:00:18. > :00:28.As many copies of absolutely anything that you could ever want.
:00:28. > :00:44.
:00:44. > :00:54.What could possibly go wrong? We ask, How close are we to having 3D
:00:54. > :00:57.
:00:57. > :01:04.printers in our house? Waxing lyrical with the superstar.
:01:04. > :01:14.storing it and growing it. create and dress out own beat Box
:01:14. > :01:17.
:01:17. > :01:22.band. Around 200 years ago the Industrial Revolution changed the
:01:22. > :01:26.way we create things. Today, almost everything we owned is mass-produce
:01:26. > :01:32.in some factory somewhere in the world. That could all be about to
:01:32. > :01:37.change. As consumer tech has turned many of us many of us ographers, DJs,
:01:37. > :01:43.journalists, could it be about to remove the barriers to production
:01:43. > :01:52.itself? We ask whether soon we may be able to produce what we want,
:01:52. > :01:59.when we want at home. Last month, London hosted an event showcasing
:01:59. > :02:03.what was reported as a new way to produce things. Printing them. On
:02:03. > :02:13.show, a variety of objects from toys to intricately designed
:02:13. > :02:17.fashion items and a live band playing three printed instruments.
:02:17. > :02:22.-- 3D. The idea has been around about 30 years and it's being used
:02:22. > :02:29.in many creative industries from crafting sculptures for the Swedish
:02:29. > :02:35.Ice Hotel to the latest James Bond movie. The classic Aston Martin car
:02:35. > :02:38.was replicated using one of them world's largest 3D printers and the
:02:38. > :02:45.movie makers had a hand at what happened to it without the chance
:02:45. > :02:52.of scratching and expensive original. 3D designs are brought to
:02:52. > :02:56.life layer by layer, each layer is in and the finer the detail. With
:02:56. > :03:00.basic home printers starting at about �900 and the prices falling
:03:00. > :03:05.quickly, many think it may be something we may all get involved
:03:05. > :03:08.with. The biggest and most exciting thing that has just happened is
:03:08. > :03:13.this technology that was only available to the elite and it now
:03:13. > :03:17.and the hands of anyone. Anybody can be an industrial designer and
:03:17. > :03:25.anybody can be a mechanical engineer and anybody can be an
:03:25. > :03:30.architect and make prototypes and models and products at home. Take
:03:30. > :03:34.this Stowe's novel, if I wanted to replace this, I have to phone the
:03:34. > :03:40.manufacturer to get them to send me one and that is presuming it was
:03:40. > :03:45.still in production. In the future, with a 3D Printer at home, I can
:03:45. > :03:55.simply download a blueprint and make my own. All I can design one
:03:55. > :03:56.
:03:57. > :04:01.from scratch. To do that, we need to create a 3D model and the
:04:01. > :04:06.printer needs to know what to do. One option is to scan what we want
:04:06. > :04:11.to reproduce. With an elaborate set up like this one or with a portable
:04:11. > :04:17.scanner that looks a bit like an Byron. More into print of checks
:04:18. > :04:22.and it's not ideal. There's often areas of occlusion and the
:04:22. > :04:28.Skandalis cannot see them directly or clearly and 3D software is
:04:28. > :04:34.needed. One at feet and into make the process a bit more touchy-feely
:04:34. > :04:39.is this company. It's device allows you to create designs using forced
:04:39. > :04:45.feedback and more traditional Scott Harding techniques can be used. It
:04:45. > :04:49.feels like a video game, really, and it has a feedback helping your
:04:49. > :04:55.mind get into the 3D sense of what's going on and the feel much
:04:55. > :05:00.more in control like you're malting something. However we make them,
:05:00. > :05:05.most of us will need to have our grand designs finished off by a
:05:05. > :05:10.professional 3D artist which represents a major barrier. A much
:05:10. > :05:14.more likely future would be downloading a model from the web to
:05:14. > :05:20.print at home. In fact, you can already buy or download many
:05:20. > :05:26.designs. Some websites even turn our photos into a printable model.
:05:26. > :05:31.It objects become so easily wreck level, this may raise more concerns.
:05:31. > :05:36.Copying them may infringe the inventor's writes just like
:05:36. > :05:42.pirating music or movies. You think of lots of Walt Disney characters
:05:42. > :05:46.that people may want to produce as Tories and they have certain rights
:05:46. > :05:51.and they have three deep trademarks as well existing. That also
:05:51. > :05:55.protects the object such as the shape or the bottle or the brandy
:05:55. > :05:59.bottle orate perfume bottle, things like that. They have a
:05:59. > :06:06.characteristic shape and the machines may be able to search the
:06:06. > :06:10.database which has those rights record. Then they allow people to
:06:10. > :06:18.buy the licence to use the rights or to be able to produce that
:06:18. > :06:23.object. There's other concerns also. In this news playpen of creativity,
:06:23. > :06:27.how do you protect yourself from a fake designed? The ones you may
:06:27. > :06:31.download that don't actually work when you print them. Or if you want
:06:31. > :06:35.to create the toy for your son or daughter, how do you know that it
:06:35. > :06:41.may be suitable for them to play with? This fire engine comes with a
:06:41. > :06:50.warning that it should not be used by children under the age of three.
:06:50. > :06:54.Disney is testing the future where we can create new toy is safely.
:06:55. > :07:00.Even the screen on this is created in the Printer. There's no circuit
:07:00. > :07:05.board and instead a unique optical design allows the lights to
:07:05. > :07:10.illuminate the display in different ways. New designs that are
:07:10. > :07:15.interlaced with many moving parts and can be printed it in one go and
:07:15. > :07:20.some say your imagination is the limit. Unfortunately, it is not. We
:07:20. > :07:25.will need to know a bit about the engineering also. There's a lot of
:07:25. > :07:29.debate about what objects may be suitable for 3D printing where it's
:07:29. > :07:33.at home or in the offer has but one constraint is the materials
:07:33. > :07:37.available. You may have some part with multiple materials and you may
:07:37. > :07:41.not have a printer that can print on those materials but there may be
:07:42. > :07:46.won round the corner or an assembly required afterwards limiting the
:07:46. > :07:51.types of people that make use them for a home manufacturing. For your
:07:51. > :07:55.own designs with a secret shops given a new lease of life not only
:07:55. > :08:01.providing occasional use of expensive printers, this one costs
:08:01. > :08:06.over �50,000, but also the know how how to get the home designs to
:08:06. > :08:10.actually work. Making a functional object depends on part in the
:08:10. > :08:15.materials used, compressed power that is more brittle and it's OK
:08:15. > :08:19.for some models but not for moving parts. A colour Scheldt less than
:08:19. > :08:23.one millimetre thick provides the detail. Tougher reasons need to be
:08:23. > :08:29.melted to flow through the printing nozzle. They may be flexible but
:08:29. > :08:36.tend not to be able to look withstand Australian replacing a
:08:36. > :08:39.moving part in the Carrefour example. Insuring high quality and
:08:39. > :08:45.protecting the design rights may be the biggest challenge. Despite a
:08:45. > :08:51.hype, the revolution of printing whatever we need in our own homes
:08:51. > :08:54.remains unrealistic. Designing personalised small gifts or
:08:54. > :09:03.downloading a treaty to sign we may print or take to the printing shop
:09:03. > :09:11.has already materialised. A slightly more realistic view of 3D
:09:11. > :09:16.printing. Next, we look at that take news. The new mobile operating
:09:16. > :09:20.system will be launched in January. The BlackBerry 10 will be available
:09:21. > :09:26.on two new handsets with a feature caused flow allowing multi-tasking
:09:26. > :09:31.easier. In a bid to keep loyal uses it has upgraded the BlackBerry
:09:31. > :09:36.messenger at with free voice calls over WiFi. That will be to other
:09:36. > :09:43.uses using a stop that brings it closer to other phone using systems
:09:43. > :09:48.that already used free calls. Weeks after the launch of Windows eight,
:09:48. > :09:52.Stephenson of Ski has let Microsoft with immediate effect. He has been
:09:52. > :09:59.seen as instrumental in trying to get the Microsoft ecosystem with
:09:59. > :10:03.ex-boss, PC and tablets and online services. His departure at is due
:10:03. > :10:07.to the strained relationship with the chief executive, who had been
:10:07. > :10:12.previously tipped to succeed him. No cure is after a taste of Apple
:10:12. > :10:16.offering its mapping up for the ils devices and it will be free
:10:16. > :10:21.including Offline support when you have no internet connection. They
:10:21. > :10:27.are also making the service available for development on here
:10:27. > :10:34.and Roy Apps and has used Masilo with location features. Nokia will
:10:34. > :10:39.improve the service even more acquiring St imaging company to
:10:39. > :10:42.compete with Google Street view. Google has gone over the street
:10:42. > :10:47.launching its new super-fast broadband service to some US homes
:10:47. > :10:52.offering speeds of up to one gigabit per second. They have been
:10:52. > :10:56.buying up dark fibres from telecom firms bringing that into homes
:10:56. > :11:02.through overhead cables. Summer the first residents to receive a
:11:02. > :11:12.service in Kansas City report speeds of 700 megabits per second
:11:12. > :11:12.
:11:12. > :11:18.and one terror by to storage on Google. The Tate world can be more
:11:18. > :11:22.than a little bit insular. It sometimes needs a helping hand from
:11:22. > :11:28.Global Icons, superstars shouting from the rooftops about their
:11:28. > :11:31.passion for technology. One such Black-f
:11:31. > :11:35.Black-Eyed Peas lead singer Will.i.am, let's face it, when
:11:35. > :11:39.William Adams punctuates his name to have more Dobson when the dress,
:11:39. > :11:44.you know it's likely to be a street of Haitink goodness flowing through
:11:44. > :11:54.his veins. Richard Thaler caught up with Will.i.am to find out what
:11:54. > :12:00.makes him tick. With chart-topping Grammy
:12:00. > :12:08.Grammy awards, songwriter and DJ Will.i.am is nothing short of a
:12:08. > :12:13.musical phenomenon. When we met recently in Manhattan, it soon
:12:13. > :12:23.became clear he has designs on the world of hi-tech as well. I was an
:12:23. > :12:24.
:12:24. > :12:31.enthusiast ever since I was a small boy. A UA Property Week? I am a
:12:31. > :12:37.property. I'm an undercover beak. He is commensals got a boost this
:12:37. > :12:43.year as he recorded a song at NASA broadcast back from the Mars
:12:43. > :12:47.Curiosity rover, a true out of this world first. It's like a boomerang,
:12:47. > :12:54.the first her rain song. I threw it to a different planet and it came
:12:54. > :12:59.back. He has also directed creativity at Intel, a company
:12:59. > :13:05.struggling to make an impact with mobile devices. What you tell them
:13:05. > :13:13.that Intel? Actually, they are no wherein the smartphone business. A
:13:13. > :13:23.small company seems to be doing well. OK, the smartphones still
:13:23. > :13:33.need a server. What Servers are they using? Intel. Anyway, my
:13:33. > :13:37.
:13:37. > :13:43.company is in the loop. Intel is a marathon on. You want to be a
:13:43. > :13:46.leapfrog and not having a different device, you need to leapfrog.
:13:46. > :13:53.was on the digital media that he was most vocal saying the onslaught
:13:53. > :13:58.of the mob would democracy and video has disrupted traditional TV
:13:58. > :14:04.broadcasters who pieces still harbour the old school mentality.
:14:04. > :14:14.Broadcasters, unfortunately, as robust as they are, their business
:14:14. > :14:19.is television, monopolising it with ants and that's it. It's not true
:14:19. > :14:26.innovation. If it was true innovation they would have created
:14:26. > :14:32.Facebook, YouTube and Twitter. you make about the YouTube content?
:14:32. > :14:42.When they put in millions of young creative up and coming produces.
:14:42. > :14:46.Are they are threat to the YouTube will be a threat to to the
:14:46. > :14:54.broadcasters when every single home has a smart television. A smart
:14:54. > :15:03.television is a threat to cable. Right? It allows your sister, youth,
:15:03. > :15:08.who watching, to be a network yourself. Had the impact culture?
:15:08. > :15:14.The brand will go where the culture in packs. Culture today is
:15:14. > :15:20.rehashing yesterday. The new Spider-man. But how many times have
:15:20. > :15:28.I seen that? The new Three Stooges. Are you serious? Where is the new
:15:28. > :15:34.depth thinking? We need innovation. It will come from the new platforms.
:15:34. > :15:44.Check this out. This is a South Korean book, he read Gangnam Style.
:15:44. > :15:44.
:15:45. > :15:53.If a current Act could break all over the world because of a YouTube
:15:53. > :15:57.clip, not a network clip, but is a connected world. Connected
:15:57. > :16:03.television has not been successful so far. Some people do not pick
:16:03. > :16:07.them up. This is just the beginning. Imagine this is an marathon. You
:16:07. > :16:13.are like, man, Pranab Mukherjee from Slovakia or looks like she
:16:13. > :16:17.will win. She is in the lead. -- girl. Then the Ethiopian person is
:16:17. > :16:24.all the way in the back. Guess who will win the race? You have to look
:16:24. > :16:29.at it from the long run. Leaving had better hurry increasingly
:16:29. > :16:33.taking us away from connected television and on to apps could
:16:33. > :16:42.second screens. Like tablets or smartphones. We are finding out
:16:42. > :16:49.more about shows Paul tweeting on air. It is innovation. It is not
:16:49. > :16:54.happening here. I am watching a to the -- television programme. On
:16:54. > :16:59.that programme, the victim is running. They are running from the
:16:59. > :17:06.killer or something. They could to a safe house. They close the door
:17:06. > :17:12.and look for a telephone. It is winning. Your phone rings in your
:17:12. > :17:19.house. Hello? The character is talking to you. Can you do
:17:19. > :17:29.something? Take this number down. I'll send you a text, OK? Say OK. I
:17:29. > :17:34.want you to get the message. How does this happen? It is interactive.
:17:34. > :17:39.The interactivity from phone calls and e-mails, you are participating.
:17:39. > :17:44.You type in your phone number in to the networks. You are part of the
:17:44. > :17:49.script. They know who you are, where you are and what you are
:17:49. > :17:54.brain. My people at the networks are thinking like that. They are
:17:54. > :17:59.trying to how to monetise yesterday is that of monetising contend today.
:17:59. > :18:04.That is why it is coming from the TEC and on the broadcasters unless
:18:04. > :18:12.they get visionaries to be a part of their thing. If it sounds like a
:18:12. > :18:22.sales pitch. No. It sells for a job application. You want to shake
:18:22. > :18:23.
:18:23. > :18:33.things up. Having 80 actors on a television show last year, he was
:18:33. > :18:36.
:18:36. > :18:45.to create a new programme with a I wanted to do that. I would like
:18:45. > :18:53.to create a show that is in pursuit Of tomorrow's Bill Gates,
:18:53. > :18:59.tomorrow's Steve Jobs, tomorrow's Michael Dell. Tomorrow's Mark
:18:59. > :19:04.Zuckerberg. Do you see what is wrong if that sentence? Everyone I
:19:04. > :19:10.named, Alker is no woman in there. I want to do that and inspire a
:19:10. > :19:20.woman to join us on this admission of finding tomorrow's next
:19:20. > :19:29.
:19:29. > :19:34.entrepreneur and innovator. Why not. Have the -- it is not as sexy and
:19:34. > :19:40.popular as sinning. It is. Some believe gone just for five The
:19:40. > :19:47.Voice last year. Where is their album? Somebody won American Idol
:19:47. > :19:55.last year. Where is their album? Somebody designed an iPhone last
:19:55. > :19:59.year. Would you buy it? Richard Taylor talking to will.i.am.
:19:59. > :20:05.There is much more of that interview on one hand on our
:20:05. > :20:15.website. That is also where you would find
:20:15. > :20:27.
:20:27. > :20:33.I'm eyeing up a different photograph filter application. It
:20:33. > :20:42.is available free from iPhone, Android and Windows 7. It lets you
:20:42. > :20:46.take photographs and share them on your show Sean at work. The
:20:46. > :20:56.addition of tagging makes it possible to compile themed
:20:56. > :20:57.
:20:57. > :21:02.collections around a particular This is a great feature. Especially
:21:02. > :21:07.if you follow a cultural or sporting event. The app has been
:21:07. > :21:15.around for one year. It has been redesigned for Android. It takes
:21:15. > :21:22.advantage of social discovery and applications. -- locations. The app
:21:22. > :21:27.does everything you would expect. It will push similar images from
:21:27. > :21:32.other users into a stream, along with pace and will current
:21:32. > :21:42.locations. You get different perspectives on the event you are
:21:42. > :21:48.
:21:48. > :21:52.Time trouble has never been so easy, virtually speaking. -- Travel. This
:21:52. > :21:56.is a family-run website that focuses on teaching history through
:21:56. > :22:06.interactive experiences. It combines time lines, maps and
:22:06. > :22:07.
:22:07. > :22:12.encyclopedic entries to bring historic chapters to life. What is
:22:12. > :22:16.so great about this website is it Lynx historic events like the rise
:22:16. > :22:22.and fall of great civilisations and umpires to whatever else was going
:22:22. > :22:32.on the world during that period, giving see subject context. You can
:22:32. > :22:32.
:22:32. > :22:42.understand why the history unfolded When you have had the feel of the
:22:42. > :22:43.
:22:43. > :22:47.past, check out some dates from the This brilliant browser sequencer
:22:47. > :22:54.let you build tracks from a selection of the samples by simply
:22:54. > :23:02.dropping the appropriate outfit on to the avatars. Samples can be
:23:02. > :23:11.muted. You can record your musical genius to share through the usual
:23:11. > :23:15.social channels. this app is fun to use. You do not need to be a
:23:15. > :23:24.musical genius as it is impossible to make things sound bad, even for
:23:24. > :23:33.me. It is pretty incredible. But is it from us. If you fancy war,