0:00:05 > 0:00:08Longleat House is one of the finest examples of Elizabethan architecture
0:00:08 > 0:00:14anywhere in the country, filled with unimaginable treasures and exquisite beauty.
0:00:14 > 0:00:18But the house is on red alert and one area has had to be closed off,
0:00:18 > 0:00:22because one of the irreplaceable great ceilings is in danger of collapsing.
0:00:22 > 0:00:26We'll be bringing you the full story on today's Animal Park.
0:00:48 > 0:00:51Today, on Animal Park...
0:00:51 > 0:00:58This man is a legend of African conservation and used to play with big cats like they were big softies.
0:00:58 > 0:01:04But what will he make of Longleat's pride and what will they make of him?
0:01:04 > 0:01:09And it's a very big day for the keepers in Pets Corner,
0:01:09 > 0:01:12as one of the most at-risk creatures they've ever had arrives.
0:01:12 > 0:01:14But what's in the box?
0:01:14 > 0:01:17Also coming up, we'll be heading into the great house to find out
0:01:17 > 0:01:23exactly why some of the breathtaking rooms have been shut to the public.
0:01:31 > 0:01:34Out in the safari park, it's been a bit of a rough year
0:01:34 > 0:01:39for the keepers who look after the animals down by Half Mile Lake.
0:01:39 > 0:01:41It's now been a while since their treasured
0:01:41 > 0:01:49female gorilla, Samba, died and the mourning period has been very difficult for all the staff.
0:01:49 > 0:01:52But particularly head of section, Mark Tye.
0:01:54 > 0:01:58They were definitely in need of some good news and it may have finally arrived
0:01:58 > 0:02:02courtesy of these pink-backed pelicans.
0:02:02 > 0:02:06Ben has gone to get the latest.
0:02:06 > 0:02:09- Hi, Mark.- Hello, Ben. - So what's the news?
0:02:09 > 0:02:11The news is, Ben, brilliant.
0:02:11 > 0:02:16We have now five pelican eggs, pink-backed pelican eggs, in the incubators. Brilliant.
0:02:16 > 0:02:19Look at the smile on your face. That says it all.
0:02:19 > 0:02:27I'm really pleased because we had no success last year and the last time we had any was the year previous
0:02:27 > 0:02:30and we did successfully rear three chicks out of that batch.
0:02:30 > 0:02:36We've learned an awful lot with different things we've tried, so we're really hopeful that these
0:02:36 > 0:02:39little babies are going to do something for us this year.
0:02:39 > 0:02:41I really haven't seen you looking so excited for a long time.
0:02:41 > 0:02:45First of all, why are they in incubators here?
0:02:45 > 0:02:49Mainly because the parents aren't very good at looking after them themselves.
0:02:49 > 0:02:54We've left them with eggs in the past and they've fought over them,
0:02:54 > 0:02:57kicked them off the nest, stood on them, broken them,
0:02:57 > 0:03:00and because they're such a sort of valuable commodity
0:03:00 > 0:03:06to us we take them away and do them ourselves because it's a lot safer.
0:03:06 > 0:03:11Basically an incubator keeps it at the right temperature, moves them around slightly?
0:03:11 > 0:03:16Yeah, it keeps them at the correct temperature, the humidity level,
0:03:16 > 0:03:22and they get turned automatically, so it's pretty much put them in and forget about them.
0:03:22 > 0:03:24Are you monitoring them? Are you keeping an eye on them?
0:03:24 > 0:03:26Yeah, we do a lot of monitoring.
0:03:26 > 0:03:31We weigh them every day and also we measure the vein growth,
0:03:31 > 0:03:34which is the external blood supply spreading
0:03:34 > 0:03:40around the inside of the shell, and we take all these so that we know we're doing everything correctly
0:03:40 > 0:03:44and I've got lots of graphs from good and bad eggs, so I know when we're going right.
0:03:44 > 0:03:49OK. So how on earth can you look at the veins within the egg?
0:03:49 > 0:03:54Well, the easiest way is we candle them with this candling lamp and we hold the egg in front of the light.
0:03:54 > 0:03:58It shines a light into the egg and you can look in.
0:03:58 > 0:04:00- Can we look at that now? - I have to turn the light off.
0:04:00 > 0:04:03Can I have a quick look at the egg as well. Can I see that?
0:04:03 > 0:04:06I won't touch it because I don't want to break it.
0:04:06 > 0:04:10It's almost like a goose-egg size, I actually thought it might be a bit larger.
0:04:10 > 0:04:13Yeah, it's slightly smaller than a goose egg, really.
0:04:13 > 0:04:16Very chalky shell.
0:04:16 > 0:04:20- The first thing you look at is what the shell looks like.- Yeah.
0:04:20 > 0:04:25From my experience that's a really nice-quality eggshell, you know.
0:04:25 > 0:04:28That one there, not so good.
0:04:28 > 0:04:35- A bit calcified, a bit lumpy, but this is a nice-quality egg. - OK, so I turn the light off, do I?
0:04:35 > 0:04:40OK, there we go, bit dark, and you're going to hold that up to the lamp and what are you looking for?
0:04:40 > 0:04:43I'm looking for these veins here.
0:04:43 > 0:04:46- I can see them. There are the red veins.- Yeah, quite thick.
0:04:46 > 0:04:51If you see this big shadow here, you might be able to see it move.
0:04:51 > 0:04:52There, pretty good.
0:04:52 > 0:04:54You see it moving?
0:04:54 > 0:04:58That is the embryo, developing embryo, inside the egg.
0:04:58 > 0:05:02Isn't that incredible! What's that at the top of the egg?
0:05:02 > 0:05:04- I can see a much lighter area. - Uh-huh.
0:05:04 > 0:05:06That is the air cell.
0:05:06 > 0:05:09When you first get the egg, it's a tiny little bubble at the end.
0:05:09 > 0:05:13But as the egg progresses through the incubation period,
0:05:13 > 0:05:15the air cell gets larger.
0:05:15 > 0:05:17And just before the chick is due to hatch,
0:05:17 > 0:05:22it breaks through into the air cell and breathes with its own lungs.
0:05:22 > 0:05:27And then a day after it's done that, it breaks a hole through the shell
0:05:27 > 0:05:29to get more oxygen in so it can breathe.
0:05:29 > 0:05:33And then it chips all the way round, and hopefully pops out.
0:05:33 > 0:05:35Wow! Shall I turn the light back on?
0:05:35 > 0:05:39So basically, how much longer do you estimate
0:05:39 > 0:05:42that egg will take before, potentially, it hatches?
0:05:42 > 0:05:45Well, he's on day 15 at the moment,
0:05:45 > 0:05:48so he's got about another 13 days to go.
0:05:48 > 0:05:49Right, so 28 days in total?
0:05:49 > 0:05:51Between 28 and 30 days normally.
0:05:51 > 0:05:53Well Mark, listen, best of luck.
0:05:53 > 0:05:55And we will have our fingers crossed
0:05:55 > 0:05:58that this year we'll see some new pelicans here at Longleat.
0:06:10 > 0:06:13Longleat House is one of the very finest examples
0:06:13 > 0:06:18of Elizabethan architecture to be found anywhere in the country.
0:06:18 > 0:06:21The original building work was completed around 1580.
0:06:21 > 0:06:25But since then, the house has continued to evolve
0:06:25 > 0:06:29through a whole series of alterations and renovations.
0:06:29 > 0:06:34For example, the grand staircase was added a mere two centuries ago.
0:06:34 > 0:06:38But the most spectacular changes were done in the 1870s,
0:06:38 > 0:06:42when the great Victorian designer, JD Crace,
0:06:42 > 0:06:45put in seven magnificent ceilings.
0:06:45 > 0:06:50Inspired by the interiors of Italy's most sumptuous Renaissance palaces,
0:06:50 > 0:06:54these ceilings are widely regarded as Crace's masterpieces.
0:06:57 > 0:07:00But now, one of them is in grave peril.
0:07:00 > 0:07:05Something has been spotted that shows a real danger of collapse.
0:07:05 > 0:07:10House steward Steve Blyth faces an emergency in the lower dining room.
0:07:10 > 0:07:13Last Thursday was my day off.
0:07:13 > 0:07:16Late in the day, probably about half four, five o'clock,
0:07:16 > 0:07:20I got a phone call at home from Ken to tell me
0:07:20 > 0:07:24we'd had a major problem in the house, failure with the ceiling.
0:07:24 > 0:07:30One of the guides had looked up, noticed a gold bauble,
0:07:30 > 0:07:33you can see this wire on it, had actually slid down.
0:07:33 > 0:07:37It came from the roundel over here.
0:07:37 > 0:07:41It had dropped about an inch, so Ken quickly got a ladder out,
0:07:41 > 0:07:45went up, and it more or less dropped off in his hand.
0:07:45 > 0:07:47But of course we've got a major problem now,
0:07:47 > 0:07:52because all of that area of the ceiling has loosened off.
0:07:52 > 0:07:57So this is real shocker. It's real unfortunate.
0:07:57 > 0:08:01But this is not the first time there has been a problem with the ceiling.
0:08:01 > 0:08:07Estate manager Tim Moore remembers what happened 15 years ago.
0:08:07 > 0:08:09When I came to Longleat in 1992,
0:08:09 > 0:08:13we had an issue with actual movement on that ceiling.
0:08:13 > 0:08:18So we've always known the structure of the ceiling is a bit suspect.
0:08:18 > 0:08:21And then secondly, about two years ago,
0:08:21 > 0:08:25one of the ornamental plaster sections fell down.
0:08:25 > 0:08:29We got a specialist in who looked all over it,
0:08:29 > 0:08:31put the piece of plaster back, stuck it back.
0:08:31 > 0:08:34And the general view at the time was, yes,
0:08:34 > 0:08:37the plaster was obviously of the age it is.
0:08:37 > 0:08:40But generally the rest of the ceiling wasn't in too bad order.
0:08:40 > 0:08:43But if the structure was given the all clear, why,
0:08:43 > 0:08:48just two years later, is there another emergency?
0:08:48 > 0:08:52In fact, Longleat House could be a victim of its own success.
0:08:52 > 0:08:55Head guide Clare Mound may have the answer.
0:08:55 > 0:09:01Come summer we had 3,000-4,000 people through the house every day.
0:09:01 > 0:09:03And on one day at the bank holiday,
0:09:03 > 0:09:06we actually had 6,000 people walk through the house.
0:09:06 > 0:09:09That's a lot of feet for the poor old house.
0:09:09 > 0:09:13Longleat curator of historic collections is Kate Harris.
0:09:15 > 0:09:18The real problem in the room is that the identical room above,
0:09:18 > 0:09:20which is the state dining room,
0:09:20 > 0:09:25the public can only stand on one spot as they come through the door.
0:09:25 > 0:09:28So all the thousands of feet hit exactly the same spot
0:09:28 > 0:09:31immediately above the door.
0:09:31 > 0:09:34We are expecting to find when we investigate further,
0:09:34 > 0:09:37that the fragile condition of the ceiling
0:09:37 > 0:09:41is following the track of the many feet above.
0:09:41 > 0:09:44We haven't got that confirmed yet, but that's what we expect to find.
0:09:44 > 0:09:48But it will be almost a pathway of damage mirroring the room above.
0:09:49 > 0:09:54But right now, Steve and his team must take immediate action.
0:09:54 > 0:09:57The first thing was, we needed to seal this room off,
0:09:57 > 0:09:59because of the fear that something might drop down
0:09:59 > 0:10:03onto a visitor, or one of the guides.
0:10:03 > 0:10:04So they closed the room off.
0:10:04 > 0:10:07And of course we had to close the rooms above
0:10:07 > 0:10:11because the vibration was shaking the ceiling.
0:10:11 > 0:10:13And that room remains closed.
0:10:13 > 0:10:15Until we know what's happening here,
0:10:15 > 0:10:18we really cannot afford to have people upstairs.
0:10:23 > 0:10:26I think it is a massive aesthetic loss to the house
0:10:26 > 0:10:29to have the public really unable to see this room properly.
0:10:29 > 0:10:32This is one of the most important things that we show.
0:10:32 > 0:10:34So basically, as far as the interiors of Longleat go,
0:10:34 > 0:10:38it's what we lead with, so it's very, very important to us
0:10:38 > 0:10:42and very important to the public's experience as they tour the house.
0:10:42 > 0:10:47Apart from anything else, the timing couldn't have been much worse.
0:10:47 > 0:10:51This year, the exterior roof is undergoing major repairs.
0:10:51 > 0:10:57The last thing they needed was an emergency project inside.
0:10:57 > 0:11:02We've got the cost issues involved, the fact that, as you know,
0:11:02 > 0:11:05we're already halfway through a major repair for Longleat,
0:11:05 > 0:11:06renewing led on the roof.
0:11:06 > 0:11:11We've now got possible significant expenditure within the house.
0:11:11 > 0:11:14It is a concern, simply because at this stage
0:11:14 > 0:11:17we just don't know how big a problem it is.
0:11:17 > 0:11:19And it may be a very significant one.
0:11:20 > 0:11:23But the only way to know how bad the problem really is,
0:11:23 > 0:11:27will be to find out what's going on beneath the surface.
0:11:27 > 0:11:30We will be back later when they try to get some answers.
0:11:43 > 0:11:47It is a massive day for the keepers in Pets Corner.
0:11:47 > 0:11:51One of their most at-risk creatures are these pancake tortoises.
0:11:51 > 0:11:52They come from East Africa,
0:11:52 > 0:11:56and due to the destruction of their habitat in the wild,
0:11:56 > 0:11:59this species is really struggling.
0:11:59 > 0:12:02Longleat has had females for a while,
0:12:02 > 0:12:06but today are joining an international breeding programme
0:12:06 > 0:12:09as a much-sought-after male has just arrived.
0:12:09 > 0:12:12I was on hand to help keeper Jo Hawthorne settle him in.
0:12:12 > 0:12:14Look at this!
0:12:14 > 0:12:18And now the time has finally come to introduce him to the girls.
0:12:18 > 0:12:21Well, it's a big day for this little fellow.
0:12:21 > 0:12:27This is Longleat's brand-new, first male pancake tortoise, Jo.
0:12:27 > 0:12:28That's right.
0:12:28 > 0:12:30So he's had his rest?
0:12:30 > 0:12:36He's had his rest overnight, yes. After his long journey from Bristol!
0:12:36 > 0:12:39So do you think he is ready to meet the girls?
0:12:39 > 0:12:41I reckon he is. He is getting impatient, I think.
0:12:41 > 0:12:44Big, big moment, fella.
0:12:44 > 0:12:48Now this is also a very important moment, isn't it?
0:12:48 > 0:12:53Yeah. He is part of a very carefully coordinated breeding programme,
0:12:53 > 0:12:59so the girls and himself are on the stub book for the pancake tortoise.
0:12:59 > 0:13:03Obviously to keep bloodlines fresh, these have been moved around.
0:13:03 > 0:13:07So they are all part of a very important programme now.
0:13:07 > 0:13:10So because of the state they are, they are vulnerable,
0:13:10 > 0:13:15it's a coordinated... The bloodline has to be kept fresh.
0:13:15 > 0:13:19That is why he is now coming here to meet our females.
0:13:19 > 0:13:23OK. Well, let's see what you can do for your species, shall we?
0:13:23 > 0:13:25So we'll pop him in.
0:13:25 > 0:13:28OK. So off he goes.
0:13:28 > 0:13:32Who knows - I don't know if he is going to smell them
0:13:32 > 0:13:34and really find interest in them now.
0:13:34 > 0:13:40He is very fast. He is going up to Mafuta there. He is so agile.
0:13:40 > 0:13:44He is amazing. He is showing incredible rock-climbing ability.
0:13:44 > 0:13:46People are amazed when they watch them.
0:13:46 > 0:13:48They can't believe that they climb.
0:13:48 > 0:13:51They find it odd that a tortoise can climb that quick
0:13:51 > 0:13:53and that high so fast.
0:13:53 > 0:13:56Now the most important thing. You have had him for 24 hours.
0:13:56 > 0:13:59Have you thought of a name for him yet?
0:13:59 > 0:14:03Well, yeah, because we have actually had a couple of nice sunny days,
0:14:03 > 0:14:05which is amazing.
0:14:05 > 0:14:07So we thought we would call him Jua.
0:14:07 > 0:14:09Jua means sun in Swahili.
0:14:09 > 0:14:12Oh, lovely! Perfect! Perfect.
0:14:12 > 0:14:13So he is the sun boy?
0:14:13 > 0:14:15He is, yeah, exactly.
0:14:15 > 0:14:18And we have all been looking forward to having him,
0:14:18 > 0:14:20and he's got a lovely golden colour as well.
0:14:20 > 0:14:23Well there, so he's perfect.
0:14:23 > 0:14:24He is the first male we have had.
0:14:24 > 0:14:27To see the difference in how he moves around
0:14:27 > 0:14:30and his mannerisms, his behaviours... He's faster moving
0:14:30 > 0:14:33and more inquisitive than the females.
0:14:33 > 0:14:35When we have them out for a health check,
0:14:35 > 0:14:38they will move around but they are not half as quick as he is.
0:14:38 > 0:14:41He's really kind of summing the place up.
0:14:41 > 0:14:43Oh, he's had a bit of a tumble! Oh, Lord!
0:14:43 > 0:14:46He'll turn around very easily.
0:14:46 > 0:14:49Because of the light weight of his body, he will flip over.
0:14:49 > 0:14:52They can flip over really, really quickly.
0:14:52 > 0:14:56Now we talked about how important this breeding programme is.
0:14:56 > 0:15:02They're an endangered tortoise. What do you expect will happen now?
0:15:02 > 0:15:05He's in here with two females. Have the females ever bred before?
0:15:05 > 0:15:10- They haven't, no.- So this is a completely new thing for them?
0:15:10 > 0:15:13Exactly, yeah. I mean, he's, as I said, when we picked him up,
0:15:13 > 0:15:17he's actually been picked because he's had past history...
0:15:17 > 0:15:19- A good past history!- Exactly.
0:15:19 > 0:15:22I would love to think that, you know...
0:15:22 > 0:15:24Obviously, it's going to take a while.
0:15:24 > 0:15:26It might not, but this is all new to him,
0:15:26 > 0:15:29but he'll certainly smell the girls and, you know.
0:15:29 > 0:15:33If he does start taking an interest in the females,
0:15:33 > 0:15:38what about his behaviour will tell you that he's feeling...romantic?
0:15:38 > 0:15:42He will start... It doesn't really look like a wining and dining thing, to be honest!
0:15:42 > 0:15:46He'll start chasing them and he won't leave them alone.
0:15:46 > 0:15:51He'll circle them, a bit of nipping, maybe, at the feet and the head.
0:15:51 > 0:15:53- So no flowers and chocolates! - No, no, no!
0:15:53 > 0:15:57And he probably won't leave them alone, to be honest.
0:15:57 > 0:16:00That's one of the normal things of courtship.
0:16:00 > 0:16:03I have to say, looking at the two females now, who are down here,
0:16:03 > 0:16:07he's crept off behind a plant, they're both looking singularly unimpressed!
0:16:07 > 0:16:09That's typical.
0:16:09 > 0:16:12Yeah. It's not love at first sight!
0:16:12 > 0:16:15Well, it looks like a successful, if not entirely romantic,
0:16:15 > 0:16:20introduction to his new enclosure, but I hope everything goes well
0:16:20 > 0:16:24and that the two girls fall irretrievably in love with him.
0:16:24 > 0:16:26Thank you. Thanks.
0:16:30 > 0:16:34Earlier in the series, four keepers travelled
0:16:34 > 0:16:38deep into the Tanzanian bush to work with Tony Fitzjohn.
0:16:38 > 0:16:43Fitz is a world-renowned conservationist and runs the Mkomazi Game Reserve,
0:16:43 > 0:16:47where he's helping some of Africa's most endangered animals.
0:16:49 > 0:16:52Fitz is best known for the wild years
0:16:52 > 0:16:56he spent working with George Adamson, the Lion Man of Africa.
0:16:56 > 0:16:59They helped rehabilitate and save captive lions,
0:16:59 > 0:17:01releasing them back to the wild.
0:17:01 > 0:17:06Stories that were told in the book and Oscar-winning film, Born Free.
0:17:06 > 0:17:11There we were, sharing the lives of these incredible predators.
0:17:11 > 0:17:16We just ran like mad things for nearly 20 years and didn't stop.
0:17:16 > 0:17:21During the trip, head warden Keith Harris helped on a project
0:17:21 > 0:17:23to release hunting dogs back to the wild.
0:17:23 > 0:17:26For him, working with Fitz was very special.
0:17:26 > 0:17:30I've read books and seen films, you hear stories,
0:17:30 > 0:17:35and it's been really great to work with him, and being out here
0:17:35 > 0:17:40in the wild and amongst these animals, it's been great.
0:17:40 > 0:17:44So when he heard Fitz was visiting the UK, Keith wasted no time
0:17:44 > 0:17:49in offering him his first ever tour of a safari park.
0:17:49 > 0:17:53- Tony!- Hi, Keith! What a treat! - Nice to meet you.- And you.
0:17:53 > 0:17:56- Nice to see you again.- Bit cold? - Yeah, a bit chilly.
0:17:56 > 0:18:02- So can I get a tour?- Yeah. Hop in the cart and we'll take you round.
0:18:02 > 0:18:03Thanks very much.
0:18:07 > 0:18:11Like so many visitors, Pets Corner is the first stop.
0:18:11 > 0:18:12Aren't they wonderful?
0:18:12 > 0:18:15Everyone should have three or four of these in their bathroom!
0:18:15 > 0:18:21Here, the snakes are a bit more friendly than Fitz is used to.
0:18:21 > 0:18:23Wow!
0:18:23 > 0:18:26There we are. How about that?
0:18:26 > 0:18:30I have sort of 11-foot black mambas in the house.
0:18:34 > 0:18:39This is great, with the rolling hills. Beautiful.
0:18:43 > 0:18:48Next, it's up to the East Africa Reserve, home to giraffe,
0:18:48 > 0:18:52ostrich and zebra, which should be like a slice of home to Fitz.
0:18:52 > 0:18:56They look in very good shape indeed. It's a very nice scene.
0:19:03 > 0:19:05It's nice, what you see is what you get.
0:19:05 > 0:19:07If you've got to live in England, and for a guy like me,
0:19:07 > 0:19:10this'd be perfect.
0:19:10 > 0:19:13In Tanzania, Fitz has built a sanctuary
0:19:13 > 0:19:16for the highly endangered and dangerous black rhino,
0:19:16 > 0:19:20where trackers follow them to ensure they're safe from poachers.
0:19:20 > 0:19:24At Longleat, techniques are slightly different.
0:19:24 > 0:19:27I just love this guy herding the rhinos on the tractor.
0:19:27 > 0:19:30They almost look like sculptures, don't they?
0:19:30 > 0:19:37- It's very strange for me to see white rhino.- They're very placid.
0:19:37 > 0:19:39It'd be nice to have some black rhino,
0:19:39 > 0:19:43cos there'd be a lot of cars here with punctured doors!
0:19:43 > 0:19:47I can only remember a rhino damaging a car once.
0:19:47 > 0:19:49There was a pair of rhinos mating,
0:19:49 > 0:19:53and there was a vicar going round with an old Triumph Herald with his family,
0:19:53 > 0:19:58and the female reversed, so the male up on top had to go back with her.
0:19:58 > 0:20:02He ended up sat and the whole front car just collapsed.
0:20:02 > 0:20:07The insurers said, "I don't know whether it's an act of God or what!"
0:20:07 > 0:20:08Act of rhino!
0:20:10 > 0:20:13There's one final stop on Fitz's tour to come,
0:20:13 > 0:20:15and it's up in Lion Country.
0:20:15 > 0:20:20He's certainly no stranger to these big cats.
0:20:20 > 0:20:24Join us later when Fitz heads straight into the lions' den.
0:20:31 > 0:20:35Pelicans are certainly not the only birds at the park.
0:20:35 > 0:20:39Another species you might find is the sacred ibis.
0:20:39 > 0:20:43They've only been residents here for four years, but I'm told
0:20:43 > 0:20:48they have links back to the pharaohs and gods of the Ancient Egyptians.
0:20:48 > 0:20:52These are definitely the kind of birds that I should be mixing with.
0:20:52 > 0:20:55I'm up in the flamingo aviary with keeper Michelle Stevens,
0:20:55 > 0:20:59but we're not here to see the flamingos, we're here to see the sacred ibis.
0:20:59 > 0:21:02Michelle, there they are over there. Why are they called "sacred" ibis?
0:21:02 > 0:21:07They were deemed sacred by the Ancient Egyptians and they were mummified and buried with them.
0:21:07 > 0:21:09- Really?- Yeah.
0:21:09 > 0:21:11Now, I know they eat meat occasionally,
0:21:11 > 0:21:14and some people compare them to vultures.
0:21:14 > 0:21:17- Are there many similarities? - Not really, no.
0:21:17 > 0:21:21I mean, they have the bald head, but they will go to dead animals,
0:21:21 > 0:21:26but not to necessarily eat the meat, but the insects that go to the meat.
0:21:26 > 0:21:28How fascinating!
0:21:28 > 0:21:32Michelle, thank you. We've got plenty more coming up on today's programme, including...
0:21:34 > 0:21:37Emotions are running high in the house, as the damage
0:21:37 > 0:21:41to the ceiling is worse than anyone thought.
0:21:41 > 0:21:42How far is this going to go?
0:21:42 > 0:21:46And what's more important is, how can we stop it happening?
0:21:46 > 0:21:49I meet the grand old dame of the East African Reserve
0:21:49 > 0:21:53and find out the secret of her long life.
0:21:53 > 0:21:59And run for the hills, as the wild man of Africa helps out in the lion enclosure.
0:21:59 > 0:22:02- Do you fancy releasing these?- What, into the local village or what?
0:22:04 > 0:22:08Back in the Great House, there's a crisis in the lower dining room.
0:22:08 > 0:22:11Part of the ceiling plasterwork has come off,
0:22:11 > 0:22:14and there are signs of imminent collapse.
0:22:18 > 0:22:22This is one of seven fabulously ornate ceilings
0:22:22 > 0:22:25added to the house in the 1870s.
0:22:25 > 0:22:28Two years ago, a small piece of plasterwork fell down,
0:22:28 > 0:22:31and now a gold bauble from the centre
0:22:31 > 0:22:36of one of the gilt roundels has also broken off.
0:22:36 > 0:22:39For Longleat's curator of historic collections, Kate Harris,
0:22:39 > 0:22:44the big worry is that this is just the tip of the iceberg.
0:22:44 > 0:22:49I'm very concerned, because we thought we'd tackled this problem.
0:22:49 > 0:22:52It turns out to be a much more severe problem than we thought.
0:22:52 > 0:22:57It's because it's unknown, whether we're going to have to take the whole ceiling to bits
0:22:57 > 0:23:00and basically put it back together again, and the whole issue
0:23:00 > 0:23:04of whether the plasterwork has reached the end of its shelf life.
0:23:04 > 0:23:07Those are all unknowns at the moment.
0:23:07 > 0:23:10So we've yet to find out just how bad the news is.
0:23:10 > 0:23:14The damage may well have been caused by vibrations
0:23:14 > 0:23:17from the sheer volume of traffic on the floor above.
0:23:17 > 0:23:22So not only has the lower dining room had to be closed,
0:23:22 > 0:23:25but also the state dining room upstairs.
0:23:25 > 0:23:28And that's caused chaos for head guide Claire Mounde.
0:23:28 > 0:23:31The impact, to a certain extent, has been that every day.
0:23:31 > 0:23:34We're not quite sure what parts of the house we are going to see,
0:23:34 > 0:23:37how we're going to rotate the visitors, how we're going
0:23:37 > 0:23:39to get them through to see the maximum of the house
0:23:39 > 0:23:44and still feel they've had value for money while actually some of the rooms having to be closed.
0:23:46 > 0:23:50But now, house steward Steve Blyth needs to find out exactly
0:23:50 > 0:23:53how bad the damage really is.
0:23:53 > 0:23:59But first, the table laid with antique porcelain and silverware must be packed away safely.
0:23:59 > 0:24:01Time to call in the professionals.
0:24:13 > 0:24:18There's hardly a thing on this table that's less than two centuries old.
0:24:18 > 0:24:22But June Windess and her army of cleaners are well used
0:24:22 > 0:24:25to handling such delicate and priceless items.
0:24:34 > 0:24:38When the room is clear, Steve can get to work.
0:24:38 > 0:24:42They're setting up a scaffold in order to examine the ceiling.
0:24:42 > 0:24:46Ken Windess, June's husband, has been called in.
0:24:46 > 0:24:51He was the house steward before Steve and knows the building inside out.
0:24:51 > 0:24:55- Do you want to turn him here, Ken? - Yep. That way.
0:24:55 > 0:25:00- First, they need to take down the roundel.- Yep, got him.
0:25:00 > 0:25:06Behind it is the system of supports that holds the ceiling in place.
0:25:06 > 0:25:10OK. Explain to me how this ceiling works, Ken.
0:25:10 > 0:25:14Basically, what you've got here is a flitch beam.
0:25:14 > 0:25:19About 15 years ago, this beam failed, and the floor started to sag.
0:25:19 > 0:25:24They reinforced this beam with metal.
0:25:24 > 0:25:29What they did is they brought the beam back to its original position.
0:25:30 > 0:25:36They've actually strapped the ceiling supports to that beam,
0:25:36 > 0:25:41which means that what you're doing now is you're transferring any vibration from the floor above
0:25:41 > 0:25:47directly to the ceiling, rather than going through the intermediate beam,
0:25:47 > 0:25:51which I think could have been a major mistake.
0:25:51 > 0:25:55So, by strengthening the beam supporting the floor above,
0:25:55 > 0:25:58the ceiling below may have suffered.
0:25:58 > 0:26:01This is obviously what the concern is.
0:26:01 > 0:26:04You've got cracks like this appearing, you see?
0:26:04 > 0:26:07This bit here is actually moving up and down.
0:26:07 > 0:26:12That crack's actually tracking right across there, look, to this area.
0:26:12 > 0:26:15Some of these bulbs have vibrated loose.
0:26:16 > 0:26:19Here you are, there's a good example.
0:26:19 > 0:26:23In fact, I'm going to go for it and take that away in case it falls on somebody.
0:26:24 > 0:26:28For Ken, who's devoted a quarter of a century to looking after
0:26:28 > 0:26:31this great house, it's a very sad moment.
0:26:34 > 0:26:37It is heartbreaking when you find something like this
0:26:37 > 0:26:39that's been up there for hundreds of years.
0:26:41 > 0:26:44When you... You know, you do get a feeling for the house
0:26:44 > 0:26:52as you live with it and serve it, if you like, for quite a long time.
0:26:52 > 0:26:57So when things start breaking to bits like this, then it is sad.
0:26:58 > 0:27:02It's...
0:27:02 > 0:27:05it makes...it brings a lump to your throat in many ways,
0:27:05 > 0:27:10in the fact that what's happening, how far is this going to go?
0:27:10 > 0:27:13What's more important is how can we stop it happening?
0:27:15 > 0:27:19I'd like to think it's going to be here in another 400 years.
0:27:22 > 0:27:26It's going to take time and a great deal
0:27:26 > 0:27:30of careful investigation before they'll know exactly what must be done.
0:27:30 > 0:27:32Over the next few months,
0:27:32 > 0:27:35estate manager Tim Moore is going to have a lot to do.
0:27:35 > 0:27:37It's a major problem.
0:27:37 > 0:27:42We don't know quite what our strategy is going to be.
0:27:42 > 0:27:45With this sort of problem, in conservation terms,
0:27:45 > 0:27:50cautious inquiry and really trying to check through detail is all-important.
0:27:50 > 0:27:54We're going to have to take it steady, to get the experts in
0:27:54 > 0:27:56and then tease out a solution and a strategy.
0:27:56 > 0:27:59We don't know the cost implications.
0:27:59 > 0:28:03We don't know quite how far we've got to go with it.
0:28:03 > 0:28:06It's quite frankly an open-ended issue at the moment.
0:28:06 > 0:28:10We'll be back in the house later on to follow developments
0:28:10 > 0:28:12as the crisis unfolds.
0:28:21 > 0:28:25This is a family tree of all the zebras here at Longleat.
0:28:25 > 0:28:27There are 30 names on this board,
0:28:27 > 0:28:31but the most important of all is this one, Ingrid, at the top.
0:28:31 > 0:28:33She's the mummy of the lot of them...
0:28:33 > 0:28:35or grandmummy, or great-grandmummy.
0:28:35 > 0:28:40She's 30 years old this year, which is a staggering age for a zebra.
0:28:40 > 0:28:43I'm going to meet deputy head of section Ryan Hockley
0:28:43 > 0:28:44to find out how she's doing.
0:28:54 > 0:28:59We're coming up to this little group of zebras now. Which one is Ingrid?
0:28:59 > 0:29:01You can see Ingrid. She's right at the front here.
0:29:01 > 0:29:06OK, so slightly browner coat compared to the other three?
0:29:06 > 0:29:08Yeah, yeah. She's still got a bit of winter coat there.
0:29:08 > 0:29:13What you tend to find is that lovely black and white striping on them
0:29:13 > 0:29:16- is their pure kind of summer coat, really.- Right.
0:29:16 > 0:29:19But in the winter, certainly in our climate,
0:29:19 > 0:29:21they do grow their coat a bit bigger,
0:29:21 > 0:29:24and it just has this slightly brown tinge to it.
0:29:24 > 0:29:27You can see Steph, behind, still got a bit of winter coat as well.
0:29:27 > 0:29:31The older they are, it seems the longer they keep that brown winter coat going.
0:29:31 > 0:29:34Obviously, Ingrid being 30 this year,
0:29:34 > 0:29:38- she's got a lot more winter coat than everyone else. - Now, 30 years old...
0:29:38 > 0:29:43Presumably, a zebra in the wild would certainly never live that long?
0:29:43 > 0:29:45No, we don't think so, Kate.
0:29:45 > 0:29:49Lions just seem to love zebra. It's their roast dinner.
0:29:49 > 0:29:52She looks amazingly healthy.
0:29:52 > 0:29:57I mean, she really... It's hard to see that she looks any older than any of the others.
0:29:57 > 0:30:00Is there any secret to her long life, do you think?
0:30:00 > 0:30:07We have absolutely no idea. We believe that possibly she's the oldest zeb in captivity.
0:30:07 > 0:30:10- Really?- Yes, and possibly by a long chalk, as well.
0:30:10 > 0:30:13Like I say, once they reach their 20s,
0:30:13 > 0:30:17you tend to find them slowing down very quickly, to be honest.
0:30:17 > 0:30:21You would expect to see a lot more bone exposed at her age,
0:30:21 > 0:30:22where the muscle's fallen off.
0:30:22 > 0:30:25I must admit, maybe in the last couple of years,
0:30:25 > 0:30:30we've noticed her lose a fair bit of muscle mass high up on her front legs.
0:30:30 > 0:30:36- She had these Schwarzenegger-esque muscles bulging away there a few years ago.- Not very feminine!
0:30:36 > 0:30:42- No, not very feminine at all. But she certainly doesn't look emaciated or skinny.- Not at all.
0:30:42 > 0:30:43She's not a bag of bones, by a long chalk.
0:30:43 > 0:30:47Well, she is a credit to all your work looking after her.
0:30:47 > 0:30:49Of course, the zebras have now left us.
0:30:49 > 0:30:51As if to prove she is not an old lady,
0:30:51 > 0:30:53she's practically the other side of the park.
0:30:53 > 0:30:54But it's great to see her.
0:30:54 > 0:30:58- May she have many happy more years here at Longleat. Thanks, Ryan. - Thanks.
0:31:03 > 0:31:10Head warden Keith Harris is giving Tony Fitzjohn his first-ever tour of a safari park.
0:31:10 > 0:31:13Fitz runs a reserve in Tanzania,
0:31:13 > 0:31:19where he is returning some of Africa's most threatened species back to the wild.
0:31:19 > 0:31:22This is a continuation of the work he did with lions
0:31:22 > 0:31:25alongside his mentor, the lion man of Africa, George Adamson.
0:31:25 > 0:31:32But what will the apprentice of Mr Born Free make of Longleat's famous lions?
0:31:33 > 0:31:37Wow, look at this. Look at this lot.
0:31:37 > 0:31:42There are two main breeding females in here.
0:31:42 > 0:31:46- So presumably, your wild lions, they'd be scarred and...- Yeah.
0:31:46 > 0:31:49It's all a bit strange to see them in such perfect condition.
0:31:49 > 0:31:53For someone who's dedicated to their life to giving
0:31:53 > 0:31:57animals their freedom, this is an unusual experience for Fitz.
0:31:57 > 0:32:05It's quite strange. I have never been to a safari park before. I've never been to Longleat.
0:32:05 > 0:32:11I have seen animals in captivity and I don't slam zoos.
0:32:11 > 0:32:14There is a place in this paved and civilised world of ours
0:32:14 > 0:32:19to have animals, you know, in captivity.
0:32:19 > 0:32:20Um...
0:32:20 > 0:32:24I'm a bit surprised they look in such good physical shape
0:32:24 > 0:32:29and so relaxed and in such good mental shape for captive animals.
0:32:29 > 0:32:33But I would rather have a jumbo jet waiting and pile them all in the back,
0:32:33 > 0:32:36but then I know it is too old for most of them to go back.
0:32:36 > 0:32:38Despite his love for lions,
0:32:38 > 0:32:41Fitz hasn't worked with them for some time.
0:32:41 > 0:32:46My last lioness was poisoned in the wild about two-and-a-half years ago.
0:32:46 > 0:32:49But basically, since I moved to Mkomazi,
0:32:49 > 0:32:53I've not worked with the animals I love so much, which are lions.
0:32:53 > 0:32:57So everything I say here is tinged by the fact that these
0:32:57 > 0:33:01are the big love of my life, you know.
0:33:01 > 0:33:06It's strange not to be able to go in there and play with them
0:33:06 > 0:33:09and stuff, which is what I always did.
0:33:20 > 0:33:25- And do you fancy releasing these? - What, into the local village or what(?)
0:33:25 > 0:33:28- Or into the enclosure? - Don't scare the locals!
0:33:28 > 0:33:31- Straight down.- Straight down.
0:33:31 > 0:33:34Latch in there, and off they go.
0:33:34 > 0:33:39- They didn't need much encouragement. - No, no.- And the big guy?
0:33:39 > 0:33:44If you flick the catch over, he'll tell you off, but don't worry.
0:33:44 > 0:33:45GROWLING
0:33:45 > 0:33:47And just pull the slide.
0:33:50 > 0:33:53- Oh, good boy.- It's not much of a telling off, really.
0:33:53 > 0:33:54He was quite good today.
0:33:54 > 0:33:58I thought he was going to be a bit more grumpy than that. And that's it.
0:34:00 > 0:34:03Well, I've put a few animals back into the wild,
0:34:03 > 0:34:07but this was the quickest programme I've ever been involved in.
0:34:07 > 0:34:10With the release of Kabir's pride done,
0:34:10 > 0:34:13Fitz's visit to Longleat is complete.
0:34:13 > 0:34:16But what does an African conservationist
0:34:16 > 0:34:19make of the work Keith and his staff are doing?
0:34:19 > 0:34:21I've always wanted to come to Longleat
0:34:21 > 0:34:24since it opened years ago and I heard about it.
0:34:24 > 0:34:27One, because it was a lion park, and two, because it was England,
0:34:27 > 0:34:30it'd be interesting to see. And I've never come.
0:34:30 > 0:34:32It's very strange.
0:34:32 > 0:34:35I'm not meant to like animals in captivity
0:34:35 > 0:34:38and I've spent my whole life setting animals free.
0:34:38 > 0:34:40I come here and talk to Keith
0:34:40 > 0:34:43and I see these animals they all care about and love so much...
0:34:43 > 0:34:46well-managed and well-run, and where I come from,
0:34:46 > 0:34:52so much is being destroyed. So what I'm feeling is not what I...
0:34:52 > 0:34:55thought I'd be feeling or should be feeling.
0:34:55 > 0:34:59This all sounds very silly, but it is a great privilege to be here too,
0:34:59 > 0:35:03and I think everybody that comes here should feel that.
0:35:03 > 0:35:06It's a very special place, and I hope I leave here
0:35:06 > 0:35:08with some good friends and good memories.
0:35:14 > 0:35:18We've come back into the house to the lower dining room
0:35:18 > 0:35:22to meet house steward Steve Blyth and to find out what the latest is,
0:35:22 > 0:35:28Steve, on the ceiling. And I've suddenly seen this! What a dramatic event!
0:35:28 > 0:35:31A very frightening event, yes.
0:35:31 > 0:35:37- Originally, we noticed the problem when one of these came loose.- Right.
0:35:37 > 0:35:42And after inspection, we needed to take this roundel down
0:35:42 > 0:35:45to have a look to see what was going on.
0:35:45 > 0:35:48So we've had all the surveyors in, all the architects in,
0:35:48 > 0:35:50and we're moving forward.
0:35:50 > 0:35:54Kate, our curator, has been getting lots of information for us
0:35:54 > 0:35:57on the history of what's been happening with the ceiling,
0:35:57 > 0:36:01and that has all come together now. Hopefully, we're ready to move on.
0:36:01 > 0:36:03But a good bit of news is the room's open again.
0:36:03 > 0:36:07I was going to ask. Is the whole room? You've got some scaffolding over there.
0:36:07 > 0:36:11We've still got equipment in the room where we still have people coming in
0:36:11 > 0:36:15and having another look at this, and, you know, what is this and what would happen here?
0:36:15 > 0:36:17And where did this piece come from?
0:36:17 > 0:36:20- It came from up here.- Oh, wow!
0:36:20 > 0:36:23- You can see we've a huge hole in the ceiling at the moment.- Blimey!
0:36:23 > 0:36:25Hopefully, it'll be going back very soon.
0:36:25 > 0:36:27I imagine... ..Sorry, Kate. ..I imagine it must have had
0:36:27 > 0:36:30a pretty dramatic effect on the staff in the house.
0:36:30 > 0:36:32- Yeah.- It's pretty dramatic.
0:36:32 > 0:36:36Anything major with the house, it upsets everyone.
0:36:36 > 0:36:40This house has been standing for so long, it is a piece of history.
0:36:40 > 0:36:44How are you going to be able to minimise damage like this happening again?
0:36:44 > 0:36:47That's part of what we're doing at the moment.
0:36:47 > 0:36:52Before we do the repair, we need to know what happened, why has it happened?
0:36:52 > 0:36:54That's what the architects and surveyors are looking at.
0:36:54 > 0:36:57They'll report to us, and before we do any repairs,
0:36:57 > 0:37:01- we'll be looking into the future and what needs to be happening. - Right.
0:37:01 > 0:37:04We've had a complete survey done of this room,
0:37:04 > 0:37:08so once the repairs are done, we can come back in a year, 18 months,
0:37:08 > 0:37:12measure it all again and see if we've got any movement.
0:37:12 > 0:37:15- Yeah.- I have to ask, the room is very empty.
0:37:15 > 0:37:18I seem to remember there's usually a very large table here
0:37:18 > 0:37:20with a full service on it.
0:37:20 > 0:37:24Yeah, there's normally the big table in here, set for 20.
0:37:24 > 0:37:29- The beautiful hand-painted... - The hand-painted dinner service, so yeah...
0:37:29 > 0:37:31What have you done with all that?
0:37:31 > 0:37:35That's all safely stored away... very safely stored away.
0:37:35 > 0:37:37- They're priceless, those plates. - Priceless.
0:37:37 > 0:37:41It's fantastic news that at least half the room is open again.
0:37:41 > 0:37:45We're all happy about it, and Lord and Lady Bath are very happy about it.
0:37:45 > 0:37:48- We've got visitors come through again.- Good.
0:37:48 > 0:37:51Steve, that is fantastic news. Thank you very much.
0:37:59 > 0:38:02'Earlier in the show, I caught up with Mark Tye,
0:38:02 > 0:38:06'who was incubating eggs from the pink-backed pelicans.'
0:38:06 > 0:38:11These are notoriously difficult to care for, but we're all hoping
0:38:11 > 0:38:14they'd hatch, as Mark and his staff have had an upsetting year
0:38:14 > 0:38:17following the death of Samba, the gorilla.
0:38:17 > 0:38:23Well, it's been a little while now, and there's some great news.
0:38:25 > 0:38:28Four of the eggs hatched successfully,
0:38:28 > 0:38:30leaving Mark with his hands full.
0:38:30 > 0:38:33We're feeding currently every three hours...
0:38:33 > 0:38:36between eight in the morning and eight at night.
0:38:36 > 0:38:38Here you go. Here you go.
0:38:38 > 0:38:44And we're feeding them on whole trout and whole sprats.
0:38:44 > 0:38:48And you know, it's quite alarming how many they'll pack away in one go!
0:38:48 > 0:38:51They can hold an awful lot. If you look at their neck,
0:38:51 > 0:38:53it's extremely elastic.
0:38:53 > 0:38:58As you can see, there's a whole sprat in that neck there.
0:38:58 > 0:39:02They gain in weight by between 10% and 15% every day.
0:39:02 > 0:39:05So that's quite a growth, and when you consider
0:39:05 > 0:39:10that this bird here is 11 days old, and this one's 18 days old,
0:39:10 > 0:39:15there's quite a vast difference in size, isn't there?
0:39:15 > 0:39:17As you can imagine,
0:39:17 > 0:39:24to come from that to that in 18 days is a pretty phenomenal growth rate.
0:39:24 > 0:39:27But they've still got a lot of growing to do.
0:39:27 > 0:39:31These adult birds have a wingspan of up to two metres,
0:39:31 > 0:39:34making them one of the world's largest flying birds.
0:39:34 > 0:39:39With such prehistoric looks, it's no surprise that pelicans have lived on Earth
0:39:39 > 0:39:41for millions of years.
0:39:41 > 0:39:44But the destruction of their nesting sites in Africa
0:39:44 > 0:39:46now threatens their existence.
0:39:46 > 0:39:49They're just all really important to us
0:39:49 > 0:39:53and really important to the captive population.
0:39:53 > 0:39:56Obviously, it means we don't have any birds taken from the wild.
0:39:56 > 0:39:59These birds live an extremely long time -
0:39:59 > 0:40:02anything between 30 and 40 years.
0:40:02 > 0:40:04So there's an awful lot... Provided they go up to maturity,
0:40:04 > 0:40:08there's an awful lot of breeding that can come from these birds
0:40:08 > 0:40:12and continue to keep the captive population going.
0:40:12 > 0:40:15With faces that only a mother could love, and of course Mark,
0:40:15 > 0:40:21the safe arrival of these pelicans couldn't have come at a better time.
0:40:21 > 0:40:25Things like this definitely help. This is what we like doing.
0:40:25 > 0:40:28It's a very positive thing for us all to do.
0:40:28 > 0:40:33And...obviously, nothing will ever replace Samba.
0:40:35 > 0:40:38But, you know, life moves on, and this is new life
0:40:38 > 0:40:43and this is what we have to hopefully nurture up to adulthood.
0:40:43 > 0:40:47But I can't stand smelling of fish.
0:40:47 > 0:40:50And believe you me, when you hand-rear pelicans, you just stink
0:40:50 > 0:40:56of fish, permanently - no matter how my times you wash your hands, you stink.
0:40:56 > 0:41:00And there's nothing worse than going out to the pub in the evening,
0:41:00 > 0:41:03after you've had a shower and washed your hands five times,
0:41:03 > 0:41:06and still getting a waft of sprat. It's not pleasant.
0:41:06 > 0:41:10But part of the job.
0:41:14 > 0:41:18Well, sadly, it's almost the end of the whole series, but before we go,
0:41:18 > 0:41:22Kate and I have come up to the rhino house to say goodbye to Winston
0:41:22 > 0:41:26and to thank head warden Keith Harris for another fantastic year.
0:41:26 > 0:41:30- Sad, isn't it?- It is sad, but it has been a really exciting year for Longleat.
0:41:30 > 0:41:34Lots of new things coming in, lots of new animals being born.
0:41:34 > 0:41:38- That's right. We've had new tigers, warthogs, which I think have been great fun.- Yeah.
0:41:38 > 0:41:41We've had all these births, so it's been great.
0:41:43 > 0:41:46Even the older animals like Winston are still doing so well.
0:41:46 > 0:41:50Great to see him still up and about, and he's...
0:41:50 > 0:41:54Well, he's damp but enjoying the spring and the summer now.
0:41:54 > 0:41:56Absolutely. Keith, thank you very much.
0:41:58 > 0:42:02We, I suppose, should pack our bags and go, shouldn't we?
0:42:02 > 0:42:08- No, the series has finished, but you two haven't, sorry. - I don't like the sound of this.
0:42:08 > 0:42:13- You know this is going to be horrid, don't you? What is that?! - Winston needs his mud bath.
0:42:13 > 0:42:15- Why?- There's one for you.- OK.
0:42:16 > 0:42:20He's been in on the yard here, so he needs softness on the skin.
0:42:20 > 0:42:25You put cream on your face. Here's Winston. Can you please...?
0:42:25 > 0:42:28There's not many animals I'd do this for, Keith.
0:42:28 > 0:42:32- I'm sorry, I've got to go. - Brilliant.
0:42:32 > 0:42:35- Here you are, Winston. - How are you getting on over there?
0:42:35 > 0:42:39This is your mud pack to make your skin beautiful and soft.
0:42:39 > 0:42:44That really is it for us. We are going to be here for a while.
0:42:44 > 0:42:46Don't even think about it, Fogle!
0:42:46 > 0:42:50- We look forward to seeing you again soon. Bye-bye.- Bye-bye.
0:42:50 > 0:42:53Come on. Just a little bit.
0:42:53 > 0:42:55Ready? Three, two, one.
0:42:57 > 0:43:00How did she do that?
0:43:09 > 0:43:12Subtitles by Red Bee Media Ltd
0:43:12 > 0:43:15E-mail subtitling@bbc.co.uk