:00:19. > :00:26.Hell he and welcome. Through the centuries Good Friday has been
:00:26. > :00:30.marked with tales of Jesus, betrayal and arrest. In the next
:00:30. > :00:35.hour thousands of people here in the city of Preston, Lancashire,
:00:35. > :00:39.will watch a spectacle of music and drama retelling the Passion for the
:00:39. > :00:43.modern day. We'll delve into the past and presence of Preston in
:00:43. > :00:47.three new original pieces of BBC Drama reflecting the timeless
:00:47. > :00:56.themes of the Passion theory and hue they connect with us.
:00:56. > :01:05.In Victorian times, the Mayor must decide the fate of a radical leader.
:01:05. > :01:12.In the First World War, the power of a mother's response to loss.
:01:12. > :01:15.You're going to be all right. 2012, we explore a modern-day
:01:15. > :01:21.reminder of self-sacrifice. This Good Friday hundreds of local
:01:21. > :01:31.people will create the symbols of its story - the Crown crown and
:01:31. > :01:31.
:01:31. > :01:35.late -- of Thorns and later the Cross in a mass spectacle in
:01:35. > :01:45.something you have never seen before, in this, Preston, the
:01:45. > :01:45.
:01:45. > :03:51.Apology for the loss of subtitles for 125 seconds
:03:51. > :03:58.Preston has had a Guild Year, which is a chance to show off its
:03:58. > :04:02.achievements since the 12th century, and it's held every few years. 2012
:04:02. > :04:08.is one of them. It's just getting under way. Preston's lifeblood was
:04:09. > :04:13.once the cotton industry. The mills brought workers from overseas. That
:04:13. > :04:17.led to modern day Preston becoming a diverse city and one proud to
:04:18. > :04:22.keep as the city's emblem the Lamb of God, which is a good place, then,
:04:22. > :04:32.for people of all faiths and none to come to understand more about
:04:32. > :04:36.
:04:36. > :04:46.the meaning of Jesus and the Cross, # Walk upon England's
:04:46. > :04:56.
:04:56. > :05:06.# On England's # Shine forth
:05:06. > :05:06.
:05:06. > :06:01.Apology for the loss of subtitles for 125 seconds
:06:01. > :06:11.# Bring me my spear! # Nor shall my sword sleep
:06:11. > :06:49.
:06:49. > :06:54.# In England's green The Holy Lamb of God, the Green and
:06:54. > :06:59.Pleasant Land and the dark satanic mills, but what else connects
:06:59. > :07:03.people to the Good Friday story? The Bible recounts how in Jerusalem
:07:03. > :07:06.2,000 years ago Jesus was arrested, brought before the religious
:07:06. > :07:11.authorities and then handed to the Roman Governor Pontius Pilate, who
:07:11. > :07:16.would decide his fate. Before condemning Jesus to death, he's
:07:16. > :07:21.presented as dithering in the face of an unpredictable crowd and
:07:21. > :07:26.afterwards washing his hands of the decision. Some on the streets had
:07:26. > :07:31.called Jesus King of the Jews prompting the soldiers to mock him,
:07:31. > :07:36.forcing him to wear a Crown of Thorns as he faced his fate. In the
:07:36. > :07:39.1840s, the Mayor of Preston faced a similar dilemma. Here mill workers
:07:39. > :07:44.were causing a civil unrest, striking over pay. There was a
:07:44. > :07:49.radical leader, an angry crowd and an authority figure needing
:07:49. > :07:54.literally to read the Riot Act. I should warn you what we're about to
:07:54. > :08:04.see, like the Passion itself, is brutal from the very start, and at
:08:04. > :08:18.
:08:18. > :08:23.Sam, Sam, wake up. What? What is KNOCKING
:08:23. > :08:31.I trust you have good grounds for disturbing me at this hour.
:08:31. > :08:41.believe I do, sir. We're looking for Cleasby.
:08:41. > :08:53.
:08:53. > :09:03.found him. Please, Sam. I've nothing to do
:09:03. > :09:37.
:09:37. > :09:47.Here's your warrant, Mr Dodds. Make Get up! On your feet! We're looking
:09:47. > :09:59.
:09:59. > :10:09.for Cleasby, George Cleasby. I am Have you nothing to say? Take him
:10:09. > :10:09.
:10:09. > :10:49.Apology for the loss of subtitles for 125 seconds
:10:49. > :10:59.Upon the mains contained in the Act, made in the first... Agh! I've read
:10:59. > :11:01.
:11:01. > :11:11.them the Riot Act. Would you stop fussing? Give them half an hour to
:11:11. > :11:12.
:11:12. > :11:22.disperse, Captain Campell. Where is he? Below, had him arrested on your
:11:22. > :11:28.
:11:28. > :11:34.counsel. Now this. Still bleeding. Many are the afflictions of the
:11:34. > :11:44.righteous, my boy, but the Lord delivereth him out of them all. The
:11:44. > :11:51.
:11:51. > :11:59.Lord delivereth him up to them all, Psalm, 34. Ca rbolic in warm water.
:11:59. > :12:09.I had a dream, that man you're looking for. Tilt your head. I'm
:12:09. > :12:11.
:12:11. > :12:16.sorry. Keep - keep still. Ah. Good. So what do we know about him?
:12:16. > :12:23.not from these parts, by all accounts. And what has he to say
:12:23. > :12:31.for himself? Keep pressing there. Nothing. He couldn't speak to me. I
:12:31. > :12:37.tried. He speaks to them - 3,000 in the marketplace the other day -
:12:37. > :12:45.plenty to say for himself - when it suits him, I suppose. Why didn't
:12:45. > :12:54.you arrest him then? The man is allowed to go into the marketplace,
:12:54. > :13:00.I believe. Is he allowed to preach sedition there? Sedition? Food and
:13:00. > :13:04.pay - that's all this is about. No, Mr Mayor. That is not what this is
:13:04. > :13:07.about. The social order in our great country is patterned on God's
:13:07. > :13:17.divine providence. And to upset that order, which is what they want,
:13:17. > :13:19.
:13:19. > :13:25.is to fly in the face of God. Now, there. Samuel, remember, you're a
:13:25. > :13:32.mill owner, and your father was a mill owner before you. And what has
:13:32. > :13:38.that to do with it? Gratitude. They should be grateful. Your family
:13:38. > :13:42.brought prosperity into this town. Now your order books are bare. You
:13:42. > :13:48.can't buy raw cotton for love nor money, and it's the same for the
:13:48. > :13:58.other mills. We are, all of us, at the mercy of... God? The markets.
:13:58. > :14:08.It's just that they can't feed their children. And I'm very sorry.
:14:08. > :14:08.
:14:08. > :14:18.But the poor will never cease from the land, Deuteronomy, 15.11.
:14:18. > :14:24.
:14:24. > :14:33.Ahh! Bishop! Bishop, are you hurt? This - this is revolution! Get
:14:33. > :14:43.Captain Campell. No, no! You can suppress this unrest. You - now,
:14:43. > :14:44.
:14:44. > :14:54.deal with it. Put it round his shoulders, Jack. That's it. Give us
:14:54. > :15:01.
:15:01. > :15:09.your stick. Now put your hat on his head. Oh. Now, then. Would you look
:15:09. > :15:19.at that? Ever so - a proper gent! LAUGHTER
:15:19. > :15:37.
:15:37. > :15:42.Hey! Show a little respect. Your Release him. What?! I've just had
:15:42. > :15:49.him arrested. Let him go among his people and stir them up. Then
:15:49. > :15:54.you've no choice but to act. maintain order? Precisely.
:15:54. > :15:59.whatever means at my disposal. 72nd Highlanders are at your
:15:59. > :16:08.disposal. Very well. But on this condition - the choice is his. He
:16:08. > :16:18.either bows to reason and flees the city or bares his breast for the
:16:18. > :16:28.bull. Do you agree? The choice is yours, Mr Mayor. No. No. It's his.
:16:28. > :16:40.
:16:40. > :16:47.I have a carriage waiting in the yard. And it will take you wherever
:16:47. > :16:51.you wish to go, but you must first give me your word that you will
:16:51. > :17:01.never return and you will desist from speaking in public. Do you
:17:01. > :17:09.
:17:09. > :17:19.Now, I warn you - if you do not take this money, there is no help
:17:19. > :17:37.
:17:37. > :17:41.# So you tyrants of proud Preston # Your race is nearly run
:17:41. > :17:50.# As you will have to answer to for all you've said and done
:17:50. > :17:54.# You may go to church or chapels # Your tyranny to hide - #
:17:54. > :17:59.Captain Campell! Is # But there can be no religion
:17:59. > :18:09.where such men as you preside. Release him. Release him!
:18:09. > :18:11.
:18:11. > :18:20.# So you tyrants of proud Preston # You go to church and chapels,
:18:20. > :18:26.your tyranny to hide # I've nothing to do with it. You
:18:26. > :18:36.promised me. You have it. Now deal with it. They have had half an hour,
:18:36. > :18:50.
:18:50. > :19:00.Sam! Sam, wake up. What? I had a dream - that man you're looking for.
:19:00. > :19:20.
:19:20. > :19:30.Oh, please, Sam. Have nothing to do It was his decision. It was nothing
:19:30. > :19:30.
:19:30. > :21:36.Apology for the loss of subtitles for 125 seconds
:21:36. > :21:41.# The chastisement of our peace The story of the crucifixion is
:21:41. > :21:43.called the Passion from the Latin "sufferering". The cross is the
:21:43. > :21:48.universally recognised symbol from which Christianity was born, a
:21:48. > :21:54.movement founded on the belief that Jesus's self-sacrifice was an act
:21:54. > :21:59.that brought hope to all those who survived him. That first dry, but
:21:59. > :22:02.his followers lost their leader and a mother lost a son, and such loss
:22:02. > :22:06.resonates here in Preston, where during the First World War, the
:22:06. > :22:10.railway station was a mustering point for young men from Scotland
:22:10. > :22:15.and the north of England being sent to fight in the trenches. The women
:22:15. > :22:19.of Preston set up a free refreshment room for the troops. By
:22:19. > :22:22.the end of the war they'd served hot tea and food to more than three
:22:22. > :22:28.million men. That story was discovered through letters like
:22:28. > :22:38.this one sent home from the front, and also through this - a hymn book
:22:38. > :22:38.
:22:38. > :23:35.Apology for the loss of subtitles for 125 seconds
:23:35. > :23:45.given to a local soldier, and it Dear Ma, we've advanced three miles
:23:45. > :23:53.
:23:53. > :24:00.I'll just go wait on the platform, shall I?
:24:00. > :24:10.I'll wait on the platform.
:24:10. > :24:28.
:24:28. > :24:29.Not long now.
:24:30. > :24:31.Then we'll know.
:24:31. > :24:36.One way or t' other.
:24:36. > :24:42.I'll see to those sandwiches.
:24:42. > :24:45.Send my love to dad.
:24:45. > :24:51.As soon as I get back, we'll go see North End lose again.
:24:51. > :24:56.You see looks on your mates' faces you don't see back home.
:24:56. > :25:04.It's a blindfold look.
:25:05. > :25:09.Say hello to Dolly Farmer for me.
:25:09. > :25:12.I have been thinking a lot about her.
:25:12. > :25:20.She's a sweet girl, Mum.
:25:20. > :25:21.I think you'd like her if you got to know her.
:25:21. > :25:23.We're getting quite settled here,
:25:23. > :25:29.and I'm getting used to the booming of Fritz's guns.
:25:29. > :25:35.I expect there will be cowslips on the path across from the church.
:25:35. > :25:37.Why couldn't they have just sent another telegram?
:25:37. > :25:39.That's what I'd like to know.
:25:39. > :25:41.It's Joe Cotton's boy.
:25:41. > :25:42.He's a Captain now, and he wanted to.
:25:42. > :25:44.Well, you know, it's more personal, like.
:25:44. > :25:47.Good of him to make the effort.
:25:47. > :25:48.At least the waiting will be over.
:25:48. > :25:50.Better knowing than not.
:25:50. > :25:51.Well, that depends, doesn't it?
:25:51. > :25:55.If it's him - if it's my Joseph, then I'd be proud.
:25:56. > :25:58.He's done his bit for King and country.
:25:58. > :26:00."He calleth his sheep by name."
:26:00. > :26:02.And if he's been called, then it's God's will.
:26:02. > :26:03.Well, I know our Alf's all right.
:26:03. > :26:05.How do you know?
:26:05. > :26:06.That Terry, the butcher's delivery boy -
:26:06. > :26:09.he's got a brother at the front, and his brother writes home
:26:09. > :26:13.to say how he saw our Alf the day after the push and...
:26:13. > :26:15.I'll go and fetch some more crockery, shall I?
:26:15. > :26:20.It's just next door. Ask Mrs Carver to show you.
:26:20. > :26:22.Now see what you've done - selfish, that's what you are,
:26:22. > :26:24.selfish to the core, always thinking of yourself!
:26:24. > :26:26.I was just saying!
:26:26. > :26:27.Well, don't.
:26:27. > :26:30.Can you see if your Alf's all right, then it's...
:26:30. > :26:40.Thanks.
:26:40. > :26:41.
:26:41. > :26:47.Thanks.
:26:47. > :26:49.It's Tom, isn't it, your boy?
:26:49. > :26:52.Thomas.
:26:52. > :26:54.You haven't said nowt about him.
:26:54. > :26:56.What's there to say?
:26:56. > :27:02.He's my son, and I love him, and I just wish he was at home now.
:27:02. > :27:04.Does Mr Melling know?
:27:04. > :27:06.He wanted to come with me to meet the train,
:27:06. > :27:09.but I didn't want to do that.
:27:09. > :27:13.I told him it were tomorrow.
:27:13. > :27:14.Why ever would you do that?
:27:14. > :27:16.I don't know.
:27:16. > :27:25.I just knew I didn't want him here, for his sake - and mine.
:27:25. > :27:27.What about you?
:27:27. > :27:31.Bill's been dead these seven years, and Alf's dad to the little ones.
:27:31. > :27:41.Have you talked to your Reg about it?
:27:41. > :27:46.
:27:47. > :27:47.Have you talked to your Reg about it?
:27:47. > :27:48.Of course I have.
:27:49. > :27:50.And what did he say?
:27:50. > :27:51.What he always says - nothing.
:27:51. > :27:54.He wouldn't know a bee from a bull's foot, that one.
:27:54. > :27:55.Well, he must have said something.
:27:55. > :27:57.Must he?
:27:57. > :27:59.He was talking about your Joseph the other day in the Four Ale bar,
:27:59. > :28:01.and he dotes on that boy.
:28:01. > :28:04.Why don't you just keep your nose out?
:28:04. > :28:06.Very sorry, I'm sure!
:28:06. > :28:08.Damn!
:28:08. > :28:09.Here, run it under the sink.
:28:09. > :28:11.Come on.
:28:11. > :28:14.There's lint in the cupboard, Mrs Cleasby, and iodine.
:28:14. > :28:16.Sorry I'm such a nuisance.
:28:16. > :28:19.Don't be silly.
:28:19. > :28:20.Here.
:28:20. > :28:21.Pass it here.
:28:21. > :28:26.Will you see to the sandwiches?
:28:26. > :28:31.Do you know what I miss most, apart from you, of course, Mother?
:28:31. > :28:33.Wearing pyjamas.
:28:33. > :28:36.Does that sound silly?
:28:36. > :28:39.And a few hot baths are in order.
:28:39. > :28:42.I'm scared, Mum.
:28:42. > :28:47.There are men dying all around me.
:28:47. > :28:50.I'm scared.
:28:50. > :28:52.Do me a favour, Ma.
:28:52. > :28:54.Ask Dad if he remembers wind in his face
:28:54. > :28:57.coming down Lupton Hill on his bike.
:28:57. > :29:03.I think about those days a lot.
:29:03. > :29:07.I remember we used to walk on the Cragg in t' rain ,
:29:07. > :29:12.but it weren't as cold as this.
:29:12. > :29:15.I wish you could see me in my tin hat and gas mask, Mum.
:29:15. > :29:18.Gas, gas!
:29:18. > :29:25.You'd all have a good laugh.
:29:25. > :29:30.When I'm marching it jiggles all over the' shop.
:29:30. > :29:36.I've a job to keep the thing from falling off.
:29:36. > :29:38.Have you talked to him yet?
:29:38. > :29:40.Who?
:29:40. > :29:42.Reverend Cookson.
:29:42. > :29:44.Well, what did he say?
:29:45. > :29:46.I have to put my trust in God.
:29:46. > :29:48.Aye.
:29:48. > :29:50.Yeah, he said the same thing to me,
:29:50. > :29:53.and I'll warrant he said the same to Betty and all.
:29:53. > :29:57.Now, the way I figure it, God's got to let one of us down.
:29:57. > :29:58.I don't see it that way.
:29:58. > :30:01.No, well...
:30:01. > :30:03.I'm sorry.
:30:03. > :30:06.It doesn't matter.
:30:06. > :30:09.I want to say something.
:30:09. > :30:11.How are we going to...?
:30:11. > :30:12.How do you mean?
:30:13. > :30:15.When we know who it is?
:30:15. > :30:17.Well, there's biscuits in the Powell's tin, and...
:30:17. > :30:19.What are we going to do?
:30:19. > :30:22.You know what I ask myself? I keep thinking,
:30:22. > :30:28.is this why I brought him into the world, such pain?
:30:28. > :30:32.I remember the pains, and it weren't nothing, nothing like this.
:30:32. > :30:34.Mrs Melling...
:30:34. > :30:36.Is this why I nursed him at my breast,
:30:36. > :30:39.why I picked him up and wiped away his tears when he fell,
:30:39. > :30:44.so that he could be taken from me and thrown to the German guns?
:30:44. > :30:46.And for what?
:30:46. > :30:47.Mrs Melling.
:30:47. > :30:53.You talk about duty and honour and glory, all of those things -
:30:53. > :31:03.men's words.
:31:03. > :31:08.
:31:08. > :31:16.Would you like to join me in a short prayer?
:31:16. > :31:21.Almighty and ever lasting Father, by whose grace...
:31:22. > :31:26.No need to look out for me, Mum.
:31:26. > :31:31.You'll hear me whistling from halfway down Blackpool Road.
:31:31. > :31:33.I'll have to close now
:31:33. > :31:37.because there isn't much more to say at present.
:31:37. > :31:47.Hoping you are well, your loving son, Alf.
:31:47. > :31:48.
:31:48. > :31:52.The shelling is about the worst I've known
:31:52. > :31:59.and the crying of the wounded and the dying such as I'll never forget.
:31:59. > :32:03.God bless you, Mum. I'll close now
:32:03. > :32:09.and pray that this is not the last letter I ever send to you.
:32:09. > :32:14.Your loving son, Joe.
:32:14. > :32:19.The queerest thing - last night I heard a nightingale sing.
:32:19. > :32:23.I thought I were dreaming, but others heard it too.
:32:23. > :32:27.I must have got lost.
:32:27. > :32:32.Nowt lives in this place. Send my love to Dad.
:32:32. > :32:42.I embrace you both, Thomas.
:32:42. > :32:42.
:32:42. > :33:46.Apology for the loss of subtitles for 125 seconds
:33:46. > :33:53.Some of the lads went back the next night
:33:53. > :33:58.to bury him and put up a cross.
:33:58. > :34:06.It's just a rough thing, really, to mark where he is.
:34:07. > :34:08.This is his.
:34:08. > :34:18.It... He was shot in the side.
:34:18. > :34:20.
:34:20. > :34:30.The bullet pierced the prayer book - and his heart.
:34:30. > :34:30.
:34:30. > :35:31.Apology for the loss of subtitles for 125 seconds
:35:31. > :35:38.You should go home to your husband and mourn your son.
:35:38. > :35:42.You don't understand.
:35:42. > :35:48.These are all my sons.
:35:49. > :35:52.Michael, you all right?
:35:52. > :35:56.It's good to see you.
:35:56. > :35:59.Hi, Ben.
:35:59. > :36:09.Glad to see you.
:36:09. > :36:30.
:36:30. > :36:40.# When I survey the wondrous cross
:36:40. > :36:46.
:36:46. > :36:53.# When I survey the wondrous cross
:36:53. > :37:02.# On which the Prince of glory died
:37:02. > :37:10.# My richest gain I count but loss
:37:10. > :37:20.# And pour contempt on all my pride
:37:20. > :37:34.
:37:34. > :37:34.Many
:37:34. > :37:34.Many people
:37:34. > :37:38.Many people have
:37:38. > :37:44.Many people have known the grief that comes from losing someone
:37:44. > :37:48.close, personal loss that mirrors the loss Jesus felt that first Good
:37:48. > :37:58.Friday. We're about to see the first of a number of letters people
:37:58. > :38:08.of the city wish they'd sent to # For bid it Lord
:38:08. > :38:34.
:38:34. > :38:44.# All the vain things # See, from His head
:38:44. > :39:20.
:39:20. > :39:30.# Were the whole realm # That were an offering
:39:30. > :39:30.
:39:30. > :40:11.Apology for the loss of subtitles for 125 seconds
:40:11. > :40:15.Christian tradition has for centuries predicted the Easter
:40:15. > :40:20.story in the Stations of the Cross. These number the stages of the
:40:20. > :40:26.Passion. The first is Christ's condemnation, continuing with him
:40:26. > :40:34.carrying the Cross, falling three times, being mocked and abused by
:40:34. > :40:38.some and helped by others, then finally, number 12 is the ultimate
:40:38. > :40:42.act of self-sack fietion, crucifixion, an act that has
:40:42. > :40:52.inspired others ever since, but what echoes of self-sacrifice can
:40:52. > :40:52.
:40:52. > :42:07.Apology for the loss of subtitles for 125 seconds
:42:07. > :42:13.MUSIC: "Miserere" One, two, three, four, five. Agh!
:42:13. > :42:16.Urgh! Bella, Scott's trying to do keepy-uppies, and he's rubbish at
:42:17. > :42:26.them. Come and show him how it's done.
:42:27. > :42:47.
:42:47. > :42:57.Ten, 11, 12, 13, 14... You all right? How's school?
:42:57. > :43:25.
:43:25. > :43:35.What did you do? English. Maths, You are so '80s, '90s. I am a
:43:35. > :43:35.
:43:35. > :46:14.Apology for the loss of subtitles for 125 seconds
:46:14. > :46:23.What's for tea? I'm hungry. Bella, All right, Bella? How's your mum
:46:23. > :46:33.doing? Got any beers in here? Ahh! Do you want them? Go get them.
:46:33. > :47:02.
:47:02. > :47:12.Oh, hiya! Oh, come here. Did you have a good day at school? Yes.
:47:12. > :47:21.
:47:21. > :47:31.That's great. Come on through. I've There we are. Oh, is that for me?
:47:31. > :47:32.
:47:32. > :47:38.Yes. Ah, thanks. Night-night. you know that new phone you have
:47:38. > :47:48.been going on about? Let's make it an early birthday present, shall
:47:48. > :48:02.
:48:02. > :48:10.we? Night-night. You all right, Bella? Bella? I'll
:48:10. > :48:20.give you a hand. Here. Give me the other bag. Ta. How's your mum? All
:48:20. > :48:23.
:48:23. > :48:33.right? So-so? Hey, love, I'm going to have to go now. Here you are.
:48:33. > :49:04.
:49:04. > :49:14.You're going to be all right, love? My mum says if you need a place to
:49:14. > :49:42.
:49:42. > :49:52.Hang on, ladies. Female in distress. Here. Use this.
:49:52. > :49:52.
:49:52. > :50:52.Apology for the loss of subtitles for 125 seconds
:50:52. > :51:00.Bella, what's for afters? Tah-dah! I made it for you. Here. It's an
:51:00. > :51:07.Easter garland. That's what Mrs Cummins says. It can be a crown!
:51:07. > :51:12.Hansel and Grettle searched for the breadcrumbs, but the birds have
:51:12. > :51:21.eaten them. They are lost in the forest. They see a house made of
:51:21. > :51:31.gingerbread and sweets. "Hello, children." An old lady stands in
:51:31. > :52:09.
:52:09. > :52:14.No matter what you do, Mum, I'll The photographs you can see
:52:14. > :52:18.represent tributes by people here to someone who has made a sacrifice
:52:18. > :52:28.for them. Others have brought pictures representing someone for
:52:28. > :52:28.
:52:28. > :54:49.Apology for the loss of subtitles for 125 seconds
:54:49. > :54:55.Jesus' suffering and death on the Cross on a hill above Jerusalem
:54:55. > :55:00.2,000 years ago is a story at the heart of Christianity retold
:55:00. > :55:04.generation after generation. Self- sacrifice and loss, love and hope -
:55:05. > :55:09.themes that you could find in any town and city in which we have seen
:55:09. > :55:14.echoed in the lives of the people here. For Christians, this time of
:55:14. > :55:20.year marks not an end, but a beginning, and that becomes clear
:55:20. > :55:23.on Easter Sunday when the story of the resurrection gives a cause for
:55:23. > :55:31.a celebration, and it's that upbeat side of this story that we turn to
:55:31. > :55:35.now in the uplifting words about to be sung live celebrated by everyone
:55:35. > :55:43.here and I hope at home too. Through the centuries, Christians
:55:43. > :55:53.everywhere have put it like this - "God so loved the world that He
:55:53. > :55:57.
:55:57. > :56:07.# Sometimes I feel like # Sometimes I feel like saying
:56:07. > :56:07.
:56:07. > :56:10.# Sometimes it seems that the going is just too rough
:56:10. > :56:15.# And things go wrong no matter what I do
:56:15. > :56:19.# Now and then it seems that life is just too much
:56:19. > :56:24.# But you've got the love I need to see me through
:56:24. > :56:33.# When food is gone you are my daily need
:56:33. > :56:38.# When friends are gone I know my Saviour's love is real
:56:38. > :56:41.# You know it's real
:56:41. > :56:43.# You got the love
:56:43. > :56:45.# You got the love
:56:45. > :56:55.# You got the love
:56:55. > :57:04.
:57:04. > :57:14.# Time after time I think # Time after time I think
:57:14. > :57:14.
:57:14. > :58:04.Apology for the loss of subtitles for 125 seconds