:00:11. > :00:14.The Blind Audition is the most unique part of the process. Chairs
:00:14. > :00:17.are facing away from the stage, we have no idea what is going on
:00:18. > :00:22.behind us. We don't know what they look like, even if they are male or
:00:22. > :00:25.female of the You can hear this big, huge soul voice, and turn around it
:00:25. > :00:31.could be a small girl. You are just hearing the voice, and they are
:00:31. > :00:36.singing their heart out, that is a beautiful way to go about it.
:00:36. > :00:39.Four superstars are on a mission to find The Voice. Each coach is
:00:39. > :00:45.looking for ten singers to put on their team. We have a mission, that
:00:45. > :00:55.is to take her singers out and win. If more than one coach hits the
:00:55. > :00:55.
:00:55. > :00:58.buzzer. We have to go, this is why you should, pick me! Come on!
:00:59. > :01:04.the singer has to choose. This is so hard.
:01:04. > :01:08.You better make the right choice, it could mess up your whole career.
:01:09. > :01:12.You need to come here. So far Tom has six of his ten
:01:12. > :01:17.singers. I'm trying to get as many different kinds of people as
:01:17. > :01:20.possible so we are strong. I want to hear honesty and individuality.
:01:20. > :01:28.Jessie has secured five. I have great talent, but I would love
:01:28. > :01:34.another girl, with a big, big vocal. Danny has four artists on his team.
:01:34. > :01:37.I have build the foundation of a good cake, I'm looking for cherries.
:01:37. > :01:39.Williams has three? Everybody is looking for the same thing, I think
:01:39. > :01:44.I have the ears, heart and gut to find it.
:01:44. > :01:49.Tonight, as we hit the half way mark, the pressure is on. Next time
:01:49. > :01:53.I ain't going to tell you all what to do. Don't trust people that wear
:01:54. > :01:58.denim on denim. Time is running out to secure the
:01:58. > :02:02.most talented vocalists. There is a lot at stake here.
:02:03. > :02:07.So the coaches get themselves psyched up, made up.
:02:07. > :02:12.And fired up for tonight's Blind Auditions. I wish I had eyes in the
:02:12. > :02:15.back of my head. Only the most talented vocalists from across the
:02:15. > :02:20.country have been invited. The first of them to face the coaches
:02:20. > :02:23.tonight is 21-year-old Joelle Moses. She's desperate to step out of the
:02:23. > :02:29.shadows and take centre stage. have been trying to make it for
:02:29. > :02:37.about five years now, I have done backing vocals, for artists such as
:02:38. > :02:41.Gabriel, Rihanna, Toni Braxton, it is a hard industry, it is hard to
:02:41. > :02:45.get noticed and heard. It is a bitter sweet situation, it is
:02:45. > :02:55.amazing to be doing these songs for these huge artists, but at the same
:02:55. > :02:57.
:02:57. > :03:00.time, you kind of think, I wish that was my song.
:03:01. > :03:06.I have tried working with anyone and everyone who will work with me,
:03:06. > :03:09.I would love to be able to emulate their kind of success. I think this
:03:09. > :03:19.could be my chance and opportunity to be able to shine and be in the
:03:19. > :03:32.
:03:32. > :03:35.front, instead of working behind # There's a fire
:03:36. > :03:43.# Starting in my heart # Reaching a fever pitch
:03:43. > :03:50.# And it's bringing me out the dark # Finally
:03:50. > :03:55.# I can see you crystal clear # Go ahead and sell me out
:03:55. > :04:00.# And I'll say your ship bare # The scars of your love
:04:00. > :04:06.# Remind me of us # They keep me thinking
:04:06. > :04:13.# That we almost had it all # The scars of your love
:04:13. > :04:23.# They leave me breathless # I can't help me feeling
:04:23. > :04:23.
:04:24. > :04:29.# We could of have had all # Rolling in the deep
:04:29. > :04:35.# You had my heart and soul # In your hands
:04:35. > :04:45.# And you played # to the beat
:04:45. > :04:46.
:04:46. > :04:52.# We could have had it all # Rolling in the deep
:04:52. > :04:56.# You had my heart and soul # In your hands
:04:56. > :05:06.# And you played # You played
:05:06. > :05:29.
:05:29. > :05:39.# To the beat APPLAUSE
:05:39. > :05:40.
:05:40. > :05:45.Thank you so much for turning around for me. It is your voice and
:05:45. > :05:49.you that made us turn around, it wasn't nothing else.
:05:49. > :05:54.Within the first couple of bars I was sold. I think you did fantastic
:05:54. > :05:57.job, you really made that song your own. I really feel that me and you
:05:57. > :06:06.would have a great chemistry together. Hopefully. Not in that
:06:06. > :06:09.way! I don't mind chemistry between me and you Danny. It's on! What
:06:10. > :06:13.about me. I have to say, I think your control is incredible and
:06:13. > :06:20.breathing, I would give my left arm to work with a singer like you.
:06:20. > :06:24.Wow. One thing that came to my mind is I
:06:24. > :06:29.would love to write a song for you. I don't often do that, I'm picky
:06:29. > :06:35.about voices I would like to write for, to sing a song that has so
:06:35. > :06:39.much story as well as tone that is needed, you carried it. As a
:06:39. > :06:48.female-to-female! I would like you in my team. Our voices together,
:06:48. > :06:54.could be insane! I love you Jessie J. I love you too.
:06:54. > :06:59.I would say too much of the same thing can be a bad, bad, bad thing.
:06:59. > :07:04.I know I don't sing like Jessie or yourself, or Adele, but I know how
:07:04. > :07:08.to work with good singers, produce them and stuff like that! So I know
:07:08. > :07:14.how to take an artist from here to there. I would like to work with
:07:14. > :07:18.you as an artist. Thank you.
:07:18. > :07:28.Let me just say, I can't compete with these people as far as doing
:07:28. > :07:32.things for you. But, no, no. I love the way you sing, that is what I
:07:32. > :07:36.look for. For me it is coming from here, sweetheart. You get the
:07:36. > :07:42.chance here to pick any of us, I would like to say I did press first,
:07:42. > :07:45.though. What size shoe are you? Seven,
:07:45. > :07:52.sometimes eight? That's what I'm saying, we can share shoe
:07:52. > :07:59.collections. Honestly, I'm so humbled by you
:07:59. > :08:03.guys turning around for me, thank you so much.
:08:04. > :08:13.I honestly don't have a clue to choose. Go with your heart, go with
:08:14. > :08:17.
:08:17. > :08:27.your heart? I got to go with my gut instinct,
:08:27. > :08:50.
:08:50. > :08:56.Will.I.am. You made a good choice.
:08:56. > :09:04.After a an epic battle, he adds to the Will.I.am team. She was great.
:09:04. > :09:12.I really wanted her. She was really good.
:09:12. > :09:16.I feel incredible. Honestly, I am so, so glad, I have been trying for
:09:16. > :09:21.a very long time to try to make my dream come true. You know, this
:09:21. > :09:27.could be the beginning of something amazing. I didn't think she would
:09:27. > :09:30.pick me and possibly go with Jessie J, because she's a singer. I cried
:09:30. > :09:36.a little bit inside, she was brilliant, I was really sad.
:09:36. > :09:42.was singing from a deep place. And whatever it was was hitting me.
:09:42. > :09:51.felt me and Joelle had a certain chemistry, but. I have to try
:09:51. > :09:57.harder, I have to ramp it up, don't I! It is one happy coach, and three
:09:58. > :10:01.bruised egos, will Jay do it again. I'm Jay Norton, I'm 24, a waiter,
:10:01. > :10:05.I'm originally from Liverpool, I came to London three months ago to
:10:05. > :10:10.do the music thing, that is what I came here to do, that is what I'm
:10:10. > :10:14.staying here to do. When you are there making pizzas,
:10:14. > :10:20.do you sing? My manager tries to get me to sing to the customers, I
:10:20. > :10:25.don't go that far, I think, sing to me now, and I will give you a tip.
:10:25. > :10:28.If I got this it would justify me moving to London t would show who I
:10:28. > :10:36.am. I have come here to do one thing, and hopefully, that will be
:10:36. > :10:44.the case. This is a chance to really change
:10:44. > :10:54.the future. I don't know if there will be a bigger opportunity than
:10:54. > :11:02.
:11:02. > :11:10.this to really become a recording # Oh
:11:10. > :11:18.# I need a dollar dollar # A dollar is what I need
:11:19. > :11:25.# Said I need a dollar # A dollar is what I need
:11:25. > :11:31.# I need a dollar dollar dollar # Is what I need
:11:31. > :11:38.# If I share with you # Would you share your dollar with
:11:38. > :11:44.# Yeah # I need a dollar
:11:44. > :11:48.# A dollar is what I need # I need a dollar # A dollar is
:11:48. > :11:52.what I need # I need a dollar
:11:52. > :11:58.A dollar is what I need # If I share with you my story
:11:58. > :12:07.# Would you share your dollar with # I don't know
:12:07. > :12:16.# If I'm walking on solid ground # Anything around me
:12:17. > :12:26.# All I want is someone to help me # I need a dollar dollar # A dollar
:12:27. > :12:27.
:12:27. > :12:32.is what I need # I -I-I-I a dollar is what I need
:12:32. > :12:42.# I need a dollar # If I share with you my story
:12:42. > :13:01.
:13:01. > :13:06.# Would you shake your dollar I thought it was great. Thank you
:13:06. > :13:16.very much. I loved the whole thing. I need a man with a strong voice
:13:16. > :13:18.
:13:18. > :13:23.for my team. You're it, as far as I'm concerned. I think I turned
:13:23. > :13:28.around four seconds in, because I heard it, I know what I'm looking
:13:28. > :13:32.for, it hit me ear like, boom, that's it, turn around right now,
:13:32. > :13:37.say no more, and pray to God that these guys don't hit the button and
:13:37. > :13:43.try to take what I'm focused on. Any strings in the orchestra.
:13:43. > :13:48.No, no, no, I'm serious. These guy, I don't know what they are looking
:13:48. > :13:58.at. These cats, man! I'm serious, really, you're the
:13:58. > :14:08.bomb, for real. Is this the point I have to choose?
:14:08. > :14:15.
:14:15. > :14:24.I think, I'm going to have to go with Will, because he turned quick.
:14:24. > :14:34.But I really appreciate you turning, I'm so thankful.
:14:34. > :14:39.
:14:39. > :14:46.# That tonight's gonna be a good Focused! Oh my God.
:14:46. > :14:52.So psychological warrior Will, outfocuses Tom to make Jay his
:14:52. > :14:56.fifth artist. # My name is Will.I.am and I have two dots in my
:14:56. > :15:02.name. Is it dots? I thought it was dashs.
:15:02. > :15:07.Is your real name Will? It's William. Some of our artists have
:15:07. > :15:11.tasted fame and are back for a second shot. Allyson Brown was
:15:11. > :15:17.winning awards win Jessie was still at school. I was spotted singing a
:15:17. > :15:22.club when I was 15. It went to me winning the best unsigned Mobo act,
:15:22. > :15:28.I met P Diddy and all of those kinds of people, and I didn't tell
:15:28. > :15:31.a soul and went back to school and studied for exams. Most people
:15:31. > :15:37.think you will have a deal and your album will come out, that didn't
:15:37. > :15:40.work out. What I had never really stopped
:15:40. > :15:49.singing, I have my own identity now, I feel now is the time for me to
:15:49. > :15:52.push singing to the forefront of my life.
:15:53. > :15:57.Singing to the four coaches, they know nothing about me, they will
:15:57. > :16:07.just hear my voice, if I hit a bum note, it doesn't matter what I have
:16:07. > :16:19.
:16:19. > :16:27.# What amI supposed to do, # What am supposed to do baby
:16:27. > :16:36.# When I'm so hooked up on you # Then I realise
:16:36. > :16:42.# Oh I realise # That you are somebody else's guy
:16:42. > :16:47.# Do you remember # The time we shared together
:16:48. > :16:51.# Sharing our days in the sun # Then I found out
:16:51. > :16:57.# That you had somebody aels's lover
:16:57. > :17:00.# After all the plans we made # Can't get off my high horse
:17:00. > :17:07.# I can't let go # You are the one
:17:07. > :17:10.# Who makes me feel so real # Oh what am I supposed to do
:17:10. > :17:15.# When I'm hooked on you # Then I realise
:17:15. > :17:21.# That you're somebody else's guy # That day in September
:17:21. > :17:31.# I'm sure you can remember # That's when all the stuff hit the
:17:31. > :17:33.
:17:33. > :17:38.# You didn't have an alibi # But baby you still care
:17:38. > :17:45.# You know I can't let you go # You are the one
:17:46. > :17:50.# Who makes me feel so real # What am I supposed to do
:17:50. > :18:00.# If I'm hooked on you # I realise you're somebody else's
:18:00. > :18:20.
:18:20. > :18:23.Nobody. What's your name? Allyson Brown.
:18:23. > :18:29.You sounded great, you have a great voice.
:18:29. > :18:34.APPLAUSE. Thank you, bless you, sir. I was looking at Jessie, please go,
:18:34. > :18:39.please go. Honestly I think you have a fantastic voice and one hell
:18:39. > :18:45.of a career ahead of you, and thank you very much for performing for us.
:18:45. > :18:50.I didn't turn around because I was wishing that Jessie would hit her
:18:50. > :19:00.button, because she has so much knowledge on how to, because you're
:19:00. > :19:01.
:19:01. > :19:08.there, but you could perfect it. That knowledge Jessie has.
:19:08. > :19:12.I should have pressed my button. This is about coaching, there was
:19:12. > :19:16.things I was going, if she had done that, that is the whole point of
:19:16. > :19:25.the show. Do not worry, thank you very much for hearing me sing today,
:19:25. > :19:35.it was my pleasure. I'm really sad, you're that girl
:19:35. > :19:41.
:19:41. > :19:51.that I wish I had turned around for. Amazing amaze. Don't worry, it's
:19:51. > :19:52.
:19:52. > :19:58.all love. Just keep going. Just keep going.
:19:58. > :20:01.There are no second chances for Allyson Brown or Jessie. We are
:20:01. > :20:05.breaking people's hearts tonight. She should have been one of my
:20:06. > :20:10.girls. Even the standard of the noes is very high, there are people
:20:10. > :20:14.who are phenomenal singers and come on stage and none of us turned
:20:14. > :20:18.around. The hardest thing I find with the Blind Auditions is we can
:20:18. > :20:23.only pick ten. I don't like the fact that if I hear somebody that I
:20:23. > :20:26.can't pick them. It is different things that light
:20:26. > :20:30.your fire. It is in the moment as well. It could have been a
:20:30. > :20:32.different day or different song, all four of us turn around.
:20:33. > :20:39.doesn't mean you are a bad singer, it really doesn't t means you
:20:39. > :20:49.weren't what we were looking for on the day. This is the hardest part.
:20:49. > :20:50.
:20:50. > :20:57.It is hard to explain why not. Hoping see can do better, is our
:20:57. > :21:05.next artist, who sings at holiday camps, tough crowd. Hur toughest
:21:05. > :21:11.audience are waiting, -- her toughest audience are waiting.
:21:11. > :21:17.Leanne, I work at a holiday park. As a little girl my dream was to be
:21:17. > :21:20.a singer and successful. I'm not working as a singer, I'm part of an
:21:20. > :21:26.entertainment package they get while on holiday, it is not about
:21:26. > :21:36.me. I think this is my chance to finally show what I can do. Now is
:21:36. > :21:46.definitely the right time. It's everything. I maybe didn't
:21:46. > :21:53.
:21:53. > :22:01.even realise how much I still # If I were
:22:01. > :22:08.# Even just for a day # I'd roll out of bed
:22:08. > :22:18.# In the morning # And throw on what I wanted and go
:22:18. > :22:20.
:22:20. > :22:28.# Drink beer with the guys # And chase after girls
:22:29. > :22:35.# I'd get with who I wanted # I'd never get confronted for it
:22:35. > :22:45.# Because they'd stick up with me # If I were a boy
:22:45. > :22:50.
:22:50. > :23:00.# I think I could understand # That's where I'd be a better man
:23:00. > :23:01.
:23:01. > :23:04.# I'd listen to her # Because I know how it hurts
:23:04. > :23:08.# Because when you lose the one you want
:23:08. > :23:13.# Because he's taken you for granted
:23:14. > :23:23.# And everything you had got to destroyed
:23:24. > :23:35.
:23:36. > :23:40.# If I were boy Well done, wow.
:23:40. > :23:45.What's your name? Leanne. A good song to sing, as soon as you hit
:23:45. > :23:48.the high note in the chorus, I was sold. You have great power, you
:23:48. > :23:55.went too powerful towards the end. I would be honoured to work with
:23:55. > :24:04.you. It was great. Thank you.
:24:04. > :24:08.What would you want to do with me Tom! He's the sex bomb here, maybe
:24:08. > :24:11.you shouldn't answer that. I'm a married man, I can't answer that
:24:11. > :24:14.question. I would love to have you on my team,
:24:14. > :24:18.you had the strong, when you started I thought you had a lot of
:24:19. > :24:23.timber in your voice, it is very appealing to me. As you went up it
:24:23. > :24:27.got stronger, and I think as the weeks go on, we will be picking all
:24:27. > :24:34.kinds of songs, I feel that you can handle a wide variety of material,
:24:34. > :24:37.that's what we are going to do. Thank you.
:24:37. > :24:41.I think first time out of the box, standing on stage, a great
:24:41. > :24:45.performance. Let's maybe bring down the range to use more of the power
:24:45. > :24:50.when you need it and not up in the rafters all the time. I will be
:24:50. > :24:54.absolutely blessed if you join me and my team.
:24:54. > :24:58.It's down to you now. You have the choice. I'm really
:24:58. > :25:08.overwhelmed. I didn't think one of you would
:25:08. > :25:10.
:25:10. > :25:20.turn around, let alone two of you! I'm going to go with... Tol. --
:25:20. > :25:33.
:25:33. > :25:36.Wonderful voice, thank you This is everything I want or dream
:25:37. > :25:42.of, what I never thought I would get, it is hard to take in right
:25:42. > :25:48.now. Tom Jones is a legend! Leanne goes for the legend, as Tom
:25:48. > :25:52.makes her the seventh artist on his team. Looks like I have more girls
:25:52. > :25:58.than boys on my team. I wouldn't worry, it looks like all the
:25:58. > :26:03.coaches are embracing the competition. Give us -- Give us a
:26:03. > :26:09.kiss sweetheart. I like your hair. You look
:26:09. > :26:14.beautiful. Jessie J dating contestants. There
:26:14. > :26:21.is so many gorgeous girls. Danny's flirting again. No-one else, just
:26:21. > :26:27.you. You need to come here babes. think you are fantastic, can I take
:26:27. > :26:35.your number.Am I coming on too strong. You are basically saying I
:26:35. > :26:40.don't have a chance! Next! Some artists are here for
:26:40. > :26:44.more than just the performance, Cassius Henry, The Voice is a
:26:44. > :26:51.chance for him to start again. had record deals in the past. I got
:26:51. > :26:54.signed at a young age. I worked with Kanye West, I have toured with
:26:54. > :26:59.R Kelly, I have been on Top Of The Pops.
:27:00. > :27:08.I suppose it is kind of like living the dream, it is something that not
:27:08. > :27:13.everybody gets to do. I everything came to a stop with the passing of
:27:13. > :27:18.my little brother. Cassius's younger brother, Vivian, died from
:27:18. > :27:26.a heart condition, aged just 19. suppose I didn't recover from it,
:27:26. > :27:29.in a sense. He wasn't Cassius no more, he was more the shadow, kind
:27:29. > :27:33.of thing. I would give my all to get back into my career, my little
:27:33. > :27:40.brother was a big fan of mine. I feel like I'm letting him down.
:27:40. > :27:44.This is my way to make him proud again.
:27:44. > :27:54.There is a lot of things I'm thinking about today, obviously
:27:54. > :27:57.
:27:57. > :28:07.family, friends. My main focus is just to try to deliver it how I
:28:07. > :28:20.
:28:20. > :28:29.want to deliver it, see if I can # Oh
:28:29. > :28:35.# Yeah # Turn the lights off
:28:35. > :28:40.# In this place And she shines just like a star
:28:40. > :28:47.# And I swear I know her face # I just don't know who you are
:28:47. > :28:54.# Turn the music up in here # I still hear her loud and clear
:28:54. > :29:04.# Like she's right there in my ear # Telling me that she wants to own
:29:04. > :29:07.
:29:07. > :29:15.# Control me # Come closer yeah
:29:15. > :29:21.# I just qnt bring meself away # A spell I can't break
:29:21. > :29:26.# I can't just stop # Oh
:29:26. > :29:30.# And I just can't bring myself away
:29:30. > :29:40.# A spell I can't break # I just can't
:29:40. > :29:42.
:29:42. > :29:48.# Stop no # I can feel my skin
:29:48. > :29:58.# I can taste her on my tongue # She's the sweetest taste
:29:58. > :30:14.
:30:14. > :30:18.# The more I get Hi. Hello Jessie. How are you?
:30:18. > :30:25.too bad, thanks. Your name is? Cassius Henry.
:30:25. > :30:29.Cassius Henry. The ladies like Cassius Henry!
:30:29. > :30:34.What's been your big music career move to date? Before this I
:30:34. > :30:38.actually had the opportunity to be on Top Of The Pops, I toured with R
:30:38. > :30:47.Kelly, that was a big deal for me. This for you could be a big second
:30:47. > :30:51.break. Yeah, definitely, I think it has that potential. I was in a
:30:51. > :30:55.group before The Script, we had beige turn around in fortune, if
:30:55. > :30:59.you are on my team, I believe that could happen for you too. I turned
:30:59. > :31:04.around because there was something in your voice that I heard that I
:31:04. > :31:09.really, really liked, there were little licks and thrills you were
:31:09. > :31:14.doing that were nice. If you were on my team, I would hone in on the
:31:14. > :31:19.upper range, the breathing, the way you hold the mic is wrong, I think
:31:19. > :31:23.you have a listenable voice. So I have to make my choice now. Jessie,
:31:23. > :31:30.there is something about you, it seems you want to teach me. If it
:31:30. > :31:34.is down to teaching you things, every single one of us of us has a
:31:34. > :31:39.whole back room staff that not only just Jessie can teach you. She gave
:31:39. > :31:47.all her advice there, you might as welcome to me. Can I just say, one
:31:47. > :31:53.thing, don't trust people who wear denim on denim! This is the great
:31:53. > :31:58.part of the show, it is creative control, it is up to you, you can
:31:58. > :32:08.go with Miss Bliing over there. I just say, he has four guys
:32:08. > :32:17.
:32:17. > :32:27.already. I have no soul singers. I know I didn't turn around, Jessie
:32:27. > :32:33.is great, she's awesome. Danny is great, he's awesome! That helped.
:32:33. > :32:38.One thing about Danny, I didn't know this, he has been hanging out
:32:38. > :32:40.on the studio with Farrell and the Timberlands, and he understands
:32:40. > :32:48.production and songwriting, I didn't know that. It is unfair for
:32:48. > :32:53.you guys to sit there and say how amazing and experienced Danny is, I
:32:53. > :32:58.have been signed for seven years, I haven't just been around for a few
:32:58. > :33:02.minutes. This industry isn't just about mic control and singing, it
:33:02. > :33:10.is about someone who knows how to be serious and how to have a good
:33:10. > :33:13.time, someone who knows how to own a stage, and who knows how to do a
:33:13. > :33:23.worldwide release in four months. And someone who is doing it right
:33:23. > :33:36.
:33:36. > :33:46.now! Danny, Danny! Come on. right. The name that keeps popping
:33:46. > :33:49.
:33:49. > :33:56.up in my head. Is Jessie! Danny, love bro.
:33:56. > :34:01.Eat face! Good choice. Good choice. Nice to meet you, I'm
:34:01. > :34:05.looking forward to working you hard, it's going to be good.
:34:05. > :34:13.More interesting psychological games from Will. Probably the most
:34:13. > :34:19.fun I had in a while. Send Cassius in to Jessie's team. It was a
:34:19. > :34:24.battle between me and Jessie, she said never trust a man who wears
:34:24. > :34:30.denim on denim, I say don't trust a girl singing about bling who wears
:34:30. > :34:35.lots of it. The incredible vocalists keep
:34:35. > :34:45.coming. Guess who's busy with the button.
:34:45. > :34:47.
:34:47. > :34:50.This is Denise Morgan. # I'm not gonna write you a love
:34:50. > :34:54.song # make a break
:34:54. > :35:03.You were in tune and strong, I loved the tone of your voice as
:35:03. > :35:07.well. You're on my team, sweetheart.
:35:07. > :35:17.And which coach is the perfect fit for the voice of 47-year-old Murray
:35:17. > :35:22.
:35:22. > :35:29.# You give me something # I'm willing to give it a try
:35:29. > :35:33.# Please give me something I love the tone you had such an old
:35:34. > :35:40.smoky, wisdom, you could go the whole way. Come here, let's have a
:35:40. > :35:44.bromance! Up next is 20-year-old Hannah
:35:44. > :35:50.Berney from Wales, she's more used to performing from the sidelines
:35:50. > :35:57.than taking centre stage. I'm a student at Exeter University. I
:35:57. > :36:05.spend a lot of my time cheerleading. As a cheerleader you have to be
:36:05. > :36:09.positive, driven, hard working, I guess that is me.
:36:09. > :36:13.If I could sing every single day and perform every single day as a
:36:13. > :36:17.job, I don't think anything could make me more happy. I just really,
:36:17. > :36:26.really hope when I get out on stage that it goes exactly to the plan
:36:26. > :36:31.and they turn around. Go Hannah! I'm absolutely nervous,
:36:31. > :36:35.I'm so nervous. It is the single most important
:36:35. > :36:45.thing I have done to date, in my singing career. The single most
:36:45. > :36:54.
:36:54. > :36:59.# It's been a long time # Since I came around
:36:59. > :37:07.# It's been a long time # But I'm back in town
:37:07. > :37:14.# This time # I'm not leaving without soul
:37:14. > :37:20.# Something about this place # Yeah
:37:20. > :37:25.# Something about lonely nights # And my lipstick on your face
:37:25. > :37:29.# There's something # There's something about my cool
:37:29. > :37:33.Nebraska girl # Yeah there's something about
:37:33. > :37:41.# Baby you and I Press the button, please.
:37:41. > :37:49.# You and I # Yeah you and I
:37:49. > :37:52.# You and I # Oh
:37:52. > :38:00.# It's been a long time # Since I came around
:38:00. > :38:10.# It's been a long time # But I'm back in town
:38:10. > :38:23.
:38:23. > :38:30.# This time I'm not leaving without Hello, don't cry.
:38:30. > :38:33.Your name is? I'm Hannah Berney from South Wales. I loved the sound
:38:33. > :38:38.of your voice. Thank you very much for turning around. I loved the
:38:38. > :38:42.control you have. You don't overdo it. A lot of singers around today,
:38:42. > :38:46.they do a lot of runs, before they actually get to the middle of the
:38:46. > :38:50.song. I thought you sounded great. You lock great, I'm glad I turned
:38:50. > :39:00.the chair around. And, of course, you are from South Wales, so,
:39:00. > :39:03.
:39:03. > :39:11.that's it, isn't it. Ponty boy. Same as my mum. My
:39:11. > :39:17.grandparents are Irish. My mother's name, God, I've gone and forgotten
:39:17. > :39:23.her name, sorry, it's a bit much. Charlie Brown, that was her
:39:23. > :39:27.original name. Her name was Charlie Brown.
:39:27. > :39:31.I just want to say I can see from the tears in your face this meant a
:39:31. > :39:35.lot to you, the amount of emotion you put into the performance, you
:39:35. > :39:38.hit the high notes, I could hear there is a massive voice in there.
:39:38. > :39:48.I would be honoured if you would be on my team. Thank you very much.
:39:48. > :39:51.
:39:51. > :40:01.I think based on the kind of stuff I sing, and the big voice I really,
:40:01. > :40:04.
:40:04. > :40:14.really want to get out, but also the improvements I need to make, em,
:40:14. > :40:18.
:40:18. > :40:23.em, Danny I think I'm going to go for you.
:40:23. > :40:30.There will be yet more cheering in the valleys tonight as Hannah joins
:40:30. > :40:34.Team Danny. I'm so sorry, I forgot your name. Let me introduce myself!
:40:34. > :40:44.It felt great to have Hannah pick me over Tom Jones. You win again.
:40:44. > :40:45.
:40:45. > :40:48.It is nice to have a one upmanship with the judges. The voice is all,
:40:48. > :40:54.and farce the next artist is concerned, that is just how he
:40:54. > :40:59.likes it. I'm Cris, I'm 31 I work at a call centre. I describe myself
:40:59. > :41:08.as funny! I am what I am, as the song says.
:41:08. > :41:11.I don't think I look like the average One Direction, pretty boy.
:41:11. > :41:18.Obviously our coaches can't see you when you get on stage and perform.
:41:18. > :41:22.I'm glad it is a bliend audition so they can think -- Blind Audition so
:41:22. > :41:27.they can listen to the voice, and then they can go and say, look at
:41:27. > :41:30.that. Why do you think you vpblt made it before? Because -- Haven't
:41:30. > :41:36.made it before? Because of how I look.
:41:36. > :41:40.Stand up then? Look at this. I want them to hear the voice, to show
:41:40. > :41:45.them it doesn't matter what you look like, if you have soul. It is
:41:45. > :41:55.my chance and my moment, I'm going to take it.
:41:55. > :42:02.
:42:02. > :42:06.It is a door to the future, isn't T # I see you drive around town
:42:06. > :42:11.# With the girl I love # I'm like forget you
:42:11. > :42:16.# I guess the change in my pocket # Wasn't enough
:42:16. > :42:22.# I'm like forget you # I'm sorry
:42:22. > :42:26.# I can't afford a Ferrari # That don't mean I can't get you
:42:26. > :42:30.there # It's an XBox
:42:30. > :42:35.# I'm more an Atari # But the way you play your game
:42:35. > :42:37.ain't fair # I see you driving round town #
:42:37. > :42:41.With the girl I love # And I'm like forget you
:42:41. > :42:44.# I guess the change in my pocket # Wasn't enough
:42:44. > :42:49.# I'm like Mark forget you
:42:49. > :42:54.# And forget her too # Baby baby baby
:42:54. > :42:58.# Why you want to hurt me so bad # I tried to tell my mamma
:42:59. > :43:05.# But she told me this is one for your dad
:43:05. > :43:08.# Yes she did # If I was richer
:43:08. > :43:12.# I'd be with you # Ain't that a shame
:43:12. > :43:22.# Although the pain in my chest # I still wish you the best
:43:22. > :43:32.
:43:32. > :43:37.He did so well, come on. Your name is? Cris, I'm 31 and from
:43:37. > :43:42.Manchester. I like that you take risks, the licks rfpbt hugely clean,
:43:42. > :43:49.you went to places I wouldn't have expected you to go, I enjoyed that.
:43:49. > :43:55.I appreciate that you are pushing yourself. Thank you.
:43:55. > :44:01.I thought it was good. Your breathing was good, and the pitch.
:44:01. > :44:07.Can I just say my mum is back stage and a massive fan, and I was
:44:07. > :44:16.probably conceived to one of your songs.
:44:16. > :44:26.#'S that pussycat # Oh
:44:26. > :44:35.
:44:35. > :44:40.# What's new pussycat That's been said to me a few times,
:44:40. > :44:47.that children have been conceived while my music has been played.
:44:47. > :44:52.I think one of the biggest compliments I had was one Catherine
:44:52. > :44:57.Zeta Jones was giving birth to her first child, she had to have What's
:44:57. > :45:07.New Pussycat on the radio, so as soon as she started to push, she
:45:07. > :45:07.
:45:07. > :45:11.said, "put Tom on and I'll push!". Tom hung with the Beatles, and
:45:11. > :45:14.helped deliver Catherine Zeta Jones's baby, what a legend. If our
:45:14. > :45:21.next artist's singing dream comes off, another big day may have to be
:45:21. > :45:26.put on hold. I'm Bill, I'm 23 years old. I'm in a band called The Trax.
:45:26. > :45:30.I have had many a job, I have worked in old people's homes,
:45:30. > :45:35.worked in banks, had a burger van. Ultimately it comes back to music,
:45:35. > :45:40.that is what I want to do. I recently got engaged. Sasha's great,
:45:40. > :45:46.she does a lot of silly things which are very funny, she's a bit
:45:46. > :45:51.ditsy. We got engaged on Christmas Day 2010. We woke up, I just pulled
:45:51. > :45:54.the ring out from under my pillow and said, will you marry me? It it
:45:54. > :45:58.wasn't very romantic, I could have done it better. There is potential
:45:58. > :46:02.that possibly The Voice will clash with my wedding day. We have
:46:02. > :46:06.decided that if fingers crossed, one of the coaches turns around,
:46:06. > :46:09.and I get picked, we would move the wedding. How do you feel about
:46:09. > :46:13.that? As much as I have been planning it for the last year and
:46:13. > :46:18.I'm so excited, this could be the thing that changes his life forever.
:46:18. > :46:27.How do you really feel? Honestly, I'm so excited for me. That is what
:46:27. > :46:30.I love her. Good luck, I love you. I have never sung in front of four
:46:30. > :46:34.people that are as big as these guys, I'm trying to keep it under
:46:34. > :46:44.control at the moment. I just want to get out there and do
:46:44. > :46:56.
:46:56. > :47:00.it, and get them to all turn around, # She said I love you boy
:47:00. > :47:10.# I love you so # She said I love you baby
:47:10. > :47:13.
:47:13. > :47:18.# Oh oh oh # I just love him!
:47:18. > :47:21.# So I said # What you say girl
:47:21. > :47:28.# It can't be right # How can you be in love with me
:47:28. > :47:34.# We only just met tonight # And she said
:47:34. > :47:36.# Boy I loved you from the start # And when I first saw the love
:47:36. > :47:46.goes down # Something started pulling in my
:47:46. > :47:47.
:47:47. > :47:52.heart # I said stop this crazy talk
:47:52. > :48:02.# Thieves ran out closed the door # She said I love you boy I love
:48:02. > :48:02.
:48:03. > :48:07.you so # She said I love you baby oh oh oh
:48:07. > :48:13.# She said I love you more than words can say
:48:13. > :48:19.# She said I love you baby # Baby
:48:19. > :48:29.# So I said why the hell you gonna treat me this
:48:29. > :48:38.
:48:38. > :48:42.Hello. How are you? I'm fine. was really good, I really enjoyed
:48:42. > :48:46.that. I think you have a really good voice. If I'm being really
:48:46. > :48:49.honest, I'm thinking Danny turn around, I feel like you and Danny
:48:49. > :48:55.could work very well together. do I.
:48:55. > :49:00.Very, very good, the only thing that disappointed me was in and out
:49:00. > :49:05.of the falsetto. That was weaker than your full voice. I have to
:49:05. > :49:08.work on that. It is difficult to do, I can't do it myself. There is a
:49:09. > :49:14.lot to play with t I can't imagine standing there in front of us. When
:49:14. > :49:23.I heard the tone and your falsetto we could work great together. What
:49:23. > :49:26.great song choice. Welcome to my team, man. Thank you so much.
:49:26. > :49:36.Great, great job, looking forward to working with you, have a good
:49:36. > :49:40.day. Sweet! I was the only one who
:49:40. > :49:47.pushed my button for Bill, it doesn't worry at all, it shows lack
:49:47. > :49:52.of taste on the other people's behalf.
:49:52. > :49:57.Bill joins Team Danny, so are the wedding bells on told? Aren't you
:49:57. > :50:02.supposed to be getting married pretty soon? Is it all right if we
:50:02. > :50:10.move the wedding. Only under these circumstances. Well done, fella.
:50:10. > :50:14.Team hug. Well done, fella, proud of you, mate.
:50:14. > :50:20.Still to come, can Amy Winehouse's best friend start over. She's here
:50:20. > :50:25.with me, I know that, it is about me finding my own feet.
:50:25. > :50:31.Jessie's vocal radar failed? picked a girl she shouldn't have
:50:31. > :50:37.picked. And Williams blows up. know we probably share the same
:50:37. > :50:43.record collection. We eat the same soup, you eat miso soup, I eat that.
:50:43. > :50:47.Kate Read is used to singing in her bedroom, how will she fare in front
:50:47. > :50:51.of the coaches? I haven't been singing for long, for a year now,
:50:51. > :50:57.just teaching myself. I spend a huge amount of time sitting in my
:50:57. > :51:04.room, singing. Just love it. To think that four worldwide
:51:04. > :51:12.vocalists are going to hear me, it is, I just can't even explain the
:51:13. > :51:17.feel, I'm getting sweaty palms just thinking about it. My mum is to me
:51:17. > :51:21.my best friend, we're really close, she is the person that believes in
:51:21. > :51:25.me most, she believes in me more than I believe in myself. I hope it
:51:25. > :51:33.comes across how much this song means to me while I'm singing.
:51:33. > :51:43.Because I'm singing about my mum, so it's really meaningful to me.
:51:43. > :51:48.
:51:48. > :51:54.Today is huge, I it could change my # With you can sad eyes
:51:54. > :51:59.# Don't discouraged # Oh I realise
:51:59. > :52:07.# It's hard to take courage # In a world full of people
:52:07. > :52:12.# You can decide of it all # When the darkness inside of you
:52:12. > :52:15.# Can make you feel so small # I see your true colours shining
:52:15. > :52:21.through # I see your true colours
:52:21. > :52:27.# And that's why I love you # You so don't be afraid
:52:28. > :52:32.# To let them show # Your true colours
:52:32. > :52:42.# True colours # Are beautiful
:52:42. > :52:45.
:52:45. > :52:48.# Like a rainbow # If this one makes you crazy
:52:48. > :52:54.# And you've taken all you can # You call me up
:52:54. > :52:58.# And you know I'll be there # I see your true colours
:52:58. > :53:04.# Shining through # And I see your dollars
:53:04. > :53:10.# And that's why I love you # So don't be a frayed
:53:10. > :53:20.# To let them show # Your true colours
:53:20. > :53:35.
:53:35. > :53:40.# Are beautiful APPLAUSE
:53:40. > :53:44.What as your name? My name is Kate Read. What do you think of when you
:53:44. > :53:54.sing that song? My mum, she thinks she's overweight, but she's, I
:53:54. > :53:58.
:53:58. > :54:04.think she's beautiful. You sing beautiful, I like the tone
:54:04. > :54:10.of your voice. The rasp, the breath, it's a unique voice, it just made
:54:10. > :54:15.me want to turn around and see who was singing it. The fact that your
:54:15. > :54:19.mom is your driving force, my mom is my driving force. Everything I
:54:19. > :54:29.do is for her. No, no, I wouldn't be the person I
:54:29. > :54:31.
:54:31. > :54:38.was, if it wasn't for my mom. She is my inspiration, and mew mom
:54:38. > :54:42.must be proud of you. What I liked about your voice is
:54:42. > :54:46.there is a vulnerability there, that is very fresh, I liked that,
:54:46. > :54:56.that's what I heard. I would love to have you on my team, and I just
:54:56. > :54:58.
:54:58. > :55:08.want you to know that I'm the premier division! The beautiful
:55:08. > :55:11.
:55:11. > :55:14.part of the show is it goes back to you, who are you going to go with?
:55:14. > :55:24.I'm really grateful for your feedback, and I will take it with
:55:24. > :55:49.
:55:49. > :55:53.me wherever I go, with singing. She was dope.
:55:53. > :55:59.I just hugged Will.I.Am, he just touched me.
:55:59. > :56:03.I think I found a unique voice in Kate. I wanted Will.I.Am, he turned
:56:03. > :56:13.around and I thought this can't be happening. I loved her voice, it
:56:13. > :56:20.
:56:20. > :56:22.was like a Sade Macy Gray sandwich. There is more button-turning
:56:22. > :56:28.Performance-pleasing performances are coming.
:56:28. > :56:32.Jessie J's backing singer formers. # I turn with good intentions
:56:32. > :56:42.Do you know what I love about your voice, is I can hear so much we can
:56:42. > :56:47.do with it, because you're on my team, girl.
:56:47. > :56:53.However, 17-year-old shop assistant, Ruth Ann St Luce, divided opinion
:56:53. > :56:59.amongst the coaches. I wasn't laughing at the girl
:56:59. > :57:05.singing, I was laughing at the state that Jessie J's in right now.
:57:05. > :57:09.For some people in this world there is some that can sing and some can
:57:09. > :57:13.s-ang! She picked a girl she shouldn't have picked, she was all
:57:13. > :57:23.over the place. She did go off pitch, I'm here to work on someone
:57:23. > :57:24.
:57:24. > :57:30.who I feel could be phenomenal. She's definitely that person.
:57:30. > :57:37.That falsetto was...Maybe they were playing in the wrong key. 17. I
:57:37. > :57:44.couldn't sing like that when I was Alys Williams is a busy mum of two,
:57:44. > :57:49.she's used to squabbling and crying, can she get the coachs to do the
:57:49. > :57:52.same. I'm Allys, I'm a mum of twins and I sing. Being a mum of twins is
:57:52. > :57:56.full on. I wake up in the morning with both of them, they are with me
:57:56. > :58:01.then until they go to bed. There is an hour where I can put them in the
:58:01. > :58:06.high chair and they have food, I get on the piano and sketch out
:58:06. > :58:10.some new songs. Being a mum is fantastic, but not
:58:10. > :58:13.the most glamorous job, really, especially with two of them, I'm
:58:13. > :58:23.usually in the house looking like an absolute mess most of the time.
:58:23. > :58:27.It would be nice to have a bit of glamour in my life, really.
:58:27. > :58:33.The most nervous I have been in my entire life, honestly, more nervous
:58:33. > :58:43.than before I had my twins. Obviously this audition could
:58:43. > :58:54.
:58:54. > :59:00.change everything for me. I just # I heard
:59:00. > :59:06.# That you're settled down # That you found a girl
:59:07. > :59:14.# And you're married now # I heard
:59:14. > :59:20.# That your dream came true # I guess she gave you things
:59:20. > :59:28.# I couldn't give to you # Old friend
:59:28. > :59:35.# Why you so shy # Ain't like you to hold back
:59:35. > :59:38.# Or hide from the light # I hate to turn up out of the blue
:59:38. > :59:43.# Uninvited # But I couldn't stay away
:59:43. > :59:49.# I couldn't fight it # I hoped you'd see my face
:59:49. > :59:57.# And you'd be remind # And for me it isn't over
:59:57. > :00:03.# Never mind I'll find someone like # I wish nothing but the best
:00:03. > :00:10.# For you # Don't forget me
:00:10. > :00:20.# I beg # I remember me you said
:00:20. > :00:42.
:00:42. > :00:46.# Sometimes it lasts in love APPLAUSE
:00:47. > :00:51.What's your name? Allys. I think your voice is amazing, there was
:00:51. > :00:55.nothing wrong with anything that you did. I was very nervous, I'm
:00:55. > :01:00.sorry, I couldn't stop shaking. was great, if that's what you sound
:01:00. > :01:04.like nervous, wow. I didn't turn around because I'm on a mission to
:01:04. > :01:11.pack my team with diversity, and I was trying to get the other coaches
:01:11. > :01:18.to wake up. Hello, she's dope. They're not living in reality.
:01:18. > :01:22.have a button too, don't put it on us. I kept saying Danny, Danny, you
:01:22. > :01:26.need here, I have somebody on my team you could compete with. I
:01:26. > :01:36.shouldn't, next time I ain't telling you all what to do, you are
:01:36. > :01:37.
:01:37. > :01:44.so dam fresh. You're Welsh, right. Yes? What part
:01:44. > :01:53.of Wales? North Wales. By Bancard. I'm sorry I didn't hit the button,
:01:53. > :01:59.you have a great voice. Thanks, that means a lot, Tom.
:01:59. > :02:03.Sometimes the nerves get the better of you.
:02:03. > :02:07.She was a great singer. Your nerves, because you're thinking, I wonder
:02:07. > :02:13.what they are thinking, I wonder if they are liking it.
:02:13. > :02:19.You know, that happens to everybody. That was the scariest thing I have
:02:19. > :02:24.ever done, more scary than giving birth. And that's scary when you
:02:24. > :02:30.have twins. I don't think I will ever be nervous again, really. No.
:02:30. > :02:39.Now this artist has certainly been to the wardrobe maxed "rock star",
:02:39. > :02:44.but in a blind aud diction does it match -- blind awed, does it match
:02:44. > :02:51.his image. I haven't always sung rock at all, I was a choir boy from
:02:51. > :02:55.10-14. It made me what I am today, I can't
:02:55. > :03:00.really knock it. I'm so far away, physically and
:03:00. > :03:04.vocally to what I was back then. But I can definitely still hit the
:03:04. > :03:08.high notes. My heart is in rock music, but unless you want to be in
:03:08. > :03:15.a band and be really skint, it is very hard, unless you are a rock
:03:15. > :03:18.star, which is ultimately what I want to be. I'm ready to rock.
:03:18. > :03:24.This audition is so important for me, you only get one chance to make
:03:24. > :03:34.a first impression. I have never been scared before in
:03:34. > :03:40.
:03:40. > :03:44.my life, but this competition # Tommy used to work on the docks
:03:44. > :03:50.# Union men on strike # He's down on his luck
:03:50. > :03:54.# It's tough # So tough
:03:54. > :03:59.# She said you got to hold on # To what we got
:03:59. > :04:03.# It doesn't make a difference # If we make it or not
:04:03. > :04:08.# We got each other # And that's a lot
:04:08. > :04:10.# For love # We'll give it a shot
:04:10. > :04:15.# Oh # We're half way there
:04:15. > :04:18.# Oh # Living on a prayer
:04:18. > :04:25.# Take my hand # We'll make it I swear
:04:25. > :04:27.# Oh # Living on a prayer
:04:27. > :04:30.# Oh Mark we're half way there
:04:30. > :04:35.# Oh # Living on a prayer
:04:35. > :04:38.# Take my hand # And we'll make it I swear
:04:38. > :04:48.# Oh Living on a prayer
:04:48. > :05:04.
:05:04. > :05:08.# Living on a prayer I don't believe it.
:05:08. > :05:13.Hello. I thought you were a phenomenal singer, you have a great
:05:13. > :05:18.range, absolutely great. This is so tough, because your
:05:18. > :05:22.voice is ridiculous, and your range is, I mean, I literally was just on
:05:22. > :05:27.that last note. It was incredible. It is the top, top C for anyone who
:05:27. > :05:33.wants to know! For me, you only get 90 seconds to really show what you
:05:33. > :05:38.have got, I felt I only heard one layer of what you can do.
:05:38. > :05:44.probably did. I'm worried if that is all you can do. Thank you for
:05:44. > :05:54.singing and showcases -- showcaseing another genre of music
:05:54. > :06:00.
:06:00. > :06:09.that we have been able to hear. It was so loud, the music. How come
:06:09. > :06:12.you don't like loud music, you like that soft music, quiet. Like the
:06:12. > :06:17.American pedosas that turn it up loud.
:06:17. > :06:22.You're a star. Don't. I understand, I'm really a bit
:06:22. > :06:25.confused, if I'm honest. I couldn't be more happy with what I did, I
:06:25. > :06:28.sung incredible. I didn't that would happen, because I'm so
:06:28. > :06:34.different. You won't meet anyone like me in this competition, and it
:06:34. > :06:44.is a real shame. Sadly, Nathan's audition wasn't the
:06:44. > :06:46.
:06:46. > :06:55.stairway to heaven he was dreaming. What happened? Turn me around.
:06:55. > :07:03.That's cheating. Sorry, I think it is like a little gnome. I just
:07:03. > :07:06.should stop talking about gnomes. Since childhood Tyler James and his
:07:06. > :07:13.best friend thought they would be singing together forever, last year
:07:13. > :07:17.all that came to an end. My name is Tyler James, I'm 30 years old and
:07:17. > :07:22.I'm a singer songwriter. When I was a teenager my best friend was Amy
:07:22. > :07:27.Winehouse. We became friends when we were 12,
:07:27. > :07:34.13, we both went to the same school. We have been best friends ever
:07:34. > :07:40.since then. We were like two peas in a pod, we were like two halves
:07:40. > :07:48.of the same person. Unfortunately last summer, worst day of my life,
:07:48. > :07:54.Amy died. My whole life changed. Now she's here, she's here with me,
:07:55. > :07:59.I know that. It is about me finding my own feet. The only way for me
:07:59. > :08:03.that I will ever find that is through music and singing.
:08:03. > :08:09.This competition is about me building up my confidence for
:08:09. > :08:19.myself, you know. It is very important to me, very.
:08:19. > :08:32.
:08:32. > :08:39.# Sitting in the morning sun # I'll be sitting when the evening
:08:39. > :08:46.comes # Watching the ships roll in
:08:46. > :08:52.# And I watch them go away again # So I'm just gonna sit on the dock
:08:52. > :08:59.of the bay # Watching the tide roll away
:08:59. > :09:05.# Oh # Sitting on the dock of the bay
:09:05. > :09:10.#Ing time -- wasting time
:09:10. > :09:17.# Looks like # Nothing's change
:09:17. > :09:23.# Everything still remains the same # I can't do what ten people tell
:09:23. > :09:31.me to do # So I guess I'll remain the same
:09:31. > :09:37.# Sitting here resting my bones # And this loneliness won't
:09:37. > :09:45.# Leave me alone # 3,000 miles I roam
:09:45. > :09:48.# Just to make this dock my home # So I'm just gonna sit on the dock
:09:48. > :09:55.of the bay # Watching the time
:09:55. > :10:05.# Roll away # Sitting on the dock of the bay
:10:05. > :10:27.
:10:27. > :10:33.What's your name? My name is Tyler James. First I want to say thanks
:10:33. > :10:37.for hitting and topping that off, through your performance you
:10:37. > :10:41.sounded really good, that last falsetto thing you did, showed your
:10:41. > :10:47.range and how smooth you can be at the same time, you're awesome.
:10:47. > :10:52.Thanks, man. Thank you.
:10:52. > :10:58.Hi, hello. Are you all right? just nervous. You shouldn't be
:10:58. > :11:04.nervous. I really enjoyed it. I'm really happy that you and Danny go
:11:04. > :11:11.to the same hairdresser! Or doesn't, as the case may be.
:11:11. > :11:14.do you do that? Hair spray. remember when I had hair like that.
:11:14. > :11:22.Look what you have to go forward to. I really enjoyed it t I know that
:11:22. > :11:28.song very well, though, maybe I'm so used to the Otis Redding version,
:11:28. > :11:35.I knew him, he was a great guy, by the way.
:11:35. > :11:44.I know a lot of people! I know the song so well, it is hard for me to
:11:44. > :11:54.judge you singing that song. But I liked it.
:11:54. > :12:01.
:12:01. > :12:05.So you're on my team, what? Cool, Well done.
:12:05. > :12:09.Amazing. Thank you.
:12:09. > :12:13.This is the start of a new chapter for you, isn't it? Yes, it is, I
:12:13. > :12:18.have had the hardest year, it is important to me to go out there and
:12:18. > :12:23.prove myself, you know. I just hope that, you know, in the next phase
:12:23. > :12:27.of this that I just up my game and get back to the singer that I know
:12:27. > :12:31.I can be. You are filling up your team quick.
:12:31. > :12:36.That's because I'm focused, I'm on a mission.
:12:36. > :12:41.Remember, the coaches know nothing about our artists, not even their
:12:41. > :12:44.names. And Bo Bruce is happy about that, or should I say Lady
:12:44. > :12:48.Catherine Anne Brudenell Bruce. my life I have thought people have
:12:48. > :12:53.come to conclusions about who I am because I have a posh name and I
:12:53. > :12:57.went to a posh school. People thinking there has been a silver
:12:57. > :13:00.spoon in my mouth, it hasn't been like that, I have thought that for
:13:00. > :13:05.a while. I have been around the music industry, and I feel like I
:13:05. > :13:10.get so far, and then I feel judged by where I have come from.
:13:10. > :13:17.To stand on the stage, and no-one no anything about the voice they
:13:17. > :13:21.are hearing, I feel like none of that will matter.
:13:21. > :13:28.I really, really, really, want someone to turn around in their
:13:28. > :13:32.chair and say, you have got a wicked voice, let's go.
:13:32. > :13:42.I'm a little scared to get excited about the end result in case it
:13:42. > :13:51.
:13:51. > :13:57.# I can't win # I can't run
:13:57. > :14:06.# I will never be the same # Without you
:14:06. > :14:11.# I am lost # I am vain
:14:11. > :14:20.# I will never be win this game # Without you
:14:20. > :14:26.# I won't run # And I won't fly
:14:26. > :14:35.# I will never make it by # Without you
:14:35. > :14:38.# I won't rest # I won't fight
:14:38. > :14:48.# All I need # Is you and I
:14:48. > :14:49.
:14:50. > :14:59.# Without you # Oh without you
:15:00. > :15:00.
:15:00. > :15:07.# You Without you
:15:07. > :15:11.# You # I can't look
:15:11. > :15:16.# I'm so blind # I lost my heart
:15:16. > :15:26.# I lost my mind # Without you
:15:26. > :15:53.
:15:53. > :16:02.What's your name? I'm Bo. I didn't turn around because I was copying
:16:02. > :16:08.Danny. I turned around because we deprb you picked the Usher and
:16:08. > :16:13.David Getto song, and you didn't sing it anywhere like them, and you
:16:13. > :16:17.were courageous and you gave it your own style, you're awesome.
:16:17. > :16:21.love a good clash of two different worlds meeting together. I would
:16:21. > :16:27.have loved to heard that acoustic, I felt like I lost your voice in
:16:27. > :16:32.the boom, boom, boom. I didn't lose it, I heard it, it was right there.
:16:32. > :16:36.# It's my turn to talk # Yeah
:16:36. > :16:42.For me the only reason I didn't turned around, I would have liked
:16:42. > :16:47.to have heard more power. That's fine. These two, you have a great
:16:47. > :16:55.choice here. Over to Tom. # OK.
:16:55. > :16:59.I really liked it, but I'm looking for something that hits me hard.
:16:59. > :17:03.Personally for me, I wasn't looking for anything else but that voice,
:17:03. > :17:08.you don't really need to have power to show I emotion, one thing I came
:17:08. > :17:12.on to the show to find was a unique voice, so when you heard it the
:17:12. > :17:19.second on the it would stand out, I really believe you have that type
:17:19. > :17:24.of voice. Oh my God, I don't know what to do,
:17:25. > :17:30.I'm meant to decide right now. know what to do, when I provide I
:17:30. > :17:33.provide a team, when I work with Michael, you don't need all that.
:17:33. > :17:38.You don't need all that, you can be blinded by science, or go with your
:17:38. > :17:44.gut and heart, I know we probably share the same record collection.
:17:44. > :17:52.We eat the same soup, you eat miso soup, I eat that, it is the bomb,
:17:52. > :17:59.miso, little green stuff in! think you would be getting pure
:17:59. > :18:04.honesty from me, you know where to Really! It is the beautiful part of
:18:04. > :18:14.this show, is creative control, we give it back to the artist, you go
:18:14. > :18:25.
:18:25. > :18:30.with Mr Woo woop woop woop there, I'm really honoured that you turned
:18:30. > :18:34.around and said all those lovely things, I think you would be an
:18:34. > :18:44.amazing leader. But I think I'm going to have a lot more in common
:18:44. > :19:03.
:19:03. > :19:07.with you. I choose you. She didn't want miso soup! I think
:19:07. > :19:16.you have made the perfect choice. We're so proud of you.
:19:16. > :19:19.Team Danny. So in the hard world of music, miso
:19:19. > :19:23.soup isn't impressing anyone. is more the girl I needed, that is
:19:23. > :19:29.the voice I wanted. That was amazing. That girl could really
:19:29. > :19:33.compete with the girls I have got. I pressed first, and Will copied me.
:19:34. > :19:38.Danny tries to play psychological games, and I do, it is all about
:19:38. > :19:41.strategy and tactics. After a night of exciting auditions that have
:19:41. > :19:45.blown our coaches away, they are closer to completing their teams of
:19:45. > :19:50.ten. For me it is coming from here. You are the bomb. Don't trust
:19:50. > :19:54.people who wear denim on denim. far Will has recruited four new
:19:54. > :19:59.vocalists, giving him seven all together. Right now I think my team
:19:59. > :20:02.is really, really strong. While Danny has added four new name, he
:20:02. > :20:07.has eight. It is going just as I planned. Jessie snapped up three
:20:07. > :20:11.more singers and has eight. feeling very blessed with my team.
:20:11. > :20:16.Tom found two more artists, he too has eight on his team. I'm very
:20:16. > :20:20.pleased with the people I have got already.
:20:20. > :20:24.Next week, our final artists take to the stage. You are the reason I
:20:24. > :20:28.came on this show. Anybody with lungs like that has to be something.
:20:28. > :20:31.The competition reaches fever pitch. We don't want to give any
:20:31. > :20:35.strategies away. You need to stop stealing people that should have
:20:35. > :20:39.been with me. Emotions run high. As the coaches battle it out to
:20:39. > :20:44.complete their teams. I'm just looking for the two
:20:44. > :20:54.cherries to go on top. Aums supposed to listen to your gut.