:02:20. > :02:26.I'm happy to still be in the tournament and be out there playing,
:02:27. > :02:29.whether it is good or bad. Every snooker player loves playing at the
:02:30. > :02:37.Crucible so you have to embrace it all. Then Ronnie O'Sullivan gave an
:02:38. > :02:41.astonishing interview to the press. I found Barry up four weeks ago and
:02:42. > :02:45.said I'm done with you and the board of people and I have a good friend
:02:46. > :02:51.who said, let my lawyers deal with it and I won't get involved because
:02:52. > :02:56.I am not being bullied. I'm not having people do that to me ever
:02:57. > :03:02.again. I'm fortunate I have a good friend who has good lawyers and
:03:03. > :03:10.they've got my back. I just want to play, have fun. I like Barry but I'm
:03:11. > :03:15.not being intimidated or bullied. I'm not prepared to put myself in a
:03:16. > :03:24.position where I'm in breach of the game. If I say something bad about
:03:25. > :03:32.the referees, the players, there are so many things, I'm tarnishing
:03:33. > :03:36.sport, I'm doing this, please, just drop me out, I've done 25 years
:03:37. > :03:41.service to this game, I think I've given enough to the game. I've
:03:42. > :03:46.helped and done my bit and I don't need that. I don't need you, you
:03:47. > :03:49.probably don't need me. I just want to enjoy my life and I'm not putting
:03:50. > :03:55.up with someone thinking they can threaten and bully me, it isn't
:03:56. > :03:58.happening. I have to just be sensible and maybe they can relax a
:03:59. > :04:05.bit and chill out and stop being so precious about everything. I'm not
:04:06. > :04:08.prepared to put myself in that situation any more. Extraordinary
:04:09. > :04:11.stuff from Ronnie O'Sullivan and remember, this all goes back to
:04:12. > :04:16.World Snooker bosses threatening to fine him if he said anything out of
:04:17. > :04:21.context, anything not associated with snooker. You will know if you
:04:22. > :04:25.have followed the tournament that in many interviews recently, he Hasan
:04:26. > :04:32.and Oasis song and also pretended to a robot. Onto our next match, two
:04:33. > :04:39.former champions going head-to-head the Crucible. Stuart Bingham taking
:04:40. > :04:43.on Peter Ebdon. In the ninth frame ebbed and needed four snookers to
:04:44. > :04:44.get back into the frame, he got three and this is what happened
:04:45. > :04:53.next. He needed four snookers and he just
:04:54. > :05:11.hammered a yellow. We can show you the yellow Stuart
:05:12. > :05:16.was faced with. He hit it quite hard.
:05:17. > :05:20.Look at this, he said the blue and the black were in good positions.
:05:21. > :05:36.APPLAUSE The green, if it had pulled up
:05:37. > :05:41.short, it would be very difficult to escape from. Just enough room to
:05:42. > :05:43.slip around the back of the green. In the end, it will only be one
:05:44. > :05:55.snooker. Slipped around the back of it?
:05:56. > :06:21.APPLAUSE Obviously, the more balls on the
:06:22. > :06:26.table, the more chance of snookers but he could pot the green and play
:06:27. > :06:27.off the brown and behind them but he doesn't really want to move these
:06:28. > :06:55.two. If he's looking at hitting that side
:06:56. > :07:00.of it, he is thinking of potting the green. I think you might be better
:07:01. > :07:10.going off the baulk cushion and making sure.
:07:11. > :07:32.APPLAUSE He fouled. So the green comes back
:07:33. > :07:36.up and there is a chance to get in behind the pink, sorry, the blue and
:07:37. > :07:42.black, so all of a sudden, I'm not sure what he did. Let's have a look.
:07:43. > :07:48.Was it the black coming back, was it?
:07:49. > :07:58.It didn't look as if he fouled the black. I know he was cueing very
:07:59. > :08:01.close to it, but it didn't look like it. I would have another look at
:08:02. > :08:17.that. Let's have another look at this. He
:08:18. > :08:26.is very close to it. Does the black move? I didn't see it move.
:08:27. > :08:37.Anyway, spoiled a chance, put the blue out of commission.
:08:38. > :08:55.He can tie at the moment at 25, the difference, with 25 on the table. He
:08:56. > :09:33.fouled the black so that was seven away.
:09:34. > :09:55.What does he do the? If he plays it at pace, you are not guaranteed to
:09:56. > :09:59.get the green safe. If you just land on it, you can still possibly leave
:10:00. > :10:12.the pot across it to the left corner.
:10:13. > :10:17.He needs the brown to come to his rescue here and I don't think it is,
:10:18. > :10:32.is it? Maybe. He played a fantastic shot when the
:10:33. > :10:35.foul was declared, when he touched the black, he came off the cushion
:10:36. > :10:41.and potted the green from a similar position. Is he going to play a
:10:42. > :11:12.similar shot? Can he flick the green in this time?
:11:13. > :11:20.If the green was straight, he would take it on and hole for the brown
:11:21. > :11:22.into the right pocket but it isn't straight so it will take some shot
:11:23. > :11:40.to get on the brown nicely. He is taking it on. Brilliant.
:11:41. > :11:49.Absolutely brilliant from Peter Ebdon. What a shot that was. And
:11:50. > :11:53.after all that has gone on here, we could have a re-spotted black. Who
:11:54. > :12:12.would have thought? Stuart Bingham can't believe what's
:12:13. > :12:17.happening here but this was a fabulous shot from Peter Ebdon. He
:12:18. > :12:27.needs the blue, pink and black for a re-spot. Four snookers, he needed
:12:28. > :12:41.and one stage and Stuart can't believe it.
:12:42. > :12:50.Oh, he's missed it... Have the mystic? APPLAUSE
:12:51. > :13:10.I bet when the pink set off, he thought he had missed it.
:13:11. > :13:20.Remarkable comeback from Peter Ebdon. He hasn't lost the final
:13:21. > :13:25.frame of this session just yet. And all you want to do now is win the
:13:26. > :13:34.toss and put your opponent in. Who is going to call? We talked earlier
:13:35. > :13:39.about the fight of Peter Ebdon and absolutely tremendous, I've got to
:13:40. > :13:43.say. The snookers he laid were really difficult ones. Looked a bit
:13:44. > :13:49.unfortunate for Stuart when he fouled the black. But you've got to
:13:50. > :13:58.give this man, Peter Ebdon, so much respect.
:13:59. > :14:05.That's the shot the modern-day players play rather than up and down
:14:06. > :14:23.the spots. That was the old shot. Oh, he's got a kick. He's had a
:14:24. > :14:31.kick. And I think when he did get the heavy contact, he thought he had
:14:32. > :14:36.to leave the black on. It's a thin snick. Peter is already looking at
:14:37. > :14:42.the angle of cutting the black in. We've had everything in this final
:14:43. > :14:47.session. The kick through it off at a different angle. He is still
:14:48. > :14:53.looking at the cutting angle of this. If he takes it on, he's got to
:14:54. > :14:58.be careful with the cue ball as well and keep it away from the corner
:14:59. > :15:03.pocket. This is the third time he has looked at this angle. It is a
:15:04. > :15:10.tough one. It is lower down than the black spot, very thin cut. He isn't
:15:11. > :15:15.going to play it dead weight, surely. Got to put some pace into
:15:16. > :15:25.it. Quite remarkable from Peter Ebdon. What a frame to steal from
:15:26. > :15:30.Stuart Bingham. And there is the old Peter Ebdon, come on, come on! We
:15:31. > :15:35.haven't seen that for a while. Four snookers he needed and he got them
:15:36. > :15:38.and now only one frame behind. It is 5-4. That's what it means to Peter
:15:39. > :15:50.Ebdon but he is still one behind. Great scenes inside the Crucible for
:15:51. > :15:54.Peter Ebdon and his fans. Let's look at that crucial moment. This is
:15:55. > :15:57.Stuart Bingham when he called the foul, doesn't even touch the black
:15:58. > :16:10.ball. After the match, Stuart went all dell boy on us.
:16:11. > :16:18.That match is still wide open. Our next high for you tonight sees the
:16:19. > :16:29.Belgian qualifier Lucas Brecel Kate Jenner Marco Fu who will won the
:16:30. > :16:34.Scottish open. Not many players in the game has made four centuries but
:16:35. > :16:41.Marco Fu has a tremendous achievement. I remember when he
:16:42. > :16:44.first came on the tour. His break-building was what made him
:16:45. > :16:48.stand out from everyone else. We would watch him, he and his father
:16:49. > :16:52.would set up the balls for a game and he would break the red and get
:16:53. > :16:57.through the table. In practice, he wouldn't miss. He would come in for
:16:58. > :17:02.another session later and he wouldn't miss then either. He would
:17:03. > :17:08.go into his match and would miss them either. And we would think none
:17:09. > :17:12.of us can win because he is so good. Technique is slightly different.
:17:13. > :17:18.It's another story but it is pretty sound, aside from, for me, a couple
:17:19. > :17:23.of things. He gets down and oddly, points the cue at the cue ball and
:17:24. > :17:29.doesn't really move. He doesn't feather or waggle that most of us
:17:30. > :17:34.do. He has an extremely long backswing and as he comes through
:17:35. > :17:42.the ball, his whole body lifts up and usually, as he strikes the cue
:17:43. > :17:46.ball, his head is off the cue. A little like Alan McManus. A little
:17:47. > :17:50.bit that more pronounced. Such a long backswing and wait at the back
:17:51. > :17:55.and then he moves forward and he decelerates into quite a lot of
:17:56. > :17:59.shots. He won't quite get the reaction of the cue ball sometimes
:18:00. > :18:03.that he has expected and I think that's because he is decelerating.
:18:04. > :18:08.We mention that sometimes when he is sitting in the chair, you think you
:18:09. > :18:12.might have missed one. As a player, when you are sat down, you are
:18:13. > :18:16.monitoring your opponent, trying to see if they have played a good shot.
:18:17. > :18:21.The textbook thing is to stay down until the ball goes in the pocket or
:18:22. > :18:26.is very close. Marco Botti and will play a shot where he will roll the
:18:27. > :18:31.ball to the pocket and then he's up off the shot and you think he's
:18:32. > :18:38.missed it. But then he is perfect. It happens all the time. He is so
:18:39. > :18:43.hard to read. That innocence is his strong suit, his break-building.
:18:44. > :18:51.Economy of effort with the cue ball. When he is on his A-game, his cue
:18:52. > :18:56.ball control is first class. His shot selection is always correct.
:18:57. > :19:00.And they sound defensive game. When he adapts to the conditions on the
:19:01. > :19:09.table, when he gets that cue ball under control, he is very difficult
:19:10. > :19:13.to beat. Some very kind words from John and Sean. This will be a tough
:19:14. > :19:21.match against the Belgian qualifier. Turned professional in 2011,
:19:22. > :19:25.runner-up in the German Masters 2000... He took the first frame,
:19:26. > :19:46.into the next, Fu to play. He thought the only one I can leave
:19:47. > :20:04.is the one I'm playing and that's exactly what he's done.
:20:05. > :20:13.Excellent positional shot and what a lovely angle he has two split the
:20:14. > :20:24.reds. This could go anywhere. GROANS FROM CROWD
:20:25. > :20:31.No! Oh, yes, in the end. Well... As you say, it could have gone
:20:32. > :20:35.anywhere. The one to the corner, same pocket as the Blackwood have
:20:36. > :20:41.been lucky, look at the one in the middle. When you are having a bad
:20:42. > :20:48.day, both of them would have gone in.
:20:49. > :20:56.This is over the pocket but it is not straightforward. Not as easy as
:20:57. > :21:05.it looked. Left with the black into the corner
:21:06. > :21:16.but there is pressure on this matter. If he misses it, he will let
:21:17. > :21:22.his opponent straight in. Adds a little bit of pressure to this
:21:23. > :21:23.particular pot. I think he walked round there just to build himself up
:21:24. > :21:35.to this. When you give it every chance to
:21:36. > :21:36.drop by playing at that pace but could have done with hitting it a
:21:37. > :21:55.little harder. Could not have played it better,
:21:56. > :22:04.just the kiss off the second red, perfect width. First impressions,
:22:05. > :22:05.John, Lucas Brecel is putting some really difficult balls and killing
:22:06. > :22:23.really well at the moment. And also, he has got a measured look
:22:24. > :22:27.about him at the table and sometimes he was accused, like a lot of young
:22:28. > :22:29.players, just rushing the shots. No sign of that. This is a decent
:22:30. > :22:46.chance. I'm not quite sure what he has
:22:47. > :23:06.played for there. Nothing, looking from behind the
:23:07. > :23:10.pocket. Strange shot. Yes, surprised why he left that side, all he had to
:23:11. > :23:19.do was put the cue ball anywhere up the middle of the table. There were
:23:20. > :23:22.three or four roads he could have potted anywhere around the pink. He
:23:23. > :23:30.could have found a gap anywhere around the pink with the cue ball.
:23:31. > :23:34.He played a cannon on one of those on the right-hand side, those two
:23:35. > :23:38.red but there was no need to do that, as you say, just get the cue
:23:39. > :23:40.ball in the middle of the table and have your choice of the reds. That
:23:41. > :23:45.careless. That was brilliant. That was
:23:46. > :24:05.brilliant. What a shot. That was fantastic and a good
:24:06. > :24:40.follow-up with the black as well. Have a look at this read. -- red.
:24:41. > :24:48.Add a little chat with him after he qualified and he said he was really
:24:49. > :24:51.nervous in his first couple of qualifying matches, particularly
:24:52. > :24:54.against Joe swale and the second match he got through ten friends to
:24:55. > :25:00.aid but he felt much better after that and couldn't wait to get out
:25:01. > :25:09.and play in the Crucible, he was very excited.
:25:10. > :25:17.Certainly not showing any nerves at the moment. He is looking very
:25:18. > :25:20.relaxed and enjoying the experience which is what you've got to try to
:25:21. > :25:29.do. Easier said than done, of course.
:25:30. > :25:40.Could have done with getting into that a bit more. He could play this
:25:41. > :25:46.into the far left corner. Solid, right in the centre of the pocket.
:25:47. > :25:48.APPLAUSE He will be disappointed if he
:25:49. > :26:40.doesn't win the frame now. Just coming over three minutes for
:26:41. > :26:41.this break and it's been fantastic. Some great pots, positional play,
:26:42. > :26:56.very quick stuff. Luca Brecel. His shot time coming down rapidly
:26:57. > :27:12.noted just 18 seconds. He may move the red off the side
:27:13. > :27:13.cushion to continue the break. Yes. Contemplating about making a
:27:14. > :27:30.century. Not that I think it will last for
:27:31. > :27:36.one minute but the highest break at the moment is held by Ronnie
:27:37. > :27:43.O'Sullivan. Lovely positional shot from Luca. A possible 138 on here.
:27:44. > :27:51.That could take some beating. APPLAUSE
:27:52. > :28:11.Absolutely brilliant. This has been top-quality. He is
:28:12. > :28:15.taking the blue so a possible 136 now. Just needs to bounce a bit,
:28:16. > :28:22.needs to bounce a bit. That was careless.
:28:23. > :28:34.But a marvellous break. A gift to see. Marco Fu, it's all been looked
:28:35. > :28:43.at Brecel. Two frames, 2-0. JASON MOHAMMAD: He took the next two to
:28:44. > :28:44.lead. Let's join the action in frame number five. Marco Fu leading by
:28:45. > :29:06.eight. If you were in Marco Fu's corner,
:29:07. > :29:08.what would you be saying to him in the interval? That's what Wayne
:29:09. > :29:13.Griffiths had to do in the practice room with him, what you think would
:29:14. > :29:17.have been said? I think as we were saying, the season he has had on the
:29:18. > :29:20.way he has been playing, just keep those positive thoughts in your
:29:21. > :29:29.mind. Surely you are going to get chances. I think now, it's a damage
:29:30. > :29:30.limitation. If he can get out of this 6-3, I think he would be
:29:31. > :29:44.pleased. As I say, these matches, as we look
:29:45. > :29:55.at Marco's view, this is a good shot. He could knock a read towards
:29:56. > :30:00.the right corner, and he has done. -- red. He has got a decent white
:30:01. > :30:08.and that will make the sport more difficult. You also have to tell
:30:09. > :30:14.yourself that it is the best of 19 -- pot. Oh dear, it never rains but
:30:15. > :30:34.it pours. This is sometimes what happens.
:30:35. > :30:37.Everything seems to be going the way of Brecel at the moment and that is
:30:38. > :30:47.because he is playing very very well. It is not just the fluke, it
:30:48. > :31:05.is what you make of it. The pink obviously pots into the
:31:06. > :31:08.bottom pocket and I think the red will go into the other pocket. If
:31:09. > :31:14.things were really working out well, the pink will not be available and
:31:15. > :31:20.that will suit Luca down to the ground. Does it go on its own spot?
:31:21. > :31:28.Paul Collier is checking. It doesn't. It goes on the black spot.
:31:29. > :31:33.That makes things a lot easier. Particularly if the pink goes to the
:31:34. > :31:48.opposite corner as this red. It obviously does. Purposely finishing
:31:49. > :31:55.low on the pink. To pot the pink, amongst the reds, that is the one he
:31:56. > :32:13.is on. That brings a couple more reds into play.
:32:14. > :32:27.Nicely on the blue, hopefully the blue top one past it and go into the
:32:28. > :32:36.pack of reds. It was a bit more measured. He didn't have to split it
:32:37. > :32:48.with too much pace. Absolutely perfect.
:32:49. > :32:56.The pink spot is now available. Needs to play a good position, a
:32:57. > :33:03.little screw but do not hit this too hard, a chance with the back spin to
:33:04. > :33:07.take effect. That's OK. The pink spot is now available, but he has
:33:08. > :33:08.got one in the middle and if the pink goes to the left corner, the
:33:09. > :33:49.balls could not be better placed. My shot mostly on this red into the
:33:50. > :33:55.bottom right-hand corner. -- night shot. The pink into the same pocket.
:33:56. > :34:06.All he has to do is mind his walk here and then he will put another
:34:07. > :34:07.frame on the board. Costly fluke, it really was.
:34:08. > :34:32.APPLAUSE. That always used to annoy you
:34:33. > :34:36.sometimes. What a fluke that was. You say he got the fluke, but after
:34:37. > :34:41.that he played the ball as well. If it had not been for the fluke, he
:34:42. > :34:44.would not have been at the table. Sometimes you get a fluke and it
:34:45. > :34:54.gets you out of trouble but you do not win the frame from it, but in
:34:55. > :35:03.this case, Marco Fu... He paid the ultimate price. Yeah, he must be
:35:04. > :35:13.suffering, Marco, this season he has had. It must be a real shock to his
:35:14. > :35:24.system. And this pink, and one more red and he will drop five behind,
:35:25. > :35:32.5-0! Did not see this coming. All he needs is a red and A collar. This
:35:33. > :35:41.red would put him 58 ahead with 59 remaining -- and a colour. Perfectly
:35:42. > :36:00.played, no problem. APPLAUSE. And look at those points
:36:01. > :36:02.scored, 400. Against 44. 406 now. Gone again. It lasted about six
:36:03. > :36:17.minutes, just over. I tell you what, the referee is
:36:18. > :36:20.going to need a pair of trainers following Luca Brecel around. He is
:36:21. > :36:29.playing so quick at the moment, Luca Brecel.
:36:30. > :36:35.I was just thinking in the fourth round, the one before the
:36:36. > :36:38.mid-session, it was a little bit edgy as though the lead was getting
:36:39. > :36:44.to him and he was starting to look over his shoulder. OK, it started
:36:45. > :36:47.with a fluke, but he has not been looking over his shoulder sense, he
:36:48. > :36:51.has been playing really well. Lucky to have the chance. -- looking over
:36:52. > :37:10.his shoulder sense. He just gets on with it. Goes for
:37:11. > :37:18.shots. Hits the ball very cleanly. Now the pink, for his second century
:37:19. > :37:21.of the match. He made 109 in frame two and he needs the pink. This is
:37:22. > :37:34.for the hundred. Let's hope he doesn't need a new
:37:35. > :37:43.tip! That was enough. It started with a fluke, but he will not mind
:37:44. > :37:47.that. Marco Fu now trails by five frames to zero. Amazing stuff, Marco
:37:48. > :37:51.Fu finally got a frame on the board. Nobody could believe just how badly
:37:52. > :37:53.he was playing and we are talking about one of the most consistent
:37:54. > :38:59.players on the tour. Final frame of this session, Luca
:39:00. > :40:11.Brecel to break. He could use the red just above
:40:12. > :40:12.that. Just pushing the pace. Slow the cue ball down and he has done
:40:13. > :40:31.that nicely. He has had a look at the pink spot.
:40:32. > :40:36.If it is available after he pots the pink. I don't think it will affect
:40:37. > :40:42.things too much, it may spot or it may not, but if it doesn't, it goes
:40:43. > :40:45.to highest available and there is nothing available, and it goes
:40:46. > :40:47.directly in line with the black in the top cushion here, behind its own
:40:48. > :40:58.spot. But if it goes at the back of the
:40:59. > :41:05.pack, I still think this red is going to be on, the one that is
:41:06. > :41:08.pottable into this bottom corner pocket. It may just squeeze onto its
:41:09. > :41:37.own spot. Decided to play on the loose red and
:41:38. > :41:44.possibly go forward the blue here. Maybe a ball colour.
:41:45. > :41:55.Nice angle on the blue now, straight into the pink with a lot of pace
:41:56. > :42:10.here. It is a good split. APPLAUSE.
:42:11. > :42:17.John, you might know more than me over the history of 40 years here at
:42:18. > :42:25.the Crucible but if he does win this brain 7-2, can you remember many
:42:26. > :42:29.people coming back from that deficit? I remember Nigel Bond
:42:30. > :42:34.coming back against Cliff Thorburn, 8-1 down. Yeah. He finished up
:42:35. > :42:48.winning 10-9. I mean it's not beyond the realms of
:42:49. > :42:56.possibility. You know as a snooker player, you should look at it, if he
:42:57. > :43:03.can win five on the trot, so can I! This match will be played to a
:43:04. > :43:11.finish tomorrow evening. So, a good night's sleep, a day on the practice
:43:12. > :43:15.table and Marco will be coming out with a five frame deficit the which
:43:16. > :43:23.way it goes. It looks as though this frame is in the bag now and he has
:43:24. > :43:32.picked up his pace. Important couple of frames. The opening couple of
:43:33. > :43:37.frames for Marco Fu and the next session of course, if he can get, if
:43:38. > :43:43.he can win the first couple, it will put a little bit of pressure on his
:43:44. > :43:49.opponent. But he must get off to a good start after securing this round
:43:50. > :43:56.of course, in the next session. And that should do it, 70 points, nicely
:43:57. > :44:13.on the blue and he is only 67 remaining.
:44:14. > :44:22.I was thinking as well, you get funny atmospheres but tonight it
:44:23. > :44:27.seems everyone is a bit stunned by what they have seen, a lot of people
:44:28. > :44:33.fancied Marco Fu for the Championship before the start. It is
:44:34. > :44:42.like Luca Brecel has stunned everyone, including Marco.
:44:43. > :44:47.Absolutely. He would have been sort of an outside bet outside of the top
:44:48. > :44:54.six players, Marco Fu. Particularly the way he has played this season.
:44:55. > :45:07.It has been a different story tonight. Marco Fu. But he has given
:45:08. > :45:14.himself a small chance tomorrow. All things considered, well played,
:45:15. > :45:25.Marco, to stay focused like this and make the tonne, it is a credit to
:45:26. > :45:31.him. He will not believe that. -- he will not believe it is over.
:45:32. > :45:41.Marco, congratulates Luke Gunn. A great performance. He is in trouble
:45:42. > :45:49.still, the Belgian bullet Luca Brecel leads Marco Fu overnight 7-2.
:45:50. > :45:55.Tough evening for Marco Fu, elsewhere Mark Allen leads Jimmy
:45:56. > :46:00.Robertson, the English qualifier who has never won here by 5-4 and
:46:01. > :46:05.congratulations to Kyren Wilson who reached the quarterfinals last year,
:46:06. > :46:11.he saw off but challenged by fellow Englishman David Grace earlier in
:46:12. > :46:13.the day. Always nice, especially in your first-round match, you feel
:46:14. > :46:18.like you're part of the tournament now. It was a little bit of a
:46:19. > :46:23.scrappy match, there were ups and downs, David is a Crucible
:46:24. > :46:28.debutante, so he did very well on his debut and I managed to sort of
:46:29. > :46:37.maybe take advantage of a few first-time nerves.
:46:38. > :46:45.If he has got the snooker behind the blue, that is a stunner, what a
:46:46. > :46:54.shock that is, absolutely fabulous. That was absolutely sensational. The
:46:55. > :47:01.double-kiss on the yellow, William. -- brilliant. Great shot from the
:47:02. > :47:06.man making all the headlines. That is just about it from us but snooker
:47:07. > :47:10.extra is up next with extended highlights of Sean Murphy and we
:47:11. > :47:15.will be back at ten o'clock with more live coverage from the Crucible
:47:16. > :47:17.early in the morning and then back at one o'clock. Plenty more to come
:47:18. > :47:19.from the Crucible, bye for now.