:00:07. > :00:17.This programme This programme contains scenes of
:00:17. > :00:17.
:00:17. > :02:15.Apology for the loss of subtitles for 118 seconds
:02:16. > :02:25.Ladies and gentlemen, welcome to the MOBOs Awards, 2012, live from
:02:26. > :02:26.
:02:26. > :04:52.Apology for the loss of subtitles for 118 seconds
:04:52. > :04:57.Stkpwhrts now time to introduce your hosts for the evening. -- it's
:04:57. > :05:01.now time. Liverpool, lift the roof off for
:05:01. > :05:10.Miquita Oliver and Adam Deacon. Hell will he Liverpool. Wow, quite
:05:10. > :05:19.a lot of people. Hi everyone. is going down Liverpool? What are
:05:19. > :05:25.you saying? Thank you to Progrect G who opened the show. -- Project G.
:05:25. > :05:30.Wow, this is actually quite intense. So is everyone pumped for the
:05:30. > :05:37.MOBOs? We're ready for the MOBOs? This is a mad thing. Are you ready?
:05:37. > :05:43.I think I'm ready. Welcome to the MOBOs Awards, 2012. Yeah, yeah.
:05:43. > :05:50.That's right. You know what Miquita, it is about to get real. I think
:05:50. > :05:57.this is actually quite excited. is exciting. I I used to watch it
:05:57. > :06:06.on TV. You remember it. Anyone who is anyone who has been on it.
:06:06. > :06:11.Rihanna, Jay-Z. Tem pa. Neyo. Jessie J And me. You have not
:06:11. > :06:18.performed. I think in 2011 I gave out an award. It went very well.
:06:18. > :06:26.You killed it. Tonight we have performances from Labrinth. Misha B,
:06:26. > :06:32.StooShe. Ladies, we have JLS in the house. I love that. We have Angel.
:06:32. > :06:40.We' got Fantasia on British Sea Songs. OK. Wiley is performing on
:06:40. > :06:46.stage tonight. -- we've got Trey Songz. Awards for Best Male, Best
:06:46. > :06:51.Female, Best Album, Best Song, Best Video and a lot more, including the
:06:51. > :06:55.legendary TLC will be right here in this actual room. Right now, I want
:06:55. > :06:59.to hold tight everyone on twitter back at home. If the excitement of
:06:59. > :07:05.seeing me myself Adam Deacon, presenting the MOBO awafrdz isn't
:07:05. > :07:09.enough for you, then get tweeting. -- MOBOs Awards. I can pick up on
:07:09. > :07:15.all the exclusives. Remember to use the hashtag. Adam is doing that
:07:16. > :07:23.chat. I don't know what I'm talking about. Now the first performance.
:07:23. > :07:30.What better performance to start with this lady who was at not just
:07:30. > :07:40.one, but two Olympic ceremonies. She also has a nomination for the
:07:40. > :07:53.
:07:53. > :08:03.MOBOs. With My Kind Of Love, here # I can't buy your love
:08:03. > :08:13.# Sometimes the truth # But don't ever question
:08:13. > :08:18.
:08:18. > :08:23.# Know I'm far from perfect # I can't grant you any wishes
:08:23. > :08:28.# But don't ever question if my heart beats only for you
:08:28. > :08:33.# It beats only for you
:08:33. > :08:36.# Cos when you've given up
:08:36. > :08:40.# When no matter what you do It's never good enough
:08:40. > :08:46.# When you never thought that it could ever get this tough
:08:46. > :08:53.# That's when you feel my kind of love
:08:53. > :08:57.# And when you're cryin' out
:08:57. > :09:02.# When you've fallen and can't pick your head up off the ground
:09:02. > :09:08.# When the friends you thought you had haven't stuck around
:09:08. > :09:18.# That's when you feel my kind of love
:09:18. > :09:18.
:09:18. > :09:22.# You won't see me at the parties I guess I'm just no fun
:09:23. > :09:28.# I won't be turning up the radio singing, baby, you're the one
:09:28. > :09:32.# But don't ever question if my heart beats only for you
:09:32. > :09:38.# It beats only for you
:09:38. > :09:42.# I know sometimes I get angry and I say what I don't mean
:09:42. > :09:48.# I know I keep my heart protected far away from my sleeve
:09:48. > :09:52.# But don't ever question if my heart beats only for you
:09:52. > :09:57.# It beats only for you
:09:57. > :10:00.# Cos when you've given it up
:10:00. > :10:04.# When no matter what you do it's never good enough
:10:04. > :10:10.# When you never thought that it could ever get this tough
:10:10. > :10:18.# That's when you feel my kind of love
:10:18. > :10:21.# And when you're cryin' out
:10:21. > :10:26.# When you've fallen and can't pick your head up off the ground
:10:26. > :10:31.# When the friends you thought you had haven't stuck around
:10:31. > :10:39.# That's when you feel my kind of love
:10:40. > :10:44.# Cos when you've given up
:10:45. > :10:48.# When you've fallen and can't pick your head up off the ground
:10:48. > :10:53.# When the friends you thought you had haven't stuck around
:10:53. > :11:02.# That's when you feel my kind of love
:11:02. > :11:12.APPLAUSE AND CHEERING
:11:12. > :11:15.
:11:15. > :11:15.Still
:11:15. > :11:16.Still to
:11:16. > :11:21.Still to come
:11:21. > :11:25.Still to come on the MOBOs Awards 2012. Rita Ora presents the award
:11:25. > :11:30.for Hip-Hop/Grime Act. Labrinth will be performing not one but two
:11:30. > :11:33.hits and JLS tell us who the hottest girl in the world is.
:11:33. > :11:39.Ricky, this voicover business is great and everything but we need to
:11:39. > :11:42.get out in front of everyone else and get a taste of that famous MOBO
:11:42. > :11:51.atmosphere. How long until we're up next? About 20 minutes. Great,
:11:52. > :11:57.let's get out there and have a quick look-see, man.
:11:57. > :12:02.Yeah, Emeli Sande's performance was amazing. It was an absolute treat.
:12:02. > :12:05.Labrinth is on soon. Passes, please, gentlemen. Do you know what, I
:12:05. > :12:09.think we left it in the voicover booth. I don't know if you know
:12:09. > :12:14.about this, we are actually the voicover for this event. You could
:12:15. > :12:19.all us the voice of MOBO. I don't care if you are the voice of Celine
:12:19. > :12:26.Dion, if you haven't got a parks you aren't coming in. You are
:12:26. > :12:32.joking, man. How am I supposed to know that. You will do the falcetto,
:12:32. > :12:36.you do the base. # How does it feel like to be the
:12:36. > :12:43.hottest girl in the right now # How does it feel to be the
:12:43. > :12:48.hottest girl in the world right now # World right now... # I'm going to
:12:48. > :12:58.need back-up to main stage 1, please. Oh-oh.
:12:58. > :13:00.
:13:01. > :13:04.The public votes have been counted, industry experts have had their say.
:13:04. > :13:09.It's time to hand out the first award of the night. First up, it's
:13:10. > :13:15.Best Song. Best Song, in association with PRS
:13:15. > :13:20.for Music. To present it an actress fond of a ballroom who narrowly
:13:20. > :13:30.missed out on the Strictly Come Dancing crown. But she's here.
:13:30. > :13:34.
:13:34. > :13:38.Welcome to the MOBOs Awards. Yeah. I was going to ask other questions
:13:39. > :13:43.first, but I can't not talk about this dress. So, just tell me
:13:44. > :13:50.everything about this little number. Well, obviously it's very sparkly.
:13:50. > :13:56.Yeah, big time. It's very out there and very me. Very you. Is this your
:13:56. > :13:59.first MOBOs? No, my second. Second. And do you usually party
:13:59. > :14:02.afterwards? Do you hit the after parties? That goes without saying.
:14:02. > :14:07.We have given you the first award of the night. Get in there and get
:14:07. > :14:17.messy as soon as possible. Thank you so much. Let's have a look at
:14:17. > :14:17.
:14:17. > :15:47.Apology for the loss of subtitles for 118 seconds
:15:47. > :15:56.And the MOBO award for the Best Wow, wow, wow, wow. Liverpool! I
:15:56. > :16:00.brought a few notes of some people I would like to thank. First,
:16:00. > :16:05.everybody has to thank mum at home. I'm going to thank my mum at home.
:16:05. > :16:12.I love you, mum, thank you for all the work you have done for the
:16:12. > :16:16.family. I have to thank my team, Our Child. Mark Williams, are you
:16:16. > :16:21.all right there, my friend? Manager? I would like to thank the
:16:21. > :16:26.radio DJs and radio stations that helped to push this record. Psycho,
:16:26. > :16:36.love you, that's the family right there and I would like to thank Dan
:16:36. > :16:42.
:16:42. > :16:47.White and my lovely Mrs. Thank you I'm ninja, turtle, you can't step
:16:47. > :16:53.into my circle, in a sound clash I would hurt you. Sorry man, I'm
:16:53. > :17:00.excited about this next one. Listen up, people, next up, straight out
:17:00. > :17:07.of Bow E3, real name, Richard Kylea Cowie, but some might know him as
:17:07. > :17:17.Eskiboy, performing one of the biggest tracks of the summer. Make
:17:17. > :17:22.
:17:22. > :17:28.some noise for this is Wiley, # My name's Wiley, yeah
:17:28. > :17:38.# When I arrive # Put your hands up on my body
:17:38. > :17:42.
:17:42. > :17:46.# When the sun's out # I ride out on my Yamaha R6
:17:46. > :17:52.# In the dance # I get behind her
:17:52. > :17:56.# She back it up good # When I arrive
:17:56. > :17:58.# My name's Wiley, yeah Play my song then
:17:58. > :18:00.# When I arrive I'm causin' a heatwave
:18:00. > :18:03.# Causin' a heatwave Causin' a heatwave
:18:03. > :18:05.# Causin' a heatwave
:18:05. > :18:07.# When I arrive I'm causin' a heatwave
:18:07. > :18:10.# I'ma party, I'm gon' dance Put your hands up on my body
:18:10. > :18:13.# On my body, on my body
:18:13. > :18:17.# I'ma party, I'm gon' dance
:18:17. > :18:20.# On my body, on my body
:18:20. > :18:25.# I'ma party, I'm gon' dance
:18:25. > :18:26.# When the sun's out we just wanna impress
:18:26. > :18:27.# I stand in the clear I don't bother with mess
:18:27. > :18:28.# If it ain't gonna sell I don't wanna invest
:18:28. > :18:30.# If it ain't got a vibe I ain't got an interest
:18:30. > :18:31.# I wanna see a ice-cream van on the road
:18:31. > :18:32.# I wanna see a light skin gal
:18:32. > :18:34.# I wanna get a slush puppy with both flavours
:18:34. > :18:36.# Drink that now I'm right back in my zone
:18:36. > :18:38.# When I arrive I'm causin' a heatwave
:18:38. > :18:40.# I've got vibes to sell People want them
:18:40. > :18:42.# My name's Wiley, yeah Play my song then
:18:42. > :18:45.# When I arrive I'm causin' a heatwave
:18:45. > :18:54.# Causin' a heatwave Causin' a heatwave
:18:54. > :18:56.# I was on a path to the limelight
:18:56. > :18:57.# Now I'm on another one it's a night flight
:18:57. > :18:59.When they say I'm a star I say thank you
:18:59. > :19:01.# It's all due to the scenes that I ran through
:19:01. > :19:02.# So I keep flyin the flags for all people
:19:02. > :19:04.# No messing about we're all equal
:19:04. > :19:06.# Vibe alive in the club when I roll in
:19:06. > :19:08.# I get around with the crowd when I'm roaming
:19:08. > :19:12.# Everybody right now Can you hear me?
:19:12. > :19:15.# Through the speakers turn me up if you hear me
:19:16. > :19:23.# Ayaya ayaya ayaya ayaya
:19:23. > :19:26.# Everybody right now can you hear me?
:19:27. > :19:30.# Through the speakers turn me up if you hear me
:19:30. > :19:38.# Ayaya ayaya ayaya ayaya
:19:38. > :19:40.# They should know I bring vibes on a club night
:19:40. > :19:42.# Keep the crowd hyped up brother party
:19:42. > :19:43.# Red, she wanna say words in my earlobe
:19:43. > :19:45.# Reminds me there's an hour of the party left
:19:45. > :19:49.# See the fireworks, celebration Team winning the Grey Goose amazing
:19:49. > :19:50.# Send them Jaeger bombs I got a craving
:19:50. > :19:52.# So many women I don't wanna stop raving
:19:52. > :19:54.# They should know I got tunes for the gyaldem
:19:54. > :19:56.# Once the ladies are there see the man dem reach
:19:56. > :19:58.# They wanna leave there with a number
:19:58. > :20:00.# Check the peng ting she's gonna hang with me
:20:00. > :20:03.# I'm skanking all round the party I'm skanking
:20:03. > :20:05.# I got girls to the left and girls to the right
:20:05. > :20:07.# When we're at the bar we ain't ramping
:20:08. > :20:11.# Everybody right now Can you hear me?
:20:11. > :20:14.# Through the speakers turn me up if you hear me
:20:14. > :20:24.# Ayaya ayaya ayaya ayaya
:20:24. > :20:25.# Wiley called me on the iPhone
:20:25. > :20:27.# He said get my passport told me to come through
:20:27. > :20:28.# Put your sun cream in your suitcase
:20:28. > :20:30.# When I arrive causing a heat wave too
:20:30. > :20:31.# Got my SnapBack and my vest on
:20:31. > :20:33.# Looking at the hot girl with the red dress on
:20:33. > :20:35.# Light skin with a beautiful body like Kim
:20:35. > :20:37.# So I had to get my Kanye West on
:20:37. > :20:38.# She told me she's feeling my jewellery
:20:38. > :20:42.# She said that she's in love with my Jesus piece
:20:42. > :20:44.# I told her to look again closely It's not Jesus baby it's JME
:20:44. > :20:46.# And I was like babe, come over
:20:46. > :20:48.# I don't bite, girl Come a little closer
:20:48. > :20:49.# Come a little closer I don't bite
:20:50. > :20:52.# Girl, come a little closer
:20:52. > :20:55.# Everybody right now Can you hear me?
:20:55. > :20:58.# Through the speakers turn me up if you hear me
:20:58. > :21:08.# Ayaya ayaya ayaya ayaya
:21:08. > :21:20.
:21:20. > :21:22.Wow,
:21:22. > :21:22.Wow, Wiley
:21:22. > :21:27.Wow, Wiley just
:21:27. > :21:33.Wow, Wiley just killed it and Skepta joining in the fun. We are
:21:33. > :21:36.having a great time. Next up one of the most hotly-contested awards of
:21:37. > :21:40.the night. Best Female Act in association with tressor, Paris. To
:21:40. > :21:48.present it, an actress that appeared as the slyly troubled
:21:48. > :21:57.Michelle in one of 2012's biggest films. -- slightly troubled
:21:57. > :22:03.Michelle. It is Anouska Amond and Plan B.
:22:03. > :22:08.Look at you. Anuesh ka, is this the first fun event your previous boss,
:22:08. > :22:12.Ben has taken you to? It is. Unbelievable. And this is your
:22:12. > :22:16.first MOBOs. My first. What is Ben like to work for? What is he like
:22:16. > :22:20.as a boss? I have to say good things because he is standing next
:22:20. > :22:24.to me. He was amazing. I feel so honoured to be part of the project.
:22:24. > :22:29.I bow down to Ben. You don't know if you have to do that. Ben up for
:22:29. > :22:34.a lot of awards tonight. You have all in all had ten MOBOs
:22:34. > :22:38.nominations throughout your career. Is it nice to get this much love
:22:38. > :22:41.from this ceremony? Man, it is always great to be recognised.
:22:41. > :22:46.there anyone you are looking forward to seeing her formed?
:22:46. > :22:49.just saw Wiley smash it up. I'm looking forward to seeing Labrinth,
:22:49. > :22:53.as always. I hear there are pretty big things going on in that. We
:22:53. > :22:58.have let you had a little job but I promise you can then have a good
:22:58. > :23:04.time. Will you be hitting the after-parties? Obviously. Ben?
:23:04. > :23:09.know, I'm going to try to, yeah. You seem a bit tired. OK, do your
:23:09. > :23:19.job, thadges for coming. Thank you. -- thanks for coming. The nominees
:23:19. > :23:19.
:23:19. > :24:45.Apology for the loss of subtitles for 118 seconds
:24:45. > :24:50.And the winner is... Emeli Sande. Wow! Thank you so much. Thank you,
:24:50. > :25:00.Liverpool. First of all I would like to thank my wonderful family,
:25:00. > :25:00.
:25:00. > :25:05.my mum, my dad, my sister, Adam. Naughty Boy. Everyone at virgin.
:25:05. > :25:09.Adrian. Everyone that made this possible and for the MOBOs for
:25:09. > :25:19.supporting me before I was on anybody else's radar. Thank you so
:25:19. > :25:24.much. This means the world to me, thank you. Emeli Sande, winning
:25:25. > :25:28.Best Female, well-deserved. Well done Emeli Sande. Staying on the
:25:28. > :25:32.subjects of beautiful females, which you are,my key ta, very
:25:32. > :25:37.beautiful. You know I wrote you a little 16-bar lyric about yourself,
:25:37. > :25:43.init. You know I didn't know that. I Zliesic. Miquita,my key ta, you
:25:43. > :25:46.are hot like a heater, heater, when I get home I'm going to tweet you.
:25:46. > :25:51.I'll stop you there. That was really good. Don't let anyone tell
:25:51. > :25:55.you it wasn't, that was great. Let's get away from it as quickly
:25:55. > :26:00.as possible, though. Let's move straight on to another award. This
:26:00. > :26:10.time for Best Gospel. To present it, please welcome the
:26:10. > :26:10.
:26:10. > :27:01.Apology for the loss of subtitles for 118 seconds
:27:01. > :27:11.lovely Misha B. Hello, Liverpool. And the MOBO award for Best Gospel
:27:11. > :27:37.
:27:37. > :27:47.Wow. Hold my hand # Hold my hand
:27:47. > :27:53.
:27:53. > :28:00.# I'm nothing without you # I'm nothing without you, you... #
:28:00. > :28:06.Wow. There are so many people I am nothing without. Firstly, God, so
:28:06. > :28:14.faithful. My family who are here, I love you, thank you. My incredible
:28:14. > :28:19.management team, you are the best, Elgns Manage am. FA, DH Studios.
:28:19. > :28:27.Team Kerr, my incredible band. Everybody who voted. This is not in
:28:27. > :28:32.vain, the best is yet to come, God bless you, thank you.
:28:32. > :28:38.I can't believe she just sang. That was incredible. Congratulations,
:28:38. > :28:42.Rachel. Next on stage is a man who has literally barged his way into
:28:42. > :28:47.his lives, with singles, Go In, Go Hard, Wretch 32 and most recently
:28:47. > :28:54.the top-ten hit, Wonderful. started producing when he was 10.
:28:54. > :29:01.Has rit written for Roll Deep. Deaf lon, JLS, Rihanna and has been
:29:01. > :29:11.described as the new at that tueed UK-face of R&B. Quite an aclate,
:29:11. > :29:17.
:29:17. > :29:27.# When you finally find # When you finally find
:29:27. > :29:47.
:29:47. > :29:57.# Exhale, breathe in # You can lose your voice
:29:57. > :29:58.
:29:58. > :30:03.# Everywhere we go We feel like we're strangers
:30:03. > :30:06.# On the other hand it makes us feel major
:30:06. > :30:09.# If they never knew then maybe they'll name ya
:30:09. > :30:12.# Don't let 'em change ya
:30:12. > :30:16.# When you finally find what's beautiful
:30:16. > :30:18.# It's so wonderful
:30:18. > :30:22.# If you're looking for the stars keep looking at me hard
:30:22. > :30:24.# If you're looking for the stars keep looking at me hard
:30:24. > :30:30.# If you're looking for the stars keep looking at me hard
:30:30. > :30:38.# When you finally find what's beautiful
:30:38. > :30:40.# When you finally find what's beautiful
:30:40. > :30:43.# It's so wonderful
:30:43. > :30:45.# Inhale, steamin'
:30:45. > :30:48.# We can blow it up for the weekend Shallow world meet him
:30:48. > :30:54.# Promise when we bust in the deep end
:30:54. > :31:04.# Can't control the feelin' And I can't let go, I need it
:31:04. > :31:04.
:31:04. > :31:07.# Everywhere we go We feel like we're strangers
:31:07. > :31:10.# On the other hand it makes us feel major
:31:10. > :31:12.# If they never knew then maybe they'll name ya
:31:12. > :31:16.# Don't let 'em change ya
:31:16. > :31:19.# When you finally find what's beautiful
:31:19. > :31:25.# It's so wonderful
:31:25. > :31:30.# If you're looking for the stars keep looking at me hard
:31:30. > :31:39.# If you're looking for the stars keep looking at me hard
:31:39. > :31:43.# When you finally find what's beautiful
:31:43. > :31:46.# It's so wonderful
:31:46. > :31:50.# When you finally find what's beautiful
:31:50. > :31:52.# It's so wonderful
:31:52. > :31:57.# When you finally find what's beautiful
:31:57. > :32:04.# When you finally find what's beautiful
:32:04. > :32:08.# When you finally find what's beautiful
:32:08. > :32:09.# It's so wonderful
:32:09. > :32:11.# Everywhere we go We feel like we're strangers
:32:11. > :32:14.# On the other hand it makes us feel major
:32:14. > :32:16.# If they never knew then maybe they'll name ya
:32:16. > :32:20.# Don't let 'em change ya
:32:20. > :32:24.# When you finally find what's beautiful
:32:24. > :32:26.# It's so wonderful
:32:26. > :32:30.# When you finally find what's beautiful
:32:30. > :32:33.# It's so wonderful. #
:32:33. > :32:43.APPLAUSE AND CHEERING
:32:43. > :32:43.Stay
:32:43. > :32:43.Stay right
:32:43. > :32:47.Stay right where
:32:47. > :32:54.Stay right where you are, coming up Rita Ora presents the MOBO awavered
:32:54. > :33:01.for Hip-Hop/Grime Act and we get a visit from two Olympic medallists.
:33:01. > :33:06.Plus the live music keeps coming from Conor Maynard, Labrinth and
:33:07. > :33:11.JLS. I don't think we'll get out in front. I had an idea. Angel is
:33:11. > :33:19.performing next. So if he's on his stage, that means his table is...
:33:19. > :33:24.Empty. I'm one step ahead of you, Ricky, one step ahead. Oh!
:33:24. > :33:31.It's a good idea. You ain't got to tell me, brother. Genius, I can't
:33:31. > :33:41.wait to get out front. Emeli Sande, Emeli Sande's band. Who is that?
:33:41. > :33:41.
:33:41. > :33:46.JLS. Oh, who is this, Angel, here we go.
:33:46. > :33:53.So what are you saying was this sick? How did it sound, though?
:33:53. > :33:59.It's proper,. A few dots here, a few dots there.
:33:59. > :34:04.On fire. Crazy. Serious, though. Angel's own mum would be fooled. I
:34:04. > :34:10.can't believe how much you look like him. Hurry up, we haven't got
:34:10. > :34:16.time. Calm down, we're almost done. The same old stuff, man. Once you
:34:16. > :34:20.get out there, don't forget me. I don't want you to get distracted
:34:20. > :34:27.with free-flowing champagne and sexy ladies. Of course you can
:34:27. > :34:34.count on me. What are you doing in my room, bruv? That's a funny story.
:34:34. > :34:42.Help me, man. What's that on your face? It's like looking in a mirror,
:34:42. > :34:49.right, yeah? Come on, can I keep the jacket, though? Take my jacket
:34:49. > :34:52.off. The award for R&B and Soul Act next. It has been done by Adele and
:34:52. > :34:57.Plan B. If history serves us correctly, the winner is guaranteed
:34:57. > :35:02.to either have a baby or write a film in the next 12 months. That's
:35:02. > :35:07.in the just me saying that, it's a fact. To present it, two ladies
:35:07. > :35:14.fresh from the biggest UK event since the MOBOs Awards 2012,
:35:14. > :35:20.obviously. From Team GB, please show a massive amount of
:35:20. > :35:28.appreciation for help tat athletes, Lewis wees Hazel and Katarina
:35:28. > :35:34.Johnson-Thompson. -- Louise Hazel. Yeah, actual members of Team GB,
:35:34. > :35:39.sure, sure, at the MOBOs. Is it nice not to be in your training kit
:35:39. > :35:42.and be in glamorous dresss. Nice to be out of the lycra for one evening.
:35:42. > :35:46.Of course, the MOBOs Awards, there are parties afterwards. Let's in
:35:46. > :35:49.the lie, do you have training tomorrow or can you relax and have
:35:49. > :35:52.a good time? I had training this morning, I think I can let my hair
:35:52. > :35:57.down a bit. You trained this morning. You trained before the
:35:57. > :35:59.MOBOs. Yeah. OK. You were both competing in the Olympic stadium
:35:59. > :36:04.throughout the summer. Were you expecting the British public to
:36:04. > :36:07.sort of embrace the Olympics in the way they did? Definitely. We always
:36:07. > :36:12.manage to put on a good show in Great Britain. Look at the crowd
:36:12. > :36:17.here tonight. I know, look at this crowd, look at it. Quite quiet. But
:36:17. > :36:21.there it is, there it is. Actually I was going say, the
:36:21. > :36:26.Olympic stadium, there was a lot of vibe. Was it louder than this
:36:26. > :36:30.crowd? I'm not too sure. I think the crowd might go a little bit
:36:30. > :36:34.more wild when Conor Maynard comes on. Is that who you are waiting
:36:34. > :36:42.for? When you are training what music do you listen to?
:36:42. > :36:46.favourite warm-up track has to be Tinie Tempah Passing Out. That's
:36:46. > :36:53.what I'm doing at the end of a session. Passion out. So, girls,
:36:53. > :37:03.off job to do, then you can party. The nominees for of the Best R&B
:37:03. > :37:03.
:37:03. > :38:21.Apology for the loss of subtitles for 118 seconds
:38:21. > :38:24.Thank you so much. Wow, two! Thank you so much, first of all, really
:38:25. > :38:29.to all the fans who've bought my music and supported me and have
:38:29. > :38:33.been so loyal from the very beginning. But also just for the
:38:33. > :38:38.women who've opened doors for me over the past decade in the UK. I
:38:38. > :38:45.wouldn't be able to be here without them. I want to dedicate this award
:38:45. > :38:49.to Ms Dynamite, Beverly Knight, Shola Ama, Eternal, people who have
:38:49. > :38:52.really opened doors and allowed people like me to be here tonight
:38:53. > :39:00.and make the music we want to and get the acknowledgement that I
:39:00. > :39:05.think it deserves. So thank you. Emeli Sande, completely winning
:39:05. > :39:09.everything. OK, Adam, if I was to say to you, turn around, what would
:39:09. > :39:16.you think? I'd think, what are you a fed or something. I ain't got
:39:16. > :39:20.nothing on me, man. What if I said, what if I professed to being a
:39:20. > :39:24.Vegas Girl. I'd say, babe I'm not stalking you, I have done my
:39:24. > :39:28.research on twitter and you are from west London, you would be
:39:28. > :39:34.lying. How do you know that? I've been doing my research. That's
:39:34. > :39:43.really creepy. What if I said "I can't say no." Obviously you can't
:39:43. > :39:48.say no, it is my size kid, you get me. Wowzers. What Adam is
:39:48. > :39:58.unbelievably failing to grass is that our next performer is the
:39:58. > :39:59.
:39:59. > :40:00.# Wasn't looking for trouble # I tried to say no
:40:00. > :40:02.# She was looking lovely She kinda reminds me
:40:02. > :40:04.# Of a girl I know
:40:04. > :40:09.# This pretty young thing that I got waiting for me back at home
:40:09. > :40:14.# She's got my engines turning This happens every time
:40:14. > :40:20.# I see a pretty girl and I wanna make her mine
:40:20. > :40:23.# They send my rocket to the sky
:40:23. > :40:27.# I want them But should I go for them
:40:27. > :40:37.# I'm like Houston I think we got a problem
:40:37. > :40:41.
:40:41. > :40:47.# Turn around, open your eyes Look at me now
:40:47. > :40:51.# Turn around, girl I've got you
:40:51. > :40:55.# We won't fall down, yeah
:40:55. > :41:03.# We can see, forever from up here, yeah
:41:03. > :41:10.# So long as we're together Have no fear, no fear
:41:10. > :41:16.# So turn around, floating So high you're above the ground
:41:16. > :41:25.# Floating so high, turn around Together, nothing can stop us now
:41:25. > :41:28.# Listen, baby Turn around, floating
:41:28. > :41:35.# So high you're above the ground Floating so high, turn around
:41:35. > :41:40.# Together, nothing can stop us now
:41:40. > :41:50.# Turn around, turn around Turn around, outta space
:41:50. > :41:53.
:41:53. > :41:57.# we can go there now, yeah
:41:57. > :42:02.# Turn around There's no limit to what we found
:42:02. > :42:05.# Uh yeah Music
:42:05. > :42:11.# Oh, I wanna feel it all, yeah
:42:11. > :42:15.# We'll stay up Cos there's no way for us
:42:15. > :42:20.# To fall, to fall So turn around, floating
:42:20. > :42:28.# So high you're above the ground Floating so high, turn around
:42:29. > :42:34.# Together, nothing can stop us now
:42:34. > :42:40.# Listen baby, turn around, floating So high you're above the ground
:42:40. > :42:44.# Floating so high, turn around Together, nothing can stop us now
:42:44. > :42:54.# Turn around, turn around Uh baby, we're so high now, whoa
:42:54. > :42:57.
:42:57. > :42:59.# Listen baby, turn around, floating So high you're above the ground
:42:59. > :43:06.# Floating so high, turn around Together, nothing can stop us now
:43:06. > :43:16.# Turn around, turn around Uh baby, we're so high now, whoa
:43:16. > :43:21.
:43:21. > :43:31.APPLAUSE AND CHEERING
:43:31. > :43:32.
:43:32. > :43:33.Oh,
:43:33. > :43:33.Oh, Conor
:43:33. > :43:37.Oh, Conor Maynard.
:43:37. > :43:41.Oh, Conor Maynard. I kind of love him, just a little bit. The next
:43:41. > :43:45.award is Best Video, an accolade that goes to the body of work,
:43:45. > :43:49.proving artistic flair, a creative eye, amaze story-telling,
:43:49. > :43:54.impeccable use of light and a good choice of director who does all
:43:54. > :43:59.that work for you. To present I ward winner, of Britain and
:43:59. > :44:09.Ireland's next top model, Letitia her odd and local girl, Rebecca
:44:09. > :44:09.
:44:09. > :44:17.Ferguson. -- Herod. Did no-one here me say... Local
:44:17. > :44:22.girl, local girl. Rebecca, did you get the bus from
:44:22. > :44:27.your house, was it this easy? the 81. How great is it that the
:44:27. > :44:32.MOBOs are back in Liverpool? It's amazing. I think it'll be a great
:44:32. > :44:37.party night tonight. Are you going out after the awards? I am.
:44:37. > :44:44.ready, Liverpool. How has life changed since winning Britain's
:44:44. > :44:51.Next Top Model. Completely. The whole experience has been a whirl
:44:51. > :44:55.wind. Is it like hitting the MOBOs quite often. Yeah, every day.
:44:55. > :44:59.there any men you fancy in the audience? Well it is hard to choose.
:44:59. > :45:04.Is there anyone you are sitting next, to you are moving closer to.
:45:04. > :45:08.I'm surrounded by women. Well JLS are close. And Labrinth over there.
:45:08. > :45:13.I think they are all taken, though. Guys, thank you so much for being
:45:13. > :45:16.here. Who are you looking forward to seeing performulater? Well I
:45:16. > :45:20.have just seen Emeli Sande, that has done it for me. And you are
:45:20. > :45:30.done. Thank you so much, guys. Thank you.
:45:30. > :45:30.
:45:30. > :46:23.Apology for the loss of subtitles for 118 seconds
:46:23. > :46:33.And the nominees for Best Video And the MOBO Award for Best Video
:46:33. > :47:10.
:47:10. > :47:17.Wow, MOBO number five. Wow. We twapbt say a huge thank you
:47:17. > :47:24.to the cast of that video, to the director, Marcus London smashed it.
:47:24. > :47:29.Killed it. Obviously to our Sony Music video team. Lisa, Dan, Marco
:47:29. > :47:34.Keith. You smashed it as well. Modest Management. Boys, I love you.
:47:34. > :47:37.A huge thank you to all the fans, everyone to voted for to us win
:47:37. > :47:41.this award. We love you, always. Thank you very much.
:47:41. > :47:46.Can I just say a big thank you to everyone that featured in the video
:47:46. > :47:51.and believed in JLS from day one. You guys are still here right now.
:47:51. > :48:01.We love you so very much. And a big shout out to everyone
:48:01. > :48:07.else in the category. He love you guys. Peace out. JLS at the MOBOs.
:48:07. > :48:11.Wow. In tweed. Hi. JLS are getting a lot of love
:48:11. > :48:17.tonight, man. Everyone loves them. The girls are lovin them, ain't
:48:17. > :48:21.they? Is that who you were waiting for, JLS, basically? Listen, Aston,
:48:21. > :48:27.there is only room for one little guy out here, you know. Listen,
:48:27. > :48:37.next up is the award for Best Jazz. To give it up, please welcome, the
:48:37. > :48:41.
:48:41. > :48:44.lovely Delilah and Yolande Brown. Hello.
:48:44. > :48:54.Hi everyone. Let's take a look at the nominees for this year's Best
:48:54. > :48:54.
:48:54. > :49:46.Apology for the loss of subtitles for 118 seconds
:49:47. > :49:56.Thank you MOBOs for continuing to support jazz music, the MOBO Award
:49:57. > :50:24.
:50:24. > :50:30.for Best Jazz goes to... Zo ji Thank you everybody, it's all about
:50:30. > :50:36.table 50. That's where all the jazz musicians Rthank you Femi, Zara
:50:36. > :50:40.McFarlane and Roller Trio and everybody who voted to the jazz
:50:40. > :50:44.musicians. I would like to dedicate this to my dad to passed away this
:50:44. > :50:50.year and to everybody who voted in the jazz category. Thank you, thank
:50:50. > :50:55.you Liverpool, good night. MOBO 2012, sit tight. We are
:50:55. > :51:00.moments away from a Labrinth live performance, plus, Rita Ora will be
:51:00. > :51:05.revealing who will be walking away with the geft Hip-Hop/Grime Act
:51:05. > :51:10.award. Two Olympic heroes present the award for Best Album and
:51:10. > :51:15.StooShe gives TLC a very special honour. Right, I think it is time
:51:15. > :51:23.for a cup of tea. How you are talking my language. What is it,
:51:23. > :51:30.white with eight, yeah? No, seven, I'm trying to cut down. Boys,
:51:30. > :51:36.what's going on? How are you going? Good, Good, good, good. Sweet boy.
:51:36. > :51:39.What is with the suit. What are you lot up to?? Ready, Hottest Girl In
:51:39. > :51:45.The World. We are going to the stage Let me come with you.
:51:45. > :51:51.right, man. Do you know what, I have to get some tea for Melvin, he
:51:51. > :51:55.is in the room. Come on, leave him. Nah, nah. Dance with us. Leave him.
:51:55. > :52:03.You are featured in the performance tonight. You need to learn the
:52:03. > :52:07.routine. I can't guys. I'll see you at the after-party. Get your dance
:52:07. > :52:16.moves on. He always does it to us. Sweet boy. We'll get Lab. Forget
:52:16. > :52:22.him. The fifth member never delivers. Hey, what's going on,
:52:22. > :52:26.guys. Are you good How are you doing, brother. Listen I'm getting
:52:26. > :52:36.tea for Melvin, he is in the voice- over room. I have to head to stage.
:52:36. > :52:36.
:52:36. > :52:41.See you in a bit. OK, cool, cool, later. All right, tea for two, then.
:52:41. > :52:46.Hey, what is going on. Good to see you. Listen I'm in a rush, I have
:52:46. > :52:50.to get tea for Melvin. Do you want to come I'm all right, I'm just
:52:50. > :52:59.chilling. What are you doing? Into learning how to do massages and
:52:59. > :53:05.stuff. Don't worry, see you later. Imagines, you know what, his tea
:53:05. > :53:10.can wait. How is everyone feeling at the MOBOs Awards 2012?
:53:10. > :53:15.Come on, louder than that. One more time. I think louder. It can't just
:53:15. > :53:20.be these guys. OK, OK. Now the next man on stage gets about a bit. He
:53:20. > :53:23.is what some people call a pop floosy, producing people, then he
:53:23. > :53:27.is collaborating with people and then re-mixing people, then he is
:53:27. > :53:31.writing for people. A lot of them sat in this very room. I think you
:53:32. > :53:35.know who you are, OK. I can't even lie. I actually went to school with
:53:35. > :53:41.this artist. Did you actually? is not a joke. It was very clear
:53:41. > :53:44.from a young age that this kid had serious talent. A guy that's always
:53:44. > :53:50.pushing the boundaries and at the same time with a smile on his face.
:53:50. > :53:55.I can't tell you how proud I am of this guy, straight out of hack ni.
:53:55. > :54:04.Give it up for Timothy McKenzie, aka Labrinth. -- straight out of
:54:04. > :54:14.# You tell all the boys no # I know you're out of my league
:54:14. > :54:15.
:54:15. > :54:20.# You've carried on so long You couldn't stop if you tried it
:54:21. > :54:30.# You've built your wall so high That no one could climb it
:54:31. > :54:34.
:54:34. > :54:37.# But I'm gonna try
:54:37. > :54:43.# Would you let me see beneath your beautiful
:54:43. > :54:49.beneath your perfect
:54:49. > :54:51.# Take it off now, girl Take it off now, girl
:54:51. > :54:54.' I wanna see inside
:54:54. > :55:04.# Would you let me see beneath your beautiful tonight
:55:04. > :55:27.
:55:27. > :55:37.Labrinth, come in...
:55:37. > :55:40.
:55:41. > :55:42.# Ladies and gentlemen
:55:42. > :55:46.# This is something they call a ground-breaker, breaker
:55:46. > :55:48.# So let me first apologise
:55:48. > :55:49.# To the shirts and the ties
:55:49. > :55:54.# For your makeup cos I'll make you ugly
:55:54. > :55:57.# As soon as it drops We're on a rampage
:55:57. > :55:58.# Bottles poppin' off
:55:58. > :56:01.# Before you know it There's rubble and dust
:56:01. > :56:05.# Cos we be crashing it up Somebody say you better run
:56:05. > :56:10.# Yeah! I predict an earthquake up in here
:56:10. > :56:17.# Say yeah! I predict an earthquake up in here
:56:17. > :56:20.# Cos we throw bombs on it Throw bombs on it
:56:20. > :56:24.# Just smash something, yeah Mosh for me, hey yeah
:56:24. > :56:30.# We can make an earthquake up in here
:56:30. > :56:40.# So here we go, we go
:56:40. > :56:49.
:56:49. > :56:59.# Say yeah! I predict an earthquake up in here
:56:59. > :57:04.
:57:04. > :57:04.I
:57:04. > :57:04.I dedicate
:57:04. > :57:14.I dedicate that
:57:14. > :57:36.
:57:36. > :57:46.I dedicate that to my fans, I love # Say yeah!
:57:46. > :57:48.
:57:48. > :57:53.# Just smash something, yeah Mosh for me, hey yeah!
:57:53. > :57:57.# We can make an earthquake up in here
:57:57. > :58:05.# So here we go, we go
:58:05. > :58:08.CHEERING AND APPLAUSE
:58:08. > :58:09.MOBOs
:58:09. > :58:09.MOBOs make
:58:09. > :58:18.MOBOs make some
:58:18. > :58:22.MOBOs make some noise. Yeah, OK, all right Labrinth, killing it, all
:58:22. > :58:28.right. Next up, the award for Best Newcomer in association with HTC.
:58:28. > :58:34.Now this award is without a doubt the springboard to greatness.
:58:34. > :58:39.Jessie J has won it. Tinie Tempah has won it. Fire, fire,
:58:39. > :58:45.we're going to set this place on fire. NDubz won it. Nah, nah, nah,
:58:45. > :58:50.ha, ha, ha, ha. I should just go. Can you just go, that would be
:58:50. > :58:54.great. Stkpwhrats fact, superstardom guaranteeed. -- It's a
:58:54. > :59:00.fact. Who is on the stage to present the award? Only the first
:59:00. > :59:08.British woman to win a major tennis title in 24 years. That's
:59:08. > :59:12.embarrassing. It's Heather Watson.! Hi Heather. Hello. Look at you.
:59:12. > :59:17.Welcome to the MOBOs Awards 2012. Is it nice to be here? It's amazing
:59:17. > :59:22.to be here. Also thrst' so many talented people, I'm so excited. --
:59:22. > :59:26.there's so many talented people. Anyone in particular? I'm so
:59:26. > :59:29.excited to see all the performances. I'm going to talk to you. How do
:59:29. > :59:35.you feel everyone is calling you the British hope for female ten
:59:35. > :59:40.snis I'm just going to keep enjoying myself and have fun. --
:59:40. > :59:44.for female tennis. Are there certain tracks, you listen to?
:59:45. > :59:49.like to listen to upbeat stuff to get me in the zone. How do you feel
:59:49. > :59:54.about the Labrinth performance? Actually I listen to that a lot.
:59:54. > :59:59.Really, Earthquake gets you going on the tennis courts? Yeah.
:59:59. > :00:03.there anyone in the room, who you would like to be sat on the table
:00:03. > :00:07.with? I'm with all the Olympians, they are awesome. I wouldn't change
:00:07. > :00:17.them. You are in Olympian corner. Thank
:00:17. > :00:17.
:00:17. > :01:47.Apology for the loss of subtitles for 118 seconds
:01:47. > :01:57.you for being here, go ahead. And the MOBO Award for the Best
:01:57. > :02:28.
:02:28. > :02:33.Congratulations. Thank you. Liverpool, how you doing?
:02:33. > :02:38.Can I just say that I can't breathe right now. I've never been
:02:38. > :02:45.nominated for anything before, so thank you so much MOBOs. Thank you
:02:45. > :02:49.to my management. Thank you to Rock Nation to Joe Brown and Jay-Z, to
:02:49. > :02:59.all of you, and my sister and my mother, Vera, I have to thank my
:02:59. > :03:03.
:03:03. > :03:09.mum and to all of you out here. I love you. Yeah! Thank you. Ritaoria,
:03:09. > :03:12.congratulations, well-deserved. Well done. -- Rita Ora. I don't
:03:12. > :03:16.think anyone can dispute that Rita Ora is kind of taking over at the
:03:16. > :03:26.moment. She's also a very good- looking woman. Make sure you keep
:03:26. > :03:29.tweeting people and keep using the hashtag MOBO. Except to X Z 997.
:03:29. > :03:36.What you wrote was wrong and actually illegal in some countries.
:03:36. > :03:46.Kick back, fix up for a bit. Time for the next award, Best African
:03:46. > :03:51.
:03:51. > :04:01.To present it we have Lenora. Hello.
:04:01. > :04:01.
:04:01. > :04:57.Apology for the loss of subtitles for 118 seconds
:04:57. > :05:03.Let's take a look at the nominees And the MOBO goes to... D'Banj. Now,
:05:03. > :05:07.unfortunately Mubanga couldn't be with us tonight, but he did send
:05:07. > :05:13.message. Thank you for -- D'Banj couldn't be with us tonight. But he
:05:13. > :05:17.sent this message. Thank you, thaw so much MOBO. Thank you for the
:05:17. > :05:23.award. I shall live it, love it. Thank you to God. Thank you to my
:05:23. > :05:30.parents, my mother and father. Thank you to my fans. Yes, coconuts,
:05:30. > :05:37.babylets, mammalets. Thank you to everybody who voted, my manager. I
:05:37. > :05:41.thank you Vanessa. I thank myself. Thank you to everybody. Yes, Africa,
:05:41. > :05:46.thank you. I'm coming home, but it's cold, so I'm stuck here for
:05:46. > :05:55.now. What can I do? I'm trying to do finish and do some good music
:05:55. > :05:59.for you. You know, see you soon, good bless you.
:05:59. > :06:02.D'Banj winning Best African Act. That's not his real name. Very
:06:03. > :06:07.interesting. Not just a pretty face. I know stuff. Are you saying, we
:06:07. > :06:13.can have a little wine up and after-party tonight? No. What are
:06:13. > :06:19.you saying? Maybe we could just... No, no. Moving on to another
:06:19. > :06:29.performance, and with a lady fresh from supporting Nicki Minaj on her
:06:29. > :06:30.
:06:30. > :06:40.debut tour. Please be upstanding # Look at what you done then
:06:40. > :06:48.
:06:48. > :06:50.# Don't go, you're so addictive I cannot resist it
:06:50. > :06:57.# Let's dance, let's take it to the next level
:06:57. > :06:58.# No hands, more bass and more treble
:06:58. > :07:03.# Tonight I wanna be a rebel, whoa You got me so excited
:07:03. > :07:07.# I'm doing things I've never done before
:07:07. > :07:09.# Done before, whoa
:07:09. > :07:11.# And when I try to fight it
:07:11. > :07:16.# I know it's something I cannot ignore
:07:17. > :07:18.# I don't know, I don't know I don't know
:07:18. > :07:20.# Baby, I don't know what you done, done, done
:07:20. > :07:22.# What you done, one done Hit a home run
:07:22. > :07:24.# Baby, I don't know what you done, done, done
:07:24. > :07:26.# What you done, one done Hit a home rum
:07:27. > :07:29.# I'm high now, I'm flying I don't know what you did but
:07:29. > :07:35.# You hit me hard now
:07:35. > :07:37.# I'm flying, all the night Yeah, yeah, yeah
:07:37. > :07:41.# Come show me how you move it Fast, slow, control
:07:41. > :07:43.# I'm losing This is my city, my cry
:07:43. > :07:44.# Got me locked, uh, yes
:07:44. > :07:45.# So let's dance Let's take it to the next level
:07:46. > :07:47.# No hands, more bass and more treble
:07:47. > :07:53.# Tonight I wanna be a rebel, whoa You got me so excited
:07:53. > :07:58.# I'm doing things I've never done before
:07:58. > :08:00.# Done before, whoa And when I try to fight it
:08:00. > :08:07.# I know it's something I cannot ignore
:08:07. > :08:09.# I don't know, I don't know I don't know
:08:09. > :08:11.# Baby, I don't know what you done, done, done
:08:11. > :08:13.# What you done, one done Hit a home run
:08:13. > :08:15.# Baby, I don't know what you done, done, done
:08:15. > :08:17.# What you done, one done Hit a home rum
:08:17. > :08:21.' I'm high now, I'm flying I don't know what you did but
:08:21. > :08:23.# You hit me hard now
:08:23. > :08:26.# I'm flying, all the night Yeah, yeah, yeah
:08:26. > :08:28.# Maybe run but you got me sprung up
:08:28. > :08:30.# All over my thing, like you're ready for the hang up, hang up
:08:30. > :08:32.# Ready to back my thing up
:08:32. > :08:35.# Wait till you see more Yin yang up
:08:35. > :08:37.# Move to the left, take it back to the right, girl
:08:37. > :08:42.# got my hands up Ready to back my thang up
:08:42. > :08:44.# Wait till you see my ... hang up
:08:44. > :08:54.# You got me so excited I'm doing things I've never done before
:08:54. > :09:02.# And when I try to fight it I know it's something I cannot ignore
:09:02. > :09:10.# You got me so excited I'm doing things I've never done before
:09:10. > :09:19.# And when I try to fight it I know it's something I cannot ignore
:09:19. > :09:21.# I don't know, I don't know I don't know
:09:21. > :09:22.# What you done, one done Hit a home run
:09:22. > :09:23.# Baby I don't know what you done, done, done
:09:23. > :09:26.# What you done, one done Hit a home run
:09:26. > :09:28.# I'm high now, I'm flying I don't know what you did but
:09:28. > :09:36.# One time for you, you the baddest
:09:36. > :09:40.# One time for you, you the baddest
:09:41. > :09:50.# Look at what you done, done. #
:09:51. > :09:51.
:09:51. > :09:52.APPLAUSE AND CHEERING
:09:52. > :09:58.# I can't really explain what it is she does
:09:58. > :10:04.APPLAUSE AND CHEERING
:10:04. > :10:04.Still
:10:04. > :10:04.Still to
:10:04. > :10:10.Still to come
:10:10. > :10:14.Still to come on the MOBOs Awards 2012 live from the Echo Arena,
:10:14. > :10:20.Liverpool, Rita or kpwra presents the gong for Hip-Hop/Grime Act. We
:10:20. > :10:30.find out who is the Best Male, plus, we have more live music, courtesy
:10:30. > :10:38.
:10:38. > :10:41.of Songz sornings JLS and StooShe - Where are you with my tea I'm
:10:41. > :10:46.spitting feathers. Where is Ricky He went about half an hour ago to
:10:46. > :10:51.get my tea. Have you seen him? Anyway, how is it going on, what is
:10:51. > :10:56.it like? Crazy. The audience are going insane. Labrinth perform. He
:10:56. > :11:00.came on the stage, it was crazy. He went off. Apparently Trey Songz are
:11:01. > :11:06.performing later. But it is nice in here as well, you know. Nice and,
:11:06. > :11:12.grai. Can I come out there with you? -- nice and grey. Oh, my
:11:12. > :11:17.manager is calling me now. I've got to go. I can't hear it. We have a
:11:17. > :11:24.secret call that no-one else can hear. I'll head off. You want that
:11:24. > :11:28.tea. Ricky apparently likes pasteries. Maybe send him a muffin
:11:28. > :11:33.basket as well just a thank you for everything he has done. So have fun,
:11:33. > :11:41.with yourself and I'll see you in a bit. I always preferred Justin
:11:41. > :11:45.Bieber anyway. Now, our next award is the big one. The accolade that
:11:45. > :11:51.every performer wants as it proves, without doubt, that your music has
:11:51. > :11:56.made a mark on the world, it's the skaf lifetime Achievement award.
:11:56. > :12:06.present it no other than CEO and just the founder of MOBO, Kanya
:12:06. > :12:13.
:12:13. > :12:17.How are you enjoying the show tonight? It's overwhelming. I feel
:12:17. > :12:21.very tearful. I think every year it is like planning your own wedding.
:12:21. > :12:25.That's probably why I never got married. A lot of work, a lot of
:12:25. > :12:30.excitement but this is unbelievable. You guys are doing a great job.
:12:31. > :12:34.we presenting your wedding to a good standard? Go ahead. Each year
:12:34. > :12:38.the Lifetime Achievement award is presented to an artist that MOBO
:12:38. > :12:44.feels should be recognised for the impact they've made on the industry
:12:44. > :12:50.they love. This year, the accolade goes to a performer celebrating
:12:50. > :12:56.their 50th year, making music, who without doubt, stands shoulder-to-
:12:56. > :13:06.shoulder with the all time greats. Let's take a look at a mere
:13:06. > :13:10.
:13:10. > :13:13.snapshot of an incredible 50-year # Why do you have to be a
:13:13. > :13:20.heartbreaker # When when I was being what you
:13:20. > :13:26.want me to be... # She is truly Akonic. And the women of the
:13:26. > :13:36.musical world, the Ella Fitzgeralds, the Aretha Franklins, you know in
:13:36. > :13:42.
:13:42. > :13:49.the top five, you have to include Dionne. Her records are unique,
:13:49. > :13:52.create ive, and they create to me the most meaningful artist-composer
:13:52. > :14:01.relationship I can think of in contemporary music history
:14:01. > :14:08.# Do you know the way to San Jose # You know I can't wait to get to
:14:08. > :14:13.San Jose... # The more I recorded with Dionne, the more I could see I
:14:13. > :14:18.could take chances with her. There wasn't anything I felt was really
:14:18. > :14:22.challenging for Dionne. # If you see me walking down the
:14:22. > :14:30.street # And I start to cry each time we
:14:30. > :14:36.meet # Walk on by... # If entertainer
:14:36. > :14:40.and still enjoy what you do, I know d Dionne does, she has a great
:14:40. > :14:44.capacity of a voice that God gave her. She has done it to a very high
:14:44. > :14:48.level. I think she'll continue to do that, because that's what she is.
:14:48. > :14:52.# Keep shining # Knowing that you can always
:14:52. > :15:02.counting on me # For sure
:15:02. > :15:02.
:15:02. > :15:11.# That's what friends are for... # Wow. I'm so proud of this lady.
:15:11. > :15:15.Please welcome to the stage, the MOBO Award 2012 Lifetime
:15:15. > :15:20.Achievement recipient, Dionne Warwick.
:15:20. > :15:30.# For there is always something there to remind me... #
:15:30. > :15:58.
:15:59. > :16:08.# I was born to love you Congratulations. This is for you.
:16:09. > :16:15.
:16:15. > :16:22.Hello. First giving honour to God, who is responsible for all of us
:16:22. > :16:29.being here this evening. I would like to say, it is a complete
:16:29. > :16:35.honour to have been thought of in this manner. And to have been given
:16:35. > :16:43.this wonderful, wonderful award. I thank you very, very much for this.
:16:43. > :16:53.I thank all of you for being a part of my life for these past 50 years.
:16:53. > :17:00.
:17:00. > :17:04.And, in conclusion, God bless you Wow, Dionne Warwick, a total legend,
:17:04. > :17:10.amazing, a round of applause for Dionne Warwick. We are going
:17:10. > :17:18.straight on to another award. This time, for Hip-Hop/Grime Act. To
:17:18. > :17:28.give it out, it is the MOBOs Awards 2012 - let me say that again, MOBOs
:17:28. > :17:29.
:17:29. > :17:34.Awards 2012 Best Newcomer winner, Rita Ora. Hey Best Newcomer. Look
:17:34. > :17:39.at you, look at you. Hey. How are you doing? I can't even breathe
:17:39. > :17:43.right now, guys. Is that the first award you have ever won? Yes, the
:17:43. > :17:48.first award I have ever won or been nominated for. It's amazing.
:17:48. > :17:52.Stkpwhrts quite nice to go and conquer the world -- lgts quite
:17:52. > :17:58.nice to go -- it's quite nice to go and conquer the world and come home
:17:58. > :18:03.and get an award. It was a great honour. I was 15 when I first
:18:03. > :18:08.performed, and it was at the MOBOs. You performed with Craig Davis when
:18:08. > :18:14.you were 15. In Wembley. Were you a backing singer, on the track, how
:18:14. > :18:17.did this happen? It was just a tra, I jumped on stage and started
:18:17. > :18:21.singing. You just jumped on the stage at the MOBOs when you were 15.
:18:21. > :18:25.Yeah. What is your night like tonight? You have just basically
:18:25. > :18:28.been all around the world. Is it nice to be back in England to hang
:18:28. > :18:33.out with friends? There is nothing like being back home. It's like the
:18:33. > :18:39.best feeling and seeing all my fans, you know it started here. I love
:18:39. > :18:44.the fact I can come back and be honoured as a newcomer a really
:18:44. > :18:48.nice feeling. Who is on your table? My sister, my best friend. My
:18:48. > :18:53.management and just a whole bunch of people. You don't bring the
:18:53. > :18:58.parents to the MOBOs, a bit much for them? Yeah, she'd rather watch
:18:58. > :19:04.it on TV. Can we talk about the dress? This is happening in such a
:19:04. > :19:09.big way. Spin, spin for Liverpool. Oh, yeah, wow. Where is this from?
:19:10. > :19:15.Oh, this is a little piece I had under my bed. I'm joking, it is
:19:15. > :19:20.Alexander McQueen. I wanted to pay some memories. Dionne Warwick just
:19:20. > :19:25.won a MOBO for Lifetime Achievement. Wasn't that beautiful. Is she
:19:25. > :19:29.someone who has influenced me? only has she influenced me. I can't
:19:29. > :19:34.believe I'm on the stage after her to tell you the truth. She is
:19:34. > :19:37.amazing, everything you heard was a hit. I was like, "Another one,
:19:37. > :19:43.another one." You have a small job to do and go have a good time. You
:19:43. > :19:53.have worked hard this year. Go ahead. All right, guys, so, the
:19:53. > :19:53.
:19:53. > :20:40.Apology for the loss of subtitles for 118 seconds
:20:40. > :20:50.nominees for Hip-Hop/Grime Act And the MOBO Award for Hip-
:20:50. > :20:51.
:20:51. > :21:01.Hop/Grime Act goes to... It has to be the nicest man I have ever met,
:21:01. > :21:19.
:21:19. > :21:23.Well done. I need to say a big thank you to Paul Eppworth. Without
:21:23. > :21:28.Paul I wouldn't be here today. Honestly he has been there from the
:21:28. > :21:33.start. I want to thank my manage am. I want to thank all the guys that
:21:34. > :21:37.help me make my films. Without the film we'd have no album, you know.
:21:37. > :21:47.Anyone who has helped inspire me get to this point. Thank you very
:21:47. > :21:55.
:21:55. > :21:59.One more time for my boy, Plan B. The Best Hip skaf hop and Grime Act.
:21:59. > :22:05.Is everyone having a good time? Before we move on, let's just check.
:22:05. > :22:10.Is everyone enjoying the night so far? Louder. Not just these guys,
:22:10. > :22:15.again. Come on. Did we enji Labrinth earlier? Was that all
:22:15. > :22:25.right for people. Emeli Sande winning and performing for us.
:22:25. > :22:26.
:22:26. > :22:35.oria, Best Newcomer. Make some noise, people Rita Ora..
:22:35. > :22:40.Do your tweet chat. Everyone at home, and moi twitter crew, keep
:22:40. > :22:45.tweeting using the hashtag MOBO. Time for a performance from a man
:22:45. > :22:51.who supported Jay-Z and be Usher. Released five albums, nominated for
:22:51. > :22:56.a Grammy and recently has a role in the latest incarnation of the The
:22:56. > :23:04.Texas Chainshaw Massacre. His next track hit the top of the R&B track
:23:04. > :23:10.earlier this yee, giving him the first UK chart-topper to date. I
:23:10. > :23:14.know the sugar dumplings are going to go mad for this. And just like
:23:14. > :23:24.the beautiful Miquita right here, this is Trey Songz with Simply
:23:24. > :23:33.
:23:33. > :23:38.# See, I'm a man that # But I'll be damned
:23:38. > :23:42.# And how we play a fight up in the bathroom
:23:42. > :23:44.# Next thing I know I'm making love to you
:23:44. > :23:48.# Girl, promise me you'll never change
:23:48. > :23:53.# She ain't perfect but she's worth it
:23:53. > :23:58.# Every breath I breathe for the life of me
:23:58. > :24:02.# And I know I might not deserve it
:24:02. > :24:12.# But she loves me and it's simply amazing
:24:12. > :24:14.
:24:14. > :24:22.# Simply amazing, simply amazing
:24:22. > :24:32.# And she loves me, and it's simply amazing, amaze-amazing
:24:32. > :24:34.
:24:34. > :24:38.# The girl's a work of art and I can't help but stare
:24:38. > :24:42.# With a smile like the sunset and the ocean is her hair
:24:43. > :24:46.# Ooh what she do ain't fair Ooh
:24:46. > :24:51.# She knows me better than I know myself, mhmmm
:24:51. > :24:55.# See, I'm a man that don't believe in much
:24:55. > :25:01.# But I'll be damned if I don't believe in us
:25:01. > :25:04.# Like when I said I loved you for the first time
:25:04. > :25:06.# And the tears dropped from your eyes
:25:06. > :25:10.# Girl, don't you ever change
:25:10. > :25:14.# Cos she ain't perfect but she's worth it
:25:14. > :25:19.# Every breath I breathe for the life of me
:25:19. > :25:24.# And I know I might not deserve it
:25:24. > :25:32.# But she loves me and it's simply amazing
:25:33. > :25:42.# Simply amazing, simply amazing
:25:43. > :25:43.
:25:43. > :25:49.# And she loves me
:25:49. > :25:58.# There is nothing in this world That can keep me away from you
:25:58. > :26:07.# And there's nobody who could ever compare to you, ooh
:26:07. > :26:13.# She ain't perfect but she's worth it
:26:13. > :26:17.# Every breath I breathe for the life of me
:26:17. > :26:22.# And I know I might not deserve it
:26:22. > :26:31.# But she loves me and it's simply amazing
:26:31. > :26:41.# Simply amazing, simply amazing
:26:41. > :26:42.
:26:42. > :26:50.# And she loves me and it's simply amazing. #
:26:50. > :27:00.APPLAUSE AND CHEERING
:27:00. > :27:01.
:27:01. > :27:01.I
:27:01. > :27:02.I think
:27:02. > :27:07.I think we
:27:07. > :27:12.I think we all just fell a little bit in love with Trey Songz. That's
:27:12. > :27:16.OK. That's OK. Our next award is for Best Male Act. It kind of
:27:16. > :27:22.speaks for itself. You win the award if you are the Best Male Act.
:27:22. > :27:26.I can relate to this one, still. Adam, how? I don't want to blag or
:27:27. > :27:32.nothing but obviously, man won the BAFTA this year, you get me, so,
:27:32. > :27:38.Miquita, has your boyfriend got a BAFTA? No, so, allow me, allow me,
:27:38. > :27:43.I'm going to get rowdy, allow me, allow me, I'm going to get rowdy.
:27:43. > :27:47.Right off to find the girl, then. Yeah, do you that. To present the
:27:47. > :27:57.award, from Hollyoaks, we have two hotties, Jorgie Porter and Jennifer
:27:57. > :27:58.
:27:58. > :28:02.Metcalfe. Oh, you didn't disappoint? I said hotties, you
:28:03. > :28:08.came as hotties. How are you feeling at the MOBOs? I cannot sit
:28:08. > :28:12.down. What do you mean? It's too exciting. I keep dancing. I was
:28:12. > :28:18.like - what do you mean? I don't have a problem. You are just having
:28:18. > :28:22.a really good time. Is this your first MOBOs, girls? No, we came two
:28:22. > :28:32.years ago and had an amazing time of it is nice to be on this side of
:28:32. > :28:34.
:28:35. > :28:40.the camera. Did you just party last time? Raefg. How raving. How down
:28:40. > :28:46.does Jorgie get? Down. Go on, show us. You don't have to. I zI have
:28:46. > :28:51.been practising. Would you ever partake in the bogo? What is it?
:28:51. > :28:56.I'm in the showing you, if you don't know, it doesn't matter. Who
:28:56. > :29:02.is on your table, who have you got? A little rowdy bunch. Is there
:29:02. > :29:06.anyone in particular, you are hoping to see tonight. StooShe.
:29:06. > :29:11.Amazing. Something special for them Trey Songz was amazing right there.
:29:11. > :29:15.Do you fancy him? Apparently that's the thing, Trey Songz exists to be
:29:15. > :29:22.fancied. Yeah. The song is just really, really good. But do you
:29:22. > :29:27.fancy him? No, of course not. does, she just told me. Jennifer
:29:27. > :29:37.Metcalfe is completely in love with Trey Songz. Gi a head.
:29:37. > :29:37.
:29:37. > :30:26.Apology for the loss of subtitles for 118 seconds
:30:26. > :30:36.nominations for -- go ahead. The And the winner of Best Male Act
:30:36. > :30:50.
:30:50. > :30:59.I don't know what to say, man. I usually just win one award at these
:30:59. > :31:03.shows, you know. It's been a long kind of hard struggle to get that
:31:03. > :31:13.album made, get the film made. This feels good. It feels like it's all
:31:13. > :31:14.
:31:14. > :31:20.worth it. Thank you. All right, Ben, just winning everything, all right.
:31:20. > :31:25.The guy is killing it, init? Adam, what's your highlight of the
:31:25. > :31:29.evening so far? Do you know, being on stage you with, Miquita.
:31:30. > :31:34.about your real highlight? I loved the Wiley performance. We have a
:31:34. > :31:41.couple more performances to come. The night is not over yet. It is
:31:41. > :31:45.not over at all. The next award to Best Regular gi. Recently the cat
:31:45. > :31:51.gre has been dominated by Sean Paul. But looking at the nominees this
:31:51. > :31:56.year, I think he might have to fight to keep this. To present it,
:31:56. > :32:05.a local who last month knocked out Audley Harrison in this very arena
:32:05. > :32:15.in only 82 seconds. Boom! Was anyone here to see that?
:32:15. > :32:25.Tongue-tied out here. Please welcome, David Price. How is
:32:25. > :32:25.
:32:25. > :33:16.Apology for the loss of subtitles for 118 seconds
:33:16. > :33:21.everyone doing? And the winner is... Sean Paul.
:33:21. > :33:24.Uner if tune ately the man himself can't be with us tonight. --
:33:24. > :33:30.unfortunately. But he was kind enough to send us
:33:30. > :33:36.this message. Y, MOBOs Awards, 2012, I respect you, salute. I cannot be
:33:36. > :33:40.there right now. I'm in Jamaica. I'm sorry. But I give thanks that
:33:40. > :33:46.you all have voted knee again for the fifth time. It's an amazing
:33:46. > :33:49.accomplishment for me. Yours is a territory that breaks the
:33:49. > :33:57.international strait. Thank you to all the voters and all the people
:33:57. > :34:01.in the UK. Respect you. See you soon. Coming up, two Olympic-size
:34:01. > :34:06.champions of the ring will be revealing the winner of Best Album
:34:06. > :34:16.and StooShe will be paying a very special tribute to TLC.
:34:16. > :34:18.
:34:18. > :34:26.Seriously, where is that little shit? If he's out there partying
:34:26. > :34:36.without me, it's over between us. Touch it, touch it. Well, that is
:34:36. > :34:37.
:34:37. > :34:42.actually really impressive, Ricky. I'm not even excited yet. You girls
:34:42. > :34:50.are impressive. What about me, I thought we had something spe, Ricky.
:34:50. > :34:53.Calm down, I was going to come and find you. Really? Remember this?
:34:53. > :35:00.Doesn't this mean anything to you? Didn't you draw that on the train
:35:00. > :35:05.yesterday? How about these, the dazzling, spectacular adaptation of
:35:05. > :35:11.the Lion King. Why are you bringing up old stuff. Don't stop, girls.
:35:11. > :35:18.When I fell off my BMX and grazed my knee, I kept that plaster to
:35:18. > :35:22.this day. He is a crazy fool. Don't listen to him. How about this?
:35:22. > :35:26.Never mind about that. Guys, we have to be on stage in 20 minutes,
:35:26. > :35:31.can you take your lover'stive in the corridor. Girls you said you
:35:31. > :35:36.were going to take me out front to the MOBOs. Forget it, you guys net
:35:36. > :35:41.to get out. The corridor -- you guys need to get out. The corridor
:35:41. > :35:47.is there, just the other side of the door. I'm sorry, I should never
:35:47. > :35:51.have left you. Can I make it up to you? Chicken dinner Listen, StooShe
:35:51. > :36:01.are about to perform and TLC are out there. We need to get out. I
:36:01. > :36:08.have got a plan, can you walk in high heels?
:36:08. > :36:14.I feel Ricky and Melvin are having trouble backstage. I don't want to
:36:14. > :36:18.go back there. Do you know what, I think we need some more music.
:36:18. > :36:23.more tunes. This act were the 2009 winners, Best Newcomer. Without any
:36:23. > :36:28.doubt of this' gone on to some very big things, right. Not least
:36:28. > :36:33.picking up a further four MOBOs Awards in the past three years,
:36:33. > :36:43.pretty decent stuff. That is great. So Liverpool, let me hear your
:36:43. > :36:50.
:36:50. > :36:55.girlie screams for Marvin, Oriste, # Can I talk to you?
:36:56. > :37:01.# If I jump the gun put me right back in my place
:37:01. > :37:06.# Can I kiss and run like I'm your boyfriend?
:37:06. > :37:07.# I can be your toyfriend I can be your lover
:37:07. > :37:09.# Take it how you want, girl Treat you like no other
:37:09. > :37:12.# Say, I can be your toyfriend I can be your lover
:37:12. > :37:15.# Take it how you want, girl Treat you like no other
:37:15. > :37:19.# If you should ever wonder why these dudes have formed a line
:37:19. > :37:24.# It's cos they see the sexiness that's finally been defined
:37:24. > :37:26.# How does it feel to be the hottest girl
:37:26. > :37:29.# In the world right now World right now?
:37:29. > :37:32.# How does it feel to be the hottest girl
:37:32. > :37:34.# In the world right now World right now?
:37:34. > :37:37.# You got something No other girl's like that
:37:37. > :37:43.# I wanna touch you so tell me how
:37:43. > :37:46.# How does it feel to be the hottest girl
:37:46. > :37:48.# In the world right now World right now?
:37:48. > :37:50.# How does it feel to be the hottest girl
:37:50. > :37:53.# In the world right now World right now?
:37:53. > :37:57.# Ha ha
:37:57. > :38:04.# You know it's funny cos you have no idea
:38:04. > :38:08.# I ain't givin' up so I gotta know your name
:38:08. > :38:12.# Think I talked enough So what are you saying, girl?
:38:13. > :38:18.# I can be your Mr Right or I can be your Mr Right Now
:38:18. > :38:22.# Either way, girl Let's just shut this down
:38:22. > :38:24.# I can be your toyfriend I can be your lover
:38:24. > :38:26.# Take it how you want, girl Treat you like no other
:38:26. > :38:29.# Say, I can be your toyfriend I can be your love r
:38:29. > :38:31.# Take it how you want, girl Treat you like no other
:38:32. > :38:36.# If you should ever wonder why these dudes have formed a line
:38:36. > :38:41.# It's cos they see the sexiness that's finally been defined
:38:41. > :38:43.# How does it feel to be the hottest girl
:38:43. > :38:45.# In the world right now World right now?
:38:45. > :38:47.# How does it feel to be the hottest girl
:38:47. > :38:50.# In the world right now World right now?
:38:50. > :38:55.# You got something No other girl's like that
:38:55. > :39:00.# I wanna touch you so tell me how
:39:00. > :39:02.# How does it feel to be the hottest girl
:39:02. > :39:04.# In the world right now World right now?
:39:04. > :39:06.# How does it feel to be the hottest girl
:39:06. > :39:10.# In the world right now World right now?
:39:10. > :39:16.# Is it cool if I get real close? Raise a glass
:39:16. > :39:25.# Can I make a toast To the girl
:39:25. > :39:30.# The most beautiful I've ever seen in my whole life, ever?
:39:30. > :39:40.# I say how does it feel
:39:40. > :39:49.
:39:49. > :39:50.# How does it feel to be the hottest girl
:39:50. > :39:53.# In the world right now World right now?
:39:53. > :39:55.# How does it feel to be the hottest girl
:39:55. > :39:58.# In the world right now World right now?
:39:58. > :40:03.# You got something no other girl's like that
:40:03. > :40:08.# I wanna touch you so tell me how
:40:08. > :40:09.# How does it feel to be the hottest girl
:40:09. > :40:12.# In the world right now World right now?
:40:12. > :40:14.# How does it feel to be the hottest girl
:40:14. > :40:20.# In the world right now World right now? #
:40:20. > :40:21.# How does it feel to be the hottest girl
:40:21. > :40:23.# In the world right now World right now?
:40:23. > :40:24.# How does it feel to be the hottest girl
:40:24. > :40:27.# In the world right now World right now?
:40:27. > :40:37.APPLAUSE AND CHEERING
:40:37. > :40:41.
:40:41. > :40:42.Thank
:40:42. > :40:42.Thank you
:40:42. > :40:49.Thank you MOBOs.
:40:49. > :40:54.Thank you MOBOs. Thank you. Wow, I think I just saw Oriste move his
:40:54. > :41:00.hips like no other human before him. Well, JLS. The next award Best
:41:00. > :41:04.Album is highly-coveted, it is given out to the artist that has
:41:04. > :41:08.produced a body of work recognised by industry experts and the voting
:41:08. > :41:13.public. It is getting loads of slaps on the back in every
:41:13. > :41:18.direction, without someone filming it and putting it online and
:41:18. > :41:22.laughing at it. It's just mean. To give out the award very special
:41:22. > :41:32.people, Olympic gold medallists, and stars of Team GB. Anthony
:41:32. > :41:38.
:41:38. > :41:42.Welcome to the MOBOs Awards 2012. Gold medallists.
:41:42. > :41:47.CHEERS. How are you feeling? Really good. It's really nice to be here,
:41:47. > :41:52.you know in Liverpool at the MOBOs. Yeah. And is this your first MOBOs?
:41:52. > :41:57.Are these the perks of being a gold medallist right now? Definitely one
:41:58. > :42:02.of the perks, I'm really excited to be here. You won medals for boxing,
:42:02. > :42:07.obviously. What music do you like to go out to the ring in? What is
:42:07. > :42:14.your favourite infrastructure have a couple. Kendrick Lemar and
:42:14. > :42:19.the Ora album as well, it's big. The Ora album. Nice. Where are you
:42:19. > :42:26.sitting? With my boy right there and a couple of my boys over here
:42:26. > :42:31.as well. You are taking over each side of it. And a couple of the
:42:31. > :42:36.Liverpool men, including David Price. Let's talk about your suit.
:42:36. > :42:41.Do you find fun getting ready for awr ceremonies? I have my favourite
:42:41. > :42:46.suit people that hook me up. Really? Nice, simple. What about
:42:46. > :42:53.you Nicola, did you enjoy getting dressed snopbt was it nice to glam
:42:53. > :42:57.up It's been really nice. My stylist Tony hooked me up. Really,
:42:57. > :43:00.stylist? Is Tony here? No, he is working tonight. You didn't let him
:43:00. > :43:05.come. Dress me and then leave. Are you going to the after-parties or
:43:06. > :43:10.have you got training? There is a bit of training but I'm only here
:43:10. > :43:13.for one night so Liverpool, stand up and let's have some fun. Your
:43:13. > :43:18.suit is lovely but obviously other suit manufacturers are available. I
:43:18. > :43:28.have got to say that. Go ahead, you are here to do a job go, for it.
:43:28. > :43:28.
:43:28. > :44:18.Apology for the loss of subtitles for 118 seconds
:44:18. > :44:28.Now, let's look at the MOBO Award And the winner of Best Album is...
:44:28. > :44:54.
:44:54. > :45:04.Wow. # Oh heaven
:45:04. > :45:06.
:45:06. > :45:11.# I wait with God intentions... # - with good intentions. Thank you.
:45:11. > :45:15.Wow, this is amazing to have this. I wrote Our Version Of Events to
:45:15. > :45:20.try to speak for people that don't get their songs and words on radio
:45:20. > :45:26.too much. So I want to thank again my mum and dad, all the piano
:45:26. > :45:31.lessons, Lucy for sitting with me for every song since I was seven
:45:31. > :45:35.years old. Adam who is here tonight, Shah, thank you for believing in me
:45:35. > :45:39.and seeing all of this for everybody else. Adrian, thank you
:45:39. > :45:44.so much for all your support since I was 16. Glen, you saw something
:45:44. > :45:50.nobody else zso thank you so much for that. Virgin, everybody
:45:50. > :45:57.involved on the album, everybody that I have worked with, Labrinth
:45:57. > :46:07.Tinie Tempah, Wiley, Professor greernings Chip Munk -- Professor
:46:07. > :46:08.
:46:08. > :46:14.Green. Everyone from the beginning. Mojam, everybody, thank you so much.
:46:14. > :46:19.Oh, what a completely lovely last award. That was absolutely lovely,
:46:19. > :46:24.Emeli Sande, congratulations. She has swept the board tonight. Well
:46:24. > :46:31.done voting public and industry experts, especially voting politic.
:46:32. > :46:39.What a night it's been and what incredible winners. Best Female,
:46:39. > :46:43.Emeli Sande, Hip-Hop/Grime Act Plan B. Best Male, Plan B. Best Newcomer,
:46:43. > :46:48.Rita Ora. Best Video JLS and this brings us to the final award of the
:46:48. > :46:54.night. Usually you save the best to last, but as the rest of the show
:46:54. > :46:59.has been so damn great, this is simply billed as the 14th award.
:46:59. > :47:03.It's catchy. It goes to an act that have shown an outstanding
:47:03. > :47:07.contribution. An act that nobody can argue, have shaped the way
:47:07. > :47:15.music has been created and performed. An act even your mum has
:47:16. > :47:23.heard of because they are so Africain respected. -- because they
:47:23. > :47:26.are so frikin respected. To present it. We have three ladies, StooShe.
:47:26. > :47:32.This year's outstanding contribution award goes to a group
:47:32. > :47:38.that have sold a staggering 65 million records worldwide. We have
:47:38. > :47:48.won 19 major awards, including four Grammys. They are the best-selling
:47:48. > :47:58.
:47:58. > :48:06.# Baby enjoy # All yours
:48:06. > :48:13.# If you want it tonight # Give you the red light special
:48:13. > :48:23.all through the night... # # Don't go chasing waterfalls
:48:23. > :48:23.
:48:23. > :48:33.# Please stick to the ripples and lengths that you're used to... #
:48:33. > :48:37.
:48:37. > :48:41.# Baby, baby... # # I don't want no shrub, a shrub is
:48:41. > :48:48.a gi that can't get no joy from me... #
:48:48. > :48:58.# You can look inside you # Find out who am I too
:48:58. > :48:58.
:48:58. > :49:47.Apology for the loss of subtitles for 118 seconds
:49:47. > :49:55.Hello. Hey, hey, hey, hey. Oh, thank you guys so much. This
:49:55. > :50:04.means so much, so much, so much to us. Wow. This is our first time at
:50:04. > :50:08.the MOBOs Awards. This is such an honour. Wow. What a welcome? It is
:50:09. > :50:13.an honour. We really, you know, are very humbled by this. We want to
:50:13. > :50:18.thank all of our fans. We couldn't be here without them. And the MOBOs
:50:18. > :50:24.Awards, thanks for having us. This is an awesome award. Absolutely.
:50:25. > :50:29.Thank you very much. Hi guys. Hello. We have heard
:50:29. > :50:34.rumours that you will be coming back, TLC will be coming back with
:50:34. > :50:42.more music? Will it be an album or a tour or both? I can handle both.
:50:42. > :50:48.Both. Both. Well also a TLC Movie that's coming out next year.
:50:48. > :50:53.the Movie. So the movie, the album the tour. So just sort of world
:50:53. > :50:57.domination all over again. We hope so. We hope so. This time will you
:50:57. > :51:03.be taking all your families with you on the road? We have always
:51:03. > :51:09.done that. That's nothing new. do you think of StooShe's cover of
:51:09. > :51:15.Waterfalls? You know we loved it. You know the way they did Lisa's
:51:15. > :51:20.rap. That's our sister, left Eye. Give it up for Lisa. We loved the
:51:20. > :51:23.way they did other rap. It was so creative. We were like -, wow that
:51:23. > :51:28.was different. When you saw the package that we saw, are there any
:51:28. > :51:34.songs this stand out as favourites from all the years or hits? Are you
:51:34. > :51:42.even pick one? Our favourite? don't have a favourite song, I have
:51:42. > :51:50.a favourite video. What is it? Waterfalls. Good. Guys, thank you
:51:50. > :51:56.so much for being here, one more time for it. Boys and Chilli from
:51:56. > :52:01.TLC. -- for T-Boyz. That brings us to the end of the show. It is a bit
:52:01. > :52:06.sad. Adam it has been a pleasure. Really nice. What has been your
:52:06. > :52:11.highlight? Probably getting Rita Ora's number backstage earlier.
:52:11. > :52:17.you didn't. I think you will find I Zdon't hate her, you had your
:52:17. > :52:23.chance. I will bell you after the show, Rita. A big thank you to all
:52:23. > :52:27.of our performers and award presenters And congratulations to
:52:27. > :52:32.award winners. I don't want to end on negativity. Do you want to got
:52:32. > :52:39.after-party together? Me and you sm Do you want to d that? Yeah. I
:52:39. > :52:43.would love to. We bonded. I feel we are friends, we bonded. Rita, it is
:52:43. > :52:47.over. Yeah, score. And that brings us to the last performance of the
:52:47. > :52:52.night. By the way this is not a date. It's not a date. No, it's
:52:52. > :52:58.like, we'll go as friends and I'll go ahead of you when anyone is
:52:58. > :53:08.looking I swear now. I make the rules, you follow them. OK.
:53:08. > :53:15.
:53:15. > :53:24.last performance of the night, with # A lonely mother
:53:24. > :53:28.# If at any time he's in a jam she'll be by his side
:53:28. > :53:35.# But he doesn't realise he hurts her so much
:53:35. > :53:39.# But all the praying just ain't helping at all
:53:39. > :53:44.# Cos he can't seem to keep his self out of trouble
:53:44. > :53:48.# So he goes out and he makes his money
:53:48. > :53:49.# The best way he knows how
:53:49. > :53:54.# Another body layin' cold in the gutter
:53:54. > :53:55.# Listen to me
:53:55. > :54:01.# Don't go chasing waterfalls Please stick to the rivers
:54:01. > :54:06.# And the lakes that you're used to I know that you're gonna have it
:54:06. > :54:16.# Your way or nothing at all But I think you're moving too fast
:54:16. > :54:17.
:54:17. > :54:20.# Little precious has a natural obsession
:54:20. > :54:25.# For temptation but he just can't see
:54:25. > :54:35.# She gives him loving that his body Can't handle but all he can say
:54:35. > :54:36.
:54:36. > :54:37.# is baby is good to me
:54:37. > :54:42.# One day he goes and take a glimpse in the mirror
:54:42. > :54:46.# But he doesn't recognise his own face
:54:46. > :54:50.# His health is fading and he doesn't know why
:54:51. > :54:57.# Three letters took him to his final resting place
:54:57. > :55:01.# Y'all don't you hear me
:55:01. > :55:02.# Don't go chasing waterfalls Please stick to the rivers
:55:02. > :55:05.# And the lakes that you're used to
:55:05. > :55:11.# I know that you're gonna have it Your way or nothing at all
:55:11. > :55:19.# But I think you're moving too fast Come on, I seen a rainbow yesterday
:55:19. > :55:21.# But too many storms have come and gone
:55:21. > :55:23.# Leaving a trace Of not one God-given ray
:55:23. > :55:24.# Is it because My life is ten shades of grey
:55:24. > :55:26.# I pray all ten fade away
:55:26. > :55:27.# Seldom praise him for the seven days
:55:27. > :55:29.# And like his promise is true Only my faith can undo
:55:29. > :55:33.# The many chances I blew To bring my life to anew
:55:33. > :55:34.# Clear and blue and unconditional
:55:34. > :55:36.# Skies have dried the tears from my eyes
:55:36. > :55:43.# No more lonely cries
:55:43. > :55:44.# Don't go chasing waterfalls Please stick to the rivers
:55:44. > :55:46.# And the lakes that you're used to
:55:46. > :55:51.# I know that you're gonna have it Your way or nothing at all
:55:51. > :56:01.# But I think you're moving too fast Come on, I seen a rainbow yesterday
:56:01. > :56:03.
:56:03. > :56:05.# Don't go chasing waterfalls Please stick to the rivers
:56:05. > :56:08.And the lakes that you're used to
:56:08. > :56:14.# I know that you're gonna have it Your way or nothing at all