:00:11. > :00:15.This is like the King Kong of sing- songs. Last week, Tom and Will's
:00:15. > :00:22.artists knew their future on The Voice hung on just one performance.
:00:22. > :00:28.One song between glory and going home. And one singer from each team
:00:28. > :00:37.was saved by your votes. It's Ruth. Jazz. Leaving their coaches to save
:00:37. > :00:41.just one more... I must go with Leanne. Tyler. This weekend it's
:00:41. > :00:46.Team Jessie and Team Danny whose numbers will be halved. This week
:00:46. > :00:49.I'll be losing two artists. I don't want to say goodbye to anybody.
:00:49. > :00:56.the first time they'll be joined on stage with their coaches for two
:00:56. > :01:00.unique numbers. It's going to be They're prepared to strike. And go
:01:00. > :01:04.full throttle. But for four of these artists, tonight's
:01:05. > :01:09.performances will be the last in this arena. It's going to be the
:01:09. > :01:14.survival of the fittest. Are you in this to win it? The semifinals
:01:14. > :01:18.await. Now is going to be the time to give a performance no-one is
:01:18. > :01:28.going to forget. But who goes on? And who goes home? This is The
:01:28. > :01:40.
:01:40. > :01:44.Good evening, and welcome to The Voice. We're now just one week away
:01:44. > :01:48.from our semifinal. And if Jessie and Danny's artists want to book a
:01:48. > :01:51.place, they'll have to sing each other out of the competition.
:01:51. > :01:56.the first time, these teams will be performing with their very own
:01:56. > :02:02.coaches. Let's meet the A-listers. He's the man who can be moved and
:02:02. > :02:08.often is, it's Danny O'Donoghue. Look up "legend" on Wikipedia and
:02:08. > :02:13.his face pops up or should do - it's Sir Tom Jones. Surrounded by
:02:13. > :02:15.the boys, but always making her voice heard, it's Jessie J.
:02:15. > :02:25.Reinventing the English language every Saturday night - this is how
:02:25. > :02:27.
:02:27. > :02:30.Now, this weekend your votes will guarantee the top artists from each
:02:30. > :02:34.team a place in next week's semifinal. Then from their
:02:34. > :02:38.remaining three singers Jessie and Danny can only save one. This won't
:02:38. > :02:46.be easy for anybody. You're moments away from performing with your team.
:02:46. > :02:52.How are you feeling about that? am so excited. I can't wait. I'm
:02:52. > :02:57.watching him. We're going to arm wrestle later. I'm blatantly going
:02:57. > :03:00.to lose, but bring it on! Danny, your artists can't afford to be
:03:00. > :03:05.anything less than spectacular tonight, right? They can't. I got
:03:05. > :03:12.no money, nothing in my pockets, no. You can see the nerves - very, very
:03:12. > :03:15.steady, very steady tonight. Good, fighting talk! Now, last week, if
:03:15. > :03:22.you looked over there, you would have seen it was filled with Will
:03:22. > :03:27.and Tom's teams but look. They barely fill a row. You OK, guys?
:03:27. > :03:31.Remember, this evening it's all about Team Jessie and Team Danny.
:03:31. > :03:35.And they're in our V room to get focused to let some steam off and
:03:35. > :03:45.get focused before their performances. Hello. You all right
:03:45. > :03:47.
:03:47. > :03:54.tonight? The V room is where you Or say what you think on our
:03:54. > :03:57.official Facebook page, or Tweet us. With their team performance on the
:03:57. > :04:07.way, let's find out how Jessie's team artists cope competing as a
:04:07. > :04:10.
:04:10. > :04:16.Bowling is my secret fun thing to do. Yeah, bowling! She's very
:04:16. > :04:24.serious about this. Come on! Tom, you think you've got us on dinosaur
:04:24. > :04:28.I think it's really important before the group performance, we
:04:28. > :04:34.get to know each other outside of work. We nearly kissed, it was
:04:34. > :04:39.weird. The most entertaining is Vince. You need to do is focus on
:04:39. > :04:43.the middle. Vince was nuts the way he was smashing it on the floor.
:04:43. > :04:49.Becky is definitely a bowler that reflects her personality. It's
:04:49. > :04:56.quite out there, it's quite all over the place. I can't take them
:04:56. > :05:00.anywhere, I'm so embarrassed. This is Toni Warne. Take it away. I am
:05:00. > :05:05.more of a Scrabble girl. That was good. You ain't going to beat me at
:05:05. > :05:11.Scrabble, darling. Behind me, Cassius is getting rather agitated.
:05:11. > :05:17.Boom! Jessie tried to psych me out. This is it. This is it. This is
:05:17. > :05:25.your time. Her game plan didn't work. Oh! Strike on my last one!
:05:25. > :05:32.Yeah! Jessie was all right. She was all right. She definitely sings
:05:32. > :05:42.better than she bowls. All hail the champion that is, first place -
:05:42. > :05:48.
:05:48. > :05:51.It's going to be a boom-bastic You'll not see this anywhere else -
:05:51. > :06:01.for the first time performing as a group, it's Vince, Becky, Cassius,
:06:01. > :06:07.
:06:07. > :06:13.My mic isn't on. I'm sorry. I'm sorry to do this on live TV. I'm
:06:13. > :06:17.sorry. Can we start again because I want to make it perfect. I'm sorry.
:06:17. > :06:24.My mic isn't on. I did ask. I apologise to everybody at home, but
:06:24. > :06:31.this is live TV. This is how Team Jessie does it. It's not on. Can
:06:31. > :06:36.someone come and check my pack, please? I'm really, really serious.
:06:36. > :06:46.I don't have anything in my ears. There we go. Now I'm on. There we
:06:46. > :06:49.So guys, you can see we have had a slight technical problem. It is
:06:49. > :06:55.live telly. Jessie wants it to be absolutely perfect for her team.
:06:55. > :07:05.You can see tonight everything counts. So are we ready? Please
:07:05. > :07:07.
:07:07. > :07:13.# Give me a second # Getting higher than
:07:13. > :07:17.# My seat's been taken by some sunglasses asking 'bout a scar
:07:17. > :07:20.# And I know I gave it to you months ago
:07:20. > :07:26.# I know you're trying to forget
:07:26. > :07:28.# But between the drinks and subtle things
:07:28. > :07:30.# The holes in my apologies
:07:30. > :07:34.# You know I'm trying hard to take it back
:07:34. > :07:39.# So if by the time the bar closes And you feel like falling down
:07:39. > :07:42.# I'll carry you home
:07:42. > :07:44.# Tonight
:07:44. > :07:49.# We are young
:07:49. > :07:54.# So let's set the world on fire
:07:54. > :08:00.# We can burn brighter than the sun... #
:08:00. > :08:03.Team Jessie!
:08:03. > :08:06.# ..Tonight
:08:06. > :08:10.# We are young
:08:10. > :08:15.# So let's set the world on fire
:08:15. > :08:22.# We can burn brighter than the sun
:08:22. > :08:28.# Now I know that I'm not all that you've got
:08:28. > :08:31.# I guess that I just thought
:08:31. > :08:34.# Maybe we could find new ways to fall apart
:08:34. > :08:39.# But our friends are back So let's raise a cup
:08:39. > :08:44.# Cos I found someone to carry me home
:08:44. > :08:47.# Tonight
:08:47. > :08:51.# We are young
:08:51. > :08:56.# So let's set the world on fire
:08:56. > :09:03.# We can burn brighter than the sun
:09:03. > :09:09.# Tonight
:09:09. > :09:10.# Na na na na na na
:09:10. > :09:13.# I have no reason to run
:09:13. > :09:15.# So will someone come and carry me home
:09:15. > :09:17.# Tonight
:09:17. > :09:19.# Na na na na na na
:09:19. > :09:20.# The angels never arrived
:09:20. > :09:22.# But I can hear the choir
:09:22. > :09:29.# Na na na na na na
:09:30. > :09:34.# Tonight, we are young
:09:34. > :09:38.# So let's set the world on fire
:09:38. > :09:45.# We can burn brighter than the sun
:09:45. > :09:55.# We are young. #
:09:55. > :10:01.
:10:01. > :10:08.APPLAUSE
:10:08. > :10:08.Give
:10:08. > :10:08.Give it
:10:08. > :10:14.Give it up
:10:14. > :10:21.Give it up one more time. It's Team Jessie. OK. It's time to go solo
:10:21. > :10:25.and first up from Team Danny, it's Personally I thought Max's live
:10:25. > :10:28.performance of Free Falling was flawless.
:10:28. > :10:35.You came out just on guitar, and you did everything I said for you
:10:35. > :10:41.to do. I always thought I would be in the bottom two, so it wasn't a
:10:41. > :10:46.massive surprise for me. Danny, it is time to make your decision.
:10:46. > :10:50.reason I chose Max is... Max Milner... He's a one-man band. I
:10:50. > :10:58.just think it would be a shame for the UK to lose someone so talented
:10:58. > :11:01.so soon. Max could have came back licking his wounds, but he didn't,
:11:01. > :11:05.and you have to applaud that. I know he has something in store for
:11:05. > :11:08.us this week. As well as singing, Max wants to use a loop pedal as
:11:08. > :11:12.part of his performance. A loop pedal a piece of equipment, so when
:11:12. > :11:15.you play guitar into it, it plays back what you just played, so it
:11:15. > :11:20.allows you to play and harmonise over yourself.
:11:20. > :11:25.Then stop that - stop. Stop that. I'm scared. I have never done this
:11:25. > :11:29.in a gig in front of five people in a bar let alone millions.
:11:29. > :11:31.anything goes wrong, that's it. We're off in the deep end, and
:11:31. > :11:35.you've got two-and-a-half minutes of television you're wishing you
:11:35. > :11:39.didn't do. I know it's going to be a massive challenge doing it on the
:11:39. > :11:42.night, so I thought I would go and perform it in front of my old
:11:42. > :11:46.theatre company. I'm a bit more confident now maybe
:11:46. > :11:52.- at least now I've seen a reaction to it. I'm Max's sister, I came to
:11:52. > :11:56.watch him tonight. I thought he was phenomenal. If the loop pedal goes
:11:56. > :12:06.wrong it's going to be a train wreck, but if he gets it right, it
:12:06. > :12:30.
:12:30. > :12:38.could be his one-way ticket to the # Well, my heart knows me
:12:38. > :12:48.# So I'm gonna let it # I came across a place
:12:48. > :12:49.
:12:49. > :12:58.# With a big black horse # It said don't look back
:12:58. > :13:08.# When the big black horse said # He said, hey there, lady, will you
:13:08. > :13:25.
:13:25. > :13:29.# I said no, no, no # Cos with the lyrics
:13:29. > :13:30.# At stadium heights with Damien Rice
:13:30. > :13:32.# On red carpets Now I'm on Arabian Nights
:13:33. > :13:35.# Because I'm young and all my brothers gonna give me advice
:13:35. > :13:37.# Long nighter, short height and I gone hyper
:13:37. > :13:39.# Never be anything but a singer-songwriter
:13:39. > :13:42.# The game's over but now I'm on a new level
:13:42. > :13:49.# Watch how I step on the track without a loop pedal
:13:49. > :13:53.# Big black horse and a cherry tree
:13:53. > :13:56.# I can't quite get there cos my heart's forsaken me
:13:57. > :14:01.# Big black horse and a cherry tree
:14:01. > :14:11.# I can't quite get there cos my heart's forsaken me
:14:11. > :14:12.
:14:12. > :14:12.Ladies
:14:12. > :14:12.Ladies and
:14:12. > :14:16.Ladies and gentlemen,
:14:16. > :14:26.Ladies and gentlemen, give it up for Max.
:14:26. > :14:27.
:14:27. > :14:30.I think you might have just flashed my knickers to the nation! I'll
:14:30. > :14:34.forgive you because you took a massive risk tonight. That was
:14:34. > :14:37.amazing. Nobody knew what was going to happen with that pedal. You
:14:37. > :14:40.always had faith in yourself, but actually, it could have gone
:14:40. > :14:43.horribly wrong, couldn't it? Absolutely. I haven't done it a lot,
:14:43. > :14:50.to be honest, but it's something I've always wanted to do, and I
:14:50. > :14:54.think it's quite me, so I thought "yeah". Well, it paid off. Danny?
:14:54. > :14:57.Um, you know, the reason why I'm standing is, to get something that
:14:57. > :15:01.you have never got, you have to do something you have never done
:15:01. > :15:05.before. You came back. You were in the bottom two last week, and I
:15:05. > :15:11.just came out, and I felt that you smashed it, Max! That was amazing -
:15:11. > :15:15.smashed it! That's all I have to say. I want to hear what everyone
:15:15. > :15:25.else has to say about that. Let's do it. Let's go to Will. Am I
:15:25. > :15:28.supposed to tell you how I feel? Yeah. # I feel good! No, honest,
:15:28. > :15:34.honest, I think it was a great performance, but these are, like,
:15:34. > :15:40.the finals, and the song selection probably wasn't the smartest.
:15:40. > :15:45.BOOING. Hey! I'm sorry. I'm sorry. I'm just
:15:45. > :15:51.speaking from the bottom of my heart. What would you have sung?
:15:52. > :15:55.wouldn't have sung that song. BOOING. OK, Jessie, what do you
:15:55. > :16:00.think? Come on, we don't boo here. I applaud to you because you just
:16:00. > :16:03.saw what can happen on live TV. Sometimes things go wrong. I
:16:03. > :16:08.applaud you for that because it could so easily have gone wrong,
:16:08. > :16:15.and it didn't. It was also nice to see you go back to what we saw on
:16:15. > :16:18.the blind auditions, you, the guitar and you playing the drums.
:16:18. > :16:23.It's really important now for you to showcase to the world what you
:16:23. > :16:26.can do. But I do agree that the song choice for me you chose was
:16:26. > :16:31.too similar to what someone that's already doing this, very well, and
:16:31. > :16:35.I felt that Danny and yourself could have spun it better. We gave
:16:35. > :16:39.them the loop pedal and a rap. it was similar to Ed Sheeran what
:16:39. > :16:45.you did on the blinds, but the song selection you chose on the blinds
:16:45. > :16:51.was one billion times better than what you did on that one. That's
:16:51. > :17:01.all I am saying - blinds, not the blinds. Open the blinds... Close
:17:01. > :17:02.
:17:02. > :17:05.the blinds. Not blind. Blind. Not blind. I'm sorry. Wait. Wait, wait,
:17:06. > :17:09.wait, wait. Wait, wait, wait, wait, wait. You want to talk about blind?
:17:09. > :17:17.All I know is my home boy Tyler had visuals similar to that last week.
:17:17. > :17:21.Get out of here. OK. Let's get some constructive
:17:21. > :17:26.advice off Tom because it's good to take a risk. I'll tell you exactly
:17:26. > :17:33.what I think - right now. As far as I am concerned, Max entertained me.
:17:33. > :17:36.I loved it. And you know, as an artist, it's easier to take the
:17:36. > :17:40.path you know, really, what you're comfortable with, but sometimes you
:17:40. > :17:50.have to go off-road, if you like, and Max went off-road tonight in a
:17:50. > :17:50.
:17:50. > :18:00.good way as far as I was concerned. So hey, I loved it. Thank you very
:18:00. > :18:04.
:18:04. > :18:09.OK, next up from Team Jessie, it's The first live show, and I loved
:18:09. > :18:12.every moment of it, but I wasn't fully happy with my vocal. I just
:18:12. > :18:17.sat back and enjoyed you becoming the artist that you really deserve
:18:17. > :18:24.to be. Jessie gets me. She understands what I'm trying to do,
:18:24. > :18:30.and she's even got an idea of what I could do.
:18:30. > :18:37.I am singing Adele, Turning Tables. If I do this well, it can be a big
:18:37. > :18:41.moment for me. I just think you have to believe in it more. You've
:18:41. > :18:44.just got to let go, Cassius. That's it. You're just like a little
:18:44. > :18:50.Michelin man. Cassius has a tendency to get tense. He needs to
:18:50. > :18:54.relax. Just let go. If it doesn't come out, don't worry. Jessie can
:18:54. > :19:02.see something in me. She reads me. She knows there is something
:19:02. > :19:05.holding me back. Run around like - # All that I have is on the floor.
:19:05. > :19:08.# Get used to the movement because otherwise, you'll get on stage and
:19:08. > :19:18.sing like this. Cassius has to get out there and make Cassius Henry
:19:18. > :19:26.
:19:26. > :19:30.Cassius Clay. I'll do whatever it This could be my last performance.
:19:30. > :19:35.I had threatened vocal punches, hopefully smash my way to the semi-
:19:35. > :19:38.final. The stakes are definitely high and only two people get to
:19:38. > :19:48.stay, whether he goes through or not, I want to make sure he gives a
:19:48. > :20:01.
:20:01. > :20:11.performance that is an # God only knows
:20:11. > :20:28.
:20:28. > :20:38.# I can't keep up with # I won't let you close enough
:20:38. > :20:47.
:20:47. > :20:57.# And I won't rescue you # It's time to say goodbye
:20:57. > :21:03.
:21:03. > :21:10.# I can't keep up with # Under your thumb
:21:10. > :21:16.# I won't let you close enough to hurt me
:21:16. > :21:20.# I won't rescue, I won't rescue you
:21:20. > :21:23.# For you to just desert me
:21:23. > :21:29.# I can't give you, you, you, you The heart you think you gave me
:21:29. > :21:34.# It's time to say goodbye
:21:34. > :21:40.# To turning tables
:21:40. > :21:45.# Hmmm
:21:45. > :21:49.# Turning, turning tables
:21:49. > :21:58.# Yeah
:21:58. > :21:58.Let's
:21:58. > :21:59.Let's hear
:21:59. > :22:05.Let's hear it
:22:05. > :22:13.Let's hear it one more time for Cassius.
:22:13. > :22:17.APPLAUSE Of Well done, you. It's paying off. You came out fighting.
:22:17. > :22:21.Yeah, I had to. Jessie said it's a big night for me. She just wanted
:22:21. > :22:25.me to let go. Sometimes I'm a bit tense, but I followed her advice,
:22:25. > :22:29.and I hope I knocked it out. I hope I did well tonight. I can tell you,
:22:29. > :22:32.Jessie, I saw the look on your face as he was doing that. You enjoyed
:22:32. > :22:34.it, right? You've worked so hard, and I'm so honest with my team
:22:34. > :22:38.about constructive criticism and being honest. Cassius's vocal is
:22:38. > :22:42.sometimes trapped because he sometimes gets very tense. You just
:22:42. > :22:46.let go, and there was no pitching problems. You hit the notes very
:22:46. > :22:50.well. I would have - to be constructive to my team, I would
:22:50. > :22:56.have liked to have seen you turn around and face us more. I think
:22:56. > :23:02.you was a bit scared to move in case you fell off. I get dizzy.
:23:02. > :23:06.Other than that, Cassius, I am so proud of you, congratulations.
:23:06. > :23:10.glad Jessie is proud of me, because she believes in me a lot and my
:23:10. > :23:13.family, my mum - I'm proud that they're here. I hope they're proud
:23:13. > :23:19.of me tonight. Tom, Cassius is building up his vocal stamina this
:23:19. > :23:22.week. It looks like it pays off. Definitely. For the first time I
:23:22. > :23:26.heard him sing, I thought he was strong anyway. Thank you. Whatever
:23:26. > :23:30.he has been doing, it has paid off because he seems stronger and
:23:30. > :23:34.stronger. To take a well-known song like that and do it your own way I
:23:34. > :23:37.think it's more power to you. And Jessie saying with the walking - he
:23:37. > :23:46.looked like - when I walk around these steps, I'm always looking
:23:46. > :23:50.down and seeing what's going on. You might fall. Exactly. It's
:23:50. > :23:56.better to not fall and concentrate on the voice as far as I am
:23:56. > :23:59.concerned, and you did that. Thank you, Tom. Danny, let's come to you.
:23:59. > :24:04.I know you're going to watch it back, and there was a couple of
:24:04. > :24:07.pitch - tuning issues. I would have liked you to get down off it
:24:07. > :24:12.earlier in the performance so you had that connection with the crowd
:24:12. > :24:17.and with us as well. Are you dizzy, by the way? A little, Danny. I have
:24:17. > :24:21.seen you come on week by week. Was that a strong enough performance to
:24:21. > :24:27.get you into the next one? I don't know. I don't know, in fairness.
:24:27. > :24:32.You think so? I might be right. I might be wrong. I think they might
:24:32. > :24:35.disagree with you in here. Let's come to Will. Out of all of the
:24:35. > :24:43.singers on Team Jessie, I'm - you - you're one of my favourites out of
:24:43. > :24:46.all the singers on her team. Thank you. And you - it's your first -
:24:46. > :24:55.because, you know, music - you didn't really have that sensibility
:24:55. > :24:58.today. I think you coming out or releasing music is what the music
:24:58. > :25:01.industry needs, someone with your sensibility and capability, and I
:25:01. > :25:11.hate to use the word "swag" because it's overplayed, but you're like,
:25:11. > :25:16.
:25:16. > :25:21."yo" the way you roll. I feel you. Yeah, it's dope. It is dope. Your
:25:21. > :25:28.performance today was spectacular. I don't know if you was spinning
:25:28. > :25:32.too much. I wasn't even tripping on the spinning. We did have a
:25:32. > :25:42.discussion about the spinning. cool. I would have threw up right
:25:42. > :25:49.
:25:49. > :25:55.there - Urgh! But you pulled it off. It's Cassius! Next up from Team
:25:55. > :25:59.Danny, it's Bo. # Make a deal with God.# The one thing that sums up
:25:59. > :26:01.her performance was Kate Bush on her website had a letter to Bo
:26:01. > :26:05.saying, "Watched the show, congratulations. I wish you the
:26:05. > :26:08.best of luck." Kate Bush saw what I did and liked it and liked it
:26:08. > :26:18.enough to say that she was proud of me - it's amazing. I didn't really
:26:18. > :26:19.
:26:19. > :26:28.expect to get through that song. So I feel really kind of shocked
:26:28. > :26:32.and proud that I managed to do it and not wobble. Got the first live
:26:32. > :26:36.show out of the way. On her first performance, it was very fragile.
:26:36. > :26:40.We've seen her being blown around the stage like a feather. This one
:26:40. > :26:43.she has to stand there, be like a brick wall. We have to go bigger
:26:43. > :26:48.than this one definitely. I am singing Rihanna, Love The Way You
:26:49. > :26:55.Lie. I think it's such an emotionally charged song, but it's
:26:55. > :27:04.strong. "Stand there and watch me burn!" I'm doing this, I can do
:27:04. > :27:07.life on my own. I need to show my feist. Bo was great in rehearsals.
:27:07. > :27:10.The one thing that always surprises me is her lack of confidence. How
:27:10. > :27:17.are you feeling? I feel pressure. About the performance, or this
:27:17. > :27:20.song? Both. It's so important to me. I feel the pressure to really nail
:27:21. > :27:28.it. Only two people can survive, and this performance has got to be
:27:28. > :27:38.the one. I need to stand on that stage and be brave and be a warrior.
:27:38. > :28:00.
:28:00. > :28:10.This time I need to be a rock. # I don't know why I'm
:28:10. > :28:29.
:28:29. > :28:39.# Even angels have # Just gonna stand there
:28:39. > :28:39.
:28:39. > :28:45.# Just gonna stand there and hear me cry
:28:45. > :28:51.# But that's all right because I love the way you lie
:28:51. > :28:56.# Now there's gravel in our voices
:28:56. > :29:02.# Glass is shattered from the fight
:29:02. > :29:08.# In this tug of war you'll always win
:29:08. > :29:13.# Even when I'm right
:29:13. > :29:18.# Just gonna stand there and watch me burn
:29:19. > :29:24.# But that's all right because I like the way it hurts
:29:24. > :29:30.# Just gonna stand there and hear me cry
:29:30. > :29:33.# But that's all right
:29:33. > :29:36.# Because I love the way I love the way
:29:36. > :29:46.# I love the way you lie . #
:29:46. > :29:50.
:29:50. > :29:50.Let's
:29:50. > :29:50.Let's hear
:29:50. > :29:59.Let's hear it
:29:59. > :30:02.Let's hear it for the beautiful Bo! APPLAUSE.
:30:02. > :30:08.OK. Just look in front of you - four superstar coaches on their
:30:08. > :30:13.feet. Tonight you wanted to be a rock here on stage and feel so
:30:13. > :30:21.strong. Find strength in that, surely. I don't know what to say.
:30:21. > :30:24.Yes. Wow, wow. You are pretty wow too, isn't she? That was an amazing
:30:24. > :30:30.performance, you know, Love The Way You Lie, love the way you sing,
:30:30. > :30:33.love the way you look and move around the stage, love everything.
:30:33. > :30:37.I believe you're probably one of the most marketable people in this
:30:37. > :30:44.whole thing. You have an amazing voice, a great ethos, and you sing
:30:44. > :30:48.from here, and everyone feels it. We all feel it. I applaud you. I
:30:48. > :30:52.know you have had a hard time as well, so - and again, she had a bad
:30:52. > :30:56.back all week as well. She gave that performance. You're very
:30:56. > :31:03.special, very, very special, Bo. She is a special lady. Let's come
:31:03. > :31:06.to you. The way you sing is like the kind of stuff I LIKE! Like,
:31:06. > :31:10.from the groups that I like - I love The Cranberries - and the way
:31:10. > :31:18.you sung that song - Rihanna sung it good, but dang, you sung it a
:31:19. > :31:28.whole bunch of times mo'better. Yeah, for real - no disrespect - I
:31:29. > :31:30.
:31:30. > :31:34.don't mean any disrespect by that, but Bo, whoa! I'll take that.
:31:34. > :31:43.thought you were going to say Bo Selecta! I wish I could rhyme like
:31:43. > :31:53.that. I wish I could rhyme like that. Cow. Cow? What rhymes with
:31:53. > :31:53.
:31:53. > :31:57.cow? How now, brown cow? See, got it. Jessie, what do you make of
:31:57. > :32:00.that performance? I love your voice. I look forward to your performances
:32:00. > :32:10.every week, and you are definitely someone who makes this whole
:32:10. > :32:10.
:32:10. > :32:13.competition so versatile, and it's very nice because it's very special.
:32:13. > :32:18.Tom, in the week, I was talking about her nerves, but sometimes
:32:18. > :32:22.nerves can be a great thing, clearly. Well, yeah, nerves is part
:32:22. > :32:25.of being a human being. You know, I mean, we all have nerves, and
:32:26. > :32:30.people come up to me sometimes because I have been around so long,
:32:30. > :32:33.and they say, "I get nervous before I go on stage. Does that ever leave
:32:34. > :32:39.you?" Well, it shouldn't leave you, because if you're nervous, that
:32:39. > :32:44.means you want to do a good job. You're concerned about getting on
:32:44. > :32:51.there and doing the best you can, so being nervous is not bad. Fear
:32:51. > :33:01.is bad. So a little bit of nervousness - yeah. And it didn't
:33:01. > :33:03.
:33:04. > :33:07.show, anyway. If you were nervous, It's Bo. This weekend, Danny and
:33:07. > :33:14.Jessie must say goodbye to two of their artists, so it's up to you to
:33:14. > :33:22.get behind your favourite from each Next up from Team Jessie, it's
:33:22. > :33:25.To perform in front of millions of people, that was best feeling ever.
:33:25. > :33:32.I watched it back, and I'm performing, and then it stops, and
:33:33. > :33:36.I go I was like, what happened? took a song from Elvis and gave a
:33:36. > :33:40.performance that everybody loved. Elvis, he used to make it his own,
:33:40. > :33:45.and you have done exactly that. Family and friends' reaction has
:33:46. > :33:51.been cool. It's nice to make your family proud of you. My little
:33:51. > :33:58.cousins are super-excited. Fraser is a massive, massive Jessie J fan.
:33:58. > :34:03.# Forget about the price tag. It's a shame I couldn't be your backing
:34:03. > :34:08.dancer. I wish you could be my backing dancers. You're good enough.
:34:08. > :34:15.This week Vince is singing Whitney Houston's My Love Is Your Love.
:34:15. > :34:20.It's got reggae, feelgood vibes. I want the feel to be like Carnival.
:34:20. > :34:25.In the coldest May in a hundred years, I need to bring the sunshine.
:34:25. > :34:33.Vince is putting Vince on it. taking on a song by one of the best
:34:33. > :34:37.voices - ever. Her range was crazy. It's a little bit of a risk. Vince
:34:37. > :34:43.needs to stop being scared of his voice and not be like, "Oh, the big
:34:43. > :34:47.note is coming. Oh, no. Am I going to get there?" Go, go, go. You need
:34:47. > :34:50.to have more confidence because you can sing it. I am hoping with this
:34:50. > :34:54.performance I'm going to hit the high notes and bring a little
:34:54. > :35:04.sunshine and just - I want to put a little smile on people's faces.
:35:04. > :35:20.
:35:20. > :35:30.Singing My Love Is Your Love, it's # And the Lord asks me
:35:30. > :35:47.
:35:47. > :35:57.# I will say # And I feel like
:35:57. > :35:58.
:35:58. > :36:06.# Your love is my love And my love is your love
:36:06. > :36:11.# It would take an eternity to break us
:36:11. > :36:14.# And the chains of Amistad couldn't hold us
:36:14. > :36:18.# Your love is my love And my love is your love
:36:18. > :36:23.# It would take an eternity to break us
:36:23. > :36:30.# If I should die this very day
:36:30. > :36:37.# Don't cry cos on earth we wasn't meant to stay
:36:37. > :36:43.# And no matter what the people say
:36:43. > :36:48.# I'll be waiting for you after the Judgment Day... #
:36:48. > :36:58.Everybody, clap your hands!
:36:58. > :37:00.# It would take an eternity to break us
:37:00. > :37:10.# And the chains of Amistad couldn't hold us. #
:37:10. > :37:11.
:37:11. > :37:11.Let
:37:11. > :37:11.Let me
:37:11. > :37:19.Let me hear
:37:19. > :37:24.Let me hear you - for Vince! Well done. Vince, when you sing, it,
:37:24. > :37:28.like, brings the sunshine into the studio. That was amazing. That's
:37:28. > :37:32.what I was hoping for. It's been really cold, and you want to try
:37:32. > :37:36.bopping a vest in this weather. you hit that note - no problems
:37:36. > :37:39.there. Thank you. He did it, didn't he, nailed it? Do you know what I
:37:39. > :37:43.love about Vince - honestly, you don't know how hard he works. Vince
:37:43. > :37:47.came to me with the idea of that, the visuals, how he wants to dress,
:37:47. > :37:52.how he wants to sing, how he wants to set the song out. It's a
:37:52. > :37:59.pleasure working with someone that knows how they want to be. Thank
:37:59. > :38:03.you, babe. I love your hair tonight. Zig-zag parting is coming back!
:38:03. > :38:12.Vince just puts a smile on your face. You just sing your heart out
:38:12. > :38:16.and - yeah. Tom, it's not an easy job taking a song by a female, a
:38:16. > :38:19.very well-known song - and putting your own stamp on it. No, no, it's
:38:19. > :38:22.not, but it's hard taking anybody else's song when they have done it
:38:23. > :38:28.a certain way, but Vince, when he did the Elvis Presley song, he did
:38:28. > :38:34.it his own way, and that's the talent he has. He doesn't sound
:38:34. > :38:43.like anybody else. He sounds like himself. And he's got such - and
:38:43. > :38:46.he's got such a great vocal range that he can do that. I mean, he can
:38:46. > :38:51.sing in the same key - girls sing in different keys to men. I don't
:38:51. > :38:54.know whether you know that or not, but they do. They sing high. For a
:38:54. > :38:58.man to do a duet with a woman, for instance, you have to compromise
:38:58. > :39:04.with the key, but with Vince, he wouldn't have to do that because he
:39:04. > :39:13.can sing that high. He can do a duet himself. Yeah, you can do a
:39:13. > :39:16.duet with yourself, yes. # Hey! # Hiii!
:39:16. > :39:19.# And the lower edges too. He's got a great range. You're very
:39:19. > :39:22.individual, and that's fantastic. Let's get a quick word from Danny.
:39:22. > :39:32.Vince, I love your vocal. You could literally sing the phone book, and
:39:32. > :39:37.
:39:37. > :39:47.it would sound amazing, but I don't The food was a great song, I hope
:39:47. > :39:55.it connected as well at home as it did in the studio. Finally, will?
:39:55. > :40:05.Double time. I'm going to put it out there. Ring the alarm, then so
:40:05. > :40:35.
:40:35. > :40:39.Ok, under the circumstances I will How did you feel about the pedal?
:40:39. > :40:45.It went well this time, I was shocked doing it, but I felt
:40:45. > :40:50.because I was in the bottom two, it needs to take as many boxes as I
:40:50. > :40:57.could. Cassius, you came out fighting on that table. You didn't
:40:57. > :41:03.feel ill? No, I've built fine, enjoying the moment. Just working
:41:03. > :41:06.hard, I want this, so enjoy the playing. How about the fact you are
:41:06. > :41:15.the perfect interview height for Holly? He knows what I'm talking
:41:15. > :41:18.about. Your solo went incredibly well. Later on you were going to be
:41:18. > :41:25.performing with the group, and you get quite close in your performance.
:41:25. > :41:35.It gets uncomfortable. Are you ready? Don't be shy. Are you ready
:41:35. > :41:39.
:41:39. > :41:43.get in personal space? We are ready. Vince Kidd, well done, fella. The
:41:43. > :41:46.vibe of the studio was incredible. Did you enjoy it? I had so, so much
:41:46. > :41:49.fun. It was just a feel-good song. That's all I wanted to do, make
:41:49. > :41:52.people feel good. Madonna, Elvis Presley, and Whitney Houston you
:41:52. > :41:58.have done now. What's next? I don't know, Reggie - make a Beethoven,
:41:58. > :42:02.OK. We'll see how that goes! Give him a round of applause. Wherever
:42:02. > :42:12.you are, you can connect directly to The Voice and let us know what
:42:12. > :42:12.
:42:12. > :42:16.you think. Back to you. Next up, When I performed, I don't even
:42:16. > :42:21.remember it, it's like a big dream. I only wake up when the judges
:42:21. > :42:25.start talking. Ladies and gentlemen, the real Aleks Josh. All I remember
:42:25. > :42:31.is Will.i.am saying that joke. Knock, knock. Michael Buble.
:42:31. > :42:37.Michael Buble who? Exactly. He's growing into a really accomplished
:42:37. > :42:41.artist. It's the first time I've been able to listen to my voice
:42:41. > :42:50.when I am singing, and go, "Yeah, this is good". I've just got to see
:42:50. > :42:57.my fans, OK? Aleks, we love you! He's had lots of marriage proposals
:42:57. > :43:04.and other proposals. All of these girls going, "Can you sign this?"
:43:04. > :43:08.It's weird - it's cool, though. Aleks's session was interesting. I
:43:08. > :43:14.suggested doing a big band session of Jet's Are You Gonna Be My Girl?
:43:14. > :43:17.I thought it was interesting, but my gut wasn't in it. $CYAN So we
:43:17. > :43:23.came with a compromise. I just think my target audience would
:43:23. > :43:27.prefer me to sing Jack Johnson. I chose the song because it brings a
:43:27. > :43:31.smile to my face. Jack Johnson is really down his alley. This
:43:31. > :43:35.competition is a balance between what you think is right to do and
:43:35. > :43:40.what you want to do. I don't want to be the one picked out of the
:43:40. > :43:44.bottom three. I really need that viewers' vote. Aleks Josh knows
:43:44. > :43:54.exactly who he is. Now it's time for the rest of the UK to realise.
:43:54. > :44:04.
:44:04. > :44:08.# There's no combination of words I # No song that I could sing
:44:08. > :44:11.# Our dreams are made out of real things
:44:11. > :44:17.# Like a shoe box of photographs with sepia-toned loving
:44:17. > :44:21.# Love is the answer at least for most of the questions in my heart
:44:21. > :44:23.# Like, why are we here?
:44:23. > :44:25.# And where do we go?
:44:25. > :44:27.# And how come it's so hard?
:44:27. > :44:30.# It's not always easy and sometimes life can be deceiving
:44:30. > :44:32.# I'll tell you one thing
:44:32. > :44:35.# It's always better when we're together
:44:35. > :44:40.# Mmm, it's always better when we're together
:44:40. > :44:43.# Yeah, we'll look at them stars when we're together
:44:43. > :44:47.# Well, it's always better when we're together
:44:47. > :44:56.# Yeah, it's always better when we're together
:44:56. > :44:57.# But if all of these dreams
:44:57. > :45:00.# Might find their way into my day-to-day scene
:45:00. > :45:04.# I'd be under the impression I was somewhere in between
:45:04. > :45:07.# With only two, just me and you
:45:07. > :45:11.# So many things we got to do or places we got to be
:45:11. > :45:15.# We'll sit beneath the mango tree now
:45:15. > :45:20.# I believe in memories They look so so pretty when I sleep
:45:20. > :45:22.# Hey now
:45:22. > :45:30.# And when I wake up, you look so pretty sleeping next to me
:45:30. > :45:34.# But there is not enough time
:45:34. > :45:38.# And there is no No song I can sing
:45:38. > :45:43.# And there is no combination of words
:45:43. > :45:47.# I could say but I will still tell you one thing
:45:47. > :45:50.# We're better together
:45:50. > :45:55.# Still tell you one thing
:45:55. > :46:04.# We're better together. #
:46:04. > :46:08.APPLAUSE
:46:08. > :46:08.Ladies
:46:08. > :46:08.Ladies and
:46:08. > :46:13.Ladies and gentlemen,
:46:13. > :46:18.Ladies and gentlemen, give it up for Aleks. You are so cute. Just
:46:18. > :46:23.tell me, when you're singing that song, who do you think about?
:46:23. > :46:30.Thanks very much. Let's go straight to Danny, shall we? Can you hear
:46:30. > :46:33.that? That's the sound of the whole of the UK's heart breaking. What I
:46:33. > :46:36.love about you is you know what you're good at, and you know, we
:46:36. > :46:39.fought over this song during the week about, you know, how
:46:39. > :46:42.passionate you were about your own music, your own fan base, all the
:46:42. > :46:49.research you have done online has been incredible because we've now
:46:49. > :46:53.come up with this song and the sound. I just - I'm so proud of you.
:46:53. > :47:01.You know, I'm really proud of you. That was a great performance. It
:47:01. > :47:09.really was. Thank you, Danny. Will? I like the whole style and stuff.
:47:09. > :47:14.You know what I'm talking about. Not like that though. I think it's
:47:14. > :47:18.cool. Your whole thing is fresh. Just - one times, two times, three
:47:18. > :47:23.times, four times - the fifth time, I want to see you come out a little
:47:23. > :47:27.more. I want to see different variations. The first time was
:47:27. > :47:34.fresh. The second time was dope. The third time was that cool - the
:47:34. > :47:38.fifth time was, "Dang, that again". I want Danny to push you. It's hard
:47:38. > :47:46.to push someone. He's 17 years old. He's the youngest person in the
:47:46. > :47:50.competition. APPLAUSE Of Now, he knows what
:47:50. > :47:53.songs he wants to do. The staging for this, what you see on TV is
:47:53. > :47:56.he's actually on a beach. There's a lot of close-up shots. That's the
:47:56. > :47:59.type of guy he is. He's not a strong singer. He's a strong tone.
:47:59. > :48:03.And he knows that. You know that more than anybody, don't you,
:48:04. > :48:07.Aleks? Yeah. He made a promise to me last week that if he gets past
:48:07. > :48:11.this stage, then we start to experiment a lot more. He said,
:48:11. > :48:15."Please let me be in my comfort zone". I just felt the first two
:48:15. > :48:21.shows didn't show what I was about. I just wanted you to get to know
:48:21. > :48:24.what I'm about. Hear, hear. Wait. I totally agree with that, and I
:48:24. > :48:29.respect that, but just because you sing that song doesn't mean it has
:48:29. > :48:33.to be done the way Jack Johnson did it. You could do it your way.
:48:33. > :48:38.Johnson doesn't have a harmonica on him. He wasn't playing the
:48:38. > :48:42.harmonica. The show is called The Voice, not The Harmonica. I am just
:48:42. > :48:47.saying the arrangement could have shown you more. If you were on my
:48:47. > :48:50.team, I would have had it a little more different. That's all it is.
:48:50. > :48:54.Let's hear from Jessie. I think it's very safe, and I found myself
:48:54. > :49:02.doing this, and I was like, "When's it going to get more exciting?"
:49:02. > :49:06.understand. I just feel... No, this is good. We're coaches. That's what
:49:06. > :49:10.it's all about. I am telling you this because I care. I don't have
:49:10. > :49:13.to be here, I want to be honest with you because that's what the
:49:13. > :49:17.industry is, believe me, and I think you've got a great tone. I
:49:17. > :49:22.think you have a great tone, but I would have given you maybe a Ga Ga
:49:22. > :49:27.song and sung it like that. That would have made him go, "Whoa!" And
:49:27. > :49:34.done it different. It was too comfortable. Let's come to Tom. Tom,
:49:34. > :49:38.we have to remind ourselves, he is only 17. 17 - you rock that! He's
:49:38. > :49:43.not 17. You came this far. If you were 17, you would have been out a
:49:43. > :49:49.long time ago. You can't base it on age. Can I say something? When I
:49:49. > :49:56.was 17 I wanted to set the world on fire. You know what I mean? 17 to
:49:56. > :50:00.me is not a time to relax. Ain't time to relax! But you know, you've
:50:00. > :50:07.got to get up there - as far as I was concerned that performance was
:50:07. > :50:13.really relaxed! Relaxed! I am ad- libbing. Then when you say "He's
:50:13. > :50:17.only 17" - I wasn't that relaxed at 17. Yeah! Yeah, I hit puberty.
:50:17. > :50:24.not that relaxed now! But it just seemed too relaxed for me. But
:50:24. > :50:30.Aleks, it's just too safe for you. Well, that is the opinions of the
:50:30. > :50:34.coaches. What did we make of it in here, ladies? I'm so with you lot.
:50:34. > :50:37.Do you want to say something? please. I just want to say, I
:50:37. > :50:40.understand completely where you're coming from. Maybe it was a little
:50:40. > :50:43.bit safe, but I just feel that there's a lot of singers in this
:50:43. > :50:46.competition that are real powerful singers and give a big performance,
:50:46. > :50:54.but for this week for me, for a break, maybe just to have something
:50:54. > :50:57.a little bit more chilled out. knows the score. It's up to you
:50:57. > :51:06.ultimately at home. You've got the phone numbers. If you think Aleks
:51:06. > :51:16.has the voice, you know what to do. Next up from Team Jessie, it's
:51:16. > :51:21.I was quite proud of myself after my first live show. That was a
:51:21. > :51:25.really brave number because you had like the longest cord ever. I am
:51:25. > :51:29.quite glad I didn't fall down the stairs with my microphone lead.
:51:29. > :51:33.would say you're a modern form of Janis Joplin. (I don't know who
:51:33. > :51:36.that is, but I am going to think it's good.) No, she's hungry to
:51:36. > :51:44.learn, her voice is getting better every week, I'm glad the public can
:51:44. > :51:52.sing that. I am singing Seven Nation Army by White Stripes.
:51:52. > :51:58.needs to be quite forceful with this. Who are you singing this to?
:51:58. > :52:05.Everyone who has ever put me down. There we go. I reminded her of
:52:05. > :52:11.anyone who has ever made you feel this big - that's who this is for.
:52:11. > :52:14.# And the message is coming from my heart.
:52:14. > :52:17.I think she's learning a lot about herself. I think she's growing up.
:52:18. > :52:21.Welcome to the real world, Becky Hill. I have lived in my own little
:52:21. > :52:25.town for 18 years. I've never felt like I should be there. I have come
:52:25. > :52:30.down here and met a load of people and felt for the first time,
:52:30. > :52:35.accepted. It must be a different world. It's good, though. I kind of
:52:35. > :52:38.get the feeling that everyone kind of gets on with me. They do.
:52:38. > :52:43.always used to think it was such a big dream that it was never
:52:43. > :52:49.reachable, and now I kind of think it could be. Nothing can hold her
:52:49. > :52:59.back. She's just going to go for it. Here, singing Seven Nation Army for
:52:59. > :53:13.
:53:13. > :53:23.# A seven-nation army # Taking their time
:53:23. > :53:26.
:53:26. > :53:33.# Back and forth through my mind Behind a cigarette
:53:33. > :53:41.# And the message comin' from my eyes says leave it alone
:53:41. > :53:44.# Leave alone
:53:44. > :53:49.# Oh, leave it alone
:53:49. > :53:53.# Leave it alone
:53:53. > :54:00.# Ohhhhh
:54:00. > :54:04.# Don't wanna hear about it
:54:04. > :54:08.# Every single one's got a story to tell
:54:08. > :54:11.# Everyone knows about it
:54:11. > :54:15.# From the Queen of England to the hounds of hell
:54:15. > :54:19.# And if I catch it comin' back my way
:54:19. > :54:22.# I'm gonna serve it to you
:54:22. > :54:26.# And that ain't what you want to hear
:54:26. > :54:31.# But that's what I'll do
:54:31. > :54:37.# And the feeling coming from my bones says, find a home
:54:37. > :54:39.# Find a home
:54:39. > :54:42.# Hey, oh, find a home Yeah
:54:42. > :54:47.# Oh find a home. #
:54:47. > :54:49.# Oh find a home. #
:54:49. > :54:58.Oh, come on!
:54:58. > :55:06.# A seven-nation army couldn't hold me back. #
:55:06. > :55:10.APPLAUSE
:55:10. > :55:10.Ladies
:55:10. > :55:11.Ladies and
:55:11. > :55:21.Ladies and gentlemen,
:55:21. > :55:26.
:55:26. > :55:29.Ladies and gentlemen, let me hear you for Becky. Well done, Becky.
:55:29. > :55:32.You said you didn't realise this dream was achievable. After that
:55:32. > :55:36.performance, do you feel one step closer? I don't know. I don't know.
:55:36. > :55:39.I hope so. Were you not pleased with that? I don't know. There was
:55:39. > :55:43.a lot of things that went wrong. At least I had a microphone lead this
:55:43. > :55:46.time, but there were lots of things to think about. Thanks. I love you
:55:46. > :55:50.too. But I don't know what's going on. Let's get some sense out of
:55:50. > :55:58.Jessie. Becky Hill, look at me. You need to realise how amazing your
:55:58. > :56:05.voice is, really. Seriously. Seriously. Come on. I screwed up so
:56:05. > :56:14.bad. Calm down. Calm down. Take a moment, OK? Thank you. Calm down.
:56:14. > :56:19.You're amazing. OK. That's it. You can move on. She's got bundles of
:56:19. > :56:22.energy. It's about focusing it in the right place. Do you know what
:56:22. > :56:26.I'm excited about with Becky is she hasn't shown everything she's got
:56:26. > :56:29.at all, and she shouldn't have done yet, but I can't wait to get you to
:56:29. > :56:33.sing slow stuff so people can really hear your tone, but for me
:56:33. > :56:37.this week was about people getting to see the way her voice sounds - I
:56:37. > :56:41.got told to explain words I use - do you know what, the way you just
:56:41. > :56:51.got this place on their feet - and I am sure everyone at home was just
:56:51. > :56:51.
:56:51. > :57:01.like loving it eating their dinner, just loving it. Even Tom was up on
:57:01. > :57:01.
:57:01. > :57:07.his feet. I was. Tom, has she done enough? What? Has she done enough?
:57:08. > :57:10.Enough? She always does enough for me every time I see the girl. You
:57:11. > :57:16.know what I was talking about, Aleks being cool and relaxed -
:57:16. > :57:23.Becky is the opposite. She's on fire as far as I am concerned, this
:57:23. > :57:27.girl. You know, she takes it the other way. She takes it to the
:57:27. > :57:29.extreme - so much so that sometimes I get a little concerned in the way
:57:30. > :57:35.that she sings because I am frightened you might hurt your
:57:35. > :57:39.voice. Me too. Just speaking technically as a singer. You have
:57:39. > :57:45.to watch you don't blow it. You're a young girl, so please, try and
:57:45. > :57:48.respect, you know, your voice. I know how you feel inside. You know,
:57:48. > :57:55.you want to rip it apart, and I know that feeling, but always
:57:55. > :58:00.remember that you only have one voice and... Yeah. Try and save it.
:58:00. > :58:04.Danny? By the way, just before I forget because last week I compared
:58:04. > :58:09.you to Janis Joplin, and I think you didn't know who she was. She
:58:09. > :58:13.was a great singer in the '60s, you know. Before my time. That's why.
:58:13. > :58:17.Yeah, and I did a duet with that girl, so that's why I compared you
:58:17. > :58:23.to her because I was up close listening to her sing, and she had
:58:23. > :58:29.the same fire as you've got now. That's why. A huge compliment!
:58:29. > :58:33.Danny? I duetted with a lot in my time. I've duetted with Tom, Jessie,
:58:33. > :58:37.Will, and I would love to duet with you. I think you're a fantastic
:58:37. > :58:41.performer. I think you held the crowd in the palm of your hand. If
:58:41. > :58:44.I didn't know and they put you on stage and said on the results show
:58:44. > :58:47.saying you were the act, I would be stamping my feet and clapping
:58:47. > :58:52.because I think you're pretty much there. Thank you. Will, a quick
:58:52. > :58:59.word from you, please. It was fantastic. Lots of energy, lots of
:58:59. > :59:09.attitude. Every note was on point. It was great. I don't know what
:59:09. > :59:14.
:59:14. > :59:17.you're worried about, but it was This weekend, two artists from each
:59:17. > :59:20.team must leave the competition. The singer with the highest public
:59:20. > :59:29.vote on each team will automatically go through to the
:59:29. > :59:32.semifinal. Your favourite needs you. David Julien got on well in his
:59:32. > :59:37.performance. I had the graphics with the rain and the umbrellas
:59:37. > :59:42.above me. I got to kick the floor and the puddles - that just felt
:59:43. > :59:45.awesome. I could never have done that in a pub gig. I'm the proudest
:59:46. > :59:55.man on earth. It was fantastic. You really done everybody back home
:59:56. > :59:56.
:59:56. > :59:59.proud. Oh! I am at a loss for words. Boom! Oh! Coming into the next
:59:59. > :00:02.stage of the competition, we need a song that has a lyric, something
:00:02. > :00:06.that really means you, something that can relate to your past. I
:00:06. > :00:11.think Maroon 5 She Will Be Loved is going to paint you in the best
:00:11. > :00:15.light. Your embellishment of it will be amazing. I can relate to
:00:15. > :00:19.this song a lot. This song is about wanting someone you can't have.
:00:19. > :00:23.Personally for me, I definitely have been in that situation. It has
:00:23. > :00:27.taken awhile to get over it. When you're willing to do anything you
:00:27. > :00:31.can for this person, and then there is nothing that you can do to try
:00:31. > :00:36.to win her over. When you're actually thinking about a past love,
:00:36. > :00:43.you can't help but really evoke those emotions. Gorgeous, man. When
:00:43. > :00:46.you go to that place, it really shows. David is a hopeless romantic.
:00:47. > :00:51.You can hear it in his voice when he sings a song that means
:00:51. > :00:55.something. There is one specific girl I'll be thinking about. I can
:00:55. > :01:00.see her face. Secretly I'll be hoping she'll hear me singing and
:01:00. > :01:03.know I am singing for her. I hope that person is watching because I
:01:03. > :01:13.think they're really going to get the message. Singing She Will Be
:01:13. > :01:20.
:01:20. > :01:30.# Beauty queen of only 18 # He was always there to help her
:01:30. > :01:30.
:01:30. > :01:38.# I drove for miles and miles and wound up at your door
:01:38. > :01:48.# I've had you so many times but somehow I want more
:01:48. > :01:49.
:01:49. > :01:52.# I don't mind spending every day
:01:52. > :01:57.# Out on your corner in the pouring rain
:01:57. > :02:01.# Look for the girl with the broken smile
:02:02. > :02:06.# Ask her if she wants to stay a while
:02:06. > :02:10.# And she will be loved
:02:10. > :02:18.# And she will be loved
:02:18. > :02:23.# I know where you hide alone in your car
:02:23. > :02:28.# Know all of the things that make you who you are
:02:28. > :02:32.# I know that goodbye means nothing at all
:02:32. > :02:39.# Comes back and begs me to catch her every time she falls
:02:39. > :02:44.# And she will be loved
:02:44. > :02:49.# And she will be loved
:02:49. > :02:59.# And she will be loved
:02:59. > :03:14.
:03:15. > :03:19.Let's hear it one more time for David! Well done you. Thank you.
:03:19. > :03:25.That was so beautiful. I bet your mystery girl, whoever she is, has
:03:25. > :03:29.changed her mind now. I don't know. What do you think? I thought it was
:03:29. > :03:33.amazing. You did beautifully. You always do. Danny? Yeah, probably
:03:33. > :03:38.sitting there going, "How you like me now? How you like me now?" Boom-
:03:38. > :03:42.boom-bow! To be honest, we've kind of went left field with you as well,
:03:42. > :03:45.you know? You've taken every song I've thrown at you, and you really,
:03:45. > :03:49.really have done me very proud. This one we went a little bit
:03:49. > :03:52.straight down the middle. I thought this was a great way to paint you
:03:52. > :03:55.out. You're such an earnest guy. You come from a working class
:03:55. > :04:00.Manchester background. You quit your job to be here. I just thought,
:04:00. > :04:03.what a great way to show the rest of the UK. Honestly, what a
:04:03. > :04:10.fantastic - I really hope whoever you were singing that about was
:04:10. > :04:20.watching. Yeah, get to the back of the queue, love! Will, let's get
:04:20. > :04:27.
:04:27. > :04:31.you. It was cool. LAUGHTER. It was real cool. I liked it. A man of few
:04:31. > :04:35.words tonight, it seems. No, I don't know if I want to be the one
:04:35. > :04:41.that always has to go in and... in. Tell exactly how I feel. You're
:04:42. > :04:45.not here to lie. Go ahead. This is real critical, right? It's a real
:04:46. > :04:49.critical part of the whole show, right? Two of Danny's team are
:04:49. > :04:56.going to leave, and the way that you guys are going about picking
:04:56. > :05:00.songs doesn't seem like it's as dire as it is. I think you guys are
:05:01. > :05:08.just woop-dy do, like you do in the park. You think this isn't a great
:05:08. > :05:12.song? Listen. I am not saying - hold on. Wait. Wait. I didn't say
:05:12. > :05:15.it's not a great song. I said the arrangement and how you guys are
:05:15. > :05:18.performing is not to the level it needs to be at for something this
:05:18. > :05:25.important, depending where you're going to go. Your team were better?
:05:25. > :05:32.I didn't hear what you said? I said your team were better at doing it?
:05:32. > :05:37.No. Hold on. Hold on. No fighting allowed, by the way. No, no, no.
:05:37. > :05:42.It's not that this is not - wait. Will, this is not about Team Jessie
:05:42. > :05:46.or Team Danny. I am not going to make you feel like this is about
:05:46. > :05:51.you against him. It's not whose team is better. It's about being
:05:51. > :05:56.constructive to each individual artist. But when you make
:05:56. > :06:00.outlandish statements. No, but... That's a bad sign? I didn't say,
:06:00. > :06:05."When I was coaching him", I said I don't know how you guys go about
:06:06. > :06:15.preparing for the show. collaborate. # Stop collaborating,
:06:16. > :06:16.
:06:16. > :06:26.I am going to stop you there. Jessie, we're going to have to stop
:06:26. > :06:29.
:06:29. > :06:34.Here comes the final Team Jessie solo performance. It's Toni.
:06:34. > :06:38.Walking out on that stage was the most amazing feeling. I was a
:06:38. > :06:44.little disappointed at being in the bottom two. The person that I'm
:06:44. > :06:50.going to be saving You don't want it to end. Is Toni. I was so happy
:06:50. > :06:53.Jessie saved me. I want to show her this week that she made the right
:06:53. > :06:59.decision. After the live performance, I went home for a
:06:59. > :07:03.couple of days. My children are a little bit too young to understand
:07:03. > :07:06.The Voice. When you're with your children, there is little time to
:07:06. > :07:14.think about anything else, but then it's also great to come back,
:07:14. > :07:17.because you need time to think purely about Saturday night. Bye!
:07:18. > :07:27.This week Toni is singing Sorry Seems To Be The Hardest Word by
:07:28. > :07:28.
:07:28. > :07:33.Elton John. Come on. Sing through it. Come on. It's real. It's what
:07:33. > :07:37.it is. I'm an emotional person, but this is just another level.
:07:37. > :07:40.need to let it out and know why you're singing and tap into it.
:07:40. > :07:44.just scared to death because I can't be a wreck on stage. You can
:07:45. > :07:49.do it, Toni. You need to sing your heart on to the floor, then close
:07:49. > :07:54.yourself back up and leave the stage. It's about striking a
:07:54. > :08:04.balance. I need to pour out my emotion, but not too much to ruin
:08:04. > :08:18.
:08:18. > :08:28.my performance. Singing Sorry Seems # What have I got to do
:08:28. > :08:31.
:08:31. > :08:38.# Oh, what do I do when lightning strikes me
:08:38. > :08:47.# And I wake to find that you... you're not there?
:08:47. > :08:55.# Oh, what have I got to do to make you want me?
:08:55. > :09:03.# What have I got to do to be heard?
:09:03. > :09:11.# Oh, what do I say when it's all over
:09:11. > :09:19.# And sorry seems to be the hardest word?
:09:19. > :09:21.# Oh, oh
:09:21. > :09:28.# It's sad, so sad It's a sad, sad situation
:09:28. > :09:35.# And it's getting more and more absurd
:09:35. > :09:37.# Oh, yeah
:09:37. > :09:40.# It's sad, so sad
:09:40. > :09:46.# Why can't we talk it over?
:09:46. > :09:49.# Said it seems to me
:09:49. > :09:54.# That sorry seems to be
:09:54. > :09:59.# Said it seems to be the hardest word
:09:59. > :10:06.# Oo-oo-oo-ooh, yeah
:10:06. > :10:16.# The hardest word... #
:10:16. > :10:23.
:10:23. > :10:23.Give
:10:24. > :10:24.Give it
:10:24. > :10:34.Give it up
:10:34. > :10:36.
:10:36. > :10:41.And Well done. So classy and beautiful. You got through it. Are
:10:41. > :10:46.you OK? Don't crumble on me now! How much would it mean to you to
:10:46. > :10:49.get through to the semifinals? Because that's what we're playing
:10:49. > :10:52.for tonight. Oh, my gosh. It would mean the absolute world. This is my
:10:52. > :10:59.life, music. Singing is my life! And thank you so much, everybody.
:10:59. > :11:03.Thank you, Jessie. Thank you - God bless you. OK. Let's go to Jessie.
:11:03. > :11:06.Vocally, I said to Toni, do what you want. Be yourself. I want to
:11:06. > :11:10.see the world, see you fly, which is why there's birds, and it's
:11:10. > :11:14.simple and it's just Toni and her voice, and the one thing I will say,
:11:14. > :11:19.I'm so proud of you - I have tears in my eyes - I believed you, and
:11:19. > :11:25.everyone here and at home, you felt the silence, and it was amazing.
:11:25. > :11:28.You didn't show those nerves. Tom, let's come to you. Yes. Well, I
:11:28. > :11:32.loved it, you know, and I can't say much more than Jessie's already
:11:32. > :11:35.said. You moved me. You got into the song. You have so much emotion
:11:35. > :11:40.when you sing, which I think is wonderful, and you use it to your
:11:40. > :11:49.advantage. You don't let it crush you. You shine with it, and that
:11:49. > :11:52.was great. And it's always a good sign four of them are on their feet.
:11:52. > :11:55.One more time for Toni. All eight artists have performed, so let's
:11:55. > :12:02.get some reactions with Reggie Yates in the V room.
:12:02. > :12:04.Thank you very much. Let's get some reactions from our artists. Now,
:12:04. > :12:08.Aleks, you have the group performance coming up very song.
:12:08. > :12:11.What are you going to be singing? Gotye, Somebody I Used To Know.
:12:11. > :12:16.you going to take your hands out of your pockets for this performance?
:12:16. > :12:20.Yeah. They're not glued in, good. Becky, the semifinals are looming.
:12:20. > :12:24.How do you feel? Do you dare to dream about them right now?
:12:24. > :12:27.know what, I just want to get through so bad. This has been such
:12:27. > :12:32.a wicked experience. I love being here more than anything. I just
:12:32. > :12:36.hope I have done enough. You did great. Now David, this mystery girl,
:12:36. > :12:41.do you think you impressed her tonight? I put as much as I could
:12:41. > :12:46.of me into the song, so I hope so, yeah. Who was that mystery girl? Is
:12:46. > :12:50.it Holly by any chance? Oh, you got me. I think it was Holly. Toni's
:12:50. > :12:53.not here just yet, unfortunately. Let's crack on. There is so much
:12:53. > :12:59.emotion here in the V room, Holly, and remember, your comments come to
:12:59. > :13:05.us directly, so keep on posting. All the details you need are on the
:13:05. > :13:08.screen. Get in here Toni, give her a cheer. Holly, it's back to you.
:13:08. > :13:11.Hello. Before we open the phone lines, it's nearly time for Team
:13:11. > :13:17.Danny the take to the stage with their famous coach, but first,
:13:17. > :13:20.let's check out how he got them all In preparations for this week's
:13:20. > :13:24.group performance, I am bringing them down to the studio to see what
:13:24. > :13:28.it's really like to be in a band. The Script. How you doing? You guys
:13:28. > :13:33.are performing as a group, but I thought in between why don't you
:13:33. > :13:38.perform with our group? Amazing! was magic. We didn't think we'd get
:13:38. > :13:43.to sing with them and hear them do their thing. To hear them singing
:13:43. > :13:48.to me, I couldn't stop smiling. Danny has a great pool of talent,
:13:48. > :13:51.they're all brilliant singers. They all have their own style, which is
:13:51. > :13:56.amazing. This is the most ridiculous experience. I'm loving
:13:56. > :14:02.it. Jamming session done, it's time to take a break from the studio.
:14:02. > :14:06.am going to take you guys go- karting. I am from Stevenage. Lewis
:14:06. > :14:09.Hamilton was from there. Stevenage boys are good at racing. I've got a
:14:09. > :14:19.slipped disc, so I ended up starting the race. Are you ready,
:14:19. > :14:20.
:14:21. > :14:25.Dan and David are having a proper fight. Fun to run him off the road.
:14:25. > :14:30.I ran him off the road. I didn't really see a lot of him to be
:14:30. > :14:35.honest. I was well ahead. Come on! Aleks beforehand thought he had
:14:35. > :14:39.everybody beat, and he kind of came last. I blame it on the car, really,
:14:39. > :14:44.if I am honest. I'm a good loser, you know what I mean? It's all
:14:44. > :14:48.right. Max Milner. The day has been amazing. We all feel like a team,
:14:48. > :14:56.and to perform together is going to be great. If we have as much fun on
:14:56. > :15:00.Saturday as we did today on the track, it's going to be smashing.
:15:00. > :15:10.They can do a circuit, but who is going to go the distance? Here with
:15:10. > :15:11.
:15:11. > :15:21.Somebody I Used To Know, it's Aleks, # Now and then I think of
:15:21. > :15:24.
:15:24. > :15:28.# Told myself that you were right for me
:15:28. > :15:32.# But felt so lonely in your company
:15:32. > :15:39.# But that was love and it's an ache I still remember
:15:39. > :15:45.# You can get addicted to a certain kind of sadness
:15:45. > :15:54.# Like resignation to the end Always the end
:15:54. > :15:58.# So when we found that we could not make sense
:15:58. > :16:02.# Well, you said that we could still be friends
:16:02. > :16:08.# But I'll admit that I was glad it was over
:16:08. > :16:14.# But you didn't have to cut me off
:16:14. > :16:17.# Acting like it never happened and that we were nothing
:16:17. > :16:21.# And I don't even need your love
:16:21. > :16:25.# But you treat me like a stranger and I feel so rough
:16:25. > :16:28.# No, you didn't have to stoop so low
:16:28. > :16:32.# Have your friends collect your records and then change your number
:16:32. > :16:36.# I guess that I don't need that, though
:16:36. > :16:44.# Now you're just somebody that I used to know
:16:44. > :16:49.# Now and then I think of all the times you screwed me over
:16:49. > :16:57.# Part of me believing it was always something that I'd done
:16:57. > :17:01.# I don't wanna live that way
:17:01. > :17:05.# Reading into every word you say
:17:05. > :17:08.# You said that you would let it go
:17:08. > :17:15.# And I wouldn't catch you hung up on somebody that you used to know
:17:15. > :17:17.# But you didn't have to cut me off
:17:17. > :17:21.# Make out like it never happened and that we were nothing
:17:21. > :17:24.# And I don't even need your love
:17:24. > :17:27.# But you treat me like a stranger and I feel so rough
:17:27. > :17:31.# No, you didn't have to stoop so low
:17:31. > :17:35.# Have your friends collect your records and then change your number
:17:35. > :17:38.# I guess that I don't need that, though
:17:38. > :17:42.# Now you're just somebody that I used to know
:17:42. > :17:44.# Somebody
:17:44. > :17:45.# I used to know
:17:45. > :17:47.# Somebody
:17:47. > :17:55.# Now you're just somebody that I used to know. #
:17:55. > :18:04.# Now you're just somebody that I used to know. #
:18:04. > :18:04.Everyone,
:18:04. > :18:05.Everyone, it's
:18:05. > :18:09.Everyone, it's Team
:18:09. > :18:14.Everyone, it's Team Danny. That was so cool - the artists becoming ours.
:18:15. > :18:19.Thanks, guys. By next weekend, only four of tonight's artists will be
:18:20. > :18:24.back on your screens. You know what to do, and you know how to do it
:18:24. > :18:34.because the phone lines are now open. They'll close tonight at
:18:34. > :18:39.
:18:39. > :18:43.8.30pm. Calls cost 25p from BT and As the teams get smaller, the
:18:43. > :18:53.competitions get tougher, but it's still all about the voice. Here's a
:18:53. > :18:53.
:18:53. > :19:53.Apology for the loss of subtitles for 59 seconds
:19:53. > :20:03.reminder about the performances and # I won't let you close enough
:20:03. > :20:09.
:20:09. > :20:19.# And I won't rescue you # It's time to say goodbye
:20:19. > :20:59.
:20:59. > :21:09.# In this tug of war # Just gonna stand there
:21:09. > :21:10.
:21:10. > :21:15.# Just gonna stand there and hear me cry
:21:15. > :21:18.# But that's all right
:21:18. > :21:20.# Because I love the way I love the way
:21:21. > :21:30.# I love the way you lie . #
:21:31. > :21:42.
:21:42. > :21:44.# Your love is my love And my love is your love
:21:44. > :21:47.# It would take an eternity to break us
:21:47. > :21:52.# And the chains of Amistad couldn't hold us
:21:52. > :21:56.# If I should die this very day
:21:56. > :22:02.# Don't cry cos on earth we wasn't meant to stay
:22:02. > :22:08.# And no matter what the people say
:22:08. > :22:18.# I'll be waiting for you after the Judgment Day... #
:22:18. > :22:33.
:22:33. > :22:42.# And when I wake up, you look so pretty sleeping next to me
:22:42. > :22:47.# But there is not enough time
:22:47. > :22:51.# And there is no No song I can sing
:22:51. > :22:55.# And there is no combination of words
:22:55. > :22:59.# I could say but I will still tell you one thing
:22:59. > :23:05.# We're better together
:23:05. > :23:15.# We're better together. #
:23:15. > :23:18.
:23:18. > :23:20.# I'm gonna serve it to you
:23:20. > :23:22.# And that ain't what you want to hear
:23:23. > :23:25.# But that's what I'll do
:23:25. > :23:31.# And the feeling coming from my bones says, find a home
:23:31. > :23:38.# Find a home
:23:38. > :23:41.# Hey, oh, find a home Yeah
:23:42. > :23:43.# Oh find a home. #
:23:44. > :23:51.Oh, come on!
:23:51. > :24:01.# A seven-nation army couldn't hold me back. #
:24:01. > :24:05.
:24:05. > :24:10.# And she will be loved
:24:10. > :24:13.# I know where you hide alone in your car
:24:13. > :24:16.# Know all of the things that make you who you are
:24:16. > :24:20.# I know that goodbye means nothing at all
:24:20. > :24:29.# Comes back and begs me to catch her every time she falls
:24:29. > :24:32.# And she will be loved
:24:32. > :24:37.# And she will be loved
:24:37. > :24:47.# And she will be loved
:24:47. > :25:00.
:25:00. > :25:04.# Oh, what do I say # And sorry seems to be
:25:04. > :25:11.# It's sad, so sad It's a sad, sad situation
:25:11. > :25:18.# And it's getting more and more absurd
:25:18. > :25:20.# Oh, yeah
:25:20. > :25:23.# It's sad, so sad
:25:23. > :25:27.# Why can't we talk it over?
:25:27. > :25:31.# Said it seems to me
:25:31. > :25:38.# That sorry seems to be
:25:38. > :25:48.# Said it seems to be the hardest word
:25:48. > :25:49.
:25:49. > :25:49.So
:25:49. > :25:49.So we
:25:49. > :25:52.So we will
:25:52. > :26:02.So we will see you tomorrow night, we will have some special
:26:02. > :26:10.
:26:10. > :26:13.Wow, what a an amazing night and an Plus, two incredible duets from
:26:13. > :26:17.Team Tom and Team Will as we hear from the cool combination of Tyler
:26:17. > :26:22.and Jazz, and the vocal powerhouses that are Jan and Ruth. We can't
:26:22. > :26:25.wait here in the studio. That is all to come at 7.25pm. Plus, we'll
:26:25. > :26:29.find out which artists from Team Jessie and Team Danny have your
:26:29. > :26:35.support. Remember, vote for your favourite, or there is a chance
:26:35. > :26:39.they won't be back here in next week's semifinal. You have until
:26:39. > :26:42.8.30pm tonight to make your vote. Thanks to the hardest working band