:00:08. > :00:09.Hello, I'm Matthew Wright, you're watching Inside Out London.
:00:10. > :00:13.Here's what's coming up on tonight's show -
:00:14. > :00:15.With more and more nightclubs being forced to close, we ask,
:00:16. > :00:21.could this be the end for London's clubland?
:00:22. > :00:27.Whenever there is an incident, rather than having a discussion to
:00:28. > :00:30.solve that, there is an attempt to regulate and close down and that
:00:31. > :00:31.doesn't solve our problems but it will end up shutting down our
:00:32. > :00:34.culture. We meet a man who's given
:00:35. > :00:44.up his life in London to help We have some of the families here in
:00:45. > :00:45.our temporary relief centre and some of their stories are absolutely
:00:46. > :00:46.heartbreaking. And EastEnders star
:00:47. > :00:57.Jessie Wallace says farewell This is such a great school. I've
:00:58. > :00:58.been raving about it since I left. My heart is here and it's going to
:00:59. > :01:06.be a gaping hole. Not so long ago, London's clubland
:01:07. > :01:10.was a lively, thriving scene - with music venues and dance floors
:01:11. > :01:13.thick on the ground. But in the last few years
:01:14. > :01:18.many have shut down, prompting the Mayor to appoint
:01:19. > :01:20.the capital's first Night Czar ? comedian Amy Lame ? to help
:01:21. > :01:23.revitalise the sector. Mark Jordan went to find out what's
:01:24. > :01:26.behind the wave of closures - I should warn you that his film
:01:27. > :01:40.contains some flashing images. When dark falls over London,
:01:41. > :01:43.its ?28 billion night economy draws people from across the globe,
:01:44. > :01:45.but there's trouble We've finally opened up the 24-hour
:01:46. > :01:51.night tube, but where to go? In the past decade half London's
:01:52. > :01:54.nightclubs and 40% of live music Gentrifying neighbourhoods
:01:55. > :02:02.are silencing the noisy. Anger too about
:02:03. > :02:09.licensing and closures. GQ magazine said London has
:02:10. > :02:12.the worst nightclubs in Europe ? "policed to within an
:02:13. > :02:15.inch of their lives". I'm the Night Czar
:02:16. > :02:18.working with the Mayor. So the Mayor appointed
:02:19. > :02:22.Night Czar Amy Lame. As Night Czar I have overarching
:02:23. > :02:27.goals ? to make London the most diverse and dynamic 24-hour city
:02:28. > :02:32.in the world! The coolest job in City Hall
:02:33. > :02:35.is part-time and walks a tightrope - We had issues, so we have had a few
:02:36. > :02:43.restrictions put onto our license. Tonight in Kingston,
:02:44. > :02:46.Amy's being shown the club When this first came in and police
:02:47. > :02:52.said, "You have to have it." Aside from random breathalyser
:02:53. > :02:56.tests, an extraordinary Everyone has a driving
:02:57. > :03:01.license or passport. All this in a nation
:03:02. > :03:06.that refuses ID cards! We'll check them in the queue
:03:07. > :03:09.as well to see if they are drunk. We may put them out of the queue
:03:10. > :03:12.before they get to the scanner. Then the second stage
:03:13. > :03:15.is round the corner I'm sure going through airport style
:03:16. > :03:25.security does put people off Too much security ?
:03:26. > :03:30.we're good people! Facing cuts, London's former police
:03:31. > :03:32.commissioner said fewer pubs and clubs would help
:03:33. > :03:35.reduce police workload. The Met sees no contradiction
:03:36. > :03:38.in airport security and fun. Where there are reasonable measures
:03:39. > :03:42.to reduce and mitigate the risk of these sorts of things happening,
:03:43. > :03:46.I think that's sensible. You wouldn't travel on an airplane
:03:47. > :03:49.and not expect security ? We live in a world of risk
:03:50. > :04:04.aversion is the key thing. Police is all health and safety
:04:05. > :04:07.and whenever there is an incident rather than use discretion to solve
:04:08. > :04:10.that ? there's an attempt to regulate and close down and that
:04:11. > :04:12.doesn't solve our problems, But it's not all
:04:13. > :04:17.about law and order. Powerful other forces
:04:18. > :04:20.stalk London's nightlife. Hands up who wants to live next
:04:21. > :04:25.to a noisy music venue? For over a decade the loud
:04:26. > :04:29.much-loved George Tavern, It's noisy, so why is
:04:30. > :04:36.Tower Hamlets suggesting developers turn derelict buildings
:04:37. > :04:43.around the venue into luxury flats? 45 flats ? 3am music
:04:44. > :04:46.license ? really lively. We would have endless
:04:47. > :04:52.complaints ? nightmare - and when you get a complaint,
:04:53. > :04:55.environmental health have to deal with it
:04:56. > :04:58.and they take your licence away. This pub would not
:04:59. > :05:03.survive without music. The council votes on the plan
:05:04. > :05:06.later this month, noise has closed Developers get everything.
:05:07. > :05:13.I'm one person fighting this. They have pots of money!
:05:14. > :05:17.I just feel we are not appreciated. Across in Shoreditch, under the last
:05:18. > :05:21.arch of a bygone railway, the Village Underground venue feared
:05:22. > :05:24.closure as luxury The Night Czar has come
:05:25. > :05:35.to support a radical solution. The fear is the noise we make
:05:36. > :05:39.will be unviable for new neighbours The bass line ? couldn't get
:05:40. > :05:47.a night's sleep ? so in a ruck with new neighbours,
:05:48. > :05:53.that was our fear. Worried about Shoreditch losing
:05:54. > :05:57.the very vibe attracting developers, the council made a radical
:05:58. > :06:00.demand - that new hotels Hackney helped us negotiate those
:06:01. > :06:08.into planning conditions. So the hotel moving in next door
:06:09. > :06:15.to a music venue cannot have venue closed down as they've made noise
:06:16. > :06:18.for a decade and it's been fine. The Night Czar wants this
:06:19. > :06:21.rolled out across London. But just up the road
:06:22. > :06:24.a different problem - The Passing Clouds venue helped give
:06:25. > :06:31.Dalston the cool that made it When the tenancy ended,
:06:32. > :06:38.the rent tripled. Although the club was popular
:06:39. > :06:43.and successful, it wasn't going to match the potential return
:06:44. > :06:47.for residential development. We've invested in the vibrancy
:06:48. > :06:52.of the borough for ten years. Just one property developer rips
:06:53. > :06:56.out of the community. I suppose we look like the ugly face
:06:57. > :07:09.of capitalism where we bought the building and are kicking
:07:10. > :07:12.the tenant out - it's not the case. Hackney over last ten years has
:07:13. > :07:15.probably quadrupled in value. Name me any private landlord that
:07:16. > :07:18.will underlet his property by 50% - Passing Cloud supporters are trying
:07:19. > :07:25.to crowd fund buying the place. Others have given up having a base,
:07:26. > :07:28.LWE deck out old buildings They say promoters are the last to
:07:29. > :07:35.get paid and the first to be blamed. Over the decades ? how many drunken
:07:36. > :07:42.fights have broken out between men Well, here's one that
:07:43. > :07:49.shut down an entire club! Its New Year's Eve and a ?200
:07:50. > :07:54.a ticket cabaret turns into a brawl over a girl at celebrity haunt
:07:55. > :07:59.Rah Rah Rooms, Piccadilly. Throw a punch and that's
:08:00. > :08:03.the start of a general brawl. It got nasty.
:08:04. > :08:06.Broken glass was used. Police knew who threw
:08:07. > :08:13.the first punch. They arrested no one,
:08:14. > :08:16.but then asked Westminster to revoke the club's license,
:08:17. > :08:19.even claiming an underage 17-year-old was present.
:08:20. > :08:22.Since proven untrue. There had been just one
:08:23. > :08:27.other attack last year. Basically, from 1st January
:08:28. > :08:30.we've not opened since ? Because we have a license
:08:31. > :08:37.that is attackable ? that's To the extent that now,
:08:38. > :08:42.after ten years of serious investment in Westminster ?
:08:43. > :08:45.and loving the time I personally won't reinvest
:08:46. > :08:51.into Westminster. It's like having a gun
:08:52. > :08:57.against your head. There is nothing we can
:08:58. > :08:59.do to prevent someone All we can do is
:09:00. > :09:05.control and manage it. Westminster Council declined
:09:06. > :09:08.the police closure request but heavily restricted entry hours.
:09:09. > :09:12.Alan's selling up. The Met deny targeting venues
:09:13. > :09:15.rather than criminals. If you have a responsibly run night
:09:16. > :09:19.time economy premises that are abiding by the conditions
:09:20. > :09:26.of their license and actively working with us on a voluntary basis
:09:27. > :09:30.to make it safe - I can't think of any example where we would come
:09:31. > :09:34.down on a single isolated incident. In fact the approach we take
:09:35. > :09:37.is balanced and graduated. He's
:09:38. > :09:39.gonna put on a good smile. London's new Night Czar has no
:09:40. > :09:43.wand but a lot of hope. My first three months on the job has
:09:44. > :09:47.really been spent talking to people. It's us v them.
:09:48. > :09:49.It's the police v the punters. There is another American
:09:50. > :09:55.on the other side of the pond building a wall.
:09:56. > :09:58.I want to build bridges. Now then ? still to come
:09:59. > :10:13.on tonight's show. # Oklahoma! Acting was put forward
:10:14. > :10:19.to me a couple of times by friends and my mum. Why the Poor School?
:10:20. > :10:23.Simply it was the only place I found I could do a full-time job and beard
:10:24. > :10:25.to come in and do the training in the evening.
:10:26. > :10:28.The war in Syria is something most of us have only experienced
:10:29. > :10:31.through our TV screens, but for one Londoner,
:10:32. > :10:34.it's something that's taken over his entire life.
:10:35. > :10:38.Back in 2012, Tauqir Sharif boarded an aid convoy to Syria.
:10:39. > :10:42.He planned to stay for just a couple of months, but now five years
:10:43. > :10:44.on, he's still there, living and working alongside
:10:45. > :10:51.Throughout December, Tauqir filmed his daily life
:10:52. > :10:53.helping displaced Syrians through the harsh winter months.
:10:54. > :11:03.Attention guys, attention guys, we just got word on the radio
:11:04. > :11:32.We are going to have to drive, with the lights off.
:11:33. > :11:35.I'm driving a British Ford transit, you know, the backbone of Britain,
:11:36. > :11:37.we've got a British ambulance driving in front of us.
:11:38. > :11:40.And, in front of that, we've got one of our school buses.
:11:41. > :11:42.We've just had a call that some of the evacuees
:11:43. > :11:45.who are coming out of Aleppo, have just been stranded and left
:11:46. > :11:48.on the street in Idlib, so we are on our way,
:11:49. > :11:51.as an emergency convoy, to try and get the people out
:11:52. > :11:54.from Idlib and to safety, in a sense.
:11:55. > :11:57.About 12.45 in the night right now and the Syrian regime
:11:58. > :12:04.So the Russian generals are stopping on that side,
:12:05. > :12:07.and then the buses are continuing on to us over here.
:12:08. > :12:10.Everyone is trying to keep warm, because it is one of the coldest
:12:11. > :12:14.nights of winter so far. There is still bombing
:12:15. > :12:19.in the background, so we will see what happens.
:12:20. > :12:22.20 buses have just arrived. It's absolute chaos.
:12:23. > :12:25.There are a lot of people here, they don't know
:12:26. > :12:30.It's so many people, and it's cold, it's wet,
:12:31. > :12:39.it's being dropped off in the middle of the night at 3am.
:12:40. > :12:42.That was a first-time experience, I've never experienced that before.
:12:43. > :12:45.Just the look of terror and fear on people's faces.
:12:46. > :12:50.I mean we've got old people and small children, and women.
:12:51. > :12:54.All scared, you can see the looks on their faces they don't know
:12:55. > :12:57.where they are going, don't know what the future holds.
:12:58. > :13:02.These people that we've got in the ambulance now
:13:03. > :13:11.they are basically people who have nobody.
:13:12. > :13:14.We've found some places for people to go.
:13:15. > :13:19.But it's 6am and we are supposed to be going back to get another
:13:20. > :13:22.flood of people and we don't have another place, so I've brought some
:13:23. > :14:11.Some of the families here in our temporary relief
:14:12. > :14:15.centre and their stories are absolutely heartbreaking.
:14:16. > :14:18.We've got this sister here, she is a widow, her husband
:14:19. > :14:22.was killed but many of her family members were killed.
:14:23. > :14:25.She's here sitting with some of her children and she just showed
:14:26. > :14:27.us a video of her son, who is basically under
:14:28. > :14:34.They were unable to pull him out, you can just see his head,
:14:35. > :14:36.covered in blood and it's so difficult to comprehend
:14:37. > :14:42.It doesn't seem real and they are right in front of us.
:14:43. > :14:45.This is the kind of stuff that these people went through.
:14:46. > :14:48.So they are saying they lived in a four-storey building,
:14:49. > :14:52.and this is what was left of the building.
:14:53. > :14:55.They left nine people under the rubble.
:14:56. > :15:11.Got to make sure she has her niqab on because you are coming in.
:15:12. > :15:15.This is Khadijah, she is my eldest, she is three years old,
:15:16. > :15:20.This is Muatassim, whose two, he is grumpy at the moment
:15:21. > :15:26.And this is Ruqayyah, who is ten months.
:15:27. > :15:32.We are Londoners born and bred, so for us London
:15:33. > :15:38.Even the kids talk about home even though they don't even know home.
:15:39. > :15:42.So we left London late 2012, on an aid convoy.
:15:43. > :15:45.We chose to come to Syria because of the gruesome
:15:46. > :15:49.scenes we were seeing on our television screens.
:15:50. > :16:10.They are just afraid on the radio right now that we might drive
:16:11. > :16:12.into Syrian regime territory by mistake because we are very
:16:13. > :16:18.It's always a bad sign here when there are no
:16:19. > :16:26.That guy was just waving at us crazily in that car,
:16:27. > :16:30.and he was driving in the opposite direction so, I don't
:16:31. > :16:34.know what that means. Probably means stop what you're
:16:35. > :16:55.The evacuation of thousands of civilians and rebels
:16:56. > :17:03.Syrian state TV says armed terrorists destroy
:17:04. > :17:09.It's not clear how long the suspension will last.
:17:10. > :17:12.Everybody's running. Bad news man, bad news.
:17:13. > :17:14.The Red Crescent and all the organiser here with IHH,
:17:15. > :17:17.they have basically said they fear that an airstrike is going to take
:17:18. > :17:20.place so they've just moved all the vehicles
:17:21. > :17:23.because there were over a 100 ambulances and coaches waiting.
:17:24. > :17:48.Tauqir as a young person he was very active, and you could say a little
:17:49. > :18:00.And then one day he decided to go with one of his friends on one
:18:01. > :18:03.of these aid convoys, and when he went to Gaza
:18:04. > :18:06.for the first time, the plight of the people there I think
:18:07. > :18:15.It makes you proud, that he is doing this.
:18:16. > :18:18.When he was growing up in Newham, there was an incident
:18:19. > :18:22.where he got stabbed, and we thought we might lose him.
:18:23. > :18:26.Which would we rather have? Him helping people and losing his
:18:27. > :18:31.life, or dying in the streets of Newham or wherever else?
:18:32. > :18:39.As I said we are human, we are communal beings we want to be
:18:40. > :18:46.It's not going to happen at the moment but God
:18:47. > :18:51.wiling it will happen, one day, one day.
:18:52. > :18:59.We've got loads of families that have come from the south of Aleppo.
:19:00. > :19:02.We need to get them emergency food packs.
:19:03. > :19:04.Come in the warehouse, the guys are working right now
:19:05. > :19:09.These are tins from the UK, we're going to load
:19:10. > :19:12.them into the ambulance and get them distributed.
:19:13. > :19:15.We only have snow storms like this maybe once or twice a year
:19:16. > :19:18.and the current crisis at the moment that we are dealing with,
:19:19. > :19:21.with all of these refugees coming out, they don't have places to stay,
:19:22. > :19:27.These people are coming from their homes, they were living
:19:28. > :19:30.in homes in Aleppo, and now they are basically coming
:19:31. > :19:53.to the streets or to refugee camps that are really in a poor state.
:19:54. > :19:57.It's an unfortunate situation because right now as I said
:19:58. > :20:00.there is a large influx of refugees and we are borrowing tents.
:20:01. > :20:03.We are asking families who have tents to put
:20:04. > :20:12.Look how cold it is, the mountains are all covered with snow,
:20:13. > :20:15.and there is nowhere to put these people.
:20:16. > :20:18.Being here in Syria, has definitely taken an emotional
:20:19. > :20:21.toll not just on me but also on the family.
:20:22. > :20:24.If we ever do leave, I think we will remember Syria as our home.
:20:25. > :20:27.The people have been so welcoming, so supportive to us.
:20:28. > :20:36.Syria will always be a part of us now.
:20:37. > :20:39.We hear a lot about how posh actors ? your Cumberbatches,
:20:40. > :20:42.your Redmaynes - now dominate London's acting scene.
:20:43. > :20:47.But there's one drama school which specialises in training actors
:20:48. > :20:50.who can't afford to study full-time ? the aptly named Poor School.
:20:51. > :20:54.It's turned out many successful stage and screen actors ? but now,
:20:55. > :20:58.after running for 32 years, it's facing closure.
:20:59. > :21:03.Jo Good, who has trod the West End boards herself, has the story.
:21:04. > :21:07.If I say Kings Cross you'll probably think of the bustling railway
:21:08. > :21:10.stations taking people to the far north or Europe and certainly not
:21:11. > :21:14.a place where you might be reminded of the West End's Theatreland.
:21:15. > :21:18.But in the middle of all that, down this dingy old alley lies
:21:19. > :21:23.a creaky door that leads to a unique and long-serving drama school.
:21:24. > :21:27.This is a place where people with day jobs follow their dreams
:21:28. > :21:30.and go to evening classes to learn how to act, in the hope that
:21:31. > :21:33.maybe one day they'll tread the West End boards
:21:34. > :21:46.These are the latest set of students to attend the Poor School.
:21:47. > :21:49.It's been here 32 years and has produced some
:21:50. > :21:58.It was the brainchild of Paul Caister and he is
:21:59. > :22:02.still running it today, but why call it the Poor School?
:22:03. > :22:05.I didn't want to call it the Kings Cross Academy
:22:06. > :22:08.of Dramatic Art and actually when you start something, what to
:22:09. > :22:14.In the end I liked the Poor School because it implied
:22:15. > :22:20.The school gets no government grants nor is it a charity.
:22:21. > :22:24.It relies on student fees and the thing that really makes it
:22:25. > :22:27.different is that its classes are evenings and weekends,
:22:28. > :22:31.which means you can earn money in another career at the same time
:22:32. > :22:34.as learning to become an actor, so it attracts those that otherwise
:22:35. > :22:38.may never have had the chance to tread the boards.
:22:39. > :22:43.Taxi drivers' sons and daughters of Lords.
:22:44. > :22:45.People who have just come out of jail.
:22:46. > :22:49.I would train anyone and give anyone an acting class who wanted to act.
:22:50. > :22:51.I wouldn't care where they came from or what they'd done.
:22:52. > :23:03.I was a consultant in a construction industry.
:23:04. > :23:06.More recently I was working in the advertising industry
:23:07. > :23:09.buying media plots online, so placing adverts on Facebook
:23:10. > :23:17.For the last nine years I've been a nanny and I've done that ever
:23:18. > :23:22.since I can remember, really, when I left school.
:23:23. > :23:25.I didn't really have the option to go to drama school
:23:26. > :23:28.because my parents basically couldn't afford to send me.
:23:29. > :23:32.I found the Poor School and I was like, "Oh I'm
:23:33. > :23:35.going to do part-time, so I found a job
:23:36. > :23:42.I had to take a huge pay cut because if I wanted the school I'm
:23:43. > :23:45.going to have to stick at it and I don't want to get three months
:23:46. > :23:48.in and feel I'm too tired. I can't do it.
:23:49. > :23:52.Acting was something that was put forward to me a few times
:23:53. > :23:56.by various different people, friends, and my mam.
:23:57. > :24:03.Why not one of the other drama schools?
:24:04. > :24:06.Well, quite simply it was the only place I found where I could work
:24:07. > :24:10.during the day, keep a full-time job and be able to come in and do
:24:11. > :24:15.Jessie Wallace actually sacrificed a full-time career to come here -
:24:16. > :24:19.a decision that turned to be one of pure genius.
:24:20. > :24:23.Otherwise known as Kat Slater from EastEnders, she's
:24:24. > :24:26.the Poor School's most well-known success story and has kindly come
:24:27. > :24:29.back today to tell me what it did for her.
:24:30. > :24:32.Has it always been this glamorous, Jessie?
:24:33. > :24:38.Bring back the old days walking through this door.
:24:39. > :24:46.Jessie, did you come from a background where
:24:47. > :24:49.you were expected to go into the theatre?
:24:50. > :24:52.No, no-one in my family were actors or showbusiness, anything like that.
:24:53. > :24:59.They couldn't have lent you the money for a grant
:25:00. > :25:06.No, no, my dad was upset that I wanted to be an actor
:25:07. > :25:10.because I had a good job at the time.
:25:11. > :25:14.I trained for two years to do make-up and wigs and I went straight
:25:15. > :25:18.to the RSC and I was doing really well but then I decided
:25:19. > :25:20.to be an actress and do what I was passionate about.
:25:21. > :25:23.I was prepared to give up anything for it.
:25:24. > :25:26.Today's students are nervously preparing for an event
:25:27. > :25:31.Jessie made quite an impression back in the day.
:25:32. > :25:35.Did you know she was going to be singled out?
:25:36. > :25:38.No, not at all. There's no way of knowing.
:25:39. > :25:41.She did a piece from Playhouse Creatures and Nell Gwynne
:25:42. > :25:44.oranges or something, wasn't it? Oysters.
:25:45. > :25:46.Oysters, yeah, and it just hit the spot and actually
:25:47. > :25:50.your job on EastEnders - tell me if I'm wrong -
:25:51. > :25:55.came directly from that? I think it did yeah.
:25:56. > :25:59.I got the call saying they were workshopping
:26:00. > :26:02.a new family into EastEnders. They get a number of actors and put
:26:03. > :26:04.them in a room and give them each a scenario.
:26:05. > :26:07.The scenario they gave me would be the gobby one that's
:26:08. > :26:13.You know, the tart with a heart, I suppose and then they'll give
:26:14. > :26:16.someone else a scenario and see how you work together and that
:26:17. > :26:21.Top theatrical agents still take this place very seriously indeed
:26:22. > :26:24.There are a lot of kids from drama school who miss appointments.
:26:25. > :26:27.They arrive late, they come in to see me, they got a cup
:26:28. > :26:30.of coffee in their hand or a McDonald's and you think,
:26:31. > :26:33.hang on second, you're coming to see a, well,
:26:34. > :26:36.what I would consider a top agent. Why would you do that?
:26:37. > :26:39.These people who have been in different industries have a much
:26:40. > :26:42.better idea of how to behave and how to give themselves that
:26:43. > :26:50.Do you think here in this Poor School you're more
:26:51. > :26:54.likely to find characters? Oh yeah, definitely.
:26:55. > :26:56.I think here you see there's not an homogenised zone of people,
:26:57. > :26:59.whereas some of the drama schools you think, well, they're all 20,
:27:00. > :27:02.they're all from a middle class background, they all look quite
:27:03. > :27:06.beautiful but are they going to do anything?
:27:07. > :27:18.I love people and places that give those
:27:19. > :27:21.a chance who otherwise might
:27:22. > :27:23.otherwise not get one, so this is most definitely
:27:24. > :27:32.It's just sad that I'm here just prior to its closure.
:27:33. > :27:36.But these are to be the last courses and close it will.
:27:37. > :27:40.Its founder feels it's lived its natural life
:27:41. > :27:43.and he doesn't believe anyone else could run it but what hole will it
:27:44. > :27:50.If somebody said Rada was closing or Guildhall,
:27:51. > :27:55.Have we got the same attitude about the Poor School?
:27:56. > :28:00.I don't know about the other drama schools.
:28:01. > :28:03.I just know a lot of people that have been there,
:28:04. > :28:06.but my heart is here and it's going to be a gaping hole.
:28:07. > :28:09.I wouldn't be here now if it wasn't for Paul and when I got
:28:10. > :28:12.Best Newcomer at the NTAs, I thanked Paul because he taught me
:28:13. > :28:19.everything and you can't forget the person that got you there.
:28:20. > :28:31.Wishing the Poor School's final class graduates a great success.
:28:32. > :28:33.And that's it for this week's Inside Out.
:28:34. > :28:36.Don't forget, if you missed any of tonight's programme
:28:37. > :28:39.and want to catch up on iPlayer, then just head to our website.
:28:40. > :28:41.The address is bbc.co.uk/InsideOut ? just click on London.
:28:42. > :28:47.Thanks very much for watching ? I'll see you again soon.