:00:37. > :00:43.Deal evening. If you have just been watching Strictly, exactly the same
:00:43. > :00:48.logic applies tonight here in York's Barbican Centre, because it
:00:48. > :00:53.takes two class players to make a great semifinal. Happily, we can
:00:53. > :00:57.oblige, because we have world number four, Shaun Murphy, a winner
:00:57. > :01:02.of this event and the world title, against Ali Carter, a former world
:01:02. > :01:06.number two and twice a Crucible run up. And these two have already
:01:06. > :01:09.familiarise themselves with this new look one-table set-up here in
:01:09. > :01:19.the Barbican Centre, because they played the opening eight frames of
:01:19. > :01:21.
:01:21. > :01:31.this contest it on it this COMMENTATOR: A place you do not
:01:31. > :01:31.
:01:31. > :02:16.Apology for the loss of subtitles for 45 seconds
:02:17. > :02:25.Another fantastic long pot. It is He played it a bit further... Where
:02:25. > :02:35.is the red going? The things that happen on a 6ft table. He leads 4-2.
:02:35. > :02:57.
:02:57. > :03:01.Shaun Murphy shakes his hand. You have got to say that Ali Carter
:03:01. > :03:07.definitely had the run of the ball, but it could change this evening
:03:07. > :03:11.when they go into the final session and the man from Essex his 5-3 in
:03:11. > :03:18.front. And Ken Doherty knows exactly what
:03:18. > :03:26.it takes to get to a UK final. has been quite tight. Ali got off
:03:26. > :03:31.to a good stop. -- a good start. However, Shaun has been getting
:03:31. > :03:37.some good chances, particularly in the early exchanges, and he has not
:03:38. > :03:43.been making the most of them. Carter's problems have been well
:03:43. > :03:48.documented over the last 12 months. He was all for giving up this game.
:03:48. > :03:52.What it changed for his fortunes and his health, but how badly do
:03:52. > :03:56.you think he needs a big title like this? He has been knocking on the
:03:56. > :04:00.door. One or two tournaments overseas. He really needs to win on
:04:00. > :04:05.home soil. He will try to put it right this week and he's one of
:04:05. > :04:09.those players that has bundles of talent, it is just a matter of
:04:09. > :04:13.getting a win. He will be going in to try to do his best but there is
:04:13. > :04:19.a loss of talent, it is just a matter of getting that little break
:04:19. > :04:22.and beating a top player. Shaun Murphy finds himself five defeats
:04:22. > :04:28.in the eight matches played so far and he finds himself down in this
:04:29. > :04:33.one. What needs to change tonight? He is creating good opportunities.
:04:33. > :04:37.He is a great long potter but when he gets those opportunities he has
:04:37. > :04:47.to capitalise on them. I think they are ready backstage. Let's get them
:04:47. > :04:52.
:04:52. > :04:56.out there. The man for the job as This is the second semifinal of the
:04:56. > :05:00.UK Championship. Let's get this action under way. We are in store
:05:00. > :05:05.for a great night of entertainment. Please welcome, first of all, a
:05:05. > :05:12.player making his second appearance in the UK semifinal, beating Stuart
:05:12. > :05:22.Bingham in the quarters, back to form, back to fitness, flying high,
:05:22. > :05:43.
:05:43. > :05:47.MUSIC: "Spectrum" by Florence and And his opponent, a class act on
:05:47. > :05:57.and off the Ghillie, what a let-off he had yesterday against Luca
:05:57. > :06:07.Brecel, but he held his nerve and here he is, Shaun Murphy, the
:06:07. > :06:28.
:06:28. > :06:36.MUSIC: "He's a Pirate" by Klaus HAZEL IRVINE: A possible nine more
:06:36. > :06:43.frames to play, best of 17. Stephen Hendry, Dennis Taylor, good evening.
:06:43. > :06:49.Dennis Taylor good evening, Hazel. This match poised and the opening
:06:49. > :06:59.frame is going to be so important here with Ali having a two frame
:06:59. > :07:11.
:07:11. > :07:21.Stephen Hendry the first frame is a little more important for Shaun
:07:21. > :07:47.
:07:47. > :07:50.The match is coming up to two Corus and 53 minutes. This would be a
:07:50. > :08:00.great way to start the evening session, if Shaun can hit this long
:08:00. > :08:01.
:08:01. > :08:11.one in. That is terrific fear stop that is the sort of start you want,
:08:11. > :08:18.
:08:18. > :08:28.He has been first in quite a few frames. He can bring a few more
:08:28. > :08:40.
:08:40. > :08:48.He got plenty of action on that and That was a bit like one of your
:08:48. > :08:58.golf shots, Stephen, when used in the ball back on the green. -- when
:08:58. > :09:14.
:09:14. > :09:19.They have not been many frames won One century break from Ali. But
:09:19. > :09:25.there is not a lot to separate these two. I did not see the last
:09:25. > :09:31.frame but it looked to be a very close one. At one stage it looked
:09:31. > :09:41.as though it was going to be 4-4. Ali looked like he won that one on
:09:41. > :09:57.
:09:57. > :10:01.the black and that was a key point I think he could hear a bit of
:10:01. > :10:11.noise coming from one of the earpieces. The referee asked for it
:10:11. > :10:12.
:10:12. > :11:48.Apology for the loss of subtitles for 45 seconds
:11:48. > :11:58.He leads to call a. It is a fast That shot could pave the way for
:11:58. > :12:09.
:12:09. > :12:19.That is unlucky. I say it is unlucky, the red has gone towards
:12:19. > :12:21.
:12:21. > :12:31.the middle pocket, but it is He has two balls to bridge over
:12:31. > :12:49.
:12:49. > :12:59.A deserved round of applause, because this audience knew that
:12:59. > :13:04.
:13:04. > :13:14.Maybe he has not done so well with his position, unless he can get
:13:14. > :13:34.
:13:34. > :13:38.He has gone too far. Just that one Just that the shot when he screwed
:13:38. > :13:48.up to the reds that caused the problem. And the chance of a
:13:48. > :14:08.
:14:08. > :14:18.He has done that a few times today, Is it was going into the three
:14:18. > :14:31.
:14:31. > :14:39.He wanted a full-ball contact on that. He is OK but with the full-
:14:39. > :14:49.ball contact he would not have had to use the extended rest. But what
:14:49. > :14:49.
:14:49. > :15:35.Apology for the loss of subtitles for 45 seconds
:15:35. > :15:45.a great opportunity to deal an Just OK. He almost ran on to that
:15:45. > :15:51.
:15:51. > :16:01.red. That is pretty tight, isn't it, He had to put it in-off the jaw
:16:01. > :16:35.
:16:35. > :16:45.He has probably just come back a little bit further than he intended.
:16:45. > :16:48.
:16:48. > :16:58.He wanted to have his hand on the table there rather than the cushion.
:16:58. > :17:05.
:17:05. > :17:15.Right in the centre of the pocket. You could hear the big sigh,
:17:15. > :17:20.
:17:20. > :17:30.He just did not aim low enough on the cue ball. That is why it folic
:17:30. > :17:44.
:17:44. > :17:53.through more than he wanted. This He has tried to hold it and that is
:17:53. > :18:03.pretty good. He knew he was going to leave himself a medium length
:18:03. > :18:17.
:18:17. > :18:21.pot but good cueing to knock the Once again, he did not pot the red
:18:21. > :18:26.in the centre of the pocket, and that is why the white has run away.
:18:26. > :18:31.There might be a chance to take it into the middle pocket. He is right
:18:31. > :18:41.back into the frame. He is only five points behind. The black
:18:41. > :19:06.
:19:06. > :19:16.These middle pockets are tied, Stephen. It was a good shot. Yes,
:19:16. > :19:16.
:19:16. > :19:57.Apology for the loss of subtitles for 45 seconds
:19:57. > :20:07.For he has gone up for the baulk colours and I do not blame him for
:20:07. > :20:25.
:20:25. > :20:35.He just over-screwed the shot on the yellow here. And he missed that
:20:35. > :20:49.
:20:49. > :20:59.Yes, a couple of little hiccups But he knows the importance of this
:20:59. > :21:17.
:21:17. > :21:27.I think the referee just made a It does not matter. The fact he got
:21:27. > :21:29.
:21:29. > :21:38.the wrong side of the blue. The He really is a tough competitor,
:21:38. > :21:45.And even that pink, an absolute cracker, right in the centre of the
:21:45. > :21:55.pocket. Shaun Murphy it opened the break at 46, but what a response.
:21:55. > :21:59.
:21:59. > :22:05.That 79 break has given him a free When you think about what led Ali
:22:05. > :22:09.in... Yes, he is fantastic out get in the long pot and getting in
:22:09. > :22:13.amongst the reds and they all of a sudden, he will split the reds and
:22:13. > :22:17.create a perfect opportunity to create a frame and a break from one
:22:17. > :22:21.visit, then all of a sudden he loses a bit of concentration, and
:22:21. > :22:25.look at this yellow. It is a straightforward shot. He over-
:22:25. > :22:31.screws it, he puts himself in a much more difficult position to pot
:22:31. > :22:34.this red and keep the break going. And even through that break he was
:22:34. > :22:38.in total command of the cue ball and that is what his problem has
:22:38. > :22:41.been throughout this match, he is creating great opportunities for
:22:41. > :22:47.himself by knocking in this fantastic long balls but he is not
:22:47. > :22:52.clinical enough when he gets in. When Ali he got in here was totally
:22:52. > :22:58.clinical. You think the problem here could be concentration, when
:22:58. > :23:03.he is in these good positions? has cued dutifully. There is no
:23:03. > :23:07.doubt about that. But he is just lacking that bit of killer instinct
:23:07. > :23:11.let Stephen Hendry or John Higgins or even Ronnie O'Sullivan, that
:23:11. > :23:16.Monday get that one opportunity, they have to win the frame in one
:23:16. > :23:20.visit. Even a 60 break at this level is not good enough. You may
:23:20. > :23:27.be nit-picking but those are the levels these guys are playing at.
:23:27. > :23:37.That opening frame of the evening has certain -- certainly given a
:23:37. > :23:44.
:23:44. > :23:54.nice comfortable cushion for Ali COMMENTATOR: He has come down the
:23:54. > :24:07.
:24:07. > :24:11.table after two reds Is he going to cover everything? I
:24:11. > :24:15.think Shaun might be able to plant one red onto the others. The only
:24:15. > :24:19.thing is the black has gone near the cushion, pink is out of
:24:19. > :24:23.commission. Might have to hit the cushion first and just get round.
:24:23. > :24:30.He is just looking at that, so that is a possibility, and he could
:24:30. > :24:35.finish on the blue or baulk colour. If he hits the cushion first the
:24:35. > :24:45.white will swing around the back of the red. A little bit unlucky. It
:24:45. > :25:02.
:25:02. > :25:07.was a good idea. There is pressure That tells us something. That
:25:07. > :25:17.smooth dew action is under pressure, after what happened in the opening
:25:17. > :25:33.
:25:33. > :25:43.Look where the blue has finished up Look at the action he got on that,
:25:43. > :25:46.
:25:46. > :25:51.Let's have a look at this. Amazing. While you were in the studio this
:25:51. > :26:01.afternoon, I just had a 15 minute practice session on the table. I
:26:01. > :26:37.
:26:37. > :26:43.-- I have never known cloth so He has got that cue ball under
:26:43. > :26:48.control. When you are cueing like this and playing well, you can
:26:48. > :26:58.control the speed of the cloth. It is beautiful to play on when you
:26:58. > :27:04.
:27:04. > :27:08.are playing well. If you are You have seen the difference
:27:08. > :27:18.between the player that his 6-3 ahead and the player that his 6-3
:27:18. > :27:40.
:27:40. > :27:50.I am not sure if he wasn't trying He has nothing to work with, with
:27:50. > :28:11.
:28:11. > :28:21.He did well to get at close to the If he can get on the blue on the
:28:21. > :28:27.
:28:27. > :28:37.other side, he can go into the pink You could see the terrific amount
:28:37. > :28:49.
:28:50. > :28:59.of right-hand side he had on that, Yes, he's taking your advice,
:29:00. > :29:00.
:29:00. > :29:10.Playing for the black because of the red that is next to the cue
:29:10. > :29:12.
:29:13. > :29:22.He is obviously thinking like a seven times world champion out
:29:23. > :29:23.
:29:23. > :30:03.Apology for the loss of subtitles for 45 seconds
:30:03. > :30:11.Now with the black on its spot, a As Hazel mentioned, he has got a
:30:11. > :30:18.great record against Shaun. He has beaten Shaun five times, to Shaun's
:30:18. > :30:23.three wins. The only two session match they played was the 2008
:30:23. > :30:33.World Championship and the score then was 13-fork To Ali Carter.
:30:33. > :30:43.
:30:44. > :30:53.That just shows you how great he is. He has overscrewed it unless the
:30:54. > :30:56.
:30:56. > :31:06.red next to the pink is available. Two shots ago, he had a simple shot
:31:06. > :31:24.
:31:24. > :31:34.to drop on the black. A careless It is not much of an angle. He
:31:34. > :31:41.
:31:41. > :31:51.wants to move it closer to the That one wiped its feet. It wobbled
:31:51. > :32:23.
:32:23. > :32:30.He has got himself 50 points ahead and has put Shaun on a snooker.
:32:30. > :32:40.lesson to all amateur players. When you break down, try to put the cue
:32:40. > :33:08.
:33:08. > :33:11.ball in a place worthy opponent is If he gets the correct contact on
:33:11. > :33:16.the red, he has every chance of making it twice across the table.
:33:16. > :33:24.It has hit the brown but the reds are all safe. He was trying to get
:33:24. > :33:29.in snooker again. Difficult to go twice across the table. Shaun needs
:33:29. > :33:39.the reds open. He will have to be careful and Peter very good cue
:33:39. > :33:48.
:33:48. > :33:58.ball. -- needs a very good cue ball. There is very little sticking out
:33:58. > :34:15.
:34:15. > :34:25.past the blue. The referee had a You can clearly see he can get past
:34:25. > :34:41.
:34:42. > :34:49.He knew the cue ball was going to be cannoning the bunch of reds. A
:34:49. > :34:53.great long pot. It would have cost him the frame if he had missed that.
:34:53. > :34:58.It landed a little bit awkward. Probably playing the blue in the
:34:58. > :35:08.centre. The red nearest the pink will go either to the right centre
:35:08. > :35:13.
:35:13. > :35:18.He potted the blue in-off the right side of the pocket. That is the
:35:18. > :35:24.white have -- that is why the white has gone a little further than it
:35:24. > :35:34.would have done. One good pot, one good positional shot and he will
:35:34. > :35:45.
:35:45. > :35:55.get himself back into prime All the frames are important but 7-
:35:55. > :36:21.
:36:21. > :36:24.3 or 4-6, it is a vast difference. Someone was wandering around the
:36:24. > :36:34.have been there. He looked like he had got lost. I don't know what
:36:34. > :36:55.
:36:55. > :37:05.He kept his focus, though. These clearances are important feel in
:37:05. > :37:39.
:37:39. > :37:42.self belief. It gives you such a This crowd at the Barbican Centre
:37:42. > :37:52.has really got involved in this match. They are encouraging both
:37:52. > :37:54.
:37:54. > :37:58.I think they would like to see a close semi-final here once again.
:37:58. > :38:08.It has been close for the last week. Terrific crowds here at the
:38:08. > :38:26.
:38:26. > :38:33.Probably play for the blue here. He has gone just the wrong side so if
:38:33. > :38:43.he screws back, he may take the yellow. He has gone a little bit
:38:43. > :38:51.
:38:51. > :38:55.Two absolutely cracking frames to start receiving's session. Ali
:38:55. > :39:04.Carter, when he had that break of 51, looked as if he was going to
:39:04. > :39:14.secure the frame. As you mentioned, this will do a lot for Shaun's
:39:14. > :39:40.
:39:40. > :39:49.confidence and give Ali something He has come a little bit short. He
:39:49. > :39:59.needs the blue and he needs the pink. But safely in the corner
:39:59. > :40:05.
:40:05. > :40:08.Another cracking frame of snooker. Ali Carter with a break of 51 look
:40:08. > :40:15.like he was going to make enough but he did not and what a response
:40:15. > :40:21.from Shaun Murphy. That was a fabulous 59 break and he is two
:40:21. > :40:27.behind at 4-6. Showing a lot of character there. It is important to
:40:27. > :40:33.show your opponent that you are not wilting. He won three frames down
:40:33. > :40:39.for the first time in the match and that was an important clearance to
:40:39. > :40:44.make. Ali was in and had a 50 break and then he played a shot that just
:40:44. > :40:50.left Shaun in. I did not think he could hit it this thick. It but
:40:50. > :40:55.like he could only get past the blue. He hit it a little bit
:40:55. > :41:04.thicker and the white just pulled up. What a shot he played here.
:41:04. > :41:08.was a fantastic long red. In that situation, Shaun got the
:41:08. > :41:12.opportunity of a long shot and went for it. They are very positive shot
:41:12. > :41:22.because he played it with a little touch of side purposely. He went
:41:22. > :41:26.
:41:26. > :41:36.into the reds and opened the frame REFEREE: Frame 11, Shaun Murphy to
:41:36. > :41:45.
:41:45. > :41:51.COMMENTATOR: A few late comers coming back in just behind Ali so
:41:51. > :42:01.he is going to wait for a minute. REFEREE: Take your seats quickly,
:42:01. > :42:01.
:42:01. > :42:11.please. Ali will be taking this left to
:42:11. > :42:19.
:42:19. > :42:25.I don't think he played the pot there. That was just a safety shot.
:42:25. > :42:35.It was the kind that Shaun locked in on the opening frame. Ali
:42:35. > :42:52.
:42:52. > :43:02.I don't think he can see enough of that red to pot it. No. But at
:43:02. > :43:20.
:43:20. > :43:26.least that gets the frame back to And the if Shaun can see enough of
:43:26. > :43:34.this red, he will take it on. He is normally very good but he has got
:43:34. > :43:38.to make sure he gets a good cue ball. He can stun across off the
:43:38. > :43:48.side cushion on to the black but he would not leave a great deal. He
:43:48. > :43:52.
:43:52. > :44:02.would be thinking that the red was He got the white. He did not get
:44:02. > :44:16.
:44:16. > :44:24.the main part. I expected him to I think every player hates this
:44:24. > :44:27.type of frame when you get a bunch of reds but the other end. You have
:44:28. > :44:35.to keep your patience and concentration. The important thing
:44:35. > :44:41.is bringing the cue ball back and trying to get as tight as possible.
:44:41. > :44:50.It reduces the amount of shots your opponent can play as they are not
:44:50. > :44:57.able to get the cue ball to the bottom and screwed back easily. --
:44:57. > :45:07.screw it back. That is the case here. It is almost tighten the
:45:07. > :45:26.
:45:26. > :45:36.cushion. He is going to try and get You could see he didn't realise how
:45:36. > :45:37.
:45:37. > :45:47.much the balls would jump around on the table. He actually hit the red
:45:47. > :46:10.
:46:10. > :46:20.before the cue ball hit the table. Ali not managing to get the cue
:46:20. > :46:25.ball tight so a comfortable shot for Shaun here. A slight chance of
:46:25. > :46:35.a cross double with maybe the red on the right side. But an easy
:46:35. > :46:43.
:46:43. > :46:47.We have had two frames where we had breaks of 46, 49, 51 and 59 and now
:46:47. > :46:57.because the reds are at the other end of the table, we are having a
:46:57. > :47:24.
:47:24. > :47:28.tactical frame. The players can't His first choice was to get up with
:47:29. > :47:38.the butt of the cue in the air and get back towards the pink. He needs
:47:39. > :47:48.
:47:48. > :47:52.The red he centre around the table finished near the blue. Looking at
:47:52. > :48:02.the face of Ali Carter there, very determined. It tells me that he is
:48:02. > :48:15.
:48:15. > :48:19.What about that for a shot? Absolutely superb cueing and not
:48:19. > :48:22.only that - he has got the perfect angle on the black to split the
:48:22. > :48:32.reds and he has got that red closest to the black to give him a
:48:32. > :48:32.
:48:32. > :49:50.Apology for the loss of subtitles for 45 seconds
:49:50. > :49:54.bit of insurance. 10 out of 10 for It is amazing how this frame has
:49:54. > :49:57.changed in a matter of minutes. The reds are starting to get knocked up
:49:57. > :50:04.the other end of the table and it looked like we were going to have
:50:04. > :50:14.stalemate. All of a sudden with that fantastic long pot, and he has
:50:14. > :50:15.
:50:15. > :50:18.got himself in prime position. Sometimes when you get a little 10
:50:18. > :50:27.minutes safety bout, it can interrupt your concentration when
:50:27. > :50:35.it comes to potting the balls. changed this whole frame around
:50:35. > :50:39.with just one shot that he played. The reds were getting knocked up
:50:39. > :50:46.the other end. He got the white up their thinking he would leave it
:50:46. > :50:53.safe and then the frame changed around. If he gets the cannon here,
:50:53. > :51:03.the red he could cannon will put him on five reds. Beautifully
:51:03. > :51:19.
:51:19. > :51:23.It is a sign of how well a player is striking the ball. If you do not
:51:23. > :51:32.hit the ball correctly, you do not had the cannon that you wish to
:51:32. > :51:42.make. He can more or less but that cue ball wherever he wants at the
:51:42. > :51:44.
:51:44. > :51:48.moment. The -- put. He may be just let it run through a bit further
:51:48. > :51:52.than he intended. If he just plays a natural stun shot, he could slip
:51:52. > :51:59.away from the reds but he is having a little think about it. He can use
:51:59. > :52:09.the reds as a stopper. If they are all pottable, you do not want to
:52:09. > :52:10.
:52:10. > :52:20.But he did and he is OK. He played to slide past that red. He just
:52:20. > :52:23.
:52:23. > :52:33.caught it but he knew these reds He needs one more good shot to get
:52:33. > :52:47.
:52:47. > :52:57.In the previous frame, he got to 51 and looked like he was going to
:52:57. > :53:27.
:53:27. > :53:37.take the frame. Similar situation A bit higher than he would like on
:53:37. > :53:52.
:53:52. > :53:57.the black up. He can play it with a Not many pots away from securing
:53:57. > :54:04.this frame and opening up the three frame advantage again. It is
:54:04. > :54:07.getting tougher now. He is looking at the three reds to see if they
:54:08. > :54:13.will go into the right corner. He cannot play for the black and will
:54:13. > :54:23.have to go for the blue. That one goes. Red, blue and then back up
:54:23. > :54:28.
:54:28. > :54:38.Just enough angle. I think he can run through off the cushion and
:54:38. > :54:43.
:54:43. > :54:53.I think he can follow through and just come out of the cushion there.
:54:53. > :55:03.
:55:03. > :55:12.I am sure that red will go. We've He could force it over without
:55:12. > :55:16.using the cushion. He just needs this red and one more colour. He is
:55:16. > :55:26.still looking at it but our last camera angle showed you that that
:55:26. > :56:03.
:56:03. > :56:10.Occasionally in the past, Ali Carter can sometimes look a little
:56:10. > :56:18.bit suspect. He has been fully focused in this tournament. He does
:56:18. > :56:28.the previous frame when he made a break of 51 but he has bounced
:56:28. > :56:36.
:56:36. > :56:46.It is also easy to have a good temperament when you 1 7-fought up.
:56:46. > :56:52.
:56:52. > :56:56.Shaun Murphy concedes the frame. That is a fantastic break from Ali
:56:56. > :57:00.Carter. He has a three frame advantage again.
:57:00. > :57:04.A three frame lead firmly re- established. It was really made by
:57:04. > :57:10.that absolute blistering opening red from Ali Carter. It is a
:57:10. > :57:16.fantastic standard but the guys have set tonight. One chance
:57:16. > :57:20.snooker. Have a look at this fantastic cueing. Shaun has potted
:57:20. > :57:23.some fantastic long balls but look how well he cues this. Straight
:57:23. > :57:28.into the middle of the pocket. Look at the position on the black, as
:57:28. > :57:34.well. Ali has been really clinical. Every time he has gone in, he looks
:57:34. > :57:37.very composed. His temperament is totally intact. Down the years, it
:57:37. > :57:42.has sometimes been suspect, probably to the detriment of Ali
:57:42. > :57:46.Carter, but he looks very focused. He is cueing really well. To what
:57:46. > :57:51.extent is the change in temperature due to the fact he does not seem to
:57:52. > :57:55.be as hard on himself when he is missing? Is that crucial?
:57:55. > :57:59.Absolutely. It is always good to be annoyed with yourself but not to
:57:59. > :58:03.the extent that it affects your game. He seems more in control of
:58:03. > :58:06.himself. He is not banging his cue as he used to or getting really
:58:06. > :58:14.upset with himself. That can sometimes upset your game but this
:58:14. > :58:17.time, he ducks recomposed. This is the 12th frame. -- he looks really
:58:17. > :58:21.composed. We have to leave it. We hope we
:58:21. > :58:26.have given you a tantalising taste of this session which may be enough
:58:26. > :58:32.to tempt you to hit your red button or continued to follow it via the