girl

:56:48. > :56:50.# Let me play it loud

:56:50. > :56:51.# Let me play it loud like, oh, oh-oh, oh

:56:51. > :56:55.# Let me play it loud

:56:55. > :56:59.# Let me play it loud like, oh, oh-oh, oh

:56:59. > :57:01.# Let me play it loud

:57:01. > :57:03.# Can't seem to stop you runnin', runnin

:57:03. > :57:06.# Through my, through my Mind, mind

:57:06. > :57:09.# Just keep it coming, coming

:57:09. > :57:11.# Till I make you mine, mine

:57:11. > :57:14.# You've got that something, something

:57:14. > :57:16.# I wanna be with, girl

:57:16. > :57:18.# You're my greatest hit, girl

:57:18. > :57:21.# Just say this is it, girl

:57:21. > :57:30.# Hey, baby

:57:30. > :57:33.# You can be my it girl

:57:33. > :57:36.# Lovin' you could be a crime

:57:36. > :57:37.# Crazy how we fit, girl

:57:37. > :57:38.# This is it, girl

:57:38. > :57:39.# Give me 25 to life

:57:39. > :57:40.# I just wanna rock all night long

:57:40. > :57:42.# And put you in the middle of my spotlight

:57:42. > :57:43.# You could be my it girl

:57:43. > :57:44.# You're my biggest hit, girl

:57:44. > :57:45.# Let me play it loud

:57:45. > :57:47.# Let me play it loud like, oh, oh-oh, oh

:57:47. > :57:49.# Let me play it loud

:57:49. > :57:53.# Let me play it loud like, oh, oh-oh, oh

:57:54. > :58:01.# Let me play it loud

:58:01. > :58:02.# Check that out, What they playin'?

:58:02. > :58:04.# That's my song That's my song

:58:04. > :58:05.# Where my drinks?

:58:05. > :58:06.# I've been waiting much too long Much too long

:58:06. > :58:08.# And this girl in my lap Passing out, she's a blonde

:58:08. > :58:11.# The last thing on my mind is going home

:58:11. > :58:14.# From the window to the wallThis club is jumpin' till tomorrow

:58:14. > :58:21.# Is it daylight? Or is it night-time?

:58:21. > :58:27.# One o'clock, two o'clock Three o'clock, four

:58:27. > :58:35.# We're gonna tear the club up Up, up, up, up, up, up, up, up

:58:35. > :58:38.# Dayo, me say dayo

:58:38. > :58:41.# Daylight come and we don't wanna go home

:58:41. > :58:44.# Yeah so We losing control

:58:44. > :58:48.# Turn the lights low Cos we about to get blown!

:58:48. > :58:53.# Let the club shut down We won't go, oh, oh, oh

:58:53. > :58:57.# Burn it down to the floor Oh, oh, oh

:58:57. > :59:01.# Dayo, me say dayo

:59:01. > :59:05.# Daylight come and we don't wanna go home

:59:05. > :59:15.# Take another shot Another shot, shot, shot, shot

:59:15. > :59:40.

:59:40. > :59:42.# Take another shot Another shot, shot, shot, shot

:59:42. > :59:44.# I can make it hot Make it hot

:59:44. > :59:48.# We gonna rock until the

:59:48. > :59:50.# Dayo, me say dayo

:59:50. > :59:52.# Daylight come and we don't wanna go home

:59:52. > :59:56.# Yeah so We losing control

:59:56. > :00:00.# Turn the lights low Cos we about to get blown!

:00:01. > :00:04.# Let the club shut down We won't go, oh, oh, oh

:00:04. > :00:09.# Burn it down to the floor Oh, oh, oh

:00:09. > :00:12.# Dayo, me say dayo

:00:12. > :00:22.# Daylight come and we don't wanna go home. #

:00:22. > :00:30.

:00:30. > :00:30.It's

:00:30. > :00:31.It's great

:00:31. > :00:35.It's great out

:00:35. > :00:38.It's great out here in the audience surrounded by the cream of musical

:00:38. > :00:45.talent. I think we have surpassed ourselves tonight but it's not over

:00:45. > :00:55.yet. It's time... No, Alesha. we are in the middle of a link.

:00:55. > :00:55.

:00:55. > :01:03.Baby. Who are you? Who is caramel. You put sugar in a pot. I say

:01:03. > :01:08.caramel. Listen, don't get me mad. Guys, seriously. Put sugar in a hot,

:01:08. > :01:18.heat it up and you get caramel. Let's go. Going to do it. OK, let's

:01:18. > :01:28.

:01:28. > :01:38.go. #. # Alesha, you are on my mind # I want to touch you

:01:38. > :01:44.

:01:44. > :01:49.# I am having trouble drying my my shoes... # Still want to touch you.

:01:49. > :01:59.# The reason behind our chocolate dreams

:01:59. > :02:00.

:02:00. > :02:03.# Cherry on top of the cake. Milkshake, let's get together. #

:02:03. > :02:13.The reason behind our chocolate dreams

:02:13. > :02:15.

:02:15. > :02:20.# Cherry on top. OK, lovely. Yes, all right. It's OK. Thanks guys.

:02:20. > :02:23.All right. All right. OK. It's OK. I am not sure there are any words

:02:24. > :02:29.to describe what just happened there but I am pretty sure it would

:02:29. > :02:34.be considered illegal in many parts of the world. Before anyone else

:02:34. > :02:39.gets seduced by these two let's get to another award. You can guarantee

:02:39. > :02:46.one duo who aren't in the running! It's time to honour the Best R&B

:02:46. > :02:53.Soul Act. To present it's the newly crowned winner of Britain's Next

:02:53. > :03:03.Top Model and fresh out of the Big Brother house, give it up for

:03:03. > :03:12.

:03:12. > :03:16.Greetings Glasgow. That was some slow-jam there, even I was blushing.

:03:16. > :03:22.It's an honour to be here. Everyone has an R&B track or soul track that

:03:22. > :03:32.will stay with them forever and it's great to be here. Let's see

:03:32. > :03:32.

:03:32. > :04:20.Apology for the loss of subtitles for 50 seconds

:04:20. > :04:30.the nominations for the Best R&B Unbelievable! Right, and the winner

:04:30. > :04:33.is... Adele!

:04:33. > :04:38.Unfortunately, Adele couldn't be here to collect the award. But this

:04:38. > :04:42.is a message she sent to you guys. Hello everyone. Thank you very much

:04:42. > :04:46.for this MOBO Award it means a lot to me, I am so sorry I can't be

:04:46. > :04:50.there with you tonight, I am on the way to America to start the other

:04:50. > :05:00.leg of my tour. Congratulations to all the other nominees and winners.

:05:00. > :05:04.Have a good one. See you later. Time for a special MOBO moment.

:05:04. > :05:09.Winehouse loved music and she loved the MOBO Awards. Her love of hip

:05:09. > :05:13.hop is as well known as her love of jazz. She was a huge fan of Erykah

:05:13. > :05:23.Badu, The Roots, Lauryn Hill and Drake and she was always a fixture

:05:23. > :05:24.

:05:24. > :05:30.at gigs by the likes of damian Marley, and Nas and Mos Def.

:05:31. > :05:39.sold over 17 million albums and broke America. She was awarded five

:05:39. > :05:43.Grammys and a Brit Award and MOBO for Best UK female and two Ivor

:05:43. > :05:47.Novello awards for two of the most celebrated and seminal albums.

:05:47. > :05:51.much missed icon, musician, daughter and friend. In our tribute

:05:51. > :06:01.to this new musical pioneer we introduce an accomplished performer

:06:01. > :06:01.

:06:01. > :08:45.Apology for the loss of subtitles for 50 seconds

:08:45. > :08:51.in her own right, Amy's god- A fabulous and fitting tribute

:08:51. > :08:56.there, thank you Dionne. Our next category is one Miss Winehouse

:08:56. > :09:06.could have won over and over again, it's Best Song. Previous winners

:09:06. > :09:09.

:09:09. > :09:16.have included Destiny's Child, 50 cent, JLS and Another Lovely. Who

:09:16. > :09:26.are Another Level. I will tell you later. To present the award please

:09:26. > :09:38.

:09:38. > :09:44.welcome Corrie's hottest girls Right. Hello everybody. Hope you

:09:44. > :09:50.are all having a really good time. We are really pleased to be here on

:09:50. > :09:53.an amazing night and give out an important award. Best Song is one

:09:53. > :10:02.of the best awards, not just because we are presenting it,

:10:02. > :10:09.although that does count. Have you ever played a game called snog,

:10:09. > :10:15.marry or avoid? If you could choose a MOBO or a million quid. A MOBO.

:10:15. > :10:23.Really? MOBO for Best Song or an Olympic gold? MOBO for Best Song.

:10:23. > :10:29.All right, MOBO for Best Song or a date with Aston out of JLS? Right,

:10:29. > :10:37.OK! Still a MOBO for Best Song, although that was hard. Right,

:10:37. > :10:41.MOBO... We have got the idea! Every nominee has had one hell of a year,

:10:41. > :10:51.record-breaking sales and even in a fair few cases some marriage

:10:51. > :10:51.

:10:51. > :11:38.Apology for the loss of subtitles for 50 seconds

:11:38. > :11:48.proposals. I will let you decide. Thank you.

:11:48. > :12:21.

:12:21. > :12:25.I was chatting away, I didn't - I was like oh! Um, there's so many

:12:25. > :12:30.people I want to thank but there's two people that mean more than

:12:30. > :12:34.anything to me and they are my mum and dad and they're sitting over

:12:34. > :12:39.there and without them I wouldn't be the person that I am or write

:12:39. > :12:49.the songs that I write. So, thank you for letting me be comfortable

:12:49. > :12:55.

:12:55. > :13:05.in who I am and - yeah, if they play do it like a Dude later, get

:13:05. > :13:08.

:13:08. > :13:17.Still to come: We are out of this world with Tinchy and Dappy.

:13:17. > :13:27.Alexis Jordan is in a bubble of joy. Professor Green teaches us a lesson.

:13:27. > :13:28.

:13:28. > :13:35.And Boyz II Men show us why they're I can't wait to see Boyz II Men I

:13:35. > :13:40.feel like a teenager all over again. Now I don't do slumber parties or

:13:40. > :13:43.teenager tantrums. The same can't be said for you. I am a sucker for

:13:43. > :13:48.slumber parties. Anyone want to come back to the hotel and watch

:13:48. > :13:58.Grease 2 with me later? Wow, I do like that film. It's time for Best

:13:58. > :14:09.

:14:09. > :14:19.Gospel Act and to present the award please welcome the mix master

:14:19. > :14:23.Labrinth and Keisha. Make some noise, Glasgow! Gospel

:14:23. > :14:28.music tkpwraout out of the black Churches in the southern states of

:14:28. > :14:37.the USA. It was heart of the classic soul styles of the 60s and

:14:37. > :14:43.70s. Everyone from James Brown and Aretha Franklin to OnLegend and

:14:43. > :14:48.Jamie Foxx have cut their teeth performing at the pull pit on --

:14:48. > :14:52.pulpit on Sundays. Gospel remains engrained in much of today's R&B

:14:52. > :14:56.soul music. They're all influenced by genres like this showing how

:14:56. > :15:04.wide the boundaries of gospels have become.

:15:04. > :15:10.So, if you were thinking this ceremony needed a hallelujah,

:15:10. > :15:15.surely now ised time. Forget Sister Act, these guys are the real deal.

:15:15. > :15:25.Let's take a look and see the nominees for this year's MOBO Award

:15:25. > :15:25.

:15:25. > :16:17.Apology for the loss of subtitles for 50 seconds

:16:17. > :16:27.Thank you. Got some skills there, bruv. The winner for Best Gospel

:16:27. > :16:49.

:16:49. > :16:52.Oh, wow! Keep it short and sweet. I want to thank the Lord Jesus Christ

:16:53. > :16:57.for giving me this opportunity to make music on his behalf. I want to

:16:57. > :17:02.thank my family and my friends, everyone who supported. I want to

:17:02. > :17:12.shout out to the other nominees, well done. We won this guys, and to

:17:12. > :17:14.

:17:14. > :17:18.UK gospel, rise up, things are We have seen this guy running

:17:18. > :17:26.around back stage all night but now it's time to allow him centre stage.

:17:26. > :17:33.I think he's earned it. Definitely. Performing at the MOBO Awards for

:17:33. > :17:43.the teurd time -- third time. He must be doing something right. Make

:17:43. > :17:43.

:17:43. > :18:27.Apology for the loss of subtitles for 50 seconds

:18:27. > :18:30.some noise for Tinchy Stryder # Yo, I got one or two on my list

:18:30. > :18:33.# Who would have thought I'd have got this far

:18:33. > :18:35.# Like how on earth did his name brand get that large?

:18:35. > :18:38.# Cos I'm a star Have you seen my car?

:18:38. > :18:39.# Holly Willoughby you can come and run my bath

:18:39. > :18:41.# I want it all no minimal Tinchy the general

:18:41. > :18:42.# Me and my brother D-A-P That's clinical

:18:42. > :18:45.# I was raised a survivor

:18:45. > :18:47.# Now I'm getting Branson money Forget a fiver

:18:47. > :18:49.# Ridin' my time so I'm livingthe 30 years that I was given, lifer

:18:49. > :18:51.# You've always been my undercover lover, nothing like no other

:18:51. > :18:53.# Told me to get 'em all 'Em all no rubber

:18:54. > :18:55.# I double up my copper From pounds to the dollar

:18:55. > :18:58.# Negative to positive No longer will I suffer

:18:58. > :19:03.# Mama thought I wouldn't make it

:19:03. > :19:05.# But now she's living in a spaceship

:19:05. > :19:08.# She said, "Son I'm getting older"

:19:08. > :19:10.# Told her money buys everything "Would you like a face lift?"

:19:10. > :19:13.# See, I didn't know I would be able to afford all these clothes

:19:13. > :19:15.# Look at where we are

:19:15. > :19:19.# Now, that's what happens when you make it

:19:19. > :19:24.# Oh-o-oh oh-o-o-oh Oh-o-oh oh-o-o-oh

:19:24. > :19:34.# Oh-o-oh oh-o-o-oh Na-na-na-na-na. #

:19:34. > :19:43.

:19:43. > :19:45.# I'm Vegas, I'm calling

:19:45. > :19:46.# See a hundred and I'm all in

:19:46. > :19:48.# No cameras, no reporting

:19:48. > :19:49.# 18 plus, warning

:19:49. > :19:51.# She's an actress Till the morning

:19:51. > :19:52.# Her Katy Perry's awesome

:19:52. > :19:54.# She kissed a girl I saw them

:19:54. > :19:56.# Tinch plus them, plus you Foursome

:19:56. > :19:59.# Don't care if I got a girl or not

:19:59. > :20:01.# Asking me can I tie that knot

:20:01. > :20:03.# She ain't talking no wedding ring

:20:03. > :20:05.# S&M on the pole she swings

:20:05. > :20:06.# Up and down She's a crazy ride

:20:06. > :20:07.# Jada's face, Nicki's thighs

:20:07. > :20:09.# Lock it down Watch the ride

:20:09. > :20:11.# Seat belts on Hold on tight

:20:11. > :20:13.# My life is like a roller coaster

:20:13. > :20:16.# Coming off the track

:20:16. > :20:19.# Spinning round and round

:20:19. > :20:22.# Yeah, take a little look Get closer

:20:22. > :20:24.# But keep it off the record

:20:24. > :20:27.# Don't expose me now

:20:27. > :20:37.# I'm Vegas, I'm calling

:20:37. > :20:44.

:20:44. > :20:45.# I'm Vegas, I'm calling

:20:45. > :20:46.# See a hundred and I'm all in

:20:46. > :20:48.# No cameras, no reporting

:20:48. > :20:50.# 18 plus, warning

:20:50. > :20:52.# It's your time Yeah, casino

:20:52. > :20:53.# High rollers, Al Pacino

:20:53. > :20:55.# Through the back door On the D-low

:20:55. > :20:57.# Do Showgirls By the kilo

:20:57. > :20:59.# Stand my dollars In your money slot

:21:00. > :21:01.# Pull that handle You hit the jackpot

:21:01. > :21:03.# Calvin gets the girls He's got all the girls

:21:03. > :21:04.# On lock, time is now Never mind that clock

:21:04. > :21:07.# Two JDs and a tequila shot

:21:07. > :21:11.# All on me Cos there's more in store

:21:11. > :21:14.# Deja vu It never stops

:21:14. > :21:16.# My life is like a roller coaster

:21:16. > :21:19.# Coming off the track

:21:19. > :21:21.# Spinning round and round

:21:21. > :21:23.# Yeah, take a little look Get closer

:21:23. > :21:26.# But keep it off the record

:21:26. > :21:35.# Don't expose me now. #

:21:35. > :21:45.# Don't expose me now. #

:21:45. > :21:57.

:21:57. > :21:57.Those

:21:57. > :21:58.Those two

:21:58. > :22:01.Those two are

:22:01. > :22:04.Those two are on fire tonight. I have been thinking if MOBO Awards

:22:04. > :22:13.are a family you could say the newcomer award is the baby, right.

:22:13. > :22:17.If so, this next award is the Grandaddy because this genre's

:22:17. > :22:24.influence can be felt throughout the entire brood. I am going to

:22:24. > :22:30.leave it to Mr Derulo to tell us about the nominees for Best Reggae.

:22:30. > :22:35.This is an important award, most of us grew up listening to the smooth

:22:35. > :22:38.sounds of Reggae and ska. It's why exciting the Reggae artists are

:22:38. > :22:43.finding themselves more recognised by the mainstream music industry

:22:43. > :22:53.today. Over the years Reggae has been embraced by counselless

:22:53. > :22:53.

:22:53. > :23:03.musical -- countless musical genres. You can see that with

:23:03. > :23:06.

:23:06. > :23:11.collaborations like Chipmunk and Sean Kingston, and Justin Bieber.

:23:11. > :23:14.Bob Marley believed the word Reggae came from the Spanish term the

:23:14. > :23:24.King's music. Nothing about the nominees tells me any different.

:23:24. > :23:55.

:23:55. > :24:05.Oh, yeah! I don't think I can do that one.

:24:05. > :24:05.

:24:05. > :24:08.So, the winner is... Alborosie.

:24:09. > :24:18.Unfortunately, he couldn't be here, but I will collect it on his behalf.

:24:19. > :24:20.

:24:20. > :24:24.Please give it up for him one more Now tonight's show is pretty much

:24:24. > :24:28.ticking all of my boxes. Great performances, amazing guest

:24:28. > :24:34.presenters, I don't want to jump the gun but I say we are rocking it,

:24:34. > :24:38.wheeling it, dealing it. Glasgow in the house, make me feeling like a

:24:39. > :24:42.mouse. You have heard of AliG, right? You are American, get with

:24:42. > :24:46.it. If the line-up has shown anything it's here in the UK you

:24:46. > :24:56.are raising the bar, proving worldwide we are an urban force to

:24:56. > :24:58.

:24:58. > :25:08.be reckoned with. The next performers, I am sure they feel the

:25:08. > :25:10.

:25:10. > :25:20.same. She is an all-American beauty. Rebecca Black. No, it's Alexis

:25:20. > :25:25.

:25:25. > :25:35.Jordan reminding us why we all love # Boy, this traffic

:25:35. > :25:36.

:25:36. > :25:46.# Boy, I can't wait # Just step on the gas

:25:46. > :25:53.

:25:53. > :25:58.# This opportunity will only # Just step on the gas

:25:58. > :26:01.# I gotta be out of my mind not to try this

:26:01. > :26:03.# Through strength I found love

:26:03. > :26:07.# In time I found myself in happiness with you

:26:07. > :26:15.# Through strength I found love

:26:15. > :26:18.# Through strength I found love

:26:18. > :26:24.# In time I found myself in happiness with you

:26:24. > :26:33.# Mmm mmm mmm mmm

:26:33. > :26:35.# Mmm mmm mmm mmm

:26:35. > :26:45.# Mmm mmm mmm mmm

:26:45. > :26:51.

:26:51. > :27:01.# Boy, I need to say # I came back to tell you

:27:01. > :27:05.

:27:05. > :27:10.# Just step on the gas # This opportunity will only come

:27:10. > :27:16.# Sorry, sorry, sorry I'm coming down to fix this

:27:17. > :27:20.# You should know how I feel I know I got you twisted

:27:20. > :27:24.# See, what your bringing me, boy Is priceless

:27:24. > :27:28.# I gotta be out of my mind not to try this

:27:28. > :27:33.# Through strength I found love

:27:33. > :27:36.# In time I found myself in happiness with you

:27:36. > :27:44.# Through strength I found love

:27:44. > :27:49.# In time I found myself in happiness

:27:49. > :27:53.# With you

:27:53. > :27:58.# The things that you can give to me

:27:58. > :28:00.# I can feel it when you're holding me close

:28:00. > :28:04.# You're like one of the world wonders

:28:04. > :28:08.# I know I'm going under

:28:08. > :28:12.# Come see that I'm ready for this

:28:12. > :28:15.# And you're so good for me

:28:15. > :28:19.# You're my true joy

:28:19. > :28:23.# You make me wanna say

:28:23. > :28:25.# Mmm mmm mmm mmm

:28:25. > :28:28.# Mmm mmm mmm mmm

:28:28. > :28:38.# Mmm mmm mmm mmm

:28:38. > :28:52.

:28:52. > :29:02.# In time I found myself # In time I found myself

:29:02. > :29:26.

:29:26. > :29:30.Now it's time for one of the most important awards of the aoepg --

:29:30. > :29:34.evening. BeMOBO. It was set up to recognise an individual or

:29:34. > :29:36.organisation that works hard to make changes via grass roots,

:29:36. > :29:39.educational or community initiatives. To explain why this

:29:40. > :29:44.award is so important and to announce this year's recipients,

:29:44. > :29:54.please welcome to the stage the woman behind MOBO, Miss Kanya King

:29:54. > :30:02.

:30:02. > :30:07.and musician, model, TV presenter, Wow, Glasgow. We are so glad to be

:30:07. > :30:10.back. Thank you for welcoming us. This is

:30:11. > :30:16.the award that demonstrates the impact music can have in making a

:30:16. > :30:20.real change in people's lives. To tell us about this year's recipient

:30:20. > :30:25.a woman who holds the cause close to her heart, Myleene Klass. Thank

:30:25. > :30:32.you. Youth music is a leading UK charity enabling children and young

:30:32. > :30:35.people to make the most of their lives through the power of music.

:30:35. > :30:39.The charity supports and funds music projects and provides

:30:39. > :30:43.opportunities for young people right across the country,

:30:43. > :30:50.particularly those that wouldn't otherwise get the chance. So far,

:30:50. > :30:56.they have funded the delivery of over 300,000 music-making workshops

:30:56. > :31:03.and have a proven track record in reducing anti-social behaviour.

:31:03. > :31:13.That's why this year we have decided to reward Youth Music with

:31:13. > :31:31.

:31:31. > :31:34.the BeMOBO Award. Let's take a look They exist in order to provide

:31:34. > :31:40.opportunities and create a release for young people in the UK

:31:40. > :31:46.regardless of their background. Crucially, youth music is a

:31:46. > :31:50.responsive organisation and delivers music programmes to

:31:50. > :31:54.address arising social areas. Normally you get involved with

:31:54. > :31:57.police, get kicked out of school and that's basically your life

:31:57. > :32:05.ruined. For children and young people who have had a challenging

:32:05. > :32:10.start in life involvement in music- making can turn things around.

:32:10. > :32:18.Got to keep pushing from the start to the end. I used to go get, from

:32:18. > :32:22.the get go. I don't see no changes. When I write lyrics it's about how

:32:22. > :32:26.I feel, I don't write about everyone else. I write how I feel.

:32:26. > :32:30.You can put a lot of emotion into one tune. You can show it to a lot

:32:30. > :32:37.of people. Two people that know about Youth

:32:37. > :32:43.Music's benefits more than most are Rizzle Ricks. Youth Music they help

:32:43. > :32:51.out so many acts. Youth Music has helped us loads, we love them.

:32:51. > :32:54.are proud to present the BeMOBO award 2011 to Youth Music.

:32:54. > :33:04.Please welcome living proof that the programme works, ambassadors

:33:04. > :33:22.

:33:22. > :33:27.This is so cool. This is fab. are honoured to accept this award.

:33:27. > :33:30.Without organisations like Youth Music itself and similar ones such

:33:30. > :33:34.as Audio Active we wouldn't be able to be at this event. We wouldn't

:33:34. > :33:40.have the opportunity to perform in front of hundreds of people. Youth

:33:40. > :33:48.Music gave us our first opportunity to perform live at a festival in

:33:48. > :33:55.2009. Best of our lives, I reckon. Definitely probably was. We

:33:55. > :33:59.performed alongside Lady Hook. It was a sick day. Basically, it's

:33:59. > :34:03.very hard to get yourself out there and Youth Music is one of the many

:34:03. > :34:13.ways of doing it and I think they're one of the most most

:34:13. > :34:18.

:34:18. > :34:23.Right now I have been hanging around all day trying to find these

:34:23. > :34:28.two guys, Rizzle Kicks. I can't even find Dappy. Maybe they heard

:34:28. > :34:34.about the Jessie J incident with her foot. Hope she don't press no

:34:34. > :34:43.charges. Like I am saying, where are these - there they are. What's

:34:43. > :34:48.happening? What's popping? Are you all right? You just picked up the

:34:48. > :34:53.award on behalf of Youth music, how are you feeling? Youth Music, it's

:34:53. > :35:00.really important to us. We worked with them for a few years, just to

:35:00. > :35:04.accept an award on their behalf was massic for us. Youth Music,

:35:05. > :35:09.honestly - yeah, you can hold it. They were a big help. You need a

:35:09. > :35:15.stepping stone. Of course, you have been up to big things as well.

:35:15. > :35:21.Rizzle Kicks, we know the name. have our album out at the end of

:35:21. > :35:28.October. Am I plugging this on the MOBO Awards? Is that all right?

:35:29. > :35:37.what you feel like. And our single 21st. Stop plugging. You know what,

:35:37. > :35:42.thank you guys. Now back to Alesha and Jason.

:35:42. > :35:46.Ah bless Tinchy. He is doing a wicked job. Our next performers, he

:35:46. > :35:49.is a MOBO Award winner whose performance last year blew the top

:35:49. > :35:54.off the Liverpool arena and she is a Scottish star in the making who

:35:54. > :35:58.has been labelled as Simon Cowell's famous songwriter of the moment.

:35:58. > :36:08.With a fantastic collaboration this evening, this is Professor Green

:36:08. > :36:11.

:36:11. > :36:15.# I'm here at your # I'm back

:36:15. > :36:20.# I'm here at your In-convenience

:36:20. > :36:26.# Whose idea was it to get in the charts

:36:26. > :36:28.# By rhyming over Hungarian dance music?

:36:28. > :36:32.# And why would I make dance music

:36:32. > :36:36.# When I can't dance too it?

:36:36. > :36:40.# Bringing back this rap

:36:40. > :36:42.# I'll be saving the day A renegade with a dog

:36:42. > :36:45.# Playing fetch Watching him chase a grenade

:36:45. > :36:48.# Maybe I should play the same game with Bruno

:36:48. > :36:50.# If I ever again get mistaken for a Cluedo

:36:50. > :36:56.# Character, I'm gonna have to unleash some amateur judo

:36:56. > :36:59.# For every one that you got Too hot, I do squat diddly

:36:59. > :37:01.# And do more than you do when you do lots

:37:01. > :37:05.# New notch, see women do for me what they do not do for you

:37:05. > :37:08.# Maybe it's got something to do with my new watch, you what?

:37:08. > :37:18.# Will you recognize me in the flashing lights?

:37:18. > :37:20.

:37:20. > :37:28.# Will you recognize me in the flashing lights?

:37:28. > :37:32.# I try to keep my heart clean But I can't get it right

:37:32. > :37:37.# Will you recognize me when I'm lying on my back?

:37:37. > :37:47.# Something's gone inside me and I can't get it back

:37:47. > :37:48.

:37:48. > :37:57.# Oh, heaven, oh, heaven I wake with good intentions

:37:57. > :38:03.# But the day it always lasts too lo-ong

:38:03. > :38:10.# Then I'm gone, then I'm gone

:38:10. > :38:14.# Then I'm gone, then I'm gone

:38:14. > :38:18.# Then I'm gone Then I'm gone, then I'm gone

:38:18. > :38:28.SINGS: # I wanna sing I wanna shout

:38:28. > :38:29.

:38:29. > :38:36.SINGS: # I wanna sing I wanna shout

:38:36. > :38:38.# I wanna scream till the words dry out

:38:38. > :38:42.# So put it in all of the papers

:38:42. > :38:46.# I'm not afraid They can read all about it

:38:46. > :38:50.# Read all about it, oh

:38:50. > :38:56.RAPS: # Nothing to hide Stifle or smother

:38:56. > :38:57.# Suffered and cried

:38:57. > :38:58.# Strife made me tougher

:38:58. > :39:00.# Never mothered or shy to trouble I rise above all expectations

:39:00. > :39:02.# Forget rep Ain't ever begged yet

:39:02. > :39:04.# When I wanted to get pence Hustled

:39:04. > :39:07.# To be here I'm exactly what my neck says

:39:07. > :39:09.# That sket saidI tried to cash in on my dad's death

:39:09. > :39:10.# I wanted to vent But I never said all

:39:10. > :39:14.# Suck balls You were never kin to me

:39:14. > :39:16.# Family is something that you've never been to me

:39:16. > :39:18.# In fact making it harder for me to see my father

:39:18. > :39:21.# Was the only thing that you ever did for me

:39:21. > :39:25.SINGS: # I wanna sing I wanna shout

:39:25. > :39:28.# I wanna scream till the words dry out

:39:28. > :39:33.# So put it in all of the papers I'm not afraid

:39:33. > :39:38.# They can read all about it Read all about it, oh

:39:38. > :39:48.RAPS: # I write songs I can't listen to

:39:48. > :39:50.

:39:50. > :39:53.RAPS: # I write songs I can't listen to

:39:53. > :39:56.# Everything I have I give to you

:39:56. > :39:58.# In everyone of these lines I sing to you

:39:58. > :40:03.# My job's more like public service

:40:03. > :40:06.# My life just became yours to read and interpret

:40:06. > :40:06.# If you heard it? It'd come across a lot different

:40:06. > :40:08.# At times, I throw fits when I read how they word things

:40:08. > :40:10.# When it ain't really isn't working

:40:10. > :40:12.SINGS: # I wanna sing I wanna shout

:40:12. > :40:16.# I wanna scream till the words dry out

:40:16. > :40:21.# So put it in all of the papers I'm not afraid

:40:21. > :40:31.# They can read all about it Read all about it, oh. #

:40:31. > :40:42.

:40:42. > :40:42.Where

:40:42. > :40:42.Where are

:40:42. > :40:45.Where are you,

:40:45. > :40:51.Where are you, I am here doing extra work. I will be there in

:40:51. > :40:53.about 15 minutes. Yo, you are not working. You are meant to be

:40:53. > :41:00.working. I am thinking about the work we have to do on stage later.

:41:00. > :41:05.This is work? Yeah. Don't be negative. Sit down. I am getting

:41:05. > :41:09.into the MOBO mentality. Isn't it our jobs to promote the MOBO

:41:09. > :41:19.mentality as much as possible when we can. I like where you are going

:41:19. > :41:21.

:41:22. > :41:29.with this. All right, yeah, I like this.

:41:29. > :41:37.I like this. Tinchy and Dappy there. Not much reporting being done,

:41:37. > :41:42.they're having a good time. I think me and you getting a massage back

:41:42. > :41:47.stage? It's time for another award. Cool, MOBO is about rewarding home

:41:47. > :41:54.grown talent and tonight we have some big contenders in the Best UK

:41:54. > :42:00.Category. Big in terms of musical stature, not big like my guns.

:42:00. > :42:05.Loves those biceps but this guy has spent more time in the gym than you.

:42:05. > :42:15.Please welcome former world champion triple jumper Phillips

:42:15. > :42:27.

:42:27. > :42:32.Idowu and the ultimate Sugababes Hello Glasgow!

:42:32. > :42:38.One of my favourite places, I am so happy to be here. How are you, my

:42:38. > :42:43.love? I am great, babe. You are looking wow, wow. You look dapper

:42:43. > :42:48.yourself. I just want to say it's a massive honour for me to be

:42:48. > :42:52.presenting this award to the Best UK Act. It's great. OK, now there

:42:52. > :42:57.are only five nominees in this category and there could have been

:42:57. > :43:07.so much more because there is amazing talent in the UK. I am glad

:43:07. > :43:08.

:43:08. > :44:01.Apology for the loss of subtitles for 50 seconds

:44:01. > :44:10.I didn't have to choose the final Thank you. So, the winner as voted

:44:10. > :44:20.for on MOBOcom and Capital FM... Wow, this is a big night for her,

:44:20. > :44:44.

:44:44. > :44:54.Thank you. He is amazing as well. I didn't want to stand up here by

:44:54. > :44:54.

:44:54. > :45:00.myself. I am so proud to be British and I am so proud to make music

:45:00. > :45:10.that I can give to the world as a gift and it's been ten months of my

:45:10. > :45:12.

:45:12. > :45:18.career and to have - how many do I have? Four! Seriously! Like, it

:45:18. > :45:22.says rap on the screen, shall I keep going to annoy them. I have no

:45:22. > :45:26.words right now, but artists like this guy has made me want it even

:45:27. > :45:30.more, I have watched him and I am ten steps behind and he is he is

:45:30. > :45:36.setting the standard. I just want to say Amy Winehouse set the

:45:37. > :45:42.example and standard for British female artists and - yeah, let's

:45:43. > :45:50.all stand up for Amy, please. This one is for her.

:45:50. > :45:54.Thank you. Congratulations Jessie. You guys

:45:54. > :45:58.know the score, we have one big award to still give away and this

:45:58. > :46:02.is really the award to end all other awards, I think. Oh, yeah,

:46:02. > :46:08.there aren't many performers who deserve the OutStanding

:46:08. > :46:11.Contribution Award, this year few could argue how deserving the

:46:11. > :46:16.recipients are. We had to bring serious talent on stage to present.

:46:16. > :46:26.Prepare yourself for some deafening screams, they are undisputedly the

:46:26. > :46:27.

:46:27. > :46:37.UK's biggest boy band. Please welcome to the stage Aston, Marvin,

:46:37. > :46:54.

:46:54. > :46:56.Glasgow make some noise! Firstly, congratulations to

:46:56. > :47:01.everyone that's picked up awards this evening. You have been

:47:01. > :47:09.fantastic. But, boys, right about now it gives us great pleasure to

:47:09. > :47:12.present this next award. Originally called Unique Attraction. Shawn,

:47:12. > :47:18.Wayna and Nathan have won four Grammy awards and sold over 60

:47:18. > :47:22.million records and this year marks their 20th anniversary and finally

:47:23. > :47:28.for ten years they've got brand new material. This group have been a

:47:28. > :47:34.major influence on some of the biggest names in the business. I am

:47:34. > :47:39.talking about Justin Bieber, Beyonce, Usher and Rihanna. And not

:47:39. > :47:43.to forget, of course, us. Yeah, that's right. They have broken

:47:43. > :47:49.numerous records, including being billboard's most successful group

:47:49. > :47:55.of the 1990s, to celebrate their 20th year in the business the group

:47:55. > :47:58.has just been rewarded a star on the Hollywood Walk of Fame,

:47:58. > :48:05.cementing them in musical history as one of the biggest groups of all

:48:05. > :48:09.time. So, with great pleasure we reward one of R&B's biggest success

:48:09. > :48:14.stories. Let's have a look at why this band are such worthy winners.

:48:14. > :48:24.This year the MOBO Award for Outstanding Contribution goes to

:48:24. > :48:27.

:48:27. > :48:32.Boyz II Men, the most successful R&B vocal group of all time. They

:48:32. > :48:37.have won four Grammy awards, nine American music awards, and have

:48:37. > :48:43.sold over 60 million albums worldwide.

:48:44. > :48:47.Plus, their duet with Mariah Carey spent more weeks at the top of the

:48:47. > :48:57.Billboard top 100 than any other song ever.

:48:57. > :49:02.

:49:02. > :49:12.This year marks their 20th So, ladies and gentlemen, big it up

:49:12. > :49:50.

:49:50. > :49:54.All right. Wow. Glasgow, how you all doing out there tonight! First

:49:54. > :50:01.of all, we want to thank all of you guys for supporting us for the last

:50:01. > :50:04.20 years of our career. Europe has been a very, very big part of Boyz

:50:04. > :50:08.II Men's history and we hope it will be a very big part of our

:50:08. > :50:13.future. We got a new record coming out on 17th October entitled 20,

:50:13. > :50:17.with the help of Universal Records here in Europe we have been able to

:50:17. > :50:24.put a record out like that. It's still a very amazing feeling to

:50:24. > :50:30.know that three guys on the other side of the pond from Philadelphia

:50:30. > :50:34.has made it over here to the UK. We thank you so very much for

:50:34. > :50:37.receiving us, loving our music and loving for who we are and hopefully

:50:38. > :50:45.there will be another 20 years. We thank you so very much Glasgow. We

:50:45. > :50:55.love you. Thank you and thank you MOBO. Thank you.

:50:55. > :51:03.Ladies and gentlemen, please be upstanding for Boyz II Men.

:51:03. > :51:13.Congratulations, fellas. Thanks to JLS. Thanks boys.

:51:13. > :51:13.

:51:13. > :51:17.Thanks guys. It's a love-vest. I want to say

:51:17. > :51:22.thank you to Tinchy and Dappy for doing a great job. Yeah. They've

:51:22. > :51:27.been amazing as well. What an evening it's been. I can't believe

:51:27. > :51:32.the MOBO Awards 2011 in association with Lebara Mobile has reached the

:51:32. > :51:35.end of the road! See what I did there? Come on. It's been a

:51:35. > :51:39.pleasure co-hosting with you. pleasure was mine, sweetheart. Of

:51:40. > :51:43.all the MOBO presenters I have ever hosted with, Alesha, you got to be

:51:43. > :51:49.the best. Thank you. It's been a mad night but I wouldn't have it

:51:49. > :51:53.any other way. Do you think it's the last we will see of Jalesha?

:51:53. > :52:03.Absolutely not. Thank you to everyone who performed tonight, the

:52:03. > :52:05.

:52:05. > :52:15.crowd in Glasgow. And over to Boyz # Close your eyes

:52:15. > :52:16.

:52:16. > :52:22.# For tonight # We're gonna celebrate

:52:22. > :52:27.# Pour the wine, Light the fire

:52:27. > :52:32.# Girl, your wish is my command

:52:32. > :52:39.# I submit to your demands I'll do anything, girl

:52:39. > :52:45.# You need only ask

:52:45. > :52:48.# I'll make love to you Like you want me to

:52:48. > :52:52.# And I'll hold you tight

:52:52. > :52:56.# Baby, all through the night

:52:56. > :52:59.# I'll make love to you When you want me to

:52:59. > :53:04.# And I will not let go Till you tell me to

:53:04. > :53:07.# Baby, tonight is your night

:53:07. > :53:15.# And I will do you right Just make a wish on your night

:53:15. > :53:22.# Anything that you ask

:53:23. > :53:26.# I will give you the love of your life

:53:26. > :53:36.# We belong together And you know that I'm right

:53:36. > :53:37.

:53:37. > :53:47.# Why do you play with my head? Why do you play with my mind?

:53:47. > :53:47.

:53:47. > :53:54.# Said we'd be forever Said it'd never die

:53:54. > :54:04.# How could you love me and leave me- and never say good-bye?

:54:04. > :54:11.# Girl, I can't sleep at night without holding you tight

:54:11. > :54:16.# Girl, each time I try I just break down and cry

:54:16. > :54:20.# Pain in my head Oh, I'd rather be dead

:54:20. > :54:25.# Spinnin' around and around

:54:25. > :54:30.# Although we've come to the end of the road

:54:30. > :54:35.# Still I can't let you go It's unnatural

:54:35. > :54:41.# You belong to me I belong to you

:54:41. > :54:51.# When it all began We were perfect then

:54:51. > :54:54.

:54:54. > :54:56.# Somehow we have lost our way

:54:56. > :55:02.# We keep going there and I know you're scared

:55:02. > :55:07.# We will make it back one day

:55:07. > :55:13.# Well, no more, no more No more fighting now

:55:13. > :55:19.# Cos together there's nothing that we can't do

:55:19. > :55:25.# Throw one up for love So one up for love

:55:25. > :55:30.# Put one up, put one up Don't give up, just stand up

:55:30. > :55:35.# One up for love, one up for love

:55:35. > :55:38.# One up for loveDon't you want to stand up for love?

:55:38. > :55:43.# Everybody all around the world One up for love, one up for love

:55:43. > :55:53.# So many are angry Too many are broken

:55:53. > :55:53.

:55:53. > :56:00.# And the smoke keeps rising up

:56:00. > :56:02.# Bring it back, bring it back

:56:02. > :56:05.# No more We can change the world

:56:05. > :56:08.# We can change the world this time

:56:08. > :56:12.# One love for love, oh, oh, oh

:56:12. > :56:20.# One love for love One up for love, oh, oh, oh

:56:20. > :56:26.# One love for love, oh, oh, oh

:56:26. > :56:36.# One love for love One up for love, oh, oh, oh

:56:36. > :56:44.