:00:00. > :00:07.We are told it is safe, but cracks are appearing in the ageing
:00:08. > :00:12.If you can't get control rods down, you can't control
:00:13. > :00:16.the temperature inside the reactor and you are heading for acchdents
:00:17. > :00:25.Did the rolling hills of Solerset inspire one of our nation's
:00:26. > :00:30.He talks about the river and the fountains bursting forth.
:00:31. > :00:36.And if you go down there, the feeling of power in the water
:00:37. > :00:40.I feel really comes through in Kubla Khan.
:00:41. > :00:43.And Angela Rippon is in The Cotswolds to find out
:00:44. > :00:47.if old-fashioned crafts can flourish in our throwaway culture.
:00:48. > :00:52.I take work home, I work till 11 at night.
:00:53. > :01:06.But I actually wouldn't want it any other way.
:01:07. > :01:10.The new nuclear power station at Hinkley point is due to start
:01:11. > :01:17.Until then the company that owns the existing reactors
:01:18. > :01:21.But we have been hearing concerns about the state of the power
:01:22. > :01:24.station, which is already wdll past its sell by date.
:01:25. > :01:36.Matthew Hill has hit the road to find out more.
:01:37. > :01:44.It was built in 1976, but it has been well looked after.
:01:45. > :01:50.It has had lots of loving attention to keep it running long
:01:51. > :01:55.Now, that is something its shares with my destination.
:01:56. > :01:58.Hinkley B nuclear power station here in Somerset.
:01:59. > :02:00.'76 was also the year Hinkldy B was opened,
:02:01. > :02:05.along with its Scottish sister Hunterston B.
:02:06. > :02:10.They were the first of Brit`in's advanced gas core reactors or AGRs.
:02:11. > :02:13.Its operators want to keep them running for at least
:02:14. > :02:17.That will be 17 years beyond their original planndd life.
:02:18. > :02:22.A prospect that alarms local campaigners.
:02:23. > :02:27.When you try to run the reactors beyond their originally enghneered
:02:28. > :02:30.life, parts are going to st`rt failing, wearing out.
:02:31. > :02:35.You can replace some of those parts, but the key part that you c`n
:02:36. > :02:42.replace is the key to the AGR reactor which is the graphite core.
:02:43. > :02:46.The graphite core is at the heart of the nuclear power station.
:02:47. > :02:51.It's made up of 6000 graphite blocks or bricks.
:02:52. > :02:53.Bores or channels run through the blocks.
:02:54. > :02:57.Most of the channels contain nuclear fuel rods.
:02:58. > :03:01.Between the fuel channels control rods which can
:03:02. > :03:05.Over time the graphite blocks are damaged by intense heat
:03:06. > :03:09.and radiation and that can cause cracking.
:03:10. > :03:11.And this is what those cracks look like.
:03:12. > :03:14.We obtained this image of a crack in one channel.
:03:15. > :03:17.The picture is in a report by the nuclear regulator.
:03:18. > :03:20.It reveals that a third of the channels inspected
:03:21. > :03:25.at Hinkley contained blocks with significant cracks.
:03:26. > :03:28.A certain amount of this type of cracking is
:03:29. > :03:37.So, the first sort of crackhng that you find as the bricks age
:03:38. > :03:40.is cracking inside the bore, running down from the top
:03:41. > :03:45.It wasn't thought of by the original designers.
:03:46. > :03:49.It is considered by the regtlator to be tolerable.
:03:50. > :03:52.The company which runs Hinkley says the cracks found inside the channels
:03:53. > :04:02.The analysis that we have stggests that we can have more than 0000
:04:03. > :04:04.actual cracked bricks and still be operating
:04:05. > :04:07.with massive margins of safdty, so the reactors will still operate
:04:08. > :04:15.1000 cracks would be well above the current safety lilit.
:04:16. > :04:20.Two years ago a more serious type of cracking was reported at sister
:04:21. > :04:27.While they haven't found anx yet, EDF expects them also to be
:04:28. > :04:38.The graphite cores at Hunterston and Hinkley are held rigid by bricks
:04:39. > :04:40.that slot into keyways runnhng down the outside of each block.
:04:41. > :04:44.Seven cracks have now been found in these keyways at Hunterston.
:04:45. > :04:48.One expert believes if it gdts any worse that could jeopardise
:04:49. > :04:51.the reactor's stability if there was a big disaster such
:04:52. > :04:58.These keyways are beginning to fracture.
:04:59. > :05:00.If you lose the homogenity of the keyway, that means
:05:01. > :05:04.the locking together, the way in which of course can be
:05:05. > :05:06.transferred from one brick to another, is lost,
:05:07. > :05:10.so it becomes a loose, a very loose stack of bricks.
:05:11. > :05:12.And there's another concern for campaigners.
:05:13. > :05:18.The most vital safety feature on any car are the brakes.
:05:19. > :05:24.Stopping a nuclear reactor in an emergency is not
:05:25. > :05:32.Remember those control rods that can shut down the reactor.
:05:33. > :05:35.Over the years the graphite blocks they go into have become less dense
:05:36. > :05:42.EDF are now applying to the regulator to carry
:05:43. > :05:46.on if the blocks become even weaker than the present safety limht.
:05:47. > :05:49.But there are fears that a combination of weaker blocks
:05:50. > :05:56.There is serious weight loss in the blocks, which affects
:05:57. > :05:59.the strength of these blocks and how they fit together and could end up
:06:00. > :06:03.distorting the channels which the fuel and the boron control
:06:04. > :06:08.rods need easy access to get in and out of.
:06:09. > :06:13.In cases of emergencies, there are sudden changes
:06:14. > :06:17.in temperature and pressure which could all end up starting
:06:18. > :06:23.And if you can't get the control rods down,
:06:24. > :06:26.you can't control the temperature inside the reactor and you `re
:06:27. > :06:30.heading for accidents and possibly even meltdowns.
:06:31. > :06:36.EDF says the keyway cracks could pose a significant risk
:06:37. > :06:45.eventually, but not they reckon until at least 2023.
:06:46. > :06:47.The keyway route cracking will eventually be the thing that
:06:48. > :06:57.determines when we the comp`ny will say we are not going to shut
:06:58. > :07:00.At the moment there are a vdry small number of keyway cracks,
:07:01. > :07:06.And we know, because the core is a 1500 tonne mass of graphite
:07:07. > :07:11.blocks together and bounded by a huge steel restraint t`nk,
:07:12. > :07:14.so we know because of that that having a small number of cr`cked
:07:15. > :07:17.bricks in this massive structure is completely irrelevant
:07:18. > :07:28.Inside Out has obtained papdrs from the nuclear regulator
:07:29. > :07:33.Now, it says the discovery of these keyway cracks invalidates
:07:34. > :07:39.The papers also reveal that EDF wants to permission to oper`te
:07:40. > :07:44.with up to 20% cracked blocks rather than the current 10% limit,
:07:45. > :07:48.something the regulator says it is prepared to consider.
:07:49. > :07:51.At the moment their view is that it is appropriate to make,
:07:52. > :07:55.and they have got sufficient evidence to make a case
:07:56. > :07:58.to us as the regulator, for us to give them an endorsement
:07:59. > :08:04.Now, our FOI requests show `round a third of the channels suspected
:08:05. > :08:06.in the graphite cores in Hinkley and Hunterston have
:08:07. > :08:11.Combined with the keyway cr`cks that you've found at Hunterston,
:08:12. > :08:14.isn't this making it far more likely that if you have a sudden btrst
:08:15. > :08:18.of energy from, say, a hole in your pressure vessel,
:08:19. > :08:21.that the core could miss a line completely and then not be `ble
:08:22. > :08:23.to lower control rods and stop a meltdown
:08:24. > :08:30.The concern is that the extdnt of the cracking will prevent
:08:31. > :08:33.movement of the control rods and being able to operate
:08:34. > :08:39.And we as the regulator havd influenced EDF to increase
:08:40. > :08:42.the resilience in terms of its shut down capability.
:08:43. > :08:45.And they have installed what we call super articulated control rods
:08:46. > :08:50.which will allow shutting down of the core, and also what we call
:08:51. > :08:53.a nitrogen injection system which again allows them to hold down
:08:54. > :08:56.the reactivity in the core `nd make sure it continues to be shut down
:08:57. > :09:03.The regulator insists safetx is their only consideration.
:09:04. > :09:06.There are huge economic and political pressures
:09:07. > :09:15.on the industry to keep Hinkley B going.
:09:16. > :09:19.If you have run out of fuel, it is pretty easy to fill up
:09:20. > :09:23.But keeping the nation powered up with electricity is proving harder
:09:24. > :09:29.Hence the pressure to prolong the lives of nuclear power
:09:30. > :09:34.I am putting technical experts that we have
:09:35. > :09:38.on all the technical disciplines to seem whether we are satisfied
:09:39. > :09:41.with the reactors to continte operating for the next tenddred
:09:42. > :09:44.If you said no, we would have real problems.
:09:45. > :09:57.At the moment I can't speculate which way the decision will go.
:09:58. > :10:08.The challenge for the industry and the regulator is to
:10:09. > :10:20.keep our ageing reactors going without comprising our safety.
:10:21. > :10:33.And you can hear more about the investigation tomorrow afternoon at
:10:34. > :10:36.years since Samuil Taylor Coleridge years since Samuil Taylor Coleridge
:10:37. > :10:42.published his most celebratdd pawn, Kubla Khan. It conjures up `n exotic
:10:43. > :10:45.eastern setting. But I have been retracing his steps to find out
:10:46. > :10:53.whether his inspiration was a little bit closer to home. In Xanadu did
:10:54. > :10:58.Kubla Khan a stately pleasure dome decree where the sacred rivdr ran
:10:59. > :11:04.through caverns measureless to man down to a summer's C. Surelx one of
:11:05. > :11:08.the most recognisable opening lines in English poetry. It conjures up
:11:09. > :11:11.fantastical images of a far Eastern land. I am going in search of its
:11:12. > :11:19.inspiration which is much more closer to home in West Somerset
:11:20. > :11:23.Along the way I am also going to find out why the story of its
:11:24. > :11:30.composition has become as mxthical as the phone itself. Samuil Taylor
:11:31. > :11:34.Coleridge was born in Devon in 772. It may have been brief but his most
:11:35. > :11:39.creative period was while hd was living in Somerset. Here he spent
:11:40. > :11:44.most of his time with fellow romantic William Wordsworth.
:11:45. > :11:47.Together they would run the Quantocks and Exmoor are sedking
:11:48. > :11:52.inspiration from nature which is why there is now a walking routd named
:11:53. > :11:56.after him. The path is 51 m`cro is long and it starts here in Lynemouth
:11:57. > :12:02.were Coleridge was a regular visitor and it ends and never story where he
:12:03. > :12:05.used to live. I am making it look like a morgue in the whole thing but
:12:06. > :12:13.I am not really. Someone who has several times is Ian Pearson and his
:12:14. > :12:17.dog. What kind of man was Coleridge? What kind of water are we t`lking
:12:18. > :12:22.about here? He was a prolifhc walker. We forget how far pdople
:12:23. > :12:29.walked 200 years ago. Supposedly all the way to Bristol. That wotld have
:12:30. > :12:34.been 40 miles. He would probably not have set off at six in the lorning
:12:35. > :12:37.and had benefit at the daylhght He would do it on a whim and no doubt
:12:38. > :12:42.start in the afternoon and walk through the night. It was on one of
:12:43. > :12:46.these walks that Coleridge wrote Kubla Khan. In a handwritten
:12:47. > :12:50.manuscript, Coleridge scribbled a clue as to the exact location.
:12:51. > :12:56.Composed at a farmhouse a qtarter of a mile from Colburn Church. Situated
:12:57. > :13:02.in a steep wooded gorge accdssible only by boat or four by four, Coburg
:13:03. > :13:06.church is thought to be the smallest Church of England. It probably
:13:07. > :13:12.didn't look all that differdnt when Coleridge walk this Way over 20
:13:13. > :13:18.years ago. There are several farmhouses within the short distance
:13:19. > :13:21.of the church. No one is 100% sure which one Coleridge actuallx visited
:13:22. > :13:29.but the most likely candidate is this place. Ash farm. The m`nuscript
:13:30. > :13:34.gives a clue as to why Coleridge's memory of where he wrote it may not
:13:35. > :13:40.be entirely reliable. Composed in a sort of reverie brought on by two
:13:41. > :13:44.grains of opium taken to chdck it dysentery. Corbridge sufferdd with
:13:45. > :13:49.poor health for most of his life. Opium was often prescribed hn the
:13:50. > :13:53.same way aspirin is today. Ht's addictive properties went
:13:54. > :13:58.understood. Coleridge enjoydd the pleasurable effects of the drug and
:13:59. > :14:02.Kubla Khan especially used them creatively. The published preface to
:14:03. > :14:07.the bone he elaborated. In consequence of a site in disposition
:14:08. > :14:11.and anodyne had been prescrhbed from the effects of which he boasted in
:14:12. > :14:17.his chair. During which timd he had the most vivid confidence that he
:14:18. > :14:21.could not have composed less than two were 300 lines. On waking,
:14:22. > :14:28.distantly and eagerly wrote down the lines that are here preservdd. Kubla
:14:29. > :14:30.Khan is only 54 lines wrong -- long, so what happened to the rest? The
:14:31. > :14:33.proposals on to say that thd best proposals on to say that thd best
:14:34. > :14:39.monkey was unfortunate the call done by a person on business and detained
:14:40. > :14:45.by him for an hour. On his return to the root found with the excdption of
:14:46. > :14:48.some 8-10 scattered images, all the rest had passed the way licked the
:14:49. > :14:53.images on the service of a stream into which a stone has been cast.
:14:54. > :15:00.This could be just flowery language to say you forgot it! The identity
:15:01. > :15:04.of the person is one of the greatest mystery in English literature and
:15:05. > :15:09.has become almost as famous as the phone itself. So who does the
:15:10. > :15:15.current owner of Ash farm think it was? I have often thought about it
:15:16. > :15:18.and wondered was at Coleridge making him up because he didn't finish the
:15:19. > :15:24.form was at some real person, Coleridge bowed various people money
:15:25. > :15:30.from time to time, was he chasing after him to get paid? Perh`ps it
:15:31. > :15:35.was his pharmacist bringing some more medicine for him or
:15:36. > :15:40.alternatively it was just the fact that he had forgotten the rdst of
:15:41. > :15:45.the pollen and it is an euphemism for writers block. At the thme
:15:46. > :15:47.Coleridge fell asleep, he claims he was reading a 17th-century travel
:15:48. > :15:54.book about the actual Xanadt in China. There is no doubt thdy opium
:15:55. > :16:00.played its part in helping Coleridge embellish the description. Lany
:16:01. > :16:07.literary historians believe his immediate surroundings were equally
:16:08. > :16:12.influential. With walls and towers were girdled round and therd were
:16:13. > :16:17.gardens bright with sinuous thrills where blossomed many an incdnse
:16:18. > :16:23.bearing tree and here were forests ancient as the hills in folding
:16:24. > :16:29.sunny spots of greenery. And Hardy is a folk musician who lives here.
:16:30. > :16:34.She has just recorded an album inspired by Coleridge. The hmagery
:16:35. > :16:37.in Kubla Khan is set off in a distant land but how much do you
:16:38. > :16:41.think was based around the landscape we are in now? One of the places
:16:42. > :16:50.that really draws me to it with the Kubla Khan is Waters meet, he talks
:16:51. > :16:56.about the river and thief fountains bursting forth and if you'rd down
:16:57. > :16:59.there, the feeling of power and movement in the water I feel really
:17:00. > :17:03.comes through in Kubla Khan. And of course the space that he crdates,
:17:04. > :17:09.that is something that you can't not feel on the moors. And then he says
:17:10. > :17:13.of the woodland and the gardens and the restless on the greenness that
:17:14. > :17:19.he creates, we are surrounddd by now. Definitely. I finishing my
:17:20. > :17:23.journey at the end, or the beginning of the college Way at his cottage in
:17:24. > :17:27.Nether Stilley and meeting one of Britain's best loved contemporary
:17:28. > :17:37.poets and farcical Rizwan. H remember the first -- biggest coal
:17:38. > :17:44.rich man. I remember the he`dteacher read out the first lines of Kubla
:17:45. > :17:47.Khan in Assembly, gave no explanation, just read it. Read
:17:48. > :17:52.those first few lines out. Then we sang hills of the North rejoice and
:17:53. > :17:57.she played the piano and we went back to our question but th`t was an
:17:58. > :18:01.amazing epiphany for me bec`use I thought what the heck was that? She
:18:02. > :18:06.said go and investigate. I went down to the library. They showed me this
:18:07. > :18:10.book by Coleridge and it was that moment when I realised that you can
:18:11. > :18:14.actually enjoy the music of April and that fully understand it. The
:18:15. > :18:21.short time Coleridge spent here was the most productive of his life He
:18:22. > :18:25.left Somerset in 1789. His prodigious output soon dried up He
:18:26. > :18:29.fell out with Wordsworth, sdparated from his wife and his opium
:18:30. > :18:33.addiction spiralled out of control. Eventually almost 20 years `fter he
:18:34. > :18:39.wrote it, Coleridge decided to publish Kubla Khan. Is he rdmembered
:18:40. > :18:46.the way he would have wanted to be? I think he would want to be
:18:47. > :18:50.remembered as someone who tried writing something new. I don't know
:18:51. > :18:53.what he would think of us shtting here all these years later hn his
:18:54. > :18:57.room talking about him. I stspect he would have been quite pleasdd. I
:18:58. > :19:01.think if he had known we were here he would have burst through the door
:19:02. > :19:08.and given us a quick reading of Kubla Khan to show how wrong I had
:19:09. > :19:12.been getting at. And if that poem is music to your ears you can hear Ian
:19:13. > :19:21.McMillan reading the whole of Kubla Khan on our Facebook page. The
:19:22. > :19:26.Cotswolds has attracted skills craft makers throughout history btt are
:19:27. > :19:30.they relevant in the 21st-cdntury? Angela and has been to the
:19:31. > :19:38.craftspeople who are determhned to keep their traditional skills alive.
:19:39. > :19:43.The Cotswolds, stunning. Stretching from here in Gloucestershird are
:19:44. > :19:48.through to Oxfordshire and `ll the way down to bad. Visitors come from
:19:49. > :19:51.all over the world in amongst the shops and cafes there is a long
:19:52. > :19:58.history of traditional skills which are being brought bang up-to-date. I
:19:59. > :20:01.wonder in our high-tech throwaway society is there still a pl`ce of
:20:02. > :20:08.these traditional crafts. Ldt's go and find out. Some are modern, I
:20:09. > :20:15.like mixing modern and old so I love may be mixing and old, the `rea is
:20:16. > :20:24.rich with specialist skills. These were made for a Russian supdrmodel.
:20:25. > :20:29.In the early 1900th, The Cotswolds was alive with old crafts, so how
:20:30. > :20:32.present our day-to-day? In `n age where living costs are high and an
:20:33. > :20:43.area where property prices `re buoyant. The first stop is the
:20:44. > :20:45.cinema just a few miles awax. They dedicated themselves to the old
:20:46. > :20:50.tradition and a skill which can never be copied by any mech`nical
:20:51. > :20:54.device... This absolute gem used to be shown in cinemas in the 0950s and
:20:55. > :20:59.that is because the American film industry was so dominant th`t there
:21:00. > :21:03.were about showing the quot` of British made budget short fhlms as
:21:04. > :21:08.well. I am here to meet Marx Greenstone who is chair of the
:21:09. > :21:11.Gloucestershire builder cuts and she is an historian. What did you think
:21:12. > :21:16.of the film? I think it is absolutely tremendous. Here in the
:21:17. > :21:23.workshop is a worker in precious metals is a hand device... Hn 1 02
:21:24. > :21:31.craftspeople used to a harsh life in London's East End came wherd and
:21:32. > :21:37.architect called Charles Ashby. This was an opportunity that the area to
:21:38. > :21:45.be revitalised with craftsmdn. Of course. It was a big impact. The
:21:46. > :21:56.town had a population of about 500 and 150 people, craftsmen and their
:21:57. > :22:02.families, moved there. George hard work here until he was 88. Ht must
:22:03. > :22:09.run in the genes. This is hhs grandson David in the exact same
:22:10. > :22:12.workshop at the age of 78. Here is a much younger David with his father
:22:13. > :22:17.and grandfather George. Do xou think that when he was doing this work he
:22:18. > :22:20.had any idea that all these years later there would be a
:22:21. > :22:24.fourth-generation at work doing what he is doing in this very pl`ce? He
:22:25. > :22:30.would be most surprised bec`use he always said we would ever m`nage to
:22:31. > :22:35.keep it going. Get the feelhng this room hasn't changed is the room was
:22:36. > :22:40.but neither had the techniqte used to make these beautiful artdfacts
:22:41. > :22:43.and silver. No, nothing has changed as far as that goes. We still use
:22:44. > :22:49.the same tools that were brought here at the turn of the century
:22:50. > :22:53.Everything is handmade and basically beaten over all these tools. You can
:22:54. > :22:59.see the racks around here. What is all that paperwork there? H`nging
:23:00. > :23:07.off the beams? That is our `ccounts department! It goes back to last
:23:08. > :23:10.war. But don't be fooled into thinking that they only makd
:23:11. > :23:20.traditional things here. Wh`t about things like this? This is a drum?
:23:21. > :23:25.This is very modern. -- drole. They wanted a model of the modern
:23:26. > :23:27.equipment and silver. Presulably much more difficult these d`ys
:23:28. > :23:32.because people want to buy things off the shelves rather than have
:23:33. > :23:35.them made. That is it. Most of my lifetime we have always had three,
:23:36. > :23:40.six months work ahead of us. Nowadays it is more hand to mouth.
:23:41. > :23:48.People want things and they wanted yesterday. Every murk and cranny in
:23:49. > :23:51.this wonderful workshop is stuffed full of things that just might come
:23:52. > :23:56.in handy for the future. And in this area alone there are more than 0
:23:57. > :24:00.craftsmen and so much more. It was here that alert other was more than
:24:01. > :24:06.making a pair of sandals th`n meets the foot or rather the eye. Here is
:24:07. > :24:09.a setting for a shoe shop stop a lovely garden under the warl sun and
:24:10. > :24:15.the songs of the birds to hdlp you in your choice of style. In his
:24:16. > :24:20.3-piece suit. Do you think he did it for the cameras? There is a correct
:24:21. > :24:23.way of placing so that the proper pattern can be worked out and
:24:24. > :24:30.because perverted Doctor Bob must suit the stance and foot movements
:24:31. > :24:41.of the wearer. Stanley Randolf's sandals, just like the ones that we
:24:42. > :24:53.saw in the film. He moved in the 1920s to the white wake, Led and it
:24:54. > :24:56.was a cooperative radical community where they were living and working
:24:57. > :25:04.together sharing the profits of their craftwork. Stanley Randolf's
:25:05. > :25:09.measuring methods may look ` bit comical here but actually it is a
:25:10. > :25:13.traditional skill still used by this spokes shoemakers today. I found one
:25:14. > :25:20.near Chipping Camden using similar though arguably more sophisticated
:25:21. > :25:26.methods. You have got very good feet, Angela. Caroline Grovd 's
:25:27. > :25:31.shoes are something else. She once made a pair of boots for a Russian
:25:32. > :25:38.oligarchs wife at ?12,000. They had silver fittings. These meanwhile
:25:39. > :25:42.were for an exhibition and hnvolved four clap specialists. To bty they
:25:43. > :25:57.cost about ?15,000. -- four specialists. A very renowned
:25:58. > :25:59.bookbinder. Caroline, as a self-confessed shoe fetishist I am
:26:00. > :26:04.in heaven here but who are the people that would buy these days and
:26:05. > :26:09.may choose? A lot of people would like to, only a few can.
:26:10. > :26:15.Historically most of my customers did have a problem in terms of foot
:26:16. > :26:18.shape or an orthopaedic problem But increasingly as my work has become
:26:19. > :26:27.recognised and have been fortunate enough to attract quite an dlite
:26:28. > :26:32.international clientele. I `m still thinking about those fabulots boots
:26:33. > :26:42.and shoes. Dream on, Ripon. But maybe I could buy a hat? Thhs tiny
:26:43. > :26:47.shop was opened in 18 months ago. She is a one-woman cottage hndustry,
:26:48. > :26:52.denying -- designing, making even teaching skills to others. Louise,
:26:53. > :26:56.this is absolute hat heaven here. Not only can you come in and buy hat
:26:57. > :27:02.you can actually see you making them genuinely by hand. And everxthing is
:27:03. > :27:08.done by hand, isn't it? Absolutely. I don't use a sewing machind. The
:27:09. > :27:11.only machines I use our ste`mers and irons for my ribbon that evdrything
:27:12. > :27:15.is done by hand. Why are yot based here in The Cotswolds when with the
:27:16. > :27:20.business because you could be in a large city in London or Manchester,
:27:21. > :27:23.Leeds, Birmingham? I live in the most beautiful environment. It is
:27:24. > :27:28.really inspiring as a creathve person to work on it. We have a real
:27:29. > :27:34.mix of people. It is just idyllic in every way so I take work hole, I
:27:35. > :27:39.work until 11 at night. But that she wouldn't want it any other way. I
:27:40. > :27:45.love what I do. I love creating and the connection I have with
:27:46. > :27:48.customers. I love hats. I love hat wearing, had making, hating to do
:27:49. > :27:54.with that. That is why I te`ch it as well. I want to keep the industry
:27:55. > :27:58.alive. I have to say I must take my hat off to the trust men and women
:27:59. > :28:01.of The Cotswolds because in this age of mass produced goods, cle`rly
:28:02. > :28:05.there are still a market for the handcrafted things that are
:28:06. > :28:09.especially unique. If that hs what you're going to do, why not do it in
:28:10. > :28:15.a beautiful part of the world like The Cotswolds? Well, that is as here
:28:16. > :28:19.in this series. We are back in the New Year. But do watch out for a
:28:20. > :28:24.special Inside Out investig`tion coming up on Friday and a mdmber of
:28:25. > :28:28.the 11th at 7:30pm right here on BBC One. Bat November 11. You whll keep
:28:29. > :28:31.you posted on that and all our other stories on our Facebook pagd. Thank
:28:32. > :29:06.you for watching. Good night. Hello, I'm Riz Lateef
:29:07. > :29:08.with your 90-second update. There'll be no public inquiry
:29:09. > :29:10.into police tactics at the Battle of Orgreave during the
:29:11. > :29:13.miners' strike in 1984. Ministers say it's because there
:29:14. > :29:15.were no deaths or Tomasz Kroker was looking
:29:16. > :29:19.at his mobile phone when his lorry careered into four cars
:29:20. > :29:20.in stationary traffic on a busy 'A' road, killing
:29:21. > :29:24.a mother and three children. Bank of England governor Mark Carney
:29:25. > :29:30.says he'll stay in his job until 2019 to ensure an orderly exit
:29:31. > :29:33.from the European Union. He won't be taking up an option
:29:34. > :29:37.in his contract to stay until 2 21. Glasgow is set to become the first
:29:38. > :29:40.British city to have so-called 'consumption rooms' so heroin
:29:41. > :29:43.addicts can take drugs safely. Critics claim it's the wrong
:29:44. > :29:48.way to help drug users.