:00:00. > :00:07.I This programme contains very strong language and scenes of
:00:08. > :00:28.repetitive flashing images and strobe lighting.
:00:29. > :00:40.This is the 18th MOBO awards live from Glasgow's newest and finest
:00:41. > :00:47.venue, the SSE Hydro. Please give a massive welcome for Tinie Tempah.
:00:48. > :01:34.# Shake, shake, shake, shake. # Jump, jump, jump, jump.
:01:35. > :01:37.# Eenie meanie minie, thank God it's Friday.
:01:38. > :01:41.# Please don't ask me for my ID if I'm in your iTunes library.
:01:42. > :01:44.# Got my own book in my library my mansion is so tidy.
:01:45. > :01:48.# My neighbours hate my mistress cos she never wear no nighties.
:01:49. > :01:51.# I go Claridges to do high tea Jordan's on like Spike Lee.
:01:52. > :01:55.# I'm high end, you're High Street, swagger jacking my style.
:01:56. > :01:58.# When I was a kid I used to save up for my Nikes.
:01:59. > :02:04.# Now all these little kids is tryna save up for my Nikes.
:02:05. > :02:23.# Shake, shake, shake, shake. # Jump, jump, jump, jump.
:02:24. > :02:27.# Sharing clothes, that's trampy, splitting bills, that's trampy.
:02:28. > :02:29.# All this hanky-panky, now her handprints on my Banksy.
:02:30. > :02:34.# I'm just strictly speaking, Anne Frankly, all my girls is fancy.
:02:35. > :02:36.# In a white Ferrari Spider, rolling with Anansi.
:02:37. > :02:40.# And Diplo to disco, she sniff whoa.
:02:41. > :02:43.# She gwan like she RiRi, and wine to Calypso.
:02:44. > :02:46.# She ask me if I'm single, I said, maybe, I think so.
:02:47. > :02:55.# I can't concentrate when that thong's on like Sisqo.
:02:56. > :03:03.# Latisha Shakespear Latisha Shakespear shake
:03:04. > :03:22.# Jump jump jump jump # Shake Shake shake shake
:03:23. > :03:36.Paris, what's going down # Stockholm, what's going down? Rio,
:03:37. > :03:39.down? London, what's going down Oslo, what's going down?
:03:40. > :03:56.down? London, what's going down what's going down?
:03:57. > :04:19.Shake shakeshakeshake # Jumpjumpjump. #
:04:20. > :04:26.Ladies and gentleman, please welcome your hosts for this evening,
:04:27. > :04:31.broadcast legend and four-time MOBO award winner, Trevor Nelson and the
:04:32. > :04:40.collectible DJ air gentleman Jayne Crawford.
:04:41. > :04:45.-- The magnificent Tinie Tempah and a stunning performance of
:04:46. > :04:49.trampoline. An exciting way to start this the 18th, MOBO awards
:04:50. > :04:52.everybody! APPLAUSE
:04:53. > :04:57.They have finally come of age and they are legal. Back when it started
:04:58. > :05:03.in 1996, the world was a very different place. Jay Z had just
:05:04. > :05:09.released his debut album. The Spice Girls spent seven weeks at number
:05:10. > :05:17.one. Remember that? Take that split up for the first time. A little
:05:18. > :05:23.known DJ joined Radio 1 to do the iconic show for the iconic nation.
:05:24. > :05:31.You're not that little. Jay Z is on his 12th album. The Spice Girls muse
:05:32. > :05:33.inning only spent -- musical only spent seven months on stage.
:05:34. > :05:35.inning only spent -- musical only That are still on stage. Enough
:05:36. > :05:39.about the past. We have a very That are still on stage. Enough
:05:40. > :05:46.bright future and shining their light on us tonight we have
:05:47. > :05:56.performances from Iggy Azalea, Rudimental, Fuse ODG, Miss Miss And
:05:57. > :06:01.Shy FX. Not just that, Naughty Boy, Laura Mvula, Aluna George, Jahmene
:06:02. > :06:06.Douglas and IDMC Gospel choir and a special anniversary performance from
:06:07. > :06:12.So Solid Crew. Someone called security. I'm joking. We invited
:06:13. > :06:19.them down. A line up worthy of any 18th birthday. We'll be delving into
:06:20. > :06:22.the MOBO archives to show incredible performances, highlights and I've
:06:23. > :06:26.had a look, they're really amazing. You won't be disappointed. We've
:06:27. > :06:32.invited previous winners to dish out some of these little beauties.
:06:33. > :06:35.Before we do anything else, let s reminisce with some MOBO 18 winning
:06:36. > :06:52.moments. This is history being made here
:06:53. > :07:01.tonight. The winner is... Of course, me. No!
:07:02. > :07:06.Gabrielle. Thank you to everybody. Jessie J. I watched this last year
:07:07. > :07:14.by myself in my living room and no-one knew who I was. Now I just
:07:15. > :07:21.won Best Album. That is epic. Emily Sade.
:07:22. > :07:28.# Oh, heaven I wake with good intentions #
:07:29. > :07:35.BB King. Thank you, thank you so much. Janette Jackson. It's really a
:07:36. > :07:41.great honour to be here tonight to be part of this celebration. 50
:07:42. > :07:43.Cent. It feels like it's my year, man
:07:44. > :07:53.Thanks everybody for again.
:07:54. > :08:07.Yeah, yeah. Tinie Tempah! Wow! We did it. You have 21 seconds to get
:08:08. > :08:13.up here. So Solid Crew. Yo, yo, yo. Jay Z. Everybody up top, what's up
:08:14. > :08:27.you all, peace and love. The winner is... Destiny's Child. We
:08:28. > :08:32.you all, peace and love. all. Puff daddy and the family. I
:08:33. > :08:36.see you all over there, all my rude boys in the house. I'd like to share
:08:37. > :08:39.this with my brother beanie man Come up here. Share this with me,
:08:40. > :08:49.black man. Make some noise for public enemy.
:08:50. > :08:57.Thank you and keep going. Make sure it's ten more years. Peace you all.
:08:58. > :09:02.The incredible and still the best legs in the business Miss Tina
:09:03. > :09:10.turner. I've been in the business since 1960
:09:11. > :09:17.and I've never had such an honour. I want to thank the MOBO for this
:09:18. > :09:25.wonderful moment and this wonderful trophy. I thank you so much.
:09:26. > :09:31.Hello Lionel Richie, that's all I can say. Some amazing talent there
:09:32. > :09:41.for all of the gossip and chat from the awards, are you following us?
:09:42. > :09:44.Keep tweeting, #MOBO 18. Finally the time has come to hand out
:09:45. > :09:46.Keep tweeting, #MOBO 18. Finally the these little beauties. This year,
:09:47. > :09:52.they're extra special. these little beauties. This year,
:09:53. > :09:58.Because winners will walk away with limited edition golden MOBO awards,
:09:59. > :10:02.not like Trevor's old one. I'm not happy about that. The industry
:10:03. > :10:06.experts have had their say and the public votes have been counted and
:10:07. > :10:10.verified. It's a 50/50 split. The first MOBO of the night is for Best
:10:11. > :10:17.Song in association with PRS for music. Here to do the honours are
:10:18. > :10:19.the trio known as MKS. Get in. Aka the original Sugababes. Please put
:10:20. > :10:44.your hands together for them! Hello! Hey everyone. Tonight is a
:10:45. > :10:48.very special night, we're celebrating a special year in music
:10:49. > :10:53.for the MOBO 18th. What were we like at 18? What did we wear? Erm... ..
:10:54. > :10:58.Things that were quite embarrassing probably looking back, like white
:10:59. > :11:03.PVC high he's. Remember the black lip liner with gloss? We're trying
:11:04. > :11:08.to forget. We are indeed. The one thing that we can agree on is that
:11:09. > :11:10.when we were 18, we loved watching the MOBOs. Let's look at the
:11:11. > :12:25.nominees for this year's Best Song. Some amazing nominees there. We only
:12:26. > :12:32.have one winner. It's a boy! Naughty Boy featuring Sam Smith.
:12:33. > :12:35.Congratulations to Naughty Boy. This is his first MOBO of the night. But
:12:36. > :12:40.he still has another two nominations. Could it be a hat-trick
:12:41. > :12:42.for him? He'll be performing a medley of his hits later in the
:12:43. > :13:03.show. What's going on?
:13:04. > :13:16.CHEERING My name is Naughty Boy. This is my
:13:17. > :13:21.friend Sam Smith. I'm going to speak after. Thank you everyone who has
:13:22. > :13:30.bought this song, this is amazing. A big shout out to my managers, Sam,
:13:31. > :13:38.Jack and Elvin. And Jimmy who helped us write this song. Over to you OK,
:13:39. > :13:43.I just want to say thank you to MOBOs. I've watched this programme
:13:44. > :13:51.since I was a kid, especially you Miss Gabrielle, especially you.
:13:52. > :14:00.Dreams do come true, Gabrielle. They do. OK. Also I'd like to thank my
:14:01. > :14:05.label virgin. They've been amazing. Thank you Ted. I love you guys.
:14:06. > :14:10.Thank you everyone. Watford, my family, my brother Omar and my
:14:11. > :14:14.friend's birthday today. He couldn't be here. Happy birthday. And happy
:14:15. > :14:25.birthday MOBOs. Congratulations to Naughty Boy. He's
:14:26. > :14:30.been a Naughty Boy but he's done well. Our next performer started
:14:31. > :14:37.rapping at the age of 14 in southern Australia. She cites Tupak and missy
:14:38. > :14:43.Elliott as major influences. She's living her dream in the USA. This
:14:44. > :14:48.girl knows how to work it, one of the most talked about rappers of the
:14:49. > :15:06.year, a hotly anticipated debut album and a tour with Beyonce,
:15:07. > :15:09.hello. Here is Iggy Azalea! # I'mma change your life, I'mma
:15:10. > :15:12.change it, I'mma change your life. # I'mma change your life, I'mma
:15:13. > :15:16.change it, I'mma change your life. # I'mma change your life, I'mma
:15:17. > :15:19.change it, I'mma change your life. # I'mma change your life, I'mma
:15:20. > :15:22.change it, I'mma change your life. You used to dealing with basic
:15:23. > :15:26.bitches, basic shit all the time. # I'm a new classic, upgrade your
:15:27. > :15:28.status from a standby to a frequent flyer.
:15:29. > :15:31.# Hop out your past life and I'll renovate your future.
:15:32. > :15:34.# Then I integrate my genius shit. # We purchasing, not perusing.
:15:35. > :15:37.# Yeah, I love your hustle, baby, just let me add a little bit of
:15:38. > :15:41.muscle, baby. # Joint venture, we'll partner up
:15:42. > :15:43.until the shares are up, and I up your wages.
:15:44. > :15:46.# On a private island, Dolo, one across the Cono.
:15:47. > :15:48.# Them broads before me was locals, through customs accustom your
:15:49. > :15:50.wardrobe, damn. # Stamped passports where they all
:15:51. > :15:53.pass ports. # Till the clocks fast forward
:15:54. > :15:55.there'll be dark blue shores where they don't do chores, we just
:15:56. > :15:58.there'll be dark blue shores where # Damn, this is the
:15:59. > :16:01.there'll be dark blue shores where shit with all access granted.
:16:02. > :16:04.# In the country where the accents are grand and they landing on top of
:16:05. > :16:07.all the mansions. # I'mma change your life, I'mma
:16:08. > :16:10.change it, I'mma change your life. # I'mma change your life, I'mma
:16:11. > :16:13.change it, I'mma change your life. # I'mma change your life, I'mma
:16:14. > :16:17.change it, I'mma change your life. # I'mma change your life, I'mma
:16:18. > :16:29.change it, I'mma change your life. # I'mma change your life, I'mma
:16:30. > :16:32.change it, I'mma change your life. # Have you ever wished your life
:16:33. > :16:35.would change # Woke up and lived your dreams
:16:36. > :16:39.# Baby, I can help you make that change
:16:40. > :16:43.# I can show you how to do this thing
:16:44. > :16:46.# Have you ever wished your life would change
:16:47. > :16:49.# Woke up and lived your dreams # Baby I can help you make that
:16:50. > :16:55.change # I can show you I have one thing to
:16:56. > :18:15.say. You better work. # Get real
:18:16. > :18:23.# Valley girls giving blow jobs for overtime. What you call that? Head
:18:24. > :18:26.over he's # Here we go.
:18:27. > :18:33.# No money, no family #16 in the middle of Miami
:18:34. > :18:36.# Here we go. # I've been up all night
:18:37. > :18:48.# Trying to get rich # Work, work, working on my shit
:18:49. > :20:05.# CHEERING AND APPLAUSE
:20:06. > :20:09.Iggy Azalea, she certainly raised the temperature. It may be cold
:20:10. > :20:14.outside and rainy. But it's getting hot in here. Next up the MOBO for
:20:15. > :20:21.best female act in association with Tresor Paris. To present it the man
:20:22. > :20:27.who in 2000 took these awards by storm. Please salute four-time MOBO
:20:28. > :20:42.winner, the multitalented and extremely buff, he eats clean, but
:20:43. > :20:44.trains dirty, Craig David! APPLAUSE
:20:45. > :20:52.That's some welcome. Fantastic. Thank you for having me. Four-time
:20:53. > :20:56.MOBO winner. I want to take you back to that big year of yours, when you
:20:57. > :21:00.swept everything. I remember your acoustic performance, I remember the
:21:01. > :21:08.buy British sweater you are had on. What are your memories? Yeah, the
:21:09. > :21:14.performance was that medley going from like seven days and Usher's
:21:15. > :21:18.Nice and slow. That buy British as much as I was sweating like crazy,
:21:19. > :21:24.it means even more now, because I still feel that the MOBOs isn't just
:21:25. > :21:27.about music of black origin, it s about music of British origin. When
:21:28. > :21:34.you see Rudimental and these artists jumping on stage, it's about British
:21:35. > :21:37.music coming through. So I'm a big believer in buying British, even
:21:38. > :21:44.more so than I was when I was 1 on the same stage. Well said. Since
:21:45. > :21:48.that time, in the last ten years, your debut album is ridiculous.
:21:49. > :21:53.Everyone here probably has a copy. It's a legendary album now. How do
:21:54. > :21:58.you think the scene has progressed in terms of artists making albums?
:21:59. > :22:00.I'm not just saying this because I'm patriotic and I am British, but the
:22:01. > :22:10.UK scene is thriving right now. I patriotic and I am British, but the
:22:11. > :22:15.going to be the biggest year for UK R B, hip-hop, dub step, all that
:22:16. > :22:19.music is going to start to change not just the UK, but
:22:20. > :22:23.internationally. I think for me being, living in Miami, I can see
:22:24. > :22:27.what's happening over in the UK in a big way. It's starting to make a
:22:28. > :22:31.splash. We could talk all night OK brother. Do your thing, man. It s
:22:32. > :22:38.great to be here tonight to support the MOBOs, as they reach 18 years in
:22:39. > :22:41.the game. These awards are so important to me and I can't believe
:22:42. > :22:46.it's been 13 years since the last time I was on this stage taking home
:22:47. > :22:52.a whole load of awards, which are now up on my mantelpiece in Miami. I
:22:53. > :22:56.hope whoever wins tonight gets as much pride and pleasure out of
:22:57. > :24:06.theirs as I do for mine. Let's look at the best female act nominees
:24:07. > :24:26.is... Laura Mvula. This is Laura Mvula's first MOBO of the night
:24:27. > :24:30.Both her and grime MC Wiley have four nominations and are tonight's
:24:31. > :24:35.leading contenders. Laura woulded US audiences recently appearing on the
:24:36. > :24:50.David Letterman shows, as well as touring the country.
:24:51. > :25:08.This is yours, my love. Congratulations. Thank you.
:25:09. > :25:14.Erm...... Thank you everyone. This is a great surprise, this feels
:25:15. > :25:20.really surreal. Can I say thank you to everybody at RCA, Sony, can I
:25:21. > :25:28.thank my husband, who hasn't seen me in a year. Thank you for sticking
:25:29. > :25:33.with me. Thank for everybody at my management. Thank you to my family.
:25:34. > :25:37.Thank you to everybody at Door bell. Everybody at CAA. Cheers. This means
:25:38. > :25:52.a lot. Thank you. Thank you. Definitely thank you Now
:25:53. > :25:58.for some MOBO 18 birthday greetings, and memories of some of our
:25:59. > :26:06.favourite artists. Yo, I'm Jessie J, 18 years, happy
:26:07. > :26:13.birthday. Happy birthday to you Happy birthday. What's up? This is
:26:14. > :26:17.Jon Legend wishing you a happy 8th birthday. Enjoy your birthday. Don't
:26:18. > :26:22.drink too much. I love you. Peace out. Happy birthday MOBO awards I
:26:23. > :26:30.love you. You're 18. Stay in school. Happy 18th birthday to the MOBOs.
:26:31. > :26:35.This is my first performance, first award. It's the first award show
:26:36. > :26:41.that ever, ever gave us awards. It's the first award show stage that we
:26:42. > :26:45.graced. My first memories of theophobo were watching So Solid
:26:46. > :26:51.Crew performing 21 Seconds. This guy was coming down from a ladder.
:26:52. > :26:56.# I got 21 seconds to go # You come through fire right? Yeah.
:26:57. > :27:01.Who does that? My favourite moments was being on the stage. The great
:27:02. > :27:06.Alexander O'Neill gave me my award. My favourite memory was winning one
:27:07. > :27:09.of these. Pretty much waited all my life to be invited to the MOBOs
:27:10. > :27:29.# Happy birthday to you # Labrinth, that yellow jacket, mm-mm.
:27:30. > :27:34.Welcome to the stage, comedian and actor and good mate of mine Eddie
:27:35. > :27:45.Caddy. Wow, wow, wow. Glasgow, make some
:27:46. > :27:50.noise! CHEERING
:27:51. > :27:52.If you love the MOBOs, make some noise.
:27:53. > :27:58.CHEERING Now, guys, I have to say I've done
:27:59. > :28:04.my fair bit for the MOBOs in the past 20 years. I've celebrated this
:28:05. > :28:09.music of black origin, whoever celebrated with me when So Solid
:28:10. > :28:16.Crew did 21 seconds, you remember? Yeah, I did. I celebrate. Also when
:28:17. > :28:22.Dizzee came out with, "I love you". I parted the skies. I did my part.
:28:23. > :28:26.Even when funky House came out I felt lost because the only way to
:28:27. > :28:34.dance to that is by looking confuelsed in Glasgow. This is
:28:35. > :28:37.exactly how it went. You know what, I've done my part,
:28:38. > :28:43.but I've been waiting for a long time to perform in front of
:28:44. > :28:46.everybody, millions of people, today it's all about African music. That's
:28:47. > :28:52.what I've come to perform. I've had enough. I've been waiting for this
:28:53. > :29:01.all day. I said to my mum, I'm letting loose.
:29:02. > :30:00.Right. Let's look at this year's nominees for Best African Act.
:30:01. > :30:22.An the MOBO for Best African Act goes to... My brother, Fuse ODG
:30:23. > :30:32.APPLAUSE Fuse ODG stands for fuse off the
:30:33. > :30:34.ground. The movement aims to highlight the new and exciting new
:30:35. > :31:06.elements of African culture. Wow. Make some noise MOBOs.
:31:07. > :31:11.CHEERING Like, I didn't prepare anything
:31:12. > :31:18.because first of all, I didn't even know I was going to win this so
:31:19. > :31:23.early or even win in the first place, but I just want to say
:31:24. > :31:29.quickly that I don't just make music just to make music. I make music to
:31:30. > :31:32.change lives. I'm making music because I'm proud to be African I'm
:31:33. > :31:38.making music because I want to change the perception of Africa
:31:39. > :31:43.When I was young, when I was younger, the perception of Africa
:31:44. > :31:47.were hunger and poverty and stuff like that. But we're growing now.
:31:48. > :31:52.We're successful men, doing our thing. It's important that if the
:31:53. > :31:58.media don't show that, we show that as African Med. As Fuse ODG -- as
:31:59. > :32:02.African men. As Fuse ODG I want to make muse Change The Continent. I
:32:03. > :32:06.Swear Down, I've Already Died For African And I'm Ready To Change The
:32:07. > :32:16.Perception Of Africa. Thank You Very Much Mobos.
:32:17. > :32:23.I Have Always Parade For A Platform To Speak To The World To Change
:32:24. > :32:27.I Have Always Parade For A Platform Perception Of Africa. This Is A
:32:28. > :32:31.Blessing. Thank You Guys So Much For Loving My Music Because It's Giving
:32:32. > :32:33.Me The Opportunity To Speak Out To You. Thank You So Much, Just So You
:32:34. > :32:53.Know, This Is New Africa. Now For Something A Bit Special Bit
:32:54. > :32:57.Special. He Has A Smash Hit Album. Three Mobo Nominations, Already
:32:58. > :33:02.Winner For Best Song, Here With A Load Of His Friends. Oh, He's
:33:03. > :33:10.Popular. Give It Up For Naughty Boy Featuring Ella Eyre And Sam Smith.
:33:11. > :33:16.# Got Me Up All Night, Used To Start A Fight.
:33:17. > :33:22.# You Don't Wanna Think About It, You Drink About It, You Smoke About
:33:23. > :34:10.It. # Don't Talk About It.
:34:11. > :34:16.# Every Night, The Same, Who's The One To Blame?
:34:17. > :34:20.# You Don't Wanna Think About It, You Drink About It, You Smoke About
:34:21. > :36:51.It, Don't Talk About It, Don't Make Me Forget, Sir.
:36:52. > :37:00.La, La La La La La, Na Na Na Na Na. # La La, Na Na, La La La La La, Na
:37:01. > :37:03.Na Na Na Na. # Hush, Don't Speak.
:37:04. > :37:06.# When You Spit Your Venom, Keep It Shut.
:37:07. > :37:08.# I Hate It When You Hiss And Preach About Your New Messiah, Cos Your
:37:09. > :37:12.Theories Catch Fire. # I Can't Find Your Silver Lining.
:37:13. > :37:18.# I Don't Mean To Judge, But When You Read Your Speech, It's Tiring.
:37:19. > :37:22.# Enough Is Enough. # I'm Covering My Ears Like A Kid.
:37:23. > :37:44.# When Your Words Mean Nothing, I Go La La La.
:37:45. > :38:04.# I'm turning up the volume when you speak.
:38:05. > :38:07.# I'm covering my ears like a kid. # When your words mean nothing, I go
:38:08. > :38:10.la la la. # I'm turning up the volume when you
:38:11. > :38:12.speak. # Cos if my heart can't stop it I
:38:13. > :38:44.find a way to block it, I go. # model, singer and a bit of meow
:38:45. > :38:49.What? Their talents are limitless. I like that. Like the name of their
:38:50. > :38:52.tour. Please give a welcome for diversity's Ashley Banjo and a real
:38:53. > :39:13.life living doll Kimberly Wyatt Hello everyone! The five guys
:39:14. > :39:18.nominated in this category have 15 top-ten hits between them. And each
:39:19. > :39:24.one has been instrumental in putting UK hip-hop and grime on the
:39:25. > :39:28.international stage. And this year, more than ever, they have
:39:29. > :39:34.spearheaded the UK music scene. Hello everybody! More than that
:39:35. > :40:41.They have made us dance. Here are the nominees.
:40:42. > :40:52.An the MOBO for Best Hip Hop/Grunge Act goes to: Yeah. Tinie Tempah
:40:53. > :40:57.Well done Tinie Tempah. This is his fourth MOBO award and the second
:40:58. > :41:03.time he's won Best Hip Hop/Grunge Act. He's gearing up for the release
:41:04. > :41:44.of his album entitled Demonstration. Glasgow! Amazing. I love this place
:41:45. > :41:49.so much. Before I start and say anything, first and foremost I want
:41:50. > :41:54.to say happy 18th birthday to the MOBOs. I'm only 24, so that shows
:41:55. > :41:59.how long the MOBOs have been around. Secondly, I just want to thank
:42:00. > :42:03.everybody. I want to thank my team Disturbing London, an the whole team
:42:04. > :42:08.over there. I want to thank my DJ as well for supporting me along this
:42:09. > :42:12.journey. Want to thank the parlour phone team and I want to dedicate
:42:13. > :42:15.this award to the whole next generation of MCs and people that
:42:16. > :42:20.are coming up. I think that's very, very important. I feel like we're at
:42:21. > :42:23.a stage now where we need to go beyond everything we've done and
:42:24. > :42:27.take it that step further. So everybody needs to start thinking a
:42:28. > :42:31.little bit more about who they are, what their brand is and what they
:42:32. > :42:33.want to do. Thank you MOBOs for all your support, second time. God
:42:34. > :42:53.bless, man. Thank you Glasgow. Now the next award is for Best
:42:54. > :42:56.Reggae Act. As one of the first black music forms to break the
:42:57. > :43:00.British charts, reggae music holds a very special place in the nation's
:43:01. > :44:04.musical hearts. Let's look at the nominees.
:44:05. > :44:16.Right, they've given me one to give out, so I'm going to open this. The
:44:17. > :44:19.Best Reggae Act goes to Sean Paul. Unfortunately, Sean can't be with us
:44:20. > :44:25.tonight. Here is his acceptance speech.
:44:26. > :44:29.Hey yo, this is Sean Paul. Salute to the MOBO awards, you no ewhat I
:44:30. > :44:33.mean? It's been many years that you guys have honoured me and I'm
:44:34. > :44:36.thanking you for that. Respect you. I'm sorry that I cannot be there. My
:44:37. > :44:43.heart is there. Boom.
:44:44. > :44:50.Time for another Boom.
:44:51. > :44:54.12 months, this stage -- this receptionist has transformed herself
:44:55. > :45:00.into a soul diva. Described by some as the UK's very own Nina Simone.
:45:01. > :45:06.For me, she's simply refreshingly unique. With four MOBO nominations
:45:07. > :45:19.and already a winner of Best Female Act, it's the sublime, Laura Mvula.
:45:20. > :45:26.# Hey there, you, shattered in a thousand pieces.
:45:27. > :45:32.# Weeping in the darkest nights # Hey there, you, try to stand up on
:45:33. > :45:41.your own two feet. # And stumble into the sky.
:45:42. > :45:48.# When the lights go out and you're on your own.
:45:49. > :45:55.# How are you gonna make it through till the morning sun?
:45:56. > :46:00.# Sing to the moon and the stars will shine.
:46:01. > :46:06.# Over you, lead you to the other side.
:46:07. > :46:11.# Sing to the moon and the stars will shine.
:46:12. > :46:23.# Over you, heaven's gonna turn the time.
:46:24. > :46:28.# Sing to the moon an the stars will shine
:46:29. > :46:34.# Over you, lead you to the other side
:46:35. > :46:40.# Sing to the moon and the stars will shine
:46:41. > :47:06.# Over you, heaven's gonna turn the tide.
:47:07. > :47:10.Take me outside, sit in the green garden.
:47:11. > :47:13.# Nobody out there, but it's OK now. # Bathe in the sunlight, don't mind
:47:14. > :47:15.if rain falls. # Take me outside, sit in the green
:47:16. > :47:41.garden. # Take me outside
:47:42. > :47:44.# Sit in a green garden # And I'll fly on the wings of a
:47:45. > :47:46.butterfly. # High as a tree top and down, down
:47:47. > :47:49.again. # Putting my bag down, taking my
:47:50. > :47:51.shoes off. # Walk in the carpet of green
:47:52. > :48:00.velvet. # Dance in my garden like we used
:48:01. > :48:18.to, ooh ah, ooh ah oh. # Dance in my garden like we used
:48:19. > :48:21.to, ooh ah, ooh ah oh. # I'll go, wherever you go, wherever
:48:22. > :48:24.you take me, I'll go. # I'll go, wherever you go, wherever
:48:25. > :48:38.you take me, I'll go. # Take me outside, sit in the green
:48:39. > :48:41.garden. # I'll go, wherever you go, wherever
:48:42. > :48:45.you take me, I'll go. # I'll go, wherever you go, wherever
:48:46. > :49:00.you take me, I'll go. # I'll go, wherever you go, wherever
:49:01. > :49:05.you take me, I'll go. # #
:49:06. > :49:16.APPLAUSE As you can see, I'm now on one of
:49:17. > :49:22.the tables down here. I don't know if you can see me? This is where the
:49:23. > :49:31.elite people sit, you know what I mean? The stars or the moneyied or
:49:32. > :49:35.whatever, sitting next to Ms Dynamite. The MOBOs for you, you go
:49:36. > :49:40.back, you've won a few. You have strong memories, I'm sure. Yeah all
:49:41. > :49:44.of my memories of MOBOs have been amazing, the performances, I mean
:49:45. > :49:51.when you say I go back, without making myself sound too old, we re
:49:52. > :49:57.talking about the days of like Jrrool, way back in the day. One of
:49:58. > :50:02.my favourite memories was meeting Lauren Hill. Wow. Yeah, that was,
:50:03. > :50:06.you know great. A great memory. Hold onto that one. I was going to go
:50:07. > :50:10.into some of your outfits back in the day. But I didn't want to do
:50:11. > :50:14.that to you. This man here is one of the shiest people I know in the
:50:15. > :50:19.business, but he's one of the most prolific. Shy FX, how are you? I'm
:50:20. > :50:24.good. Good to be here. You go under loads of different aliases as well.
:50:25. > :50:29.Yeah, I try to keep it under cover. How did your hook up with dynamite
:50:30. > :50:35.happen? It's been a long time coming. I've seen her on the circuit
:50:36. > :50:39.for a while. We had a conversation about a reggae junkle track. It went
:50:40. > :50:42.from there. Keep doing what you re doing. Can't wait to see the
:50:43. > :50:51.performance. I want to take you back to another massive MOBO memory.
:50:52. > :50:54.Who can remember 1999? That was the year that Jay Z
:50:55. > :50:58.Who can remember 1999? That was the Beyonce was in the building. It
:50:59. > :51:01.could have been the first time that he clapped eyes on her. Let's have a
:51:02. > :51:56.look. # Take me places I ain't never been
:51:57. > :52:00.# But now go and spend your # You're slowly making me
:52:01. > :52:04.# Because your money should be handling.
:52:05. > :52:14.# # What do I got to do to make you
:52:15. > :52:22.love me? # What do I Gotye do to make you --
:52:23. > :52:27.gotta do to make you care? # Get down on it
:52:28. > :52:37.# Get on it # Get down on it #
:52:38. > :52:42.# Let me be the one you come running to #
:52:43. > :52:49.# I can see you dying # I don't want to do this any more
:52:50. > :52:53.# # Father, father, help us, give some
:52:54. > :52:56.guidance from above # People got
:52:57. > :53:04.guidance from above where is the love? #
:53:05. > :53:12.Tear the roof off # Tear the roof off #
:53:13. > :53:29.# What the world needs now is love, sweet love #
:53:30. > :53:35.You can't go wrong with a bit of Tina Turner. In my humble opinion
:53:36. > :53:42.these guyles are the best live act of the summer. Yeah, you could say
:53:43. > :53:46.2013 was Rudimental's year, since releasing their debut album, they've
:53:47. > :53:50.played nonstop festivals, toured the world and finished the year with
:53:51. > :53:54.three MOBO nominations. That's impressive. In celebration of MOBO's
:53:55. > :54:00.18th anniversary, Rudimental are about to perform the fudgeies
:54:01. > :54:05.classic, ready or not, which was released the year it all started in
:54:06. > :54:13.1996. Please feel the love for Rudimental!
:54:14. > :54:21.# Ready or not, here I come, you can't hide.
:54:22. > :54:26.# Gonna find you and take it slowly. # Ready or not, here I come, you
:54:27. > :54:28.can't hide. # Gonna find you and make you want
:54:29. > :54:50.me. # Anywhere you go
:54:51. > :54:52.# My home crew want to know # Oh, baby
:54:53. > :54:55.# Hey baby # You can't hide from the vibe oh,
:54:56. > :54:59.no # Ready or
:55:00. > :55:04.no # You can't hide
:55:05. > :55:12.# Going to find you # And take this or leave
:55:13. > :55:15.# Ready or not, here I come, you can't hide, going to find you and
:55:16. > :56:25.take it slowly. You know I said it's true, I can
:56:26. > :56:29.feel the love. # Can you feel it too?
:56:30. > :56:38.# I can feel it, ah-ah, I can feel it, ah-ah.
:56:39. > :56:45.Can you make some noise! # You know I said it's true, I can
:56:46. > :57:04.feel the love. # You know what I said is true
:57:05. > :57:08.# You know what I said # You know what I said is true
:57:09. > :57:16.# I can feel the love, can you feel it too
:57:17. > :57:21.# I can feel it, ah-ah # You know what I said is true
:57:22. > :57:25.# I can feel the # Can you feel it too?
:57:26. > :58:05.# I can feel it, ah-ah, I can feel it, ah-ah-ah-ah, yeah.
:58:06. > :58:13.We've been waiting all our lives for this.
:58:14. > :58:15.# You know I said it's true, I can feel the love.
:58:16. > :58:19.# Can you feel it too? # I can feel it, ah-ah, I can feel
:58:20. > :58:22.it, ah-ah. # You know I said it's true, I can
:58:23. > :58:26.feel the love. # Can you feel it too?
:58:27. > :58:32.# I can feel it, ah-ah, I can feel it, ah-ah.
:58:33. > :58:41.# You know I said it's true. # You know I said.
:58:42. > :58:44.# You know I said it's true. # You know I said it's true
:58:45. > :58:50.# I can feel the love # Can you feel it too?
:58:51. > :59:00.# I can feel it, ohhh # I can feel it
:59:01. > :59:02.# Can you feel it? # Oohhh
:59:03. > :59:10.# I can feel it # I can feel it
:59:11. > :59:16.# Can you feel it? # Oh, oohhh
:59:17. > :59:19.# You know I said it's true # I can feel the love, can you feel
:59:20. > :59:22.it too # I can feel it, oh
:59:23. > :59:25.# I did feel it. # You know I said it's true
:59:26. > :59:30.# I can feel the love # Can you feel it too?
:59:31. > :59:35.# I can feel it, it ohh # I'm feeling it oohh.
:59:36. > :59:38.# You know it's true # I can feel the love, can you feel
:59:39. > :59:44.it too # I can feel it, oohhh
:59:45. > :59:50.# I can feel it, oohh. MOBOs, Glasgow, we love you.
:59:51. > :59:58.What a performance from Rudimental. Now, two ladies who epitomise
:59:59. > :00:04.everything these awards are about, talent. One received a MOBO from
:00:05. > :00:10.Alexander O'Neill at the very first awards. The other has been on a
:00:11. > :00:16.mission since her debut album was released in 2011. Both have new
:00:17. > :00:17.albums, both are brilliant. Give a gushing Glasgow welcome from
:00:18. > :00:41.Gabrielle and Katy B. APPLAUSE
:00:42. > :00:44.I'll get this side. Let me start with Gabrielle. I haven't seen her
:00:45. > :00:49.for so many years. Give her a round after plauz.
:00:50. > :00:53.APPLAUSE So glad Naughty Boy did something
:00:54. > :00:58.with your famous tune, Dreams. That's right. He's fabulous. It was
:00:59. > :01:02.a pleasure to work with him, so talented. I'm glad he's been
:01:03. > :01:07.recognised. I'm lost for words. He's amazing. You have your own mic, you
:01:08. > :01:12.know that? You know something, I knew I'd muck up some time today.
:01:13. > :01:17.You've got a new album as well, we've been waiting for the second
:01:18. > :01:22.album, what will we get from that? It's called Little Red and it's out
:01:23. > :01:29.in January. Yeah, it's just the next chapter of the Katy B story. I'm so
:01:30. > :01:33.excited for you to hear it. Two talented ladies, get on with the
:01:34. > :01:37.job. Here we go. The MOBO for Best Male
:01:38. > :01:43.Act is one of the most hotly contested categories of the night.
:01:44. > :01:45.It's for a male group, duo or single artist who've had exceptional 1
:01:46. > :02:54.months. Let's look at the nominees. And the winner is... Wiley!
:02:55. > :02:58.Unfortunately Wiley can't be with us tonight. Here's a message from him.
:02:59. > :03:04.I'm sorry I couldn't be there with you tonight. Trust me, I wish I was
:03:05. > :03:10.there right now. I want to big up the big man upstairs, God, I want to
:03:11. > :03:16.there right now. I want to big up big up my family and grandparents.
:03:17. > :03:20.Jon warmth, I want to big up the whole team and the BBK family. I
:03:21. > :03:23.have to big up all the people on Twitter, the fans, the followers,
:03:24. > :03:28.because I know you've made this happen. This one is definitely for
:03:29. > :03:37.you and my brother angel he will pick up the award for me, team UK.
:03:38. > :03:41.Obviously wile Wye couldn't make it tonight -- Wiley couldn't make it
:03:42. > :03:47.tonight. He asked me to collect his award from -- for him. A brother
:03:48. > :03:55.from another mother. It's a massive thank you. It's his first MOBO. Out
:03:56. > :03:58.to you Jon Wolfe, what he would say Jon Wolfe bro, we've done it, we
:03:59. > :04:05.won, that's all that matters. Thank you MOBO.
:04:06. > :04:11.Oh, my goodness. The MOBOs incredible. Are you having a good
:04:12. > :04:17.time? I'm worried about the drinks behind me. Now for a unique
:04:18. > :04:24.collaboration, Jahmene Douglas is a self-confessed lover of Gospel music
:04:25. > :04:30.E-IDMC are a MOBO nominated Gospel choir. They're a match made in
:04:31. > :04:38.heaven. Here they are a mesmerising version of Next to Me.
:04:39. > :04:43.Before we get to that, where are all the ladies? You're not a lady. All
:04:44. > :04:49.the fellas then. Are you having a good time? Yeah, man.
:04:50. > :04:55.This guy has two drinks instead of one. Now later on, you're going to
:04:56. > :05:00.see lots of talented artists, OK? They'll be on the stage and also
:05:01. > :05:03.receiving awards. Make sure that you stick with us because it's about to
:05:04. > :05:09.get incredible. If you want to tweet us, you can. Just follow MOBO 1 .
:05:10. > :05:11.Oh, hello. Make sure you follow us an make sure
:05:12. > :05:15.Oh, hello. you use the #MOBO 18 as well.
:05:16. > :05:19.Oh, hello. a new boyfriend, so I have to leave
:05:20. > :05:26.you. And over to Trevor. Oh, yeah, yeah. Put it on me. I love
:05:27. > :05:31.it. So, Glasgow, this isn't the first time you've had the MOBOs is
:05:32. > :05:36.it? No, it's not. It doesn't look like it's ever going to go back to
:05:37. > :05:47.London. Would you like it to go back to London? No! I thought not. You
:05:48. > :05:51.don't want to travel all the way up here. We do. We are having a few
:05:52. > :05:55.problems. We will sort that out We have quite a few artists and one or
:05:56. > :05:59.two legends coming up to present awards as well. One of them is a
:06:00. > :06:06.dear friend of mine. I think he s just moved, hello to Twin A, brother
:06:07. > :06:11.to Twin B. A shout out to the one extra crew as well who are recording
:06:12. > :06:21.this back stage or putting it out live on 1 Extra, BBC Radio 1 extra.
:06:22. > :06:29.And anybody who has been to the MOBOs before. Are you all right over
:06:30. > :06:33.there? Just stand to attention for a little while, if you don't mind I'm
:06:34. > :06:38.sure you've done that before. Yeah. You look very smart, all of
:06:39. > :06:46.you. Beautiful. I hope your voices are as good as you look. I heard you
:06:47. > :06:51.in rehearsals, I Mo you are. OK, just a reminder, if you want the
:06:52. > :06:59.news from the awards, make sure you're following us at MOBO awards
:07:00. > :07:06.and keep tweeting using the #MOBO18. To present the award for Best R B/
:07:07. > :07:07.Soul act are three sassy singers, who performed at the awards last
:07:08. > :07:33.year, give it up for Stooshe. Hello Glasgow! What an amazing new
:07:34. > :07:39.venue. What a wicked crowd you are. You can make noise.
:07:40. > :07:45.We love the MOBOs and are so delighted to be here to celebrate
:07:46. > :07:50.its 18th anniversary. I remember my 18th. Are you sure? Because we do
:07:51. > :07:55.know you. Yeah, actually I don't. Enough about us and here's the
:07:56. > :08:59.nominees for best R B and soul act.
:09:00. > :09:13.An the winner is... Laura Mvula That's two for two for
:09:14. > :09:17.Birmingham-born Laura Mvula. She's also been nominated for this year's
:09:18. > :09:20.Mercury Music Prize. We wish her the best of luck. But if tonight is
:09:21. > :09:21.Mercury Music Prize. We wish her the anything to go by, she won't need
:09:22. > :09:49.it. Wow. Unbelievable. Thank you so much
:09:50. > :09:57.MOBOs. Thank you to Steve Brown who produced the record with me and gave
:09:58. > :10:02.me a listen in the beginning. Thank you to Qwame who found me. Thank you
:10:03. > :10:07.to RCA and door bell again. Thank you to CAA. Thank you to my mummy
:10:08. > :10:09.and James and Dionne and to my husband, who hasn't seen me in 2
:10:10. > :10:23.months. Thanks. Jahmene Douglas is a self-confessed
:10:24. > :10:28.lover of Gospel music. IDMC are a nominated Gospel choir. They're a
:10:29. > :10:30.match made in heaven. Here with a mesmerising version of Emily Sand
:10:31. > :10:54.e's Next to Me. # You won't find him drinking at the
:10:55. > :10:59.tables. # Rolling dice and staying out till
:11:00. > :11:04.three. # You won't ever find him being
:11:05. > :11:11.unfaithful. # You will find him, you'll find him
:11:12. > :11:16.next to me. # You won't find him trying to chase
:11:17. > :11:22.the devil. # For money, fame, for power, out of
:11:23. > :11:26.grief. # You won't ever find him where
:11:27. > :11:29.rest go. # You
:11:30. > :11:38.rest go. next to me.
:11:39. > :11:52.# Next to me, ooooh. # Next to me, ooooh.
:11:53. > :11:58.# You will find him, you'll find him next to me.
:11:59. > :12:03.# When the money's spent and all my friends have vanished.
:12:04. > :12:09.# And I can't seem to find no help or love for free.
:12:10. > :12:15.# I know there's no need for me to panic.
:12:16. > :12:27.# Cos I'll find him, I'll find him next to me.
:12:28. > :12:39.# Next to me, oohhh # Next to me, oohhh
:12:40. > :13:01.# I will find him, I'll find him next to me
:13:02. > :13:06.# When everyone has lost their heads around us.
:13:07. > :13:19.# You will find him, you'll find him next to me.
:13:20. > :13:23.# Next to me, ooooh. # Next to me, ooooh.
:13:24. > :13:33.# You will find him, you'll find him next to me.
:13:34. > :13:35.# Next to me, ooooh. # When I'm in trouble, I will find
:13:36. > :13:39.him # When the doors are closing, said I
:13:40. > :13:43.will find him # Next to me
:13:44. > :14:08.# And the pressure is rising # Said I will find him #
:14:09. > :14:22.Thank you very much. God bless. Now the MOBO for Best Newcomer. In
:14:23. > :14:28.association with HTC, now if history is anything to go by, we're going to
:14:29. > :14:39.see a lot more of whoever wins this award. Previous winne include JLS,
:14:40. > :14:44.Rita ora, N-Dubz, Jessie J and Tinie Tempah. To do the honours is an icon
:14:45. > :14:48.who received the award for outstanding contribution to black
:14:49. > :14:52.music at the inaugural awards. Inaugural awards, weren't you there,
:14:53. > :14:57.that was some time ago. I was very young. Who thinks Trevor Nelson
:14:58. > :15:07.hasn't aged aI day in like years? Give it up for him. Cocoa butter.
:15:08. > :15:29.Let's show some love for soul to soul's legend jazzy B.
:15:30. > :15:34.It's all about supporting new and emerging talent. It's been my
:15:35. > :15:38.pleasure to emerging talent. It's been my
:15:39. > :15:42.crazy industry for over 25 years now. What keeps me interested in
:15:43. > :15:46.this ever evolving and ever changing industry is the fresh talent like
:15:47. > :15:52.what we just saw here today. Here are the ten nom kneels in the
:15:53. > :15:57.category that all started their career and I can only hope and pray
:15:58. > :16:00.an enjoy this as much as I do. Here are the nominees of the best
:16:01. > :17:35.new comers in association with HTC. And the Best Newcomer MOBO award
:17:36. > :17:38.goes to... Krept Konan. Krept Konan achieved an incredible
:17:39. > :17:42.goes to... Krept Konan. Krept when their independently released
:17:43. > :17:46.mixed tape reached the UK's top 20 with no major backing and very
:17:47. > :17:51.little promotion. Their first ever live show was on tour with Sceptre
:17:52. > :18:28.here in Glasgow. APPLAUSE
:18:29. > :18:33.Yeah. MOBOs, yeah. Behave. Mental. I want to big up all my fans, team
:18:34. > :18:36.play dirty, everyone that voted for us, everyone that bought our mix
:18:37. > :18:41.tape that got into the top 20 with no major backing, independent, no
:18:42. > :18:46.TV, radio, nothing. We got a top 20. Thank you to everyone that bought
:18:47. > :18:50.it. Big up my family and my dad mum, are you still -- I used to
:18:51. > :18:55.watch this with you when I was younger and now you're watching me
:18:56. > :19:00.on TV. I love you, mum. Thank my mum and God as well, man.
:19:01. > :19:09.Yeah man, play dirty young kings, remember.
:19:10. > :19:16.Now for another performance. I know! What happens when you merge two
:19:17. > :19:24.legends of UK music both recognised and both respected? You get some
:19:25. > :19:41.infectious drum and basin fused with sweet reggae.
:19:42. > :19:50.Yeah, yeah, let's raise the energy leaves a bit. Miss Dynamite. Let's
:19:51. > :19:58.go. # You get me higher, higher, higher
:19:59. > :20:05.# So high that I don't want to come down
:20:06. > :20:10.# MOBOs, you get me higher, higher, higher
:20:11. > :20:24.# So I don't want to come down Lets owe go higher.
:20:25. > :20:30.# After all this time # I have only yours
:20:31. > :20:34.# I keep running out # No, no, no, no
:20:35. > :20:38.# You got it # You make me feel
:20:39. > :20:42.# Make me fly # You got it
:20:43. > :20:46.# Make me cry # Make me grow
:20:47. > :20:48.# You got it with that sweetest touch
:20:49. > :20:53.# The sweet elips # You got it with ah
:20:54. > :21:03.# You got it # You lift me higher, higher, higher
:21:04. > :21:15.# So high I don't want to come down # You lift me higher, higher, higher
:21:16. > :21:18.# So high, I don't want to come down # So high
:21:19. > :21:31.# MOBOs make some noise. # I don't ever want to come down
:21:32. > :21:47.# I don't want to come # You got to know you're my
:21:48. > :21:55.everything # And it's the little things you do
:21:56. > :22:02.that makes me wear your ring # Oh, yeah, yeah
:22:03. > :22:07.# You got it, you make me feel, make me fly
:22:08. > :22:11.# You got it with a love so real make me cry,
:22:12. > :22:18.# You got it with the sweetest touch, the sweetest -- sweetest lips
:22:19. > :22:22.# You got it # MOBOs
:22:23. > :22:32.# You lift me higher, higher, higher # So high I don't want to come down.
:22:33. > :22:41.# You get me high, high, high # So high I don't want to come down.
:22:42. > :22:51.# Give me that remedy # You set my soul on, on
:22:52. > :22:54.# Give me that, give me that, you can take me higher
:22:55. > :23:11.# Give me that remedy, you set my soul on fire
:23:12. > :23:17.# Give me that because you got it, you got it
:23:18. > :23:27.# I don't want to come down, I don't want to come down #
:23:28. > :23:37.Thank you. To present the MOBO for Best Video
:23:38. > :23:42.in association with SB TV it's a young entrepreneur who founded that
:23:43. > :23:48.company as a teenager. Now he's rolling with Richard Branson. A
:23:49. > :23:55.company -- accompanying him, we have the First Lady of So Solid Crew and
:23:56. > :24:01.hot shot producer, welcome them to the stage.
:24:02. > :24:18.Sunny Glasgow! The MOBO 18th birthday party. It's great to be
:24:19. > :24:22.here presenting the Best Video gat gory, which is close to my heart.
:24:23. > :24:28.I'm proud to be part of this culture. It's time to innovate and
:24:29. > :25:40.make urban youth culture part of British history. The nominees are...
:25:41. > :25:52.And the winner of Best Video is .. Naughty Boy.
:25:53. > :26:02.Congratulations a second MOBO of the night. Naughty Boy shot the video
:26:03. > :26:27.for La Fortunata -- La Fortunata La -- la, la, la in Bolivia.
:26:28. > :26:40.This is getting crazy now. This is getting really crazy, guys. I
:26:41. > :26:52.actually want to thank everyone here for loving this song. Because I love
:26:53. > :26:58.this song as well. I have to thank my managers Rickie Blue, Danny Dee
:26:59. > :27:07.and Tim BlackSmith for making this possible and Glynn, my guy. The man.
:27:08. > :27:18.If you want a record deal, go to Glynn, OK? Also, I want to thank
:27:19. > :27:28.everyone for accepting me, because I make music for the people. La, la,
:27:29. > :27:33.la was always for the people. Sometimes it's OK just to cover your
:27:34. > :27:43.ears and forget everything. Sometimes it's OK to do that.
:27:44. > :28:00.I'm just grateful to be here. I should stop now. Thank you MOBOs.
:28:01. > :28:07.Now, it's exciting for me hosting the MOBOs for the first time. So I
:28:08. > :28:11.blagged that one. I also managed to blag presenting an award too.
:28:12. > :28:50.Without further ado here are the nominees for Best Jazz Act.
:28:51. > :29:04.And the MOBO for Best Jazz Act goes to Sons of Kemet. They are a jazz
:29:05. > :29:11.supergroup of sorts. Their album offers a unique blend of jazz,
:29:12. > :29:17.Caribbean folk and African diaspore history.
:29:18. > :29:36.Thank you. I'd like to thank all the guys from the band, Seb, Tom, I d
:29:37. > :29:40.like it thank Main records, my mother for all the support, all the
:29:41. > :29:43.jazz fans, all the jazz musicians that are supported this --
:29:44. > :29:45.supporting this muse pick outside the mainstream. Thank you all for
:29:46. > :29:57.keeping the music alive. Our next act has three MOBO
:29:58. > :30:04.nominations already. Winning one for Best African Act, he's taken the
:30:05. > :30:09.afro pop scene by storm, Fuse ODG is a London-born rapper, singer and
:30:10. > :30:52.song writer of Ghanaian descent It's Fuse, ha-ha-ha, Tiffany.
:30:53. > :30:55.# See, I just came back from Ghana and I wanna share this thing they
:30:56. > :30:58.all is doing over there. # Killbeat try to show me how to do
:30:59. > :31:02.it. # He sat me down in this place and
:31:03. > :31:06.he said to me, Fuse. # Nobody wanna see you raising.
:31:07. > :31:08.# And when you do it, they dan't even like it.
:31:09. > :31:11.# They just wanna see you deep in crisis.
:31:12. > :31:13.# Drive yourself, you dan't need no licence.
:31:14. > :31:15.# Halla her, she can even ride it. # Go ahead move your feet just like
:31:16. > :31:19.this. # Then he showed me the latest.
:31:20. > :31:22.# You want cope with dem haters # I want to do my Azonto, Azonto,
:31:23. > :31:24.Azonto. # Now watch me do my Azonto, Azonto,
:31:25. > :31:27.Azonto. # Now watch me do my Azonto, Azonto,
:31:28. > :31:33.Azonto. # Now watch me do my Azonto, Azonto,
:31:34. > :31:45.Azonto. # You want cope with dem haters #
:31:46. > :31:47.They all wanna learn how to do this. # So I'mma take you all through
:31:48. > :31:51.this. # Azonto dance is the movement.
:31:52. > :31:54.# So when you jump on the floor then use it.
:31:55. > :31:57.# First step is the step, step. # You can move to the right, to the
:31:58. > :32:03.left, left. # You can