0:00:03 > 0:00:06Tonight on The Voice, the coaches are feeling the Force.
0:00:06 > 0:00:11I definitely feel that something, gravitationally, is happening this series.
0:00:12 > 0:00:14Everything is happening for a reason.
0:00:14 > 0:00:17Because the stars have aligned.
0:00:20 > 0:00:24Imagine there's a stage, and on that stage, there's a sun.
0:00:25 > 0:00:27And around that sun,
0:00:28 > 0:00:32four coaches orbiting around, because the season is
0:00:32 > 0:00:35to turn that sun into a freakin' superstar.
0:00:35 > 0:00:39RICKY: Certain acts are meant to be with certain coaches.
0:00:39 > 0:00:40PALOMA: It's fate.
0:00:40 > 0:00:41BOY GEORGE: It's destiny.
0:00:41 > 0:00:43Unh! It's the blinds.
0:00:43 > 0:00:46MARVIN: May The Voice be with you.
0:00:49 > 0:00:53MARVIN: So, up first - one girl, one violin, one hope.
0:00:53 > 0:00:5624-year-old Charley Blue from Kent.
0:00:57 > 0:00:59I'm a classically trained musician
0:00:59 > 0:01:02and I've been playing violin since I was seven.
0:01:02 > 0:01:04It's such an amazing instrument, it's so versatile.
0:01:04 > 0:01:05You can do so much with it.
0:01:11 > 0:01:14Beautiful, yeah, amazing! Yeah, yeah!
0:01:15 > 0:01:19I actually started violin because I saw the girls on Top Of The Pops
0:01:19 > 0:01:22and I really wanted to be like them. The blonde violinist, you know.
0:01:22 > 0:01:24I just wanted to be that person.
0:01:24 > 0:01:27All right, Charley, come on, give us a go. Let me have a little look.
0:01:27 > 0:01:29So, this is... Go for it. ..goes on the chin here.
0:01:29 > 0:01:32Yep. Chin there, great.
0:01:32 > 0:01:34EXPERT VIOLIN PLAYING
0:01:38 > 0:01:41Yeah, good! Loved that!
0:01:44 > 0:01:47I really want the violin to be a cool instrument to play,
0:01:47 > 0:01:50so I'm going to be doing a big performance today.
0:02:06 > 0:02:08CHEERING
0:02:21 > 0:02:25# I'm gonna write a little letter Gonna take it to my local DJ
0:02:25 > 0:02:28# Oooh! It's a jumpin' little record
0:02:28 > 0:02:31# I want my jockey to play
0:02:31 > 0:02:32# Come on!
0:02:32 > 0:02:34# Roll over, Beethoven... #
0:02:34 > 0:02:35CHEERING
0:02:35 > 0:02:36# ..again today. #
0:02:36 > 0:02:38Come on, come on!
0:02:43 > 0:02:46# Yo, Beethoven, listen Now you gotta move aside
0:02:46 > 0:02:49# Charley Blue is coming through to give you a ride
0:02:49 > 0:02:51# This is no symphony or classical piece
0:02:51 > 0:02:54# I'm a future winner and I will not cease
0:02:54 > 0:03:00# Yo, turn around, Mozart you need a little break
0:03:00 > 0:03:02# Now is the time to put the quill and ink down
0:03:02 > 0:03:07# And let Charley Blue run this town. #
0:03:07 > 0:03:08Come on!
0:03:18 > 0:03:20Let's go!
0:03:24 > 0:03:28# Roll over, Beethoven Roll over, Beethoven
0:03:28 > 0:03:30# Woo! Roll over, Beethoven
0:03:30 > 0:03:33# Roll over, Beethoven
0:03:33 > 0:03:36# Roll over, Beethoven... #
0:03:36 > 0:03:37CHANTING: Paloma! Paloma!
0:03:37 > 0:03:39# Roll over, Beethoven!
0:03:39 > 0:03:44# Yay, ye-e-eah! #
0:03:44 > 0:03:45Come on!
0:03:45 > 0:03:47CHEERING
0:03:55 > 0:03:58Oh, my goodness!
0:04:05 > 0:04:07RICKY: Hello! Hello, guys!
0:04:07 > 0:04:09Oh, my goodness, I can't believe this.
0:04:09 > 0:04:12What's your name? Charley!
0:04:12 > 0:04:13Charley? Charley. That's my real name.
0:04:13 > 0:04:15Is it really? Well, Charles.
0:04:15 > 0:04:17PALOMA: He thought he'd change his name
0:04:17 > 0:04:19from Charlie to Ricky as a stage name.
0:04:19 > 0:04:21LAUGHTER
0:04:21 > 0:04:23Just for something a bit more exotic.
0:04:28 > 0:04:30LAUGHTER
0:04:30 > 0:04:31Has your violin got a name?
0:04:31 > 0:04:35He's Blue. Blue! Blue, so, I'm Charley Blue!
0:04:35 > 0:04:38Charley Blue, see, that's a good name.
0:04:38 > 0:04:40Aww. I thought it was awesome,
0:04:40 > 0:04:41and three of us turned.
0:04:41 > 0:04:43No idea why you did not turn!
0:04:43 > 0:04:48I was just being, like, ridiculous! I'm sorry, you're wonderful.
0:04:48 > 0:04:49CHEERING
0:04:49 > 0:04:53I just can't believe it. I actually, it's crazy.
0:04:53 > 0:04:56When I turned around, I wasn't expecting you.
0:04:56 > 0:05:03It's quite a nice contradiction,
0:05:03 > 0:05:08A little... You know, it's really nice when you see something
0:05:08 > 0:05:10And you're it.
0:05:10 > 0:05:12CHEERING Thank you!
0:05:14 > 0:05:16I turned around straight away... You did!
0:05:16 > 0:05:17..because, first off, your tone of voice,
0:05:17 > 0:05:22I can already imagine what it can do on other songs.
0:05:22 > 0:05:25And then I was, like, "She has to be playing that fiddle, that violin,
0:05:25 > 0:05:27"because there's a violin solo in the beginning."
0:05:27 > 0:05:31So, I was, like, "Oh, wow. Maybe the song is cool, great, awesome,
0:05:31 > 0:05:32"but there's awesomer songs."
0:05:32 > 0:05:35More awesome... Awesomer. I like that one, how about that?
0:05:35 > 0:05:38We'll stick with that. There's awesomer songs that,
0:05:38 > 0:05:41I know, in this competition, if you pick me,
0:05:41 > 0:05:42you're going to slice it.
0:05:42 > 0:05:44Yes, yes! CHEERING AND APPLAUSE
0:05:46 > 0:05:49The rhyming thing, when you started rhyming over there, I was, like,
0:05:49 > 0:05:53"Wait a second, I don't think they really get what she's capable of." Oh, no, I do.
0:05:53 > 0:06:00Ricky, I think it's time. The rucksack.
0:06:00 > 0:06:07RICKY: No, you've got to join in. Me and Paloma have known each other for years,
0:06:07 > 0:06:09PALOMA: I was 18 and Ricky was... RICKY: Don't tell them!
0:06:09 > 0:06:11PALOMA: 17. Oh, my God!
0:06:11 > 0:06:11RICKY: Uh, I can't remember, was it...
0:06:11 > 0:06:15PALOMA: Yeah. # I'm havin' a rap attack
0:06:15 > 0:06:17BOTH: # I got beats in the back of my rucksack
0:06:17 > 0:06:19# I'm gonna keep it in the air Like a Hacky Sack
0:06:19 > 0:06:21RICKY: # And I'm gonna keep it fresh like a tic-tac
0:06:21 > 0:06:24# Low calorie! Got my face in the National Gallery! #
0:06:24 > 0:06:26LAUGHTER
0:06:26 > 0:06:28Amazing!
0:06:28 > 0:06:29CHEERING I like that!
0:06:29 > 0:06:30That was good, that was amazing.
0:06:30 > 0:06:32RICKY: It's funny what sticks with you.
0:06:32 > 0:06:35PALOMA: That's a funny little rhyme we used to make years ago.
0:06:35 > 0:06:38I probably shouldn't do this, but I think you should go with him.
0:06:38 > 0:06:40LAUGHTER
0:06:43 > 0:06:46I turned because... I keep giving people advice,
0:06:46 > 0:06:49"Don't worry about who you turn for, it will just happen when it happens.
0:06:49 > 0:06:51"When it feels right, it feels right."
0:06:51 > 0:06:54And it just felt really right with you, and I think you've got to
0:06:54 > 0:06:55feel that you're in the right place,
0:06:55 > 0:06:57and I think you're in that place right now,
0:06:57 > 0:06:59because that's where you belong. Well done.
0:06:59 > 0:07:01Wow, thank you so much!
0:07:01 > 0:07:02APPLAUSE
0:07:02 > 0:07:04Going with Ricky would be nice,
0:07:04 > 0:07:06I mean, Ricky's great. Ricky won last season...
0:07:06 > 0:07:08I wouldn't let that sway you, though.
0:07:08 > 0:07:10The season before that, I won.
0:07:10 > 0:07:13Which means, like, you don't win again the next time.
0:07:13 > 0:07:14LAUGHTER
0:07:14 > 0:07:16Oh!
0:07:16 > 0:07:19Tom won the first season, and he didn't win the second season. I'm not Tom, by the way.
0:07:19 > 0:07:21LAUGHTER
0:07:21 > 0:07:23No, no, no... I am! I'm Tom!
0:07:23 > 0:07:25LAUGHTER
0:07:25 > 0:07:27APPLAUSE
0:07:27 > 0:07:30I think you and Will would be such an interesting combination.
0:07:30 > 0:07:31Oh, I think we'd be great.
0:07:31 > 0:07:35I think we could do something great. You know, the violin, the rapping.
0:07:35 > 0:07:37Get some phat beats on there. That's what I want!
0:07:37 > 0:07:40I'm over here! PALOMA: I'm really sorry! Oh, Ricky!
0:07:40 > 0:07:41APPLAUSE
0:07:41 > 0:07:45Sorry, Ricky, but, you know... Yeah, I know... Have you got phat beats?
0:07:45 > 0:07:47I... You know... I'm sorry, sorry!
0:07:47 > 0:07:49Somewhere!
0:07:49 > 0:07:51LAUGHTER
0:07:51 > 0:07:53APPLAUSE
0:07:53 > 0:07:56Thanks, guys! Oh...
0:07:56 > 0:07:57Aaah!
0:08:02 > 0:08:06Hey, guys! OK, um, great. OK.
0:08:06 > 0:08:09This is really hard, because you all are amazing.
0:08:10 > 0:08:13I can't believe it, it's crazy, but,
0:08:13 > 0:08:16I think the coach I'm going to choose is, um...
0:08:19 > 0:08:23..Phat beats. Yeah. Want to do it.
0:08:23 > 0:08:24It's Will!
0:08:24 > 0:08:28CHEERING AND APPLAUSE
0:08:31 > 0:08:34Thank you! You're awesome.
0:08:35 > 0:08:37This way. Where do I go?
0:08:37 > 0:08:39CHEERING AND APPLAUSE
0:08:43 > 0:08:45I thought Charley Blue was kind of eccentric,
0:08:45 > 0:08:48but I think hooking up with will.i.am was a really smart move,
0:08:48 > 0:08:52because it's something that can only be...
0:08:52 > 0:08:53It has to be bonkers.
0:08:53 > 0:08:56CHEERING
0:08:58 > 0:09:00Oh, here we go!
0:09:00 > 0:09:01CROWD: Ooooh!
0:09:01 > 0:09:02# I want a rap attack!
0:09:02 > 0:09:04# Keep my beats in the back of my rucksack!
0:09:04 > 0:09:06# Gonna keep it fresh, like a tic-tac
0:09:06 > 0:09:07# Two calorie!
0:09:07 > 0:09:09PALOMA: # Got my face in the National Gallery! #
0:09:09 > 0:09:12PALOMA: 'I can't even believe that we remember it,'
0:09:12 > 0:09:14because we wrote it 15 years ago.
0:09:16 > 0:09:18All the coaches have this weird connection.
0:09:18 > 0:09:20It's like the six degrees of separation.
0:09:22 > 0:09:27Ricky was my old supervisor from a bar that I used to work in.
0:09:27 > 0:09:29I used to make her carry barrels.
0:09:29 > 0:09:31So I've got a bit of resentment for that.
0:09:31 > 0:09:34I think it kind of made her the woman she is today.
0:09:36 > 0:09:37It's weird, isn't it?
0:09:37 > 0:09:39PALOMA: So, it just goes to show,
0:09:39 > 0:09:45be careful on the way up, because you might meet them on the way down!
0:09:45 > 0:09:49PALOMA: The first time I ever met Boy George, he was DJing.
0:09:49 > 0:09:52And I was really grumpy and I was really desperate to get home,
0:09:52 > 0:09:55and this young girl came up to me and said...
0:09:55 > 0:09:57"George, can I get a picture, please?"
0:09:57 > 0:10:00And he went, "Oh, God, OK."
0:10:00 > 0:10:02I went, "Oh..."
0:10:02 > 0:10:04And she went, "No, not of you, can you take a picture
0:10:04 > 0:10:06"of me and my friend?" And gave me her camera!
0:10:06 > 0:10:08And he just, like, burst out laughing, and he went,
0:10:08 > 0:10:10"You got me, you really got me."
0:10:10 > 0:10:13And I never forgot her. She wasn't famous then, but I never forgot her.
0:10:15 > 0:10:19I feel like myself and Will have this weird connection through hats.
0:10:19 > 0:10:20We're probably related.
0:10:20 > 0:10:24Oh, yeah, yeah. I think we're, like, related.
0:10:25 > 0:10:30# Where is the love? Where is the love? #
0:10:37 > 0:10:40PALOMA: Rate the performances, then challenge other fans, too.
0:10:49 > 0:10:53Our next act isn't scared of the coaches.
0:10:53 > 0:10:55In fact, he's not scared of much at all.
0:10:55 > 0:10:57My name is Chase Morton, I'm 30 years old,
0:10:57 > 0:10:59and I'm a cage fighter.
0:10:59 > 0:11:03Fighting out of the Blue Corner, Chase Morton!
0:11:06 > 0:11:09Mixed martial arts, cage fighting, it's not for everybody.
0:11:09 > 0:11:11It's about who's willing to do what they have to do
0:11:11 > 0:11:13to be the best and to win.
0:11:13 > 0:11:15Love it, it's a good sport.
0:11:17 > 0:11:19I do have a softer side to me.
0:11:19 > 0:11:21From the age of two, my nan raised me.
0:11:21 > 0:11:26She wanted me to be open-minded and understand everybody.
0:11:26 > 0:11:30When you sing, you're letting people know how you feel,
0:11:30 > 0:11:32and I'm not afraid to show my emotions.
0:11:37 > 0:11:43This performance is a fight. Same butterflies, same adrenaline.
0:11:43 > 0:11:44Same doubts.
0:11:46 > 0:11:49At the moment, the coaches are my opponents.
0:11:51 > 0:11:52And I've got to win.
0:12:07 > 0:12:13# Oh, no love, no, no... #
0:12:13 > 0:12:15CHEERING
0:12:15 > 0:12:19# If you want me to stay I'll be around today
0:12:19 > 0:12:24# To be available for you to see
0:12:24 > 0:12:26# I'm about to go
0:12:26 > 0:12:29# And then you'll know
0:12:29 > 0:12:34# For me to stay here I got to be me
0:12:34 > 0:12:38# You'll never be in doubt And that's what it's all about
0:12:38 > 0:12:43# You can't take me for granted and smile, no
0:12:43 > 0:12:48# Count the days I'm gone Forget reachin' for that phone
0:12:48 > 0:12:52# Cos I promise I'll be gone for a while
0:12:52 > 0:12:57# And when I see you again I hope that you have been
0:12:57 > 0:13:02# The kind of person That you really are now... #
0:13:02 > 0:13:04CHEERING
0:13:04 > 0:13:05Yeah, well done!
0:13:05 > 0:13:11# I could never be late For the woman taking up my time
0:13:11 > 0:13:14# Oh, I'll never allow
0:13:14 > 0:13:16# I guess I wonder how
0:13:16 > 0:13:19# I could take a pocket full of fun
0:13:19 > 0:13:21# Hey!
0:13:21 > 0:13:23# And if you want me to stay
0:13:23 > 0:13:24# Come on
0:13:26 > 0:13:29# If you want me to stay Say yeah... #
0:13:29 > 0:13:31Come on, get up!
0:13:31 > 0:13:33# I'll be around today
0:13:35 > 0:13:41# If you want me to think Say yeah! #
0:13:41 > 0:13:43CHEERING
0:13:52 > 0:13:53OK.
0:13:53 > 0:13:55Oh, he's gorgeous!
0:13:57 > 0:14:00You just sang to the biggest Sly Stone fan in the world.
0:14:00 > 0:14:02One of my favourite songs of all time.
0:14:02 > 0:14:06That's how you won me over. How old are you?
0:14:06 > 0:14:0730.
0:14:07 > 0:14:1130, you're kind of young, that's good. You're younger than me!
0:14:11 > 0:14:13What's your name? Chase, my name's Chase Morton,
0:14:13 > 0:14:16from Northampton, but I live in London, representing.
0:14:16 > 0:14:20I'm a professional martial art, I'm a kickboxer. I'm a cage-fighter.
0:14:20 > 0:14:22CROWD: Whooo!
0:14:22 > 0:14:24Oh! I cage-fight, too!
0:14:24 > 0:14:27LAUGHTER
0:14:27 > 0:14:29Really? You can you show me some stuff if you want.
0:14:29 > 0:14:31I don't show my moves. LAUGHTER
0:14:31 > 0:14:34I just demonstrate my moves when I knock people out.
0:14:34 > 0:14:35LAUGHTER
0:14:35 > 0:14:38Thing is, I believe you, I believe you.
0:14:38 > 0:14:40That's how I chipped my tooth right here.
0:14:42 > 0:14:44I got this one more, I got this one move
0:14:44 > 0:14:45where a person come up to me like this,
0:14:45 > 0:14:47and instead of hitting him, I fake him out.
0:14:47 > 0:14:49So I just, like hit him with my tooth.
0:14:49 > 0:14:51And his head got stuck in my front tooth,
0:14:51 > 0:14:53and I was, like, "Get off, get off!"
0:14:53 > 0:14:54LAUGHTER
0:14:56 > 0:14:59Tell me about your performing life.
0:14:59 > 0:15:03Well, the thing is, when I fight, I sing myself out.
0:15:03 > 0:15:04So, I'm the singing MMA fighter.
0:15:04 > 0:15:07What do you prefer, fighting or singing?
0:15:07 > 0:15:09Singing. I love singing.
0:15:09 > 0:15:10CHEERING AND APPLAUSE
0:15:17 > 0:15:19I don't get kicked in anyway.
0:15:19 > 0:15:21LAUGHTER
0:15:21 > 0:15:23Nah, no, seriously...
0:15:27 > 0:15:30I kind of fell into being a professional martial artist,
0:15:30 > 0:15:32but music is always there. It's part of me,
0:15:32 > 0:15:34it's who I am, and I just, I love performing.
0:15:34 > 0:15:38Well, luckily, I'm the only one that turned, so you've got me.
0:15:38 > 0:15:39Welcome to my team!
0:15:39 > 0:15:40CHEERING AND APPLAUSE
0:15:42 > 0:15:45Nice to meet you. Thanks. Thank you so much.
0:15:49 > 0:15:51My mum, she'd love the fact I'm on your team.
0:15:51 > 0:15:53Every Saturday.
0:15:53 > 0:15:57# Karma, karma, karma, karma, karma chameleon... #
0:15:57 > 0:16:00Awesome. We'll see you at the next round, yeah? Thank you very much.
0:16:00 > 0:16:02Well done, babe. See you. AUDIENCE: Show me some moves!
0:16:02 > 0:16:05Show you some moves? OK, do you want to see a move?
0:16:05 > 0:16:08CHEERING
0:16:12 > 0:16:14Come on, I won't hurt you. OK, so, if...
0:16:14 > 0:16:20Hang on, hang on, hang on, I don't want to wear a waistcoat.
0:16:22 > 0:16:24Come on! We're not in a boxing match!
0:16:24 > 0:16:25OK, right, so, what happens is,
0:16:25 > 0:16:28is he's going to grab my hair from behind.
0:16:28 > 0:16:30Grab my hair, grab it tight. He's got my hair,
0:16:30 > 0:16:32and I want to use a technique called a whizzer.
0:16:32 > 0:16:35OK, a very good technique, it will give you some space
0:16:35 > 0:16:36if anyone does attack you.
0:16:36 > 0:16:39OK, so as the whizzer's here, I can't go nowhere. Most people go to pull.
0:16:39 > 0:16:42I want your hand to come over the top. Boom.
0:16:42 > 0:16:43Ahh! Here we go.
0:16:43 > 0:16:46From there, to the floor.
0:16:46 > 0:16:48CHEERING AND APPLAUSE
0:16:50 > 0:16:51You're good, man!
0:16:51 > 0:16:54APPLAUSE
0:16:54 > 0:16:57Thank you. You're welcome. See you soon.
0:16:57 > 0:16:59Paloma's in love now!
0:17:11 > 0:17:12Killed it, man!
0:17:12 > 0:17:14Yes, Boy George!
0:17:14 > 0:17:18And they embraced the fact I'm a mixed martial artist.
0:17:18 > 0:17:29Ricky didn't quite embrace it.
0:17:29 > 0:17:32Next up, Manchester's Canal Street,
0:17:32 > 0:17:35for an act with two faces. Meet Owen Farrow.
0:17:35 > 0:17:39This morning, I got up at an ungodly hour... ALARM BEEPS
0:17:39 > 0:17:41..to get myself ready for my blind audition.
0:17:41 > 0:17:44This is ridiculously early for me.
0:17:44 > 0:17:48I did my usual routine to bring Divina out.
0:17:48 > 0:17:50Doing the base and the contour.
0:17:51 > 0:17:55Painting on the eye-shadow.
0:17:55 > 0:17:58AMERICAN ACCENT: Some big, luscious, juicy lips.
0:18:01 > 0:18:04Hi, how are you? I'm Divina de Campo.
0:18:04 > 0:18:05It's nice to see you all.
0:18:09 > 0:18:11If you don't put the lashes on right,
0:18:11 > 0:18:15you end up looking like Barbra Streisand, halfway through.
0:18:16 > 0:18:17# People... #
0:18:22 > 0:18:25I don't think there's been anybody
0:18:25 > 0:18:28on The Voice so far who's quite like this.
0:18:28 > 0:18:31There's still a misconception that drag queens don't sing,
0:18:31 > 0:18:34or they can't, or they shouldn't.
0:18:34 > 0:18:37Which might be true of one or two of us!
0:18:39 > 0:18:42But hopefully, that's not what people will say about me.
0:18:46 > 0:18:49# ..to paradise
0:18:52 > 0:18:56# I've been to paradise
0:18:56 > 0:19:00# But I've never been to me. #
0:19:03 > 0:19:05There we go! Aww, doesn't he look amazing?
0:19:06 > 0:19:07Look at that frock.
0:19:07 > 0:19:10Look at those heels! Yeah. I'm so proud of him.
0:19:14 > 0:19:18# Poor wand'ring one!
0:19:18 > 0:19:23# Though thou hast surely strayed
0:19:23 > 0:19:25# Take heart of grace... #
0:19:25 > 0:19:27Come on, yes!
0:19:27 > 0:19:33# ..poor wand'ring one
0:19:33 > 0:19:37# Poor wand'ring one
0:19:37 > 0:19:41# If such poor love as mine
0:19:41 > 0:19:44# Can help thee find
0:19:44 > 0:19:46# True peace of mind
0:19:46 > 0:19:49# Why, take it, it is thine!
0:19:51 > 0:19:54# Take heart, no danger low'rs
0:19:54 > 0:19:58# Take any heart but ours
0:19:58 > 0:20:02# Take heart Fair days will shine
0:20:02 > 0:20:05# Take any heart, take mine
0:20:05 > 0:20:12# A-ha-ha-ha-haaaa
0:20:12 > 0:20:16# A-ha-ha-ha-haaaa... #
0:20:16 > 0:20:18CHEERING
0:20:18 > 0:20:22# Ooooh
0:20:22 > 0:20:25# Take heart, take heart
0:20:25 > 0:20:27# Take... #
0:20:27 > 0:20:29This one is definitely for you!
0:20:29 > 0:20:31# ..heart
0:20:31 > 0:20:36# Take mine! #
0:20:36 > 0:20:39CHEERING AND APPLAUSE
0:20:41 > 0:20:42Oh!
0:20:42 > 0:20:44DEEP VOICE: Thank you very much.
0:20:45 > 0:20:48A man?! WILL.I.AM MOUTHS
0:20:48 > 0:20:50A man, yeah.
0:20:55 > 0:20:57Hi. Wow!
0:20:57 > 0:21:01You are so fabulous. What's your name first? Divina de Campo.
0:21:01 > 0:21:04Hello, everybody. Hi, Divina.
0:21:04 > 0:21:08Thank you. You're so beautiful. If I'd have known, I'd have turned!
0:21:08 > 0:21:09Oh, well!
0:21:09 > 0:21:12That was so weird. Because...
0:21:12 > 0:21:17That voice coming out of that...PERSON is just
0:21:17 > 0:21:20so wrong that it's beautifully right.
0:21:20 > 0:21:21LAUGHTER
0:21:21 > 0:21:24I thought you were a much older lady.
0:21:24 > 0:21:26Really?! Yes, I mean... How old are you?
0:21:26 > 0:21:28Oh, is that rude to ask a lady her age?
0:21:28 > 0:21:30No, it's fine. I'm not a lady, babe.
0:21:30 > 0:21:33LAUGHTER AND APPLAUSE
0:21:39 > 0:21:41Yeah, um...
0:21:41 > 0:21:45I'm 32. I'm a little upset for not turning.
0:21:45 > 0:21:49Last year, I had Lucy, so I was like, "Should I repeat that?"
0:21:49 > 0:21:53But then you hit this one vocal acrobatic, and I was like...
0:21:53 > 0:21:56I wanted to hit it, then I was like,
0:21:56 > 0:21:58"Ah, but am I just, like, repeating?"
0:21:58 > 0:22:02But who cares about repeats if something is...awesomer,
0:22:02 > 0:22:05and you obviously are...at the highest level possible.
0:22:05 > 0:22:07APPLAUSE
0:22:07 > 0:22:09Do you just do that style of music, or...?
0:22:09 > 0:22:13No, I sing all kinds of stuff. What language were you singing in?
0:22:13 > 0:22:15That was English. That was English?!
0:22:15 > 0:22:17LAUGHTER
0:22:17 > 0:22:19APPLAUSE
0:22:25 > 0:22:28I'm really keen to hear what other genres you sing in,
0:22:28 > 0:22:31if we can hear a little bit of the others?
0:22:31 > 0:22:34OK. So... Like, a little bit? Just for fun.
0:22:34 > 0:22:40# She got a body like an hourglass but I can give it to you all the time
0:22:40 > 0:22:46# She got a booty like a Cadillac But I can send you into overdrive
0:22:46 > 0:22:53# Been waiting for that Step right up, swing your bat
0:22:53 > 0:22:55# See anybody could be bad to you
0:22:55 > 0:22:59# You need a good girl to blow your mind, yeah
0:22:59 > 0:23:02# Bang bang into the room You know I got it
0:23:02 > 0:23:06# Bang bang all over you You know I want it
0:23:06 > 0:23:09# Wait a minute Let me take you there
0:23:09 > 0:23:10# Wait a minute... #
0:23:10 > 0:23:14Oh, my God, it's Paloma Faith. She just touched me.
0:23:14 > 0:23:18I'm your backing dancer, babe. DIVINA CACKLES
0:23:18 > 0:23:21# Wait a minute till you
0:23:21 > 0:23:23# Bang bang there goes your heart. #
0:23:23 > 0:23:25You're fabulous.
0:23:34 > 0:23:37Hi, baby.
0:23:37 > 0:23:40You know, you're a natural performer. No doesn't work for you.
0:23:40 > 0:23:41You're fine!
0:23:49 > 0:23:53When I turned, I realised that I'd really made a massive mistake.
0:23:53 > 0:23:55Hi!
0:23:55 > 0:23:56Congratulations.
0:23:56 > 0:23:58Well, what a lovely time we've had.
0:23:59 > 0:24:01I think that he's my favourite one
0:24:01 > 0:24:04that I've seen as, like, a whole package.
0:24:04 > 0:24:06They know they made a mistake.
0:24:06 > 0:24:10But there's absolutely no stopping me from being absolutely fabulous.
0:24:12 > 0:24:14I'm so annoyed I didn't spot it!
0:24:14 > 0:24:16BOY GEORGE LAUGHS
0:24:16 > 0:24:19My drag-dar is really failing me! Drag-dar?
0:24:19 > 0:24:20Mine too!
0:24:24 > 0:24:28Where d'you get that? Oh, I brought it with me. It's a little crystal.
0:24:28 > 0:24:31What kind of crystal? I don't know, actually.
0:24:31 > 0:24:33It's a bit of glass that got washed in the sea
0:24:33 > 0:24:35and then ended up looking like that!
0:24:35 > 0:24:40She's such a cynic. It's an old tumbler from IKEA. Paloma Faithless!
0:24:40 > 0:24:42Got washed up on a beach.
0:24:42 > 0:24:43HE LAUGHS
0:24:44 > 0:24:47I said, "Do you believe in God?" she said, "I believe in shoes."
0:24:47 > 0:24:49LAUGHTER
0:24:49 > 0:24:51That's what we're dealing with!
0:24:56 > 0:24:59My name's Megan Reece. I'm 28 and I'm from Wolverhampton.
0:25:01 > 0:25:04I like to always be glamorous. I'm very girlie.
0:25:04 > 0:25:07I'm never sat in my pyjamas. I'm always ready, good to go.
0:25:07 > 0:25:08You never know what can happen next.
0:25:10 > 0:25:13That's a great game. I've got four boys. Don't go too close.
0:25:13 > 0:25:17I love being a mum. My boys are very much my world, as you can imagine.
0:25:17 > 0:25:19I never thought I'd have so many children.
0:25:19 > 0:25:22It just sort of...turned out that way. I wouldn't change anything.
0:25:24 > 0:25:26When I'm not juggling the school runs and dinner money
0:25:26 > 0:25:30and everything else, I love to paint and it's my way of winding down.
0:25:32 > 0:25:36So, I've just done that one last week. That's amazing!
0:25:36 > 0:25:39So that's Paloma. Brilliant. And I've also got a present for you, Marvin.
0:25:39 > 0:25:41Oh, really? I have.
0:25:41 > 0:25:44I just did you a little caricature. What do you think of that?
0:25:44 > 0:25:47Yeah, it's good. The hairline's straight.
0:25:47 > 0:25:48The hairline's straight. Which is good.
0:25:48 > 0:25:51I've been looking at you all week to get that right.
0:25:51 > 0:25:53It's brilliant.
0:25:53 > 0:25:55Singing is my first love. When I sing,
0:25:55 > 0:25:59it just feels like that's what I was destined to do.
0:25:59 > 0:26:00The boys are really excited
0:26:00 > 0:26:03that I'm going to be having my blind audition.
0:26:03 > 0:26:05I'm doing it to show them
0:26:05 > 0:26:07that if you work hard, you can achieve anything.
0:26:12 > 0:26:14Come on, Megan, come on! Come on, baby.
0:26:30 > 0:26:33# Heavy words, little lies
0:26:33 > 0:26:37# Telling everything but the truth
0:26:37 > 0:26:40# The truth... #
0:26:43 > 0:26:47# ..Overheard and overused
0:26:47 > 0:26:49# Used
0:26:49 > 0:26:52# No sweet nothing
0:26:52 > 0:26:56# Could ever be turned into something new
0:26:59 > 0:27:02# I know what I got and I know where we're going
0:27:02 > 0:27:05# You don't need to show it I already know it all
0:27:05 > 0:27:10# It's what you don't do It's what you don't say
0:27:10 > 0:27:11# Yeah... #
0:27:11 > 0:27:15This is real, isn't it? Yeah, it is, mate. It's real, man, it's real.
0:27:15 > 0:27:21# It's what you don't do It's what you don't say
0:27:22 > 0:27:25# Oh, ooh
0:27:25 > 0:27:32# It's what you don't do The games you don't play... #
0:27:32 > 0:27:33Press it, press it, press it!
0:27:33 > 0:27:35# I know you love me, I don't need proof. #
0:27:40 > 0:27:42Thank you so much.
0:27:47 > 0:27:48Oh, my gosh.
0:27:48 > 0:27:52Hello, gorgeous girl. Hello, gorgeous woman!
0:27:52 > 0:27:54What's your name and where are you from?
0:27:54 > 0:27:57My name's Megan Reece and I'm from Wolverhampton. Great.
0:27:57 > 0:28:00What was it that brought you to the show?
0:28:00 > 0:28:03Like, tell us a bit about yourself.
0:28:03 > 0:28:05Well, I've got four children, so for the last... Wow!
0:28:05 > 0:28:09For the last few years, I've been busy with that. Hot mom!
0:28:09 > 0:28:11Thanks, Will! You're not so bad yourself!
0:28:14 > 0:28:17Are you a performer already? I do sing, yeah.
0:28:17 > 0:28:20I've been gigging for the last few years.
0:28:20 > 0:28:22I have a guitarist and, um, we do our thing.
0:28:22 > 0:28:27And I'm an artist as well, so that's my day job. Painting? Painting, yeah.
0:28:27 > 0:28:30Wow! Painting is just a love of mine, an actual love.
0:28:30 > 0:28:32I've actually got a gift for all of you.
0:28:32 > 0:28:34I brought you all a picture. Thank you!
0:28:34 > 0:28:36APPLAUSE
0:28:39 > 0:28:43Ricky. I love it! Thank you. It's OK.
0:28:43 > 0:28:46You were so good. I love it. I'm going to get...
0:28:46 > 0:28:48Aren't we supposed to be schmoozing YOU at this point?
0:28:51 > 0:28:52Lifelike, right?
0:29:00 > 0:29:02Well, you're absolutely fabulous. Thank you so much.
0:29:02 > 0:29:08Do you know I used to be an art teacher?
0:29:08 > 0:29:10He still dresses like one as well, doesn't he?
0:29:10 > 0:29:12LAUGHTER
0:29:12 > 0:29:14Yes, sir. It's more supply teacher.
0:29:17 > 0:29:19I thought your performance was really great.
0:29:19 > 0:29:24You could hear that once we'd turned, you were like, "Oh, God!"
0:29:24 > 0:29:28Yeah. But it was, like, so brilliant and you've got a great voice
0:29:28 > 0:29:32and I just think you're wonderful. Thank you so much.
0:29:32 > 0:29:35That means a lot to me. So you've got four kids.
0:29:35 > 0:29:38Yeah, they're all at home waiting for me to call them and...
0:29:38 > 0:29:41When you call them, who're you going to say you're going with, I wonder?
0:29:41 > 0:29:45Well, I'm yet to hear the pitch, aren't I? Oh, yeah, yeah, yeah, yeah.
0:29:45 > 0:29:46I'm going to sell my wares to you. Oh!
0:29:46 > 0:29:49So, first of all, I think I'm a woman's woman
0:29:49 > 0:29:52and I love empowering women.
0:29:53 > 0:29:58And I also love the sound of the fact that you're creative.
0:29:58 > 0:29:59Personally, in my world,
0:29:59 > 0:30:04I always have so much input into the visual and, like, the dramaturgy
0:30:04 > 0:30:08of performance. Being involved with lights and visuals
0:30:08 > 0:30:11and everything is like painting, for me.
0:30:11 > 0:30:15If you're into painting, then I'd love to paint with you.
0:30:15 > 0:30:19Thank you. Thank you, Paloma.
0:30:24 > 0:30:29I'm really interested in, you know, developing you as a singer.
0:30:29 > 0:30:30You know, it's great that you do art
0:30:30 > 0:30:33and it's always good to have something to fall back on,
0:30:33 > 0:30:35but I would concentrate more on the voice
0:30:35 > 0:30:39and I'm crazy enough to take it to the end.
0:30:39 > 0:30:41I'm very passionate about what I do.
0:30:41 > 0:30:44I've been doing this for a long time. Yeah. Over 30 years.
0:30:44 > 0:30:47I've sung with some amazing soul singers -
0:30:47 > 0:30:49Luther Vandross, Stevie Wonder, Smokey Robinson...
0:30:49 > 0:30:51APPLAUSE
0:30:51 > 0:30:54I know about soul music. That's my pitch.
0:30:54 > 0:30:55Woo!
0:30:55 > 0:30:57APPLAUSE
0:30:57 > 0:30:59Damn!
0:30:59 > 0:31:02If we're going to go there, um, I've also sung with...
0:31:02 > 0:31:04LAUGHTER
0:31:04 > 0:31:05The Wombles!
0:31:05 > 0:31:07I have sung with Prince, so, anyway.
0:31:09 > 0:31:10I've slept with Prince.
0:31:10 > 0:31:12LAUGHTER AND APPLAUSE
0:31:14 > 0:31:16Oh, gosh!
0:31:18 > 0:31:19I'm not serious!
0:31:20 > 0:31:26What I mean is...I slept with a Purple Rain poster on my wall.
0:31:26 > 0:31:28LAUGHTER
0:31:28 > 0:31:31Oh, my goodness me.
0:31:31 > 0:31:32Wow.
0:31:32 > 0:31:37I think follow your heart. I know I have to follow my heart.
0:31:37 > 0:31:38You're good either way.
0:31:38 > 0:31:41I'm so happy that you turned for me. Thank you so much.
0:31:45 > 0:31:48I think the person I'm going to choose...
0:31:50 > 0:31:51..is...
0:31:58 > 0:32:00..Paloma. Thank you!
0:32:00 > 0:32:02I'm so happy. Thank you, Boy George.
0:32:23 > 0:32:27It's so good, your performing. We're going to have a lot of fun.
0:32:32 > 0:32:36I knew she was going to go with Paloma and I was absolutely right.
0:32:36 > 0:32:38I can really read people.
0:32:38 > 0:32:40You know, and I've known all day
0:32:40 > 0:32:43whether I'm going to get someone or not and I've been right every time.
0:32:43 > 0:32:46That was so good, George. "I slept with Prince"!
0:32:46 > 0:32:49LAUGHTER
0:32:54 > 0:32:57I don't know where that came from. It's not true.
0:32:57 > 0:32:59"Boy George in Prince shocker!"
0:32:59 > 0:33:02MUSIC: Kiss by Prince
0:33:06 > 0:33:08Liverpool's come up with a few pop stars.
0:33:08 > 0:33:11Can retired Stevie Calrow join them?
0:33:12 > 0:33:14Being retired is great.
0:33:14 > 0:33:18I'm still out there playing the music, still doing the gigs.
0:33:18 > 0:33:21You're as young as you feel and I feel about 20 when I start singing.
0:33:21 > 0:33:25Pleasure to meet you. And you, sir. How long have you been singing for?
0:33:25 > 0:33:27Been singing since I was 16 years old.
0:33:27 > 0:33:30I was a guitar vocalist and then I worked in big bands,
0:33:30 > 0:33:31where I learned how to sing properly.
0:33:34 > 0:33:37I've had a 60-year apprenticeship doing what I'm doing, cos growing up
0:33:37 > 0:33:41in Liverpool in the late '50s and '60s, there was music everywhere.
0:33:41 > 0:33:42It just exploded.
0:33:45 > 0:33:49In 1960, when I was in the Cavern, I got a shout out from the DJ
0:33:49 > 0:33:53at the time to go down to the band room and perform with The Beatles.
0:33:53 > 0:33:56Are you serious? I really am serious. THE Beatles?
0:33:56 > 0:33:59I did, and I told everybody. Nobody believed me.
0:33:59 > 0:34:01Your granddaughters believed you. No, they didn't!
0:34:01 > 0:34:05They never believed me, but I said, "Listen, I did. I did."
0:34:05 > 0:34:08"I DID sing with The Beatles, three songs!"
0:34:08 > 0:34:11So you could have been the fifth Beatle? Yeah.
0:34:13 > 0:34:15It was the best backing I've ever had in my life.
0:34:15 > 0:34:17Absolutely fantastic.
0:34:18 > 0:34:19And a memory to treasure.
0:34:21 > 0:34:23HE CHUCKLES
0:34:23 > 0:34:26How do you feel about Dad? Really proud of him, yes.
0:34:26 > 0:34:29This could be his opportunity he's been waiting for all his life.
0:34:29 > 0:34:30Absolutely.
0:34:33 > 0:34:36At 74, music still runs through me.
0:34:37 > 0:34:40I'd like to sing till they say to me, "Look, you're really
0:34:40 > 0:34:43"going to have to stop singing, we're trying to get the lid down."
0:34:46 > 0:34:49Whatever happens tonight, I'm going to still sing tomorrow.
0:35:12 > 0:35:15# Those fingers in my hair
0:35:16 > 0:35:19# That sly come-hither stare
0:35:20 > 0:35:25# That strips my conscience bare It's witchcraft
0:35:28 > 0:35:33# And I've got no defence for it
0:35:33 > 0:35:37# The heat is too intense for it
0:35:37 > 0:35:40# What good would common sense for it do?
0:35:43 > 0:35:45ENCOURAGING CHEERS
0:35:47 > 0:35:49# That crazy witchcraft
0:35:52 > 0:35:55# And although I know
0:35:55 > 0:36:01# It's strictly taboo
0:36:01 > 0:36:05# When you arouse the need in me
0:36:05 > 0:36:09# My heart says "Yes, indeed" in me
0:36:09 > 0:36:15# "Proceed with what you're leadin' me to"
0:36:18 > 0:36:21# It's such an ancient pitch
0:36:22 > 0:36:26# But one I'd never switch
0:36:26 > 0:36:32# Cos there's no nicer witch than you. #
0:36:37 > 0:36:40CHEERING AND APPLAUSE
0:36:46 > 0:36:48Thank you so much.
0:36:48 > 0:36:50Oh, hello!
0:36:52 > 0:36:56Hello. What's your name? You're gorgeous. Stevie Calrow.
0:36:56 > 0:36:58You all right? Hello, Stevie.
0:36:58 > 0:37:00I'd like to thank one of the best bands
0:37:00 > 0:37:03I've ever played with, ever. They are so, so good.
0:37:03 > 0:37:06And a gentleman as well. Yeah, a real gentleman.
0:37:06 > 0:37:08That was wonderful.
0:37:08 > 0:37:11I have to say, the quality of your voice, the rasp,
0:37:11 > 0:37:14it sounds like a sax. It's original.
0:37:14 > 0:37:16And the reason why I didn't turn is not
0:37:16 > 0:37:18because you're not super awesome.
0:37:18 > 0:37:20You don't think I'm going to live that long.
0:37:20 > 0:37:25LAUGHTER AND APPLAUSE
0:37:25 > 0:37:27I know. You don't have to explain.
0:37:29 > 0:37:31No, no. You're funny as well!
0:37:34 > 0:37:35Yeah, your voice is amazing
0:37:35 > 0:37:38and thanks so much for coming on the show.
0:37:42 > 0:37:45How did you end up on this stage? Like, where did it all start?
0:37:45 > 0:37:48I did my first gig when I was 16 in the Dove Olive pub in Speke.
0:37:48 > 0:37:52And I sang Old Shep, an old Elvis number.
0:37:52 > 0:37:54I was at Butlins, I was a redcoat with Jimmy Tarbuck
0:37:54 > 0:37:56and I sang three songs with The Beatles...
0:37:56 > 0:37:59Really?! ..in 1962. Wow!
0:37:59 > 0:38:01CHEERING AND APPLAUSE
0:38:01 > 0:38:04But no-one believed me and for years I've told people,
0:38:04 > 0:38:07"I sung with The Beatles," and they were, "Yeah, didn't we all(?)"
0:38:07 > 0:38:11No, I did. And the thing is, I've just loved playing in bands.
0:38:11 > 0:38:17It's so rare to be able to play in a band with 15-, 12-piece orchestra,
0:38:17 > 0:38:19because it doesn't happen any more. I agree.
0:38:19 > 0:38:22And I'm so blessed because, the age I am now...
0:38:22 > 0:38:26What is that age, if you don't...? 74, guys.
0:38:26 > 0:38:27APPLAUSE
0:38:27 > 0:38:31Own hips and own knees and the voice still stands up.
0:38:31 > 0:38:35Well, wonderful. I couldn't tell how old you were at all.
0:38:35 > 0:38:37I thought you were a veteran.
0:38:37 > 0:38:39I could tell that there was a quality,
0:38:39 > 0:38:41experienced person singing there.
0:38:41 > 0:38:45You sound so young. Thanks very much for that.
0:38:45 > 0:38:47# You make me feel so young... #
0:38:47 > 0:38:48Yeah. Paloma, you swing along.
0:38:48 > 0:38:51# You make me feel there's songs to be sung... #
0:38:51 > 0:38:54I play in a trio in Liverpool and he said to me,
0:38:54 > 0:39:02"You know what? Paloma, she's a swinger."
0:39:03 > 0:39:06You know, this show has got a reputation for the girls
0:39:06 > 0:39:10flirting with the acts. Yeah. This was a prime opportunity for me.
0:39:10 > 0:39:15My wife's out there, somewhere, so don't push it. Oh, no!
0:39:17 > 0:39:20It is such a rewarding experience to sing great songs,
0:39:20 > 0:39:23with great music and great guys like that. Well done. Awesome.
0:39:23 > 0:39:25Thank you very much. Cheers.
0:39:27 > 0:39:35Can someone help me down? I'll help you. Come on.
0:39:35 > 0:39:37Amazing. That voice. Awesome.
0:39:37 > 0:39:39Come down the last step. OK, yeah. That's it.
0:39:42 > 0:39:46There we go. Lovely to meet you. Thank you. Bye-bye, Paloma.
0:39:48 > 0:39:56What a great voice. Gorgeous bloke.
0:39:59 > 0:40:01I'm made up.
0:40:06 > 0:40:09Loved his voice. It was kind of hard to fault it, you know.
0:40:09 > 0:40:10It's been a pleasure. Take care.
0:40:10 > 0:40:13Maybe we'll see you again soon, yeah?
0:40:13 > 0:40:16You are never going to keep me away. I'll keep you to that. Bye-bye, now.
0:40:16 > 0:40:19Cheers, guys, bye-bye, take care. Come on, everyone. Back to Liverpool.
0:40:19 > 0:40:21Safe journey, bye-bye.
0:40:21 > 0:40:27It's down Essex way, now, with 22-year-old Lydia Lucy.
0:40:27 > 0:40:30I live at home with my parents and my brother Luke.
0:40:30 > 0:40:31We are a really close family.
0:40:31 > 0:40:35Whenever we're all together, it's just Essex banter, really.
0:40:35 > 0:40:40CHAIR SQUEAKS Excuse me? Who picked these chairs?
0:40:43 > 0:40:46and we just have such a laugh together. We're very close.
0:40:46 > 0:40:49Yes, bruv. You know. He's also a singer.
0:40:49 > 0:40:52That's sort of how I got into singing, through watching him.
0:40:54 > 0:40:57Lydia is a little bit more feisty out of the two.
0:40:59 > 0:41:02My mum says I'm like a little Jack Russell.
0:41:02 > 0:41:05They're great kids. I'm just so, so proud of both of them.
0:41:09 > 0:41:11Tissue?
0:41:17 > 0:41:20I want to be successful in music.
0:41:22 > 0:41:24There's nothing else that I would want to do
0:41:24 > 0:41:26and I'm ready to take my chance.
0:41:29 > 0:41:31Come on, Lydia!
0:41:43 > 0:41:50# Yea-ea-ea-ea-ea-eah
0:41:51 > 0:41:54I shoulda known you were bad news
0:41:54 > 0:41:56From the bad boy demeanour and the tattoos
0:41:56 > 0:41:59Cos most guys only want one thing
0:41:59 > 0:42:01But I'm undecided Trying to figure out if that's you
0:42:01 > 0:42:03Either way, though, I think you're worth a test drive
0:42:03 > 0:42:06Cos in a way you're so much better than the next guy
0:42:06 > 0:42:08And a little trouble only makes for a good time
0:42:08 > 0:42:10So all the normal red flags...
0:42:10 > 0:42:13# Don't you come here thinking you ballin'
0:42:13 > 0:42:16# Ain't down for it
0:42:16 > 0:42:18# You seem like trouble to me
0:42:18 > 0:42:21# I can tell by the way that you lean
0:42:21 > 0:42:23# And the way that you kiss your teeth
0:42:23 > 0:42:25# And you turn up so fresh and clean
0:42:25 > 0:42:29# Smells like trouble to me
0:42:29 > 0:42:32I shoulda known you were bad news
0:42:32 > 0:42:35# I knew you were bad news
0:42:36 > 0:42:39# Just cos all the girls are falling at your feet
0:42:39 > 0:42:41# Don't mean nothing to me
0:42:41 > 0:42:43# Till you show me what I've got
0:42:43 > 0:42:45# Trouble to me
0:42:45 > 0:42:48# Just cos all the girls are falling at your feet
0:42:48 > 0:42:50# Don't mean nothing to me
0:42:50 > 0:42:56# Till you show me what I've got
0:42:57 > 0:42:59# Don't you come here thinking you're ballin'... #
0:42:59 > 0:43:01Oh, Ricky's gone!
0:43:01 > 0:43:03# Ain't down for that
0:43:03 > 0:43:06# You seem like trouble to me
0:43:06 > 0:43:08# I can tell by the way that you lean
0:43:08 > 0:43:11# And the way that you kiss your teeth
0:43:11 > 0:43:13# And you turn up so fresh and clean
0:43:13 > 0:43:16# Smells like trouble to me. #
0:43:16 > 0:43:21APPLAUSE AND CHEERING
0:43:22 > 0:43:25Go on, Lydia.
0:43:25 > 0:43:32APPLAUSE AND CHEERING
0:43:38 > 0:43:41Hello. Hi. What's your name? My name is Lydia Lucy.
0:43:41 > 0:43:43I'm 22 and I'm from Essex.
0:43:44 > 0:43:46Woo!
0:43:48 > 0:43:50You deserved a four turner.
0:43:50 > 0:43:53Speaking of Turners, you've got the power of Tina Turner.
0:43:55 > 0:43:58I would love for you to be on my team. You're amazing.
0:44:00 > 0:44:03I think you're gorgeous. I didn't press the button. I'm sorry.
0:44:03 > 0:44:07I just felt like I didn't have much to offer you.
0:44:07 > 0:44:10That's just me, so, ignore me.
0:44:10 > 0:44:12All these people think you're amazing
0:44:12 > 0:44:14and everyone in the room thinks you're amazing.
0:44:14 > 0:44:16Thank you.
0:44:16 > 0:44:19Do you perform? You know, how long have you been doing this?
0:44:19 > 0:44:21Yeah, I've been performing all my life, really.
0:44:21 > 0:44:25From about the age of seven, I've been doing, like, talent shows
0:44:25 > 0:44:28and then I started gigging, doing different gigs around Essex
0:44:28 > 0:44:31and then spreading out a little bit more, so...
0:44:31 > 0:44:33I mean, I turned because I thought you were an amazing singer.
0:44:33 > 0:44:35Thank you so much. Amazing.
0:44:37 > 0:44:39I like how fiery you came out.
0:44:39 > 0:44:42The rhymes were cool and there was a lot of attitude and spunk
0:44:42 > 0:44:47and crazy, fresh personality and your singing is like, wowzers!
0:44:47 > 0:44:48Like, seriously.
0:44:51 > 0:44:54There's a singer Paloma has, named Beth.
0:44:54 > 0:44:57She came out with animal print.
0:44:57 > 0:45:01She's fierce, like, seriously fierce competition
0:45:01 > 0:45:05and I promise you, that if you come to me, you'll have all the attention
0:45:05 > 0:45:09to make sure that you could combat Beth.
0:45:09 > 0:45:10Thank you.
0:45:15 > 0:45:19So...
0:45:19 > 0:45:22This is my third year and in the first and the second year,
0:45:22 > 0:45:26to be honest, sometimes if I saw Will turn, I wouldn't want to turn,
0:45:26 > 0:45:29for ego reasons, because I knew I wouldn't be able to win you over.
0:45:29 > 0:45:31But when a singer is as good as you,
0:45:31 > 0:45:36I can't let my ego get in the way of turning, because it was important
0:45:36 > 0:45:41to turn and I know that, on paper, you're going to go with Will.
0:45:41 > 0:45:44I'm not going to give up that easy and you know what I can do
0:45:44 > 0:45:48and you know what I'm capable of and I will do that for you, so...
0:45:48 > 0:45:49Thank you.
0:45:49 > 0:45:52APPLAUSE AND CHEERING
0:45:52 > 0:45:55Argh!
0:46:07 > 0:46:09Thank you so much for all your comments.
0:46:12 > 0:46:15APPLAUSE AND CHEERING
0:46:22 > 0:46:24Erm...
0:46:25 > 0:46:28The person I'm going to go with...
0:46:31 > 0:46:33..is Will.
0:46:33 > 0:46:36APPLAUSE AND CHEERING
0:46:40 > 0:46:43Seriously, super dope. Well done. Lovely voice.
0:46:43 > 0:46:45Super girl. Seriously.
0:46:51 > 0:46:52You like this one.
0:46:58 > 0:47:01Lydia Lucy has what it takes to be a genuine artist
0:47:01 > 0:47:05out there in the world. The girl is fierce. She's super dope.
0:47:05 > 0:47:09I'm really happy. I bet you are. Oh, my goodness.
0:47:09 > 0:47:11Of course she's going to go with Will.
0:47:13 > 0:47:15Some things aren't meant to be.
0:47:16 > 0:47:19She was really good but she was going to go with you,
0:47:19 > 0:47:21so there was no point fighting.
0:47:24 > 0:47:27Sometimes, you know, the things that you want
0:47:27 > 0:47:29are not the things that you need.
0:47:29 > 0:47:30You know what I mean?
0:47:30 > 0:47:33So, maybe the Buddhist gods are actually protecting me
0:47:33 > 0:47:36and I really feel like I'm going to find someone amazing.
0:47:42 > 0:47:45Well, I believe in energy, so crystals are really good.
0:47:45 > 0:47:46I've got a lot of them in my life.
0:47:46 > 0:47:49I can see George with a crystal ball.
0:47:49 > 0:47:51He's a very spiritual man.
0:47:54 > 0:47:55Well, call me a cynic,
0:47:55 > 0:48:00but I really believe poor George has fallen for some con artist.
0:48:03 > 0:48:08Star signs, they're very useful to get the measure of people.
0:48:08 > 0:48:12Paloma is 100% a Cancer. Ricky is a Capricorn.
0:48:12 > 0:48:15I don't even know what that means. So, quite practical.
0:48:15 > 0:48:16I am very practical.
0:48:17 > 0:48:21And Will is Pisces, so, quite creative,
0:48:21 > 0:48:22likes to swim with the tide.
0:48:24 > 0:48:27I really, really believe in astrology.
0:48:27 > 0:48:29I'm into astronomy, definitely.
0:48:29 > 0:48:32Er, Will, it's astrology.
0:48:32 > 0:48:35'This is Houston, contact with Test 1. Roger, you're live...'
0:48:35 > 0:48:40I'm into, like, where the Earth is when it's travelling around the Sun.
0:48:40 > 0:48:45# There's a star man waiting in the sky
0:48:45 > 0:48:50# He'd like to come and meet us but he thinks he'd blow our minds... #
0:48:52 > 0:48:56My name is Janine Dyer. I'm 38 and I'm a full-time mum.
0:48:57 > 0:49:00I love it, but it's quite a busy job.
0:49:01 > 0:49:04My boys are always on the go and my little girl,
0:49:04 > 0:49:06she's just a little terror.
0:49:06 > 0:49:10My husband is Bruce Dyer, he's an ex-professional footballer.
0:49:10 > 0:49:14Bruce was the first-ever teenager to be signed for ?1 million
0:49:14 > 0:49:17in the country at the time, which was a really great achievement.
0:49:17 > 0:49:19I am so not a WAG.
0:49:19 > 0:49:21I'm not interested in football. Well, I wasn't then, even.
0:49:21 > 0:49:25And I was like, Barnsley or Crystal Palace? Who are they?
0:49:25 > 0:49:27I don't even know who they are.
0:49:30 > 0:49:32Bruce, you've had your successful years,
0:49:32 > 0:49:35but is it now a role reversal, now, for Janine?
0:49:35 > 0:49:37Yeah, I think it's Janine's moment.
0:49:37 > 0:49:39She's made a lot of sacrifice over the years.
0:49:39 > 0:49:41It's my time to do my bit with the kids.
0:49:44 > 0:49:47Looking after my family, I've had to put things on hold
0:49:47 > 0:49:49but now this really is my time.
0:49:49 > 0:49:50I'm going to do this for me.
0:50:08 > 0:50:11PIANO STARTS
0:50:13 > 0:50:18# When you're weary
0:50:20 > 0:50:23# Feeling small
0:50:25 > 0:50:30# When tears are in your eyes
0:50:33 > 0:50:37# I will dry them all
0:50:37 > 0:50:38# Oh
0:50:40 > 0:50:44# I'm on your side
0:50:44 > 0:50:53# Oh, when you're feeling down and out
0:50:53 > 0:51:00# And friends just can't be found
0:51:00 > 0:51:07# Like a bridge over troubled water
0:51:08 > 0:51:11# I will lay me down
0:51:13 > 0:51:21# Like a bridge over troubled water
0:51:21 > 0:51:29# I will lay me down
0:51:30 > 0:51:37# Like a bridge over troubled water
0:51:37 > 0:51:45# I will lay me down. #
0:51:49 > 0:51:54APPLAUSE AND CHEERING
0:52:04 > 0:52:06Thank you. My name is Janine.
0:52:06 > 0:52:10Janine Dyer. And where do you come from?
0:52:10 > 0:52:12I'm from London, originally, but I live in Yorkshire now,
0:52:12 > 0:52:15just outside Sheffield. Yorkshire!
0:52:15 > 0:52:17When did you start singing?
0:52:17 > 0:52:20I've been singing all my life. I'm a gospel singer. You can hear that.
0:52:20 > 0:52:23I know it sounds stereotypical, but I've been singing in the church
0:52:23 > 0:52:25all my life, since I was about five.
0:52:25 > 0:52:27And you have you got loads of people with you?
0:52:27 > 0:52:30Yeah, I've got my whole family here with me today. The whole shebang.
0:52:30 > 0:52:33I can feel them all jumping up and down going,
0:52:33 > 0:52:34"Turn, turn!"
0:52:34 > 0:52:35Yes, yes, yes.
0:52:35 > 0:52:38Sometimes, when someone has got such a great voice,
0:52:38 > 0:52:41it would almost be kind of insulting not to turn, so...
0:52:41 > 0:52:44Oh, thank you. I felt that way.
0:52:44 > 0:52:47I'm so happy you got three turns and it's like, oh, my gosh...
0:52:47 > 0:52:49It should've been four turns.
0:52:49 > 0:52:52It should. I know that and that's why...
0:52:52 > 0:52:54That's why I gave you the reggae horn.
0:52:54 > 0:52:55HORN BLOWS
0:52:55 > 0:52:57I like that, I like that. Yeah, yeah.
0:53:00 > 0:53:02That's me, that's me.
0:53:02 > 0:53:06Seriously, there was not one error, not one error.
0:53:06 > 0:53:09You just kept on going and going and growing.
0:53:09 > 0:53:11You can tell that you've been doing this a long time.
0:53:11 > 0:53:15There was a lot of experience in your voice.
0:53:15 > 0:53:17You know, I can hear the church thing.
0:53:17 > 0:53:20I work with a lot of singers from the church, as does Paloma.
0:53:20 > 0:53:22You know, we basically take them all.
0:53:24 > 0:53:27I'm pretty sure a lot of people have caught the Holy Ghost
0:53:27 > 0:53:29to your singing. Oh, yes.
0:53:29 > 0:53:33My grandma, she'd kick me right now saying,
0:53:33 > 0:53:36"Boy, you should've turned that chair.
0:53:36 > 0:53:39"You ain't got no business not turning.
0:53:39 > 0:53:41"The Lord's Angel is singing." Thank you so much.
0:53:41 > 0:53:45Hi. Hi, Ricky. Hi.
0:53:45 > 0:53:49Oh, he's so sweet. Hi, Ricky. It is a very chatty year, this year.
0:53:49 > 0:53:52There's nothing wrong with a bit of chat. Yeah.
0:53:52 > 0:53:54It's banter-mime.
0:53:55 > 0:54:00Anyway, you, simply as this, you knocked me sideways.
0:54:00 > 0:54:03My heart was leaping out of my chest. Thank you so much. It was...
0:54:03 > 0:54:08It was obvious to turn for you. It was brilliant.
0:54:08 > 0:54:12I honestly haven't heard someone put that much emotion
0:54:12 > 0:54:15and soul into a song. Amazing work.
0:54:15 > 0:54:17Thank you very much.
0:54:17 > 0:54:18Bless you, thank you.
0:54:21 > 0:54:23It's incredible.
0:54:23 > 0:54:27I'm just thinking that if a guy said that to you on the first date,
0:54:27 > 0:54:31you'd run a mile. He doesn't hold anything back, right?
0:54:31 > 0:54:32He's lovely.
0:54:32 > 0:54:35He's already bought the house, the white dress, picket fence.
0:54:35 > 0:54:36He's in, honey.
0:54:36 > 0:54:39George, I've only got one chance at this and it's important,
0:54:39 > 0:54:41so I've really have got to give it everything I've got,
0:54:41 > 0:54:44because I've lost out on a lot. He's lethal.
0:54:44 > 0:54:47I've lost out on a lot of pitches to George and Paloma
0:54:47 > 0:54:52because they're so eloquent and... That's a lie.
0:54:52 > 0:54:55Actually, I have to concur. That's a big lie. That's a big lie.
0:54:58 > 0:55:02Actually, I've turned more than anyone. Exactly.
0:55:02 > 0:55:04I'm surprised I even know, I'd turned that many times,
0:55:04 > 0:55:07you know, in my life, probably more.
0:55:09 > 0:55:11Doo-doo-doo-bush.
0:55:11 > 0:55:14The reason I've lost out on so many pitches against these two
0:55:14 > 0:55:16is because I've maybe given up a little bit,
0:55:16 > 0:55:18but I'm not going to give up with you.
0:55:18 > 0:55:21Not on the pitch, not when you're on my team and not until I take you
0:55:21 > 0:55:23as far as you want to go.
0:55:24 > 0:55:28I need this. He does need it.
0:55:30 > 0:55:34I thought it was a beautiful, beautiful rendition.
0:55:34 > 0:55:35The song was amazing.
0:55:35 > 0:55:38There's no denying what an exceptional voice you have
0:55:38 > 0:55:42and I really think that whoever you go with, you're going to shine.
0:55:42 > 0:55:47And that's a really lame pitch, but it's just a no-brainer, for me.
0:55:47 > 0:55:51When you thought about who was going to be the coaches,
0:55:51 > 0:55:54did you have anyone in mind?
0:55:54 > 0:55:58I love all of you, but I was just thinking of, you know,
0:55:58 > 0:56:01my vocal style, who would like what I do.
0:56:01 > 0:56:02Obviously, I know Boy George,
0:56:02 > 0:56:05you've got that soulful, gospelly roots as well, reggae in there.
0:56:05 > 0:56:09Obviously, I know you are into R, hip-hop.
0:56:09 > 0:56:12Paloma, you've got those big vocals, as well.
0:56:12 > 0:56:13Ricky, I know a bit about you
0:56:13 > 0:56:16but I know you're probably not, you know, used to my sort of singing.
0:56:16 > 0:56:19Oh, look at his face. He's just like...
0:56:21 > 0:56:22I just...
0:56:26 > 0:56:30Do I choose now?
0:56:30 > 0:56:34Listen, I've already made up my mind.
0:56:34 > 0:56:37Honestly, my husband always says, go where you are appreciated.
0:56:37 > 0:56:38I want...
0:56:38 > 0:56:43APPLAUSE AND CHEERING
0:56:45 > 0:56:47..to go with Ricky. Yes!
0:56:51 > 0:56:53Thank you so much. Thank you so much.
0:56:56 > 0:56:58Ricky is smooth.
0:56:58 > 0:57:00He's a smooth criminal, basically.
0:57:00 > 0:57:02Thank you so much.
0:57:02 > 0:57:05He's been doing this for three years. He's very good at it.
0:57:05 > 0:57:08He charms the pants off everybody and they buy it.
0:57:12 > 0:57:17Cheers, man. She was good. Yeah, she was good. Well done, Ricky.
0:57:17 > 0:57:21You're too much. Why? You're just too much.
0:57:22 > 0:57:25Yeah, I can cry. I'm a man.
0:57:26 > 0:57:29Brilliant. Yes!
0:57:35 > 0:57:36My name is Niamh Breslin.
0:57:36 > 0:57:39I'm 18 and I come from a little village in County Donegal,
0:57:39 > 0:57:41which is in the North West of Ireland.
0:57:43 > 0:57:47I live at home with my mum and my dad and my brother and we live on
0:57:47 > 0:57:50a little farm and we have lots of sheep and sheepdogs, as well.
0:57:53 > 0:57:54Down there.
0:57:54 > 0:57:56I don't know how my dad does what he does
0:57:56 > 0:58:00and trains the dogs to do what they do. He's just unbelievable at it.
0:58:00 > 0:58:02Come by, come by, come by.
0:58:02 > 0:58:06"Come by" means go around the sheep, I think and "away" means "go away".
0:58:09 > 0:58:11ATTEMPTS TO WHISTLE
0:58:13 > 0:58:15I'll get my dad to do it.
0:58:15 > 0:58:16That'll do. Good boy.
0:58:18 > 0:58:22At the minute, I'm a student and I'm a part-time barmaid.
0:58:22 > 0:58:25I love working in the pub. I love having a craic with the locals.
0:58:25 > 0:58:27It's a lot of fun.
0:58:29 > 0:58:32On Thursday nights, I get an opportunity to sing, as well.
0:58:32 > 0:58:34I love it.
0:58:38 > 0:58:41As a little girl, I've always dreamt of getting to sing for a living.
0:58:43 > 0:58:46Getting through today, it's really, really important to me.
0:58:46 > 0:58:48I think I'm going to be so nervous.
0:58:48 > 0:58:51I'm going to be shaking, but I think as soon as I start to sing,
0:58:51 > 0:58:54hopefully, I'll just ease into it and really enjoy it.
0:59:15 > 0:59:20# I sit by the harbour
0:59:21 > 0:59:24# The sea calls to me
0:59:27 > 0:59:33# I hide in the water
0:59:33 > 0:59:38# But I need to breathe
0:59:38 > 0:59:42# You are an ocean wave, my love
0:59:42 > 0:59:48# If only I can find out the way
0:59:48 > 0:59:51# To sail you
0:59:53 > 0:59:58# I've been run aground
0:59:59 > 1:00:04# So sad for a sailor
1:00:04 > 1:00:09# I felt safe and sound
1:00:10 > 1:00:15# But needed the danger
1:00:15 > 1:00:20# You are an ocean wave, my love
1:00:20 > 1:00:23# Crashing at the bow
1:00:23 > 1:00:32# I am a galley slave, my love
1:00:32 > 1:00:35# To sail you
1:00:35 > 1:00:41# Maybe I'll just stow away. #
1:00:44 > 1:00:47APPLAUSE AND CHEERING
1:00:56 > 1:00:58Hello. Hello. What's your name?
1:00:58 > 1:01:01My name is Niamh, I'm 18 and I come from County Donegal in Ireland.
1:01:01 > 1:01:06Good Irish girl. I'll tell you why I didn't turn.
1:01:06 > 1:01:09I thought it was a little bit of a shaky performance. Yes.
1:01:09 > 1:01:11I mean, I could really tell your nerves,
1:01:11 > 1:01:14but you have a really pretty voice
1:01:14 > 1:01:17and, unfortunately, with a song like that,
1:01:17 > 1:01:19it's all about your voice and the guitar,
1:01:19 > 1:01:23so when you're exposed and you wobble, it's...
1:01:23 > 1:01:26I know. Listen, about a year ago, I did a performance
1:01:26 > 1:01:27on Strictly Come Dancing,
1:01:27 > 1:01:30where I howled my way through Karma Chameleon.
1:01:30 > 1:01:33A song that I've been singing since I was 21 and, you know,
1:01:33 > 1:01:36it turned out that I had a polyp on my throat,
1:01:36 > 1:01:38but I was ready to retire.
1:01:38 > 1:01:40People were saying, "Oh, my God, he's really lost his voice.
1:01:40 > 1:01:42"Give up."
1:01:42 > 1:01:44So, really, the point of me telling you that story,
1:01:44 > 1:01:48is there is something there and it's definitely worth exploring.
1:01:48 > 1:01:51Us not turning, is not, you know, "Give up."
1:01:51 > 1:01:53You didn't nail it in this performance,
1:01:53 > 1:01:56but people have seen you and you've got something to build on
1:01:56 > 1:01:59and what you do with that, I think, is really the essential thing.
1:01:59 > 1:02:00Of course, of course.
1:02:00 > 1:02:15You're a beautiful Irish girl and I wish you all the luck in the world.
1:02:15 > 1:02:20A bit like Ricky, I was kind of like waiting for something to
1:02:20 > 1:02:24It's kind of like a weird situation, because you've got to
1:02:24 > 1:02:27show your capabilities in that short space of time.
1:02:27 > 1:02:29It didn't feel like a safe pair of hands.
1:02:29 > 1:02:33Like, it felt like you could have lost it at any moment
1:02:33 > 1:02:34and that is just a nerve thing.
1:02:34 > 1:02:39When I was 17, I was... I wasn't doing this, you know what I mean?
1:02:39 > 1:02:41And it's a great start and I think you're marvellous
1:02:41 > 1:02:43and wonderful and well done.
1:02:43 > 1:02:45Thank you very much.
1:02:45 > 1:02:47APPLAUSE
1:02:47 > 1:02:49You can still keep going and pushing forward and developing.
1:02:49 > 1:02:52You will do it. I got a record deal based on the fact
1:02:52 > 1:02:56I was working in a shop and someone asked me a question one day.
1:02:56 > 1:02:58"What do you do?"
1:02:58 > 1:03:00And I said, "Well, I write loads of songs but nobody ever hears them."
1:03:00 > 1:03:04And she was like, "I'm going to get you a meeting at a record label."
1:03:04 > 1:03:06And I just went, "OK."
1:03:06 > 1:03:08And I went there and he basically said to me,
1:03:08 > 1:03:12"Your songs are rubbish, you're an average singer,
1:03:12 > 1:03:16"but I really like you. Your personality is quite memorable."
1:03:16 > 1:03:19And I thought, "I'm going to show him." Yeah.
1:03:19 > 1:03:22It gives you a bit of resilience. It obviously worked. Yeah.
1:03:23 > 1:03:24Thank you so much.
1:03:26 > 1:03:28Thank you.
1:03:28 > 1:03:32Look how pretty you are. Thank you so much for coming.
1:03:32 > 1:03:34Lovely to meet you.
1:03:42 > 1:03:45Do you think I was too harsh? No, she was...
1:03:45 > 1:03:48It's a fine line because I loved how vulnerable she was,
1:03:48 > 1:03:50but you don't want to be vulnerable to the point
1:03:50 > 1:03:53that you don't think she's going to make it to the end of the song.
1:03:58 > 1:03:59Well done. Well done.
1:03:59 > 1:04:01I know I didn't sing it half as well as I could've, so...
1:04:01 > 1:04:04You know, I couldn't expect them to turn, I guess,
1:04:04 > 1:04:07when, you know...but it was really enjoyable. I did really enjoy it.
1:04:07 > 1:04:11It wasn't meant to be for Niamh, but George has still got a good feeling.
1:04:14 > 1:04:16My crystal is, like, directing me.
1:04:16 > 1:04:19I feel like if someone is meant to be on your team,
1:04:19 > 1:04:22no matter how they get there, they will get there.
1:04:23 > 1:04:25There's no accidents.
1:04:28 > 1:04:30Paloma.
1:04:30 > 1:04:33It's going to be a good, this one. I've got a feeling.
1:04:35 > 1:04:39Next to face her fate is Melissa Cavanagh from Sunderland.
1:04:39 > 1:04:41I've pretty much sang from the age of about three.
1:04:44 > 1:04:47I'm quite a believer in everything happens for a reason.
1:04:48 > 1:04:52Life is too short to be comfortable. You get one shot.
1:04:52 > 1:04:55# How long must he wait
1:04:55 > 1:04:59# One more time for this simple twist of fate... #
1:05:05 > 1:05:08# Keep on turning
1:05:08 > 1:05:11# Proud Mary keep on burning... #
1:05:17 > 1:05:19# Can't be sleeping
1:05:19 > 1:05:22# Keep on waking
1:05:22 > 1:05:25# Without the man next to me... #
1:05:25 > 1:05:26Yes!
1:05:26 > 1:05:28# Guilt is burning
1:05:28 > 1:05:30# Inside I'm hurting
1:05:30 > 1:05:33# This ain't a feeling I can keep
1:05:33 > 1:05:37# So blame it on the night
1:05:37 > 1:05:42# Don't blame it on me
1:05:42 > 1:05:46# Blame it on the night
1:05:46 > 1:05:56# Don't blame it on me
1:05:57 > 1:06:02# Oh, I'm so so sorry
1:06:02 > 1:06:03# Baby... #
1:06:03 > 1:06:04Come on! Come on!
1:06:04 > 1:06:07# I'll be better this time
1:06:07 > 1:06:09# Better this time
1:06:09 > 1:06:13# I will be better this time
1:06:13 > 1:06:17# Oh, I've got defence
1:06:17 > 1:06:21# Oh
1:06:21 > 1:06:25# Just blame it on me
1:06:25 > 1:06:27# Don't blame it on me
1:06:27 > 1:06:30# Don't blame it on me
1:06:30 > 1:06:34# Just blame it on me
1:06:34 > 1:06:36# Don't blame it on me
1:06:36 > 1:06:38# Don't blame it on me
1:06:38 > 1:06:46# Don't blame it on me. #
1:06:46 > 1:06:48CHEERING AND APPLAUSE
1:06:52 > 1:06:55Well, it's me and you, babe.
1:06:55 > 1:06:58Are you joking us right now? What's your name?
1:06:59 > 1:07:05Hi, I'm, erm, Melissa Cavanagh and I'm from Sunderland, AKA Fun-derland.
1:07:05 > 1:07:06Yay!
1:07:08 > 1:07:12Oh, my God! What do you do? Well, please don't boo us.
1:07:12 > 1:07:15OK, so, I work for a claims management company, but I promised...
1:07:15 > 1:07:17AUDIENCE: Oh!
1:07:17 > 1:07:19Please don't turn back around.
1:07:20 > 1:07:24How old are you, darling? 25. Oh, you're a baby. Am I?
1:07:24 > 1:07:27Well, compared to me, you're a baby. Tell me about yourself.
1:07:27 > 1:07:29When did you start singing?
1:07:29 > 1:07:33Erm, I started singing when I was, like, three years old
1:07:33 > 1:07:35but what cemented the fact that I wanted to be a singer,
1:07:35 > 1:07:40I had cancer when I was 13, so, erm, that kind of told me
1:07:40 > 1:07:43that you're only here one time and so I'm living life to the full.
1:07:43 > 1:07:47I'm actually celebrating ten years cancer-free this year.
1:07:47 > 1:07:48APPLAUSE AND CHEERING
1:07:48 > 1:07:50Beautiful.
1:07:50 > 1:07:55APPLAUSE AND CHEERING
1:07:55 > 1:07:56Amazing, amazing.
1:07:59 > 1:08:02Well, nobody else turned, so I've got you. Yay!
1:08:02 > 1:08:04Do you know what, George?
1:08:04 > 1:08:06Everyone kind of likes it when four people turn round.
1:08:06 > 1:08:10They think it's really exciting, all pitching, we're all battling,
1:08:10 > 1:08:12but there's something really special about one person
1:08:12 > 1:08:15seeing something in someone that the others aren't getting,
1:08:15 > 1:08:18because it means you're with the person you are supposed to be with.
1:08:18 > 1:08:21I think that's really special, so, for me, the single turns
1:08:21 > 1:08:22are the most exciting ones,
1:08:22 > 1:08:25because you've just paired up with people who get it.
1:08:25 > 1:08:28There's stuff to work on, clearly. Yeah, yeah.
1:08:28 > 1:08:32But, I don't know, I just felt there was a real richness to your voice.
1:08:32 > 1:08:34I heard something and I think, now that I've seen you,
1:08:34 > 1:08:37you look like a lovely girl. Thank you. You look like a lot of fun.
1:08:37 > 1:08:39You look like a lovely man. Well, I am.
1:08:39 > 1:08:41I am indeed!
1:08:41 > 1:08:43Let's just do some great work together
1:08:43 > 1:08:44and get you sounding amazing.
1:08:44 > 1:08:46I'm so excited.
1:08:49 > 1:08:50Give us a cuddle.
1:08:52 > 1:08:56I'm so bad at these stairs. Don't fall. Thank you very much.
1:08:56 > 1:08:58You're welcome, darling. This is really surreal.
1:08:58 > 1:09:00How are you? Are you all right?
1:09:01 > 1:09:04You're from Sunderland? Sunderland. Sunderland.
1:09:04 > 1:09:06Funderland, #Funderland.
1:09:06 > 1:09:09Fun, you know, fun, fun.
1:09:09 > 1:09:13Funder? Like fun. F-U-N. Funder. Funder.
1:09:13 > 1:09:16That could be the new name. I'm just giving you new ones.
1:09:16 > 1:09:17See you soon, honey.
1:09:21 > 1:09:23Thank you. Tell the people of Sunderland, what's up?
1:09:23 > 1:09:25I will, absolutely, absolutely. Ah!
1:09:27 > 1:09:30CHEERING AND APPLAUSE
1:09:40 > 1:09:43I liked her. She was cute. She's gorgeous.
1:09:43 > 1:09:46Her story is wonderful. I know, love that.
1:09:46 > 1:09:49That was worth turning for, the headband, wasn't it?
1:09:49 > 1:09:50Glitter, anything sparkly.
1:09:52 > 1:09:54Funderland.
1:09:56 > 1:09:57SCREAMING AND SHOUTING
1:09:57 > 1:10:00I was surprised that nobody else turned but I was also quite pleased.
1:10:00 > 1:10:03I heard something that the others didn't hear.
1:10:05 > 1:10:08The blind auditions are a big deal for all our singers, but for
1:10:08 > 1:10:1118-year-old Harry Fisher, it's another huge milestone to deal with.
1:10:12 > 1:10:16I've lived in Southampton all my life with my family,
1:10:16 > 1:10:18but I've just moved up to London to university.
1:10:18 > 1:10:21Congratulations, you are now a student.
1:10:21 > 1:10:23Moving away from home has been scary.
1:10:23 > 1:10:26I've only ever been away from my mum for, like, a week.
1:10:26 > 1:10:30You going to be all right? Yes, I'll be fine. Are you sure? Love you.
1:10:30 > 1:10:33But I'm coping well.
1:10:33 > 1:10:35He tried to put a dishwasher tablet in the washing machine,
1:10:35 > 1:10:37so he's got a lot to learn.
1:10:38 > 1:10:41I've been there two weeks and I haven't actually cooked
1:10:41 > 1:10:42for myself, yet.
1:10:42 > 1:10:44So what do you do when you're hungry?
1:10:44 > 1:10:47There's a really good newsagents round the corner that do
1:10:47 > 1:10:48microwave burgers and stuff.
1:10:48 > 1:10:52Microwave burgers from the newsagent? I like it.
1:10:53 > 1:10:56I was about seven when I started singing.
1:10:56 > 1:10:58I just found out I had a passion for it.
1:10:58 > 1:11:00It's the only thing that genuinely makes me happy.
1:11:00 > 1:11:03How are you feeling about the audition today? I'm really nervous.
1:11:03 > 1:11:05Yeah? I want to get it done.
1:11:05 > 1:11:08I feel like the biggest opportunity in the world has just hit me
1:11:08 > 1:11:10straight in the face.
1:11:10 > 1:11:12Very proud of him. Good luck.
1:11:12 > 1:11:16It's something that he wants so badly. Woo!
1:11:16 > 1:11:18Thank you very much.
1:11:18 > 1:11:19Go on, Harry.
1:11:25 > 1:11:28Everything has completely changed for me in the last few weeks.
1:11:28 > 1:11:31Now I've got a chance of a lifetime.
1:11:31 > 1:11:34I've got to keep it together and take my chance.
1:11:39 > 1:11:42ALL: Woohoo!
1:12:10 > 1:12:19# To seeing shows in evening clothes with you
1:12:19 > 1:12:21# Holding something we don't need
1:12:23 > 1:12:25# All this delusion in our heads
1:12:25 > 1:12:28# Is going to bring us to our knees
1:12:28 > 1:12:32# So come on, let it go
1:12:32 > 1:12:35# Just let it be
1:12:35 > 1:12:39# Why don't you be you
1:12:39 > 1:12:42# And I'll be me
1:12:42 > 1:12:45# Everything that's broke
1:12:45 > 1:12:48# Leave it to the breeze
1:12:48 > 1:12:52# Why don't you be you
1:12:52 > 1:12:54# And I'll be me
1:12:56 > 1:13:00# Trying to push this problem up the hill
1:13:00 > 1:13:03# When it's just too heavy to hold
1:13:03 > 1:13:08# I think it's time to let it slide
1:13:08 > 1:13:10# Come on, let it go... #
1:13:10 > 1:13:12Please, turn the chair.
1:13:12 > 1:13:15# Just let it be
1:13:15 > 1:13:18# And you can be you, you, you
1:13:18 > 1:13:21# And I'll be me
1:13:21 > 1:13:25# So come on, let it go
1:13:25 > 1:13:27# Just let it be... #
1:13:27 > 1:13:29Come on!
1:13:29 > 1:13:30# Why don't you be you... #
1:13:30 > 1:13:32Spin the chair!
1:13:32 > 1:13:35# And I'll be me
1:13:35 > 1:13:39# And I'll be me. #
1:13:39 > 1:13:41CHEERING AND APPLAUSE
1:13:41 > 1:13:49ALL: Yay!
1:13:52 > 1:13:55Aww!
1:14:06 > 1:14:08You are such a beautiful singer. Thank you so much.
1:14:11 > 1:14:17What's your name? I'm Harry Fisher. So good.
1:14:17 > 1:14:20and I certainly wasn't expecting you to be wearing shoes like that!
1:14:20 > 1:14:23Look at that, wow!
1:14:23 > 1:14:25You're so quirky.
1:14:25 > 1:14:28I'm getting a quirky team as it goes along.
1:14:28 > 1:14:30Hi, Harry, how are you doing?
1:14:30 > 1:14:31I'm good, thank you.
1:14:31 > 1:14:34The reason I didn't turn was for egotistical ones.
1:14:34 > 1:14:37I had my hands over the button and I saw George do it and I thought,
1:14:37 > 1:14:39I don't want to lose to George today and I really...
1:14:39 > 1:14:42You are such a liar. And I'm really glad.
1:14:42 > 1:14:43I think you're an amazing singer
1:14:43 > 1:14:46and there was no way I could have beaten George in a pitch.
1:14:46 > 1:14:47Thank you so much. Thank you.
1:14:47 > 1:14:51Well, if you were female, he could have batted his eyelashes at you.
1:14:51 > 1:14:53George, I will try that on anyone.
1:14:53 > 1:14:55LAUGHTER
1:14:57 > 1:15:01I think you're going to be, like, a deadly threat to everyone else
1:15:01 > 1:15:05on this show, especially you matched up and paired with Mr Boy, here.
1:15:05 > 1:15:07I've got to tell the rest of my people on my team
1:15:07 > 1:15:11to watch out for this combination. Your voice is amazing.
1:15:11 > 1:15:13I could already hear it in the lives.
1:15:15 > 1:15:21Whatever happens, you know, you're young and you will have a future.
1:15:21 > 1:15:24You know, this is why this show is so great, because it provides you
1:15:24 > 1:15:28with a platform, and I'm very excited to be part of it.
1:15:28 > 1:15:30Me too, thank you. Welcome to my team.
1:15:32 > 1:15:37Look at you. You're so cute. And you were wonderful. So are you.
1:15:37 > 1:15:38Oh, my gosh!
1:15:45 > 1:15:49I'm sorry I didn't turn with you there. That's OK, that's OK.
1:15:49 > 1:15:50I should've turned, as well.
1:15:50 > 1:15:52If I'd known what he looked like, I would've gone.
1:15:52 > 1:15:54It's kind of awesome.
1:15:56 > 1:15:57Well done.
1:15:57 > 1:16:00You just don't ever think that it's going to happen to you in there
1:16:00 > 1:16:04and when he turned around, I wanted to fall on the floor and cry.
1:16:04 > 1:16:06You're on team Boy George!
1:16:07 > 1:16:11Your brother and your mum were so emotional, in here, watching.
1:16:11 > 1:16:15Has he been crying? He's been crying. Come here!
1:16:19 > 1:16:23He's totally quirky. He's amazing. He's amazing, he's amazing.
1:16:23 > 1:16:27What a find. He's going to the final. Wasn't he lovely?
1:16:27 > 1:16:29AUDIENCE: Yes.
1:16:29 > 1:16:32Great voice and great shoes.
1:16:34 > 1:16:37You were walking across the stage and he went, "Those shoes!"
1:16:37 > 1:16:40I was like "Oh, my goodness, those shoes!"
1:16:40 > 1:16:43I think I'm pretty intuitive and building up my team quite nicely.
1:16:45 > 1:16:47I was really, really happy to get him.
1:16:47 > 1:16:49See you later.
1:16:49 > 1:16:51It was a simple twist of fate.
1:16:56 > 1:17:00Week two of the blind auditions has been a spiritual journey.
1:17:00 > 1:17:01Pull up!
1:17:04 > 1:17:08George's crystals attract three new acts, taking his total to four.
1:17:10 > 1:17:14It's mystical, it's spiritual, I'm absolutely loving it.
1:17:14 > 1:17:16HE SHOUTS
1:17:16 > 1:17:21Will's ley lines connect with two acts, also bringing him to four.
1:17:21 > 1:17:25My team is awesome. Super-duper happy.
1:17:25 > 1:17:28I think we're off to a great start. I'm over here.
1:17:28 > 1:17:32Cautious Capricorn Ricky added only one act to his previous two.
1:17:34 > 1:17:37I'm really excited about how my team is shaping up.
1:17:37 > 1:17:38Thank you so much.
1:17:38 > 1:17:39Really enjoying myself.
1:17:40 > 1:17:43He's level with Paloma, who's over the moon with her three.
1:17:45 > 1:17:49Everyone I've picked is brilliant, so I'm quite chuffed.
1:17:49 > 1:17:50But what does the future hold?
1:17:50 > 1:17:53Find out next week as The Voice continues.
1:17:53 > 1:17:56I'm not here to, like, make friends. I'm here to win.
1:17:56 > 1:17:57Boom!
1:18:30 > 1:18:32DERMOT O'LEARY: This is possibly
1:18:32 > 1:18:35the most important moment in your entire lives.
1:18:36 > 1:18:39# Times that I've seen you lose your way