:00:17. > :00:20.Four superstar coaches, set out to discover their teams of ten.
:00:20. > :00:24.Right now Tom has two more artists to find.
:00:24. > :00:28.I feel I have the strongest voices, so it will be more difficult to
:00:28. > :00:32.pick. Jessie also has two spots left to fill.
:00:32. > :00:36.I'm looking for someone that takes the moment and gives me goosebumps.
:00:36. > :00:41.Danny is on the hunt for his two remaining artists. Every person
:00:41. > :00:44.coming up could be the best person, you better be sure. While Will is
:00:44. > :00:50.three artists short of his ten. Everybody is looking for the same
:00:50. > :00:54.thing, the best impactor, the best person to open the heart up. As the
:00:54. > :01:01.search to find their team concludes, the competition is fierceer than
:01:01. > :01:05.ever. I want my team to win. We will beat these people. Just so you
:01:05. > :01:11.know in a minute he will give you the speech about who he knows.
:01:11. > :01:14.the hell are we here if we don't show our experience. Every pitch is
:01:14. > :01:20.critical? If you want experience. We have a mission, to take her
:01:20. > :01:29.singers out and win. It's on. Every artist has only 90
:01:29. > :01:34.seconds to change their life. Tonight, for the final time, the
:01:34. > :01:44.coaches have their backs to the stage.
:01:44. > :01:47.
:01:47. > :01:52.With just a few artists left to hear, it is game on for the coaches,
:01:52. > :01:56.as they take to their seats for the very last time.
:01:56. > :02:01.And first up to face them is someone who is more than used to
:02:01. > :02:06.dealing with unpredictable audiences. My name is Emmy J Mac,
:02:06. > :02:16.I'm 21 and I'm a children's writer and entertainer.
:02:16. > :02:16.
:02:16. > :02:21.I set up the Jingle Jangle club We put on performances at schools, and
:02:21. > :02:25.it gives everyone a chance to get involved with music. I'm used to
:02:25. > :02:35.performing with children, hopefully the coaches will be easier to deal
:02:35. > :02:36.
:02:36. > :02:41.Oh, you broke it! I don't have the biggest voice, but
:02:41. > :02:45.hopefully the coaches will hear that I have something different.
:02:45. > :02:55.This audition is so important, it is not every day that you get an
:02:55. > :03:07.
:03:07. > :03:14.opportunity like this. Be a good # Sat on my window
:03:14. > :03:18.# And they tell me I don't need to worry
:03:18. > :03:24.# Maybe somes # We've got it wrong
:03:24. > :03:29.# But it's all right # The more they seem to change
:03:30. > :03:34.Go on, you know you want her. # The more they stay the same
:03:34. > :03:38.# Don't you hesitate # Girl put your record on
:03:38. > :03:46.# Tell me your favourite song # You go ahead
:03:46. > :03:51.# And let your head down # I hope you get your dreams
:03:51. > :03:57.# Just go ahead and let your hair down
:03:57. > :04:04.# Girl put your record on # Tell me your favourite song
:04:04. > :04:08.# Just go ahead and let your hair down
:04:08. > :04:13.# I hope you get your dreams # Just go ahead
:04:13. > :04:19.# Let your hair down # Girl put your records on
:04:19. > :04:29.# Tell me your favourite song # Just go ahead and let your hair
:04:29. > :04:49.
:04:49. > :04:53.down Hello. What's your name. Emily Jane.
:04:53. > :04:59.First off, you have a lovely, lovely voice, wonderful. Thank you
:04:59. > :05:05.very much. There was a part where you were
:05:05. > :05:11.pitchy, but who cares! If I went to your concert and you sang out of
:05:11. > :05:17.pitch, I would not tweet about t I would say, dang, Emrocked it.
:05:17. > :05:21.you very much. For me, I always listen to the tone
:05:21. > :05:28.of somebody's voice, you have a beautiful tone to your voice. I
:05:28. > :05:32.have done duets with a lot of great people, Janice Joplin and aroute
:05:32. > :05:36.that Franklin, I know when I hear a voice that has something. I would
:05:36. > :05:44.like to pass on to you, the things that I have experienced in minus
:05:44. > :05:49.kal career, and hopefully we could my musical career and hopefully we
:05:49. > :05:52.could win this thing. This competition is about someone who
:05:53. > :05:56.has a signature song thumb print, the second you turn on the radio
:05:56. > :06:04.and you know who it is, I believe you have that, that is why I would
:06:04. > :06:09.love to have you on my team. The beauty of the show is it goes back
:06:09. > :06:19.to you know. I never in a million dreams thought I would have to make
:06:19. > :06:27.
:06:27. > :06:30.this decision. It is crazy. Pick will! I will be like Cilla
:06:30. > :06:34.Black. Here is our Graham with the quick results, in one we have
:06:34. > :06:41.William, who likes walks on the beach, and likes making beats late
:06:41. > :06:47.at night. In second we have got Tom-ithy, who
:06:47. > :06:53.likes to woo the ladies with his sexual voice, and singing about sex
:06:53. > :07:00.bombs. In number three we have Danny, the light-hearted Irish man
:07:00. > :07:06.who loves to tell the girls "you're gorgeous" (in anish accent) Number
:07:06. > :07:16.two, Jessie, who likes, the limelight! Dam right!, the decision
:07:16. > :07:17.
:07:17. > :07:23.is over to you. This is really hard, because I just
:07:23. > :07:30.think that all of you are amazing, I'm absolutely ridiculously
:07:30. > :07:40.honoured. I think there's just something in my heart that's
:07:40. > :07:52.
:07:52. > :08:02.telling me that I should go with Danny.
:08:02. > :08:03.
:08:03. > :08:07.Well done, you made the right choice.
:08:07. > :08:14.Well done. Thank you. I can't believe, I never thought I
:08:14. > :08:18.would be like this, I'm so emotional, it's so overwhelming.
:08:18. > :08:24.There is still people to audition, he chose me.
:08:24. > :08:29.That's just amazing. Things just got really interesting.
:08:29. > :08:36.Danny now has nine of his ten artists, leaving him with just one
:08:36. > :08:42.place to fill. I have a rainbow of people, rock, pop, James Morrison,
:08:42. > :08:47.Olly Murs, a whole range. Sorry, what? Can't see you through the
:08:48. > :08:52.hair? Can't see you through your ego, bro. You are fighting aloud
:08:52. > :08:58.here. As Tom tries to keep the bickering to a minimum, the next
:08:58. > :09:02.artist is trying to fight for her place on one of the teams.
:09:02. > :09:07.This is barmaid Jenny Jones. started singing in church, when I
:09:07. > :09:12.reached about 18 I sort of got myself on the nightclub scene.
:09:12. > :09:18.My career was going really, really well, I had just turned with
:09:18. > :09:21.Basshunter, when I came back I unfortunately fell really ill with
:09:21. > :09:25.meningitis, and everything completely stopped. At the time I
:09:25. > :09:29.was devastated, didn't really think that I would be able to sing and
:09:29. > :09:33.perform again. I started getting better, and started to feel a bit
:09:33. > :09:43.more positive, because I realised that I was really lucky to pull
:09:43. > :09:45.
:09:45. > :09:50.through it. Now I work in a bar, I also sing as I'm working.
:09:50. > :09:57.I really want to get out of the pubs now and sing on huge stages.
:09:57. > :10:03.I'm just ready to do it now. This is the first time I'm getting
:10:03. > :10:08.back in the limelight and doing it again, it is really scary.
:10:08. > :10:18.This is a second chance for me, definitely. It isth has made me
:10:18. > :10:25.
:10:25. > :10:33.more determined and positive to # I love you
:10:33. > :10:36.# But I've got to stay true # My man has got me on my knees
:10:36. > :10:39.# I'm begging please # Stop playing games
:10:39. > :10:45.# I don't know what you do # But you do it well
:10:45. > :10:52.# I'm under your spell # You got me begging you for mercy
:10:52. > :11:00.# Why won't you release me # You got me begging you for mercy
:11:00. > :11:07.# Why won't you release me # I said release
:11:07. > :11:10.# Me # I'm begging you
:11:10. > :11:16.# For mercy # I want you
:11:16. > :11:23.# Release me # I'm begging you for mercy
:11:23. > :11:33.# You got me begging # You get me begging
:11:33. > :11:34.
:11:34. > :11:41.# Hey yeah # You got me begging you for mercy
:11:41. > :11:51.# Why won't you # Release
:11:51. > :12:05.
:12:05. > :12:09.What's your name? Jenny Jones. was trying not to press the button,
:12:09. > :12:17.because I knew if I pressed the button somebody was going to press
:12:17. > :12:20.the button after me. So I was waiting until the last
:12:20. > :12:25.minute, because the very first sound that came out of you, I was
:12:25. > :12:29.like, she got something special. I don't want anybody trying to take
:12:29. > :12:37.my style! But yeah, you are rocking, I would like to have you on the
:12:37. > :12:43.team and kick some butt. I pushed my button towards the end,
:12:43. > :12:47.because it is a hard song to sing, I wanted to see how you did on the
:12:47. > :12:51.high notes, particularly with the falsetto, as soon as you hit it, I
:12:51. > :12:55.wanted to see what was going on here. Hello, I really enjoyed it,
:12:55. > :12:58.some of your growls were nice. The reason I didn't turn around was not
:12:59. > :13:02.because I didn't think you have an amazing voice, it is just I feel
:13:02. > :13:06.like you could work on your diction, and I would have liked you to grow
:13:06. > :13:16.into it a little more, that's all. But I really enjoyed it, I think
:13:16. > :13:16.
:13:16. > :13:23.you have a great choice here. Particularly over here! The choice
:13:23. > :13:28.is in your hands. What do you think you could do for me? I would sit
:13:28. > :13:32.down, let's go through your rep tire toir, and pick out the best
:13:32. > :13:38.songs to negotiate our by Way through the songs, you have a
:13:38. > :13:45.really strong emotion in there and a story to tell.
:13:45. > :13:49.First I wouldn't, interview, is the wrong word, interview you, to pick
:13:49. > :13:53.your brain and see what it is you want to accomplish, and then try to
:13:53. > :14:03.work with you as an artist using all the things that you gave to me
:14:03. > :14:13.to try to mould that dream to reality, that's what I would do.
:14:13. > :14:14.
:14:14. > :14:24.The choice is your's. But Danny is awesome, reverse psychology!
:14:24. > :14:53.
:14:53. > :14:58.going to make a decision. I'm going So Jenny joins team Will, and Mr
:14:58. > :15:03.Will.I.Am claims victory over Danny with another close call over their
:15:03. > :15:08.on going button-pushing action. There is a bit of rivalry for me
:15:08. > :15:15.and Will, we we tend to turn on the same people, it remains to be seen
:15:15. > :15:20.who is copying who. I turn, and then, sling shrom, that is why your
:15:20. > :15:25.chair turned around after mine. Every time I turned around he was
:15:25. > :15:31.there. We know dam well I wasn't following his button pushing, has
:15:31. > :15:36.his tactics. I don't have tactic, I have tic tacs, because I stay fresh,
:15:36. > :15:40.holler. Only the best vocalists, amateur
:15:40. > :15:44.and professional have been invited to the Blind Auditions by our
:15:44. > :15:47.talent Scouts. Ben Lake has already tasted fame, now he wants another
:15:47. > :15:52.shot at the bright lights. I have had a career that I have been
:15:52. > :15:58.working on for 18 years now. I got my big break on a show called
:15:58. > :16:03.Injury Springer, the opera, I won an award for London Newcomer Of The
:16:03. > :16:07.Year, it was so emotional, I had been accepted. It was a wonderful
:16:07. > :16:09.experience. I thought once I had an award like that the phone would be
:16:09. > :16:13.ringing, it doesn't necessarily work like that, it is a hard
:16:13. > :16:17.business being a singer. I come out of the musicals and didn't know
:16:17. > :16:21.what to do. I'm pinning all my hopes on this competition. I'm
:16:21. > :16:25.hoping they can see that I'm a man who has worked hard, studied his
:16:25. > :16:30.craft, and given them what they need to make them turn that chair.
:16:30. > :16:33.Before we find out if Ben's years of experience can pay off, 17-year-
:16:33. > :16:36.old Sophie Griffin will take to the stage.
:16:36. > :16:41.She is taking her first steps towards forging a career in singing
:16:41. > :16:44.and is desperate to do well. from a really small village in
:16:44. > :16:47.Northern Ireland. Whenever I do gig in pubs and clubs, there is not
:16:47. > :16:53.many people to be there, but I still do it, just because I love to
:16:53. > :17:00.sing. Apparently you are a pretty big fan
:17:00. > :17:07.of one of our coaches, who is it that makes your legs go wobbly?
:17:07. > :17:11.Danny O'Donoghue. I have been to see him twice, I queued up from
:17:11. > :17:18.11.00am, until the doors opened at 7.00, didn't eat all day, just so I
:17:18. > :17:24.could get front row. Being on stage with four of the
:17:24. > :17:29.biggest names in music, you just can't get any bigger.
:17:29. > :17:39.I'm so nervous to sing in front of Danny. It is just crazy. It is
:17:39. > :17:54.
:17:54. > :17:58.# It's a number one # Champion sound
:17:58. > :18:02.# I'm the best in the world # Just as down
:18:02. > :18:08.# In London town # But they give me a pout
:18:08. > :18:12.# Somebody put the money in my head # I just took out the floor seats
:18:12. > :18:17.# Take me on a trip # To go some way
:18:17. > :18:24.Will.I.Am produced this record # I'd like to see LA, I really want
:18:24. > :18:27.# To come kick it but # You'll be my American boy
:18:27. > :18:33.# He said # Hey sister
:18:33. > :18:35.# Really really nice to meet you # I just met this five foot seven
:18:35. > :18:40.girl # Who's just my type
:18:40. > :18:45.# I like the way he's speaking # His confidence is speaking
:18:45. > :18:49.# Don't like his bagy jeans # But I like what's underneath them
:18:49. > :18:54.# I hardly never is in New York city
:18:54. > :18:56.# First I see the West End # I told you to my brethren
:18:57. > :19:06.# I'm liking this # American boy
:19:07. > :19:10.
:19:10. > :19:20.# I would like to him # Come kick with me
:19:20. > :19:31.
:19:31. > :19:39.# You'll my American boy Hello.
:19:39. > :19:42.How are you? I'm amazing. Where are you from? I'm from
:19:42. > :19:48.Northern Ireland. What type of music do you love?
:19:48. > :19:52.love you. No I do. I have queued for hours to
:19:52. > :19:56.see you and you are front row for me, this is crazy. I just want to
:19:56. > :20:03.say I love you so much. You're amazing.
:20:03. > :20:10.Wow. If I crowd could press my button,
:20:10. > :20:15.then it would have been pressed, not for me today, thank you.
:20:15. > :20:23.The reason why I turned around, is because I remember producing that
:20:23. > :20:28.song, and co-wrote it with he is tell, and you didn't sing it --
:20:28. > :20:33.Estelle, you didn't sing it like her, which is dope, she has a great
:20:33. > :20:37.voice and you're switching it up, and her switch up is really dope.
:20:37. > :20:47.It ain't like you got to pick between me and some other cats.
:20:47. > :21:12.
:21:12. > :21:17.I'm the only one lit up! Dope. Danny didn't turn around, are you
:21:17. > :21:21.now a Will.I.Am fan? I always was! Oh my God, no.
:21:21. > :21:28.So Will recruits Sophie, meaning he and Danny have one place left on
:21:28. > :21:31.their teams. And having had his own moment in
:21:31. > :21:35.the spotlight as a West End performer, the pressure is well and
:21:35. > :21:39.truly on as Ben Lake heads to the stage.
:21:39. > :21:46.Everything I have worked for over the years will all come out in this
:21:47. > :21:52.performance. I have to nail it tonight, just say to myself, Lakey
:21:52. > :22:02.get it done. The Voice is my last attempt to show what I'm all about
:22:02. > :22:14.
:22:14. > :22:20.# I who have nothing # I who have no-one
:22:20. > :22:25.# Adore you # I want you so
:22:25. > :22:35.# I'm just no-one # With nothing to give you
:22:35. > :22:36.
:22:36. > :22:43.# I love you # Can take you any place he wants
:22:43. > :22:49.# The fancy pubs and restaurants # I can only watch you
:22:49. > :22:58.# With my nose pressed up against Press the button, come on. They are
:22:58. > :23:07.talking about it. # I have who have nothing
:23:07. > :23:13.# I who have no-one # Must watch you
:23:13. > :23:17.# Oh dancing there # Wrapped in the arms
:23:17. > :23:27.# Of somebody else # Darling I love you
:23:27. > :23:48.
:23:48. > :23:54.# I love you APPLAUSE
:23:55. > :23:58.What's your name? Ben, nice to meet you. What brought you here today?
:23:58. > :24:06.was hoping I would have what it takes to wow you. I have a very
:24:06. > :24:10.strong voice. Bless you, thank you very much.
:24:10. > :24:14.That song I know very well, I recorded it. Yeah, you did.
:24:14. > :24:20.went for the same note that I did on it. Trying to do it justice for
:24:20. > :24:29.you. It sounded a little too operatic for me. But I liked it,
:24:29. > :24:33.and you do what you do, and keep doing it. Thank you, appreciate it.
:24:33. > :24:37.Your voice is amazing, The Voice for me is something I want to look
:24:37. > :24:42.for knowing what I can bring to the table as a kind of pop, singer-
:24:42. > :24:48.songwriter, for me your voice is on the stage in that sense, and it is
:24:48. > :24:52.beautiful for that. I actually thought you were a female to start
:24:52. > :24:56.with! Brought it down a bit. didn't think you were a female.
:24:56. > :25:00.I did, what I will say, we're four people that represent different
:25:00. > :25:10.things, for me I don't feel like I could have been the right coach for
:25:10. > :25:13.
:25:13. > :25:17.you. Thank you, I appreciate it. There's the boy.
:25:17. > :25:24.Hearing The audience and the warmth, I have to keep going.
:25:24. > :25:28.It didn't work for Ben, with so few spaces remaining what will it take
:25:28. > :25:33.to get the coaches hitting their buttons. It is a fact of only
:25:33. > :25:40.turning around if it makes you boil. I'm looking for the person who will
:25:40. > :25:45.make the hairs on the arms stand up. I'm not looking for a guy or a girl,
:25:45. > :25:53.I'm looking for a voice. looking for great singers, I don't
:25:53. > :26:01.know what that is until I hear it. Here come our next artists,
:26:01. > :26:06.teenagers, Indie & Pixie, could give a coach a two-for-one deal.
:26:06. > :26:10.We sing together. Live together. everything together. Kind of like a
:26:10. > :26:20.married couple. Kind of. No-one really likes us, so we cling
:26:20. > :26:20.
:26:20. > :26:22.together. That is not true. We're the girl band put together.
:26:22. > :26:27.We have chosen each other. Ahh, cute.
:26:27. > :26:31.I know. We want to bring back that Spice
:26:31. > :26:36.Girls, that is why we think Jessie J would be so good. We really feel
:26:36. > :26:40.like she would get us. I don't know what I would do if Jessie J buzzed
:26:40. > :26:44.and her chair would turn around, I don't know how I would keep on
:26:44. > :26:48.singing. We don't understand how everyone's
:26:48. > :26:52.doing it by themselves. I don't know how I would do it without
:26:52. > :26:56.Pixie. If Indie wasn't here I would be on the floor. The thing we are
:26:56. > :27:06.most nervous about they are not turning around. We will be stood
:27:06. > :27:11.
:27:11. > :27:19.there, awkward! # Made a wrong turn once or twice
:27:20. > :27:22.# Welcome to my silly life # Mistreated
:27:22. > :27:28.# Misplaced # Misunderstood
:27:28. > :27:30.# No way it's any good # It didn't slow me down
:27:30. > :27:37.# Mistaken # Always second guessing
:27:37. > :27:42.# Underestimating # Look I'm still around
:27:42. > :27:47.# Pretty pretty please # If you ever ever feel
:27:47. > :27:52.# Like you're less than # Less than perfect
:27:52. > :28:01.# Pretty pretty please # If you ever ever feel
:28:01. > :28:05.# Like you're nothing # You are good then
:28:05. > :28:08.# It's an ice cold beer # # I try
:28:09. > :28:11.# Try too hard # It's waste of our time
:28:11. > :28:17.# Looking for the goods # Everywhere
:28:17. > :28:20.# He they don't like my jeans # They don't get my hair
:28:20. > :28:24.# Explain ourselves # They do it all the time
:28:24. > :28:27.# Pretty pretty please # Won't you ever ever feel
:28:27. > :28:37.# Like you're nothing # You are perfect
:28:37. > :28:52.
:28:52. > :28:55.Hi hi guys. I'm Indie I'm Pixie. Great, as soon as I heart the
:28:55. > :29:03.second voice come in, I knew I was on to something special. That's why
:29:03. > :29:12.I turned around. Thank you. You guys were fantastic.
:29:12. > :29:16.Thank you. Oh my gosh. Straight away, I was like that's
:29:16. > :29:21.cool, that's dope, then the second voice came in, I was like two-times
:29:21. > :29:25.dope. And then Jessie said, Will, you
:29:25. > :29:29.nationwide to turn around, which is very odd, -- you need to turn
:29:29. > :29:33.around, this is very odd, Jessie never says you need to check this
:29:33. > :29:39.out. Because I really can't see with my back turned. I turned
:29:40. > :29:49.around to see what was going on. I was like that's dope. Three times!
:29:50. > :29:50.
:29:50. > :29:55.Congratulations, that's dope! old are you? I'm 18. I'm 17. Wow,
:29:55. > :30:01.that's dope. Good tones, you blend nicely, I would be excited to work
:30:01. > :30:06.with you. Thank you. Thank you.
:30:06. > :30:09.Where would you class yourselves as far as music goes. We can't think
:30:09. > :30:12.of anyone else like us. I thought that was one of the best things,
:30:12. > :30:16.you sound fresh. You're not trying to sound like
:30:16. > :30:21.somebody else. That's good. That's a very, very good thing. A
:30:21. > :30:27.little bit pitchy, there was a couple of little things. I heard
:30:27. > :30:36.that! That can be nerves, that happens to. When everyone started
:30:36. > :30:46.turning around, I was like oh! is the time you choose one out of
:30:46. > :30:49.
:30:49. > :30:59.the four! We didn't think this would happen. OK, all right.
:30:59. > :31:08.Massive in the music industry, massive, and then a legend. I'm a
:31:08. > :31:18.leg a leg-end. We love the songs you write. We're going for Jessie
:31:18. > :31:23.
:31:23. > :31:28.J! I think they got so excited I turned around, everything went out
:31:28. > :31:35.of the window. This is a challenge, I'm looking forward to make sure
:31:35. > :31:45.anything that distracts them doesn't affect their vocals!
:31:45. > :31:45.
:31:45. > :31:50.wanted Jessie J. I saw her turn around, and I couldn't go on.
:31:50. > :31:54.Jessie is one step close Tory filling her team.
:31:54. > :31:59.Zrb closer to filming her team. But the places and the chances are
:31:59. > :32:02.running out. Can Lindsey Butler's voice make her
:32:02. > :32:06.childhood dreams come true tonight. I have sang since I was a really
:32:06. > :32:11.young girl, I did want to concentrate on trying to get a
:32:11. > :32:15.career together, but I went on to have two beautiful children.
:32:15. > :32:19.I think I have probably always lacked confidence in the way that I
:32:19. > :32:24.look. If you like me and you look like you have had had a couple of
:32:24. > :32:27.children, it is lovely it all being about the voice.
:32:27. > :32:31.The first thing I think of when I wake up in the morning, is The
:32:31. > :32:36.Voice, it is the last thing that goes through my head when I go to
:32:36. > :32:39.sleep tonight T through there is Tom Jones and Will.I.Am, I can't
:32:39. > :32:49.believe it, I'm absolutely nervous, I can't tell you. I really do feel
:32:49. > :33:03.
:33:03. > :33:12.like a ten-year-old again. It is # I can tell by your eyes
:33:13. > :33:18.# That you've probably been crying forever
:33:18. > :33:28.# And the stars in the sky don't mean nothing
:33:28. > :33:30.
:33:30. > :33:40.# To you they're a memyor # I don't wanna
:33:40. > :33:42.
:33:42. > :33:48.# Talk about it # How you broke my heart
:33:48. > :33:54.# If I stay here just a little bit longer
:33:54. > :34:03.# If I stay here won't you listen # Oh
:34:03. > :34:09.# I don't wanna # Talk about it
:34:09. > :34:16.How you broke my heart # Oh
:34:16. > :34:26.# If I stay here just a little bit longer
:34:26. > :34:28.
:34:28. > :34:38.# If I stay here won't you listen # To my heart
:34:38. > :34:58.
:34:58. > :35:04.What's your name? My name is Lyndsey. Very, very nervous, thank
:35:04. > :35:10.you for turning your chair around. You sounded great to me, you have a
:35:10. > :35:15.great tone, and you did wonders with that song. Thank you very much.
:35:15. > :35:18.You put your own stamp on it. you Tom. We're going to beat these
:35:18. > :35:26.people, you are going to be on my team and that's it. Thank you very
:35:26. > :35:31.much. These people! Be under no illusions,
:35:31. > :35:39.the fact that we didn't turn around, you have unincredible voice, what a
:35:39. > :35:44.singer. That is very kind, and you are very, very cute, I have to say.
:35:44. > :35:54.But having said that, you're not as cute as Tom. Nowhere near, sorry!
:35:54. > :36:02.
:36:02. > :36:08.Yes. Tom Jones! Thank you.
:36:08. > :36:13.She's like old-school sipging, like Adel -- singing, like Adele if you
:36:13. > :36:16.like, the straight ahead, pure voice, that is what she has got.
:36:16. > :36:19.Lyndsey takes ninth spot on team Tom. It is more difficult now for a
:36:20. > :36:24.singer to get in front of me, because of the people I have
:36:24. > :36:28.already got. All the coaches have one more voice to find. If they are
:36:28. > :36:31.too cautious they could miss out. It is so hard, you can't see them.
:36:31. > :36:35.If they go too soon, who knows what's waiting in the wings. I hope
:36:35. > :36:40.the next person that comes on the stage hits me with something unique.
:36:40. > :36:44.There is no second chances, no room for error. I could tell a
:36:44. > :36:49.competitive instinct. I need to stay focused on my mission.
:36:49. > :36:53.looking for someone to blow my socks off. It is going to take
:36:53. > :36:57.someone exceptional to complete the coaches' team. Is Harriet Whitehead
:36:57. > :37:02.that special someone. A lot of my friend from school, they listen to
:37:02. > :37:09.very different music to me. If they put their iPod in the little
:37:09. > :37:15.docking station, I try to sneak my iPod in there, no.
:37:15. > :37:17.Festivals added to the love that I already had for music. It is a
:37:17. > :37:22.magical atmosphere, there are bubbles everywhere, there is a
:37:22. > :37:26.massive stage with folk music, echoing around.
:37:26. > :37:32.A little bit of a hippy at heart, definitely.
:37:32. > :37:37.I take it this is mum and dad. you at college or university? No, I
:37:37. > :37:41.didn't go to college. The best experience, I went out and found
:37:41. > :37:48.myself a guitarist and I travel around.
:37:48. > :37:52.I have blur flies, ten to the dozen, just flying around in my stomach.
:37:52. > :38:02.There is a huge audience out there, and I just need to perform, and
:38:02. > :38:10.
:38:10. > :38:14.# 25 years and my life is still # Trying to get up that great big
:38:14. > :38:20.hill # Of hope
:38:20. > :38:25.# For a destination # I realised quickly
:38:25. > :38:28.# When I knew I should # That this world was made above
:38:28. > :38:33.# This brotherhood # Of man
:38:34. > :38:37.# For whatever that means # So I cry sometimes
:38:37. > :38:41.# When I'm lying in bed # Just to get it all out
:38:41. > :38:50.# What's in my head # And I
:38:50. > :38:53.# I I'm feeling a little peculiar # I wake up in the morning
:38:53. > :38:58.And step outside # I take a deep breath
:38:58. > :39:00.# And I get real high # And I scream from the top of my
:39:00. > :39:03.lungs # What's going on
:39:03. > :39:09.# And I said # Hey
:39:09. > :39:17.# I hey # I said hey
:39:17. > :39:23.# What's going on # And I said hey
:39:23. > :39:33.# Hey # I said
:39:33. > :39:37.
:39:37. > :39:47.# Hey what's going on # 25 years and my life
:39:47. > :40:17.
:40:17. > :40:21.# Baby big ray of hope What's your name? My name is
:40:21. > :40:25.Harriet. This competition is so hard, my team is full, I have
:40:25. > :40:29.similar people like you on this film. This show suck that is you
:40:29. > :40:34.can only pick ten people. If I had more space, then I would have pring
:40:34. > :40:38.pressed my button in a flash -- I would have pressed my button in a
:40:38. > :40:42.flash. You have a beautiful, beautiful voice, as Jessie has just
:40:42. > :40:47.said, it is a shame we can only pick ten.
:40:47. > :40:52.How old are you? I'm 17.
:40:52. > :40:56.You see what I'm saying. I think you have a wonderful talent. This
:40:56. > :41:02.is not the last we will see of you. But you have a wonderful voice,
:41:02. > :41:06.thank you for singing for us. you very much Will.
:41:07. > :41:16.You're gorgeous as well, absolutely gorgeous. It is brilliant to be
:41:17. > :41:25.
:41:25. > :41:35.here, thank you very much, very It is so hard, isn't it t17 years
:41:35. > :41:38.
:41:38. > :41:41.Unaware of just how stiff the competition has become is 33-year-
:41:41. > :41:46.old John James Newman. When it comes to being in the spotlight, it
:41:46. > :41:51.is a case of keeping it in the family. My father was in, and still
:41:51. > :41:57.is in a band called The Marmalade. My brother's an actor, currently
:41:57. > :42:03.starring in Waterloo Road, there is always a big performance aspect to-
:42:03. > :42:09.to-my family. I grew up around music, by star tars, studios,
:42:09. > :42:12.looking up to my dad on stage, thinking I just want to be like you.
:42:12. > :42:17.I'm so proud of my father and brother for all they have achieved.
:42:17. > :42:22.They are proud of me. We are a tight family.
:42:23. > :42:32.Nerves before any performance are natural. I have got 90 seconds to
:42:33. > :42:35.
:42:35. > :42:40.perhaps change my life. # I get tired, and upset
:42:40. > :42:45.# I'm trying to care a little less # When I Google
:42:45. > :42:46.# I only get depressed # And I was taught to touch those
:42:46. > :42:49.issues # I was told
:42:49. > :42:53.# Don't worry # There's no doubt
:42:53. > :42:57.# There's always something to worry about
:42:57. > :43:03.# If you're stuck in an angry crowd # They don't think what they say
:43:03. > :43:08.# Before they move on their mouths # Pack up your troubles
:43:08. > :43:13.# And in your old kit bag # Bury them beneath the sink
:43:13. > :43:17.# I don't care what the people may # What the people may say about me
:43:17. > :43:21.# You've got to pack up your troubles
:43:21. > :43:27.# In your old kit bag # Don't worry about it
:43:27. > :43:34.# I don't care about the people what they say about me
:43:34. > :43:38.# This is a little I wrote # I want to sing it note for note
:43:38. > :43:44.# Don't worry # Be happy
:43:44. > :43:48.# Don't worry be happy # They might see
:43:48. > :43:55.# We have to litigate # So don't worry
:43:55. > :43:58.# Be happy # Don't worry be happy
:43:58. > :44:03.# Pack up your troubles # In your old kit bag
:44:03. > :44:13.# Don't worry about the cavalry # I don't care what the mystery
:44:13. > :44:25.
:44:25. > :44:30.says Hello. How are you doing. Your name
:44:30. > :44:35.is, Sir? John James Newman, I'm 33 years old, professional musician,
:44:35. > :44:44.part-time waiter! Did you and Tom phone each other about what to
:44:44. > :44:49.wear! Is it my turn. I thought you sounded great, and your choice of
:44:49. > :44:53.song was great, you came across very strong to me. You know, I need
:44:53. > :45:01.somebody with a voice like you on my team. So if you need me, call
:45:01. > :45:06.me! If you need call me, no matter where you are.
:45:06. > :45:14.You have an incredible voice, so old but so current, song choice, I
:45:14. > :45:20.think, I think you were the one to watch, you have a great, great tone.
:45:20. > :45:30.Who are you going to pick? Oh my, what a very tough decision to make.
:45:30. > :45:34.
:45:34. > :45:40.Between the legend and the leggend! -- the leg-end.
:45:40. > :45:49.You know, you know, I'm going to go with Danny.
:45:49. > :45:57.Tom, thank you. After scores of artists, tough
:45:57. > :46:07.calls and tricky pitches. Team Danny is complete! Can I go home
:46:07. > :46:11.
:46:11. > :46:18.now. Team Danny is completely finished,
:46:18. > :46:21.how do I feel, fantastic. I have got ten children all plonked
:46:21. > :46:25.on my doorstep in the one time, it feels like that, their lives and
:46:25. > :46:34.careers in my hands. I feel like I owe them everything at this stage,
:46:34. > :46:39.and they will definitely get it Coming up:
:46:39. > :46:47.The race to ten become as sprint. I have nine people and I want you
:46:47. > :46:51.to be the last person on my team. The peer pressure is on Will.
:46:51. > :46:54.And a magical conclusion. I can't even describe to you what that
:46:54. > :47:00.means for us musicians to experience something like that, a
:47:00. > :47:06.very emotional time. And hoping to take one of the
:47:06. > :47:09.coveted spots is 19-year-old Ruth Brown, a choir singer from London.
:47:09. > :47:13.I'm a shy and quiet person, but when I sing, people see a really
:47:13. > :47:18.different side to me, that they didn't know existed. What is she
:47:18. > :47:21.like when she's on stage. She's just really, really confident.
:47:21. > :47:30.have definitely got the biggest smile in the competition. There it
:47:30. > :47:35.is, when it breaks it is huge, it is getting even bigger now! Singing
:47:35. > :47:38.has helped me through a lot of bad things. My dad, he died on the 20th
:47:38. > :47:43.of December. Before he died he was trying to help me with my singing
:47:43. > :47:46.career. And I told him that I wanted to do The Voice, and he was
:47:46. > :47:56.happy about what I was doing. I know that he would want me to give
:47:56. > :47:57.
:47:57. > :48:07.it everything. I'm really nervous. Really nervous.
:48:07. > :48:16.
:48:16. > :48:23.I have no choice but to be the best # It's complicated
:48:23. > :48:26.# It always is # That's just the way it goes
:48:26. > :48:32.# Feels like the wait is so long for this
:48:32. > :48:36.# I wonder if it's shows # Head on the water
:48:36. > :48:42.# Now I can't breathe # I never feel so good
:48:42. > :48:47.# Because I can feel it coming over # I wouldn't stop if I could
:48:47. > :48:51.# When love takes over # Yeah
:48:52. > :48:59.# I know you can't deny # When love takes over
:48:59. > :49:03.# Yeah # Something's here tonight
:49:03. > :49:10.# Looking out for you # To hold my hand
:49:10. > :49:13.# It feels like I could go # Love me like I know you can
:49:13. > :49:18.# We can lose it all # When love takes over
:49:18. > :49:28.# Yeah # Something's here
:49:28. > :50:01.
:50:01. > :50:05.Yeah. That note did it for me! Anybody
:50:05. > :50:10.with lungs like that has to be something.
:50:10. > :50:17.What's your name? My name is Ruth. You are a great singer. Thank you.
:50:17. > :50:22.That is why I hit the button, and I want you on my team!
:50:22. > :50:32.You held that note so comfortably, your voice is insane, I love your
:50:32. > :50:50.
:50:51. > :50:54.style, you seem cool, this guy will My baby girl, you've done it.
:50:54. > :51:00.When Ruth came on, I heard something in that girl's voice,
:51:00. > :51:04.that I hadn't heard for a long time. The soul, pours out of it.
:51:04. > :51:08.So Tom hit his button and secured Ruth, and in doing so, has
:51:08. > :51:12.completed his team of ten. My team is strong, and they are the people
:51:12. > :51:16.that I love, and people that I think that I can help with my
:51:16. > :51:25.experience, and I'm going to do as much as possible to make sure that
:51:25. > :51:28.I take it right to the end. Tom and Danny can now only watch as
:51:28. > :51:32.Jessie and Will prepare to fight it out in battle of nerves to grab the
:51:32. > :51:36.very best remaining artists. would love to get another girl,
:51:36. > :51:39.someone with a big, big vocal, somebody that will just is like
:51:39. > :51:44.fireworks on stage. When we are going head-to-head, I hope that
:51:44. > :51:48.Jessie J has a plan, because I have a strategy, with what I'm doing
:51:48. > :51:56.here. I think it is just a matter of waiting. Having my back facing
:51:56. > :52:02.to them, and just going, is this it, is this it! I'm super thrilled with
:52:02. > :52:07.what is going to come, the end will be spectacular. It is on now.
:52:07. > :52:11.Jessie J and Will prepare to do battle, the next artist gets ready
:52:11. > :52:16.to sing, oblivious to the fact she's fighting for one of two
:52:16. > :52:22.remaining places. I'm Becky, I'm 17, and currently studying A-levels in
:52:22. > :52:29.the sixth form. She's a bit like a teenager, like the Kevin and Perry
:52:29. > :52:33.sketch, she went upstairs on the eve of her 13th birthday, a nice,
:52:33. > :52:37.little girl, and came back a stereotypical teenager. I had the
:52:37. > :52:41.worst mood swings going, I get angry over nothing, screaming the
:52:41. > :52:51.house down, and then I wonder why I do it afterwards. Other than that,
:52:51. > :52:55.we love her, she's fine! I don't really remember when I first
:52:55. > :52:59.started singing. But I'm very passionate about what I do. Do I
:52:59. > :53:03.put 100% into it, absolutely. I want to be like Elton John, or
:53:03. > :53:09.Queen. You know, the classic people. I want to be one of those artists
:53:09. > :53:13.that people remember in 50 years time.
:53:13. > :53:19.I'm just a regular 17-year-old and then I get an opportunity like this.
:53:19. > :53:22.When I get on that stage, I hope to God I'm just going to block
:53:22. > :53:32.everything out. I have a feeling it will be
:53:32. > :53:42.
:53:42. > :53:46.She is extremely nervous, but not as nervous as me.
:53:46. > :53:52.# This ain't a movie # No fairytale
:53:52. > :53:57.# Conclusion # Stop confusing me
:53:57. > :54:04.# Sometimes it's heaven sent # Head back to hell again
:54:04. > :54:10.# We kiss and we make up on the way # I had up
:54:11. > :54:17.# You call # We rise and we fall # We feel like just walking away
:54:17. > :54:25.# As all of the we take second chances
:54:25. > :54:34.# Though it's not a fantasy # I still want you
:54:34. > :54:42.# Stay we're just ordinary people # We don't know which way to go
:54:42. > :54:49.# Because we're ordinary people # Maybe we should take it slow
:54:49. > :54:59.# Yeah # We're just ordinary people
:54:59. > :55:00.
:55:00. > :55:10.# We don't know which way to go # Because we're ordinary people
:55:10. > :55:25.
:55:25. > :55:34.Danny is giving her a standing ovation as well.
:55:34. > :55:40.Go on girl. Your name. I'm Becky, I'm 17.
:55:40. > :55:44.Becky, you are the reason I came on this show.
:55:44. > :55:49.OK, here is the deal, I have nine people, and I want you to be the
:55:49. > :55:55.last person on my team. That song is one of my favourite songs, and
:55:55. > :56:02.for you to have sung it on par if not slightly better than the
:56:02. > :56:07.original, at your age, you are 17, I would be excited to help and
:56:07. > :56:17.write songs with you, for you to be able to put that tone into your own
:56:17. > :56:18.
:56:18. > :56:23.melody and journey is, yeah, fantab-alouso. That song is special
:56:23. > :56:28.to me. You wrote it, didn't you. Yes.
:56:28. > :56:32.I must say, phenomenal song. John legend and myself went and wrote
:56:33. > :56:37.that song, and I was talking about a reblgsship that I was in for --
:56:37. > :56:47.relationship I was in for nine years of my life, a person that
:56:47. > :56:48.
:56:48. > :56:54.took care of me when I was broke and poor.
:56:54. > :56:59.Wfrpblgts When he sang it, -- when the Peas sang it, we didn't do it
:56:59. > :57:03.write, just because I wrote a song doesn't mean because I wrote it is
:57:03. > :57:06.mine. I want you on my team, because you are singing it in my
:57:06. > :57:16.life, and she's singing it her way, wow that was beautiful.
:57:16. > :57:18.
:57:18. > :57:28.Thank you. It seems like I have a bit of a
:57:28. > :57:28.
:57:28. > :57:35.decision to make. What are you got to offer? That's a
:57:35. > :57:40.good question. The most important question of the rest of your career.
:57:40. > :57:46.My strengths are my ability to bring and pick the best squad to
:57:46. > :57:53.help you be the best version of you, I did it for Fer gi, e, the Peas, I
:57:53. > :57:58.want to do that for you, in this competition. Thank you.
:57:58. > :58:02.Anything to come back on. What I can say is I have stood in your
:58:02. > :58:05.shoes and know how it feels. I always said I wanted a female that
:58:05. > :58:09.I could look up to, that understands what it is like to be a
:58:09. > :58:12.female in this industry, it isn't easy. I would definitely want to
:58:12. > :58:22.teach you how to enjoy becoming the person and the artist that you
:58:22. > :58:35.
:58:35. > :58:43.deserve to be. OK, I'm going to make my decision.
:58:43. > :58:51.Purely because you are female, Jessie J! You're amazing. Thank you
:58:51. > :58:55.so much. I look forward to working with you. Singing that song.
:58:55. > :59:05.I'm so sorry. Don't be sorry, be proud.
:59:05. > :59:10.
:59:10. > :59:20.She's amazing. Got my ten, just you William.
:59:20. > :59:26.Well done. Jessie J's team has been assembled,
:59:26. > :59:29.Jessie J, team rocker, pull up. I have my ten and they are from young
:59:29. > :59:33.to old, different passions, different stories, different walks
:59:34. > :59:38.of life, and every single one of them touched me in a way that I had
:59:38. > :59:42.to press my buzzer and turn around, I'm excited to be on their journey
:59:42. > :59:47.now. Will is the only coach left in the competition, and still has just
:59:47. > :59:51.one more voice to find. I'm sitting pretty. These guys are maxed out.
:59:51. > :59:57.The other three coaches can only sit and hope that no-one amazing
:59:57. > :00:00.comes through at this late stage. I'm going to be hitting, and they
:00:00. > :00:04.don't have the luxury to follow, because they are maxed. With one
:00:04. > :00:09.more voice to find, Will has to be certain his next push is for the
:00:09. > :00:14.perfect artist to complete his team. Could 21-year-old Chloe Blackwell
:00:14. > :00:17.inspire him to make his move. have been singing since I was 11
:00:17. > :00:21.years old, it is a passion of mine, The Voice has given me a platform
:00:21. > :00:31.to show the world what I can do. I'm ready for it now, I'm raring to
:00:31. > :00:35.
:00:35. > :00:41.# I was so high # I did not recognise
:00:41. > :00:46.# Fire burning in her eyes # The chaos that controlled my mind
:00:46. > :00:54.# This love has taken its hold on # She said goodbye
:00:54. > :00:59.# Too many times before # Her heart is breaking in front of
:00:59. > :01:09.# I have no choice # Because I won't say goodbye any
:01:09. > :01:11.
:01:11. > :01:15.more # Oh yeah
:01:15. > :01:19.# My pressure on your hips # Secure my fingertips
:01:19. > :01:25.# Every inch of you # Because I know that's what you
:01:25. > :01:31.want me to # Do
:01:31. > :01:37.# She said goodbye # Too many times before
:01:37. > :01:47.# Her heart is breaking in front of # I have no choice
:01:47. > :01:59.
:01:59. > :02:03.# Because I won't say goodbye any Your name is? My name is Chloe
:02:04. > :02:07.Blackwell, I'm 21 years old from London.
:02:07. > :02:16.I didn't think there was anything wrong with you, I think you were
:02:16. > :02:25.perfect all the way through. The reason why I didn't hit my button
:02:25. > :02:29.is I'm at nine people, and one away from topping off. And I should have
:02:30. > :02:35.hit it if I was just listening to my mind and my ears, but my gut was
:02:35. > :02:40.saying, just wait off a little bit. When my gut talks to me, I listen
:02:40. > :02:47.to her. Because my gut is my mom! So I
:02:47. > :02:50.listen to my gut, my gut said just hold off, something is gonna come,
:02:50. > :03:00.I'm sorry. But thank you for performing for us.
:03:00. > :03:04.
:03:04. > :03:08.Thank you. I like your share too! -- hair too!
:03:08. > :03:14.Will is determined to follow his heart and trust his instinct.
:03:14. > :03:17.And vying to become his final team member, are expectent dads, Daniel
:03:17. > :03:21.Walker, and Jaz Ellington, a singing teacher. But they have no
:03:21. > :03:27.idea they are fighting for the very last place in the competition.
:03:27. > :03:30.My name is Jaz, I'm 27, I'm a singing teacher. I teach secondary
:03:30. > :03:34.schools and primary schools across London.
:03:34. > :03:36.Gospel definitely is a big influence as to who I am today.
:03:37. > :03:40.Always great thing to sing about what you believe, you sing from
:03:40. > :03:46.your heart. You get to reflect who you are.
:03:46. > :03:50.Yes, my wife is pregnant, she's three months at the moment. If I
:03:50. > :03:54.was to be successful in this competition, it would mean I could
:03:54. > :03:58.turn around and tell my son or daughter, guess what, can you do it,
:03:58. > :04:02.don't let nothing hold you back, go for it. But there is only one spot
:04:02. > :04:06.left, and our other expectent father, Daniel Walker, is also
:04:06. > :04:10.hoping a good outcome will change his family's life forever. This
:04:10. > :04:14.could be a real big chance for me to, you know, do what I love,
:04:14. > :04:21.instead of maybe with the pressures of family life coming, settling for
:04:21. > :04:31.something that I'm less passionate about.
:04:31. > :04:49.
:04:49. > :04:55.It is very important for me to step # Oh
:04:55. > :05:03.# There used to be a great time # Alone on the sea
:05:03. > :05:08.# You became # The light on the dark side of me
:05:08. > :05:12.# Louvre mains the run that's hide not the fear
:05:12. > :05:17.# Did you know # When it snows
:05:17. > :05:20.# My eyes become dark # And the light that you shine be
:05:20. > :05:24.seen # Baby
:05:24. > :05:28.# I compare you to a kiss from a rose
:05:28. > :05:35.# On a hill # The more I get of you the
:05:35. > :05:43.stranger it feels # Now that your rose is in bloom
:05:43. > :05:47.# A light hits the gloom on the hill
:05:47. > :05:54.# I've been kissed by a rose on a grave
:05:54. > :05:58.# I've been kissed by a rose # Baby
:05:58. > :06:04.# I can bring you to a kiss from a rose
:06:04. > :06:11.# The more I get of you the stranger it feels
:06:11. > :06:21.# Now that your rose is in bloom # A light hits the bloom on the
:06:21. > :06:26.
:06:26. > :06:36.hill. Come on, no.
:06:36. > :06:41.
:06:41. > :06:49.Oh my baby. He did so well. He will be so
:06:49. > :06:55.disappointed. Man, I have ten already on my team,
:06:55. > :07:00.I think you did a fantastic job. Thank you, Danny, I really love you.
:07:00. > :07:04.Oh man. I kept looking over at Will come on, press the button. Because
:07:04. > :07:09.you have got such a great voice. That is my life, my lot is my love,
:07:09. > :07:14.I'm very privileged to be here in the first place.
:07:14. > :07:18.I know I didn't turn around, I would love to work with you any way.
:07:18. > :07:23.Anyone who can write something like Price Tag, that is right up my
:07:23. > :07:28.street. First off, thank you for singing
:07:28. > :07:34.and being patient. You know, I'm thinking imagining what it must
:07:34. > :07:44.feel like to wait and practice and get your nerves together to sing in
:07:44. > :07:44.
:07:44. > :07:49.front of people like Tom Jones, who is like. The man. The capital "L",
:07:49. > :07:53.Legend. But you sounded great, yeah, but thank you for singing for us.
:07:53. > :07:57.Thank you, Sir. You are the one I know people back
:07:57. > :08:01.home will be watching this show going you are four idiots up there,
:08:01. > :08:04.what does anybody here know. are far from that, you couldn't be
:08:04. > :08:14.if you tried, I respect all of you to the max, thank you, thank you
:08:14. > :08:43.
:08:43. > :08:49.Baby! It's OK. Are you all right.
:08:49. > :08:57.I love you, you were great. I'm sorry. It's not your fault,
:08:57. > :09:00.it's never your fault. After today, I think I will
:09:00. > :09:03.concentrate to get a job to pay the bills and survive, maybe something
:09:03. > :09:13.I'm less passionate about, and music will have to take second
:09:13. > :09:18.place for now. What a tone he had. I don't even
:09:18. > :09:24.want to talk about it. The guy before was really, really
:09:24. > :09:29.good. Something said like don't go, and you always are supposed to
:09:29. > :09:35.listen to your gut, you're not supposed to ignore it.
:09:35. > :09:40.So will his hi emotional gamble pay off. -- will his emotional gamble
:09:40. > :09:44.pay off, has he sacrificed it on a whim, or will Jaz Ellington be what
:09:44. > :09:54.he's holding out for. When you are thinking about your future, this
:09:54. > :10:04.
:10:04. > :10:07.could be a pretty future. I have to # White lips
:10:07. > :10:13.# Pale face # Breathing in the snowflakes
:10:13. > :10:16.# Burnt lungs # Tall tales
:10:16. > :10:21.# Lights gone # Days end
:10:21. > :10:25.# Struggling to pay rent # Long nights
:10:25. > :10:31.# Strange bed # Because they say
:10:32. > :10:36.# She's in the Class A team # Stuck in her daydream
:10:36. > :10:40.# Been this way since 18 # But maybe
:10:40. > :10:47.# What they say # They can waste it
:10:47. > :10:52.# Crumbling like pastries # They the worst things in life
:10:52. > :10:57.come to us # They are just in the upper hand
:10:57. > :11:00.# A coldman for a couple of grams # We don't want to go outside
:11:00. > :11:05.tonight # If a pipe she flies to the
:11:05. > :11:11.motherland # And sells off to another man
:11:12. > :11:17.# She's too cold outside # For angel to fly
:11:17. > :11:21.# Whoa # To fly
:11:21. > :11:27.# Oh oh yeah # Who
:11:27. > :11:37.# Oh # Angels to fly
:11:37. > :12:11.
:12:11. > :12:19.# To fly A standing ovation, the whole room.
:12:19. > :12:29.Oh my God. It is still going. What's your name. My name is Jaz
:12:29. > :12:32.
:12:32. > :12:38.Ellington. Jaz. Jaz. Hold up, a couple of
:12:38. > :12:42.singers ago, you know, I got a little sad, because I wrote a song
:12:42. > :12:47.called Ordinary People, and it is a piece of my heart, I really wanted
:12:47. > :12:52.that girl to be on my team. So I was kind of like shaken up, and
:12:52. > :12:57.then a real incredible singer came out two singers after her, and I
:12:57. > :13:02.was hesitant to hit the button, I was like, no, don't do it,
:13:02. > :13:06.something else is going to come that's really spectacular. And here
:13:06. > :13:16.you come, just singing like, just like you just fell out of the sky
:13:16. > :13:17.
:13:17. > :13:26.and stuff. Thank you. So, as a lesson to every single
:13:26. > :13:30.person on the planet, follow your gut! Thank you very much Will.
:13:30. > :13:36.Maybe you had like a different person you wanted to be with, but
:13:36. > :13:41.you're stuck with me! And you're in good hands, I'm going to let you do
:13:41. > :13:51.you, and when you need me, I'll be there with all my weapons to shoot
:13:51. > :13:52.
:13:52. > :13:57.down anything that comes our way. Yeah! Thank you. Just humour me, if
:13:57. > :14:04.I had of turned around, would you have picked me. Just humour me.
:14:04. > :14:09.I ask, can you sing something else. No, no, no.
:14:09. > :14:12.Your on my team now, we don't give any strategies away for them to do
:14:12. > :14:20.it. There is no strategy, I'm literally asking because I would
:14:20. > :14:25.love to hear you sing again. Can I sing a bit of John Legend, Ordinary
:14:25. > :14:33.People. # I'm in love with you
:14:33. > :14:36.# This ain't the honeymoon # Past the inand if FA tu Asian
:14:36. > :14:46.phase # -- infatuation phase
:14:46. > :14:53.# At times we get sick of life # Seems like we argue every day
:14:53. > :14:59.# Though I misbehave # And you've made your mistakes
:14:59. > :15:05.# We have to let you go # Less than time takes
:15:05. > :15:13.# I still put you first # We'll make this thing work
:15:13. > :15:23.# I think we should take it slow # We're just ordinary people
:15:23. > :15:25.
:15:25. > :15:30.# We don't know which way to go # Because we're ordinary people
:15:30. > :15:37.# Maybe we should take it slow # Take it slow
:15:37. > :15:47.# Oh # Take it slow
:15:47. > :15:47.
:15:47. > :16:31.Apology for the loss of subtitles for 43 seconds
:16:31. > :16:35.# Oh It is hard to put into words what I
:16:35. > :16:40.just saw. You know, the reason why this show exists, is for moments
:16:40. > :16:43.like that. I know he's not on my team, but I can't even describe to
:16:43. > :16:47.you what that means for us musicians to be up here to
:16:47. > :16:57.experience something like that, very emotional time.
:16:57. > :17:04.
:17:04. > :17:11.You did it. Oh my days. I'm going to cry.
:17:11. > :17:14.Oh my goodness. Do you know what, can I just hug you too.
:17:14. > :17:19.That was the best experience I have ever had on stage, I have never had
:17:19. > :17:22.an experience like that before. long have you been singing? All my
:17:23. > :17:29.life. Could you guys please show him some love, give him a hug or
:17:29. > :17:34.something, please. Here comes a little angel with
:17:34. > :17:39.wings, and eyes that see it in the night, wonderful beautiful owl,
:17:39. > :17:46.that Jaz was, not only did he sing awesome, he also blessed us with a
:17:46. > :17:55.better version of Ordinary People. I knew this would be a good year,
:17:55. > :18:00.even without the baby, I knew this year our lives were going to change.
:18:00. > :18:10.I'm so proud of you. My wife kept me going, man. It is a joint effort,
:18:10. > :18:16.
:18:17. > :18:25.I got the perfect ten, I had a cool nine, but you listen to your gut,
:18:25. > :18:29.not only do you get a great singer, but the dude's name Jaz, his name
:18:29. > :18:36.may fill up the last spot, his name he can sueds exactly what it is
:18:36. > :18:39.that he wants to -- exudes what he wants to do, boom, how do you like
:18:39. > :18:44.them apples. The Blind Auditions are now over, but the coaches'
:18:44. > :18:51.battles with each other are far from finished. Next time on The
:18:51. > :18:56.Voice, it is the battles weekend. The teams are slashed from ten to
:18:56. > :19:00.five. The coaches will personally train their artists. Alongside
:19:00. > :19:05.their trusted advisers. As they prepare for a head-to-head sing-off.
:19:05. > :19:11.I want you to win this battle. this isn't what you do, there is no
:19:11. > :19:15.point you being here. The artists will battle, voice-to-voice. This
:19:15. > :19:20.is hard. Performing the same song at the same time.
:19:20. > :19:24.This is no duet, it is a fight. Then the coaches will face an
:19:24. > :19:29.agonising decision. Who will they take to the live shows. You got
:19:29. > :19:32.soul in a bowl, you got soul on a pole. If I don't make it, I don't
:19:32. > :19:37.know if I'm going to get another chance. And who will they leave
:19:37. > :19:47.behind? The person I'm going to take
:19:47. > :19:53.
:19:53. > :19:58.through to lives with me Another awesome show, make sure you