:00:12. > :00:21.Four superstar coaches have secured their teams of ten. Now they must
:00:21. > :00:28.decide which five to let go. battles start here! Two singers.
:00:28. > :00:38.Singing one song. When they step in that ring... It is battle time.
:00:38. > :00:42.winner... One loser. Let the battles commence! APPLAUSE Welcome
:00:42. > :00:50.to The Voice, the battle rounds. Our coaches have split their teams
:00:50. > :00:54.into pairs. Each pair must go head- to-head. After each pair have
:00:54. > :00:59.performed, coaches must decide who advances and who goes home. Making
:00:59. > :01:09.those difficult decisions are four of the biggest names in music.
:01:09. > :01:10.
:01:10. > :01:14.Danny O'Donoghue! Tom Jones. Jessie J. And Will.i.am! The coaches have
:01:14. > :01:18.paired up their own artists to sing against each other. Vince and
:01:18. > :01:23.Jessica. So the only thing standing between each singer and a spot on
:01:23. > :01:27.the live show is the team-mate they are pitched against. The person
:01:27. > :01:31.standing next to you could be the person knocking you out. Before
:01:31. > :01:38.they enter the battle ring, each will be trained by their coach.
:01:38. > :01:46.# A little less conversation... # Don't you ever come around here. #
:01:46. > :01:50.One specially invited trusted advisor. Helping Jessie is Ana
:01:50. > :01:58.Matronic. I will be looking for each competitor to take a song and
:01:58. > :02:03.turn it into something they own. Bring it in guns blazing! Danny has
:02:03. > :02:08.drafted in Paloma Faith. I am not looking for perfection. It would be
:02:08. > :02:16.cool if we could see you head-to- head battling it out. I am looking
:02:16. > :02:23.for character and personality and texture. Welsh musician and lead
:02:23. > :02:33.singer of Catatonia, Cerys Matthews, is with Team Tom. You have two
:02:33. > :02:37.
:02:37. > :02:46.minutes to sell your voice and the song. Will's advisor is advisor to
:02:46. > :02:52.the Peas. We have worked with everyone. Tonight, the artists will
:02:52. > :02:56.sing for glory. Leaving their coach with the ultimate decision.
:02:56. > :03:03.massive tension moment. Somebody has got to go home. Who moves
:03:03. > :03:07.forward to the live shows? Who goes home? The idea of sending someone
:03:07. > :03:17.on their way is hard. There is nobody on my team I don't want.
:03:17. > :03:24.
:03:24. > :03:34.is about making sure you survive. Let's bring on the battles. First
:03:34. > :03:41.
:03:41. > :03:46.At the blind auditions, Joelle got her moment in the spotlight. She
:03:46. > :03:51.was overcome when all four chairs turned for her. I would like to
:03:52. > :03:57.work with you as an artist. This could be the beginning of something
:03:57. > :04:05.amazing. 25-year-old Jenny came to the auditions hoping to make her
:04:05. > :04:11.passion her career. You rock and I would like to have you on the team
:04:11. > :04:19.and kick some butt. The reason why I paired you guys is because I feel
:04:19. > :04:26.you guys are both super mega divas. She is a diva. I don't think of
:04:26. > :04:30.myself as a diva. People do call me that.
:04:30. > :04:34.Will introduces his advisor. I have brought one of my best friends.
:04:34. > :04:38.When I step in the studio to work, he is right there with me. I don't
:04:38. > :04:43.feel comfortable going to the studio without my partner. When it
:04:43. > :04:50.comes to the artists we have on our team, I will give them advice of
:04:50. > :04:57.you don't have to be so technical, doing runs all the time. I want to
:04:57. > :05:02.hear simplicity. This is a battleground. This is like Whitney
:05:02. > :05:12.versus Christina. Take this song and make it your own.
:05:12. > :05:12.
:05:12. > :05:17.# I'm every woman # Yeah I'm every woman! #
:05:17. > :05:22.The only thing I would say is Jenny projects really loud. Stuff is
:05:22. > :05:27.coming out of you that is like woah! She is a lot louder than me,
:05:27. > :05:33.which I am not used to. What you don't want to do is get into a
:05:33. > :05:42.power battle to where your range has gone. That is what I saw you do,
:05:42. > :05:47.Joelle. I did get a vibe that she might be a bit scared. Joelle is a
:05:47. > :05:52.great singer. The thing that will throw her off her game is the power
:05:52. > :05:56.that Jenny has. I saw something in general thi that I hadn't seen
:05:56. > :06:03.before. -- in Jenny that I hadn't seen before. I knew this battle was
:06:03. > :06:08.going to be tough. I have a chance to do this now. I have been trying
:06:08. > :06:11.so hard to be heard and to be seen. Please let it be my time. When I'm
:06:12. > :06:19.behind the bar, I'm dreaming of moments like this. I'm going to
:06:19. > :06:24.make this decision for Will so easy. APPLAUSE Hoping this vocal showdown
:06:24. > :06:34.will take them on to the live shows, entering the ring is the diva in
:06:34. > :06:39.
:06:39. > :06:49.APPLAUSE With the battling Blues voice
:06:49. > :06:49.
:06:49. > :09:31.Apology for the loss of subtitles for 162 seconds
:09:31. > :09:38.# You just ask me CHEERING AND APPLAUSE
:09:38. > :09:44.Let's hear it one more time, Jenny and Joelle! APPLAUSE
:09:44. > :09:51.OK. Will, I will come to you shortly. You have a big decision to
:09:51. > :09:56.make. First, let's hear what your fellow coaches made of that.
:09:56. > :10:00.Jessie? Grr! Tough, tough decision. You both have such different
:10:00. > :10:05.qualities and different sounds in your voices. So powerful at the
:10:05. > :10:12.same time. I felt Joelle you came out stronger. Jenny, you grew into
:10:12. > :10:20.it. You were, like, OK, this is it. Then I heard little vibes that were
:10:20. > :10:24.so unique. I don't know. Tom? you saying? It is difficult. I
:10:24. > :10:31.think Jenny has a full voice, but then I think with Joelle, I prefer
:10:31. > :10:37.the edge you have got on your voice, I think. APPLAUSE It is so close.
:10:37. > :10:42.Yeah, yeah. It was a great song choice. Your singing was flawless.
:10:42. > :10:48.All I can do was go with my gut on who I was watching the most. On
:10:48. > :10:52.this performance, I would tip it over to Joelle - being honest.
:10:52. > :10:58.Let's go to the coach who knows these two the most. You are in an
:10:58. > :11:04.unenviable position right now. we were at the piano rehearsals,
:11:04. > :11:08.Joelle you came in like you had no competition. Then Jenny, she came
:11:08. > :11:15.and sang and surprised you to the point where it made you feel like
:11:15. > :11:25.you probably weren't going to win. Jenny just, your voice is so full
:11:25. > :11:28.
:11:28. > :11:33.and you surprised me. Will, it is time to make your decision. Joelle,
:11:33. > :11:39.we talked about what you needed to come with. There was one particular
:11:39. > :11:46.moment where it was like power and you tipped it off with a gentle
:11:46. > :11:53.note. Wow! That blew me away. Jenny, you were smashing it, punching. She
:11:53. > :12:03.was knocking you out. This is a was knocking you out. This is a
:12:03. > :12:06.
:12:06. > :12:16.But you came through, Joelle, and I want you to come with me to the
:12:16. > :12:35.
:12:36. > :12:40.live sessions. We have a winner. It That was a tough one. Yeah. She is
:12:40. > :12:44.amazing. You are an incredible singer and no way was my decision
:12:44. > :12:52.based on the fact that you don't have what it takes. You have more
:12:52. > :12:56.than what it takes. APPLAUSE I have really enjoyed it. I feel blessed
:12:56. > :13:00.to be here on this stage. Thank you. Listen, we have been blessed to
:13:00. > :13:10.have you as part of The Voice. Thank you so much. Everybody, a
:13:10. > :13:15.
:13:15. > :13:22.huge round of applause for the APPLAUSE
:13:22. > :13:25.In the piano rehearsals, Joelle was flatting out. I said control your
:13:25. > :13:31.power and show people your range. She did that. That is why I wanted
:13:31. > :13:36.her on my team. She listened and executed. Jenny is spectacular.
:13:36. > :13:46.Jenny did what she did in the rehearsals. I'm not upset and
:13:46. > :13:58.
:13:58. > :14:02.Musical theatre-trained Max's unique performance had Danny fired
:14:02. > :14:06.up at the blind auditions. # Opportunity comes once in a
:14:06. > :14:11.lifetime. # Vocally untrained Bill Downs made
:14:11. > :14:18.the brave move of putting his voice before his vows. Is it all right if
:14:18. > :14:22.we move the wedding? Yes. reason why I put Max and Bill
:14:22. > :14:27.together is because they fill the same role in my team. They are at
:14:27. > :14:33.the start of a great career - only for one of them. There is only one
:14:33. > :14:38.spot on my team that I can filled by either of you. This is going to
:14:38. > :14:41.be a great battle. You are in the prime of your life. This will go
:14:42. > :14:48.head-to-head. There won't be any blood left on the floor afterwards,
:14:48. > :14:54.hopefully. To get them ready, Danny's drafted in Paloma Faith.
:14:54. > :15:00.One thing for me to be the vocal expert... The reason I am bringing
:15:00. > :15:04.in Paloma is she is an incredible artist. I really need a second pair
:15:05. > :15:09.of eyes. Eye contact. I have a little pet hate and it's singers
:15:09. > :15:14.stood on stage motionless and they will have to work on engaging the
:15:14. > :15:21.onlooker a bit. It would be cool if we could see you head-to-head,
:15:21. > :15:25.battling it out. Actually vibing off each other. Cool. Cool. The
:15:25. > :15:31.massive part is making the other person sound better. I want him to
:15:31. > :15:41.make him sound bad, almost. I went to a stage school where I learnt to
:15:41. > :15:42.
:15:42. > :15:44.dance. Max has the edge. I will use what I've got that maybe he doesn't.
:15:44. > :15:49.Just getting on the stage that big and having to sing in front of
:15:49. > :15:53.those people is a big thing for me. He's done it before. I don't know
:15:53. > :15:59.what the other coaches have planned. What I have planned is an explosion
:15:59. > :16:04.and it is Max and Bill. I will feel confident up there that I can
:16:04. > :16:09.entertain people. That is what I will do. I don't want my fiance to
:16:09. > :16:14.marry me as just me, I want to be the winner of The Voice. I want
:16:14. > :16:24.that spot. Two artists, one ring, one very big decision for Danny.
:16:24. > :16:28.
:16:28. > :16:38.Vying to be The Voice, it is Max Taking him on, the boy next door
:16:38. > :16:38.
:16:38. > :18:01.Apology for the loss of subtitles for 162 seconds
:18:02. > :18:11.APPLAUSE # The kind of man
:18:12. > :18:12.
:18:12. > :19:20.Apology for the loss of subtitles for 162 seconds
:19:20. > :19:26.# Won't even stand Wow! Now it's Danny's decision to
:19:26. > :19:33.take one of you through and send one of you guys home. Danny, it is
:19:33. > :19:38.a horrible, horrible decision to make. Now, before we come to you,
:19:38. > :19:48.let's find out what the other coaches think. Will? Danny, that
:19:48. > :19:51.
:19:51. > :19:54.was a good song choice. They are entertaining, so, Max, you are like
:19:54. > :20:00.maximum! LAUGHTER You were dancing around the stage. Sometimes you
:20:00. > :20:10.went flat while Mr Downs was slicing them and dicing them!
:20:10. > :20:11.
:20:11. > :20:19.APPLAUSE If I had to pick, I would have went with, you know, Bil.i.am
:20:19. > :20:25.over there! Jessie, they were going for it? That was a battle-and-a-
:20:25. > :20:28.half. You guys are having fun. Very, very entertaining. APPLAUSE Tom, it
:20:28. > :20:35.is a horrible decision that Danny has to make. Someone has to go home.
:20:35. > :20:42.If these were your artists, what would you do? No idea! LAUGHTER
:20:42. > :20:47.When you were training up, you were evenly matched. It would be
:20:47. > :20:51.difficult for me to pick one. So it is up to the man there. APPLAUSE
:20:51. > :20:55.Danny, your verdict is going to send one of these guys home and
:20:55. > :21:00.take one through to the live shows. What are you thinking? The UK is
:21:00. > :21:05.probably looking at me and going, "You are an idiot for putting these
:21:05. > :21:10.two together!" Yeah, that was a stupid thing to do. They are both
:21:10. > :21:16.pretty much filling the one spot on the team of five that I have to
:21:16. > :21:22.take into the finals. Max, through this whole thing, I have seen a
:21:22. > :21:27.spark in you, but over the course of the rehearsals, what I have seen
:21:27. > :21:33.tonight how much Bill has come on. APPLAUSE I am talking leaps and
:21:33. > :21:43.bounds, which is why it's such a hard decision to make. Danny, it is
:21:43. > :21:43.
:21:43. > :21:48.time to make your decision. Who is the winner of this battle? Guys, I
:21:48. > :21:58.will have to go with my gut on this. The person I'm going to take
:21:58. > :22:28.
:22:28. > :22:33.through to the live shows with me Bill, it's been a heck of an
:22:33. > :22:37.experience. How have you found it? Incredible. For me, this is the
:22:37. > :22:43.second time I have ever got up and sang in front of a crowd without my
:22:43. > :22:53.guitar. Amazing. It has been a pleasure. Once again for Bill!
:22:53. > :23:08.
:23:08. > :23:18.APPLAUSE I'm chuffed to have just It was horrible. I'm over the moon.
:23:18. > :23:32.
:23:32. > :23:39.Doing it for her daughters, this single mum had huge vocals and a
:23:39. > :23:44.personality to match. I want you to see all of this!
:23:44. > :23:49.# I said fire... # Dreams came true for this Tom Jones
:23:49. > :23:56.superfan as he won a spot on his hero's team. I heard a bit of me
:23:56. > :24:00.there. You have inspired me a lot so that is probably why. They have
:24:00. > :24:03.both got strong personalities. The pairing is as fair as you can get.
:24:04. > :24:13.They are singing an Elvis Presley song which is great. They can play
:24:13. > :24:21.off one another. Aundrea is fabulous. I will give her a run for
:24:21. > :24:27.her fabulous money! I'm so excited. Oh my God. Assisting Tom is
:24:27. > :24:33.musician and long-term friend, Cerys Matthews. You have one guy
:24:33. > :24:40.with a legendry voice. You are singing another song by a fella
:24:40. > :24:45.with a legendry voice. What are you going to do with it?
:24:45. > :24:50.As rehearsals get under way... The reality of being coached by his
:24:50. > :24:56.idol sinks in for Sam. # A little less conversation... #
:24:56. > :25:00.You are up an octave. I am really happy. Amazing to have that time,
:25:00. > :25:10.thank you. Whatever help I can give you, I will give it to you. Thanks
:25:10. > :25:11.
:25:11. > :25:16.very much. Just having that time was really emotional. Aundrea is
:25:16. > :25:20.getting a reality check. How are you feeling? Tom knows how much I
:25:20. > :25:23.want this. If I don't make it, I don't know if I will get another
:25:23. > :25:28.chance. The only thing when you are really wanting something that bad
:25:28. > :25:32.is not to try and overdo it. Yeah. You will be nervous on the night.
:25:32. > :25:36.You are doing what you need to be doing. You have a great voice. Let
:25:36. > :25:44.that work for you. This is not just for me. This is for me and my girls.
:25:44. > :25:49.I don't want to let them down. the moment, they seem equally
:25:49. > :25:56.matched, but somebody has got to go home. Right now I'm feeling more
:25:56. > :26:00.competitive. This is a competition, a battle. I REALLY want it. I have
:26:00. > :26:09.to win this for me, my girls and I have to prove I'm the one that Tom
:26:09. > :26:16.needs to take through to the live shows. APPLAUSE Coming up, a vocal
:26:16. > :26:25.showdown inspired by Elvis. Who will take this battle? Will it be
:26:25. > :26:35.Aundrea Nyle? APPLAUSE Or the Tom Jones' superfan who wants to make
:26:35. > :26:36.
:26:36. > :26:46.his idol proud, Sam Buttery? APPLAUSE
:26:46. > :26:54.
:26:54. > :26:58.# A little less conversation # All this aggravation
:26:58. > :27:00.# A little more bite and a little less bark
:27:00. > :27:02.# A little less fight and a little more spark
:27:02. > :27:05.# Close your mouth and open up your heart and, baby, satisfy me
:27:05. > :27:08.# Satisfy me, baby!
:27:09. > :27:10.# Baby, close your eyes and listen to the music
:27:10. > :27:13.# Drifting through a summer breeze
:27:13. > :27:15.# It's a groovy night and I can show you how to use it
:27:15. > :27:17.# Come along with me and put your mind at ease
:27:17. > :27:21.# A little less conversation A little more action, please!
:27:21. > :27:25.# All this aggravation ain't satisfactioning me
:27:25. > :27:27.# A little more bite and a little less bark
:27:27. > :27:29.# A little less fight and a little more spark
:27:29. > :27:33.# Close your mouth and open up your heart and, baby, satisfy me
:27:33. > :27:37.# Satisfy me, baby
:27:37. > :27:40.# Come on, baby I'm tired of talking!
:27:40. > :27:43.# Grab your coat and let's start walking
:27:44. > :27:45.# Come on, come on
:27:45. > :27:46.# Come on, come on
:27:46. > :27:54.# Come on, come on
:27:54. > :27:56.# Don't procrastinate # Girl it's getting late
:27:56. > :28:00.# A little less conversation A little more action, please!
:28:00. > :28:05.# All this aggravation ain't satisfactioning me
:28:05. > :28:07.# A little more bite and a little less bark
:28:07. > :28:09.# A little less fight and a little more spark
:28:09. > :28:12.# Close your mouth and open up your heart and, baby, satisfy me
:28:12. > :28:18.# Satisfy me!
:28:18. > :28:20.# Come on, baby I'm tired of talking!
:28:20. > :28:24.# Grab your coat and let's start walking
:28:24. > :28:25.# Come on, come on
:28:25. > :28:27.# Come on, come on
:28:27. > :28:33.# Come on, come on
:28:33. > :28:36.# Don't procrastinate # Girl it's getting late
:28:36. > :28:40.# A little less conversation A little more action, please!
:28:40. > :28:44.# All this aggravation ain't satisfactioning me
:28:44. > :28:47.# A little more bite and a little less bark
:28:47. > :28:49.# A little less fight and a little more spark
:28:49. > :28:52.# Close your mouth and open up your heart and, baby, satisfy me
:28:52. > :28:58.# Satisfy me!
:28:59. > :29:05.# Satisfy me! #
:29:05. > :29:05.CHEERING
:29:05. > :29:05.CHEERING AND
:29:05. > :29:15.CHEERING AND APPLAUSE
:29:15. > :29:18.
:29:18. > :29:18.That
:29:18. > :29:18.That was
:29:18. > :29:25.That was brilliant!
:29:25. > :29:29.That was brilliant! APPLAUSE
:29:29. > :29:29.APPLAUSE The
:29:29. > :29:29.The entire
:29:29. > :29:30.The entire room
:29:30. > :29:34.The entire room was
:29:34. > :29:38.The entire room was entertained. Were you? Man, let me tell you
:29:38. > :29:46.something. My eyebrows were so far back I had to pull them out of my
:29:46. > :29:52.back pocket to put them back on my head! LAUGHTER Jessie, what did you
:29:52. > :29:57.think? Such personality as well as vocals which is lovely to see. Tom,
:29:57. > :30:03.what a choice you have to make here! There you go. Tom, you have a
:30:03. > :30:07.really tough decision to make. In rehearsals, they were fantastic.
:30:07. > :30:11.You are both huge personalities. I picked that song because Elvis
:30:11. > :30:16.Presley was a huge personality. I am glad that you did that song
:30:16. > :30:24.justice, more than justice. You did a wonderful job. APPLAUSE It's time
:30:24. > :30:34.to make your decision, Tom. Who is the winner of this battle? It's
:30:34. > :30:34.
:30:34. > :30:44.hard. This is the hardest one yet. Yes. Go with your heart, Tom.
:30:44. > :30:52.
:30:52. > :31:02.one that I'm going to take to the live show is Sam. APPLAUSE Thank
:31:02. > :31:06.
:31:06. > :31:14.you. Sam, how are you feeling right now? Yaaaa... I'm so happy. We have
:31:14. > :31:23.this thing about the bees and we always go, "It's the bee's knees!"
:31:23. > :31:28.That is how I feel. One more time for Sam! APPLAUSE Thank you.
:31:28. > :31:32.CHEERING AND APPLAUSE It's been an amazing time that we
:31:32. > :31:37.have spent with you on The Voice. Have you enjoyed it? So much. Too
:31:37. > :31:41.much. Way too much! This is one of the hardest decisions I have had to
:31:41. > :31:45.make. They are both fantastic performers. You have done a
:31:45. > :31:55.wonderful job. Follow your dream because you have it, babe. Thank
:31:55. > :31:56.
:31:56. > :32:06.you. Can you give us one more spin? Ladies and gentlemen, Aundrea.
:32:06. > :32:07.
:32:07. > :32:15.APPLAUSE They were great. Yes. fairness, I think personality-wise
:32:15. > :32:19.he snipped it for me. He can do a lot of other things. Coming up:
:32:19. > :32:24.Will encounters tension in his ranks. I'm a big boy, I can talk.
:32:24. > :32:32.He needs to drop a whole bunch of attitude. Our coaches face some
:32:32. > :32:41.difficult decisions. Who is the winner? This is impossible. I would
:32:41. > :32:51.be scared to sing with you, guys. APPLAUSE Next up it is Team Jessie.
:32:51. > :32:52.
:32:52. > :32:57.At the blind auditions, 25-year-old backing singer Kirsten took centre
:32:57. > :33:03.stage. Everyone in the audience was going for it. That is what I liked.
:33:03. > :33:11.I feel that I've got a lot more to give than just doing backing vocals.
:33:11. > :33:15.You are on my team! To be at the front of the stage is my dream.
:33:15. > :33:22.34-year-old Toni, the blind auditions were a breakthrough.
:33:22. > :33:26.# I better leave right now. # She conquered her fears. I paired
:33:27. > :33:32.Kirsten and Toni because both have powerful voices and I wanted to
:33:32. > :33:36.challenge them both. Rehearsals start with Jessie joined by Ana
:33:36. > :33:40.Matronic. She's seen so much more than I have regarding the music
:33:40. > :33:44.industry. She will be a perfect add-on to the team. I'm good at
:33:44. > :33:51.performing. That is what I will be looking at, trying to give them
:33:51. > :33:55.tools to make their performance shine. You guys were great. Get
:33:55. > :34:00.into the words that you are singing. What is it that you are trying to
:34:00. > :34:05.get this person to think about? In this case, I want you to think
:34:05. > :34:09.about how fierce I am and you can use that energy to fuel your
:34:09. > :34:13.performance. It is very nice. # Think. #
:34:13. > :34:21.I want to see... # You better think. #
:34:21. > :34:26.The vocal session was amazing. process has been incredible. I will
:34:26. > :34:35.be judged on not just my voice, but the way I look. It makes me feel
:34:35. > :34:42.vulnerable, if I'm honest. Come on! # Freedom! #
:34:42. > :34:51.Toni has a lot of raw emotion. Part of me thinks, "How can I compete
:34:51. > :34:56.against you?" It was so real. You need to let loose. To get that
:34:56. > :35:05.honesty, I need to bring as much passion, emotion as I can possibly
:35:05. > :35:08.get out of myself. My decision will be tough. Toni needs to leave past
:35:08. > :35:14.confidence issues at the door. Kirsten needs to make sure she is
:35:14. > :35:18.still in the story. I am excited to see this battle for sure!
:35:18. > :35:23.worried if The Voice did end, my confidence would go backwards. To
:35:23. > :35:29.walk out of here and not win the battle, it doesn't seem like an
:35:29. > :35:36.option. Toni has a life experience. I have been working hard to achieve
:35:36. > :35:40.my dream of being a solo artist. I am giving it everything. Two more
:35:40. > :35:45.artists with plenty to prove are about to take to the ring, but who
:35:45. > :35:55.will be victorious? In this round, it is the backing singer who is
:35:55. > :35:56.
:35:56. > :36:06.ready to take centre stage, Kirsten Joy. APPLAUSE Going against the mum
:36:06. > :36:09.
:36:09. > :36:17.of two in search of her second chance, it is Toni Warne. APPLAUSE
:36:17. > :36:27.Let the battle begin. Come on, # Think about the sacrifices
:36:27. > :36:27.
:36:27. > :37:59.Apology for the loss of subtitles for 162 seconds
:37:59. > :37:59.# Freedom #
:37:59. > :38:00.# Freedom
:38:00. > :38:00.#
:38:01. > :38:02.# Freedom
:38:02. > :38:02.#
:38:02. > :38:02.# Freedom
:38:02. > :38:02.#
:38:02. > :38:02.# Sing
:38:03. > :38:06.# Sing it
:38:06. > :38:16.# Sing it freedom # Freedom
:38:16. > :38:18.
:38:18. > :38:25.# Think about it # Hey, hey, hey
:38:25. > :38:29.# Yeah! # Woah!
:38:29. > :38:39.# You better stop # And think about a thing
:38:39. > :38:56.
:38:56. > :39:00.Ladies, ladies, that was amazing! Toni and Kirsten, everybody!
:39:00. > :39:06.APPLAUSE You have only got to listen to the reaction here in the
:39:06. > :39:10.room to know that was incredible, girls. Jessie, unlucky! LAUGHTER
:39:10. > :39:15.don't know how you will do this. I will give you a moment to have a
:39:15. > :39:19.think. Tom, let's start with you. Incredible women. Yeah. Both of
:39:19. > :39:27.them. I wouldn't know who to pick. That is from here. You are two
:39:27. > :39:33.fantastic singers and you did a great job. APPLAUSE Thank you, Tom.
:39:33. > :39:38.Danny? Both of you were outstanding. I was sitting there going, "Oh my
:39:38. > :39:44.God, that's incredible!" You tipped it over the edge, then you did. I
:39:44. > :39:49.don't envy you. This is impossible. APPLAUSE Will, what would you do?
:39:49. > :39:58.never thought two voices can sound like a choir. I thought I was
:39:58. > :40:03.hearing a choir! You sing like Ninja assassin singers. Off to
:40:03. > :40:13.Jessie! This will be tough on you. I would be scared to sing with you,
:40:13. > :40:13.
:40:13. > :40:20.guys. Seriously, that was not one note out. APPLAUSE You two are
:40:20. > :40:28.probably two of the best female voices that I have heard in the UK.
:40:28. > :40:33.APPLAUSE Toni, you don't need a visual to hear the pain and the
:40:33. > :40:37.passion and the understanding of how much music is in your heart.
:40:37. > :40:42.It's just there. I can see it. I can feel it every time I am with
:40:42. > :40:48.you. Every time I'm with Kirsten I see how much sparkle is in your
:40:48. > :40:55.eyes and how much you want this. Please you are not a backing
:40:55. > :41:05.vocalist! APPLAUSE You are not meant to be behind nobody! Jessie,
:41:05. > :41:17.
:41:17. > :41:26.Jessie, who is the winner of this battle? I love you, girls, you know
:41:26. > :41:36.that, right? Don't cry because I'll cry. The person that I'm going to
:41:36. > :41:39.
:41:39. > :41:49.be taking through to live is Toni. APPLAUSE We have our winner. Going
:41:49. > :42:09.
:42:09. > :42:17.through to represent Team Jessie, When I stood on that stage, I
:42:17. > :42:23.believed that I could do it! I believed my arm was going to go in
:42:23. > :42:32.the air. Wow! That was TV history. That is how good that was. I would
:42:32. > :42:41.be so proud if I had just sung that. I'm just beginning my dream!
:42:41. > :42:51.APPLAUSE The way Toni - she stepped into her fear. She stepped into it
:42:51. > :43:02.
:43:02. > :43:07.and went what?! So proud! Next up In the blind auditions, barefooted
:43:07. > :43:11.musician Vince impressed Danny with the power of his voice. All I have
:43:11. > :43:16.wanted is the opportunity to be able to say yeah, I have had my
:43:16. > :43:21.shot. There is a rawness in there. Yours is be perfect voice that will
:43:21. > :43:25.get me through to the next round and beat these guys here. While Bo
:43:25. > :43:31.has a different style and it was her vocal rather than her title
:43:31. > :43:35.that was truly upper-class. # Without you. #
:43:35. > :43:39.You don't need to have power to show emotion. I came on the show to
:43:39. > :43:44.find a unique voice. You have that voice.
:43:44. > :43:49.# Through the storm... # I paired Bo and Vince together
:43:49. > :43:57.because they have contrasting voices. The two will work well
:43:57. > :44:00.together. In rehearsal Danny hears a problem. There are parts in the
:44:00. > :44:05.song - not that you are overpowering Bo, maybe you are
:44:05. > :44:08.giving too much meat into the song. Yes.
:44:08. > :44:13.# Nothing to win # Nothing left to lose. #
:44:13. > :44:16.I felt Vince was leading it. If you are going to be a powerhouse,
:44:16. > :44:22.everyone will say you are trying to drown that girl out.
:44:22. > :44:25.# Through the storm we reach the shore. #
:44:25. > :44:30.Him reducing his power is something he hasn't had to do before.
:44:30. > :44:35.# I'm waiting for you. # He's going to have to learn that as
:44:35. > :44:41.much as Bo will have to come out of her shell. Winning this battle is
:44:41. > :44:48.everything to me. There is no Plan B. Your power coming in and the
:44:48. > :44:53.tone seems to lopside it in your direction, in an unfair way. I get
:44:53. > :45:00.that. Vince has a powerful voice. To be intimidated by it is the
:45:00. > :45:06.worst thing you can do. When I'm with Vince he's like this force and
:45:06. > :45:16.it is kind of scary. Yes. Do you know how good you are? I don't know.
:45:16. > :45:18.
:45:18. > :45:24.Maybe... Not. I... Vince's biggest challenge is going to be reigning
:45:24. > :45:28.in -- reining in that power. more artists are about to enter the
:45:28. > :45:38.ring hoping their lives will change forever. Will it be the girl with
:45:38. > :45:40.
:45:40. > :45:50.the unique style, Bo Bruce? APPLAUSE Or the powerful rock
:45:50. > :45:50.
:45:50. > :46:43.Apology for the loss of subtitles for 162 seconds
:46:43. > :46:53.# On a bed of nails # Through the storm
:46:53. > :46:53.
:46:53. > :48:25.Apology for the loss of subtitles for 162 seconds
:48:25. > :48:30.One more time for Bo and Vince, come on!
:48:30. > :48:35.CHEERING AND APPLAUSE Danny, you have such a tough
:48:35. > :48:39.decision to make. We will come to you in a minute. Will, they were
:48:39. > :48:45.fantastic. What did you think? don't know whether to be honest or
:48:45. > :48:52.say a whole bunch of, like, stuff to throw Danny off. I will be
:48:52. > :48:59.honest. Bo, you are, like, an amazing singer. It is like I was
:48:59. > :49:07.watching a Grammy performance, like, wow! APPLAUSE Vince, you are, like,
:49:07. > :49:13.Dave Matthews selling out your own festivals. You guys are superstars.
:49:13. > :49:21.APPLAUSE And your whole style, like, I'm going to come up here without
:49:21. > :49:31.no shoes on, you know what I'm saying, to rock it like, caveman-
:49:31. > :49:36.style! I love that. APPLAUSE Tom, it is definitely a tough decision
:49:36. > :49:43.that Danny has to make. Do you know who you would go for? It sounded
:49:43. > :49:51.like a great duet. It sounded like they should sing together. APPLAUSE
:49:51. > :49:58.I wouldn't be able to say one over the other. Thank God I don't have
:49:58. > :50:01.to. Thanks, Tom(!) Go ahead. Danny, this is a tough decision. How are
:50:01. > :50:07.you feeling? I have grown to know these people over the course of the
:50:08. > :50:11.show. I love them both the same. Bo, I guess the fragile nature of your
:50:11. > :50:17.performances can almost underestimate everybody to how good
:50:17. > :50:24.you are. Until you open your voice and then just magic happens. Vince,
:50:24. > :50:28.I wanted to hear you reined in a little bit. You executed it
:50:28. > :50:36.beautifully tonight. Really great. Danny, it is time to make your
:50:36. > :50:40.decision. Who is the winner of this battle? I'm basing this decision on
:50:40. > :50:50.who I think will go into the music business straightaway and will sell
:50:50. > :51:10.
:51:10. > :51:20.The person I'm going to take into the live shows with me is Bo Bruce.
:51:20. > :51:32.
:51:32. > :51:38.One more time for Bo Bruce who made it to the live shows,
:51:38. > :51:42.congratulations. APPLAUSE Vince, you are leaving Team Danny. I am
:51:42. > :51:46.sure you have picked up a lot from this man? I have learnt a new vocal
:51:46. > :51:50.technique from working on this particular track, so I will be
:51:50. > :51:54.taking that forward and hopefully... Again, this is nothing against
:51:54. > :51:59.talent or lack of talent or anything. It is just not today,
:51:59. > :52:05.that is all. That's all I can say, you know. It was a hard decision to
:52:05. > :52:15.make. I can only put one person through. The harsh reality is great
:52:15. > :52:42.
:52:42. > :52:52.voices. One will sell more records # I through my hands up in the air.
:52:52. > :52:54.
:52:54. > :52:59.Heshima Thompson's audition showed us singing is where he belongs.
:52:59. > :53:03.Tyler's audition was a chance to re-start his career after the death
:53:03. > :53:10.of his best friend, Amy Winehouse. We were two halves of the same
:53:10. > :53:19.person. One note grabbed Will. last thing that you did showed your
:53:19. > :53:26.range and you are awesome. Thanks. The song you will be singing is
:53:26. > :53:36.Yeah 3x by Chris Brown. That is a dance track. It is not necessarily
:53:36. > :53:36.
:53:36. > :53:42.a singer's song. It is something that I can't do. It's not my thing.
:53:42. > :53:47.I felt like I was forcing them to do something, converting them from
:53:47. > :53:52.their religion. I through this curve ball at you on purpose. I
:53:52. > :53:57.need to know who has ability to just figure out how they are going
:53:57. > :54:02.to overcome that obstacle to think about the problem. He told us it is
:54:02. > :54:09.an obstacle that you overcome. I had a lot of respect for him. We
:54:09. > :54:15.will find where we want it to go. How do you feel? I'm cool. No, you
:54:15. > :54:19.can't say like, "I'm cool" and your face says something different.
:54:19. > :54:24.I do understand is a work in progress, it is a compromise. I
:54:25. > :54:28.understand the energy of the piece, then I can be like, yeah. I thought
:54:28. > :54:34.Tyler had to work on something. He humbled himself to the song. I
:54:34. > :54:40.applaud that. That shows the artist that he is. But Heshima, he needs
:54:41. > :54:46.to drop a whole bunch of attitude. What is holding you back from this
:54:46. > :54:53.particular song? Is that a question? Yes. Nothing is holding
:54:53. > :55:03.me back. We have to go at it open- minded like what do I need to blow
:55:03. > :55:05.
:55:05. > :55:13.everybody away? You have some vibes like you are going to choke me!
:55:13. > :55:18.Just focused. Are you squinting? studio rehearsals, he gets the time
:55:18. > :55:23.he wanted with the band and he is a lot happier. If your heart is not
:55:23. > :55:27.into something, it is so hard to give. I can't pretend to love
:55:27. > :55:31.something if I don't. Can I be honest? When we were rehearsing,
:55:31. > :55:37.that was probably like the most uncomfortable experience I have
:55:37. > :55:42.ever had in my life. LAUGHTER swear. You said it was a challenge
:55:42. > :55:49.and you told us to make it our own. It's worked. I thank you, man.
:55:49. > :55:55.have brought it to a place where it's now somewhere where all walks
:55:55. > :55:59.of life can appreciate it. I am impressed he got it. Hats off to
:55:59. > :56:03.that. I am looking to see how they take a song, they probably would
:56:03. > :56:09.never have thought they would have performed and how they make it
:56:09. > :56:13.their own. In front of a live studio audience! On battle night!
:56:13. > :56:18.Two more artists will now go into vocal battle to impress their coach
:56:18. > :56:28.and stay in the competition. First, the London boy looking for a
:56:28. > :56:30.
:56:30. > :56:36.brighter future, Tyler James. APPLAUSE Versus the man who
:56:36. > :56:46.describes himself as a triple threat, it is actor, dancer, singer,
:56:46. > :56:46.
:56:46. > :57:39.Apology for the loss of subtitles for 162 seconds
:57:39. > :57:46.# Cos I # Now, everybody
:57:46. > :57:50.# Girl, I wanna... # I wanna see you tonight
:57:50. > :57:54.# Girl, I gotta... Yeah, yeah, yeah
:57:54. > :57:59.# I gotta see you tonight
:58:00. > :58:01.# Just at the moment
:58:01. > :58:02.# Can't believe
:58:02. > :58:04.# You're so beautiful Feels like I'm in a dream
:58:04. > :58:06.# Baby, we're going somewhere
:58:06. > :58:08.# You know we've been before
:58:08. > :58:10.# So take my hand and come with me
:58:10. > :58:13.# Girl, don't feel out of place
:58:13. > :58:17.# Cos I, I'm in love with this feeling now
:58:17. > :58:21.# And I, I...
:58:21. > :58:25.# I hope that this will last a while
:58:25. > :58:26.# We should make it last a while
:58:26. > :58:29.# You like a drink?
:58:29. > :58:31.# So do we
:58:31. > :58:33.# Get my bottles
:58:33. > :58:35.# Bring 'em to me
:58:35. > :58:37.# Hold your glasses up
:58:37. > :58:39.# People everywhere
:58:39. > :58:40.# Now, everybody Put your hands in the air
:58:40. > :58:42.# Yeah, yeah, yeah
:58:43. > :58:45.# Girl, I wanna... Yeah, yeah, yeah
:58:45. > :58:55.# I wanna see you tonight Yeah, yeah, yeah
:58:55. > :58:55.CHEERING
:58:55. > :58:55.CHEERING AND
:58:56. > :59:00.CHEERING AND APPLAUSE
:59:00. > :59:10.CHEERING AND APPLAUSE Wow!
:59:10. > :59:11.Wow! Jessie,
:59:11. > :59:11.Wow! Jessie, your
:59:11. > :59:14.Wow! Jessie, your thoughts?
:59:14. > :59:24.Wow! Jessie, your thoughts? Tyler, I love the fact you put your own
:59:24. > :59:31.spin on that. That is something that doesn't feel like your usual
:59:31. > :59:38.Genra. Heshima, you can afford to hold back a bit. Amazing vocals
:59:38. > :59:45.when you are going up. Crazy. Tough, tough. Who would you choose? Boy, I
:59:45. > :59:49.would take through Heshima, I think. APPLAUSE Tom? I thought you were
:59:50. > :59:55.both great. I thought the song suited both of you. With Tyler, I
:59:55. > :00:00.think it was more interesting. If I had to choose, which I don't, I
:00:00. > :00:06.think I would have gone with Tyler. All right, Will, this is down to
:00:06. > :00:12.you. Are you regretting pitching these two against each other?
:00:12. > :00:16.This is a hard one. I through this song, it was a curve ball, -- I
:00:16. > :00:21.threw this song, it was a curve ball. It was a challenge to see how
:00:21. > :00:31.we could flip it up. Tyler, you knocked me out with your
:00:31. > :00:32.
:00:32. > :00:39.performance. That was amazing. APPLAUSE But, Heshima, every lick
:00:39. > :00:49.was incredible. That is why this is hard. Who is the winner of this
:00:49. > :00:52.
:00:52. > :01:01.battle? I'm going to need somebody that know s how to, like, take it
:01:01. > :01:06.and own it to where you forgot about the original. And I want to
:01:06. > :01:13.take Tyler with me to the live shows. APPLAUSE We have our winner.
:01:13. > :01:23.It is Tyler. APPLAUSE Congratulations, you are going
:01:23. > :01:26.
:01:26. > :01:36.through to the live shows. Tyler, everybody. APPLAUSE You put up a
:01:36. > :01:36.
:01:36. > :01:41.good fight? Will? I ask you, I just ask you, please don't stop because
:01:41. > :01:49.you have every, you have everything that the world needs in an artist
:01:49. > :01:56.and I'm proud of you and I'm a fan. Thank you very much. Thank you.
:01:56. > :01:59.APPLAUSE Heshima, everybody. APPLAUSE I did it, man. I am so
:02:00. > :02:06.looking forward to the live shows. I know I can continue to up my game.
:02:06. > :02:09.I am so pleased that Will believes in me and he can see that in me.
:02:09. > :02:13.Tyler, he created that whole thing. He told the band how to do it. An
:02:13. > :02:17.artist is a person that knows how to work with a band. I want you to
:02:17. > :02:25.enter it like that. A conductor. He did that. There's a bunch of people
:02:25. > :02:32.that could sing. He is a guy that knows how to... He has his own
:02:32. > :02:37.thing. I made the right choice. Coming up: One battle makes an
:02:37. > :02:41.impression. Television is not ready for this talent. This is an
:02:41. > :02:50.incredible moment. There is a worrying setback for Team Will.
:02:50. > :03:00.have a chest infection. You were flat. Tom has to make an emotional
:03:00. > :03:13.
:03:13. > :03:17.22-year-old Vince amazed the coaches with his take on a Madonna
:03:17. > :03:24.hit. # Like a virgin... #
:03:24. > :03:27.When I pull this face, I know that I like it. I love you. 17-year-old
:03:27. > :03:33.Belfast schoolgirl Jessica went from playing in her bedroom to
:03:33. > :03:37.playing on the big stage. # Forget about the price tag. #
:03:37. > :03:45.You don't understand how amazing it is for me to sit here and have you
:03:45. > :03:50.sing my song. Making music. I am so excited about you. You brought your
:03:50. > :03:54.own twist to a song that already exists. I saw her audition. I don't
:03:54. > :03:59.think anyone can touch your version of it, but she did and she did it
:03:59. > :04:03.different. Vince is lovely. He has this passion for music. He is one
:04:03. > :04:08.cool dude. You guys! Even though they do similar things, the way
:04:08. > :04:18.they do it is very different. I can't wait to see what they both do.
:04:18. > :04:23.
:04:23. > :04:30.It will be a good battle. # We found love in a whole place...
:04:30. > :04:37.# We found love in a hopeless place. # I was standing side by side... #
:04:37. > :04:42.Play around with it. That is what will be adventurous about this song.
:04:42. > :04:46.# We found love in a hopeless place. It seems like there is a difference
:04:46. > :04:51.of style. Have you guys found that difficult? When we are working
:04:51. > :04:56.together, we are like complimenting each other's weaknesses and
:04:56. > :05:01.strengths. I feel more comfortable on stage knowing someone has got my
:05:01. > :05:05.back. How often do you compete with the people that you perform with?
:05:05. > :05:09.Make sure you bring what it is that he can't do because you want to
:05:09. > :05:15.beat him. It is hard to be competitive with somebody that you
:05:15. > :05:21.like so much. Vince and Jessica need to remember it is a battle.
:05:21. > :05:24.They both need to bring it.com! Being against someone that you
:05:24. > :05:30.adore is out of my comfort zone. I love to perform. That is what I
:05:30. > :05:34.will do. That is why I came here. That was my goal. Jessie J said
:05:34. > :05:43.leave your friendship at the side. And sing like you want to be in the
:05:43. > :05:48.live shows. That is what I will do! Going into battle now opposites
:05:48. > :05:56.collide. Vying to be the voice, the man who has the high notes, it is
:05:56. > :06:06.Vince Kidd. APPLAUSE Challenging him from Belfast, the sweet and
:06:06. > :06:16.soulful 17-year-old, Jessica Hammond. APPLAUSE Come on! Good
:06:16. > :06:16.
:06:16. > :07:39.Apology for the loss of subtitles for 162 seconds
:07:39. > :07:49.# It's the way I'm feeling # It's the way I'm feeling
:07:49. > :07:49.
:07:49. > :09:08.Apology for the loss of subtitles for 162 seconds
:09:08. > :09:16.Jessie, it is your call. Get thinking. Tom, what are your
:09:16. > :09:20.thoughts? I don't envy you. You picked two crackers. I know. For me,
:09:20. > :09:24.I thought the key was suited more to Vince than it was to Jessica. If
:09:24. > :09:31.I had to pick between the two, Vince would be the one for me.
:09:31. > :09:35.APPLAUSE Danny, it was so close. How did you find it? Jessica, I was
:09:35. > :09:42.worried when I heard you were going up against each other. I thought
:09:42. > :09:47.you were going to get swallowed up. You held your own tonight. You
:09:47. > :09:52.really did. You really held your own tonight. Jessie, they are so
:09:52. > :09:55.different. But somebody has to go home tonight. I said you were the
:09:55. > :10:01.two that put your own spin on a song that already existed, that is
:10:01. > :10:05.what I loved. You did that there and then again. You did it well.
:10:05. > :10:13.APPLAUSE You two were two people that just drew me into your voices
:10:13. > :10:21.and I have enjoyed working with both of you so much. This is tough.
:10:21. > :10:31.Well, Jessie, it is time to make your decision. Who is the winner of
:10:31. > :10:43.
:10:43. > :10:53.The person... The person I'm going to take through to lives with me
:10:53. > :10:58.
:10:58. > :11:08.is... Vince! APPLAUSE Congratulations to Vince.
:11:08. > :11:16.
:11:16. > :11:20.I love you. Thank you so much. Now, are you proud of what she has
:11:20. > :11:25.achieved? I am so proud. I'm so emotionally attached to every
:11:25. > :11:29.artist because I can understand how they feel. You have no idea how
:11:29. > :11:33.amazing you are. This is time for you to go and step into the light
:11:33. > :11:42.that is there waiting for you. All right? Thanks. Ladies and gentlemen,
:11:42. > :11:52.Jessica. Let's hear it for her. Come on! APPLAUSE I'm going to the
:11:52. > :12:09.
:12:10. > :12:17.Jaz took the final spot on Will's team after a performance that
:12:17. > :12:23.struck close to the heart. Part- time waiter Jay moved to London in
:12:23. > :12:29.search of his dream. # I need a dollar. #
:12:29. > :12:36.You are the bomb! The reason why I put you up against each other is
:12:36. > :12:41.because you guys are, you know, Jedi knight singers. It is to bring
:12:41. > :12:49.the best out of you. I have two of my best male singers, phenomenal
:12:49. > :12:55.vocal abilities. # I heard it through the grapevine.
:12:55. > :13:05.# And I'm just about to lose my mind. #
:13:05. > :13:09.
:13:09. > :13:19.# I'm just about to l-o-s-e my mind. And then take that next line.
:13:19. > :13:21.
:13:22. > :13:26.# I heard it through the grapevine. My fear is that Jaz has got a high-
:13:26. > :13:32.belt voice and that might just KO me. I'm the underdog. A lot of
:13:32. > :13:37.people expect Jaz is going to murder me in this battle round.
:13:37. > :13:42.fear is not being well for the battle round. What's wrong? I have
:13:42. > :13:46.a chest infection. Not being able to deliver is a fear. I teach
:13:47. > :13:50.singing full-time so I have to use my voice. I don't get the chance to
:13:50. > :13:57.rest. We have to figure a way to overcome it. You can't let it stop
:13:57. > :14:01.you. That is the world that you want to be in. You are on tour, I
:14:01. > :14:05.have bronchitis, pneumonia and 102 fever, I come out on stage with
:14:05. > :14:09.them every night. Prince is at the show. Prince! As sick as I was,
:14:09. > :14:19.that was one of the best performances I ever had. We have
:14:19. > :14:19.
:14:19. > :14:24.all gone through it. # I must say... #
:14:24. > :14:28.I should never have put Jay up against Jaz. They are two fantastic
:14:28. > :14:32.singers that I would have liked to have kept on my team. I will have
:14:32. > :14:36.to say bye to one of them. This battle could be a big moment to
:14:36. > :14:43.change a lot of things. I don't want to go back to being a waiter.
:14:43. > :14:46.I want to sing. My voice has got worse. It could go either way.
:14:46. > :14:52.Singing today will be like Russian Roulette. I don't know what is
:14:52. > :14:58.going to come out. Two artists are waiting backstage, but only one of
:14:58. > :15:04.them can sing their way on to the live shows. So hoping to paibg
:15:04. > :15:11.Will's jaw drop -- make Will's jaw drop, the soulman representing
:15:11. > :15:21.Liverpool, Jay Norton. APPLAUSE Up against the London gospel jazz
:15:21. > :15:43.
:15:43. > :15:53.# Ooh, I bet you're wondering # With some other guy
:15:53. > :15:53.
:15:53. > :16:35.Apology for the loss of subtitles for 162 seconds
:16:35. > :16:45.# It took me by surprise # Losin' you would end my life
:16:45. > :16:57.
:16:57. > :17:07.# That you love # Oh, I heard it
:17:07. > :17:17.# Oh, and I'm just about # People say believe
:17:17. > :17:27.
:17:27. > :17:37.# Oh, I heard it # Oh and I'm just about
:17:37. > :18:08.
:18:08. > :18:15.CHEERING AND APPLAUSE Come on!
:18:15. > :18:22.Wow. The soulful sound of Jay and Jaz. Will, you have an awful lot to
:18:22. > :18:25.think about. Let's hear from your fellow coaches. Jessie? What you
:18:25. > :18:31.doing putting them together? Television is not ready for this
:18:31. > :18:41.talent on this show. APPLAUSE Like, I cannot wait for people to turn
:18:41. > :18:45.their TVs on and see people singing live and doing it well. APPLAUSE
:18:45. > :18:55.Danny? I'm standing to make a statement that this is what The
:18:55. > :18:59.
:18:59. > :19:08.Voice is about. I had a great opportunity to work with Boyz To
:19:08. > :19:13.Mend and you are like them. You have the tone and the talent. I was
:19:13. > :19:19.worried when you were paired against Jaz. You held your own.
:19:19. > :19:28.Will? This is up to you. The reason why I paired you guys together, you
:19:28. > :19:35.don't sing alike, but you have a lot in common and so much raw
:19:35. > :19:40.talent. Jay, I am super proud. You outlicked him. You showed your
:19:40. > :19:46.range. It was out of this world. I have worked with Justin Timberlake
:19:46. > :19:53.before and you are better than Justin Timberlake. You probably
:19:53. > :20:03.don't see this, somebody will be like, "Ooh, he said something about
:20:03. > :20:03.
:20:03. > :20:12.blah, blah... # Yeah, I said it. He killed you! And
:20:12. > :20:16.Jaz, you hit this one riff I hurt my head because I was like bop,
:20:16. > :20:24.knocked me out. At the beginning you were flat and you are getting
:20:24. > :20:30.over your bronchitis. If that is what you sound like with bronchitis,
:20:30. > :20:40.shazam! Will, it is time to make your decision. Who is the winner of
:20:40. > :20:44.
:20:44. > :20:51.this battle? They both killed it. They knocked us all out. Jaz, I
:20:51. > :20:55.want to take you on to the lives. You have something in you. You have
:20:55. > :21:03.soul in a bowl. Man, you got soul on a pole. You have got soul that
:21:04. > :21:13.you don't know, woah, you got soul! Going through as part of Team Will
:21:14. > :21:15.
:21:15. > :21:22.to the live shows, it is Jaz. APPLAUSE Let's hear it for this guy,
:21:22. > :21:29.it is Jay. Jay Norton is one of those singers that you hear and you
:21:29. > :21:39.fall in love with. He is the kind of artist that you want to sign up.
:21:39. > :21:47.
:21:47. > :21:57.I can't sign him right now. I wish I could. Go Jaz. Next up it is Team
:21:57. > :22:03.
:22:03. > :22:09.Deniece Pearson found fame as a singer in 5 Star. Now she wants to
:22:09. > :22:14.go solo. I am looking forward to having you on my team. Ruth is here
:22:14. > :22:20.for one special person. Before my dad died, he told me to do whatever
:22:20. > :22:26.made me happy. She made Tom very happy, too. That note did it for me.
:22:26. > :22:31.They are both soul singers, but there is a contrast. Deniece has a
:22:31. > :22:35.lot of experience. With Ruth there is a raw energy. Ruth has a
:22:35. > :22:41.powerful voice. I have a lot of experience. She is like an amazing
:22:41. > :22:48.singer. It is her or me. So I have to do the best I can. I don't think
:22:48. > :22:57.Ruth has seen the best of me yet, not yet. The girls waste no time
:22:57. > :23:00.showing Tom and Cery what they can do. -- Cerys what they can do.
:23:00. > :23:04.one of you can go through to the next round. Does that put more
:23:04. > :23:13.pressure on you now? I believe in myself. I'm going to do something
:23:13. > :23:16.for me. The song's lyrics have a special meaning to Ruth and her
:23:16. > :23:23.late father. # All I know is that everything's...
:23:23. > :23:27.That is what he always used to say, everything is going to be all OK,
:23:27. > :23:35.so it was like he was there and he was telling me everything is going
:23:35. > :23:44.to be OK. Want to take a minute? OK. I started to cry myself. I started
:23:45. > :23:51.to fill up. I know what she was going through. I hope that it will
:23:51. > :23:59.make you feel strong. Use it as your strength. Don't lose the
:23:59. > :24:07.emotion. Very touching. These are strong voices, these two girls.
:24:07. > :24:12.would love to make it as a solo artist. Deniece has to be careful
:24:12. > :24:18.that she doesn't overdo it. With Ruth, she cannot let the emotion
:24:18. > :24:22.destroy her performance. I have one shot. I do have to give it
:24:22. > :24:32.everything. The hard thing for me is that I have to pick one. I am
:24:32. > :24:34.
:24:34. > :24:42.feeling happy, confident, so I am APPLAUSE
:24:42. > :24:52.Going head-to-head, one artist will stay and one will go. First to the
:24:52. > :24:52.
:24:52. > :25:02.ring is Deniece Pearson. APPLAUSE But hot on her heels is the raw
:25:02. > :25:02.
:25:02. > :27:56.Apology for the loss of subtitles for 162 seconds
:27:56. > :28:05.talent of London teenager, Ruth What a battle. Ladies and gentlemen,
:28:05. > :28:09.one more time for Ruth and Deniece. APPLAUSE Tom, this is a difficult
:28:09. > :28:17.decision to make. We will come to you shortly. First, let's find out
:28:18. > :28:22.what you thought of that battle, Danny? Amazing. That was amazing. I
:28:22. > :28:30.think two-and-a-half minutes, I heard every note that was created
:28:30. > :28:33.by music! It was beautiful to hear and from Deniece, you are a
:28:33. > :28:38.consummate professional. Everything says you have been on the stage. We
:28:38. > :28:43.know you have. Then there is Ruth Brown.
:28:43. > :28:46.CHEERING AND APPLAUSE Who from the second I seen you over there, I was
:28:46. > :28:52.captivated. There was one particular note where I looked at
:28:52. > :28:58.the boys, I looked around, that is what I look for in anything, that
:28:58. > :29:03.magic moment. You have it! Thank you. Will, there were some special
:29:03. > :29:08.moments during that. What stood out for you? Before there was a music
:29:08. > :29:15.industry, we sang in churches, we sang with family, you know, and
:29:15. > :29:19.then there were the superstars. Deniece you remind me of the
:29:19. > :29:28.strength and the height of the music industry. You represent that.
:29:28. > :29:35.Thank you. And Ruth you are 19 years old. I don't know how old
:29:35. > :29:40.your soul is, child! You have a halo over you where it oozes out of
:29:40. > :29:45.you where the height of stardom, the height and the pinnacle of the
:29:45. > :29:50.music industry, fabulousness and the grit, the under, the earth, I'm
:29:50. > :29:55.singing from my heart. What a battle! APPLAUSE Will, they
:29:55. > :30:05.represent very different things, but who would you put through?
:30:05. > :30:05.
:30:05. > :30:11.ain't my problem! LAUGHTER Help me! Tom, you have put yourself in it
:30:11. > :30:21.here, putting these together. know. Give me some help. Both of
:30:21. > :30:29.you could go through and do well. Tom, it's youth versus experience.
:30:29. > :30:34.You feel the soul from the both of them. It's a different kind of soul.
:30:34. > :30:42.Deniece has experience and polish and a wonderful instrument. Now you
:30:42. > :30:45.have Ruth, this... APPLAUSE Ruth Brown, I know what Will was saying,
:30:45. > :30:53.you are coming from a different place. There's things that come out
:30:53. > :31:02.of you that is built in that maybe you just let it fly and it works.
:31:02. > :31:12.APPLAUSE Tom, it is time to make your decision. Who is the winner of
:31:12. > :31:17.
:31:17. > :31:27.this battle? Well, this is difficult. As everybody knows. I
:31:27. > :32:04.
:32:04. > :32:14.think the one that should go to the You really did a great job. Your
:32:14. > :32:25.
:32:25. > :32:29.father would be proud of you. That was an incredible battle. You
:32:29. > :32:35.have been singing for a long time. You have got to work with a legend.
:32:35. > :32:45.How was it? An honour and I am enjoyed every second. Ladies and
:32:45. > :33:01.
:33:01. > :33:08.gentlemen, please make some noise There was something in there that
:33:08. > :33:13.was unreal. There is a pain in there but she can't articulate it.
:33:13. > :33:19.Something inside of me was pushing myself to do the best that I can.
:33:19. > :33:28.felt it. She went... Every time this kid sings she gives me chills.
:33:28. > :33:33.Unbelievable! APPLAUSE That is the state of play after the first part.
:33:33. > :33:38.The fight continues tomorrow as we get one step closer to finding The
:33:38. > :33:42.Voice. Good night, everybody. Sunday night, the battle weekend
:33:42. > :33:48.concludes. Wow. There are explosive performances. If he is that good
:33:48. > :33:54.now, that is frightening. Dang! there is tension, I'm happy for