07/01/2013

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:11:40. > :11:44.This is the front and this wide area is the brain tumour. A lot of

:11:44. > :11:49.patients talk about a ticking timebomb and they know what they

:11:49. > :11:52.have a tumour that is not cancer but it can change and that is very

:11:52. > :11:57.difficult psychologically for some patients.

:11:57. > :12:04.Are you prepared for the surgery and you have the support?

:12:04. > :12:09.By things have been quite good. will travel to London for co-

:12:10. > :12:18.operation, and a week craniotomy, that means they will remove part of

:12:18. > :12:23.the tumour at I she is awake. hoped that the time for it to

:12:23. > :12:30.become malignant will be reduced so it will increase her survival time

:12:30. > :12:38.and prognosis. It feels it will now I have sat down and talked about it

:12:38. > :12:48.and I have seen the jumar on screen, it seems real. -- tumour. A bit

:12:48. > :12:51.

:12:51. > :13:00.breathless at the minute. It is the date of the operation and she will

:13:00. > :13:06.be in theatre for over three hours, conscious the whole time. The if I

:13:06. > :13:12.could, I would run away, but I have no choice about this. This is an

:13:12. > :13:16.exploratory operation to see how much of the tumour I can remove.

:13:16. > :13:24.am incredibly anxious and very fearful for my family who are

:13:24. > :13:27.waiting because I know what they will be going to. -- going through.

:13:27. > :13:29.The first part of the operation involves removing the top of her

:13:29. > :13:36.skull. Normally, patients would be anaesthetised for this, but in

:13:36. > :13:39.Debbie's case, they want to keep her awake. There could be

:13:39. > :13:48.difficulty controlling her airways so although it will be difficult

:13:48. > :13:55.for her, we will have her awake throughout. It that it? That is it.

:13:55. > :13:59.All the groundwork is done. I do not like doing it. As a doctor,

:13:59. > :14:05.and you do not like doing unpleasant things to people, but it

:14:05. > :14:08.does not heard. Or you all right? I am all right.

:14:08. > :14:13.Once they can see the brain, they stimulate different areas, to

:14:13. > :14:18.identify how much is tumour and how much is healthy tissue.

:14:18. > :14:28.I am going to start with what might be the sensory part for your left

:14:28. > :14:28.

:14:28. > :14:38.leg inside your body. Do you feel any funny feelings? Yes, in my

:14:38. > :14:39.

:14:39. > :14:49.foot! Right at the bottom. This may produce movement. In my left arm,

:14:49. > :14:51.

:14:51. > :15:00.it moved. That is motor, that is sensory. That was a hand twitching.

:15:00. > :15:05.Consistently? Yes. I am going to stop removing some of this tumour

:15:05. > :15:15.and by checking her movement, hopefully I will not stray into the

:15:15. > :15:22.motor area. A open your eyes, big smile, stick

:15:22. > :15:31.your tongue out, perfect. Squeeze your hand, Paul Reid towards you,

:15:31. > :15:37.in the air, down again -- pull your hand. Turn it round. The operation

:15:37. > :15:42.has been on for over an hour. is extraordinary is that Debbie is

:15:42. > :15:48.a break and can help them if I she tells them which part of her body

:15:48. > :15:54.feel funny as they remove part of the tumour. That is the cheek and

:15:54. > :16:02.that is the on and that his hands, so it is spread out widely stop

:16:02. > :16:05.mind --. -- arm. But it quickly becomes apparent that removing even

:16:05. > :16:07.small amounts of the tumour is making it difficult for Debbie to

:16:07. > :16:12.move her left leg. Is the work we go? He definitely

:16:12. > :16:19.weaker than it was before the operation. -- is the lake and

:16:19. > :16:26.weaker at. -- leg. But things don't improve and the surgeon decides to

:16:26. > :16:31.call it a day. I had to stop because I made it weaker, but if

:16:31. > :16:36.that gets better quickly, which it probably will, there is the option

:16:36. > :16:44.of another operation and in later date. You are fighting a battle in

:16:44. > :16:48.a losing war or to many but it might be worth considering.

:16:48. > :16:50.ultimately. In the end, they only manage to remove about 10% of the

:16:50. > :16:53.tumour, which is much less than was originally hoped.

:16:53. > :16:59.Three weeks later, and Debbie is back at home recovering from her

:16:59. > :17:05.surgery, and she is upbeat about how the operation went.

:17:05. > :17:10.It is better having some of Robert found that none of it out so for me

:17:10. > :17:14.it was a success. -- some of it. And I found an inner strength to

:17:14. > :17:17.cope with something I thought I would not be able to cope with.

:17:18. > :17:20.Debbie is one of thousands of people living in the UK with a

:17:21. > :17:25.brain tumour, but she believes there needs to be more research and

:17:25. > :17:31.a greater awareness, which is why she invited the cameras in.

:17:32. > :17:37.I wanted people to be a part of my journey, a part of what I am

:17:37. > :17:41.experiencing, to try to understand that there are so many of us who

:17:41. > :17:51.are the silent ones. Debbie may face more operations in the future,

:17:51. > :17:55.

:17:55. > :18:03.but for now, she must watch and When it comes to that for's most

:18:03. > :18:10.famous son, David Hockney probably takes the title -- Bradford's most

:18:10. > :18:16.famous art. But he does have a rival. Delius was born 150 years

:18:16. > :18:26.ago in Bradford. We have been looking back at a life of one of

:18:26. > :18:35.

:18:35. > :18:38.The work of the composer Delius. It is a story which put Bradford at

:18:38. > :18:43.the centre of world music. A rebel who rejected his parents' religion

:18:43. > :18:45.and swapped his family business for the love of his life. Music.

:18:45. > :18:55.The classical composer Frederic Delius was the ultimate non-

:18:55. > :18:57.

:18:57. > :19:00.conformist. He has always been in the category to himself. Of Taik-

:19:00. > :19:07.Lee single man do it -- single- minded, egotistical about what you

:19:07. > :19:11.wanted to achieve -- and the means by which she wanted to achieve that.

:19:11. > :19:14.-- he wanted. It is 150 years since Delius was born just a stones'

:19:14. > :19:17.throw away from this bustling city centre. But his contribution, both

:19:17. > :19:19.home and abroad, still resonates across cultures around the world.

:19:19. > :19:21.And today, one of those whose music he inspired, world-reknowned

:19:21. > :19:28.violininst Tasmin Little, whose father is from Bradford, has

:19:28. > :19:31.returned to the city to learn a bit more about her hero.

:19:31. > :19:36.First stop, the German church where a young Delius soaked up his first

:19:36. > :19:41.musical influences, while worshiping with his family.

:19:41. > :19:46.It is wonderful to be here, it really is, and to think of him

:19:46. > :19:50.being here as a young boy sitting board in the congregation. He ended

:19:51. > :19:53.up as a complete atheist! family were part of a wave of

:19:53. > :19:55.German immigrants who came to establish a strong identity within

:19:56. > :20:05.the city's wool trade. Their growing wealth evidenced in their

:20:06. > :20:06.

:20:07. > :20:12.own stained glass window here. They're off from a German family

:20:12. > :20:15.and music and church -- may off from. Quite the puritanical family

:20:15. > :20:25.and the family have made up their minds to go into the will and Trade

:20:25. > :20:27.

:20:27. > :20:35.and it turned out very differently! -- of the war when decade.

:20:35. > :20:40.-- woolen trade. What makes it special is the use of harmony, it

:20:40. > :20:46.is very lyrical and singing. He loved nature and he loved walking

:20:46. > :20:51.on the moors, and as a young boy, he wanted to run away from home. He

:20:51. > :20:55.tried to run away with his younger brother until they took with them

:20:55. > :21:00.was a bag of sweets! They were found along the moors with an empty

:21:00. > :21:04.bag of sweets and sent off home. He was always eager to immerse himself

:21:04. > :21:14.in nature. While nature may have been his first Love, he had to

:21:14. > :21:17.fight to find it. According to local historian Irene Lofthouse,

:21:17. > :21:20.when Delius was set to work at his father's warehouse in the thick of

:21:20. > :21:28.Bradford's grimy wool industry, he was like a fish out of water.

:21:28. > :21:33.Imagine all these males full of working looms and people and clogs

:21:33. > :21:39.-- cotton mills. It would have been really noisy. It would also have

:21:39. > :21:42.been filled the. -- a filthy. All this grubbiness wasn't for Delius.

:21:42. > :21:44.He had his own ideas. Instead of picking up the family business, he

:21:44. > :21:46.threw himself into music, travelling around the world for

:21:46. > :21:50.inspiration. And as Tasmin and I are about find

:21:50. > :22:00.out, his rich musical legacy is being used in a variety of creative

:22:00. > :22:01.

:22:01. > :22:04.A few miles from the family's warehouse is the Delius Special

:22:04. > :22:07.School, where music is a key part of the curriculum, in an

:22:07. > :22:12.environment where children have a variety of profound learning

:22:12. > :22:19.disabilities. Here, music is a vital means of

:22:19. > :22:24.communication, and Tasmin is keen to share her passion.

:22:24. > :22:34.So on times, in springtime, there is a thunderstorm and the thunder

:22:34. > :22:39.

:22:39. > :22:41.goes like this -- sometimes. And the like mink goes like this.

:22:41. > :22:45.Delius himself, Tasmin is keen to break down musical barriers, an

:22:45. > :22:50.attitude which is at the heart of this school's work. We have got

:22:50. > :22:54.children who are autistic and they have difficulty expressing their

:22:54. > :22:59.emotions in a normal situation. But give them music and talk to them

:22:59. > :23:03.about emotion through music and they can be as expressive and

:23:03. > :23:08.interested in opening Gupta people as anybody else, so it is quite

:23:08. > :23:17.wonderful -- opening up to people. Delius wanted his work to connect

:23:17. > :23:20.with the soul, and the curriculum here would be music to his ears.

:23:20. > :23:23.As Delius grew up, he moved away from Bradford, but continued to

:23:23. > :23:25.rebel against authority. His tastes became ever more bohemian, reaching

:23:25. > :23:35.a peak while mixing with the impressionists and philosophers in

:23:35. > :23:39.

:23:39. > :23:43.Paris. He loved good wine, he loved a cigar, he loved beautiful women,

:23:43. > :23:46.and ultimately people -- he paid the price for this in his later

:23:46. > :23:50.life. After Delius's years of debauchery in France, he went blind

:23:50. > :23:59.and needed constant care. His life was turned into a BBC film by the

:23:59. > :24:05.legendary director Ken Russell. knew Scarborough when I was a boy,

:24:05. > :24:07.when we used to live in Bradford, a filthy place! By this time, he had

:24:08. > :24:12.already travelled to America, Scandinavia and Germany, fusing the

:24:12. > :24:17.musical traditions of everywhere he went into his own distinctive style.

:24:17. > :24:22.And want you to imagine we are sitting on the cliffs looking out

:24:22. > :24:25.onto the sea -- I want you. Delius was a maverick throughout his life.

:24:25. > :24:27.But the multi-cultural influences of his music was too much for some.

:24:27. > :24:30.The British public wanted patriotism and, just as Delius was

:24:30. > :24:40.reaching his peak, his style was overshadowed by a piece of music

:24:40. > :24:45.

:24:45. > :24:55.that gave them what they were Algar was regarded as the bright

:24:55. > :24:58.

:24:58. > :25:04.new hope for British music. Elgar. My know get the raced out of

:25:04. > :25:07.the British musical history as a result -- Delius gets taking out.

:25:07. > :25:11.Mack Subsequently, it was Elgar, and not Delius, who came to define

:25:11. > :25:17.his musical generation. represents the diverse community

:25:17. > :25:21.Bradford is today, diverse constituents. National boundaries

:25:21. > :25:25.were not important to Delius. Delius may simply have been ahead

:25:25. > :25:27.of his time. As part of Tasmin's visit, she is performing a gala

:25:27. > :25:31.concert in the city's cathedral. Before she leaves, there is just

:25:31. > :25:34.time to squeeze in a visit to the place where this musical journey

:25:34. > :25:37.all began, Delius's birth place in Claremont Road, now the base for an

:25:37. > :25:40.international relief organisation, and a chance for us to reflect on

:25:40. > :25:47.his career. He was an outsider in the very next

:25:47. > :25:52.Bradford at the time. -- a mixed. That is right, and although he was

:25:52. > :25:58.an outsider and must have felt the clash between being in Bradford but

:25:58. > :26:03.having the strong German roots, that almost turned into the story

:26:03. > :26:08.of his success the curse he resisted the path that was set out

:26:08. > :26:13.for him and in resisting it, he made it very clear his own

:26:13. > :26:15.individual path. And that is a path which the people of Bradford at

:26:15. > :26:18.least are happy to follow, as tonight, a sell-out crowd enjoys

:26:18. > :26:28.Delius's music being played in the city which has continued to cherish

:26:28. > :26:34.

:26:34. > :26:38.During the different things we have done today, it has definitely

:26:38. > :26:44.brought me closer to the early part of his life, to see the place he

:26:44. > :26:54.would have gone to to do his day's work. Far removed from Delius the

:26:54. > :26:59.

:26:59. > :27:04.musician, so it has brought the man That is it for tonight, and if you

:27:04. > :27:11.have a story we should be telling, get in touch on Twitter or Facebook.

:27:11. > :27:21.Make sure you join us next week. We go behind the wire at an RAF

:27:21. > :27:34.

:27:34. > :27:36.primary school where many children Hello, I'm Ellie Crisell with your

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