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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:06 | |
Each year in Scotland thousands of deaths are unexplained. | 0:00:06 | 0:00:11 | |
It's the job of the mortuary staff to find the answer. | 0:00:11 | 0:00:14 | |
Tonight, they take the BBC behind the scenes | 0:00:14 | 0:00:19 | |
in Edinburgh's City Mortuary, | 0:00:19 | 0:00:21 | |
and give a revealing insight into, not only how we're dying, | 0:00:21 | 0:00:25 | |
but how we're living in Scotland today. | 0:00:25 | 0:00:28 | |
'There's been a murder.' It's nothing like Taggart. | 0:00:28 | 0:00:31 | |
This is their story in their own words. | 0:00:33 | 0:00:37 | |
'Every day I walk in here I'm facing death. | 0:00:57 | 0:01:01 | |
'It's now coming up for 19 years that I've worked in the mortuary.' | 0:01:01 | 0:01:05 | |
'It turned out a very interesting job, there's no two days the same. | 0:01:05 | 0:01:10 | |
'It's not the type of job you're going to get bored at.' | 0:01:10 | 0:01:13 | |
'My alarm goes off in the morning, I get in my car and come down here. | 0:01:13 | 0:01:18 | |
'We open up the mortuary and initially what we've got to do is | 0:01:18 | 0:01:21 | |
'check the book of the dead to see if any bodies have come in overnight.' | 0:01:21 | 0:01:26 | |
'I was actually amazed myself that I actually felt OK. | 0:01:30 | 0:01:34 | |
'At first I thought there was something wrong with me.' | 0:01:36 | 0:01:39 | |
Watch me bits! | 0:01:41 | 0:01:43 | |
'There is that kind of wall that you've got to put up,' | 0:01:43 | 0:01:46 | |
or you might have some issues. | 0:01:46 | 0:01:48 | |
Some people stay with you. | 0:01:50 | 0:01:53 | |
They don't upset me, but you don't forget the faces, | 0:01:53 | 0:01:56 | |
you don't forget the circumstances. But I didn't put them here. | 0:01:56 | 0:02:00 | |
I'm not religious in any way, but, to me, they're empty shells. | 0:02:00 | 0:02:04 | |
If they were a person, the person that was there has now gone, | 0:02:04 | 0:02:07 | |
has left that body, left the empty shell | 0:02:07 | 0:02:09 | |
that I've got to take into our care | 0:02:09 | 0:02:11 | |
and treat with the greatest respect, as well. | 0:02:11 | 0:02:13 | |
But it's not somebody I've had personal contact with, | 0:02:13 | 0:02:16 | |
so I can disassociate myself that way. | 0:02:16 | 0:02:19 | |
The only thing I would say I don't like - | 0:02:19 | 0:02:21 | |
but I do put up with them and deal with them - is maggots. | 0:02:21 | 0:02:25 | |
They just get everywhere and stick to your gloves | 0:02:25 | 0:02:28 | |
and it is no consolation whatsoever | 0:02:28 | 0:02:30 | |
that they're only interested in dead flesh, as opposed to living flesh. | 0:02:30 | 0:02:34 | |
That's no consolation at all. | 0:02:34 | 0:02:37 | |
There's been a few bodies deposited overnight. | 0:03:03 | 0:03:06 | |
The first thing we do in the morning is pull them out, | 0:03:06 | 0:03:09 | |
check the name bands, check their ID, | 0:03:09 | 0:03:11 | |
and we'll weigh and measure them, as well. | 0:03:11 | 0:03:14 | |
On average, we maybe do about six post-mortems per day. | 0:03:19 | 0:03:23 | |
The most we've ever done in one day is 18. | 0:03:23 | 0:03:26 | |
I'm getting too old for this. | 0:03:34 | 0:03:36 | |
Somebody's jumped from a bridge in Edinburgh. | 0:03:38 | 0:03:42 | |
He's obviously whacked his heid cause his heid's gone totally. | 0:03:42 | 0:03:46 | |
He's hit the back of his head. | 0:03:46 | 0:03:48 | |
Has he been in the hospital? | 0:03:48 | 0:03:50 | |
Because I did notice there's a bandage on the sleeve. | 0:03:50 | 0:03:53 | |
Well, I'm still to get medical stuff. | 0:03:53 | 0:03:56 | |
Because that could be a needle puncture mark. | 0:03:56 | 0:03:59 | |
I don't think anything could bother me now, | 0:03:59 | 0:04:02 | |
I think I've seen all there is to see. | 0:04:02 | 0:04:04 | |
'So, I've seen people in house fires, | 0:04:04 | 0:04:07 | |
'people that have been stabbed, shot, assaulted, beaten up, | 0:04:07 | 0:04:13 | |
'people that have slit their wrists and throats and stuff. | 0:04:13 | 0:04:17 | |
'I've seen some dramatic stuff.' | 0:04:17 | 0:04:19 | |
It's different every day and there's always something new happening, | 0:04:19 | 0:04:23 | |
and you cannae beat it. | 0:04:23 | 0:04:25 | |
A public mortuary has a connection in terms with the legal services. | 0:04:42 | 0:04:48 | |
The Procurator Fiscal in Scotland has the remit | 0:04:48 | 0:04:54 | |
of investigating all sudden, unexpected deaths | 0:04:54 | 0:04:59 | |
which haven't otherwise been accounted for. | 0:04:59 | 0:05:02 | |
ECHOING VOICES | 0:05:02 | 0:05:04 | |
-You want the decomp? -Yes, bring him up, please. | 0:05:04 | 0:05:07 | |
So the right kidney, is 150 grams... | 0:05:07 | 0:05:09 | |
No obvious tattoos or anything. | 0:05:09 | 0:05:12 | |
This post mortem involves a young man who has got one or two | 0:05:12 | 0:05:16 | |
past medical histories, he's also noted to be a heavy drinker. | 0:05:16 | 0:05:21 | |
He's been with friends one afternoon. | 0:05:22 | 0:05:25 | |
There's a possibility he's then gone to source some illicit drugs, | 0:05:25 | 0:05:29 | |
and the following day he's found in water, | 0:05:29 | 0:05:33 | |
his body is discovered in water. | 0:05:33 | 0:05:36 | |
I mean, the issues for us are, | 0:05:36 | 0:05:39 | |
is his death going to be related to alcohol or drug intoxication? | 0:05:39 | 0:05:44 | |
Is there a possibility that his death has been due to drowning? | 0:05:44 | 0:05:48 | |
Given the possibility here of a suspicious mode of death, | 0:06:06 | 0:06:11 | |
you really want to exclude that the individual's neck was compressed. | 0:06:11 | 0:06:15 | |
So, I'm doing that and looking at the muscles of the neck | 0:06:15 | 0:06:19 | |
where we might see bruising if that was a possibility. | 0:06:19 | 0:06:23 | |
Pathology is the backbone of medicine. | 0:06:23 | 0:06:29 | |
Once upon a time, you were ex-communicated | 0:06:29 | 0:06:33 | |
if you've touched a dead body. | 0:06:33 | 0:06:36 | |
But, when people were allowed to start dissecting dead bodies, | 0:06:36 | 0:06:41 | |
that's when we learned about disease. | 0:06:41 | 0:06:44 | |
All naturale. | 0:06:46 | 0:06:48 | |
'It's our job to assist the pathologist' | 0:06:48 | 0:06:51 | |
to make his findings. | 0:06:51 | 0:06:52 | |
'He'll do what's called an external examination, | 0:06:52 | 0:06:55 | |
'where he'll look for any injuries or anything, | 0:06:55 | 0:06:58 | |
'look at the eyes, the eye colour, teeth.' | 0:06:58 | 0:07:00 | |
I'm the man that's got to open the body. | 0:07:00 | 0:07:03 | |
Generally, what we like to do is a straight line incision | 0:07:03 | 0:07:06 | |
which comes from just under your trachea | 0:07:06 | 0:07:08 | |
down to just past your belly button. | 0:07:08 | 0:07:10 | |
So, we'll open the body that way, reflect all the fat and the muscle, | 0:07:10 | 0:07:13 | |
take out the chest bones and then, in one fell swoop, | 0:07:13 | 0:07:18 | |
take the organs from the tongue down to the bladder in a oner. | 0:07:18 | 0:07:23 | |
Do you want to have a look at these lungs, Claire, while you're there? | 0:07:23 | 0:07:27 | |
He's got quite hyper-expanded lungs, they're pretty full. | 0:07:29 | 0:07:33 | |
Yeah, probably are, they're probably full of fluid. | 0:07:33 | 0:07:36 | |
And he may have a lot in his stomach, as well. | 0:07:36 | 0:07:38 | |
Water in the stomach or something. We'll see what there is. | 0:07:38 | 0:07:42 | |
We'll extract them, put them in a receptacle. | 0:07:42 | 0:07:45 | |
Tony'll take them to the dissecting bench. | 0:07:45 | 0:07:47 | |
He'll do what he has to do with them, | 0:07:47 | 0:07:49 | |
dissect them and looking for cause of death. | 0:07:49 | 0:07:52 | |
What we have here are very expanded lungs. | 0:07:52 | 0:07:55 | |
Normally, they would sort of sit a bit lower down | 0:07:55 | 0:07:57 | |
and you can see the front of the cavity where the heart sits, | 0:07:57 | 0:08:01 | |
but here the lungs are filling right across. | 0:08:01 | 0:08:03 | |
And when I opened the chest, that's why I asked Claire to come over, | 0:08:03 | 0:08:06 | |
cos again they were filling right across the chest. | 0:08:06 | 0:08:09 | |
They're very expanded, you don't expect to see them so full. | 0:08:09 | 0:08:12 | |
So, at this stage I think drowning's certainly a possibility. | 0:08:12 | 0:08:16 | |
In the meantime, I'll have reflected the scalp, | 0:08:16 | 0:08:19 | |
taken the saw and opened the skull cap, removed the brain, | 0:08:19 | 0:08:23 | |
'shown the inside of the head | 0:08:23 | 0:08:25 | |
'to make sure there's no injuries or fractures in there,' | 0:08:25 | 0:08:28 | |
and, while he's dissecting everything, | 0:08:28 | 0:08:30 | |
it's my job to reconstruct, so I'll start stitching everything up. | 0:08:30 | 0:08:33 | |
It's nice interacting with different specialties. | 0:08:33 | 0:08:37 | |
You interact with law enforcement, | 0:08:37 | 0:08:39 | |
lawyers, investigators - it's very fulfilling in that sense. | 0:08:39 | 0:08:44 | |
You're really, you're not just stuck in your office all day, | 0:08:44 | 0:08:47 | |
you're actually doing other things, talking to people. | 0:08:47 | 0:08:51 | |
It's a very nice job, actually, it's very interesting. | 0:08:51 | 0:08:54 | |
First section, cause of death 1A, | 0:08:54 | 0:08:57 | |
drowning in brackets pending further investigations in brackets. | 0:08:57 | 0:09:00 | |
Background circumstances - he was a known heavy drinker | 0:09:00 | 0:09:03 | |
and an apparent user of illicit drugs full stop. | 0:09:03 | 0:09:07 | |
So the cause of death at this stage will be drowning | 0:09:08 | 0:09:12 | |
and then, in all likelihood, there will be something added | 0:09:12 | 0:09:16 | |
to the cause of death based upon the toxicology. | 0:09:16 | 0:09:20 | |
It sounds like from the police that drug or alcohol intoxication | 0:09:20 | 0:09:24 | |
is the likeliest cause. | 0:09:24 | 0:09:26 | |
Drug users die of lots of things. | 0:09:30 | 0:09:33 | |
It's an extraordinary condition, and, you know, | 0:09:33 | 0:09:38 | |
being medically involved with managing drug users, | 0:09:38 | 0:09:41 | |
there's just this bewildering | 0:09:41 | 0:09:43 | |
array of serious illnesses associated with drug use. | 0:09:43 | 0:09:46 | |
More than half of the bodies that we're storing, | 0:10:03 | 0:10:07 | |
at any one given time, I would say half them | 0:10:07 | 0:10:10 | |
have all got something to do with drugs. | 0:10:10 | 0:10:12 | |
BOISTEROUS SHOUTING AND LAUGHTER | 0:10:12 | 0:10:16 | |
Oh, like it! | 0:10:17 | 0:10:20 | |
'Perry was like, he was very outgoing, | 0:10:20 | 0:10:22 | |
'he was always up for life, he actually loved life. | 0:10:22 | 0:10:26 | |
'He loved his body, he kept on going on about upper body strength all the time.' | 0:10:26 | 0:10:30 | |
I went in the room, Perry was lying there... | 0:10:35 | 0:10:38 | |
He was lying sprawled across the bed. | 0:10:52 | 0:10:55 | |
And I touched his foot, I kicked his foot - nothing. | 0:10:57 | 0:11:00 | |
And that's when it struck me. | 0:11:00 | 0:11:02 | |
I just knew, I just knew, I hadn't seen him... | 0:11:02 | 0:11:05 | |
'We do have a drug problem that's bigger in Scotland,' | 0:11:08 | 0:11:11 | |
so the more drug users you have, the more deaths you'll have. | 0:11:11 | 0:11:16 | |
And the underlying concern is that we have probably | 0:11:16 | 0:11:20 | |
more drug users per head of population than we do in England, | 0:11:20 | 0:11:23 | |
and certainly, according to most reports, | 0:11:23 | 0:11:26 | |
we have a higher prevalence of drug use than most parts of Europe. | 0:11:26 | 0:11:30 | |
'We had to go to the mortuary and identify Perry.' | 0:11:32 | 0:11:36 | |
It is a surreal moment when you think about it, | 0:11:36 | 0:11:38 | |
because see it on the TV programmes and all that, and... | 0:11:38 | 0:11:42 | |
..the anticipation... | 0:11:44 | 0:11:46 | |
..of what you're going to see. | 0:11:48 | 0:11:50 | |
Certainly an experience I never, | 0:11:51 | 0:11:53 | |
ever want to have to go through again. | 0:11:53 | 0:11:55 | |
We see quite a lot of drugs-related deaths. | 0:11:56 | 0:12:00 | |
Sometimes you can go for ages with none, | 0:12:00 | 0:12:02 | |
and then maybe there's a bad batch of something going about | 0:12:02 | 0:12:06 | |
and then we get maybe four, five over the course of a week. | 0:12:06 | 0:12:11 | |
'It's just a steady, steady flow of drug users' | 0:12:12 | 0:12:16 | |
just dying - it's constant. | 0:12:16 | 0:12:19 | |
Since I started here five years ago, it's just unreal. | 0:12:19 | 0:12:23 | |
67 kilos. | 0:12:41 | 0:12:43 | |
'The family and police have arrived,' | 0:12:43 | 0:12:45 | |
so they're just co-ordinating all that downstairs at the moment. | 0:12:45 | 0:12:48 | |
Once the ID's over and done with, | 0:12:48 | 0:12:50 | |
then the body will go in the lift and come up. | 0:12:50 | 0:12:52 | |
Anybody that's abused drugs we class as a high risk case, | 0:12:54 | 0:12:58 | |
but it's anything like, anybody that's got like HIV, | 0:12:58 | 0:13:02 | |
Hep C, TB, things like that, anything that that could be | 0:13:02 | 0:13:07 | |
transferred from them to us while we're doing the autopsy. | 0:13:07 | 0:13:10 | |
Other bodies have passed through here - almost unknown to us - | 0:13:10 | 0:13:15 | |
but they're extreme high risk, what we call extreme high risk. | 0:13:15 | 0:13:18 | |
That's a body that came in, it had anthrax. | 0:13:18 | 0:13:22 | |
That's a killer | 0:13:22 | 0:13:24 | |
We're putting masks on because we're treating these as high risks, | 0:13:26 | 0:13:30 | |
just in case there's any splash when we're dissecting the body. | 0:13:30 | 0:13:33 | |
It saves you inhaling it or eating it. | 0:13:33 | 0:13:35 | |
SONG: "Nessun Dorma" | 0:13:36 | 0:13:41 | |
HE SINGS ALONG | 0:13:41 | 0:13:45 | |
We'll send these for toxicology... | 0:13:52 | 0:13:55 | |
..and they'll determine amounts of alcohol or drugs in the system. | 0:13:57 | 0:14:04 | |
We didn't realise that it was an anthrax case | 0:14:04 | 0:14:07 | |
until the toxicology was tested, | 0:14:07 | 0:14:10 | |
'which is two or three weeks down the line. | 0:14:10 | 0:14:13 | |
'Then we realised that we had an anthrax case in | 0:14:13 | 0:14:16 | |
and this place got shut down for two or three days to get sterilised, | 0:14:16 | 0:14:22 | |
'and all instruments that were used in that case were disposed of.' | 0:14:22 | 0:14:26 | |
We've cleaned with the highest power disinfectant that we can use, | 0:14:30 | 0:14:35 | |
so it's clinically clean, it's not sterile. | 0:14:35 | 0:14:38 | |
And it has been proven, we've had swabs taken from the place | 0:14:38 | 0:14:41 | |
that proved we were cleaner than some operating theatres | 0:14:41 | 0:14:44 | |
in some hospitals not too far away, | 0:14:44 | 0:14:46 | |
but I'm not going to mention any names. | 0:14:46 | 0:14:48 | |
You've got a job to do, you get it done. | 0:14:49 | 0:14:53 | |
Everybody's the same - you come up, batter into your work, get it done, | 0:14:53 | 0:14:58 | |
just get down the stairs for food. | 0:14:58 | 0:15:00 | |
Time to get everything off, | 0:15:00 | 0:15:02 | |
empty the buckets and get downstairs for some lunch. | 0:15:02 | 0:15:05 | |
Lunchtime! SHE LAUGHS | 0:15:05 | 0:15:09 | |
The job actually makes me very hungry, | 0:15:17 | 0:15:20 | |
really hungry and that's why I eat all the time. | 0:15:20 | 0:15:24 | |
I don't know what it is and I'm not the only one. | 0:15:24 | 0:15:27 | |
Like, we'll have students that have not been here before | 0:15:27 | 0:15:30 | |
and they'll say to me, "I'm really hungry." And I just say, | 0:15:30 | 0:15:34 | |
"Oh, that's the cannibal in you coming out." | 0:15:34 | 0:15:37 | |
It kind of worries them. | 0:15:37 | 0:15:38 | |
Humour has to be a part of the job or we'd all be mad, | 0:15:39 | 0:15:42 | |
we'd all be slashing our wrists and ending up on the autopsy | 0:15:42 | 0:15:46 | |
tables ourselves. And it may look to others | 0:15:46 | 0:15:49 | |
as if we're being disrespectful, | 0:15:49 | 0:15:51 | |
but it's just, for us, it's a coping mechanism. | 0:15:51 | 0:15:54 | |
And it's...and it's certainly black humour. | 0:15:54 | 0:15:56 | |
Oh, long hair. | 0:15:56 | 0:15:58 | |
It's just as well we were juniors for Vidal Sassoon. | 0:15:58 | 0:16:01 | |
It's not us being disrespectful to anybody. | 0:16:01 | 0:16:05 | |
It's just how we, as a group, use it as a coping mechanism. | 0:16:05 | 0:16:09 | |
Maybe some people expect if you work in a mortuary | 0:16:09 | 0:16:12 | |
you're all doom and gloom and long-faced. | 0:16:12 | 0:16:15 | |
And that's obviously not the case wi' us anyway. | 0:16:15 | 0:16:18 | |
But even outside the PM room and in the tea room, | 0:16:18 | 0:16:22 | |
we're always having a laugh and a carry on | 0:16:22 | 0:16:24 | |
and I think that's just us, basically. | 0:16:24 | 0:16:26 | |
-I thought you had a couple of dates last week. -Got stood up, you mean. | 0:16:26 | 0:16:30 | |
So what happened then? Why was it cancelled? | 0:16:30 | 0:16:34 | |
Her husband came back. | 0:16:34 | 0:16:35 | |
THEY LAUGH | 0:16:35 | 0:16:38 | |
Hey, there's nae need for that! | 0:16:38 | 0:16:40 | |
So this is the only public area of the mortuary, | 0:17:01 | 0:17:05 | |
where members of the public are allowed in and it's for this reason, | 0:17:05 | 0:17:09 | |
for coming in for the purposes of ID or for viewing or for both. | 0:17:09 | 0:17:13 | |
So, the family would come in. | 0:17:13 | 0:17:14 | |
We know the body's at the other side of the glass. | 0:17:14 | 0:17:17 | |
Either myself or the police officer that's escorting the family | 0:17:17 | 0:17:20 | |
will come in, and obviously the lights are a bit dimmer, | 0:17:20 | 0:17:24 | |
and it'd just be a matter of... | 0:17:24 | 0:17:26 | |
..just opening up the blinds | 0:17:28 | 0:17:30 | |
to reveal their loved one on the other side. | 0:17:30 | 0:17:33 | |
It IS important that the pathologists | 0:17:36 | 0:17:40 | |
always have at the back of their minds, not just the deceased, | 0:17:40 | 0:17:45 | |
very, very important because that's what they're working with, | 0:17:45 | 0:17:48 | |
the material they're working with, but the bereaved. | 0:17:48 | 0:17:51 | |
And the bereaved NEED to be helped as much as one can. | 0:17:51 | 0:17:56 | |
I'd expect anybody else to treat me or mine | 0:17:56 | 0:17:58 | |
the same way that I'd treat everybody that passes through here. | 0:17:58 | 0:18:02 | |
There's always somebody else in the background. | 0:18:02 | 0:18:05 | |
This is a very important job, I would say. | 0:18:05 | 0:18:08 | |
I don't think there's a huge amount of people would do it, | 0:18:08 | 0:18:12 | |
but it's very important because you need to know | 0:18:12 | 0:18:14 | |
how people have passed away and their families need to know as well, | 0:18:14 | 0:18:18 | |
for closure, and somebody's got to do the job. | 0:18:18 | 0:18:20 | |
OK, the first case this morning is a young male in his 40s | 0:18:23 | 0:18:28 | |
who's been found at home after taking his own life. | 0:18:28 | 0:18:31 | |
He's got a ligature round his neck | 0:18:31 | 0:18:33 | |
and there was a suicide note found on the premises. | 0:18:33 | 0:18:37 | |
There are about 780 suicide deaths a year in Scotland. | 0:18:38 | 0:18:43 | |
The rate is around 80% higher in Scotland than in England | 0:18:43 | 0:18:46 | |
and Wales, if you take that over a number of years. | 0:18:46 | 0:18:49 | |
I think a lot of the cases are really sad that these people | 0:19:07 | 0:19:12 | |
feel that they haven't got anybody to turn to, | 0:19:12 | 0:19:15 | |
even though some of them do have family that care. | 0:19:15 | 0:19:18 | |
But I suppose if you're maybe depressed | 0:19:18 | 0:19:21 | |
or you've got other medical issues, | 0:19:21 | 0:19:23 | |
you might feel that you're completely on your own. | 0:19:23 | 0:19:27 | |
Any society that's...that has a claim to be a society | 0:19:27 | 0:19:32 | |
and to have some compassion must worry | 0:19:32 | 0:19:34 | |
if young people are deliberately taking their lives. | 0:19:34 | 0:19:37 | |
A lot more people are losing their jobs, | 0:19:37 | 0:19:40 | |
worried about money... | 0:19:40 | 0:19:44 | |
or it's a relationship issue. We find that with the young people. | 0:19:44 | 0:19:49 | |
It's usually they've had a fall out with... It's usually a girlfriend. | 0:19:49 | 0:19:55 | |
Young boys, you know. It's a shame. | 0:19:55 | 0:19:58 | |
The economic situation has been explored | 0:19:58 | 0:20:01 | |
in quite a number of recent studies, | 0:20:01 | 0:20:04 | |
and showed, that for every 1% increase in unemployment | 0:20:04 | 0:20:09 | |
there was about a 1% increase in suicide. | 0:20:09 | 0:20:12 | |
If they do leave a note, finance is usually mentioned | 0:20:12 | 0:20:16 | |
somewhere along the lines or family have indicated in the police report | 0:20:16 | 0:20:21 | |
that, you know, they were...the family or the person | 0:20:21 | 0:20:26 | |
were in financial, you know, difficulties. | 0:20:26 | 0:20:29 | |
I think we have to be on our guard that the suicide rate doesn't | 0:20:29 | 0:20:33 | |
increase over the next few years because that's likely to happen. | 0:20:33 | 0:20:37 | |
INTERNAL PHONE | 0:20:37 | 0:20:38 | |
-'Hello?' -Hi, one in the lift. Next one, please. | 0:20:38 | 0:20:42 | |
There's different things, | 0:20:48 | 0:20:50 | |
odd bit and bobs that are... | 0:20:50 | 0:20:53 | |
are lodged within the mortuary. | 0:20:53 | 0:20:55 | |
Like a leg that we've got there, | 0:20:55 | 0:20:57 | |
that we've had for a number amount of years. | 0:20:57 | 0:21:00 | |
It was found in the water, | 0:21:00 | 0:21:01 | |
and they reckon it's possibly someone that's come off a boat, | 0:21:01 | 0:21:06 | |
fell overboard and been either diced up by the propellers | 0:21:06 | 0:21:10 | |
or something like that. And so far they've only found a leg. | 0:21:10 | 0:21:13 | |
So we've got a Polish sailor's leg in the mortuary. | 0:21:13 | 0:21:16 | |
But, er, if anybody's missing one... | 0:21:16 | 0:21:18 | |
I think it's been here since the '70s. | 0:21:18 | 0:21:21 | |
I think I vaguely remember somebody saying '74. | 0:21:21 | 0:21:25 | |
Something like that, but way before my time. | 0:21:25 | 0:21:27 | |
Photographs of bodies that came in the '30s. | 0:21:31 | 0:21:34 | |
What about the one with the dodgy looking characters? | 0:21:34 | 0:21:37 | |
There's some dodgy looking characters in here. | 0:21:37 | 0:21:39 | |
That'll be the murder victim the murder weapon and the murderer. | 0:21:39 | 0:21:44 | |
It's just interesting to look at cases from years ago. | 0:21:44 | 0:21:49 | |
This young lady was murdered by John Henry Savage, | 0:21:49 | 0:21:52 | |
who was executed by Ellis. | 0:21:52 | 0:21:55 | |
Hanging, mummification on Rose Street. | 0:21:55 | 0:21:57 | |
So he's mummified, he's all dried out, | 0:21:57 | 0:22:00 | |
and there's a wee newspaper clipping there as well | 0:22:00 | 0:22:03 | |
from 17th May 1934. | 0:22:03 | 0:22:06 | |
It's quite cool. | 0:22:07 | 0:22:09 | |
'If a decomposed body, which has died, it's concealed, | 0:22:15 | 0:22:19 | |
'it's been lying there for months and gone into decomposition.' | 0:22:19 | 0:22:22 | |
Oh, we've got maggots. | 0:22:22 | 0:22:23 | |
'The ones that come from houses, very sad.' | 0:22:23 | 0:22:26 | |
They live alone, keep theirself to theirself, | 0:22:26 | 0:22:29 | |
they've no next of kin, they've no family, | 0:22:29 | 0:22:31 | |
they've no friends, so nobody's missed them. | 0:22:31 | 0:22:35 | |
Years ago, when I was a kid, you went and visited your granny | 0:22:59 | 0:23:02 | |
every week, once or twice a week, | 0:23:02 | 0:23:04 | |
even though she hated you and she kicked you oot in the garden. | 0:23:04 | 0:23:07 | |
But there was more family interaction, I think, then. | 0:23:07 | 0:23:10 | |
Now people's lives are too busy, I think. | 0:23:10 | 0:23:12 | |
You're too busy living your own life to actually get out | 0:23:12 | 0:23:15 | |
and interact wi'...with others. | 0:23:15 | 0:23:19 | |
And it's really sad that these people pass away on their own, | 0:23:19 | 0:23:22 | |
and they're not found until maybe a bill hasn't been paid | 0:23:22 | 0:23:25 | |
or somebody wants to read their gas meter and sticks their nose | 0:23:25 | 0:23:29 | |
through their letter box and gets a bit of a stink, you know. | 0:23:29 | 0:23:33 | |
A lot of gas men find a lot of bodies, it would seem. | 0:23:33 | 0:23:36 | |
So, I feel sorry for them. | 0:23:36 | 0:23:38 | |
Surely, surely somebody oot there must have known that person | 0:23:38 | 0:23:43 | |
and missed them. | 0:23:43 | 0:23:44 | |
It was a support worker that found him. | 0:23:46 | 0:23:48 | |
He approached the house | 0:23:50 | 0:23:52 | |
and noticed the smell. | 0:23:52 | 0:23:55 | |
It's funny saying you can taste the smell, but you can. | 0:23:55 | 0:23:58 | |
I'm trying to relate it to something that it smells like. | 0:24:00 | 0:24:02 | |
But... | 0:24:04 | 0:24:05 | |
I suppose if, if there's something in your fridge that's gone off, | 0:24:07 | 0:24:12 | |
try and multiply that 100 times and you might get close. | 0:24:12 | 0:24:16 | |
It clings to your hair and your clothes, | 0:24:16 | 0:24:19 | |
like, it really clings and when you're on the train | 0:24:19 | 0:24:22 | |
and it's maybe summer, and, you know, the windows are open | 0:24:22 | 0:24:26 | |
and you get the odd smell coming past, I just sit there thinking, | 0:24:26 | 0:24:29 | |
"Oh, please, nobody think it's me. | 0:24:29 | 0:24:32 | |
"Don't sit next to me". | 0:24:32 | 0:24:34 | |
It all depends on the condition of where the body is. If it's... | 0:24:34 | 0:24:38 | |
even if the body's been in the house, | 0:24:38 | 0:24:40 | |
if a window's been left open, and a bluebottle gets in | 0:24:40 | 0:24:43 | |
then all it needs to do is fire in there, | 0:24:43 | 0:24:45 | |
lay a few eggs and your body's covered in maggots. | 0:24:45 | 0:24:48 | |
Unfortunately, after a PM like that everything tends to be a bit greasy. | 0:24:51 | 0:24:56 | |
You'll be surprised even when decomposed bodies come in | 0:24:57 | 0:25:00 | |
at the amount of family that suddenly appear, | 0:25:00 | 0:25:03 | |
and, "Oh, my God, oh! What's happened?" | 0:25:03 | 0:25:06 | |
But they couldnae been that concerned for him | 0:25:06 | 0:25:08 | |
if they've nae seen him for 12 weeks, know what I mean? | 0:25:08 | 0:25:11 | |
Family can stay two or three doors away | 0:25:11 | 0:25:14 | |
and the person could be lying decomposed. | 0:25:14 | 0:25:17 | |
Never see them for a year. | 0:25:17 | 0:25:18 | |
"I didnae talk to him, he doesnae talk to me, so..." | 0:25:18 | 0:25:21 | |
Decomposed bodies are coming here every week. | 0:25:26 | 0:25:29 | |
So... | 0:25:29 | 0:25:32 | |
You think about, now, if you cast your mind, | 0:25:32 | 0:25:35 | |
if you think about Edinburgh now, there's probably about five or six | 0:25:35 | 0:25:38 | |
decomposed bodies lying now, not been found. | 0:25:38 | 0:25:41 | |
Friends, we gather here today at what for us is a time of sadness. | 0:25:57 | 0:26:01 | |
It's inevitable and right that we should feel such sadness | 0:26:01 | 0:26:04 | |
and to wish to express it, too. | 0:26:04 | 0:26:07 | |
Bodies that go through the City Mortuary | 0:26:07 | 0:26:09 | |
will only come to us as a Council Funeral | 0:26:09 | 0:26:11 | |
once everything's been established. | 0:26:11 | 0:26:13 | |
Once the Procurator Fiscal's satisfied with the cause of death | 0:26:13 | 0:26:16 | |
and the police are finished their investigations | 0:26:16 | 0:26:18 | |
and there's no family, they will then come to us. | 0:26:18 | 0:26:21 | |
There shall be no more night, and they will not need lamps | 0:26:39 | 0:26:43 | |
nor sunlight because God will be their light. | 0:26:43 | 0:26:45 | |
A Council Funeral is treated the same as any other funeral. | 0:26:45 | 0:26:49 | |
If there's no family members, it'll just be the hearse. | 0:26:49 | 0:26:52 | |
They'll come up to the chapel doors, | 0:26:52 | 0:26:55 | |
the body will come in exactly the same way as any other service. | 0:26:55 | 0:26:58 | |
We'll provide a minister, | 0:26:58 | 0:27:00 | |
and the only difference is there'll be nobody there. | 0:27:00 | 0:27:02 | |
When I was first ordained, | 0:27:02 | 0:27:05 | |
you were maybe talking 3-4% of funerals perhaps, | 0:27:05 | 0:27:09 | |
but certainly over the last 12 months that's been much nearer 20%. | 0:27:09 | 0:27:14 | |
We're as vulnerable the moment we're born as we are | 0:27:18 | 0:27:21 | |
at the point we die. | 0:27:21 | 0:27:23 | |
And we're as under other people's control at those two points, | 0:27:27 | 0:27:30 | |
the start and finish of our lives. | 0:27:30 | 0:27:33 | |
Birth and death are the only two places in life | 0:27:36 | 0:27:39 | |
where we're all truly equal. | 0:27:39 | 0:27:40 | |
We don't talk about death. Mexicans celebrate it. | 0:28:00 | 0:28:04 | |
We put it under the carpet and it's never mentioned. | 0:28:04 | 0:28:07 | |
I'm not scared to die, you know, it doesn't bother me. | 0:28:07 | 0:28:12 | |
It's going to happen. I'd rather not just now, | 0:28:12 | 0:28:15 | |
but that's not for me to say, is it? | 0:28:15 | 0:28:18 | |
An inevitable part of life is death. | 0:28:21 | 0:28:24 | |
It comes to us all. | 0:28:24 | 0:28:27 | |
We're all going to get on that bus. | 0:28:27 | 0:28:29 | |
You're not going to be able to miss it. | 0:28:29 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:29:01 |