:00:00. > :00:28.A This programme contains repetitive, flashing images.
:00:29. > :00:36.This is the 18th MOBO awards, live from Glasgow's newest and finest
:00:37. > :00:39.venues. Please, give a massive welcome for
:00:40. > :01:25.Tinnie Tempah. # Shake, shake, shake shake
:01:26. > :01:32.# Shake shake, shake # Jump, jump, jump, jump.
:01:33. > :01:37.# Eenie meanie minie, thank God it's Friday.
:01:38. > :01:41.# Please don't ask me for my ID, if I'm in your iTunes library.
:01:42. > :01:44.# Got my own book in my library, my mansion is so tidy.
:01:45. > :01:48.# My neighbours hate my mistress cos she never wear no nighties.
:01:49. > :01:51.# I go Claridges to do high tea, Jordan's on like Spike Lee.
:01:52. > :01:55.# I'm high end, you're High Street, swagger jacking my style.
:01:56. > :01:58.# When I was a kid I used to save up for my Nikes.
:01:59. > :02:01.# Now all these little kids is tryna save up for my Nikes.
:02:02. > :02:24.# Shake, shake, shake, shake. # Jump, jump, jump, jump.
:02:25. > :02:28.# Sharing clothes, that's trampy, splitting bills, that's trampy.
:02:29. > :02:31.# All this hanky-panky, now her handprints on my Banksy.
:02:32. > :02:34.# I'm just strictly speaking, Anne Frankly, all my girls is fancy.
:02:35. > :02:38.# In a white Ferrari Spider, rolling with Anansi.
:02:39. > :02:41.# And Diplo to disco, she sniff, whoa.
:02:42. > :02:44.# She gwan like she RiRi, and wine to Calypso.
:02:45. > :02:47.# She ask me if I'm single, I said, maybe, I think so.
:02:48. > :02:53.# I can't concentrate when that thong's on like Sisqo.
:02:54. > :02:56.# Shake, shake, shake, shake, shake, shake
:02:57. > :03:01.# Jump, jump, jump, jump, jump, jump, jump
:03:02. > :03:03.# Jump, jump, jump # Shake, shake, shake, shake, shake,
:03:04. > :03:33.shake, shake, shake Trampoline # What's going down? Paris
:03:34. > :03:45.# London # What's going down?
:03:46. > :03:47.# Lagos, what's going down? Oslo, what's going down?
:03:48. > :03:56.# Toronto, what's going down? # Trampoline
:03:57. > :03:59.# Shake, shake, shake, shake, shake # Trampoline
:04:00. > :04:02.# Jump, jump, jump, jump, jump, jump, jump
:04:03. > :04:12.# Trampoline # APPLAUSE
:04:13. > :04:19.Ladies and gentlemen, please your hosts for this evening, broadcast
:04:20. > :04:28.legend and full-time MOBO award winner, Trevor Nelson and the
:04:29. > :04:33.deelectable DJ, Sarah-Jane -- and four-time MOBO award winner.
:04:34. > :04:37.Wow, the magnificent Tinnie Tempah and a stunning formerance of
:04:38. > :04:42.Trampoline. A very -- formerance. A very exciting way to start this, the
:04:43. > :04:46.18th MOBO awards, everybody. They have finally come of age and
:04:47. > :04:50.they are legal. Now back when it started in 1996,
:04:51. > :04:57.the world was a very different place. Jay-Z had just released a
:04:58. > :05:02.debut album. The Spice Girls spent seven weeks at number one with
:05:03. > :05:08.wannabe and Take That split up for the first time a little-known DJ
:05:09. > :05:14.joined BBC Radio one to do the iconic show, the Rhythm Nation. Oh,
:05:15. > :05:22.how the world has changed. Jay-Z is on his 12th album. The Spice Girls
:05:23. > :05:28.may have spent seven weeks at number one but their musical only spent
:05:29. > :05:36.seven weeks on stage. Take That are still together, with Robbie, without
:05:37. > :05:43.Robbie. We have a bright future. Tonight we have performances from
:05:44. > :05:51.Iingy asomedayia. Rudimental. Fuse. Ms Dynamite and shy.
:05:52. > :05:58.Not only that, Naughty Boy. Laura Mvula.
:05:59. > :06:02.And Jahmene Douglas and a special anniversary performance from skop so
:06:03. > :06:04.Solid. Someone call skrurt. I'm joking.
:06:05. > :06:08.A lane of had up worthy of any anniversary. That will make a decent
:06:09. > :06:12.party around Nelson's house. We will be delving into the arc iefts to
:06:13. > :06:16.show some incredible performances, highlights. I've had a look. They
:06:17. > :06:20.are amazing. You will not be disappointed. And we've invited
:06:21. > :06:25.previous winners to dish out some of these little beauties. But before we
:06:26. > :06:40.do anything else, let's reminisce with some MOBO 18 winning moments.
:06:41. > :06:48.This is history being made here tonight.
:06:49. > :06:52.The winner is... Of course, me, no. Gabrielle.
:06:53. > :07:01.I would like to say thank you to everybody. Jessie J.
:07:02. > :07:12.Last year no-one knew who I was and now I just won Best Album. That is
:07:13. > :07:19.epic. Emeli Sande. # I'm in be heaven... #
:07:20. > :07:24.BBing King. Thank you, thank you so much.
:07:25. > :07:28.-- BB King. Janet Jackson. It is a great honour to be here
:07:29. > :07:37.tonight, to be part of this celebration. 50 Cent.
:07:38. > :07:41.It feels like this is my year, man. Thanks everybody for coming out
:07:42. > :07:48.again. Yeah, yeah, Tinnie Tempah.
:07:49. > :08:02.Wow, we did it. You have 21 Seconds to get up here.
:08:03. > :08:10.Yo, yo, yo. Jay-Z. What's up you all, peace and love.
:08:11. > :08:22.The winner is... Destiny's Child. We want to say we love you all and God
:08:23. > :08:26.bless you all. Puff Daddy and the family. I see you
:08:27. > :08:32.all over there. All my rude boys in the house. I would like to share
:08:33. > :08:42.with my brother, Beanie Man. Come up here and share this with me.
:08:43. > :08:48.Make some noise for Public Enemy. Let's keep going and make we have
:08:49. > :08:52.ten more years. Please, you all. The incredible, and still the best
:08:53. > :08:57.legs in the business, Miss Tina Turner.
:08:58. > :09:03.I have been in the business since 1960 and I've never had such an
:09:04. > :09:09.honour. I want to thank the MOBO for this
:09:10. > :09:17.wonderful moment and this wonderful trophy. I thank you so much.
:09:18. > :09:21.Finally, the time has come to hand out some of these little beauties.
:09:22. > :09:26.This year they are extra special. Do you know why? Because winners will
:09:27. > :09:31.walk away with limited edition golden MOBO awards. Not like
:09:32. > :09:35.Trevor's old one, back in the day. I'm not happy about that. The
:09:36. > :09:39.industry experts vr had their say and the public votes have been
:09:40. > :09:44.counted and verified. It's a 50/50 split. The first MOBO of the night
:09:45. > :09:50.is for Best Song in association with PRS for Music. Here to do the
:09:51. > :09:58.honours are the trio known as MKS. AKA, the original Sugar Babes.
:09:59. > :10:13.So glad they are back. Put your hands together for them.
:10:14. > :10:21.Hello. Hi everyone. Tonight is very special. We are celebrating an
:10:22. > :10:27.amazing year in music for the MOBO's 18th? Girls what were we like at 18?
:10:28. > :10:32.What did we wear? Things that were quite embarrassing probably looking
:10:33. > :10:37.back like white PVC highheels. And remember the black lipliner, with
:10:38. > :10:41.lip goes gloss. We are trying to forget. We are but the one thing we
:10:42. > :10:45.can agree on is that when we were 18 we moved watching the MOBOs. Let's
:10:46. > :11:52.take a look at the nominees for this year's Best Song.
:11:53. > :12:08.Some amazing nominees but we only have one winner... NSMIT force It's
:12:09. > :12:16.the boy, Naughty Boy. Congratulations -- it's the boy.
:12:17. > :12:21.Naughty buoy. Congratulations. But he still has two more
:12:22. > :12:27.nominations. Could it be a hat -trick? He will be formering a
:12:28. > :12:32.medley of his songs later on in the show.
:12:33. > :12:46.-- performing. My name is Naughty Boy. This is my
:12:47. > :12:52.friend Sam Smith. I'm going to speak after.
:12:53. > :12:58.Thank you everyone that has bought this song. It is amazing. I want to
:12:59. > :13:04.say a big shout-out to my managers, Sam, Jack and alVIP and Jimmy who
:13:05. > :13:20.helped us write this song. Over to you. -- Thank you, MOBOs. I have
:13:21. > :13:24.watched this since I was a kid. Especially you, Miss Gabrielle.
:13:25. > :13:32.Dreams do come true, Gabrielle, they do. I would like to thank my label,
:13:33. > :13:37.Virgin, they have been amazing. Thank you Ted. I love you guys.
:13:38. > :13:43.Thank you everyone in Watford, my family. My brother Omar and also, as
:13:44. > :13:55.it is my friend Jack's birthday today. He couldn't be here. Happy
:13:56. > :14:00.birthday and happy birthday MOBOs. Congratulations to naughty buoy.
:14:01. > :14:04.He has been a naughty buoy but done well. Our next performer started
:14:05. > :14:14.rapping at the age of 14 in Southern Australia. She cites Tupak and missy
:14:15. > :14:21.Elliot as her influences and is living her dream in the USA She is
:14:22. > :14:29.one of the most talked-about rappers of the year. She has a tour with
:14:30. > :14:39.Beyonce. Here is the ridiculously talented, Iggy Azalea.
:14:40. > :14:44.# I'mma change your life, I'mma change it, I'mma change your life.
:14:45. > :14:47.# I'mma change your life, I'mma change it, I'mma change your life.
:14:48. > :14:50.# I'mma change your life, I'mma change it, I'mma change your life.
:14:51. > :15:01.# I'mma change your life, I'mma change it, I'mma change your life.
:15:02. > :15:06.# I'm a new classic, upgrade your status from a standby to a frequent
:15:07. > :15:11.flyer. # Hop out your past life and I'll
:15:12. > :15:15.renovate your future. # We purchasing, not perusing.
:15:16. > :15:20.# Yeah, I love your hustle, baby, just let me add a little bit of
:15:21. > :15:24.muscle, baby. # Joint venture, we'll partner up
:15:25. > :15:33.until the shares are up, and I up your wages.
:15:34. > :15:38.# I'mma change your life, I'mma change it, I'mma change your life.
:15:39. > :15:41.# I'mma change your life, I'mma change it, I'mma change your life.
:15:42. > :15:44.# I'mma change your life, I'mma change it, I'mma change your life.
:15:45. > :15:47.# I'mma change your life, I'mma change it, I'mma change your life.
:15:48. > :16:07.# I'mma change your life, I'mma change it, I'mma change your life.
:16:08. > :16:10.# Have you ever wished your life would change?
:16:11. > :16:13.# Woke up and you lived your dreams. # Baby, I could help you make that
:16:14. > :16:22.change. # I can show you how to do this
:16:23. > :16:25.thing. # Have you ever wished your life
:16:26. > :16:29.would change? # Woke up and you lived your dreams.
:16:30. > :16:29.# Baby, I could help you make that change.
:16:30. > :17:20.# I can show ya, show ya. # I've been work, work, work, work,
:17:21. > :17:24.working on my sheet # Now get this work, now get this
:17:25. > :17:35.work, now get this work, now get this work.
:17:36. > :18:26.cl # Work, work, work, work
:18:27. > :19:24.# force now get this # Now get this workforce force now
:19:25. > :19:28.get this workforce force now get this work
:19:29. > :19:36.# Work, work, work # Working on my sh... #
:19:37. > :19:43.It's work, that's for sure. Iggy Azalea. She raised the temperature.
:19:44. > :19:49.It might be cold and rainy outside but it is getting hot. Next MOBO for
:19:50. > :19:55.Best Female Act. To present t the man who in 2000
:19:56. > :20:02.took these awards by storm. Please salute, four-time MOBO winner, the
:20:03. > :20:19.multi-talented, he eats clean but trains dirty, Craig David.
:20:20. > :20:26.Some welcome, Craig. Fantastic. Thank you for having having me. It
:20:27. > :20:31.is great to be here tonight to support the MOBOs as they reach 18
:20:32. > :20:34.years in the game. These awards are so important to me and I can't
:20:35. > :20:39.believe it's been 13 years since the last time I was up on this stage
:20:40. > :20:44.taking home a whole load of awards which are now up on my mantelpiece
:20:45. > :20:49.in Miami. I hope whoever wins tonight gets as much pride and
:20:50. > :20:53.pleasure out of theirs as I do from. My let's look at the Best female Act
:20:54. > :22:17.nominees. -- as I do from mine. And the winner for Best Female Act
:22:18. > :22:23.is... Laura Mvula. This is Laura Mvula's most MOBO of the night. She
:22:24. > :22:29.has four nominations. Laura wooed US audiences recently
:22:30. > :22:59.appearing on talk shows as well as touring the country. Force
:23:00. > :23:12.Thank you, everyone. This is a great surprise. This feels really surreal.
:23:13. > :23:17.Can I say thank you to everybody at RCA, Sony. Can I thank my husband,
:23:18. > :23:24.who hasn't seen me in a year. Thank you for sticking with me. Thank you
:23:25. > :23:28.for everybody at A t. ATC management. Thank you to my family
:23:29. > :23:42.and thanks to everybody at Doorbell and CAA. Cheers. This means a lot,
:23:43. > :23:46.thank you. Now for something a bit special. He has waited his whole
:23:47. > :23:52.life to be at the MOBOs. Tonight he is here with a Smashhit album. Three
:23:53. > :23:57.MOBO nominations. Already winner for Best Song. Here with a load of his
:23:58. > :24:26.friends. He is popular. Give it up for Naughty Boy.
:24:27. > :24:31.Got me up all night, used to start a fight.
:24:32. > :24:33.# You don't wanna think about it, you drink about it, you smoke about
:24:34. > :24:36.it. # Don't talk about it.
:24:37. > :24:39.# Every night, the same, who's the one to blame?
:24:40. > :24:43.# You don't wanna think about it, you drink about it, you smoke about
:24:44. > :25:14.it, don't talk about it, don't make me forget, sir.
:25:15. > :25:18.# Every night, the same, who's the one to blame?
:25:19. > :25:20.# You don't wanna think about it, you drink about it, you smoke about
:25:21. > :26:12.it, don't talk about it. Put your hands togethered for this
:26:13. > :29:20.one. Our next present remembers a
:29:21. > :29:28.combination of dancer, choreography, model, singer, and a little bit of
:29:29. > :29:40.meow! Their talents are limitless. I like
:29:41. > :29:49.what you did there. Limitless. Give a Glasgow welcome to Ashley Banjo
:29:50. > :30:03.and Kimberly Wyatt. Hello everyone.
:30:04. > :30:10.The people nominated in this cat grow have 15 top ten hits. And each
:30:11. > :30:14.one has been instrumental in putting UK hip-hop and grime on the
:30:15. > :30:19.international stage. This year more than ever they've sheer headed the
:30:20. > :30:21.UK music scene. Hello everybody. But, more than that, they've made us
:30:22. > :31:39.dance. So here are the nominees. And the MOBO for Best hip-hop grime
:31:40. > :31:45.act goes to... Yeah, Tinnie Tempah. Well done, Tinnie Tempah. This is
:31:46. > :31:48.his fourth MOBO. The second time he has won Best Hip Hop/Grime Act . He
:31:49. > :31:52.is gathering gearing up for the release of his second major album
:31:53. > :32:29.entitled Demonstration. Glasgow!
:32:30. > :32:33.Amazing. I love this place so much. Before I start and say anything,
:32:34. > :32:38.first and foremost I just want to say, happy 18th birthday to the
:32:39. > :32:43.MOBOs. I'm only 24. So that shows how long the MOBOs have been around
:32:44. > :32:51.and secondly, I just want to thank everybody. I want to thank my team
:32:52. > :32:57.in London. The whole team and my DJ for supporting me along this
:32:58. > :33:01.incredible journey and the Parlephone team and I want to
:33:02. > :33:05.dedicate this award of this whole next generation of MCs and people
:33:06. > :33:09.coming up, you know. I feel it is very, very important. I feel we are
:33:10. > :33:12.at a stage now where we knead to go beyond everything we have done and
:33:13. > :33:16.take it that step further. Everybody needs to start thinking about who
:33:17. > :33:20.they are, what their brand is and what they want to do. Thank you
:33:21. > :33:28.MOBOs for all your support, second time. God bless, man. Thank you.
:33:29. > :33:33.Time for another formerance. In just 12 months this receptionist has
:33:34. > :33:42.transformed herself into a soul dehave a. Described by some as the
:33:43. > :33:48.UK's very own NinaSimone. For me, she isly refreshingly unique. With
:33:49. > :33:55.four MOBO nominations and already winner of Best female Act. It is the
:33:56. > :34:05.hauntingly sublime lawyer ittia view la. -- Laura Mvula.
:34:06. > :34:09.# Hey there, you, shattered in a thousand pieces.
:34:10. > :34:19.# Weeping in the darkest nights. # Hey there, you, try to stand up on
:34:20. > :34:27.your own two feet. # And stumble into the sky.
:34:28. > :34:32.# When the lights go out and you're on your own.
:34:33. > :34:40.# How are you gonna make it through till the morning sun?
:34:41. > :34:43.# Sing to the moon and the stars will shine.
:34:44. > :34:50.# Over you, lead you to the other side.
:34:51. > :34:56.# Sing to the moon and the stars will shine.
:34:57. > :35:07.# Over you, heaven's gonna turn the time.
:35:08. > :35:09.# Sing to the moon and the stars will shine.
:35:10. > :35:12.# Over you, lead you to the other side.
:35:13. > :35:17.# Sing to the moon and the stars will shine.
:35:18. > :35:53.# Over you, heaven's gonna turn the time.
:35:54. > :35:57.# Take me outside, sit in the green garden.
:35:58. > :36:00.# Nobody out there, but it's OK now. # Bathe in the sunlight, don't mind
:36:01. > :36:02.if rain falls. # Take me outside, sit in the green
:36:03. > :36:08.garden. # Ooh ah, ooh ah oh, ooh ah, ooh ah
:36:09. > :36:10.oh. # Take me outside
:36:11. > :36:14.# Take me outside # Take me outside
:36:15. > :36:20.# In the Green Garden # Green Garden
:36:21. > :36:23.# And I'll fly on the wings of a butterfly.
:36:24. > :36:25.# High as a tree top and down, down again.
:36:26. > :36:29.# Putting my bag down, taking my shoes off.
:36:30. > :36:36.# Walk in the carpet of green velvet.
:36:37. > :36:40.# Dance in my garden like we used to, ooh ah, ooh ah oh.
:36:41. > :36:50.# Dance in my garden like we used to, ooh ah, ooh ah oh.
:36:51. > :37:01.# Take me outside, sit in the green garden.
:37:02. > :37:04.# I'll go, wherever you go, wherever you take me, I'll go.
:37:05. > :37:07.# I'll go, wherever you go, wherever you take me, I'll go.
:37:08. > :37:11.# I'll go, wherever you go, wherever you take me, I'll go.
:37:12. > :37:29.# I'll go, wherever you go, wherever you take me, I'll go.
:37:30. > :37:32.# I'll go, wherever you go, wherever you take me, I'll go.
:37:33. > :37:36.# I'll go, wherever you go, wherever you take me, I'll go.
:37:37. > :37:37.# I'll go, wherever you go, wherever you take me, I'll go.
:37:38. > :37:45.# I'll go, wherever you go, wherever Thank you. Now some MOBO 18th
:37:46. > :37:54.birthday greetings and memories from some of our favourite artists.
:37:55. > :37:59.I'm Jessie J. 18 years. Happy birthday MOBOs.
:38:00. > :38:05.# Happy birthday to you... # Happy birthday, MOBOs. What's up
:38:06. > :38:12.MOBOs. I'm wishing you a happy 18th birthday. Enjoy. Don't drink too
:38:13. > :38:18.much. Happy birthday MOBO awards. I love you. You are 18. Happy 18th
:38:19. > :38:23.birthday to the MOBOs. They have supported me from day one.
:38:24. > :38:30.My first performance and first awards. The first award show to ever
:38:31. > :38:36.give us an award and say we're greet. My first memories of the
:38:37. > :38:40.MOBOs was watching So Solid Crew performing 21 Seconds. I remember
:38:41. > :38:44.this guy. #21 seconds to go
:38:45. > :38:49.#21 # seconds to go... # Fire, right. I remember my favourite
:38:50. > :38:55.moment, well, was actually being on the stage. The great Alexander
:38:56. > :38:59.O'Neil giving me my award. My favourite memory was winning one. I
:39:00. > :39:07.waited my whole life to be invited to the MOBOs. Happy birthday to
:39:08. > :39:12.you... # So, solid, MOBOs.
:39:13. > :39:18.In my humble opinion, these guys are the best live act of the summer.
:39:19. > :39:23.You could say, 2013 was Rudimental's year. Since releasing their debut
:39:24. > :39:27.album these boys have played non-stop festivals, toured the world
:39:28. > :39:30.and finished the year with three MOBO nominations.
:39:31. > :39:35.Impressive. In celebration of MOBO's 18th
:39:36. > :39:41.anniversary, rudemental are about to perform the Fugee's classic, Ready
:39:42. > :39:44.or Not which was released the year it all started in 1996. Please, feel
:39:45. > :40:06.the love for Rudimental. # Ready or not, here I come, you
:40:07. > :40:11.can't hide. # Gonna find you and take it slowly.
:40:12. > :40:13.# Ready or not, here I come, you can't hide.
:40:14. > :40:42.# Gonna find you and make you want me.
:40:43. > :40:47.# Ready or not # Here I come
:40:48. > :42:02.# You can't hide # going find you and take it slowly
:42:03. > :42:06.# You know I said it's true, I can feel the love.
:42:07. > :42:09.# Can you feel it too? # I can feel it, ah-ah, I can feel
:42:10. > :42:12.it, ah-ah. # You know I said it's true, I can
:42:13. > :42:17.feel the love. # Can you feel it too?
:42:18. > :42:20.# I can feel it, ah-ah, I can feel it, ah-ah-ah-ah, yeah.
:42:21. > :42:21.# You know I said it's true, I can feel the love. 18th birthday for the
:42:22. > :42:50.MOBOs. K # You know I said it's true.
:42:51. > :42:56.# You know I said. # You know I said it's true.
:42:57. > :42:59.# You know I said. # You know I said it's true, I can
:43:00. > :43:03.feel the love. # Can you feel it too?
:43:04. > :43:06.# I can feel it, ah-ah, I can feel it, ah-ah.
:43:07. > :43:09.# You know I said it's true, I can feel the love.
:43:10. > :43:12.# Can you feel it too? # I can feel it, ah-ah, I can feel
:43:13. > :43:13.it, ah-ah. # Na-na-na-na.
:43:14. > :43:15.# No, oh, oh, yeah. # No, no, no, no.
:43:16. > :43:44.# All right. We've been waiting all our lives for
:43:45. > :44:00.this. # Na-na-na-na.
:44:01. > :44:11.# No, oh, oh, yeah. # No, no, no, no.
:44:12. > :44:13.# I gotta tell you, I gotta tell you.
:44:14. > :44:17.# I gotta tell you, I gotta tell you, tell you.
:44:18. > :44:23.# You know I said it's true. # So true.
:44:24. > :44:27.# You know I can feel it too. # I can feel it now.
:44:28. > :44:30.# You know I said it's true, I can feel the love.
:44:31. > :44:32.# Can you feel it too? # I can feel it ah-ah, I can feel it
:44:33. > :44:36.ah-ah. # You know I said it's true, I can
:44:37. > :44:40.feel the love. # Can you feel it too?
:44:41. > :44:44.# I can feel it ah-ah, I can feel it ah-ah.
:44:45. > :44:45.# I can feel it, I can feel it, I can feel it.
:44:46. > :44:55.# Can you feel it too? # Though I say it's true
:44:56. > :45:00.# I can feel it too # I can feel it now
:45:01. > :45:04.# Sing with us, come on # You know I said it's true
:45:05. > :45:08.# So true # You know I can feel it too
:45:09. > :45:14.# So true # You know I can feel it too
:45:15. > :45:16.# You know I said it's true # So true
:45:17. > :45:23.# You know I can feel it too # I can feel it now
:45:24. > :45:28.# You know I said it's true. MOBOs, we love you
:45:29. > :45:36.What a performance from Rudimental. Now, two ladies who epitomise
:45:37. > :45:41.everything these awards are about - talent. One received the MOBO from
:45:42. > :45:45.Alexander O'Neil at the very first awards.
:45:46. > :45:51.The other has been on a mission - sorry I had to - since her debut
:45:52. > :45:57.album was released in 2011. Both have new albums. Both are brilliant.
:45:58. > :46:12.Give a Gubbing Glasgow welcome for Gabrielle and Katy B.
:46:13. > :46:22.Here we go. MOBO for Best Male Act is one of the most hotly-contested
:46:23. > :46:32.categories of the night. It is for male group, duo or exceptional
:46:33. > :46:34.artist -- or solo artist who've had been exceptional 12 months. Let's
:46:35. > :47:33.look at the nominees. And the winner is... Wiley.
:47:34. > :47:37.Unfortunately Wiley can't be with us tonight. So here is a message from
:47:38. > :47:41.him. I'm sorry I couldn't be there with you tonight. Trust me, I wish I
:47:42. > :47:47.was there right now. I want to big-up the big man
:47:48. > :47:52.upstairs GOD. I want to big up my familiar lane grandparents and John
:47:53. > :47:56.and Adam and Carolinia, Anton and Sian, and the team and the BBK
:47:57. > :48:00.Family also. One Moroccans I have to gig up all the people on Twitter,
:48:01. > :48:05.all may fans and followers. I know you have made this happen. This one
:48:06. > :48:12.is definitely for more. -- one more. My brother Angel is going to pick up
:48:13. > :48:17.the award for me, Team UK. Wiley. Obviously Wiley couldn't make
:48:18. > :48:21.it. He kindly asked me to collect his award for him. So, you know,
:48:22. > :48:26.brother from another mother. I want to say a massive thank you to
:48:27. > :48:33.everyone. His first MOBO. He appreciates it. I want to say, John
:48:34. > :48:36.Wolf, what you would say is John Woman of,borough, we have done it,
:48:37. > :48:42.we've won, that's all that matters. Thank you. Jahmene Douglas is a
:48:43. > :48:50.self-confessed lover of Gospel music.
:48:51. > :48:59.And IDMS a Gospel choir. They are a match made in heaven.
:49:00. > :49:11.Here they are with Emeli Sande's Next To Me.
:49:12. > :49:18.# You won't find him drinking at the tables.
:49:19. > :49:22.# Rolling dice and staying out till three.
:49:23. > :49:28.# You won't ever find him being unfaithful.
:49:29. > :49:34.# You will find him, you'll find him next to me.
:49:35. > :49:39.# You won't find him trying to chase the devil.
:49:40. > :49:45.# For money, fame, for power, out of grief.
:49:46. > :49:49.# You won't ever find him where the rest go.
:49:50. > :49:58.# You will find him, you'll find him next to me.
:49:59. > :50:12.# Next to me, ooooh. # Next to me, ooooh.
:50:13. > :50:18.# You will find him, you'll find him next to me.
:50:19. > :50:26.# When the money's spent and all my friends have vanished.
:50:27. > :50:33.# And I can't seem to find no help or love for free.
:50:34. > :50:38.# I know there's no need for me to panic.
:50:39. > :50:54.# Cos I'll find him, I'll find him next to me.
:50:55. > :51:01.# Next to me, ooooh. # Next to me, ooooh.
:51:02. > :51:06.# You will find him, you'll find him next to me.
:51:07. > :51:10.# When the end has come and buildings falling down fast.
:51:11. > :51:16.# When we spoilt the land and dried up all the sea.
:51:17. > :51:24.# When everyone has lost their heads around us.
:51:25. > :51:33.# You will find him, you'll find him next to me.
:51:34. > :51:40.# Next to me, ooooh. # Next to me, ooooh.
:51:41. > :51:42.# You will find him, you'll find him next to me.
:51:43. > :51:48.# Next to me, ooooh. # Next to me, ooooh.
:51:49. > :51:54.# You will find him, you'll find him next to me. #
:51:55. > :51:59.# You will find him # when the doors are closing
:52:00. > :52:33.# I will find him # I will find him #
:52:34. > :52:38.Thank you very much, God bless. Now the MOBO for Best Necomer in
:52:39. > :52:43.association with HTC. If history is anything to go by, we are going to
:52:44. > :52:53.see a lot more of whoever wins this award. Previous winners include JLS.
:52:54. > :52:58.Rita Ora. N dubs. Jessie J and, of course Tinnie Tempah.
:52:59. > :53:07.To do the honours is a MOBO high conwho received the award for
:53:08. > :53:12.Outstanding Contribution to Black Music at the inaugural awards. That
:53:13. > :53:21.was some time ago. I was very young. Who thinks Trevor Nelson hasn't aged
:53:22. > :53:29.a day in years. Give it up, coacoa butter. Don't crack. Let's show some
:53:30. > :53:45.love for Soul II Soul's legend Jazzie B.
:53:46. > :53:51.It's all about supporting new and emerging talent. It's been my
:53:52. > :53:56.pleasure to be involved in this crazy, exciting industry for over 25
:53:57. > :54:00.years now. What keeps me interested in this ever-resolving and
:54:01. > :54:04.ever-changing industry is the fresh talent like what we have just saw
:54:05. > :54:05.here today. Here are the ten nominees in the category, in
:54:06. > :55:35.association with HTC. And the Best Necomer MOBO award goes
:55:36. > :55:43.to... Krept Konan.
:55:44. > :55:47.- They achieved an in kred feat when their independently released mixed
:55:48. > :55:51.tape reached the UK's top 20 with no major backing and very little
:55:52. > :55:54.promotion. Their first-ever live show was on tour right here in
:55:55. > :56:36.Glasgow. Yeah, MOBOs, yeah. Mental. I want it
:56:37. > :56:40.big up all my fans, Team Play Dirty. Everyone that voted for us and
:56:41. > :56:45.bought our mix tape that got into the top 20 with no major backing,
:56:46. > :56:50.independent, no TV, radio, nothing. Thank you to everyone that boughted
:56:51. > :56:55.it. We have my familiar lane my dad. Mum, are you still watching this? I
:56:56. > :57:04.used to watch this with you when I was younger, I love you mum. Big up.
:57:05. > :57:10.Yeah,man. I thank my mum. Yeah, man. Play Dirty Young Kings, member.
:57:11. > :57:14.Now for another performance. What happens when you merge two legends
:57:15. > :57:22.of UK music, both recognised and both respected? You get some
:57:23. > :58:23.infectious drum and bass infused with sweet Reggae.
:58:24. > :58:30.# I am only yours # I ain't running
:58:31. > :58:34.# No, no, no. # You got it
:58:35. > :58:38.# It makes me feel # Makes me fly
:58:39. > :58:40.# You got it # Makes me cry
:58:41. > :58:56.# Makes me buzz # You got it, you got it
:58:57. > :59:03.# It gets me high, high, high # So, I don't want to come down
:59:04. > :59:15.# You get me high, high, high so # I I, don't want to come down
:59:16. > :59:56.# You don't want to ever come down I don't wanna come down
:59:57. > :00:02.# It makes me feel # Makes me fly
:00:03. > :00:15.# You got it # It makes me cry you got it
:00:16. > :00:26.# You got it MOBOs # It makes me high, high, high
:00:27. > :00:38.# So, I don't wann come down you get me high, high, high
:00:39. > :00:48.# I don't wanna come down give me give me that get my soul on fire
:00:49. > :00:55.give me give me give me that give me, give me give me that you set my
:00:56. > :01:07.soul on fire give me give me that you got it, you got it, you got it
:01:08. > :01:23.I don't wanna come down , I don't wanna come down #
:01:24. > :01:35.Thank you of the. To present the MOBO for Best Video,
:01:36. > :01:39.in association with SB TV is the intren air who founded that company
:01:40. > :01:46.as a teenager. Now he is rolling with Richard Branson. I'm excited.
:01:47. > :01:58.We have the First Lady of So Solid and hot-shot producer. Please well
:01:59. > :02:08.Jamal Edwards. Lisa Mafia and Tahmac.
:02:09. > :02:15.Sunny Glasgow. What's up for the 18th birthday party. It is great to
:02:16. > :02:20.be here presenting the Best Video company. Something that's close to
:02:21. > :02:24.my part. I'm proud to be part of this culture. Now is the time to
:02:25. > :02:27.innovate and make it part of history. The nominees for Best Video
:02:28. > :03:37.are... Are And the winner of Best Video
:03:38. > :03:58.is... Naughty buoy la, la, la. Force - Naughty Boy.
:03:59. > :04:04.It's based on a traditional Bolivian tale of a boy who left his home and
:04:05. > :04:23.forged a life-long friendship with a stray dog.
:04:24. > :04:36.OK, this is getting crazy now. This is getting really crazy, guys.
:04:37. > :04:46.I actually want to thank everyone here for loving this song because I
:04:47. > :04:54.love this song as well. And I have to thank my managers, Ricky Blue.
:04:55. > :05:01.Danny D and Tim BlackSmith for making this pob and Glyn, my guy,
:05:02. > :05:13.from Virgin, the man. If you want a record deal, go to Glyn. OK.
:05:14. > :05:15.And also, I want to thank everyone for accepting me. Because I make
:05:16. > :05:27.music for the people. And La La La was always for the
:05:28. > :05:31.people. Sometimes it's OK to just cover your ears and forget
:05:32. > :05:43.everything. Sometimes it's OK to do that. And I'm just grateful to be
:05:44. > :05:48.here. Who um, I should stop now. Lp thank you MOBOs.
:05:49. > :05:55.Our next act has three MOBO nominations already. Winning one
:05:56. > :06:02.from Best African act. He has take yoen the Afro-pop scene by storm.
:06:03. > :06:14.Fuse ODG off the ground is a London-born rapper, singer,
:06:15. > :07:37.song-writer r. # I want to do my Azonto, Azonto,
:07:38. > :07:40.Azonto. # Now watch me do my Azonto, Azonto,
:07:41. > :07:42.Azonto. # Now watch me do my Azonto, Azonto,
:07:43. > :07:45.Azonto. # Now watch me do my Azonto, Azonto,
:07:46. > :07:49.Azonto. # You want cope with dem haters.
:07:50. > :07:50.# I want to do my Azonto, Azonto, Azonto.
:07:51. > :07:57.# Azonto, zonto, zonto. # Azonto, zonto, zonto.
:07:58. > :08:00.# You want cope with dem haters. # They all wanna learn how to do
:08:01. > :08:02.this. # So I'mma take you all through
:08:03. > :08:06.this. # Azonto dance is the movement.
:08:07. > :08:08.# So when you jump on the floor, then use it.
:08:09. > :08:11.# First step is the step, step. # You can move to the right, to the
:08:12. > :08:14.left, left. # You can do a freestyle with your
:08:15. > :08:17.step, step. # Put your hand in the air, then you
:08:18. > :08:21.rep, rep. # So go, go, go, twist your finger,
:08:22. > :08:21.shake and wave and say hello-lo-lo-lo.
:08:22. > :09:20.# Make a freeze stand. # Shall I do it?
:09:21. > :10:14.# Shall I do it? # What I'm gonna tell my mommy, oh.
:10:15. > :10:18.# I should've listened before. # She da do me like antenna.
:10:19. > :10:23.# She's just controlling my phone. # She dey do me like antenna.
:10:24. > :10:31.# Now to present a very special award.
:10:32. > :10:39.The B MOBO award. Please welcome the force behind the awards, the
:10:40. > :10:51.founder, the CEO, the boss lady, and Queen of MOBO, Kylie King MBE
:10:52. > :10:56.As we celebrate our coming of age in true MOBO fashion, let's go back in
:10:57. > :11:00.history. MOBO was founded in 1996 when the majority of the performers
:11:01. > :11:07.here, tonight, were probably still at school. At the time there was
:11:08. > :11:11.little recognition in the UK. MOBO was born to celebrate the music we
:11:12. > :11:20.love. And MOBO has become the sound track of our culture and future. The
:11:21. > :11:24.B MOBO non-music award was cre in 2006 to appreciate people and
:11:25. > :11:29.organisations that support the MOBO values. This year's recipient has
:11:30. > :11:33.been a catalyst for change and solidarity. They are a national
:11:34. > :11:41.charity that is committed to supporting young people from diverse
:11:42. > :11:48.and disadvantaged backgrounds. So, the recipient of this year's B MOBO
:11:49. > :11:53.ais The Stephen Lawrence Charity Trust for all they do for us,
:11:54. > :11:57.absolutely and our children's future. Collecting it is Stephen's
:11:58. > :12:01.mother, who establisheder the charity in honour of her son. Ladies
:12:02. > :12:04.and gentlemen, please give a warm welcome to Baroness Doreen Lawrence,
:12:05. > :12:53.OBE Thank you. Thank you Kanya. And
:12:54. > :12:59.thank you MOBO. We are here to celebrate MOBO's 18th year.
:13:00. > :13:02.I always say this is the bit I really don't like - I like being in
:13:03. > :13:08.the background with all the work that I do but sometimes you have to
:13:09. > :13:13.stand up and sort of say, yeah, I salute you.
:13:14. > :13:22.It's been 20 years since my son was killed and in that 20 years, we have
:13:23. > :13:28.managed to change laws, we have a Stephen Lawrence Charitable Trust.
:13:29. > :13:34.CHEERS We have helped over 100 students. We
:13:35. > :13:40.have now six of them who are qualified architects in this
:13:41. > :13:44.country. And there are four out in Jamaica.
:13:45. > :13:49.And as we move forward to the future, part of our work is to
:13:50. > :13:54.continue and what we are trying to do is looking at professions. The
:13:55. > :13:59.idea is that it doesn't matter what professions the young person wants
:14:00. > :14:04.to go into. The Stephen Lawrence Trust wants to help them to achieve
:14:05. > :14:07.their goals and to take their place in society. Being here tonight and
:14:08. > :14:12.seeing all these artists here, I think it is fantastic and the fact
:14:13. > :14:15.that MOBO is celebrating their 18th birthday is unbelievable. All I want
:14:16. > :14:24.to say to you all, is thanks very much.
:14:25. > :14:34.Time for some more music. Now frequently mistaken as a solo
:14:35. > :14:42.artist, in fact Aluna George, of the music duo George Rei, deand aLuna
:14:43. > :14:46.Frances is the sing. -- Aluna. But they could have ended up George
:14:47. > :14:51.Aluna. That wouldn't have worked. He is a gentlemen.
:14:52. > :15:21.Make some noise for Aluna George with their fairy-tale of inspired
:15:22. > :15:24.Attracting Flies. # Hold on now, I'm choking, give me
:15:25. > :15:27.a second to collect myself. # You must be joking, otherwise I'm
:15:28. > :15:30.laughing to myself. # Why you here again?
:15:31. > :15:33.# Hold on a minute, let me check this out.
:15:34. > :15:36.# Your invitation's a fake, must be from a ticket tout.
:15:37. > :15:39.# I hear you out, you hear me out. # I hear you shout, I'm not stepping
:15:40. > :15:44.out. # I hear you out, you hear me out.
:15:45. > :15:45.# I hear you shout, I'm not stepping out.
:15:46. > :15:47.# Little grey fairytales and little white lies.
:15:48. > :15:50.# Everything you exhale is attracting flies.
:15:51. > :15:53.# And you can go off the rails and you can cry your eyes out.
:15:54. > :16:05.# But everything you exhale is attracting flies.
:16:06. > :16:08.# Please stay, it's your moment, I'll give you all the listening that
:16:09. > :16:12.you need. # Don't be a showman, who needs the
:16:13. > :16:15.drama, who said you had to bleed? # I'm excited.
:16:16. > :16:17.# Come on, surprise me, sweep me off my feet.
:16:18. > :16:22.# Oh, enlighten me, what is this special thing 'bout you I need?
:16:23. > :16:25.# I hear you out, you hear me out. # I hear you shout, I'm not stepping
:16:26. > :16:29.out. # I hear you out, you hear me out.
:16:30. > :16:31.# I hear you shout, I'm not stepping out.
:16:32. > :16:38.Little grey fairytales and little white lies.
:16:39. > :16:46.# Everything you exhale is attracting flies.
:16:47. > :16:49.# And you can go off the rails and you can cry your eyes out.
:16:50. > :17:16.# But everything you exhale is attracting flies.
:17:17. > :17:23.# Baby, would I care if you want me? # Baby, would I care if you don't?
:17:24. > :17:27.# Baby, would I care if you need me? # Baby, would I care if you don't?
:17:28. > :17:29.# Little grey fairytales and little white lies.
:17:30. > :17:33.# Everything you exhale is attracting flies.
:17:34. > :17:36.# And you can go off the rails and you can cry your eyes out.
:17:37. > :17:59.# But everything you exhale is attracting flies.
:18:00. > :18:16.Now, oh, yes, now... No now, now. Now is the time for the MOBO for
:18:17. > :18:21.Best Album. Here to present it, two of tonight's performers, make some
:18:22. > :18:28.noise for Tinnie Tempah, who opened the show with style and the lady who
:18:29. > :18:50.brought the whole kit and caboodle with her, Iggy Azalea.
:18:51. > :18:58.I've had the best night. Thank you guys. All for the perfect ending, I
:18:59. > :19:05.get to be on stage with Tinnie. Shall we do it? Here with the
:19:06. > :20:05.nominees for the Best Album MOBO, 2013.
:20:06. > :20:12.The Best Album MOBO goes to... Tinnie, you can do the honours...
:20:13. > :20:20.Rudimental. Very worthy winners. Rudimental
:20:21. > :20:25.named their debut album Home. Not because they are all from Hackney
:20:26. > :20:26.but because when they are on stage they feel right at home, wherever
:20:27. > :20:57.that stage may be. Wow.
:20:58. > :21:01.Absolutely speechless. I don't know what to say. You know what, there is
:21:02. > :21:06.a lot of people we have got to thank but before we got into that, we need
:21:07. > :21:14.to thank you guys, the fans from supporting us from day dot.
:21:15. > :21:21.I also need to thank our management, Black Butter. Asylum. Henry Village.
:21:22. > :21:26.Also need to thank our parents for all those times when we were really,
:21:27. > :21:30.really broke and they were obliged to let us live in their houses. So
:21:31. > :21:37.thank you very much. My mum is with us. I also want to big up all the
:21:38. > :21:45.band members that have helped make the live show such a big thing, Tom
:21:46. > :21:50.Jones, Beanie, Sinead, Ella, John Newman. All the family. An Marie,
:21:51. > :21:53.everyone who has played a part. No-one ever sees what happens behind
:21:54. > :21:58.the scenes. There is a lot of blood, sweat and tears. We've worked pretty
:21:59. > :22:01.much all our lives to get to this stage here and we are so thankful
:22:02. > :22:07.that we've go the here with the MOBO. Thank you.
:22:08. > :22:15.One final thank you to the Ben Humphrey, Nick Worthington, and
:22:16. > :22:18.Christian. I nearly forgot Mark Crowd as well.
:22:19. > :22:28.Thank you. Well, it's good night from us. What
:22:29. > :22:34.better way to sign off this 18th anniversary MOBO awards than a
:22:35. > :22:40.performance from the God fathers of UK garage and grime.
:22:41. > :22:49.Credited for paving the way for our current artists. With their 2011
:22:50. > :22:52.MOBO-winning song, it's so, so, so, So Solid. And we've go the 21
:22:53. > :25:01.Seconds. # I've go the 21 seconds to go
:25:02. > :25:10.# I've got 21 seconds to go # I've got 21 # seconds
:25:11. > :25:15.did you see the video # Did you see me on the video, oh,
:25:16. > :25:21.no # So if you like me, let me know
:25:22. > :26:08.# Let me in the studio. I got 21 seconds before I go
:26:09. > :26:13.# I've go the 21 seconds to go # So you like me
:26:14. > :26:18.# Let me know # Let me in the studio
:26:19. > :26:25.# Did you see me in the video, so you like me, let me know, did you
:26:26. > :26:34.see me on the video, oh, no. # I've go the 21 seconds to go 21
:26:35. > :26:38.seconds it 21 seconds #21 seconds