0:00:02 > 0:00:03Sitting here for 2016,
0:00:03 > 0:00:04we have Ricky Wilson, Paloma Faith,
0:00:04 > 0:00:06Boy George and will.i.am.
0:00:06 > 0:00:07And back there, who knows?
0:00:07 > 0:00:10Because these are the blind auditions.
0:00:10 > 0:00:14CHEERING AND APPLAUSE
0:00:14 > 0:00:16- Tonight....- Paloma's losing faith.
0:00:16 > 0:00:18- Oh!- Oh, no.
0:00:18 > 0:00:21Paloma has been very selective of who she turns for.
0:00:21 > 0:00:23Ah! I made a mistake.
0:00:23 > 0:00:26- Wait a second! - LAUGHTER
0:00:26 > 0:00:27Everyone's like, "What are you doing?
0:00:27 > 0:00:29- "What are you doing?"- Paloma! Go!
0:00:29 > 0:00:32- I don't really know.- What?
0:00:32 > 0:00:34I'm sort of second-guessing myself.
0:00:34 > 0:00:37I really thought you were going to go, Paloma.
0:00:37 > 0:00:38I'm really sorry. I feel sick.
0:00:38 > 0:00:40I'm an idiot. Oh!
0:00:40 > 0:00:42I don't know what is going through your head.
0:00:42 > 0:00:43I don't know what's stopping me.
0:00:43 > 0:00:45I think I'm a bit delirious.
0:00:45 > 0:00:47Ah!
0:00:47 > 0:00:50I should probably start pressing the button a bit.
0:00:50 > 0:00:53Oh, no, what am I going to do?
0:00:58 > 0:01:02'OK, here goes - from Essex, it's Vivica Jade.'
0:01:02 > 0:01:04VIVICA JADE: I've got to kill this.
0:01:04 > 0:01:07I've got to smash it. I need a chair turn.
0:01:07 > 0:01:10- How many singers do you have now? - Oh, I've got a lot.
0:01:10 > 0:01:12No, what do you have on your team?
0:01:12 > 0:01:14Seven, I think.
0:01:14 > 0:01:15Have we got the same?
0:01:15 > 0:01:16Yeah, yeah.
0:01:16 > 0:01:19I really, really hope that the coaches are like,
0:01:19 > 0:01:20"Wow, where did that come from?"
0:01:20 > 0:01:24That is the aim - to shock the coaches.
0:01:24 > 0:01:25How many have you got?
0:01:25 > 0:01:26Seven.
0:01:26 > 0:01:28I think six.
0:01:28 > 0:01:30I've got, yeah, five places left.
0:01:30 > 0:01:33I've got a lot riding on this performance.
0:01:36 > 0:01:39Look at you, Jasmine. Beautiful.
0:01:39 > 0:01:41- BABY SQUEALS - Aw...- Aw...
0:01:41 > 0:01:44- I think she's taken after her mum. - I know.- She's got a pair of lungs.
0:01:44 > 0:01:47I am a really, really, really new mamma.
0:01:47 > 0:01:49It's a 24-hour job. It is demanding,
0:01:49 > 0:01:51but I wouldn't change it for the world.
0:01:51 > 0:01:52'When I auditioned for The Voice,
0:01:52 > 0:01:55'I was actually 8½ months pregnant.'
0:01:55 > 0:01:57People might think, "That girl's crazy,"
0:01:57 > 0:02:01but you can't knock back any opportunity in this industry.
0:02:01 > 0:02:04I've been in two girl groups that had a little bit of success.
0:02:06 > 0:02:10We opened up for the Pussycat Dolls. We was on tour with Ed Sheeran.
0:02:10 > 0:02:13We ended up going on a JLS tour. It was amazing.
0:02:13 > 0:02:17I loved those times and I just want to get back into that zone now.
0:02:18 > 0:02:21This is my opportunity as a solo artist.
0:02:23 > 0:02:26So, I really, really want this to work.
0:02:34 > 0:02:37MUSIC: Gravity by DJ Fresh feat Ella Eyre
0:02:37 > 0:02:40# All hands on the trigger
0:02:40 > 0:02:43# All eyes on the gun
0:02:43 > 0:02:46# They don't believe that we're... # CHEERING AND APPLAUSE
0:02:46 > 0:02:49# Strong enough to hold on
0:02:49 > 0:02:51# Cos I'm the only one who gets you... #
0:02:51 > 0:02:55AUDIENCE CLAPS ALONG # The only one to figure you out
0:02:55 > 0:02:59# You're a place that I can go to
0:02:59 > 0:03:02# A face I couldn't live without
0:03:02 > 0:03:05# And nobody sees what we do
0:03:05 > 0:03:08# Don't need anybody else around
0:03:08 > 0:03:11# And no matter what they told us
0:03:11 > 0:03:14# Even gravity can't hold us down
0:03:14 > 0:03:17# Whoa-oh-oh-oh Whoa-oh-oh-oh
0:03:17 > 0:03:20# Even gravity can't hold us down
0:03:20 > 0:03:24# Whoa-oh-oh-oh Whoa-oh-oh-oh
0:03:24 > 0:03:26# Even gravity can't hold us... #
0:03:26 > 0:03:28SHE RAPS: # Not even gravity can hold me
0:03:28 > 0:03:30# From getting my crown I'm a majesty, would-be princess
0:03:30 > 0:03:32# Your vanity is my triviality
0:03:32 > 0:03:33# Under the crown We revolt in anarchy
0:03:33 > 0:03:36# Losing control And we're losing sanity, abnormality
0:03:36 > 0:03:37# Ageless vanity Want to have a go?
0:03:37 > 0:03:39# Then step up, challenge me
0:03:39 > 0:03:40# Back to basics Tied to bases
0:03:40 > 0:03:42# Got one heart so you're trying to win it
0:03:42 > 0:03:44# Let's dream I'm trying to chase it
0:03:44 > 0:03:45# In the air I can almost taste it
0:03:45 > 0:03:47# It tastes good Finally the girl came good
0:03:47 > 0:03:49# I have the answer but I stay hood
0:03:49 > 0:03:52# Hearts break as long as they should
0:03:52 > 0:03:55SHE SINGS: # No matter what they told us
0:03:55 > 0:03:59# Gravity can't hold us down
0:03:59 > 0:04:03# Whoa-oh-oh-oh-oh. #
0:04:03 > 0:04:06CHEERING AND APPLAUSE
0:04:08 > 0:04:11- SCREAMING AND CHEERING - Yes, yes, yes, yes, yes!
0:04:23 > 0:04:24Thank you.
0:04:24 > 0:04:27- That was dope. That was super dope. - Thank you.
0:04:27 > 0:04:29- What's your name? - My name's Vivica Jade.
0:04:29 > 0:04:31I'm 27. I'm a new mummy.
0:04:31 > 0:04:33My baby girl is three and half weeks old.
0:04:33 > 0:04:34Aw...
0:04:34 > 0:04:36VIVICA CHUCKLES
0:04:36 > 0:04:39CHEERING AND APPLAUSE
0:04:39 > 0:04:40Where's the baby?
0:04:40 > 0:04:43- The baby is backstage.- Wow. - Baby Jasmine, she's backstage.
0:04:43 > 0:04:45I hope she's cheering for me.
0:04:45 > 0:04:47- JASMINE SQUEAKS - See? She said hi, look.- Yeah.
0:04:47 > 0:04:48Your baby's backstage, three weeks old?
0:04:48 > 0:04:50- That's... Man, awesome. - She's three weeks now.
0:04:50 > 0:04:53- Can we give her a round of applause for that?- Thank you very much.
0:04:53 > 0:04:56- CHEERING AND APPLAUSE - After just giving birth,
0:04:56 > 0:04:58you thought, "Oh, I'll wait to go on The Voice till
0:04:58 > 0:05:01- "I've just had a baby." - You know, some people might think...
0:05:01 > 0:05:03Some people might think I'm crazy for doing this.
0:05:03 > 0:05:05- No, I think it's amazing. - No, no, you have to be crazy...
0:05:05 > 0:05:06You have to be crazy.
0:05:06 > 0:05:09..cos, if you're going to make it, there is no off switch.
0:05:09 > 0:05:12It's always flipped to on and you always keep coming back for more,
0:05:12 > 0:05:14and even when it's punishing, right,
0:05:14 > 0:05:16you just dust yourself off and you forget about that.
0:05:16 > 0:05:18Instantly, you're onto the next thing,
0:05:18 > 0:05:19and I can tell you're like that,
0:05:19 > 0:05:22- and it's great you're here. - CHEERING AND APPLAUSE
0:05:22 > 0:05:25- Thank you.- What do you do in terms of performance, now, you know?
0:05:25 > 0:05:26I've been in two girl groups.
0:05:26 > 0:05:28I've always wanted to be able to showcase
0:05:28 > 0:05:30what I can do as a solo artist,
0:05:30 > 0:05:33because I never got to showcase that as a quarter of a group.
0:05:33 > 0:05:36Now is my time to show what I can do.
0:05:36 > 0:05:39- That's amazing. - CHEERING AND APPLAUSE
0:05:39 > 0:05:42The reason why I didn't hit the button was not
0:05:42 > 0:05:45because it wasn't brilliant - because it is brilliant.
0:05:45 > 0:05:48I want to go for people that are brilliant and that I can help...
0:05:48 > 0:05:52- OK.- ..and when I saw who turned for you, I thought,
0:05:52 > 0:05:54"They'll be able to help you more than I would."
0:05:54 > 0:05:58So, I definitely listened and thought, "Wow, she's amazing,"
0:05:58 > 0:06:00but I just don't want to waste your time...
0:06:00 > 0:06:03- I really...- ..and by the sounds of it, it's a good job that I didn't,
0:06:03 > 0:06:05cos you've had that probably done a few times.
0:06:05 > 0:06:07I really appreciate that. I really, really appreciate it.
0:06:07 > 0:06:10- Thank you.- I'm so proud of you, and you're on the show,
0:06:10 > 0:06:12- so go for it.- Thank you very much. Thank you.
0:06:12 > 0:06:14- CHEERING AND APPLAUSE - Oh, isn't that nice of her?
0:06:16 > 0:06:19Well, I consider myself to be the comeback king, you know?
0:06:19 > 0:06:22I understand, you know, what you're talking about,
0:06:22 > 0:06:25but going with what's safe or what's predictable is
0:06:25 > 0:06:27not necessarily the smart idea.
0:06:27 > 0:06:29You've tasted a little bit of that.
0:06:29 > 0:06:31You don't want people around you who are agreeing with you.
0:06:31 > 0:06:34You know, my manager doesn't tell me what I want to hear -
0:06:34 > 0:06:37that's why he's my manager - so you've got to be smart.
0:06:37 > 0:06:41So, think out of the box, or find your own box.
0:06:41 > 0:06:43Create your own box.
0:06:43 > 0:06:44He's totally right.
0:06:44 > 0:06:47Sometimes that's all you need, is somebody that can see what...
0:06:47 > 0:06:50No matter what genre you're in, they see your potential.
0:06:50 > 0:06:52You'd better choose properly,
0:06:52 > 0:06:54cos you could be put in a box and stuck in the box,
0:06:54 > 0:06:57and then you're calling Jack to get out the box,
0:06:57 > 0:06:59cos Jack was in the box, cos it's a jack-in-the-box.
0:07:01 > 0:07:06Obviously, it's very hard to compete on a level with these megastars,
0:07:06 > 0:07:09but, then, I think my experience doesn't really matter
0:07:09 > 0:07:11in taking you forward, cos what really matters is your experience,
0:07:11 > 0:07:13and that's what feeds your emotion,
0:07:13 > 0:07:15and that's what fed that performance,
0:07:15 > 0:07:17and it was the performance that made me turn.
0:07:17 > 0:07:19I just have to go with my heart and my gut and that's why I turned,
0:07:19 > 0:07:24so I don't really mind the fact that I'm not the obvious choice.
0:07:24 > 0:07:27- That's what makes the world of music, doesn't it?- True.
0:07:27 > 0:07:30CHEERING AND APPLAUSE
0:07:30 > 0:07:31- Big decisions.- Big decisions.
0:07:31 > 0:07:32Big decisions.
0:07:32 > 0:07:35Big, big decisions.
0:07:35 > 0:07:38CHEERING, WHISTLING AND APPLAUSE Erm...
0:07:38 > 0:07:41- Go on, Jadey!- Go for Will. - Go for Will.- Don't be scared.
0:07:44 > 0:07:46OK, I've made my decision.
0:07:51 > 0:07:54I would love to go with...
0:07:57 > 0:07:58..Will.
0:07:58 > 0:08:01CHEERING AND APPLAUSE
0:08:03 > 0:08:04- Thank you.- Thanks.
0:08:07 > 0:08:08Thank you very much.
0:08:09 > 0:08:11Thanks.
0:08:11 > 0:08:13No way, I understand and I really appreciate it.
0:08:13 > 0:08:15- Incredible.- Thank you very much.
0:08:15 > 0:08:17- No problem. You don't have to thank me.- Thank you.
0:08:19 > 0:08:21CHEERING AND APPLAUSE
0:08:22 > 0:08:24I should have turned for her.
0:08:24 > 0:08:25You should have done.
0:08:25 > 0:08:28I don't know what's... what's going through your head.
0:08:28 > 0:08:31SCREAMING
0:08:32 > 0:08:34To be honest with you, I wouldn't have known
0:08:34 > 0:08:36what to do with her, but I liked her spirit.
0:08:36 > 0:08:38Personally, I thought, she already knows what she wants to do.
0:08:38 > 0:08:41Now I've heard her attitude and the way she is,
0:08:41 > 0:08:43I'm like, "Oh, I love it."
0:08:43 > 0:08:46- See you later, guys.- See you. Thank you.- Bye-bye. Bye-bye.
0:08:55 > 0:08:58Rate the performances, then challenge other fans, too.
0:09:04 > 0:09:05Now.
0:09:07 > 0:09:10'Hot-stepping up next is Marvin the Jazz Man.
0:09:10 > 0:09:13'He's Marvin. He's a Jazz Man. The clue's in the name.'
0:09:13 > 0:09:15The name "Marvin the Jazz Man" came around
0:09:15 > 0:09:17when I started playing in my jazz band.
0:09:17 > 0:09:19We were called the Barbershop Boys.
0:09:19 > 0:09:21My teacher said, "Marvin, you're a jazz man,"
0:09:21 > 0:09:23and I kind of liked that.
0:09:23 > 0:09:25Everyone was listening to dubstep, rap and hip-hop.
0:09:25 > 0:09:28People would say, "Oh, jazz. Ugh, that's old-fashioned."
0:09:28 > 0:09:30- Marvin.- How's it going, man?
0:09:30 > 0:09:33- Lovely to meet you.- Big name!
0:09:33 > 0:09:36So, in your performance today, Marv, any tricks up your sleeve?
0:09:36 > 0:09:39- Anything different you're going to be doing?- I have one...
0:09:39 > 0:09:40- OK, go on.- ..which is tap-dancing.
0:09:40 > 0:09:42- Are you serious?- Yeah!
0:09:42 > 0:09:44- OK, so this is a little improvised shuffle, here, so...- OK.
0:09:44 > 0:09:45..here goes.
0:09:45 > 0:09:49The tap-dancing - it's become part of my everyday life.
0:09:49 > 0:09:50Whoo!
0:09:50 > 0:09:53I've got happy feet now. They just have a mind of their own.
0:09:55 > 0:09:57Whoa-ho! Hoo-hoo!
0:09:57 > 0:09:59I got a bit too carried away there.
0:10:03 > 0:10:05I am 19 years old.
0:10:05 > 0:10:08I have the voice of, like, a 60-year-old.
0:10:08 > 0:10:12There's very few young, male baritone singers
0:10:12 > 0:10:15who sing this type of music, and I want to, you know,
0:10:15 > 0:10:17step in and bring something different.
0:10:23 > 0:10:26HE EXHALES
0:10:36 > 0:10:38# Sing, sing, sing, sing
0:10:38 > 0:10:40# Everybody starts to sing
0:10:40 > 0:10:43# La-dee-da, ho-ho-ho
0:10:43 > 0:10:45# Now you're singing with a swing
0:10:45 > 0:10:47# When the music goes around
0:10:47 > 0:10:49# Everybody goes to town
0:10:49 > 0:10:52# But here's one thing you should know
0:10:52 > 0:10:54# Ho-ho, baby Ho-ho-ho
0:10:54 > 0:10:56# Sing, sing, sing, sing
0:10:56 > 0:10:58# Everybody starts to sing
0:10:58 > 0:11:01# La-dee-da Ho-ho-ho
0:11:01 > 0:11:04# Now you're singin' with a swing... #
0:11:07 > 0:11:08# Ooh
0:11:08 > 0:11:10# Doo-doo-buh-buh-buh
0:11:10 > 0:11:13# Buh-doo-doo-doo Buh-doo-buh-buh-buh-buh-doo... #
0:11:13 > 0:11:15Whoo! Not bad for a thick guy, huh?
0:11:17 > 0:11:19# Come on Buh-buh-buh-buh-buh
0:11:19 > 0:11:22# Doo-boo-doo Buh-buh-ba-dee
0:11:22 > 0:11:26# When the music goes around Everybody goes to town
0:11:26 > 0:11:28# But there's one thing you should know
0:11:28 > 0:11:30# Ho-ho, baby Ho-ho-ho
0:11:30 > 0:11:32# Sing, sing, sing, sing
0:11:32 > 0:11:34# Everybody starts to sing
0:11:34 > 0:11:37# La-dee-da and a ho-ho
0:11:37 > 0:11:42# Now you're singin' with a swing
0:11:42 > 0:11:46# Hidey-hidey-hidey-ho. #
0:11:48 > 0:11:49Thank you.
0:11:49 > 0:11:52CHEERING, WHISTLING AND APPLAUSE Whoo.
0:11:52 > 0:11:53Thank you very much.
0:11:56 > 0:11:58Thank you very much.
0:11:58 > 0:12:01- Oh, you look amazing!- Hello!
0:12:01 > 0:12:04Hello, my name is Marvin the Jazz Man.
0:12:04 > 0:12:07I'm 19 years old and I'm from London.
0:12:07 > 0:12:0819?
0:12:08 > 0:12:1019.
0:12:10 > 0:12:12Were you tap-dancing?
0:12:12 > 0:12:13- Yes, I was.- And can I see?
0:12:16 > 0:12:18CHEERING AND APPLAUSE
0:12:21 > 0:12:24OK, where does this love of this style of music
0:12:24 > 0:12:25and the dancing come from?
0:12:25 > 0:12:27See, I was watching Blue Peter back in Year One,
0:12:27 > 0:12:30and they were showing Riverdance. "Oh, look at that! That's so cool."
0:12:30 > 0:12:33So I was like... AUDIENCE LAUGHS
0:12:33 > 0:12:36But I never got the hang of it, so I showed it to my class,
0:12:36 > 0:12:38and they all said, "You're a great tap-dancer."
0:12:38 > 0:12:40You know, these feet have a mind of their own.
0:12:40 > 0:12:44They just tap when I'm doing the dishes or cooking something.
0:12:44 > 0:12:46They just like, you know...
0:12:46 > 0:12:47I can't stop it, you know?
0:12:47 > 0:12:49APPLAUSE
0:12:49 > 0:12:52- It is thoroughly entertaining. - No worries.- Yeah.- And erm...
0:12:52 > 0:12:55You know, you should definitely carry on doing this thing.
0:12:55 > 0:12:57- I mean, you're great. - Thank you very much.
0:12:57 > 0:12:58- You're so great. - Thank you very much.
0:12:58 > 0:13:01APPLAUSE Thank you.
0:13:01 > 0:13:04So, Marv, when I was 19, we had a crew,
0:13:04 > 0:13:08and our whole thing was to dress like old men.
0:13:08 > 0:13:10We went to second-hand stores and got old suits.
0:13:10 > 0:13:11We used to go jazz hunting,
0:13:11 > 0:13:14- go to second-hand stores and get records...- Yeah.
0:13:14 > 0:13:16..and just get, like, Cab Calloway.
0:13:16 > 0:13:17I love Cab Calloway.
0:13:17 > 0:13:20It's refreshing to see your generation, you know,
0:13:20 > 0:13:22appreciating jazz standards.
0:13:22 > 0:13:25Now I feel like a dummy for not pushing the button,
0:13:25 > 0:13:26so you could continue to be
0:13:26 > 0:13:29- on the show.- No, don't worry about it. Don't worry.
0:13:29 > 0:13:31I really think you should carry on and I think you're inspiring.
0:13:31 > 0:13:34- Of course.- I feel actually overjoyed to stand here and look at you.
0:13:34 > 0:13:37CHEERING AND APPLAUSE
0:13:37 > 0:13:40- Really, well done. - Thank you very much. Thank you.
0:13:40 > 0:13:42What a nice guy. What a sweet guy.
0:13:42 > 0:13:43Hard-hitting, Jazz Man.
0:13:43 > 0:13:46- Ricky, lovely to meet you. Thank you so much.- Mate...
0:13:46 > 0:13:49- I'll never forget this day.- Right. - Thank you very much. Thank you.
0:13:49 > 0:13:51CHEERING AND APPLAUSE Thank you.
0:13:51 > 0:13:53Thank you.
0:13:55 > 0:13:57He's so sweet.
0:14:01 > 0:14:04- Thank you, Marvin.- Listen, man, great to meet you, yeah?
0:14:04 > 0:14:06- Lovely.- Congratulations, man. I hope I see you again soon.
0:14:06 > 0:14:10Maybe if the coaches were faced the right way,
0:14:10 > 0:14:12the game might have been changed a little bit,
0:14:12 > 0:14:14but at the end of the day, it is what it is.
0:14:14 > 0:14:16Getting this far in any competition is a blessing,
0:14:16 > 0:14:18so, you know, I'm really grateful for that.
0:14:20 > 0:14:22HE SIGHS
0:14:22 > 0:14:24HE CHUCKLES
0:14:26 > 0:14:29I'm disappointed I didn't turn for him.
0:14:29 > 0:14:32I feel that I've become a little bit stale
0:14:32 > 0:14:35and sort of second-guessing beyond anything,
0:14:35 > 0:14:39so I should probably start pressing the button a bit.
0:14:39 > 0:14:44'Paloma's getting shaky. Can our next act restore her faith?'
0:14:44 > 0:14:49I'm Chloe Castro. I'm 19 and I'm from Durham.
0:14:49 > 0:14:51I used to not have a lot of confidence.
0:14:51 > 0:14:53I was just a bedroom singer, but I thought one day,
0:14:53 > 0:14:55"I've got to go out and perform in public."
0:14:55 > 0:14:58Money is really tight. I don't have a lot of it.
0:14:58 > 0:15:01I'm hoping singing will take me to that place where
0:15:01 > 0:15:04I don't need to worry about money any more.
0:15:04 > 0:15:05Singing in the streets,
0:15:05 > 0:15:07and singing on a massive stage, like this, today -
0:15:07 > 0:15:10they're both at complete different ends of the spectrum.
0:15:10 > 0:15:12I don't quite know how I'm going to beat my nerves.
0:15:12 > 0:15:14I'm wearing my nan's skirt.
0:15:14 > 0:15:17She's here to watch me perform in it, which means quite a lot to her,
0:15:17 > 0:15:21and I'm treating this skirt as a good-luck charm, definitely, yeah.
0:15:26 > 0:15:30And the coaches will be listening to every single thing I do.
0:15:30 > 0:15:33I'm very, very nervous, but I have nothing to lose.
0:15:47 > 0:15:51MUSIC: From Eden by Hozier
0:15:51 > 0:15:54# Babe
0:15:54 > 0:15:57# There's something tragic about you
0:15:58 > 0:16:03# Something so magic about you
0:16:03 > 0:16:05# Don't you agree?
0:16:08 > 0:16:10# No tired sighs
0:16:10 > 0:16:11# No rolling eyes
0:16:11 > 0:16:13# No irony... #
0:16:13 > 0:16:14Good singer.
0:16:14 > 0:16:16# No "who cares"
0:16:16 > 0:16:18# No vacant stares
0:16:18 > 0:16:20# No time for me
0:16:21 > 0:16:24# Honey, you're familiar
0:16:24 > 0:16:29# Like my mirror years ago
0:16:29 > 0:16:32# Idealism sits in prison
0:16:32 > 0:16:37# Chivalry fell on its sword
0:16:38 > 0:16:41# Ba-a-a-aby
0:16:41 > 0:16:45# There's something wretched about this
0:16:45 > 0:16:49# Something so precious about this
0:16:49 > 0:16:52# Where to begin...? #
0:16:52 > 0:16:54CHEERING, WHISTLING AND APPLAUSE
0:16:54 > 0:16:57# Ba-a-a-be
0:16:57 > 0:16:58# Oh-oh-oh
0:16:58 > 0:17:02# Honey, you're familiar
0:17:02 > 0:17:06# Like my mirror years ago
0:17:06 > 0:17:10# I slithered here from Eden
0:17:10 > 0:17:16# Just to hide outside your door. #
0:17:18 > 0:17:19APPLAUSE
0:17:19 > 0:17:21Thank you so much.
0:17:30 > 0:17:31Thank you.
0:17:31 > 0:17:36I'm Chloe... I'm Chloe Castro, I'm 19 and I'm from Durham.
0:17:36 > 0:17:39Wow, you are a real beautiful contradiction -
0:17:39 > 0:17:42- I mean, I wasn't expecting you to look like you do.- No?!
0:17:42 > 0:17:45You look so sweet, and then you sing so - whoar!
0:17:45 > 0:17:47- Yeah!- Wow, what a voice. - Thank you so much.
0:17:47 > 0:17:50Is not a surprise to me that Ricky turned.
0:17:50 > 0:17:53You have a very... Like, an old soul.
0:17:53 > 0:17:59Like you've been singing for aeons. Your aura is very, like, ancient.
0:17:59 > 0:18:03- And your skirt's great, as well. - Thank you, it's my nan's.
0:18:03 > 0:18:04From the '70s?
0:18:04 > 0:18:07- Yeah, yeah.- Awesome. - She gave it to me when I was 17,
0:18:07 > 0:18:08and she bought it when she was 17.
0:18:08 > 0:18:10- Amazing. Amazing. - AUDIENCE: Aww!
0:18:10 > 0:18:11APPLAUSE
0:18:11 > 0:18:14I feel like I should have turned, and I'm really sorry that I didn't.
0:18:14 > 0:18:17- It's OK.- Everyone was looking at me and they were just like,
0:18:17 > 0:18:19"What you doing, what are you doing?"
0:18:19 > 0:18:22And, um...I don't really know, like, what I'm doing.
0:18:22 > 0:18:23LAUGHTER
0:18:23 > 0:18:25That's all right, it's fine.
0:18:25 > 0:18:26Half the time, I don't,
0:18:26 > 0:18:30but there's definitely no shadow of a doubt that you're a great singer
0:18:30 > 0:18:34and I'm really happy that somebody here has got some sense.
0:18:34 > 0:18:35APPLAUSE Thank you so much.
0:18:35 > 0:18:37I can't believe it!
0:18:37 > 0:18:39Thank you so much.
0:18:42 > 0:18:45What you did was magical, and I really appreciate it.
0:18:45 > 0:18:48- PALOMA:- You've got a really lovely speaking voice, as well.
0:18:48 > 0:18:50Thank you! As have you!
0:18:50 > 0:18:53- No, mine's ridiculous.- I love it... I love it when you chat!
0:18:53 > 0:18:55I'm stuck with it.
0:18:55 > 0:18:58Getting Chloe, and being the only one to turn for her,
0:18:58 > 0:19:00I honestly didn't expect that.
0:19:00 > 0:19:02ALL CHEER
0:19:05 > 0:19:07Did no-one else hear that? Amazing!
0:19:07 > 0:19:08- Amazing, yeah.- She was!
0:19:08 > 0:19:11Sometimes, a one-turn is as important as a four-turn,
0:19:11 > 0:19:15because it's something that you saw that no-one else saw -
0:19:15 > 0:19:16it's like a secret.
0:19:16 > 0:19:19- I wasn't going to let that go. - She was really good.
0:19:19 > 0:19:21I... I mean, I just thought you were going to go. I thought...
0:19:21 > 0:19:24You never know what this show is going to throw at you, you know?
0:19:27 > 0:19:29You said it, George - and next up
0:19:29 > 0:19:33an act who is used to dealing with the completely unpredictable.
0:19:33 > 0:19:37MIKE: I've been riding horses since I was three years old.
0:19:37 > 0:19:40Working so close with such powerful animals
0:19:40 > 0:19:42can be quite daunting at times.
0:19:44 > 0:19:46I have to have complete trust in the horse,
0:19:46 > 0:19:49because my job can be incredibly dangerous.
0:19:50 > 0:19:52My name is Mike Collin, I'm 30 years old
0:19:52 > 0:19:55and I'm a professional stunt rider.
0:19:55 > 0:19:56MUSIC: Indiana Jones Theme
0:19:56 > 0:20:00I'm not really a 9 to 5 office kind of guy.
0:20:00 > 0:20:01I'm a bit of an adrenaline junkie.
0:20:01 > 0:20:05Hitting the floor at about 30mph is such a good feeling.
0:20:05 > 0:20:08I get a thrill and a buzz about what I do.
0:20:08 > 0:20:10One of my favourite tricks is,
0:20:10 > 0:20:13you pop up, stand on the saddle, and then you stand up.
0:20:13 > 0:20:16When I first started doing that, that felt amazing.
0:20:16 > 0:20:19I'm a performer at heart, I always have been.
0:20:19 > 0:20:22And also taking to the stage, another act with a tough day job...
0:20:22 > 0:20:24MUSIC: Eye Of The Tiger by Survivor
0:20:27 > 0:20:30..but she wouldn't have it any other way.
0:20:30 > 0:20:31Are you ready, then, Gemma?
0:20:33 > 0:20:34SHE GRUNTS
0:20:36 > 0:20:38I'm Gemma Magnusson, I'm 32
0:20:38 > 0:20:40and I'm one of the strongest women in the world.
0:20:40 > 0:20:42EMMA SQUEALS
0:20:42 > 0:20:44- Yeah, yeah...- Whoo!
0:20:44 > 0:20:46You did that just like it was a walk in the park!
0:20:46 > 0:20:48Nice quads.
0:20:48 > 0:20:50# Pump it... #
0:20:50 > 0:20:52I started training when I was 19.
0:20:52 > 0:20:55Within a year, I'd won my first Britain's Strongest Woman title.
0:20:55 > 0:20:59I have retained my title four times, came second in the world twice.
0:20:59 > 0:21:03I've broken eight world records. Everything else is history.
0:21:07 > 0:21:09EMMA: But before Gemma gets her chance,
0:21:09 > 0:21:11it's over to our stunt rider.
0:21:11 > 0:21:16MIKE: I've always sang, and I've always loved performing.
0:21:16 > 0:21:20That's why I'm here today. I can't be a stunt rider forever.
0:21:20 > 0:21:22I don't want to be getting 20 years down the line and thinking,
0:21:22 > 0:21:24"Why didn't I go for it?"
0:21:24 > 0:21:26ALL CHEER
0:21:27 > 0:21:28Come on, Mike!
0:21:30 > 0:21:31I hope I'm good enough.
0:21:46 > 0:21:48# My house in Budapest
0:21:48 > 0:21:51# My hidden treasure chest
0:21:51 > 0:21:52# Golden grand piano
0:21:52 > 0:21:54# My beautiful Castillo
0:21:54 > 0:21:55# You, ooh
0:21:55 > 0:21:57# You, ooh
0:21:57 > 0:22:00# I'd leave it all
0:22:02 > 0:22:04# My acres of a land
0:22:04 > 0:22:06# I have achieved
0:22:06 > 0:22:08# It may be hard for you to stop and believe
0:22:08 > 0:22:10# But for you, ooh
0:22:10 > 0:22:12# You, ooh
0:22:12 > 0:22:14# I'd leave it all
0:22:16 > 0:22:18# Give me one good reason
0:22:18 > 0:22:21# Why I should never make a change
0:22:23 > 0:22:25# And baby if you hold me
0:22:25 > 0:22:28# Then all of this will go away
0:22:32 > 0:22:33# My friends and family
0:22:33 > 0:22:35# They don't understand
0:22:35 > 0:22:37# They fear they'd lose so much
0:22:37 > 0:22:38# If you take my hand
0:22:38 > 0:22:41# But for you, ooh... #
0:22:41 > 0:22:43HE HITS HIGH NOTE
0:22:43 > 0:22:45# I'd lose it all
0:22:46 > 0:22:48# Give me one good reason
0:22:48 > 0:22:52# Why I should never make a change
0:22:54 > 0:22:56# And baby if you hold me
0:22:56 > 0:23:07# Then all of this will go away. #
0:23:07 > 0:23:09APPLAUSE
0:23:15 > 0:23:18- Hey!- Hi!
0:23:18 > 0:23:21- How are you?- I'm good. My name is Mike and I'm from York,
0:23:21 > 0:23:24and I'm a professional stunt rider. APPLAUSE
0:23:24 > 0:23:26Have we seen you in loads of big films?
0:23:26 > 0:23:28- Yeah, yeah...- Which ones?
0:23:28 > 0:23:31I did Warhorse, I've done Merlin, Jamaica Inn...
0:23:31 > 0:23:33APPLAUSE
0:23:33 > 0:23:37Is it true that horses, like stunt horses, there is a password,
0:23:37 > 0:23:40and you say it, and they kind of like pretend to die?
0:23:40 > 0:23:42LAUGHTER
0:23:42 > 0:23:45They do act, the horses - they fall over and go, "I'm dead!"
0:23:45 > 0:23:47Yeah, they go, "Oh, my God!"
0:23:47 > 0:23:48LAUGHTER
0:23:48 > 0:23:51"Oh, the humanity!"
0:23:51 > 0:23:52APPLAUSE
0:23:52 > 0:23:55I mean, obviously, it's a great song choice - I love that song.
0:23:55 > 0:23:58I think you went, kind of, a bit wild with it,
0:23:58 > 0:24:00it was kind of like, "Ooh, where are you going with it?"
0:24:00 > 0:24:01There is a good voice there,
0:24:01 > 0:24:03but I think what you did with that song...
0:24:03 > 0:24:06- You always run the risk of it, don't you, really?- Exactly.
0:24:06 > 0:24:09- In that respect, it didn't really work. Sorry to say that.- No worries.
0:24:09 > 0:24:11That's the thing, isn't it?
0:24:11 > 0:24:13You know, I tried. APPLAUSE
0:24:13 > 0:24:15You've got to get back on that horse.
0:24:15 > 0:24:17LAUGHTER
0:24:17 > 0:24:18Thank you.
0:24:18 > 0:24:21Well done. There's always more than one chance.
0:24:21 > 0:24:23Thank you very much.
0:24:23 > 0:24:26So, it's no turns for Mike.
0:24:26 > 0:24:30Will Gemma have the vocal strength to push some buttons?
0:24:30 > 0:24:32I love being strong,
0:24:32 > 0:24:34and I love everything that comes with that -
0:24:34 > 0:24:36but no deadlift or squat or log lift
0:24:36 > 0:24:39will ever give you a rush like singing.
0:24:39 > 0:24:41I really am passionate about it,
0:24:41 > 0:24:45and I didn't realise how passionate I was until I came on The Voice.
0:24:59 > 0:25:04# The higher you build your barriers
0:25:04 > 0:25:08# The taller I become
0:25:10 > 0:25:15# The farther you take my rights away
0:25:15 > 0:25:19# The faster I will run
0:25:22 > 0:25:25# You can deny me
0:25:25 > 0:25:31# You can decide to turn your face away
0:25:31 > 0:25:33# No matter, cos there's
0:25:33 > 0:25:39# Something inside so strong
0:25:39 > 0:25:41# Brothers and sisters
0:25:41 > 0:25:44# Just look 'em in the eyes and say
0:25:44 > 0:25:47# I'm gonna do it anyway
0:25:47 > 0:25:53# I'm gonna do it anyway
0:25:53 > 0:25:58# Something inside so strong
0:25:58 > 0:26:01# And I know that I can make it... #
0:26:01 > 0:26:02Come on, turn round!
0:26:02 > 0:26:08# Something inside so strong. #
0:26:08 > 0:26:10APPLAUSE
0:26:17 > 0:26:18Well done, Gemma!
0:26:20 > 0:26:22- Well, hello! - Hello!
0:26:22 > 0:26:26- Hi.- You know, before we stopped, George was going, "It's Cher,"
0:26:26 > 0:26:30and I was like, "Cher's not going to audition for The Voice UK."
0:26:30 > 0:26:33You don't know - you've got a real Cher...
0:26:33 > 0:26:37- You must have been told that, right?- A few times.
0:26:37 > 0:26:40Tell us your name and where you come from.
0:26:40 > 0:26:44My name's Gemma, I'm 32, I'm from Thirsk and I'm a strength coach.
0:26:44 > 0:26:46- A strength coach?- Yeah.
0:26:46 > 0:26:49I used to compete in the World's Strongest Woman competition, so...
0:26:49 > 0:26:51APPLAUSE
0:26:51 > 0:26:54So, it's almost like your theme song, right?
0:26:54 > 0:26:56- Yeah, kind of, yeah. - Something Inside So Strong.
0:26:56 > 0:26:59- Do you ever...?- So, you could, like, beat me and Ricky up.
0:26:59 > 0:27:04Um... I'm very non-violent, but I could lift you up.
0:27:04 > 0:27:05LAUGHTER
0:27:05 > 0:27:07APPLAUSE
0:27:07 > 0:27:09I could lift Ricky up, come on, anybody could...
0:27:09 > 0:27:11Will, do you want me to lift you up, as well?
0:27:11 > 0:27:13# Lift him up...! #
0:27:13 > 0:27:14CROWD CHEERS
0:27:14 > 0:27:16She's going to have to take them all.
0:27:19 > 0:27:21- What do I do?- There are rules, OK?
0:27:21 > 0:27:22OK.
0:27:22 > 0:27:23You've got to put your arms around me...
0:27:23 > 0:27:25- Like this. - # Put your arms around me. #
0:27:25 > 0:27:26# Must be love! #
0:27:26 > 0:27:28That's another Labi Siffre song, innit?
0:27:28 > 0:27:29One, two, three...
0:27:29 > 0:27:31ALL CHEER
0:27:33 > 0:27:35That was amazing!
0:27:35 > 0:27:37This is my kind of lady.
0:27:38 > 0:27:41- PALOMA:- Can I just quickly have a go, just to test?
0:27:41 > 0:27:44- Can I just see if I can lift you? - Can you put her up like that...?
0:27:44 > 0:27:45- Up in the air.- Right...
0:27:45 > 0:27:46One, two...
0:27:46 > 0:27:48Paloma, you'll break something.
0:27:48 > 0:27:50LAUGHTER
0:27:50 > 0:27:52ALL CHEER
0:27:52 > 0:27:56- That was great.- No, but that was... That just shows how strong she is.
0:27:56 > 0:27:58- Well done.- Paloma...
0:27:58 > 0:28:00LAUGHTER
0:28:00 > 0:28:03# What doesn't kill you makes you stronger... #
0:28:05 > 0:28:07Like Cinderella...
0:28:07 > 0:28:11So nice to meet you. Inspiring. Thank you.
0:28:16 > 0:28:18Come on, coaches, what's with the no-spins?
0:28:18 > 0:28:21Maybe 19-year-old Kagan can turn things around.
0:28:22 > 0:28:25Hopefully, this will be a big start for me.
0:28:26 > 0:28:30My heart is going to be racing, my legs will be shaking.
0:28:30 > 0:28:34I've just got to get up there, grab the microphone and just sing.
0:28:54 > 0:29:00# You look so dumb right now
0:29:00 > 0:29:04# Standin' outside my house
0:29:04 > 0:29:07# Tryin' to apologise
0:29:07 > 0:29:11# You're so ugly when you cry
0:29:11 > 0:29:16# Just cut it out
0:29:16 > 0:29:20# Don't tell me you're sorry cos you're not
0:29:20 > 0:29:26# And baby when I know you're only sorry you got caught
0:29:26 > 0:29:30# But you put on quite a show
0:29:30 > 0:29:33# Really had me going
0:29:33 > 0:29:38# Go on and take a bow
0:29:38 > 0:29:48# And the award for the best liar goes to you
0:29:48 > 0:29:57# For making me believe that you could be faithful to me
0:29:57 > 0:30:00# Let's just hear your speech
0:30:00 > 0:30:05# And you put on quite a show
0:30:05 > 0:30:07# Really had me going
0:30:07 > 0:30:10# That was quite a show
0:30:10 > 0:30:13# Really entertaining
0:30:13 > 0:30:18# But it's over now
0:30:18 > 0:30:25# Go on and take a bow. #
0:30:25 > 0:30:28APPLAUSE
0:30:28 > 0:30:29Yes!
0:30:41 > 0:30:43- Thank you.- Cheers, mate.
0:30:45 > 0:30:49Oh, that was the most nerve-racking 60 seconds of my life!
0:30:49 > 0:30:52- What's your name? - My name is Kagan, I'm from London.
0:30:52 > 0:30:54ALL CHEER
0:30:54 > 0:30:57- How old are you?- 19.- 19?- Yeah.
0:30:57 > 0:30:59That's dope, man. Welcome to The Voice.
0:30:59 > 0:31:01You're on Team Ricky.
0:31:03 > 0:31:08Kagan, the reason I turned is cos... So many brilliant singers,
0:31:08 > 0:31:13and everyone can sing, and everyone is brilliant in their own way.
0:31:13 > 0:31:16What I've been missing is the personalities,
0:31:16 > 0:31:19- and when you sing, your personality comes through.- Thank you.
0:31:19 > 0:31:22That's the reason I turned, and I loved it.
0:31:22 > 0:31:24APPLAUSE
0:31:24 > 0:31:27- Did you like it? - Yeah, there's raw talent there.
0:31:27 > 0:31:28I'm glad Ricky turned for you.
0:31:28 > 0:31:30- You were good, it was nice. - Thank you.- Nice.
0:31:30 > 0:31:32I loved it - I loved it.
0:31:32 > 0:31:34Anyway, welcome to Team Ricky!
0:31:36 > 0:31:38That was really great, really great.
0:31:38 > 0:31:41- PALOMA:- Well done. Really good.
0:31:41 > 0:31:44ALL CHEER
0:31:44 > 0:31:46Well done, Kagan!
0:31:46 > 0:31:47- PALOMA:- Have you ever had it where...
0:31:47 > 0:31:50once you've filled up, and then you hear loads that you love...?
0:31:50 > 0:31:53- RICKY:- Yeah, totally, but you just don't worry about it.
0:31:57 > 0:32:01Up next, hoping for some luck of the Irish, it's Cian Ducrot.
0:32:01 > 0:32:04My mum, she taught me music from a young age.
0:32:04 > 0:32:07When I started songwriting and teaching myself piano and guitar,
0:32:07 > 0:32:10she just always supported me equally
0:32:10 > 0:32:13with my pop music as my classical music.
0:32:13 > 0:32:15I recently moved over to Wells from Cork,
0:32:15 > 0:32:19and I got a scholarship to go to a specialised musician school.
0:32:19 > 0:32:22I thought it was important to move away
0:32:22 > 0:32:24to further my career as a singer.
0:32:24 > 0:32:27I hope that this move, and coming to England,
0:32:27 > 0:32:28is going to be the right thing.
0:32:40 > 0:32:43# Ooh, ooh, ooh
0:32:43 > 0:32:47# You and I go hard at each other
0:32:47 > 0:32:49# Like we're going to war
0:32:49 > 0:32:53# You and I get rough we keep throwing things
0:32:53 > 0:32:55# And slamming the door
0:32:55 > 0:32:58# You and I get so damn dysfunctional
0:32:58 > 0:32:59# We start keeping score
0:32:59 > 0:33:02# You and I get sick
0:33:02 > 0:33:05# Oh, I know that we can't do this no more
0:33:05 > 0:33:07# But, baby, there you go again
0:33:07 > 0:33:10# There you go again making me love you
0:33:11 > 0:33:13# And now I feel stupid
0:33:13 > 0:33:16# Feel stupid crawling back to you
0:33:16 > 0:33:21# So I cross my heart and I hope to die
0:33:21 > 0:33:26# That I will only stay with you one more night
0:33:26 > 0:33:27# When I know I said it... #
0:33:27 > 0:33:28Come on!
0:33:28 > 0:33:31# ..a million times, yeah
0:33:31 > 0:33:35# But I'll only stay with you one more night
0:33:35 > 0:33:39# Oh, baby give me one more night. #
0:33:39 > 0:33:41APPLAUSE
0:33:44 > 0:33:47Oh, jeez. Oh, my God.
0:33:52 > 0:33:54- Hey, man.- Hello.
0:33:54 > 0:33:55Hello!
0:33:55 > 0:33:59I'm Cian. I'm 18 and I'm from Cork, Ireland.
0:33:59 > 0:34:02- I'm sorry that I didn't turn. - It's all right!
0:34:02 > 0:34:04It's just that I thought that it wasn't really my domain.
0:34:04 > 0:34:06- You obviously perform a lot.- Yeah.
0:34:06 > 0:34:10I can tell, because you felt like a seasoned performer, even at 18.
0:34:10 > 0:34:13- PALOMA:- Obviously, you're really young, you're just starting,
0:34:13 > 0:34:14and everything.
0:34:14 > 0:34:16The people, in my view, who make it in music
0:34:16 > 0:34:20are the ones who have to work a little bit harder at the beginning.
0:34:20 > 0:34:23- Yeah.- Like, you've got to be quite resilient - and you won't be,
0:34:23 > 0:34:27unless you've experienced playing to a room of people
0:34:27 > 0:34:30who aren't interested, for a start - and a few rejections.
0:34:30 > 0:34:34And it sounds like this is the thing you want to do with your life,
0:34:34 > 0:34:36- so I would just keep doing it.- Yeah.
0:34:36 > 0:34:38APPLAUSE
0:34:38 > 0:34:41- It felt as if you were pushing.- OK.
0:34:41 > 0:34:45It seemed like you were straining, and... I couldn't see it,
0:34:45 > 0:34:49- but it looked as if your veins in your neck were about to rip out.- OK!
0:34:49 > 0:34:51- LAUGHTER - It just sounded like that.
0:34:51 > 0:34:55Can I hear you play, just you and the guitar, one semitone lower?
0:34:55 > 0:34:58Yeah, put the mic in there... I was about to say the same thing.
0:34:58 > 0:35:00I bet you, what are about to play right now,
0:35:00 > 0:35:03it'll be ten times better than what you just sung right there,
0:35:03 > 0:35:05and then we all will regret that we didn't turn for it.
0:35:05 > 0:35:06All right!
0:35:08 > 0:35:12# When the rain is blowing in your face
0:35:15 > 0:35:20# And the whole world is on your case... #
0:35:20 > 0:35:21APPLAUSE
0:35:21 > 0:35:27# I could offer you a warm embrace
0:35:28 > 0:35:33# To make you feel my love
0:35:36 > 0:35:41# I know you haven't made your mind up yet
0:35:43 > 0:35:47# But I would never do you wrong
0:35:50 > 0:35:55# I've known it from the moment that we met
0:35:55 > 0:36:00# There's no doubt in my mind where you belong... #
0:36:02 > 0:36:03APPLAUSE
0:36:11 > 0:36:13- Thank you.- Argh!
0:36:15 > 0:36:17Whoo!
0:36:22 > 0:36:25See, we turned an awkward moment into a beautiful moment.
0:36:25 > 0:36:28- Well done, that was so nice. - We wish you'd done that.
0:36:28 > 0:36:30- I would have turned, for sure. - Oh, thank you.
0:36:30 > 0:36:32- Sometimes, simpler is better.- Yeah.
0:36:32 > 0:36:34ALL CHEER
0:36:36 > 0:36:37That was beautiful!
0:36:37 > 0:36:40That was so beautiful. Oh, my God.
0:36:40 > 0:36:42- I got quite emotional.- Yeah!
0:36:42 > 0:36:45It was vulnerable, it was really vulnerable.
0:36:45 > 0:36:47Good call, Will.
0:36:47 > 0:36:48That was good.
0:36:54 > 0:36:59As your team gets more full, you start to lose perspective -
0:36:59 > 0:37:02questioning whether you're right, you're wrong.
0:37:02 > 0:37:04I'm definitely making mistakes.
0:37:04 > 0:37:08I feel like I've let people down that really deserve it,
0:37:08 > 0:37:10and that's quite hard.
0:37:11 > 0:37:14I guess I'm doubting myself, because I'm not sure
0:37:14 > 0:37:17if they're something amazing coming, and I might miss it -
0:37:17 > 0:37:20you know, being a little bit hasty pushing that button.
0:37:20 > 0:37:23Sometimes it feels like you just miss the opportunity.
0:37:25 > 0:37:28You've heard so many things, and you've loved most of them.
0:37:28 > 0:37:31You start thinking to yourself, "What am I even looking for?"
0:37:31 > 0:37:33Mistakes WILL be made.
0:37:35 > 0:37:37It's happened to people in relationships.
0:37:37 > 0:37:40People that thought they were waiting for Mr or Mrs Right,
0:37:40 > 0:37:43and Mr or Mrs Right was right there in the living room the whole time,
0:37:43 > 0:37:45because they were waiting for something else -
0:37:45 > 0:37:50and the same thing applies to picking a singer, and overthinking.
0:37:50 > 0:37:53Not even seeing the beauty that is right there in front of you.
0:37:53 > 0:37:57# If I lose myself I lose it all... #
0:37:57 > 0:38:01So, the coaches are starting to doubt themselves -
0:38:01 > 0:38:04but can our next act restore their confidence?
0:38:04 > 0:38:06'I'm Tobias Robertson.
0:38:06 > 0:38:08'I'm 22,'
0:38:08 > 0:38:10and I'm a professional musician.
0:38:10 > 0:38:16Music does run in my family, especially in a particular person.
0:38:16 > 0:38:19My great auntie was Cilla Black -
0:38:19 > 0:38:22obviously very famous for her music career.
0:38:22 > 0:38:25# Anyone who had a heart... #
0:38:25 > 0:38:28These are actually some pictures of...
0:38:28 > 0:38:30- Of Cilla! - ..of Cilla's wedding.
0:38:30 > 0:38:33- Now, that's me.- That's my mum! - I was a bridesmaid.
0:38:33 > 0:38:35- She was, yeah. - Really?
0:38:35 > 0:38:37Yeah. I was 10.
0:38:37 > 0:38:41It was so exciting - on that day, I remember coming out of the church
0:38:41 > 0:38:43and seeing a cameraman up a lamppost,
0:38:43 > 0:38:45and then going home to my grandmother's,
0:38:45 > 0:38:47because we weren't allowed to stay very late,
0:38:47 > 0:38:50and then seeing myself on telly. It was surreal!
0:38:50 > 0:38:53What's incredible is that you have that musical gene -
0:38:53 > 0:38:56you have THAT musical gene inside you.
0:38:56 > 0:38:59- Yeah, somewhere! - Somewhere!
0:39:00 > 0:39:02TOBIAS: I'm actually feeling a little bit terrified.
0:39:02 > 0:39:05It's always just amazing, just to have, in the back of my mind,
0:39:05 > 0:39:08that someone in my family, someone I share blood with,
0:39:08 > 0:39:10went on to achieve such great things.
0:39:10 > 0:39:16To get a chair to turn today would mean a hell of a lot to me.
0:39:16 > 0:39:18I owe it to myself.
0:39:21 > 0:39:23- How many have you got now?- Seven.
0:39:23 > 0:39:24- How many have you got?- Seven.
0:39:24 > 0:39:29- We haven't paced ourselves, have we, really? It's really hard.- Slow down!
0:39:29 > 0:39:32Yeah, I'm going to, now.
0:39:42 > 0:39:46# You've got a friend in me... # APPLAUSE
0:39:46 > 0:39:49# You've got a friend in me
0:39:49 > 0:39:53# When the road looks rough ahead
0:39:53 > 0:39:58# And you're miles and miles from your nice warm bed
0:39:58 > 0:40:02# You just remember what your old pal said
0:40:02 > 0:40:05# Cos you've got a friend in me
0:40:07 > 0:40:10# You've got a friend in me
0:40:11 > 0:40:16# Some other folks might be a little bit smarter than I am
0:40:16 > 0:40:18# Bigger and stronger, too
0:40:18 > 0:40:20# Maybe
0:40:20 > 0:40:24# But none of them will ever love you
0:40:24 > 0:40:26# The way I do
0:40:26 > 0:40:28# It's me and you, boy
0:40:28 > 0:40:32# And as the years go by
0:40:32 > 0:40:36# Our friendship will never die
0:40:36 > 0:40:41# You're gonna see it's our destiny
0:40:42 > 0:40:46# You've got a friend in me
0:40:46 > 0:40:51# You got a friend in me
0:40:51 > 0:40:59# Oh, you got a friend...
0:40:59 > 0:41:09# In me, yeah. #
0:41:09 > 0:41:12APPLAUSE
0:41:15 > 0:41:17Yeah, yeah, yeah!
0:41:18 > 0:41:19Hello!
0:41:23 > 0:41:26You've got a friend in me, my friend. What's your name?
0:41:26 > 0:41:29- My name is Tobias Robertson. - Great name.- Thank you very much.
0:41:29 > 0:41:31Halfway there, with a name like that.
0:41:31 > 0:41:32- HE LAUGHS - Where are you from?
0:41:32 > 0:41:34Newport, South Wales.
0:41:34 > 0:41:37- CROWD CHEERS - Newport, South Wales!
0:41:37 > 0:41:40- South Wales, home of singing. - Yeah, pretty much. Yeah, yeah.
0:41:40 > 0:41:42Who are you here with today?
0:41:42 > 0:41:45Just my mum - she's the only one who could make it up.
0:41:46 > 0:41:49APPLAUSE
0:41:49 > 0:41:51I think you made a few more fans today - hopefully.
0:41:51 > 0:41:52- I do!- I hope so.
0:41:52 > 0:41:54APPLAUSE Thank you.
0:41:54 > 0:41:55Thank you, thank you.
0:41:55 > 0:41:58- Do you write your own songs? - I do. Yeah.
0:41:58 > 0:42:00What style of music do you write?
0:42:00 > 0:42:05Folky...bluesy...souly... You know.
0:42:05 > 0:42:07- That's cooly. - LAUGHTER
0:42:07 > 0:42:10Yeah, so I'm so happy George turned for you.
0:42:10 > 0:42:14Yeah, and try not to turn as much, but, unfortunately, you know,
0:42:14 > 0:42:16to me, you're a real singer,
0:42:16 > 0:42:19and I was wondering if anyone else was going to turn.
0:42:19 > 0:42:22- They didn't, so you got me. - Excellent!- Yeah!
0:42:22 > 0:42:24ALL CHEER
0:42:25 > 0:42:27How are you doing, Tobias?
0:42:27 > 0:42:29It's great. It's great.
0:42:29 > 0:42:32- PALOMA:- Well done, mate. You look lucky.- Thank you.
0:42:32 > 0:42:34- You just look lucky, doesn't he? - He does.
0:42:45 > 0:42:49Well done, well done! Ooh!
0:42:49 > 0:42:51- Don't cry!- I won't cry, I'm not going to cry!
0:42:53 > 0:42:58# Close your eyes Give me your hand, darlin'
0:42:58 > 0:43:01# Do you feel my heart beating?
0:43:01 > 0:43:03# Do you understand? #
0:43:03 > 0:43:05LAUGHTER
0:43:05 > 0:43:09- YELLS:- # Do you feel the same?! #
0:43:09 > 0:43:10LAUGHTER
0:43:15 > 0:43:20Next, the rock-and-roll heartland... of Whitby.
0:43:20 > 0:43:22Fish and chips...surf and sand...
0:43:22 > 0:43:24and now these two.
0:43:24 > 0:43:26'Wett N Wilde.'
0:43:26 > 0:43:30- We've lived in Whitby for 15 years. - We love it,
0:43:30 > 0:43:32and I can't see me living anywhere else.
0:43:32 > 0:43:34Only in an old folks' home.
0:43:35 > 0:43:37Oh, my God.
0:43:40 > 0:43:43Come on, then, Rory - let's face the elements, eh?
0:43:43 > 0:43:45Brrr! It's freezing.
0:43:45 > 0:43:46I'm Wett - with two Ts,
0:43:46 > 0:43:48and he's Wilde...
0:43:48 > 0:43:50but, if necessary, I can get wild. SHE CHUCKLES
0:43:50 > 0:43:52How's that? Is that not good?
0:43:52 > 0:43:56Rory and I have been singing together now for 25 years.
0:43:56 > 0:43:59We're comfortable together, we're confident together,
0:43:59 > 0:44:02and I'm a very patient person.
0:44:02 > 0:44:05# I would be nothing without you-ou! #
0:44:05 > 0:44:07HE LAUGHS
0:44:07 > 0:44:08Pfft.
0:44:08 > 0:44:11# It takes two, baby... #
0:44:11 > 0:44:14People always mistake Pam and I for being a couple -
0:44:14 > 0:44:15including my wife!
0:44:16 > 0:44:18It's an easy mistake to make,
0:44:18 > 0:44:21because we just have this easy camaraderie between us -
0:44:21 > 0:44:22but life is quite short,
0:44:22 > 0:44:24why shouldn't you spend time with your best mate?
0:44:26 > 0:44:29Our biggest fan is my mum, I would say.
0:44:29 > 0:44:33She's going on to 91 now, and she was a singer. She's lovely.
0:44:33 > 0:44:36So, Joyce, how much of a fan of Wett N Wilde are you?
0:44:36 > 0:44:37Number one.
0:44:37 > 0:44:40- Oh, number one fan of Wett N Wilde, yeah?- Yeah, number one.
0:44:40 > 0:44:42They're very good singers, which we don't get these days -
0:44:42 > 0:44:44they're all shouters.
0:44:44 > 0:44:46But they can sing properly, not "Whurrr!" You know?
0:44:46 > 0:44:48I think you should have been their manager, Joyce.
0:44:48 > 0:44:50Yeah, you should have been.
0:44:50 > 0:44:52Well, I would've asked for a lot of money, but...
0:44:52 > 0:44:53LAUGHTER
0:44:56 > 0:44:57In our mature years,
0:44:57 > 0:45:01we think, "Let's try and prove that it's never too late."
0:45:02 > 0:45:04It's nothing to do with how old you are.
0:45:04 > 0:45:06It's all a matter of how good you are.
0:45:08 > 0:45:09We're still good.
0:45:11 > 0:45:13CHEERING
0:45:13 > 0:45:15Come on, love!
0:45:22 > 0:45:27# Who knows what tomorrow brings?
0:45:29 > 0:45:35# In a world few hearts survive
0:45:36 > 0:45:41# The road is long
0:45:42 > 0:45:48# There are mountains in our way... #
0:45:48 > 0:45:50If they don't turn round, I'll be cross.
0:45:50 > 0:45:55- BOTH:- # But we climb a step every day, yeah
0:45:57 > 0:46:01# Love lifts us up where we belong
0:46:03 > 0:46:07# Far from the world below
0:46:07 > 0:46:11# Up where the clear winds blow
0:46:11 > 0:46:14# Time goes by
0:46:14 > 0:46:17# No time to cry
0:46:17 > 0:46:20# Life's you and I
0:46:20 > 0:46:23# Alive today
0:46:23 > 0:46:25# Baby, baby
0:46:25 > 0:46:29# Love lifts us up where we belong
0:46:30 > 0:46:34# Where the eagles cry
0:46:34 > 0:46:38# On a mountain high
0:46:38 > 0:46:43# Love lifts us up where we belong
0:46:43 > 0:46:51# Yeah. #
0:46:51 > 0:46:54CHEERING AND APPLAUSE
0:47:05 > 0:47:09- PALOMA:- Oh, hello! Aren't you gorgeous?
0:47:09 > 0:47:11What are your names?
0:47:11 > 0:47:14We're Pamela and Rory. We are soul mates, baby.
0:47:14 > 0:47:15Soul mates.
0:47:17 > 0:47:19CHEERING AND APPLAUSE
0:47:19 > 0:47:22Are you soul mates in the sense that you are a couple?
0:47:22 > 0:47:25- No, we're not, no. - Couple of idiots, really.
0:47:25 > 0:47:27LAUGHTER AND APPLAUSE
0:47:27 > 0:47:30Do you do this performing together a lot?
0:47:30 > 0:47:32- Yeah, quite a few years. - In what situations?
0:47:32 > 0:47:33We worked together a lot in Spain,
0:47:33 > 0:47:36and now we work in hotels in this country.
0:47:36 > 0:47:39And do you have a big repertoire?
0:47:39 > 0:47:41Oh, yes. It's here.
0:47:41 > 0:47:43LAUGHTER
0:47:43 > 0:47:46You're entertainers!
0:47:46 > 0:47:49- Yes, we do.- How long have you been working together?
0:47:49 > 0:47:52- 25 years.- About 25. - Wow, congratulations.
0:47:54 > 0:47:57We must be the oldest entertainers on the show.
0:47:57 > 0:47:58How old are you?
0:47:58 > 0:48:00- 68.- We've had older.
0:48:00 > 0:48:0275, almost.
0:48:02 > 0:48:05- Well, I think we're about... - We've had older.
0:48:05 > 0:48:07- PALOMA:- I think we've had older.
0:48:07 > 0:48:10I didn't think anybody was older than me.
0:48:10 > 0:48:11You were very entertaining.
0:48:11 > 0:48:14I had no idea what I was going to see when I turned around,
0:48:14 > 0:48:16but I could tell that there was experience there.
0:48:16 > 0:48:18You know, you've obviously done this a lot
0:48:18 > 0:48:20and you know how to connect with people.
0:48:20 > 0:48:22You know, it's very entertaining.
0:48:25 > 0:48:27This is the part of the show where...
0:48:27 > 0:48:30I don't like this part where there's obviously
0:48:30 > 0:48:34seasoned professionals, super, uber pros.
0:48:34 > 0:48:37You sound magnificent together.
0:48:37 > 0:48:41Who am I to tell all of your wonderful contribution
0:48:41 > 0:48:44to the world of music and the people that you make smile
0:48:44 > 0:48:46and escape from their daily lives...
0:48:46 > 0:48:50You know, my opinion is nothing to what you guys do to people.
0:48:50 > 0:48:51Thank you so much.
0:48:55 > 0:48:58I have to say, I'm loving the coats.
0:48:58 > 0:49:00MUSIC: I Got You Babe by Sonny and Cher
0:49:00 > 0:49:02CHEERING AND APPLAUSE
0:49:09 > 0:49:11CHEERING
0:49:14 > 0:49:16So what did you think of the performance?
0:49:16 > 0:49:18Very good, but not long enough.
0:49:20 > 0:49:21They both looked amazing.
0:49:21 > 0:49:24Yeah, they were great. Almost country.
0:49:26 > 0:49:30Amazing. It was kind of hard to fault it, you know? It's tough.
0:49:30 > 0:49:32It's really tough.
0:49:36 > 0:49:40My name is Dylan Thomas. I'm 18 and I'm from Glasgow.
0:49:40 > 0:49:41I'm named after Bob Dylan.
0:49:41 > 0:49:44Aye, he's my biggest inspiration. He's cool.
0:49:44 > 0:49:47My two middle names are Paul and John.
0:49:47 > 0:49:50They were because of The Beatles.
0:49:50 > 0:49:52So, aye, I've got quite a musical name.
0:49:52 > 0:49:56I think it was just foretold that I was going to be a rock star.
0:49:56 > 0:50:00People say, "Do you not like music nowadays?"
0:50:00 > 0:50:01But I do like music nowadays -
0:50:01 > 0:50:05it just doesn't compare to Bob Dylan, Beatles and stuff.
0:50:05 > 0:50:06It just doesn't.
0:50:09 > 0:50:12I'm auditioning to see how far I can go
0:50:12 > 0:50:15and just make it a good experience.
0:50:15 > 0:50:17When I walk on to the stage, I think I'll be more excited,
0:50:17 > 0:50:21like, to be playing in front of that many people and the coaches.
0:50:51 > 0:50:53# Once upon a time you dressed so fine
0:50:53 > 0:50:57# You threw the bums a dime in your prime
0:50:57 > 0:50:59# Didn't you?
0:51:01 > 0:51:04# People'd call, say, Beware, doll, you're bound to fall
0:51:04 > 0:51:06# You thought they were all
0:51:06 > 0:51:08# Kiddin' you
0:51:11 > 0:51:15# You used to laugh about
0:51:16 > 0:51:21# Everybody that was hangin' out
0:51:21 > 0:51:24# Now you don't talk so loud
0:51:26 > 0:51:30# Now you don't seem so proud
0:51:30 > 0:51:33# About having to be scrounging
0:51:33 > 0:51:38# For your next meal
0:51:38 > 0:51:40# Well, how does it feel
0:51:43 > 0:51:45# To be on your own
0:51:47 > 0:51:50# With no direction home
0:51:52 > 0:51:55# Like a complete unknown
0:51:57 > 0:52:00# Like a rolling stone?
0:52:03 > 0:52:05# Like a rolling stone
0:52:07 > 0:52:12# Like a rolling stone
0:52:12 > 0:52:15# Like a rolling stone. #
0:52:21 > 0:52:23CHEERING AND APPLAUSE
0:52:30 > 0:52:33I really thought you were going to go for that one.
0:52:36 > 0:52:38Oh, no!
0:52:38 > 0:52:39How are yous doing?
0:52:39 > 0:52:41I made a mistake!
0:52:42 > 0:52:43It's all right.
0:52:43 > 0:52:44I'm really sorry.
0:52:44 > 0:52:46- It's fine.- How old are you?- 18.
0:52:46 > 0:52:48I feel sick.
0:52:49 > 0:52:52I'm sorry. Can we ask you about yourself?
0:52:52 > 0:52:57Eh, I'm 18, my name is Dylan Thomas. I'm a busker in Glasgow.
0:52:57 > 0:52:59- You're a busker.- Aye.
0:52:59 > 0:53:00You're brilliant.
0:53:00 > 0:53:05- Cheers.- I've got prickly feelings in my head, cos I'm an idiot.
0:53:05 > 0:53:07- I'm so sorry.- It's all right.
0:53:07 > 0:53:08I'm such an idiot.
0:53:08 > 0:53:11I've been talking about it - it was a brilliant song choice,
0:53:11 > 0:53:15like, I love all that stuff, like, the Jake Bugg, Arctic Monkeys,
0:53:15 > 0:53:17all them bands.
0:53:17 > 0:53:21I was saying today that I want to find somebody in that world.
0:53:21 > 0:53:24You know, the reality is, you know, all of us here
0:53:24 > 0:53:26have faced similar obstacles.
0:53:26 > 0:53:29You know, it's part of your growth as a performer.
0:53:29 > 0:53:31You know, if you're really going to do this,
0:53:31 > 0:53:33you're not always going to get your own way,
0:53:33 > 0:53:35it's not always going to go the way you want it to,
0:53:35 > 0:53:37but if you've got it in your bones...
0:53:37 > 0:53:40- You look like a rock star. - I think you've got it in your bones.
0:53:40 > 0:53:41Yeah, I think you've got it.
0:53:41 > 0:53:45- Cheers, thanks.- You're welcome. - I'll just come and say hi.
0:53:45 > 0:53:47APPLAUSE
0:53:47 > 0:53:49MUSIC: Don't Look Back In Anger by Oasis
0:53:52 > 0:53:54- I'm so sorry.- That was so good. It was brilliant.
0:54:02 > 0:54:04I'm so gutted.
0:54:04 > 0:54:07# But don't look back in anger
0:54:07 > 0:54:10# Don't look back in anger... #
0:54:10 > 0:54:12I'm so annoyed with myself.
0:54:14 > 0:54:15# I heard you say... #
0:54:15 > 0:54:19He's like proper. He was so good.
0:54:19 > 0:54:21I'm gutted I didn't turn for him.
0:54:21 > 0:54:22I thought he was really special.
0:54:22 > 0:54:25I probably should have just gone with my gut.
0:54:34 > 0:54:36Now my team is over half full,
0:54:36 > 0:54:41I'm finding it really difficult to know when to press my button.
0:54:41 > 0:54:43Oh, no!
0:54:43 > 0:54:45Today, I feel like I missed two,
0:54:45 > 0:54:48possibly three really good candidates.
0:54:48 > 0:54:49I made a mistake!
0:54:49 > 0:54:51- ECHOING:- I made a mistake!
0:54:51 > 0:54:54Normally I'm, like, an instinctive person.
0:54:54 > 0:54:58Then I start thinking, "Am I right? Am I wrong? Have I made mistakes?"
0:54:58 > 0:54:59Oh, no.
0:54:59 > 0:55:01What am I going to do?
0:55:01 > 0:55:02- ECHOING:- What am I going to do?
0:55:02 > 0:55:05I'm really dreading getting to the end and hearing someone
0:55:05 > 0:55:09mind-blowingly incredible and not having space for them.
0:55:09 > 0:55:11I'm really sorry.
0:55:11 > 0:55:15So me and my gut have had a terrible relationship today.
0:55:18 > 0:55:20I think I'm, like, going a bit into my head,
0:55:20 > 0:55:22so I need to get back to my gut.
0:55:23 > 0:55:26Paloma, just don't go all French on us
0:55:26 > 0:55:28just because you've got a French outfit on.
0:55:28 > 0:55:30- FRENCH ACCENT: - Oh, I don't know what I think.
0:55:35 > 0:55:38Our next act is well used to smashing it -
0:55:38 > 0:55:4019-year-old labourer Bradley Waterman.
0:55:41 > 0:55:44My dad does work me hard, like any other boss.
0:55:44 > 0:55:45Right, get on with it, then,
0:55:45 > 0:55:47cos we've got to get this done by tonight.
0:55:47 > 0:55:51You know, they've always got you running round, doing bits and bobs.
0:55:51 > 0:55:55I do enjoy my job, and I get to spend time with my dad, as well,
0:55:55 > 0:55:56so that's good.
0:55:56 > 0:55:58Miss the old Baby Elvis quiff up there?
0:55:58 > 0:56:01Baby Elvis.
0:56:01 > 0:56:04My dad is always taking the mick out of me and calling me Elvis.
0:56:04 > 0:56:06Come on, Baby Elvis, get your back into it.
0:56:06 > 0:56:11I personally don't see why people call me Baby Elvis.
0:56:11 > 0:56:13- IMITATING ELVIS:- Uh-huh.
0:56:13 > 0:56:15HE LAUGHS
0:56:15 > 0:56:16I'm very proud of Brad.
0:56:16 > 0:56:19If he's successful on The Voice, obviously we'll miss him at work,
0:56:19 > 0:56:21but life goes on.
0:56:21 > 0:56:22# I'm all shook up. #
0:56:31 > 0:56:35# I see you
0:56:35 > 0:56:37# Driving round town
0:56:37 > 0:56:40# With a girl I love
0:56:40 > 0:56:41# I'm like
0:56:41 > 0:56:45# Forget you
0:56:48 > 0:56:50# I said I'm sorry
0:56:50 > 0:56:52# I can't afford a Ferrari
0:56:53 > 0:56:55# But that don't mean I can't get you there
0:56:56 > 0:56:59# I guess he's an Xbox
0:56:59 > 0:57:00# And I'm more Atari
0:57:01 > 0:57:05# But the way you play your game ain't fair
0:57:05 > 0:57:08# I pity the fool
0:57:08 > 0:57:11# Who falls in love with you
0:57:11 > 0:57:13# Cos she's a gold digger
0:57:13 > 0:57:14# I just thought you should know
0:57:14 > 0:57:17# Ooh
0:57:17 > 0:57:19# Falls in love with you
0:57:19 > 0:57:22# Ooh-ooh-ooh
0:57:22 > 0:57:25# I see you driving round town
0:57:25 > 0:57:27# With the girl I love
0:57:27 > 0:57:28# And I'm like
0:57:28 > 0:57:31# Forget you
0:57:31 > 0:57:36# I guess the change in my pocket wasn't enough
0:57:36 > 0:57:38# Forget you
0:57:38 > 0:57:40# And forget her, too
0:57:40 > 0:57:42# I said if I was richer
0:57:42 > 0:57:44# I'd still be with you
0:57:44 > 0:57:45# Yeah
0:57:45 > 0:57:49# Now ain't that some sh! #
0:57:49 > 0:57:51- Paloma! Go! - # Although there's pain in my chest
0:57:51 > 0:57:54# I still wish you the best
0:57:54 > 0:57:58- # With a forget you. # - Go!
0:57:58 > 0:58:01CHEERING AND APPLAUSE
0:58:06 > 0:58:09SQUEALING AND CHEERING
0:58:20 > 0:58:24- What's your name?- I'm Brad. I'm 19 and I'm from Norwich.
0:58:26 > 0:58:27I told you he was playing.
0:58:27 > 0:58:29I was like, "I know he's playing the guitar."
0:58:29 > 0:58:31- Yeah.- I knew it.- I try.
0:58:31 > 0:58:34So that's a dope song that you picked. You sung it really awesome.
0:58:34 > 0:58:35Thank you very much.
0:58:35 > 0:58:40I didn't turn because I had a hunch that either Ricky or Paloma
0:58:40 > 0:58:42was going to turn.
0:58:42 > 0:58:46Every time I turn around, you know, and I turn against Ricky,
0:58:46 > 0:58:48he always beats me.
0:58:48 > 0:58:50AUDIENCE: Aw!
0:58:50 > 0:58:52It does work, Ricky! You're right!
0:58:52 > 0:58:53Oh, my gosh!
0:58:53 > 0:58:56I just hit the Ricky trick, and it actually worked.
0:58:56 > 0:58:58It's like the guitar and the checked shirt -
0:58:58 > 0:59:01thank God you're not wearing a waistcoat, otherwise...
0:59:04 > 0:59:06It was quite an androgynous sound.
0:59:06 > 0:59:10Don't take this the wrong way - from me this is a compliment.
0:59:10 > 0:59:13I wasn't sure whether you were male or female to start with, like,
0:59:13 > 0:59:14"Is it a girl? Is it a boy?"
0:59:14 > 0:59:18A very interesting voice, you know, it's worked for me.
0:59:18 > 0:59:19Thank you.
0:59:19 > 0:59:22APPLAUSE
0:59:22 > 0:59:26I think...it's weird sometimes because you hit the button,
0:59:26 > 0:59:27then you turn and you're like,
0:59:27 > 0:59:30"Oh, no, what am I going to do?"
0:59:36 > 0:59:41- It's true.- I'm worried.- No, I'm really glad. I loved the song.
0:59:41 > 0:59:46The reason why I turned was because of that androgyny thing,
0:59:46 > 0:59:48cos we kind of could hear you were playing guitar,
0:59:48 > 0:59:49and I was like,
0:59:49 > 0:59:54"Well, if it's a guy that sounds feminine playing a guitar,
0:59:54 > 0:59:55"I love it.
0:59:55 > 0:59:57"If it's a girl playing guitar, I love it,
0:59:57 > 1:00:00"so I'm going to turn, because that's special."
1:00:00 > 1:00:01I'm excited.
1:00:01 > 1:00:05I love the song, I've sung it myself, I've sung it with him.
1:00:05 > 1:00:08- Yeah, at the Brits.- Yeah.
1:00:08 > 1:00:12I like your taste and I think we're going to have a really fun time.
1:00:15 > 1:00:19- Yeah, don't jump ahead of yourself. - Oh, you've turned?!
1:00:19 > 1:00:22You turned? That wasn't my pitch, then.
1:00:22 > 1:00:25- RICKY:- So, Brad, Brad.
1:00:25 > 1:00:28- PALOMA:- Wow, you play dirty.
1:00:28 > 1:00:30- RICKY:- You know it, girl...friend?
1:00:30 > 1:00:32- PALOMA:- That was, like, the last minute I would have ever left
1:00:32 > 1:00:35it before I turned, and Ricky just goes that one step further.
1:00:35 > 1:00:37- RICKY:- So, yeah, Brad, it was excellent.
1:00:37 > 1:00:40One thing we've got to work on is... I love everything you can do,
1:00:40 > 1:00:43- it's just getting in between those neater.- Yeah.
1:00:43 > 1:00:45- That's the thing you need to work on.- Yeah.
1:00:45 > 1:00:47But I think you're incredible.
1:00:47 > 1:00:50Thank you very much. I appreciate that.
1:00:50 > 1:00:53CHEERING AND APPLAUSE Thank you.
1:00:53 > 1:00:54So now we do a pitch?
1:00:54 > 1:00:56We have to pitch against each other, and it's so hard
1:00:56 > 1:00:58because we love each other so much.
1:00:58 > 1:01:02- PALOMA:- I feel like it's great that you play guitar and stuff,
1:01:02 > 1:01:06but I would want to take it beyond that and for it to be, like,
1:01:06 > 1:01:08more about where you can go creatively
1:01:08 > 1:01:10- and working together on that. - Yeah.
1:01:10 > 1:01:12Yeah, Brad, the thing is, on this show,
1:01:12 > 1:01:14there are some brilliant singers.
1:01:14 > 1:01:16The reason I spun around for you
1:01:16 > 1:01:19was because there is a massive amount of potential
1:01:19 > 1:01:20in what we all heard.
1:01:20 > 1:01:23I can see that leading to something fantastic.
1:01:23 > 1:01:26I just think you're what I needed.
1:01:26 > 1:01:29You're the injection I needed on my team. It felt right.
1:01:29 > 1:01:31APPLAUSE
1:01:34 > 1:01:36So now you have to decide.
1:01:36 > 1:01:37Oh...
1:01:37 > 1:01:40AUDIENCE SHOUTS ADVICE
1:01:40 > 1:01:42MUSIC: I Predict A Riot by Kaiser Chiefs
1:01:47 > 1:01:51Just so you know, we're good friends, so it's fine. Don't worry.
1:01:51 > 1:01:54Well, I had something in my head from the word go.
1:01:54 > 1:01:56AUDIENCE SHOUTS ADVICE
1:02:01 > 1:02:03So I'm going to go with Paloma.
1:02:03 > 1:02:04CHEERING AND APPLAUSE
1:02:04 > 1:02:08MUSIC: Changing by Sigma ft. Paloma Faith
1:02:08 > 1:02:12- Very nice to meet you. - Thank you so much.- Thank you.
1:02:12 > 1:02:15- RICKY:- Good choice, man. - Thanks, buddy. I appreciate that.
1:02:15 > 1:02:16- PALOMA:- Thank you so much.
1:02:16 > 1:02:20Looking forward to it.
1:02:20 > 1:02:21I thought he was going to say you.
1:02:21 > 1:02:23You're losing your touch!
1:02:27 > 1:02:28Come on!
1:02:31 > 1:02:32Baby Elvis!
1:02:33 > 1:02:37Today, I thought I wasn't going to press my buzzer at all.
1:02:37 > 1:02:41Then I heard Bradley Waterman and I was like,
1:02:41 > 1:02:43"OK, I've got to turn for that."
1:02:43 > 1:02:44So I'm pleased.
1:02:47 > 1:02:5123-year-old Mari Marli is stacking her hopes
1:02:51 > 1:02:52on one coach in particular.
1:02:52 > 1:02:56Today I am singing one of will.i.am's songs.
1:02:56 > 1:02:59There's a huge risk to singing one of the coaches' songs
1:02:59 > 1:03:03because it's theirs, they know it better than anybody.
1:03:03 > 1:03:05But I am going to bring my uber swags.
1:03:05 > 1:03:07So, so much swags.
1:03:07 > 1:03:08Bucket loads.
1:03:20 > 1:03:21# Mmm
1:03:21 > 1:03:25# Ba-dah-dee-do-ba-ba ow, ow, ow, ow, ow
1:03:25 > 1:03:27# I love her, can't leave her
1:03:27 > 1:03:29# For ever I'll always need her
1:03:29 > 1:03:31# She lie, but I believe her
1:03:31 > 1:03:32# Lovesick, I got that fever
1:03:32 > 1:03:34# Love, love, stupid
1:03:34 > 1:03:35# I, I know it
1:03:35 > 1:03:36# Love stupid
1:03:36 > 1:03:37# I know it
1:03:37 > 1:03:40# I know cos I'm a fool in love
1:03:40 > 1:03:43# My baby shot me down again
1:03:44 > 1:03:47# Shot me down with a love and it went bang, bang
1:03:47 > 1:03:48# Hey
1:03:48 > 1:03:50# That girl's a killer from a gang
1:03:50 > 1:03:51# Oh, yeah
1:03:51 > 1:03:55# Shot me down with a love and it go bang, bang
1:03:55 > 1:03:59# And oh, I love her so, that's why I gotta let her know
1:03:59 > 1:04:03# That I'll be here for her to always love her down
1:04:03 > 1:04:06# And maybe that's the truth and pluckin' chickens ain't no use
1:04:06 > 1:04:10# I wanna be the one to see you in that gown
1:04:10 > 1:04:11# Whoo!
1:04:11 > 1:04:15# My baby makes me go down
1:04:15 > 1:04:18# My baby makes me go bang, bang, bang
1:04:18 > 1:04:20# Whoo! #
1:04:20 > 1:04:23CHEERING AND APPLAUSE
1:04:32 > 1:04:35- What's your name? - My name is Mari Marli.
1:04:35 > 1:04:38I am 23 years old from South West London.
1:04:38 > 1:04:43- So, um... It was the wrong song for you.- OK.
1:04:43 > 1:04:47Honestly, cos I wrote that song for my limitations of singing.
1:04:47 > 1:04:53That being said, I could hear how awesome you actually are.
1:04:55 > 1:04:58It was all, like, a bit frantic for me.
1:04:58 > 1:05:02And...I suppose I was, like, a little bit scared of, like,
1:05:02 > 1:05:06who that was doing that.
1:05:06 > 1:05:07Are you still afraid?
1:05:07 > 1:05:10No, but now I'm like, "Oh, she's a little pussycat."
1:05:10 > 1:05:11Thank you.
1:05:11 > 1:05:14You did his song and he turned, so result.
1:05:16 > 1:05:19- RICKY:- The reason I didn't turn is because I started thinking,
1:05:19 > 1:05:21"Did I like it enough to turn?"
1:05:21 > 1:05:23As soon as I start thinking that, I know it's wrong,
1:05:23 > 1:05:26cos I shouldn't be analysing that much,
1:05:26 > 1:05:29but Will can make you the person you want to be.
1:05:29 > 1:05:31Wahey.
1:05:31 > 1:05:32Thank you so much, guys.
1:05:32 > 1:05:34APPLAUSE
1:05:38 > 1:05:40Well done.
1:05:40 > 1:05:42Well done, lovely.
1:05:42 > 1:05:44Yeah, I waited for it again,
1:05:44 > 1:05:49because I knew they would have turned around and copied my steal-o.
1:05:49 > 1:05:53It was the wrong song for her, but I heard the quality of her voice.
1:05:53 > 1:05:56SQUEALING
1:06:00 > 1:06:05I've never heard a cover of my song that's sort of worked, ever.
1:06:05 > 1:06:08The thing is, because you're so trapped in the original,
1:06:08 > 1:06:10it's jarring a little bit.
1:06:15 > 1:06:21Last up, Londoner Vangelis, and, BOY, he's taking a risk.
1:06:21 > 1:06:23I'm really nervous about the blind audition today,
1:06:23 > 1:06:26especially because I'm doing one of Boy George's songs.
1:06:26 > 1:06:29There is obviously a lot of pressure there to impress him.
1:06:29 > 1:06:32I'm kind of thinking I want to change it last minute.
1:06:35 > 1:06:38I mostly sing in my room, which is quite bad,
1:06:38 > 1:06:41because I do need to perform a lot more in front of people.
1:06:41 > 1:06:44If I'm relaxed, I can sing really well,
1:06:44 > 1:06:48but if I'm not, it does not go the way I kind of want it to.
1:06:49 > 1:06:52I think Boy George, he's a very honest character.
1:06:52 > 1:06:56It just didn't strike me. Didn't hit me in the right place.
1:06:56 > 1:06:59So if he doesn't like the song, I'm sure he'll tell me.
1:07:00 > 1:07:02That's pretty scary.
1:07:26 > 1:07:29# Give me time
1:07:29 > 1:07:33# To realise my crime
1:07:34 > 1:07:39# Let me love and steal
1:07:42 > 1:07:45# I have danced
1:07:45 > 1:07:51# Inside your eyes
1:07:51 > 1:07:55# How can I be real?
1:07:57 > 1:08:02# Do you really want to hurt me?
1:08:03 > 1:08:08# Do you really want to make me cry?
1:08:09 > 1:08:14# Precious kisses words that burn me
1:08:16 > 1:08:19# Lovers never ask you why
1:08:21 > 1:08:27# If it's love you want from me
1:08:27 > 1:08:31# Then take it away
1:08:33 > 1:08:39# Everything is not what you see
1:08:39 > 1:08:46# It's over, over again
1:08:46 > 1:08:52# Yeah
1:08:52 > 1:09:04# Do you really want to make me cry? #
1:09:04 > 1:09:06CHEERING AND APPLAUSE
1:09:23 > 1:09:26My name is Vangelis. I'm 24 and I'm from London.
1:09:26 > 1:09:29CHEERING
1:09:29 > 1:09:31More, more. I mean, what's the story?
1:09:31 > 1:09:33You know, do you sing professionally?
1:09:33 > 1:09:35Is this the thing you've just started doing?
1:09:35 > 1:09:37I work part-time in a frozen-food shop.
1:09:39 > 1:09:42I'm not really used to coming on the big stage and performing.
1:09:42 > 1:09:45Like, I normally just sing in my room.
1:09:45 > 1:09:48It was quite a big thing for me to come on stage and perform to you.
1:09:48 > 1:09:50CHEERING AND APPLAUSE
1:09:50 > 1:09:51I'm really happy.
1:09:53 > 1:09:54Brave.
1:09:54 > 1:09:57I mean, I was kind of dreading somebody doing one of my songs,
1:09:57 > 1:10:00because there's this weird pressure. Like, do you turn?
1:10:00 > 1:10:02But it was actually very good.
1:10:02 > 1:10:03Thank you.
1:10:04 > 1:10:07You have this great vulnerability in your voice,
1:10:07 > 1:10:09and that song suits that. I'll tell you a funny story -
1:10:09 > 1:10:11when the record company wanted to put that out,
1:10:11 > 1:10:14I was really against it, because for me it was really personal
1:10:14 > 1:10:16and it was about a relationship.
1:10:16 > 1:10:18I thought it was too slow.
1:10:18 > 1:10:20I marched into the record company and said,
1:10:20 > 1:10:21"If you put this out, my career is over."
1:10:21 > 1:10:24Little did I know it was the beginning of my career,
1:10:24 > 1:10:28because when you put songs out that are honest and true,
1:10:28 > 1:10:31that's when you really connect with people.
1:10:31 > 1:10:36That was the magic of that song. It taught me so much, that song.
1:10:36 > 1:10:40I've never really heard anyone do any of my songs that well,
1:10:40 > 1:10:42you know, until now.
1:10:42 > 1:10:47Just to hear you sing that song like that was a gift, you know,
1:10:47 > 1:10:48so thank you very much.
1:10:51 > 1:10:54I really think with my experience
1:10:54 > 1:10:57I would know exactly where to take you.
1:10:57 > 1:10:59I think you're perfect for my team.
1:10:59 > 1:11:02You have a really pure, beautiful voice.
1:11:02 > 1:11:05I already have someone that I thought might be the winner,
1:11:05 > 1:11:07but that may have just changed.
1:11:08 > 1:11:11Thank you so much.
1:11:11 > 1:11:15- Do you know what? Hats off.- No.
1:11:15 > 1:11:18I did the same thing.
1:11:18 > 1:11:20- Metaphorically speaking. - My hat, not yours.
1:11:20 > 1:11:22- RICKY:- The thing is, it was brilliant.
1:11:22 > 1:11:24George touched on the vulnerability there,
1:11:24 > 1:11:26but we've heard a lot of vulnerable singers,
1:11:26 > 1:11:27but not with that level of control.
1:11:27 > 1:11:31Vulnerability with control is something very difficult to sustain,
1:11:31 > 1:11:34even just over 90 seconds, but over that 90 seconds,
1:11:34 > 1:11:38you managed to make George rethink everything he's thought
1:11:38 > 1:11:40about hearing someone do a cover.
1:11:40 > 1:11:41The thing is...
1:11:43 > 1:11:45..you love Culture Club.
1:11:45 > 1:11:49The first LP I had was Colour By Numbers by Culture Club.
1:11:49 > 1:11:52So, I'm in the same boat as you there, mate.
1:11:52 > 1:11:55The thing is, this is pointless, but I'm not going to give up,
1:11:55 > 1:11:58because there might be something in your mind that makes you want
1:11:58 > 1:11:59to go with me.
1:11:59 > 1:12:04I wouldn't want to discount that just because George turned first.
1:12:04 > 1:12:09I thought it was really, really, really beautiful and touching.
1:12:09 > 1:12:11There's always something really wonderful
1:12:11 > 1:12:14when somebody takes a song and interprets it
1:12:14 > 1:12:18in a completely different way that's creative and it suits them.
1:12:18 > 1:12:21You know, a lot of people come on this show and they try
1:12:21 > 1:12:23and be the person.
1:12:23 > 1:12:28Of course, you couldn't do that in this situation, because he's here.
1:12:28 > 1:12:30I think what you did with it was really special, so well done.
1:12:30 > 1:12:32Thank you very much.
1:12:32 > 1:12:34APPLAUSE
1:12:36 > 1:12:37I want to add to what she said.
1:12:37 > 1:12:40When someone gets up there and sings a song
1:12:40 > 1:12:42and the singer has their back turned
1:12:42 > 1:12:47and you have the freaking audacity to sing their song, that's brave,
1:12:47 > 1:12:50because you're risking them not turning around
1:12:50 > 1:12:53and then telling you what you did wrong. One.
1:12:53 > 1:12:56Two - to have the guts to twist it up a bit
1:12:56 > 1:13:00and then they not turn around and say, "Hey, you ruined my song."
1:13:00 > 1:13:03That's what I thought was going to happen.
1:13:03 > 1:13:06Then three - it's like, "Hey, you've been singing this song for years.
1:13:06 > 1:13:09"Check this out." I saw his face.
1:13:09 > 1:13:11At first he was like, "Oh, that's cute."
1:13:11 > 1:13:13Then he was like, "Oh, wait a second."
1:13:13 > 1:13:15Then he was like, "Boom."
1:13:15 > 1:13:17And then you hit that freaking high falsetto,
1:13:17 > 1:13:20and then everybody else turned around. He was like, "Yo."
1:13:20 > 1:13:24Point is, you went over the barricade, under the barricade,
1:13:24 > 1:13:28around the barricade and through the barricade all at the same time.
1:13:28 > 1:13:30Thank you.
1:13:30 > 1:13:32APPLAUSE
1:13:32 > 1:13:34Who are you going to choose?
1:13:36 > 1:13:39I honestly, genuinely, did not think anyone would turn.
1:13:42 > 1:13:44Er...
1:13:44 > 1:13:47AUDIENCE SHOUTS ADVICE
1:13:52 > 1:13:54I'm going to go with Boy George.
1:13:54 > 1:13:56CHEERING AND APPLAUSE
1:13:56 > 1:13:58Yay!
1:14:00 > 1:14:01Amazing.
1:14:01 > 1:14:04Thank you so much.
1:14:04 > 1:14:06- That was so beautiful. - Thank you so much.
1:14:06 > 1:14:07I look forward to hearing you again.
1:14:07 > 1:14:09That was amazing.
1:14:09 > 1:14:12That's a beautiful...
1:14:12 > 1:14:15CHEERING AND APPLAUSE
1:14:17 > 1:14:20- EXAGGERATED VOICE:- # Do you really want make me cry? #
1:14:24 > 1:14:25SHE SQUEALS
1:14:28 > 1:14:31The fact that he said he hasn't sung much before,
1:14:31 > 1:14:33he is an incredible person to find.
1:14:33 > 1:14:35That's what you hope for.
1:14:35 > 1:14:36Amazing voice.
1:14:37 > 1:14:40Oh, my God. This is going to be a difficult competition!
1:14:43 > 1:14:47Week five is over, and the coaches' teams are starting to top out.
1:14:50 > 1:14:53George and Will are neck and neck on nine.
1:14:54 > 1:14:58Ricky and Paloma are even on eight.
1:14:58 > 1:15:00So what's in store next week?
1:15:00 > 1:15:02Tell 'em, Will.
1:15:02 > 1:15:05There's going to be rapping, beatboxing,
1:15:05 > 1:15:07freakin' river dancing, rap and river dancing.
1:15:07 > 1:15:09Yeah, yeah.
1:15:09 > 1:15:12I was going with it, I was trying to make it work.
1:15:12 > 1:15:14Sorry about that.
1:15:14 > 1:15:16I tells you...