:00:06. > :00:16.This programme This programme contains scenes of
:00:16. > :00:43.
:00:44. > :00:53.Ladies and gentleman, welcome to the MOBO Awards 2012 live from the
:00:54. > :00:54.
:00:54. > :01:36.Apology for the loss of subtitles for 42 seconds
:01:36. > :01:40.# Yeah, we can make an earthquake up in here.
:01:40. > :01:43.# We know you're only in it because it's hot right now, turn it up
:01:43. > :01:46.right now # Put your hands in the air, if you
:01:46. > :01:56.want it right now # Hot right now
:01:56. > :01:56.
:01:56. > :02:44.Apology for the loss of subtitles for 42 seconds
:02:44. > :02:48.# Put your hands up # I'm definitely in my zone #
:02:48. > :02:53.It's time to introduce your hosts from the evening. Liverpool, let's
:02:53. > :02:59.hear you rip the roof off for Miquita Oliver and Adam Deacon.
:02:59. > :03:09.Hello Liverpool! Wow, quite a lot of you. Quite a lot of people. Hi,
:03:09. > :03:11.everyone. We have to say a big thank you to project G. Thank you.
:03:11. > :03:16.Make some noise for project G in the house.
:03:16. > :03:24.APPLAUSE Yeah, yeah. This is actually quite
:03:24. > :03:28.intense. Is everyone pumped for the MOBOs? We're ready? Yeah. Are you
:03:28. > :03:32.ready? I think I'm ready. I think I'm ready. Welcome to the MOBO
:03:32. > :03:37.Awards 2012. CHEERING
:03:37. > :03:41.That's right. You know what, it's about to get real up in here, man.
:03:41. > :03:45.This is actually quite exciting. Very exciting. I grew up watching
:03:45. > :03:51.this show on TV. It's one of those shows that you always remember.
:03:51. > :03:58.Everyone who's anyone has been on it like Jay-Z, Rihanna. Yeah, woop
:03:58. > :04:03.all you want, Winehouse, Jessie J, neo-. And me. You haven't performed
:04:03. > :04:07.at the MOBOs. I think you'll find MOBOs 2011, I gave out an award and
:04:07. > :04:16.it went very well. You killed it. Tonight, we have performances from
:04:16. > :04:26.Labrinth. Yeah. Misha B, Stooshe. We have JLS in the house! I love
:04:26. > :04:31.that. We have Angel. We have Trey Songz. OK. Wiley is performing on
:04:31. > :04:36.stage tonight. We have Conor Maynard.
:04:36. > :04:41.Pretty big. Plus awards for best male, best female, Best Album, Best
:04:41. > :04:45.Song, best video and a whole lot more, including the legendary TLC
:04:45. > :04:49.will be right here in this actual room. Wow. It's time for the first
:04:49. > :04:54.performance of the night. What better place to start than with a
:04:54. > :05:00.lady that this year stormed not one, just two Olympic ceremonies. Hit
:05:00. > :05:07.the top spot, yeah, with her album, our version of events and got
:05:07. > :05:17.herself five nominations at the MOBOs 2012. With my kind of love
:05:17. > :05:32.
:05:32. > :05:42.# I can't buy your love # Sometimes the truth
:05:42. > :05:47.
:05:47. > :05:57.# But don't ever question # Know I'm far from perfect
:05:57. > :05:59.
:05:59. > :06:04.# But don't ever question if my heart beats only for you
:06:04. > :06:08.# It beats only for you
:06:08. > :06:14.# Cos when you've given up
:06:14. > :06:16.# When no matter what you do It's never good enough
:06:16. > :06:20.# When you never thought that it could ever get this tough
:06:20. > :06:26.# That's when you feel my kind of love
:06:26. > :06:33.# And when you're cryin' out
:06:33. > :06:37.# When you've fallen and can't pick your head up off the ground
:06:37. > :06:42.# When the friends you thought you had haven't stuck around
:06:43. > :06:46.# That's when you feel my kind of love
:06:46. > :06:56.# You won't see me at the parties I guess I'm just no fun
:06:56. > :06:57.
:06:57. > :07:03.# I won't be turning up the radio singing, baby, you're the one
:07:03. > :07:08.# But don't ever question if my heart beats only for you
:07:08. > :07:12.# It beats only for you
:07:12. > :07:17.# I know sometimes I get angry and I say what I don't mean
:07:18. > :07:22.# I know I keep my heart protected far away from my sleeve
:07:22. > :07:28.# But don't ever question if my heart beats only for you
:07:28. > :07:31.# It beats only for you
:07:31. > :07:36.# Cos when you've given it up
:07:36. > :07:39.# When no matter what you do it's never good enough
:07:39. > :07:44.# When you never thought that it could ever get this tough
:07:44. > :07:49.# That's when you feel my kind of love
:07:49. > :07:57.# And when you're cryin' out
:07:57. > :08:01.# When you've fallen and can't pick your head up off the ground
:08:01. > :08:05.# When the friends you thought you had haven't stuck around
:08:05. > :08:11.# That's when you feel my kind of love
:08:11. > :08:18.# Cos when you've given up
:08:18. > :08:28.# When no matter what you do it's never good enough
:08:28. > :08:31.# When the friends you thought you had haven't stuck around
:08:31. > :08:40.# That's when you feel my kind of love
:08:40. > :08:49.APPLAUSE AND CHEERING
:08:49. > :08:51.Still
:08:51. > :08:51.Still to
:08:51. > :08:55.Still to come:
:08:55. > :08:59.Still to come: Rita Ora presents the award for best hip-hop grime.
:08:59. > :09:06.Labrinth will be performing two of his hits and JLS tell us who the
:09:06. > :09:10.hottest girl in the world is. Rickie, this is great and
:09:10. > :09:14.everything, but we need to be in front and get a taste of the famous
:09:14. > :09:24.MOBO atmosphere. How long till we're out next? About 20 minutes.
:09:24. > :09:28.
:09:28. > :09:34.Great, let's get out and have a Emeli Sande was amazing. Her hair
:09:34. > :09:37.was a treat as well. Labrinth is on soon. Passes please. Passs?
:09:37. > :09:41.know, I think we actually left it in the voiceover booth. I don't
:09:41. > :09:47.know if you know about this, but we're the voiceover for this event.
:09:47. > :09:56.You could call us the voice of the MOBO. I don't care if you're the
:09:56. > :10:02.voice of Celine Dion. You're not coming in without a pass. We're
:10:02. > :10:04.JLS's backing singer. We can prove it. I'll dot falsetto and you do
:10:04. > :10:06.the bass. # How's does it feel to be the
:10:06. > :10:11.hottest girl in the world right now, right now.
:10:11. > :10:18.# How does it feel to be the hottest girl in the world right now
:10:18. > :10:28.Hee- hee. I'm going to need some back up to Main Stage one. This
:10:28. > :10:31.
:10:31. > :10:34.ain't good. OK. The public votes have been
:10:34. > :10:39.counted. The industry experts have had their say. It's time to hand
:10:39. > :10:44.out the first award of the night. First up, it's Best Song. Yeah,
:10:44. > :10:49.woo-hoo. Best Song in association with PRS for music, to present it
:10:49. > :10:57.an actress fond of a ballroom who narrowly missed out on the Strictly
:10:57. > :11:04.Come Dancing crown. But she's here. Welcome Chelsee heely.
:11:04. > :11:08.APPLAUSE Wow!. I was going to, welcome to
:11:08. > :11:14.the MOBO Awards. Yes. I was going to ask other questions first, but I
:11:14. > :11:18.can't not talk about this dress. Just tell me everything about this
:11:18. > :11:24.little number. Obviously it's very sparkly. Big time. It's very out
:11:24. > :11:34.there and it's very me. It's very you. Yes. Thank you so much. Let's
:11:34. > :11:34.
:11:34. > :12:22.Apology for the loss of subtitles for 42 seconds
:12:22. > :12:32.have a look at the nominations for And the MOBO award for the Best
:12:32. > :12:49.
:12:49. > :12:59.Song goes to... Labrinth! CHEERING CHEERING
:12:59. > :13:05.
:13:05. > :13:15.Well done. Wow, wow, wow, wow! Liverpool! I
:13:15. > :13:16.
:13:16. > :13:20.wrote a few notes of some people I'd like to thank. Actually has got
:13:20. > :13:24.to thank mum at home. I want to thank mum at home. I love you, mum.
:13:24. > :13:29.Thank you for all the work you've done with the family. I've got to
:13:29. > :13:35.thank my team, Mark Williams, you all right there my friend? Manager.
:13:35. > :13:40.I would like to thank all the radio DJs and the radio stations that
:13:40. > :13:47.helped to push this record. Psycho, love you. That's the family right
:13:48. > :13:56.there. I'd like to thank Dan White and my lovely missus. Thank you
:13:56. > :14:01.very much. See you later. I'm a ninja turtle, you can't step
:14:01. > :14:11.into my circle... Sorry man, I'm excited about the next one. Listen
:14:11. > :14:13.
:14:13. > :14:23.up, next up, straight out of real name Richard Kylie Cowie, you might
:14:23. > :14:25.
:14:25. > :14:28.know him asesquey boy. This is # Then we ain't got to worry
:14:28. > :14:30.# Sippin' a cold beer Sunshine in your face
:14:30. > :14:32.# Long nights are crazy We are on them
:14:32. > :14:34.# My name's Wiley, yeah Play my song then
:14:34. > :14:36.# When I arrive I'm causin' a heatwave
:14:36. > :14:37.# I got vibes to sell People want them
:14:37. > :14:39.# I'ma party, I'm gon' dance
:14:39. > :14:42.# Put your hands up on my body On my body, on my body
:14:42. > :14:44.# Put your hands up on my body I'ma party, I'm gon' dance
:14:44. > :14:46.# Put your hands up on my body On my body, on my body
:14:46. > :14:49.# Put your hands up on my body I'ma party, I'm gon' dance
:14:49. > :14:51.# Put your hands up on my body On my body, on my body
:14:51. > :14:55.# Put your hands up on my body I'ma party, I'm gon' dance
:14:55. > :14:56.# When the sun's out see the gyaldem too
:14:56. > :14:57.# I wake up do another gyaldem tune
:14:57. > :14:58.# I ride out on my Yamaha R6 When I reach
:14:58. > :14:59.# In the dance Bring the gyaldem through
:14:59. > :15:00.# Gyaldem know so they wanna wind up
:15:00. > :15:02.# I get behind her and she get wile up
:15:02. > :15:04.# She back it up good but I try my luck
:15:04. > :15:06.# Winin' up gyal is the vibe I love
:15:06. > :15:08.# When I arrive I'm causin' a heatwave
:15:08. > :15:10.# I've got vibes to sell People want them
:15:10. > :15:12.# My name's Wiley, yeah Play my song then
:15:12. > :15:14.# When I arrive I'm causin' a heatwave
:15:14. > :15:17.# Causin' a heatwave Causin' a heatwave
:15:17. > :15:20.# Causin' a heatwave
:15:20. > :15:21.# When I arrive I'm causin' a heatwave
:15:21. > :15:23.# I'ma party, I'm gon' dance Put your hands up on my body
:15:24. > :15:26.# On my body, on my body Put your hands up on my body
:15:26. > :15:29.# I'ma party, I'm gon' dance Put your hands up on my body
:15:29. > :15:33.# On my body, on my body Put your hands up on my body
:15:33. > :15:38.# I'ma party, I'm gon' dance Put your hands up on my body
:15:38. > :15:39.# When the sun's out we just wanna impress
:15:39. > :15:40.# I stand in the clear I don't bother with mess
:15:40. > :15:41.# If it ain't gonna sell I don't wanna invest
:15:41. > :15:42.# If it ain't got a vibe I ain't got an interest
:15:42. > :15:44.# I wanna see a ice-cream van on the road
:15:44. > :15:46.# I wanna see a light skin gal on the road
:15:46. > :15:48.# I wanna get a slush puppy with both flavours
:15:48. > :15:50.# Drink that now I'm right back in my zone
:15:50. > :15:52.# When I arrive I'm causin' a heatwave
:15:52. > :15:54.# I've got vibes to sell People want them
:15:54. > :15:56.# My name's Wiley, yeah Play my song then
:15:56. > :15:58.# When I arrive I'm causin' a heatwave
:15:58. > :16:08.# Causin' a heatwave Causin' a heatwave
:16:08. > :16:09.
:16:09. > :16:10.# I was on a path to the limelight
:16:11. > :16:11.# Now I'm on another one it's a night flight
:16:11. > :16:14.When they say I'm a star I say thank you
:16:14. > :16:15.# It's all due to the scenes that I ran through
:16:15. > :16:17.# So I keep flyin the flags for all people
:16:17. > :16:19.# No messing about we're all equal
:16:19. > :16:21.# Vibe alive in the club when I roll in
:16:21. > :16:22.# I get around with the crowd when I'm roaming
:16:22. > :16:25.# Everybody right now Can you hear me?
:16:25. > :16:27.# Through the speakers turn me up if you hear me
:16:27. > :16:32.# Ayaya ayaya ayaya ayaya
:16:32. > :16:39.# Everybody right now Can you hear me?
:16:39. > :16:42.# Through the speakers turn me up if you hear me
:16:42. > :16:47.# Ayaya ayaya ayaya ayaya
:16:47. > :16:53.# They should know I bring vibes on a club night
:16:53. > :16:55.# Keep the crowd hyped up brother party
:16:55. > :16:57.# Red, she wanna say words in my earlobe
:16:57. > :16:59.# Reminds me there's an hour of the party left
:16:59. > :17:01.# See the fireworks, celebration Team winning the Grey Goose amazing
:17:01. > :17:05.# Send them Jaeger bombs I got a craving
:17:05. > :17:06.# So many women I don't wanna stop raving
:17:06. > :17:08.# They should know I got tunes for the gyaldem
:17:08. > :17:10.# Once the ladies are there see the man dem reach
:17:10. > :17:12.# They wanna leave there with a number
:17:12. > :17:13.# Check the peng ting She's gonna hang with me
:17:14. > :17:16.# I'm skanking all round the party I'm skanking
:17:16. > :17:19.# I got girls to the left and girls to the right
:17:19. > :17:21.# When we're at the bar We ain't ramping
:17:21. > :17:24.# Everybody right now Can you hear me?
:17:24. > :17:27.# Through the speakers turn me up if you hear me
:17:27. > :17:37.# Ayaya ayaya ayaya ayaya
:17:37. > :17:40.
:17:40. > :17:41.# Wiley called me on the iPhone
:17:41. > :17:42.# He said get my passport told me to come through
:17:42. > :17:43.# Put your sun cream in your suitcase
:17:43. > :17:44.# When I arrive Causing a heatwave too
:17:44. > :17:46.# Got my SnapBack and my vest on
:17:46. > :17:47.# Looking at the hot girl with the red dress on
:17:47. > :17:49.# Light skin with a beautiful body like Kim
:17:49. > :17:51.# So I had to get my Kanye West on
:17:51. > :17:53.# She told me she's feeling my jewellery
:17:53. > :17:54.# She said that she's in love with my Jesus piece
:17:54. > :17:56.# I told her to look again closely It's not Jesus, baby, it's JME
:17:56. > :17:59.# And I was like Babe, come over
:18:00. > :18:01.# I don't bite, girl Come a little closer
:18:01. > :18:03.# Come a little closer I don't bite
:18:03. > :18:06.# Girl, come a little closer
:18:06. > :18:10.# Everybody right now Can you hear me?
:18:10. > :18:11.# Through the speakers turn me up if you hear me
:18:11. > :18:14.# Ayaya ayaya ayaya ayaya
:18:14. > :18:24.# You know I don't usually party
:18:24. > :18:25.
:18:25. > :18:33.APPLAUSE AND CHEERING
:18:33. > :18:34.Well,
:18:34. > :18:34.Well, wiley
:18:34. > :18:40.Well, wiley just
:18:40. > :18:46.Well, wiley just killed it. And we're all having a great time. Next
:18:46. > :18:50.up, one of the most hotly contest add wards of the night, best female
:18:50. > :18:55.act. To present it an actress who appeared as the slightly troubled
:18:55. > :19:05.Michelle in one of 2012's biggest films and the multiplatinum selling
:19:05. > :19:07.
:19:07. > :19:15.artist who created it. It's Plan B and Anuschka. Hi guys. Hello.
:19:15. > :19:20.at you. Is this the first fun event your previous boss, Ben, has taken
:19:21. > :19:25.you to? Yes, it is. Unbelievable. This is your first MOBOs? My first
:19:25. > :19:30.MOBOs. What was Ben like to work for? I've got to say good things
:19:30. > :19:33.because he's standing right next to me. I would. He was amazing. I feel
:19:33. > :19:37.so honoured to have been part of the project. I bow down to Ben.
:19:37. > :19:41.don't know whether you have to do that. Ben, up for a lot of awards
:19:41. > :19:46.tonight. You've had ten MOBO nominations through your career. Is
:19:46. > :19:48.it nice to get so much love from this awards ceremony. It's always
:19:48. > :19:54.good to be recognised. CHEERING
:19:54. > :20:04.Thanks Liverpool. Do your job. Thanks for coming. So the nominees
:20:04. > :20:04.
:20:04. > :21:31.Apology for the loss of subtitles for 42 seconds
:21:31. > :21:36.And the winner is... Emeli Sande. Wow. Thank you so much. Thank you
:21:36. > :21:46.Liverpool. First of all, I'd like toe thank my
:21:46. > :21:47.
:21:47. > :21:51.wonderful family. My mum, my dad, my sister. Adam. Everyone at Virgin,
:21:51. > :21:56.Adrian, everyone that made this possible and for the MOBOs for
:21:56. > :22:01.supporting me before I was on anyone else's radar. This means the
:22:01. > :22:06.world to me, thank you. Emeli Sande winning best female. Well done.
:22:06. > :22:13.Next on stage is a man who has barged his way into our lives this
:22:13. > :22:20.year with singles Go in Go hard and recently the top ten hit Wonderful.
:22:20. > :22:26.He started produce whing he was ten, has written for Devlin, JLS and
:22:26. > :22:34.Rihanna and has been described as the new face of UK R&B, quite an
:22:34. > :22:35.# Everywhere we go # On the other hand
:22:35. > :22:37.# If they never knew Then maybe they'll name ya
:22:37. > :22:41.# Don't let 'em change ya
:22:41. > :22:43.# When you finally find what's beautiful
:22:43. > :22:47.# It's so wonderful
:22:47. > :22:49.# When you finally find what's beautiful
:22:49. > :22:53.# It's so wonderful
:22:53. > :22:59.# It's so wonderful
:22:59. > :23:09.# Exhale, breathe in Let yourself go for the evening
:23:09. > :23:11.
:23:11. > :23:17.# Break out, screaming
:23:17. > :23:20.# You can lose your voice if you mean it
:23:20. > :23:24.# Can't control the feelin' and I can't let go, I need it
:23:24. > :23:33.# Everywhere we go We feel like we're strangers
:23:33. > :23:35.# On the other hand It makes us feel major
:23:35. > :23:38.# If they never knew Then maybe they'll name ya
:23:38. > :23:43.# Don't let 'em change ya
:23:43. > :23:44.# When you finally find what's beautiful
:23:44. > :23:49.# It's so wonderful
:23:49. > :23:53.# If you're looking for the stars Keep looking at me hard
:23:53. > :24:01.# If you're looking for the stars Keep looking at me hard
:24:01. > :24:02.# When you finally find what's beautiful
:24:02. > :24:09.# It's so wonderful
:24:09. > :24:11.# When you finally find what's beautiful
:24:11. > :24:14.# It's so wonderful
:24:14. > :24:15.# Inhale, steamin'
:24:15. > :24:18.# We can blow it up for the weekend Shallow world meet him
:24:18. > :24:21.# Promise when we bust in the deep end
:24:21. > :24:26.# Can't control the feelin' and I can't let go, I need it
:24:26. > :24:36.# Everywhere we go We feel like we're strangers
:24:36. > :24:36.
:24:37. > :24:39.# On the other hand It makes us feel major
:24:39. > :24:42.# If they never knew Then maybe they'll name ya
:24:42. > :24:46.# Don't let 'em change ya
:24:46. > :24:49.# When you finally find what's beautiful
:24:49. > :24:52.# It's so wonderful
:24:52. > :24:57.# If you're looking for the stars Keep looking at me hard
:24:57. > :25:06.# If you're looking for the stars Keep looking at me hard
:25:06. > :25:14.# When you finally find what's beautiful
:25:14. > :25:16.# It's so wonderful
:25:16. > :25:19.# When you finally find what's beautiful
:25:19. > :25:22.# It's so wonderful
:25:22. > :25:24.# When you finally find what's beautiful
:25:24. > :25:28.# It's so wonderful
:25:28. > :25:30.# When you finally find what's beautiful
:25:30. > :25:35.# It's so wonderful
:25:35. > :25:36.# When you finally find what's beautiful
:25:36. > :25:41.# It's so wonderful
:25:41. > :25:43.# When you finally find what's beautiful
:25:43. > :25:44.# Everywhere we go We feel like we're strangers
:25:44. > :25:45.# On the other hand It makes us feel major
:25:45. > :25:46.# If they never knew Then maybe they'll name ya
:25:46. > :25:50.# Don't let 'em change ya
:25:50. > :25:53.# When you finally find what's beautiful
:25:53. > :25:57.# It's so wonderful
:25:57. > :25:58.# When you finally find what's beautiful
:25:58. > :26:04.# It's so wonderful. #
:26:04. > :26:12.APPLAUSE AND CHEERING
:26:12. > :26:12.Stay
:26:12. > :26:13.Stay right
:26:13. > :26:18.Stay right where
:26:18. > :26:24.Stay right where you are, coming up Rita Ora presents the award for
:26:24. > :26:27.best hip-hop grime. And two Olympic Gold Medallists handing out Best
:26:28. > :26:33.Album. The music keeps on coming from Conor Maynard, Labrinth and
:26:33. > :26:37.JLS. I don't think we're going to get out in front. I have an idea.
:26:37. > :26:47.Angel is on stage that means his table is... Empty. I'm one step
:26:47. > :26:51.
:26:51. > :26:58.ahead of you. Oh! It's a good idea. Genius. I know, bro. I can't wait
:26:58. > :27:08.to get out front. Emeli Sande. Who's that? JLS. JLS have got two
:27:08. > :27:13.
:27:13. > :27:20.dressing rooms. They're living Was that sic yeah,? How did it
:27:20. > :27:26.sound? Few dots here, few dots there. The fighter section was
:27:26. > :27:32.crazy. Seriously. Angel's own mum would be fooled. I can't believe
:27:32. > :27:37.how much you look like him. Hurry up. We haven't got time. Calm down,
:27:37. > :27:41.I'm almost done. Once you get out there, don't you forget me. Come
:27:41. > :27:45.back and get me. I don't want you getting distracted with the
:27:45. > :27:51.champagne and the sexy ladies. Course you can count on me.
:27:51. > :27:58.Excellent. What are you doing in my room,
:27:58. > :28:01.bruv? That's a funny story. Help me man. What's on your face? It's like
:28:01. > :28:11.looking at a mirror right, yeah? Come on. Can I keep the jacket,
:28:11. > :28:16.though? Take my jacket off, bro. The next award is Best Video, an
:28:16. > :28:19.accolade that goes to the body of work proving artistic flair, a
:28:19. > :28:23.creative eye, amazing story telling, impeckable use of light and a good
:28:23. > :28:28.choice of director, who does all that work for you. To present the
:28:28. > :28:38.award winner of Britain and Ireland's next top model, Letitia
:28:38. > :28:40.
:28:40. > :28:44.Herod and local girl, Rebecca Ferguson.
:28:44. > :28:50.Did no-one hear me say, local girl! CHEERING
:28:50. > :28:56.That's better. Rebecca, did you get the bus from your house? Is it that
:28:56. > :29:01.easy? How great is it that the MOBOs are back in Liverpool? It's
:29:01. > :29:07.amazing. It will be a great party night tonight. You're going out
:29:07. > :29:11.after? I am. Get ready Liverpool. How has life changed since winning
:29:11. > :29:17.Britain's Next Top Model? Completely. This whole experience
:29:17. > :29:27.has been a whirl wind. Is it like hitting the MOBOs, as you do.
:29:27. > :29:27.
:29:27. > :30:29.Apology for the loss of subtitles for 42 seconds
:30:29. > :30:39.And the MOBO award for Best Video goes to JLS.
:30:39. > :31:09.
:31:09. > :31:14.Wow, MOBO number five! CHEERING
:31:14. > :31:18.Wow, just want to say a huge thank you to the cast of that video, to
:31:18. > :31:21.the director, Marcus London, smashed it, absolutely killed it. A
:31:21. > :31:31.huge thank you as well to all the fans. Everyone who voted for us to
:31:31. > :31:38.win this award, we love you always. If I was to say to you turn around,
:31:38. > :31:43.what would you think? I'd think, what are you a fed or something?
:31:43. > :31:50.What if I said, what if I professed to being a Vegas girl? I'd say babe,
:31:50. > :31:54.I weren't stalking you or nothing, but I've done my research and
:31:54. > :31:59.you're from west London so you'd be lying. That's really creepy, though.
:31:59. > :32:09.What if I said, I can't say no. There you go. Can't say no?
:32:09. > :32:10.
:32:10. > :32:14.Obviously you can't say no. Wow, OK. Adam is unbelievably failing to
:32:14. > :32:22.grasp from my clues is that our next performer is the wonderful
:32:22. > :32:24.# Wasn't looking for trouble # I tried to say no
:32:24. > :32:28.# She was looking lovely She kinda reminds me
:32:28. > :32:30.# Of a girl I know
:32:30. > :32:34.# This pretty young thing that I got waiting for me back at home
:32:34. > :32:40.# She's got my engines turning This happens every time
:32:40. > :32:45.# I see a pretty girl and I wanna make her mine
:32:45. > :32:49.# They send my rocket to the sky
:32:49. > :32:53.# I want them but should I go for them
:32:53. > :32:56.# I'm like Houston I think we got a problem
:32:56. > :33:06.# Girls, girls, girls I just can't say no
:33:06. > :33:10.
:33:10. > :33:11.# Turn around, open your eyes Look at me now
:33:12. > :33:18.# Turn around, girl I've got you
:33:18. > :33:22.# We won't fall down, yeah
:33:22. > :33:26.# We can see, forever from up here, yeah
:33:26. > :33:32.# So long as we're together Have no fear, no fear
:33:32. > :33:41.# So turn around, floating so high you're above the ground
:33:41. > :33:46.# Floating so high, turn around Together, nothing can stop us now
:33:46. > :33:55.# Listen, baby Turn around, floating
:33:55. > :33:59.# So high you're above the ground Floating so high, turn around
:33:59. > :34:05.# Together, nothing can stop us now
:34:05. > :34:11.# Turn around, turn around Turn around, outta space
:34:11. > :34:21.# We can go there now, yeah
:34:21. > :34:22.
:34:22. > :34:26.# Turn around There's no limit to what we found
:34:26. > :34:35.# Uh yeah Music
:34:35. > :34:36.# Oh, I wanna feel it all, yeah
:34:36. > :34:41.# We'll stay up cos there's no way for us
:34:41. > :34:45.# To fall, to fall So turn around, floating
:34:45. > :34:49.# So high you're above the ground Floating so high, turn around
:34:49. > :34:58.# Together, nothing can stop us now
:34:59. > :35:04.# Listen, baby, turn around
:35:04. > :35:07.# Floating so high you're above the ground
:35:07. > :35:10.# Floating so high, turn around Together, nothing can stop us now
:35:11. > :35:20.# Turn around, turn around Uh, baby, we're so high now, whoa
:35:21. > :35:22.
:35:22. > :35:32.# Till our worries end our pain right now
:35:32. > :35:36.
:35:36. > :35:46.# Turn around, turn around Uh, baby, we're so high now, whoa
:35:46. > :35:51.
:35:51. > :35:58.APPLAUSE AND CHEERING
:35:58. > :35:59.Conor
:35:59. > :35:59.Conor Maynard,
:36:00. > :36:04.Conor Maynard, I
:36:04. > :36:08.Conor Maynard, I kind of love him, just a little bit. The award for
:36:08. > :36:11.R&B and soul act next. Which has been won by no less than Adele and
:36:11. > :36:15.Plan B. If history serves us correctly, the winner is guaranteed
:36:15. > :36:20.to either have a baby or write a film in the next 12 months. That's
:36:20. > :36:25.not just me saying that, that's a fact. To present it, two ladies
:36:25. > :36:33.fresh from the biggest UK event since the MOBO Awards 2012,
:36:33. > :36:36.obviously, from Team GB, please show a massive amount of British
:36:36. > :36:46.appreciation for heptatheletes Louise Hazel and Katrina Johnson
:36:46. > :36:53.Thompson. APPLAUSE
:36:53. > :36:59.Yeah, actual members of Team GB. Is it nice to not be in your training
:36:59. > :37:04.kit? It's so nice to just get out of the lycra for one evening.
:37:04. > :37:14.thank you for being here. You have a job to do and then you can party.
:37:14. > :37:15.
:37:15. > :38:09.Apology for the loss of subtitles for 42 seconds
:38:09. > :38:19.The nominees for the best R&B soul And the winner is... Emeli Sande.
:38:19. > :38:39.
:38:39. > :38:43.Thank you so much. Wow, two! Thank you so much first of all, really to
:38:43. > :38:47.all the fans who've brought my music and supported me and been so
:38:47. > :38:51.loyal, from the very beginning. Also, just for the women who've
:38:51. > :38:57.opened doors for me over the past decade in the UK. I wouldn't be
:38:57. > :39:03.able to be here without them. I want to dedicate this award to Miss
:39:03. > :39:06.Dynamite, Beverley Knight, Eternal, people who have opened doors and
:39:06. > :39:13.allowed people like me to be here tonight and make music the way we
:39:13. > :39:17.want to and get the acknowledgement it deserves I think. Thank you.
:39:17. > :39:21.We're moments from a Labrinth live performance. Plus Rita Ora will be
:39:21. > :39:26.revealing who will walk away with the best hip-hop grime award, two
:39:26. > :39:33.Olympic heroes present the award for Best Album and Stooshe give the
:39:33. > :39:38.TLC a special honour. Right. I think it's time for a cup
:39:38. > :39:48.of tea. Now you're talking my language. White with eight, yeah?
:39:48. > :39:55.
:39:55. > :40:02.Boys, what's going on. You good? Yeah. Sweet boy, what's up? What
:40:02. > :40:08.are you doing here? What are you up to? Ready. Going to the stage
:40:08. > :40:16.innit? Bring me with you. Actually I can't. I have to get tea for
:40:16. > :40:19.Melvin. He's in the voiceover booth. Leave Melvin. No, no. You're
:40:19. > :40:26.featuring in the performance tonight. You need to learn the
:40:26. > :40:36.routine. I can't. Seriously. After party, yeah? See you later.
:40:36. > :40:41.
:40:41. > :40:45.always does it to us. Sweet boy? We'll get Lab. Was going on guys.
:40:45. > :40:50.You good? Yeah, yeah. I'm going to get tea for Melvin. He's in the
:40:50. > :41:00.voiceover booth. You want some? I've got to run. See you in a bit.
:41:00. > :41:04.
:41:04. > :41:08.Peace man. Cool, later. What's going on? Are you all right?
:41:08. > :41:12.Bit of a rush. Cup of tea for Melvin. I'm chilling with the girls,
:41:12. > :41:22.babe. What are you doing? Learning how to do massages and stuff. See
:41:22. > :41:25.
:41:25. > :41:30.you later. Massages? Hmmm... You The next man on stage gets about a
:41:30. > :41:34.bit. He's what some people call a pop fluezy, producing people. Then
:41:34. > :41:38.he's collaborating with people, then remixing people. Then writing
:41:38. > :41:42.for people, a lot of them in this very room. I think you know who you
:41:42. > :41:47.are. I can't lie, I went to school with this artist. Did you? Yeah,
:41:47. > :41:50.it's not a joke. It was clear from a young age that this kid had
:41:50. > :41:57.serious talent. A guy that's always pushing the boundies and at the
:41:57. > :42:07.same time with a smile on his face. I can't tell you how proud I am of
:42:07. > :42:07.
:42:07. > :42:17.# You tell all the boys no # I know you're out of my league
:42:17. > :42:18.
:42:18. > :42:28.# You've carried on so long You couldn't stop if you tried it
:42:28. > :42:31.
:42:31. > :42:41.# You've built your wall so high that no-one could climb it
:42:41. > :42:43.
:42:43. > :42:48.# But I'm gonna try
:42:48. > :42:54.# Would you let me see beneath your beautiful?
:42:54. > :42:59.# Would you let me see beneath your perfect?
:42:59. > :43:03.# Take it off now, girl Take it off now, girl
:43:03. > :43:05.# I wanna see inside
:43:05. > :43:11.# Would you let me see beneath your beautiful tonight?
:43:11. > :43:21.# You let all the girls go Makes you feel good, don't it?
:43:21. > :43:29.
:43:29. > :43:39.Labrinth, come in...
:43:39. > :43:49.Labrinth, come in...
:43:49. > :43:51.
:43:51. > :43:53.# Ladies and gentlemen
:43:53. > :43:55.# This is something they call a ground-breaker, breaker
:43:55. > :43:59.# So let me first apologise
:43:59. > :44:02.# To the shirts and the ties
:44:02. > :44:03.# For your makeup cos I'll make you ugly
:44:03. > :44:07.# As soon as it drops We're on a rampage
:44:07. > :44:09.# Bottles poppin' off
:44:10. > :44:12.# Before you know it There's rubble and dust
:44:12. > :44:15.# Cos we be crashing it up Somebody say you better run
:44:15. > :44:18.# Yeah! I predict an earthquake up in here
:44:18. > :44:25.# Say yeah! I predict an earthquake up in here
:44:25. > :44:30.# Cos we throw bombs on it Throw bombs on it
:44:30. > :44:34.# Just smash something, yeah Mosh for me, hey yeah
:44:34. > :44:39.# We can make an earthquake up in here
:44:39. > :44:42.# So here we go, we go
:44:42. > :44:52.# Ladies and gentlemen, what you're about to witness is no illusion
:44:52. > :44:59.
:45:00. > :45:01.# Cos we throw bombs on it Throw bombs on it
:45:01. > :45:11.# Just smash something, yeah Mosh for me, hey yeah
:45:11. > :45:47.
:45:47. > :45:49.# Yeah! I predict an earthquake up in here
:45:49. > :45:55.# Say yeah! I predict an earthquake up in here
:45:55. > :45:58.# Cos we throw bombs on it Throw bombs on it
:45:58. > :46:01.# Just smash something, yeah Mosh for me, hey yeah!
:46:01. > :46:07.# We can make an earthquake up in here
:46:07. > :46:17.# So here we go, we go
:46:17. > :46:17.
:46:17. > :46:22.CHEERING AND APPLAUSE
:46:22. > :46:23.Yeah,
:46:23. > :46:23.Yeah, OK,
:46:23. > :46:28.Yeah, OK, all
:46:28. > :46:32.Yeah, OK, all right Labrinth. Killing it! Next up the award for
:46:32. > :46:36.Best Newcomer in association with HTC. This award is without a doubt
:46:36. > :46:41.the spring board to greatness, Jessie J has won it. She does it
:46:41. > :46:51.like a man... Yeah she does. Tinie Tempah has won it. Fire, fire, we
:46:51. > :46:54.
:46:54. > :46:58.going to set this place on fire. Dubz won it. Ah-oh, ah-oh. It's a
:46:58. > :47:02.fact superstardom guaranteed. Who's next on the list? To present the
:47:02. > :47:09.award it's only the first British woman to win a major tennis title
:47:09. > :47:17.in 24 years. This is heather Watson. APPLAUSE
:47:17. > :47:21.Hi. Hello. Look at you. Welcome to the MOBO Awards 2012. Is it nice to
:47:21. > :47:28.be here? It's amazing to be here. There's so many talented people.
:47:28. > :47:38.I'm so excited. Thank you for being here. The nominees for Best
:47:38. > :47:38.
:47:38. > :49:41.Apology for the loss of subtitles for 42 seconds
:49:41. > :49:48.And the MOBO award for the Best Liverpool, how you doing?
:49:48. > :49:53.CHEERING Can I just say that I don't, I
:49:53. > :50:00.can't breathe right now. I've never been nominated foring in before. So
:50:00. > :50:06.thank you so much MOBOs. Thank you to my management. This you -- thank
:50:06. > :50:11.you to rock nation, Jay-Z, thank you to all of you. Thank you to my
:50:11. > :50:21.sister Elena and my mother Vera. And to all of you out here. I love
:50:21. > :50:22.
:50:22. > :50:29.you. Yeah! Thank you. We're going to have a wine up in
:50:29. > :50:35.the after party. No, no. Maybe we could just like... No. Moving on. A
:50:35. > :50:45.lady fresh from supporting Nicki Minaj on her UK tour, Liverpool,
:50:45. > :50:48.
:50:48. > :50:58.# Look at what you done then # Don't know, how you did it
:50:58. > :51:05.
:51:05. > :51:11.# Don't go, you're so addictive I cannot resist it
:51:11. > :51:14.# Let's dance, let's take it to the next level
:51:14. > :51:17.# No hands, more bass and more treble
:51:17. > :51:20.# Tonight I wanna be a rebel, whoa You got me so excited
:51:20. > :51:23.# I'm doing things I've never done before
:51:23. > :51:27.# Done before, whoa
:51:27. > :51:30.# And when I try to fight it
:51:30. > :51:32.# I know it's something I cannot ignore
:51:32. > :51:36.# I don't know, I don't know I don't know
:51:36. > :51:38.# Baby, I don't know what you done, done, done
:51:38. > :51:40.# What you done, one done Hit a home run
:51:40. > :51:44.# Baby, I don't know what you done, done, done
:51:44. > :51:46.# What you done, one done Hit a home rum
:51:46. > :51:48.# I'm high now, I'm flying I don't know what you did but
:51:48. > :51:51.# You hit me hard now
:51:51. > :51:59.# I'm flying, all the night Yeah, yeah, yeah
:51:59. > :52:00.# Come show me how you move it Fast, slow, control
:52:00. > :52:01.# I'm losing This is my city, my cry
:52:01. > :52:03.# Got me locked, uh, yes
:52:03. > :52:05.# So let's dance Let's take it to the next level
:52:05. > :52:07.# No hands, more bass and more treble
:52:07. > :52:12.# Tonight I wanna be a rebel, whoa You got me so excited
:52:12. > :52:16.# I'm doing things I've never done before
:52:16. > :52:19.# Done before, whoa And when I try to fight it
:52:19. > :52:22.# I know it's something I cannot ignore
:52:22. > :52:28.# I don't know, I don't know I don't know
:52:28. > :52:31.# Baby, I don't know what you done, done, done
:52:31. > :52:33.# What you done, one done Hit a home run
:52:33. > :52:34.# Baby, I don't know what you done, done, done
:52:34. > :52:36.# What you done, one done Hit a home rum
:52:36. > :52:38.# I'm high now, I'm flying I don't know what you did but
:52:38. > :52:41.# You hit me hard now
:52:41. > :52:42.# I'm flying, all the night Yeah, yeah, yeah
:52:42. > :52:49.# Maybe run but you got me sprung up
:52:49. > :52:51.# All over my thing, like you're ready for the hang up, hang up
:52:51. > :52:53.# Ready to back my thing up
:52:53. > :52:55.# Wait till you see more Yin yang up
:52:55. > :52:57.# Move to the left, take it back to the right, girl
:52:57. > :53:00.# Got my hands up Ready to back my thang up
:53:00. > :53:10.# You got me so excited I'm doing things I've never done before
:53:10. > :53:11.
:53:11. > :53:21.# You got me so excited I'm doing things I've never done before
:53:21. > :53:22.
:53:22. > :53:30.# Done before, whoa
:53:30. > :53:31.# And when I try to fight it
:53:31. > :53:33.# I know it's something I cannot ignore
:53:33. > :53:43.# I don't know, I don't know I don't know
:53:43. > :53:45.
:53:45. > :53:45.# Baby, I don't know what you done, done, done
:53:46. > :53:47.# What you done, one done Hit a home run
:53:47. > :53:48.# Baby I don't know what you done, done, done
:53:48. > :53:49.# What you done, one done Hit a home run
:53:49. > :53:59.# I'm high now, I'm flying I don't know what you did but
:53:59. > :54:02.
:54:02. > :54:10.# One time for you, you the baddest
:54:10. > :54:13.# Look at what you done, done. #
:54:13. > :54:20.APPLAUSE AND CHEERING
:54:20. > :54:20.Still
:54:20. > :54:21.Still to
:54:21. > :54:27.Still to come:
:54:27. > :54:32.Still to come: Live from the Echo Arena Liverpool, Ora presents the
:54:32. > :54:39.gong for best hip-hop grime. We find out who's crowned Best Male
:54:39. > :54:49.thanks to Jennifer Metcalf. Plus more live music, courtesy of Trey
:54:49. > :54:49.
:54:49. > :54:54.Songz, JLS, and Stooshe. Rickie, where the hell are you with
:54:54. > :54:58.my tea. I'm spitting feathers here. What's up, what's going on man
:54:58. > :55:03.Where is Rickie? I don't know. He went about half an hour ago to get
:55:03. > :55:08.my tea. Have you seen him? How's it going out there? It's
:55:08. > :55:12.crazy out there. You should see it. The audience are going insane.
:55:12. > :55:15.There's lights and everything. Labrinth performed. It was crazy.
:55:15. > :55:20.Apparently Trey Songz performing later. You know it's nice in here
:55:20. > :55:27.as well, you know... Nice and... Grey. Can I come out there with
:55:27. > :55:30.you? Ah, I think, my manager just called me. I can hear him. I can't
:55:30. > :55:36.hear him. We have a secret call thing that no-one else can hear but
:55:36. > :55:40.me and him. I will head off. I'll try to get that tea for you. Rickie
:55:40. > :55:45.apparently he likes pasteries as well, maybe a muffin Basque et and
:55:45. > :55:51.well as a thank you for everything he's done. Have fun with yourself
:55:51. > :55:59.and aisle esee you in a bit. -- I'll see you later I always
:55:59. > :56:02.preferred Justin Bieber any way. Now our next award is the big one,
:56:02. > :56:06.the accolade that every performer wants as it proves without doubt
:56:06. > :56:10.that your music has made a mark on the world. It's the lifetime
:56:10. > :56:20.achievement award. To present it none other than CEO and jst the
:56:20. > :56:31.
:56:31. > :56:34.How are you enjoying the show tonight? It's overwhelming. I feel
:56:34. > :56:38.very tearful. I think every year it's like planning your own wedding,
:56:38. > :56:41.you know, that's probably why I never got married. A lot of work, a
:56:42. > :56:47.lot of excitement, but this is unbelievable. You guys are doing a
:56:47. > :56:50.great job. Are we presenting your wedding to a good standard? Go
:56:50. > :56:53.ahead. Each year the Lifetime Achievement
:56:54. > :56:58.Award is presented to an artist that MOBO feels should be
:56:58. > :57:04.recognised for the impact they've made on the industry they love.
:57:04. > :57:08.This year, the accolade goes to a performer celebrating their 50th
:57:08. > :57:15.year making music who, without doubt, stands shoulder to shoulder
:57:15. > :57:25.with the all-time greats. Let's take a look at a mere snapshot of
:57:25. > :57:28.
:57:28. > :57:34.# Why do you have to be a heart breaker
:57:34. > :57:43.# When I was being what you want me to be #
:57:43. > :57:53.She is truly iconic and the women of the musical world, the Ella
:57:53. > :57:58.
:57:58. > :58:06.Fitzgerald, Aretha Franklin, in the Her records with Burt Bacaract are
:58:06. > :58:11.unique, create, to me, the most meaningful artist/composer
:58:11. > :58:20.relationship that I can think of in contemporary music history.
:58:20. > :58:25.# Do you know the way to San Jose? # You know I can't wait to get to
:58:25. > :58:29.San Jose. # When I heard Deeon sing, and the
:58:29. > :58:39.more I recorded with her the more chances coy take with her. There
:58:39. > :58:41.
:58:41. > :58:51.wasn't anything that I felt was # Walk on by
:58:51. > :58:52.
:58:52. > :58:59.# Just walk on by # Wow, I'm so proud of this lady.
:58:59. > :59:04.Please welcome to the stage, the MOBO award's 2012 Lifetime
:59:04. > :59:08.Achievement recipient, Dionne Warwick!
:59:08. > :59:18.# There is always something there to remind me #
:59:18. > :59:45.
:59:45. > :59:55.Yes, stand up. CHEERING AND Hello!
:59:55. > :00:01.
:00:01. > :00:05.CHEERING First I give hanor to God, who is
:00:05. > :00:08.responsible for -- honour to God, who is responsible for us of us
:00:09. > :00:14.being here this evening. It is a complete honour to have been
:00:14. > :00:20.thought of in this manner and to have been given this wonderful,
:00:20. > :00:28.wonderful award. In conclusion, God bless you all. Thank you.
:00:28. > :00:30.APPLAUSE Dionne Warwick, a legend there.
:00:30. > :00:34.Round of applause for Dionne Warwick.
:00:34. > :00:42.APPLAUSE We are going straight on to another
:00:42. > :00:45.award. This time, for hip-hop grime act. To give it out, it is the MOBO
:00:46. > :00:55.award's 2012 Best Newcomer winner, Rita Ora!
:00:56. > :00:56.
:00:56. > :01:01.APPLAUSE Hey, Best Newcomer! Look at you.
:01:01. > :01:05.Hey. How you doing? Is that the first award you've ever won? Yes,
:01:05. > :01:08.the first ward I've ever won or been nominated for. It's amazing.
:01:08. > :01:16.It's nice to go conquer the world and come home and get an award.
:01:16. > :01:20.know! No, no, but really it's a great honour. I was 15 years old
:01:21. > :01:24.when I first performed ever at the MOBOs. I've got this on my fact
:01:24. > :01:29.sheet. That you performed with Craig David when you were 15?
:01:29. > :01:35.in Wembley. What were you, were you a backing singer, on the track, how
:01:35. > :01:40.did this happen? It was just a track. I just jumped on stage and I
:01:40. > :01:43.started singing. Just jumped on the stage when you were 15. Wow. What
:01:44. > :01:47.is your night like tonight, you have just basically been all around
:01:47. > :01:50.the world. Is it nice to be back in England and hang out with friends?
:01:50. > :01:53.There's nothing like being back home. It's like the best feeling
:01:53. > :01:58.and seeing all my fans, you know it started here, so I love the fact
:01:58. > :02:01.that I can come back and be honoured as a newcomer. It's a nice
:02:01. > :02:10.feeling. You have a small job to do and then have a good time. You've
:02:10. > :02:20.worked hard this year. All right guys, so, the nominees
:02:20. > :02:20.
:02:20. > :03:09.Apology for the loss of subtitles for 42 seconds
:03:09. > :03:19.OK. And the MOBO award for hip- hop/grime goes to... It has to be
:03:19. > :03:36.
:03:36. > :03:46.the nicest man I've ever met, Plan Well done.
:03:46. > :03:51.I need to say a big thank you to Paul Etworth. Without him I
:03:51. > :03:56.wouldn't be here today. I want to thank my management. I want to
:03:56. > :04:02.thank all the guys that help me make my film. Without the film we'd
:04:02. > :04:12.have no album, you know. Anyone who's helped inspire me get to this
:04:12. > :04:15.
:04:15. > :04:21.point, thank you very much. One more time for my boy Plan B,
:04:21. > :04:26.best hip hom/grime act. That was good. Is everyone having a good
:04:26. > :04:28.time. Let's just check. Is everyone enjoying the night so far?
:04:28. > :04:34.CHEERING You can do better than that. Come
:04:34. > :04:40.on Liverpool. Did we enjoy Labrinth earlier? Was that a highlight for
:04:40. > :04:43.people? Yeah? Emeli Sande winning and performing, was that good?
:04:43. > :04:48.Ora, Best Newcomer. Yes. Make some noise people.
:04:48. > :04:52.APPLAUSE Feels like it's just us. Misha B
:04:52. > :04:56.was looking good. Time for a performance from a man who's
:04:56. > :05:00.supported Jay-Z and usher on tour, released five albums and been
:05:00. > :05:06.nominated for a Grammy and landed a role in the latest incarnation of
:05:06. > :05:11.the Texas chain saw massacre. Listen, his next track hit the top
:05:11. > :05:16.of the R&B chart earlier this year giving him the first UK chart
:05:16. > :05:26.topper to date. I know the sugar dumplings will go mad for this one.
:05:26. > :05:35.
:05:35. > :05:37.# I can't really explain # We're lost in these covers
:05:37. > :05:40.# I slowly kiss your face Beautiful in every way, you are
:05:41. > :05:46.# See, I'm a man that don't believe in much
:05:46. > :05:51.# But I'll be damned if I don't believe in us
:05:51. > :05:56.# And how we play a fight up in the bathroom
:05:56. > :05:57.# Next thing I know I'm making love to you
:05:57. > :06:00.# Girl, promise me you'll never change
:06:00. > :06:04.# She ain't perfect but she's worth it
:06:04. > :06:08.# Every breath I breathe for the life of me
:06:08. > :06:14.# And I know I might not deserve it
:06:14. > :06:21.# But she loves me and it's simply amazing
:06:21. > :06:31.# Simply amazing, simply amazing
:06:31. > :06:32.
:06:32. > :06:39.# And she loves me, and it's simply amazing, amaze-amazing
:06:39. > :06:49.# The girl's a work of art and I can't help but stare
:06:49. > :06:50.
:06:50. > :06:54.# With a smile like the sunset and the ocean is her hair
:06:55. > :06:59.# Ooh, what she do ain't fair Ooh
:06:59. > :07:02.# She knows me better than I know myself, mhmmm
:07:02. > :07:07.# See, I'm a man that don't believe in much
:07:07. > :07:12.# But I'll be damned if I don't believe in us
:07:12. > :07:17.# Like when I said I loved you for the first time
:07:17. > :07:19.# And the tears dropped from your eyes
:07:19. > :07:21.# Girl, don't you ever change
:07:21. > :07:25.# Cos she ain't perfect but she's worth it
:07:25. > :07:30.# Every breath I breathe for the life of me
:07:30. > :07:37.# And I know I might not deserve it
:07:37. > :07:40.# But she loves me and it's simply amazing
:07:40. > :07:50.# Simply amazing, simply amazing
:07:50. > :07:53.
:07:53. > :08:00.# And she loves me
:08:00. > :08:05.# There is nothing in this world that can keep me away from you
:08:05. > :08:15.# And there's nobody who could ever compare to you, ooh
:08:15. > :08:17.
:08:17. > :08:24.# She ain't perfect but she's worth it
:08:24. > :08:29.# Every breath I breathe for the life of me
:08:29. > :08:33.# And I know I might not deserve it
:08:33. > :08:38.# But she loves me and it's simply amazing
:08:38. > :08:48.# Simply amazing, simply amazing
:08:48. > :08:51.
:08:51. > :09:01.# And she loves me and it's simply amazing. #
:09:01. > :09:03.
:09:03. > :09:13.APPLAUSE AND CHEERING
:09:13. > :09:15.
:09:15. > :09:15.I
:09:15. > :09:15.I think
:09:15. > :09:20.I think we
:09:20. > :09:26.I think we all just fell a little bit in love with Trey Songz. That
:09:26. > :09:33.is OK. Our next award is for Best Male act, which speaks for itself.
:09:34. > :09:40.You win at ward if you're the best male act. I can relate to this one.
:09:40. > :09:45.I don't want to brag, but man won the BAFTA this year, get me. Has
:09:45. > :09:53.your boyfriend got a BAFTA? No, so allow me, allow me, I'm going to
:09:53. > :09:57.get rowdy a. Lou me, allow me, so I'm going to get rowdy. I'm off now.
:09:57. > :10:07.To present at ward for best male act from Hollyoaks, we've got two
:10:07. > :10:11.
:10:11. > :10:16.hotties, Georgey Porter and You didn't disappoint! Yeah. I said
:10:16. > :10:22.hotties, you came as hotties. How are you feeling? I cannot sit down.
:10:22. > :10:27.What do you mean? It's too exciting. I keep dancing. I don't have a
:10:28. > :10:32.problem. You're just having a really good time. You are here for
:10:32. > :10:42.a job and then you can have fun. The nominations for Best Male Act
:10:42. > :10:43.
:10:43. > :11:33.Apology for the loss of subtitles for 42 seconds
:11:33. > :11:43.And the winner of Best Male Act is... Plan B.
:11:43. > :11:57.
:11:57. > :12:04.I don't know what to say, man. I usually just win one award at these
:12:04. > :12:09.shows, you know. It's been a long, kind of, hard struggle to get that
:12:09. > :12:13.album made, get the film made. This feels good. It feels like it's all
:12:13. > :12:17.worth it. Thank you. APPLAUSE
:12:17. > :12:22.Coming up, two Olympic sized champions of the ring will be
:12:22. > :12:32.revealing the winner of Best Album and stashy play a special tribute
:12:32. > :12:38.
:12:38. > :12:47.to TLC. If he's partying without me, it's
:12:47. > :12:53.over between us. Touch it, touch it. That's really impressive Rickie.
:12:53. > :12:58.And I'm not even excited yet. Girls, you are hillarious. I guess you're
:12:58. > :13:01.pleased you're hanging out with these fine young vixens, what about
:13:01. > :13:06.me? What about our voiceover? I thought we had something special.
:13:06. > :13:09.You disgust me. I was going to find you. Really? Do you remember this,
:13:09. > :13:16.does this mean anything to you? Didn't you draw that on the train
:13:16. > :13:20.on the way up yesterday? Fine, how about these, simply dazzling and
:13:20. > :13:26.spectacular adaptation of the lion king, it was a glorious performance.
:13:26. > :13:31.What are you bringing up old stuff for. Don't stop girls. When I fell
:13:31. > :13:37.off my BMX and I grazed my knee, you gave me a plaster and a kept it.
:13:37. > :13:41.He's a crazy fool. Don't list ton him. How about this? Never mind
:13:41. > :13:44.about that I'm not being funny, we have to be on stage in 20
:13:45. > :13:49.Palestinian its. Can you take your lover'stive in the corridor.
:13:49. > :13:53.said you would take me out front. Forget it. I think you need to get
:13:53. > :13:59.out and sort yourselves out. corridor is there, babe. The other
:13:59. > :14:08.side of the door. I'm sorry man. I should never have left you. I'm
:14:08. > :14:11.sorry. Can I make it up to you. A chicken dinner. You know I love my
:14:11. > :14:21.peri peri. Stooshe are about to perform and TLC. I have a plan, can
:14:21. > :14:24.
:14:24. > :14:28.I think Rickie and Melvin are having trouble back stage by the
:14:28. > :14:37.looks of it. I don't want to go back there. I think we need a bit
:14:37. > :14:41.more music. Yes. Some more tunes. This next act were the 2009 winners
:14:41. > :14:46.for Best Newcomer. Without any doubt they've gone on to some very
:14:47. > :14:51.big things. Not least picking up a further four MOBO awards in the
:14:51. > :15:01.past three years, decent stuff. That is great. Liverpool, let me
:15:01. > :15:10.
:15:10. > :15:15.hear your girly screams for Marvin, # Can I talk to you?
:15:16. > :15:19.# If I jump the gun Put me right back in my place
:15:19. > :15:23.# Can I kiss and run like I'm your boyfriend?
:15:23. > :15:29.# I can be your toyfriend I can be your lover
:15:29. > :15:30.# Take it how you want, girl Treat you like no other
:15:30. > :15:32.# Say, I can be your toyfriend I can be your lover
:15:32. > :15:35.# Take it how you want, girl Treat you like no other
:15:35. > :15:38.# If you should ever wonder why these dudes have formed a line
:15:38. > :15:42.# It's cos they see the sexiness that's finally been defined
:15:42. > :15:47.# How does it feel to be the hottest girl
:15:47. > :15:49.# In the world right now World right now?
:15:49. > :15:52.# How does it feel to be the hottest girl
:15:52. > :15:54.# In the world right now World right now?
:15:54. > :15:56.# You got something No other girl's like that
:15:56. > :16:01.# I wanna touch you so tell me how
:16:01. > :16:06.# How does it feel to be the hottest girl
:16:06. > :16:08.# In the world right now World right now?
:16:08. > :16:11.# How does it feel to be the hottest girl
:16:11. > :16:13.# In the world right now World right now?
:16:13. > :16:19.# Ha ha
:16:20. > :16:22.# You know it's funny cos you have no idea
:16:22. > :16:26.# I ain't givin' up so I gotta know your name
:16:26. > :16:31.# Think I talked enough so what are you saying, girl?
:16:31. > :16:35.# I can be your Mr Right or I can be your Mr Right Now
:16:35. > :16:38.# Either way, girl Let's just shut this down
:16:38. > :16:41.# I can be your toyfriend I can be your lover
:16:41. > :16:45.# Take it how you want, girl Treat you like no other
:16:45. > :16:48.# Say, I can be your toyfriend I can be your lover
:16:48. > :16:51.# Take it how you want, girl Treat you like no other
:16:51. > :16:54.# If you should ever wonder why these dudes have formed a line
:16:54. > :16:58.# It's cos they see the sexiness that's finally been defined
:16:58. > :17:04.# How does it feel to be the hottest girl
:17:04. > :17:06.# In the world right now World right now?
:17:06. > :17:08.# How does it feel to be the hottest girl
:17:08. > :17:10.# In the world right now World right now?
:17:10. > :17:13.# You got something No other girl's like that
:17:13. > :17:17.# I wanna touch you so tell me how
:17:17. > :17:22.# How does it feel to be the hottest girl
:17:22. > :17:25.# In the world right now World right now?
:17:25. > :17:27.# How does it feel to be the hottest girl
:17:27. > :17:29.# In the world right now World right now?
:17:29. > :17:33.# Is it cool if I get real close? Raise a glass
:17:33. > :17:41.# Can I make a toast to the girl
:17:41. > :17:48.# The most beautiful I've ever seen in my whole life, ever?
:17:48. > :17:56.# I say how does it feel
:17:56. > :18:06.# How does it feel to be the hottest girl
:18:06. > :18:10.
:18:10. > :18:12.# How does it feel to be the hottest girl
:18:12. > :18:13.# In the world right now World right now?
:18:13. > :18:16.# How does it feel to be the hottest girl
:18:16. > :18:17.# In the world right now World right now?
:18:17. > :18:20.# You got something No other girl's like that
:18:20. > :18:25.# I wanna touch you so tell me how
:18:25. > :18:29.# How does it feel to be the hottest girl
:18:29. > :18:31.# In the world right now World right now?
:18:31. > :18:34.# How does it feel to be the hottest girl
:18:34. > :18:36.# In the world right now World right now? #
:18:36. > :18:42.APPLAUSE AND CHEERING
:18:42. > :18:44.# How does it feel to be the hottest girl
:18:44. > :18:46.# In the world right now World right now? #
:18:46. > :18:47.# How does it feel to be the hottest girl
:18:47. > :18:49.# In the world right now World right now? #
:18:49. > :18:58.APPLAUSE AND CHEERING
:18:58. > :18:58.I
:18:58. > :18:58.I think
:18:58. > :19:06.I think I
:19:06. > :19:12.I think I just sort him move his hips like no other human before him.
:19:12. > :19:15.Wow. JLS, the next award Best Album is highly coveted. Its given to the
:19:15. > :19:20.artist with a body of work recognised by industry experts and
:19:20. > :19:26.the voting pub lake like. It's like getting loads of -- public alike.
:19:26. > :19:33.It's like getting loads of slaps on the back foreyour work. To give out
:19:33. > :19:36.the award two very special people, Olympic Gold Medallist and stars of
:19:36. > :19:42.Team GB, Antony Joshua and Nicola add apldz.
:19:42. > :19:49.-- Adams. APPLAUSE
:19:49. > :19:53.Hey guys. Welcome to the MOBO Awards 2012. Gold Medallists!
:19:53. > :20:02.CHEERING How are you feeling? Yeah, really
:20:02. > :20:08.good. It's really nice to be here. And is this your first MOBOs? Are
:20:08. > :20:13.these the perks of being a GMist now? Definitely one of the perks.
:20:13. > :20:16.I'm really excited to be here. won medals for boxing obviously,
:20:16. > :20:23.what music do you like to go out into the ring in? What's your
:20:23. > :20:28.favourite track at the moment? couple of tracks, Kend rik Lemar
:20:28. > :20:38.and the Ora album as well. It's big. Go ahead. You're here for a job. Go
:20:38. > :20:38.
:20:38. > :21:30.Apology for the loss of subtitles for 42 seconds
:21:30. > :21:40.for it. Let's look at the MOBO And the winner of Best Album is...
:21:40. > :22:11.
:22:11. > :22:19.# Oh, heaven # I wait with good intentions #
:22:19. > :22:23.Woo! Thank you. Oh, what What a completely lovely
:22:23. > :22:29.last thought. That was lovely, Emeli Sande. She's completely swept
:22:29. > :22:34.the board tonight. Well done voting public and industry experts,
:22:34. > :22:38.especially voting public. Well, what a night it's been and what
:22:38. > :22:44.incredible winners we've had so far, best female, Emeli Sande and
:22:44. > :22:49.everything else. Best hip-hop and grime, Plan B, best male, Plan B.
:22:49. > :22:53.Best Newcomer sponsored by HTC, Rita Ora, best video JLS. And that
:22:53. > :22:58.brings us to the final award of the night. Usually, you'd save the best
:22:58. > :23:03.till last. As the rest of the show has been so damn great, this is
:23:03. > :23:09.simply billed as the 14th award. It's catchy. And it goes to an act
:23:09. > :23:13.that have shown an outstanding contribution, an act that nobody
:23:13. > :23:19.can argue have shaped the way music has been created and performed, an
:23:19. > :23:23.act that even your mum's heard of because they're so respected to.
:23:23. > :23:33.Present it we have three ladies, one name, Stooshe.
:23:33. > :23:35.
:23:35. > :23:40.This year's Outstanding Contribution Award goes to a grup
:23:40. > :23:46.that have sold a staggering 65 million records worldwide. They've
:23:46. > :23:56.won 19 major awards including four Grammys. They're the best selling
:23:56. > :24:08.
:24:08. > :24:14.# Don't go chasing water falls # Please stick to the rivers and
:24:14. > :24:17.the lakes that you're used to # I don't want no scrub
:24:17. > :24:21.# A scrub is a guy that can't get no love from me
:24:21. > :24:31.# Hanging on the passenger side of his best friend's ride trying to
:24:31. > :24:55.
:24:55. > :25:03.holer at me # Hello! Hey, hey, hey, hey. Thank
:25:03. > :25:11.you guys so much. This means so much, so much, so much to us. Wow.
:25:11. > :25:18.This is our first time at the MOBO Awards. This is such an hanor.
:25:18. > :25:22.Wow. -- honour. Wow, what a welcome. It is an honour. We are humbled by
:25:22. > :25:28.this. We want to thank all of our fans. We couldn't be here without
:25:28. > :25:36.them and the MOBO Awards, thanks for having us. An awesome award.
:25:36. > :25:41.Yes, absolutely, thank you so much. Hi guys. We have heard rumours that
:25:41. > :25:48.you will be coming back, TLC are coming back with more music. Will
:25:48. > :25:55.it be an album, tour or both? I can handle both? Both. Both. Well, also
:25:56. > :26:00.a TLC movie that's coming out next year. TLC the movie? Yes. A movie,
:26:00. > :26:05.album, tour. So sort of world domination all over again. We hope.
:26:05. > :26:11.So Hope so. Guys, thank you so much for being here. One more time for
:26:11. > :26:17.TLC! Thank you everybody. We love you guys. Thank you. That, I'm
:26:17. > :26:22.afraid, brings us to the end of the show. I know, it's a bit sad, Adam,
:26:22. > :26:27.it's been a blooming pleasure. Really nice. What's been your
:26:27. > :26:31.highlight? My highlight? Probably getting Rita Ora's number earlier.
:26:31. > :26:35.But you didn't get it. I think you'll find I did. Don't hate, you
:26:35. > :26:41.had your chance. Rita, I'm going to bell you after the show. You bell
:26:41. > :26:45.Rita. A big thank you to all our performers and award presenters.
:26:45. > :26:55.big congratulations to every one of tonight's winners. That brings us
:26:55. > :27:06.
:27:06. > :27:12.to the last performance with Water # A lonely mother
:27:12. > :27:18.# If at any time he's in a jam She'll be by his side
:27:18. > :27:22.# But he doesn't realise he hurts her so much
:27:22. > :27:29.# But all the praying just ain't helping at all
:27:29. > :27:33.# Cos he can't seem to keep his self out of trouble
:27:33. > :27:36.# So he goes out and he makes his money
:27:36. > :27:40.# The best way he knows how
:27:40. > :27:42.# Another body layin' cold in the gutter
:27:42. > :27:46.# Listen to me
:27:46. > :27:48.# Don't go chasing waterfalls Please stick to the rivers
:27:48. > :27:55.# And the lakes that you're used to I know that you're gonna have it
:27:55. > :28:00.# Your way or nothing at all but I think you're moving too fast
:28:00. > :28:10.# Little precious has a natural obsession
:28:10. > :28:14.# For temptation but he just can't see
:28:14. > :28:21.# She gives him loving that his body can't handle, but all he can say
:28:21. > :28:25.# Is, Baby is good to me
:28:25. > :28:31.# One day he goes and takes a glimpse in the mirror
:28:31. > :28:34.# But he doesn't recognise his own face
:28:34. > :28:40.# His health is fading and he doesn't know why
:28:40. > :28:45.# Three letters took him to his final resting place
:28:45. > :28:50.# Y'all don't you hear me
:28:50. > :28:53.# Don't go chasing waterfalls Please stick to the rivers
:28:53. > :28:56.# And the lakes that you're used to
:28:56. > :29:00.# I know that you're gonna have it your way or nothing at all
:29:00. > :29:10.# But I think you're moving too fast Come on, I seen a rainbow yesterday
:29:10. > :29:11.
:29:11. > :29:12.# But too many storms have come and gone
:29:12. > :29:15.# Leaving a trace of not one God-given ray
:29:15. > :29:16.# Is it because my life is ten shades of grey
:29:16. > :29:18.# I pray all ten fade away
:29:18. > :29:19.# Seldom praise him for the seven days
:29:19. > :29:21.# And like his promise is true Only my faith can undo
:29:21. > :29:23.# The many chances I blew to bring my life to anew
:29:23. > :29:25.# Clear and blue and unconditional
:29:25. > :29:31.# Skies have dried the tears from my eyes
:29:31. > :29:35.# No more lonely cries
:29:35. > :29:45.# My only bleeding hope is for the folk who can't cope
:29:45. > :29:47.
:29:47. > :29:53.# But I think you're moving too fast Come on, I seen a rainbow yesterday
:29:53. > :29:55.# Don't go chasing waterfalls Please stick to the rivers
:29:55. > :29:58.# And the lakes that you're used to
:29:58. > :30:03.# I know that you're gonna have it your way or nothing at all