:00:07. > :00:14.Hello and welcome to Inside Out with me, Diana Hawkesbury. This week,
:00:15. > :00:17.it's no longer just one for the road. We investigate a growing
:00:18. > :00:20.number of people driving under the influence of drugs. About going to
:00:21. > :00:24.lose their jobs, their license. They don't think about this before they
:00:25. > :00:28.go on the road. We report on Cumbrian farmers left out in the
:00:29. > :00:34.cold by The National Trust. What would Beatrix Potter make of it all?
:00:35. > :00:37.She would be horrified. How much has gone into tourism and every thing
:00:38. > :00:42.else, I don't think the higher management have any interest in
:00:43. > :00:45.agriculture. And we meet the Singh twins who are bringing their art to
:00:46. > :00:49.life with augmented reality, just like the recent Pokemon craze. It
:00:50. > :00:59.literally comes to life! New figures show that there
:01:00. > :01:01.are a growing number of people on our roads driving under
:01:02. > :01:03.the influence of drugs. Jacey Normand has been out
:01:04. > :01:05.with the Cheshire police These videos show people driving
:01:06. > :01:16.recklessly as they try The drivers' actions show a complete
:01:17. > :01:27.disregard for other road users whilst speeding excessively
:01:28. > :01:35.on our roads. They all felt they had a reason
:01:36. > :01:51.to try to avoid capture. They were all found to be driving
:01:52. > :01:54.under the influence of drugs. The latest video from the road
:01:55. > :01:56.safety campaign THINK Those most likely to use drugs
:01:57. > :02:07.and get behind the wheel of a car. In order to effectively police this,
:02:08. > :02:10.the government changed the drug driving law in March 2015 which gave
:02:11. > :02:14.Cheshire Police and Inspector Steve Griffiths additional powers
:02:15. > :02:19.to combat offenders. In the past we couldn't test
:02:20. > :02:22.on the roadside and since then We were finding there was an issue
:02:23. > :02:29.with people using drugs before driving and this has given us a good
:02:30. > :02:33.way of testing and taking them off But certainly what it's found
:02:34. > :02:38.is there are people out there who do take those risks daily
:02:39. > :02:41.and the amount of arrests we've had We're going to talk a little bit
:02:42. > :02:49.now about Section 5a. It was introduced in March
:02:50. > :02:53.2015 and includes... At this training centre,
:02:54. > :02:56.these Cheshire police officers are learning how to use
:02:57. > :02:59.the new equipment. And it will give us an indication
:03:00. > :03:02.if it tests positive for either They're also being walked
:03:03. > :03:09.through the FIT test, an American-style sobriety test,
:03:10. > :03:13.which is useful in finding out if a driver's ability
:03:14. > :03:17.is impaired through drugs. Officers have a power to do
:03:18. > :03:20.a breath test for alcohol. A roadside test for drugs
:03:21. > :03:26.and also one of these FIT. The only issue we have
:03:27. > :03:29.is that they only detect cannabis If an officer suspects
:03:30. > :03:35.there is impairment caused by any other type of drug,
:03:36. > :03:38.the driver can be taken back There are a considerable amount
:03:39. > :03:46.of drugs as regards to illegal drugs and prescription drugs which can be
:03:47. > :03:49.misused and have an The drug driving law sets strict
:03:50. > :03:57.limits for 17 different drugs. Police can now test for illegal
:03:58. > :04:00.drugs like cannabis, cocaine and ecstasy,
:04:01. > :04:04.but also prescription drugs like Temazepam or Diazepam,
:04:05. > :04:08.used for anxiety and sleeping problems and also,
:04:09. > :04:15.morphine-based pain killers. And these new powers
:04:16. > :04:17.have produced results. In 2016, Cheshire Police arrested
:04:18. > :04:22.over 966 people for failing a roadside drugs test,
:04:23. > :04:25.and so far over 500 of those have been charged
:04:26. > :04:32.with drug driving offences. One of the officers on the front
:04:33. > :04:35.line is Chris Buckley. He's been patrolling the streets
:04:36. > :04:43.of Cheshire for 12 years. Chris took me out on an evening
:04:44. > :04:46.shift and he told me You kind of get used to not
:04:47. > :04:52.sort of stereotyping, but what sort of cars/vehicles get
:04:53. > :04:55.used by people who may use It is a bit of the bobby's nose
:04:56. > :05:01.and it does literally become the bobby's nose as sometimes you're
:05:02. > :05:03.following a vehcle and, believe it or not, you can
:05:04. > :05:06.actually smell it coming You do have your own little ways,
:05:07. > :05:12.all the places where you might go where you think there's a good
:05:13. > :05:31.chance you might get somebody. What was the speed it down that road
:05:32. > :05:33.you just came down? Do you know you have got a light out at the front?
:05:34. > :05:36.Do you know you have got a light out at the front?
:05:37. > :05:39.A broken tail-light and some questionable driving means Chris
:05:40. > :05:40.has stopped quite a few cars this evening.
:05:41. > :05:43.The majority of people wouldn't dream of drink driving.
:05:44. > :05:47.In fairness, you can can never go by the two-pint rule because you've
:05:48. > :05:50.got a legal limit of 35 for drink driving and that could be
:05:51. > :05:53.two pints for you, it could be three pints for me.
:05:54. > :05:56.With the law being so new, I wondered how anyone
:05:57. > :06:02.using recreational drugs could know the limits for driving.
:06:03. > :06:07.It can't be measured in the same way that people do with alcohol.
:06:08. > :06:10.I can't imagine someone would sit there on a Friday night
:06:11. > :06:12.with their mates and think, "You know what, if I have
:06:13. > :06:15.two spliffs tonight, I'm gonna be fine tomorrow,
:06:16. > :06:18.but I won't drive tonight" and that's the trouble.
:06:19. > :06:21.A lot of the times they'll say, "Well, I've not had any today.
:06:22. > :06:24.I had some yesterday or the day before.
:06:25. > :06:29.I wouldn't dream of drink or drug driving" but unfortunately you are.
:06:30. > :06:38.And then, on a routine check, his copper's nose pays off.
:06:39. > :06:46.Is it your vehicle? Are you insured and it? Really? You are not, are
:06:47. > :06:49.Have you got cannabis in there by any chance?
:06:50. > :06:59.I can smell it. Haven't got a driving licence? That would explain
:07:00. > :07:02.That would explain your driving, then.
:07:03. > :07:07.No insurance and a provisional licence.
:07:08. > :07:10.I need you to put your tongue in the mouth like that.
:07:11. > :07:17.Right, this takes eight minutes but we have paperwork.
:07:18. > :07:24.You know cannabis can stay in your system for some time, don't you?
:07:25. > :07:29.Right, that has indicated you've got cannabis in your system so I need
:07:30. > :07:35.to tell you you're under arrest for driving with the drugs over
:07:36. > :07:57.And also no insurer and is. -- no insurer and is. All right? It's a
:07:58. > :07:59.good result for us. No insurer and. For him, his car has been towed
:08:00. > :08:02.away. We've got a drug driver and
:08:03. > :08:07.an unlicenced driver off the road. But for him, his car's been towed
:08:08. > :08:10.away, or his girlfriend's car has been towed away,
:08:11. > :08:12.so he's gonna get He's going to get
:08:13. > :08:14.a disqualification. Been stopped dring
:08:15. > :08:17.a motor vehicle... He smelt of cannabis
:08:18. > :08:22.and failed a drugs test. At the station the driver
:08:23. > :08:25.is processed and blood is taken by a nurse to find out what drugs
:08:26. > :08:28.he has in his system. The results take about
:08:29. > :08:41.a month to come back. He's just ruined his
:08:42. > :08:54.life through stupidity. Throughout December,
:08:55. > :08:56.156 people were arrested for drink driving with the drug driver arrest
:08:57. > :08:59.figure at a total of 111. Both Merseyside and Greater
:09:00. > :09:02.Manchester Police also reported an increase in drug driving arrests
:09:03. > :09:04.in December, compared It's perhaps surprising that
:09:05. > :09:10.in the space of two years under new laws that the figures for both
:09:11. > :09:26.are creeping ever closer together. I've been to numerous
:09:27. > :09:28.collisions where alcohol Also, being a family liaison
:09:29. > :09:34.officer, you get to deal with the families and having to be
:09:35. > :09:37.the one who goes and knocks It has a devastating effect on,
:09:38. > :09:43.not only the vitim and the victim's It has a devastating effect on,
:09:44. > :09:46.not only the victim and the victim's They can lose their licence
:09:47. > :09:53.and they just don't think about this before they go out
:09:54. > :10:10.on the road and it's selfish. coming up, I'm finding out how the
:10:11. > :10:11.art of the Singh twins has been brought to life using the augmented
:10:12. > :10:16.reality technology. Farming has sustained
:10:17. > :10:18.the Lake District for centuries. But now one of the country's biggest
:10:19. > :10:21.charities and landowners stands accused of being out of touch
:10:22. > :10:24.with the challenges of working The peace and tranquility
:10:25. > :10:33.of the lakes is being disturbed by mounting tension
:10:34. > :10:35.between the National Trust The Lake District, loved
:10:36. > :10:47.and revered by millions. But the inspiring landscape
:10:48. > :10:54.conceals mounting fury. They are not believing
:10:55. > :10:57.in the people who have been I don't think the higher management
:10:58. > :11:07.have any interest in agriculture. The charity the National Trust owns
:11:08. > :11:15.about a fifth of this dramatic It's always been a challenge to make
:11:16. > :11:20.a living for the generations of But now those who work the land
:11:21. > :11:27.say their landlord is out of touch and is making their
:11:28. > :11:31.lives even harder. This is us - the landscape
:11:32. > :11:37.is our identity. We've committed ourselves
:11:38. > :11:39.as a family - three His landlord the National Trust has
:11:40. > :11:49.given him a 15 year farm tenancy You feel you need
:11:50. > :11:57.to speak out on this? In order for me to carry out
:11:58. > :12:06.what we have done for generations they need to give me a platform
:12:07. > :12:09.to do it, a secure platform, Isaac's concerns for his future
:12:10. > :12:13.are just one of the things As you know this is a particular
:12:14. > :12:20.landscape and to make any kind of committments to it,
:12:21. > :12:23.it's a hard living and not Surely they deserve a bit more
:12:24. > :12:27.commitment from you to them? I always see tenancies
:12:28. > :12:31.as a marriage between two people, an organisation represented
:12:32. > :12:33.by a person and the And it needs to make sure that
:12:34. > :12:39.marriage works so you have break clauses during that period to make
:12:40. > :12:43.sure it is working for them and it's The ones where it's
:12:44. > :12:51.working really well, where they are delivering
:12:52. > :12:53.on the tenancy that they have signed, and it is working for them
:12:54. > :12:56.financially and viably, The negative headlines
:12:57. > :13:08.for the National Trust began here - at Thorneythwaite Farm in Borrowdale
:13:09. > :13:10.near Keswick. Last summer the farmhouse
:13:11. > :13:13.and the land were up for sale. The Trust bid nearly
:13:14. > :13:16.?1 million just for the land - and that was ?200,000 over
:13:17. > :13:23.the asking price. And the price was going down
:13:24. > :13:25.at the time, anyway? Yes, the auctioneer was bringing
:13:26. > :13:28.the price down and this National Trust person just made
:13:29. > :13:33.an absurd bid of ?950,000. Peter lives next door
:13:34. > :13:40.to Thorneythwaite farm and thought he was in with a chance of buying
:13:41. > :13:43.both the farmhouse and the land. He's also a National Trust tenant
:13:44. > :13:47.and was left fuming. Six generations of Edmondsons
:13:48. > :13:52.here and we were going to continue to conserve the land
:13:53. > :13:54.at Thorneythwaite as a farm for one It's ruined now - it'll
:13:55. > :14:04.never be a farm again. Do you still stand by the decision
:14:05. > :14:10.to buy the land but not the farm? We stand by the decision
:14:11. > :14:12.to buy the land, yeah. We bought that land because we felt
:14:13. > :14:15.it was of international significance, along with the other
:14:16. > :14:18.land in Borrowdale, for the rich mosaic of farm farmland,
:14:19. > :14:21.woodland and the fell. Thorneythwaite -
:14:22. > :14:23.bit of a PR disaster. Yes, we regret we didn't manage
:14:24. > :14:31.the communications the best we could and we were taken
:14:32. > :14:34.by surprise by the scale of negative feelings towards purchase
:14:35. > :14:36.because we imagined that people would think it was a good thing
:14:37. > :14:40.that we were buying the land on behalf of the nation,
:14:41. > :14:41.securing it. You go this way and
:14:42. > :14:48.I'll go the other. Since the sale, Peter's locked
:14:49. > :14:54.horns with the Trust. Relations are at an all time
:14:55. > :14:56.low as he discovered the Director General
:14:57. > :14:58.of the trust came to the valley Why did they not come and ask
:14:59. > :15:07.for me to meet her there? Let's have it ironed out,
:15:08. > :15:09.let's smooth things over. She hadn't the guts
:15:10. > :15:12.to come and speak to me. We chose not to go and see
:15:13. > :15:14.Mr Edmondson because we felt the relationships were not in such
:15:15. > :15:17.a great place. But that was the time
:15:18. > :15:20.to make it up, wasn't it? Yes, we could have done that
:15:21. > :15:30.but we chose not to. It feels like, talking
:15:31. > :15:32.to the tenants, the Trust has lost its way over
:15:33. > :15:36.the last few years. There is a new Chief Executive,
:15:37. > :15:40.new strategies and it all feels very Viv represents many of
:15:41. > :15:45.the National Trust tenants and says her members believe farming
:15:46. > :15:51.is no longer a priority. They have come up with
:15:52. > :15:54.new strategies and conservation and biodiversity certainly seems
:15:55. > :15:56.to be, you know, what they They will talk about farming
:15:57. > :16:02.but it is lower down the list and as we look around here it's
:16:03. > :16:04.the farming systems that have delivered this landscape
:16:05. > :16:06.and are maintaining It's environment and farming,
:16:07. > :16:16.not environment or farming. We are not after
:16:17. > :16:23.significant change here. We are after an adaptation,
:16:24. > :16:26.place by place, and the joy of the Lake District is is that
:16:27. > :16:30.every valley, every one of the 13 You walk into Wasdale, it has a very
:16:31. > :16:36.different feel to Ennerdale, and so the plans we talked
:16:37. > :16:39.about earlier, the 10 year plans. We really do want to develop
:16:40. > :16:44.more than 10 year plans, long term plans shared
:16:45. > :16:46.with our tenants and the community, that set out the valley,
:16:47. > :16:49.what is special about that valley and how we want to work together,
:16:50. > :16:52.to develop it for the future. At the moment we don't have that
:16:53. > :16:55.shared vision and shared plan that would maybe overcome some
:16:56. > :16:57.of these problems that we've This farm in Great Langdale was one
:16:58. > :17:01.of the properties given to the National Trust by it's most
:17:02. > :17:04.famous benefactor - Beatrix Potter, I think she would be
:17:05. > :17:15.absolutely horrified at how much they have gone into tourism
:17:16. > :17:17.and everything else. Eric's devoted over
:17:18. > :17:19.30 years to farming. He says the Trust now
:17:20. > :17:21.has other priorities. I don't think the higher management
:17:22. > :17:23.have any interest in agriculture. What's the one thing you'd
:17:24. > :17:26.like the Trust to do? I would like to see them out
:17:27. > :17:30.on these farms and showing an active interest in what our problems
:17:31. > :17:32.are and what we need It's great coming on a nice sunny
:17:33. > :17:39.day but you know what it's like. We are hanging onto a post
:17:40. > :17:41.here because the wind Are you more interested
:17:42. > :17:49.in tourism than farming? No, we are not more
:17:50. > :17:52.interested in tourism. Tourism has a fundamental role
:17:53. > :17:56.to play here and a lot of the economy in the Lake District
:17:57. > :18:01.in particular comes from tourism. A lot of our farms have diversified
:18:02. > :18:04.over the years based on the back of the tourism industry,
:18:05. > :18:07.and the Trust as a whole, Glad to speak to you,
:18:08. > :18:13.of course, Mike. We would also have liked to have
:18:14. > :18:16.spoken to the Director General Can you give us any guarantee
:18:17. > :18:21.that we will be able to get an interview with your her
:18:22. > :18:23.here in Cumbria and get But that is a question for Helen
:18:24. > :18:28.herself to answer, not me. The day after we met Mike,
:18:29. > :18:36.his boss, Director General of the National Trust,
:18:37. > :18:38.Dame Helen Ghosh, came to Cumbria and told a conference of farmers
:18:39. > :18:41.and conservationists suggestions the Trust was losing its commitment
:18:42. > :18:43.to upland farming "could not be The past few months have been
:18:44. > :18:48.a bruising experience for both the National Trust and some
:18:49. > :18:51.of its hill farmers. If this landscape is to be more
:18:52. > :18:54.than just a beautiful backdrop then some sort of lasting peace needs
:18:55. > :18:57.to be brokered which will allow it to continue to be a vibrant
:18:58. > :19:18.environment for both Liveable artists -- Liverpool
:19:19. > :19:23.artists the Singh Twins have never been afraid to tackle difficult
:19:24. > :19:25.issues and their Indian heritage with their artwork, now they are
:19:26. > :19:29.embracing the latest digital technology to bring their art to
:19:30. > :19:36.life, as I've been finding out. There is more to the Singh
:19:37. > :19:39.twins than meets the eye. And the same can certainly be
:19:40. > :19:56.said for their artwork. It reflects who they are -
:19:57. > :19:58.proud Scousers who love But who are also in touch
:19:59. > :20:24.with their Indian heritage. They are currently working
:20:25. > :20:26.toward a major exhibition Their work is intricate
:20:27. > :20:36.and painstaking. There's a lot of pleasure that comes
:20:37. > :20:38.from creating something that is so technically
:20:39. > :20:42.skilled and decorative. You feel a sense of achievement so,
:20:43. > :20:45.although your neck and your back is aching and you feel you are never
:20:46. > :20:48.going to get through this I think the end result makes it
:20:49. > :20:53.worthwhile and that challenging yourself to progress and become
:20:54. > :20:55.better and better at They were awarded MBEs by the Queen
:20:56. > :21:01.for their artwork in 2011, and made Honorary Citizens
:21:02. > :21:06.of Liverpool two years earlier. But, amazingly, they didn't
:21:07. > :21:10.originally plan on becoming artists. We had no intention
:21:11. > :21:13.of becoming artists actually. We were thinking of going
:21:14. > :21:15.into academia and teaching Fate has a funny way of pushing
:21:16. > :21:22.you in the direction that you actually had no idea that
:21:23. > :21:29.you were going to end up taking. In 1980, aged just 13,
:21:30. > :21:32.they embarked on a journey to India that would change the course
:21:33. > :21:38.of their lives. My father and his uncle built this
:21:39. > :21:46.homemade motor-home. A Bedford van, which they cut
:21:47. > :21:53.the back off and they revamped it so it had living quarters
:21:54. > :21:56.and a kitchen and a shower and, quite spontaneously,
:21:57. > :21:58.we just jumped in this vehicle one day and trundled across to India
:21:59. > :22:01.through Europe and the Middle East, right the way through
:22:02. > :22:04.the Iran-Iraq War, I have to say, and then spent a month in Pakistan
:22:05. > :22:07.trying to get into India. And then eventually got
:22:08. > :22:09.across the border and travelled for eight months around
:22:10. > :22:15.India itself. Well, it started off as a one-man
:22:16. > :22:18.trip and so we told our school we were going away for a month
:22:19. > :22:22.and then a year later we came back. It really opened our eyes
:22:23. > :22:24.to the whole diversity of Indian culture, not just the arts,
:22:25. > :22:28.but the history as well and I think it was a real turning point
:22:29. > :22:31.in our lives and having an influence on, having a real pride
:22:32. > :22:36.in our Indian heritage. And it was during this first visit
:22:37. > :22:41.to India the twins fell in love with Indian Miniature,
:22:42. > :22:43.a traditional Indian art form that We were just bowled
:22:44. > :22:59.over by this style. But it was something
:23:00. > :23:01.that was so exquisite in the detail and the draughtsmanship
:23:02. > :23:03.and the vibrant colours So the works were literally
:23:04. > :23:06.illuminated, almost jewel-like. But the seed was planted and,
:23:07. > :23:09.when they went to university, the twins decided to pursue
:23:10. > :23:11.their interest in Indian Miniature Painting, something that
:23:12. > :23:13.would ultimately bring them into direct conflict
:23:14. > :23:19.with the university. The tutors felt that it was backward
:23:20. > :23:22.and outdated and really couldn't see any place for it within contemporary
:23:23. > :23:24.art for this particular style. So unfortunately we had
:23:25. > :23:27.a battle on our hands. And it took several years
:23:28. > :23:31.to confront the university and get the grade of our final degree
:23:32. > :23:33.upgraded and to get these And it eventually did
:23:34. > :23:39.happen after many years but there was an independent panel
:23:40. > :23:42.that was set up to look at our case The university had to increase
:23:43. > :23:47.the grade that they originally given but not to the extent
:23:48. > :23:51.that we had wanted. Do you ever look back and think,
:23:52. > :23:53."Wasn't that a ridiculous period Yes, it was actually a very
:23:54. > :24:00.depressing and upsetting time But I think it's also strengthened
:24:01. > :24:05.us as artists and given us a sense of purpose and meaning
:24:06. > :24:07.within the work that we do. The twins have never been scared
:24:08. > :24:10.to tackle controversial With the Iraq War for
:24:11. > :24:15.example it was something, a painting that we did,
:24:16. > :24:18.which was called Partners in Crime: Deception and Lies,
:24:19. > :24:20.which was about the whole debate That was an art work that actually
:24:21. > :24:26.happened a couple of years We've always learnt as artists that
:24:27. > :24:33.it's sometimes not always the best thing to jump in and be current
:24:34. > :24:36.because as these arguments It gives you more food for thought
:24:37. > :24:41.and a balanced view to then Similarly with another political
:24:42. > :24:50.painting called 1984, which actually depicts
:24:51. > :24:53.the Indian Government's storming attack on the Golden Temple in 1984,
:24:54. > :24:56.which is the centre of the Sikh Again, that painting didn't actually
:24:57. > :25:00.occur until at least... Yeah, 1999, the major piece
:25:01. > :25:05.that came out of that. Their latest work of art
:25:06. > :25:09.Indigo will form part of their next exhibition,
:25:10. > :25:11.examining the relationship between India's ancient blue dye
:25:12. > :25:14.and the history of global trade, The focus is a 17th century queen
:25:15. > :25:23.called Mumtaz Mahal. So she's dressed in a traditional
:25:24. > :25:26.17th century dress for the top half, but for the bottom half
:25:27. > :25:29.she is wearing a pair Most people think that blue jeans
:25:30. > :25:32.was invented by Levis, you know, But actually if you dig deep
:25:33. > :25:37.enough you will find these indigo dyed jeans,
:25:38. > :25:41.or denim fabric trousers, were worn by sailors way back
:25:42. > :25:45.in the 17th century in Indian ports, you know, in a place called Dungri
:25:46. > :25:49.in India where the people were producing this sturdy clothe
:25:50. > :25:51.and dying it blue. Which is where the word dungaree
:25:52. > :25:54.comes from, of course. Do you love bringing that knowledge
:25:55. > :25:56.to a wider audience? Because many of us, some people
:25:57. > :25:59.will, but many of us had no idea. Yeah, that hidden history
:26:00. > :26:03.is something that really fascinates us and you know we take so much
:26:04. > :26:07.for granted and there are so many surprises that pop up and you really
:26:08. > :26:10.delve into a particular subject that you think you know all about but
:26:11. > :26:14.actually you know very little about. In a ground-breaking venture,
:26:15. > :26:18.the twins have teamed up with a creative design technology
:26:19. > :26:21.company from Liverpool to literally bring their art work
:26:22. > :26:27.to life with an app. Well, Andy, here we have
:26:28. > :26:29.the artwork of Indigo, I can get that but what I don't
:26:30. > :26:33.understand is what you guys have done with the app
:26:34. > :26:39.to enhance this artwork. So you hold the iPad or iPhone up
:26:40. > :26:43.to the artwork and it comes to life. It literally comes
:26:44. > :26:46.to life, doesn't it? So you can hold it up to any aspect
:26:47. > :26:50.of the artwork and click on. You can click on this bit
:26:51. > :26:53.there and it brings out some information about that character
:26:54. > :26:55.in the artwork. So you've got a text
:26:56. > :26:57.box that explains all All the time it's moving
:26:58. > :27:01.and growing and developing. The flowers are blooming,
:27:02. > :27:02.the religious icons You've got serpents
:27:03. > :27:08.swimming in the sea. I mean, it really does enhance
:27:09. > :27:11.the work and this is sometimes the challenge between technology
:27:12. > :27:13.and art to make them We were really interested in how
:27:14. > :27:21.we could do something subtle and inspiring and continue the Twins
:27:22. > :27:23.artwork and do something that was The twins are planning to use
:27:24. > :27:31.augmented reality with as much of the artwork in the exhibition
:27:32. > :27:35.as they can. For us as artists to have our work
:27:36. > :27:37.interpreted this way The audiences are going
:27:38. > :27:44.to have a real fun time It's so much more enjoyable
:27:45. > :27:47.than reading reams of text The Singh twins have come a long way
:27:48. > :27:53.since that first trip to India. But, as they have always done
:27:54. > :27:56.in the past, they aren't afraid The ideal would be to have
:27:57. > :28:03.all of the works augmented I think this would be a real
:28:04. > :28:07.showcase for the exhibition. But to have all the works
:28:08. > :28:14.with the ability to be experienced in the same degree and magical
:28:15. > :28:16.experience would be fantastic. The possibilities are endless
:28:17. > :28:18.because once you have done one series of work you can apply that
:28:19. > :28:21.same technology to another series of work and it can just go
:28:22. > :28:29.on forever really. Honestly, it's amazing how that
:28:30. > :29:05.artwork comes to life. Inside Out is back next Monday. Goodbye.
:29:06. > :29:12.Hello, I'm Riz Lateef with your 90-second update.
:29:13. > :29:16.Protests in Downing Street tonight against Donald Trump's travel ban
:29:17. > :29:19.More than 1.4 million have now signed a petition calling