:00:47. > :00:52.Welcome back to the big-time! Mark Welcome back to the big-time! Mark
:00:52. > :00:57.Joyce beats the world No. 1 and reigning champion. That is the end
:00:57. > :01:07.of this year's UK Championship for Mark Allen. Mark Williams, gracious
:01:07. > :01:09.
:01:09. > :01:12.in defeat. Absolutely brilliant, John Higgins. Maximum break. Neil
:01:13. > :01:19.Robertson, I would think he is absolutely shell-shocked. Mark
:01:19. > :01:25.Selby somehow has turned it around. He missed a couple of pinks which
:01:25. > :01:28.would have got him into the semi- final. Shaun Murphy goes through.
:01:28. > :01:35.Ali Carter congratulates Shaun Murphy on quite a remarkable
:01:35. > :01:41.comeback. Great performance from Mark Davis. But it is Mark Selby
:01:41. > :01:44.going through to the final. He has going through to the final. He has
:01:44. > :01:48.got a big match facing Shaun Murphy. Something to really look forward to.
:01:48. > :01:53.Good afternoon. This unforgettable sporting year might be closing but
:01:53. > :01:58.we have still got a couple of big prizes to claiming 2012, starting
:01:58. > :02:04.today at the York Barbican Centre in the final of this Championship.
:02:04. > :02:09.They are playing for a first prize of �125,000. That has got to
:02:09. > :02:13.improve the quality of your Christmas list. But if it is
:02:13. > :02:23.quality you are after, quality you shall get. With the newly-restored
:02:23. > :02:25.
:02:25. > :02:30.world No. 1 Mark Selby facing the I think it is going to be very
:02:30. > :02:34.tough game. He would not give you anything. We are really good mates
:02:34. > :02:37.but that will be left behind in the dressing room. When we step out
:02:37. > :02:46.there we will try to kill each other. We will love the banter
:02:47. > :02:50.because of it. He is a great player. We have known each other a long
:02:50. > :02:55.while and we are great friends of the table but on the table we will
:02:55. > :02:59.try to beat each other but we will still be friends. We go back such a
:02:59. > :03:04.long way and we have always said to each other it would be nice to play
:03:04. > :03:09.each other in a final. It would be amazing. I looked at the roll of
:03:09. > :03:13.honour when we got here last week and I saw the names and we have got
:03:13. > :03:17.some serious names on that trophy. Some people have taken it more than
:03:17. > :03:27.once and that is an even smaller group and they are going to go down
:03:27. > :03:28.
:03:28. > :03:31.in history. To have a chance of joining that club... It would be an
:03:31. > :03:35.amazing feeling just to win the tournament with the standard the
:03:35. > :03:45.way it is at the moment. It is a great achievement to win the second
:03:45. > :03:47.
:03:47. > :03:52.biggest tournament on our calendar. come through the junior ranks
:03:52. > :03:58.together but they have never met in a major final before. Murphy has
:03:58. > :04:02.the edge in previous professional encounters at 8-5. But be just a
:04:02. > :04:08.from Leicester had the last laugh in the air and the other long
:04:08. > :04:12.format match at the Crucible five years ago. Factor all of that into
:04:12. > :04:17.years ago. Factor all of that into your computations. It is certainly
:04:17. > :04:22.one of the biggest stages in a player's career. Steve Davis and
:04:22. > :04:28.Ken Doherty now without major finals. This would be a significant
:04:28. > :04:32.victory for either player for different reasons. Shaun Murphy was
:04:32. > :04:37.asked how he would feel about being a multiple champion and cementing
:04:37. > :04:43.his place in the game. But it could be considered more important for
:04:43. > :04:47.Mark Selby. The best in the world but yet to win this championship.
:04:47. > :04:52.In the eyes of players around the world, they are monumental great
:04:52. > :04:59.players anywhere. Who is it more important for? We are splitting
:04:59. > :05:04.hairs. And I have not got as many as you! Who has played better to
:05:04. > :05:09.get to the final and is it important? They have both had a
:05:09. > :05:17.difficult road to the final. Luca Brecel could have put one of them
:05:17. > :05:22.out of this tournament. And that match against Neil Robertson. As
:05:22. > :05:27.the tournament has gone on, they have got better. Shaun Murphy has
:05:27. > :05:31.kicks on more. But Mark Selby and his matchplay and instincts of
:05:31. > :05:36.keeping him there even when he is not playing well, his game is so
:05:36. > :05:43.good. No matter what he brings to the table, it will always be a
:05:43. > :05:52.tough match with M. It will be fascinating. Can you pick a winner?
:05:52. > :05:56.No! It is going to go very close. It will be 10-8, or 10-92 either
:05:56. > :06:04.player. The best thing we can do is to get the players in the
:06:04. > :06:08.auditorium. -- 10-9. What a climax we have got in store for this
:06:08. > :06:18.year's UK Championship. It has been an epic week and we have got an
:06:18. > :06:36.
:06:36. > :06:40.epic showdown. Without further ado, Please welcome a class act on and
:06:40. > :06:47.off the baize. His comeback against Ali Carter in the semi-final was
:06:47. > :06:52.one of his greatest moments in the game. Attempting a second UK title,
:06:52. > :06:58.the 2005 world champion, he has had a sublime week and can he keep it
:06:58. > :07:08.going? We can find out. Ladies and gentlemen, shorn of the Magician
:07:08. > :07:38.
:07:38. > :07:43.And his opponent, one of the most colourful characters on the circuit.
:07:43. > :07:48.A brilliant comeback this week against Ryan Day and Neil Robertson.
:07:48. > :07:54.He recaptured the world No. 1 spot last night. He is bidding for his
:07:54. > :08:04.first UK title. Ladies and gentlemen, the Jester from
:08:04. > :08:27.
:08:27. > :08:32.HAZEL IRVINE: This is and has the makings of a great afternoon and a
:08:32. > :08:37.great final and guiding us through the opening frames in the best-of-
:08:37. > :08:41.19 his A-team that has seen some great sessions already. Stephen
:08:41. > :08:46.Hendry and Dennis Taylor. Good afternoon everybody at home and
:08:46. > :08:52.what a reception both players have got at the Barbican Centre. Both
:08:52. > :09:00.had a standing ovation. We have had at the this audiences all week here
:09:00. > :09:10.and I just hope the final lives up to expectations. -- fabulous
:09:10. > :09:23.
:09:23. > :09:33.REFEREE: The first frame. Shaun Shaun Murphy won the toss and
:09:33. > :09:35.
:09:35. > :09:40.elected to break. This is the First to 10 frames. Ken Doherty and Steve
:09:40. > :09:50.Davis would not commit themselves and I do not blame them. It is
:09:50. > :10:06.
:10:06. > :10:16.tough to decide who is going to be I agree with Steve Davis, Mark
:10:16. > :10:33.
:10:33. > :10:37.Selby just getting to world No. 1, I think it is important to cement
:10:37. > :10:44.your ranking by winning one of the big events. After the World
:10:44. > :10:48.Championship, this is the next biggest. The UK, the World
:10:48. > :10:57.Championship at the Masters. They are the top tournaments in the
:10:57. > :11:07.world. They are all pretty difficult to win. Shaun Murphy as
:11:07. > :11:21.
:11:21. > :11:31.won or three. -- has a won or free. His safety is going to have to be a
:11:31. > :11:31.
:11:31. > :11:40.lot better. On that occasion he was a bit unlucky. He could not take
:11:40. > :11:44.the green on but he has got second best. He has blocked the path to
:11:44. > :11:54.the red and with a red either side of the bunch, not easy for Mark
:11:54. > :12:05.
:12:05. > :12:12.He just got into it too much and didn't finish on the green. And he
:12:12. > :12:18.was in a bit of a whole, to say the least. Shaun Murphy has got another
:12:18. > :12:28.chance. Black tied up. Lou available. I am not sure about the
:12:28. > :12:35.
:12:35. > :12:45.pink. It might go into the left- Pink also available to the middle
:12:45. > :12:53.
:12:53. > :13:00.I think he needed a day off after that match against Ali Carter. To
:13:00. > :13:06.come back after five frames was an unbelievable performance. I am not
:13:06. > :13:16.sure what is best, to have a day off, or playing the day before the
:13:16. > :13:33.
:13:33. > :13:41.final. But it certainly helps to He just nudged it back when he was
:13:41. > :13:48.putting it back to the balls. has been referee in three finals in
:13:48. > :13:55.China. It is a big day for him, as the white gaze into the bunch. A
:13:55. > :14:02.possible pot in the right middle. He did not get high enough on the
:14:02. > :14:12.blue with the cue ball. It is difficult to generate enough speed
:14:12. > :14:32.
:14:32. > :14:42.That day of rest does not seem to have made much difference. He
:14:42. > :15:10.
:15:10. > :15:20.started today the way he finished It might take a while to get the
:15:20. > :15:33.
:15:33. > :15:43.pink. It has got to go behind the Pink and black are totally out of
:15:43. > :15:48.the game at the moment. He has not got the angle to go into the bunch.
:15:48. > :15:58.It is imperative he gets the correct angle on the blue to go for
:15:58. > :16:09.
:16:09. > :16:14.It looks like he is going a bit too far. He is looking at the blue but
:16:14. > :16:24.you can tell by that expression that he doesn't like it. We keep
:16:24. > :16:28.
:16:28. > :16:38.talking about his power. Watch the It was never going to be easy, but
:16:38. > :17:12.
:17:12. > :17:22.He could do with a touching ball, just to resolve this. He cannot run
:17:22. > :17:46.
:17:46. > :17:50.Back to normal after that shot. He can take the white up the table.
:17:50. > :18:00.The natural angle from that red would just take him up past the
:18:00. > :18:09.
:18:09. > :18:19.He is going thin. That is close to the pocket. In fact he almost got a
:18:19. > :18:21.
:18:21. > :18:31.snooker. He just got that much too thin. I did not think that is a
:18:31. > :18:36.
:18:36. > :18:41.three-ball plant. But hang on there. He is wondering if he can make that.
:18:41. > :18:51.It would be macro 4 balls but he might squeeze is away. -- a for all
:18:51. > :18:58.
:18:58. > :19:08.He does not look to have settled, Mark Selby. He has made a few
:19:08. > :19:08.
:19:08. > :20:04.Apology for the loss of subtitles for 56 seconds
:20:04. > :20:14.Nice touch, Shaun Murphy. Tight on No escape for Mark Selby. Using
:20:14. > :20:15.
:20:15. > :20:25.this end as a safety and sending the red back-up. He might have left
:20:25. > :20:39.
:20:39. > :20:42.at red next to the pink. I think that could go. That is surprising.
:20:42. > :20:52.If the white at not been tight on the cushion, this would have been
:20:52. > :21:13.
:21:13. > :21:20.And that just shows you how lively the cloth is. A bit of a
:21:20. > :21:30.distraction did not help Shaun Murphy. He had to get back down
:21:30. > :21:42.
:21:42. > :21:52.Well, he will take that. He has now got the perfect angle on the blue
:21:52. > :21:57.
:21:57. > :22:04.Just this growing at the moment. He did not intend to hit the knuckle
:22:04. > :22:14.of the pocket but it could not have turned out better. As you say, he
:22:14. > :22:19.
:22:19. > :22:25.will take it. But he has got to be I think he was worried about that.
:22:25. > :22:35.He thought he might plant the two reds into the colour pocket. He did
:22:35. > :22:35.
:22:35. > :23:25.Apology for the loss of subtitles for 56 seconds
:23:25. > :23:31.A bit of a problem here. There is his wife in the middle. And her
:23:31. > :23:41.sister and his manager and his manager's wife, or coming all the
:23:41. > :24:02.
:24:02. > :24:11.way from Russia. Did Michael Ladies, That was the first quality safety
:24:11. > :24:19.shot he has played in this final so far. An excellent shot to find the
:24:19. > :24:29.path between the balls next to the cushion. They are both fantastic
:24:29. > :24:31.
:24:31. > :24:37.tactical players. We are getting a bit of everything in this final. We
:24:37. > :24:47.will see some high breaks and high- quality safeties. The referee has
:24:47. > :25:20.
:25:20. > :25:30.asked the audience to turn down a I like that shot. Bringing the
:25:30. > :25:40.
:25:40. > :25:50.black in to play. A very good, positive safety shot. He could
:25:50. > :26:14.
:26:14. > :26:24.avoid the black here. Out of the REFEREE: Can you please make sure
:26:24. > :26:36.
:26:36. > :26:43.It is always nice to draw first blood. You were one of the best at
:26:43. > :26:53.winning the opening frames, along with Steve Davis. You were winning
:26:53. > :27:08.
:27:08. > :27:18.throughout the 1990s as he was The Barbican Centre here in York
:27:18. > :27:34.
:27:34. > :27:43.That is what these players practise all hours for, to be in places like
:27:43. > :27:48.this in one of the biggest tournaments in the season. If you
:27:48. > :27:58.cannot get a buzz from playing games like this, then you will
:27:58. > :28:35.
:28:35. > :28:43.never get a buzz, would you? Still He has not quite got the angle to
:28:43. > :28:49.take this red into the corner and finish on the black. He will maybe
:28:49. > :28:59.try and pot this. It would not leave a great deal but it still
:28:59. > :29:01.
:29:01. > :29:07.He forced the angle to get on to the black and look where the red
:29:07. > :29:17.has come, right over the middle pocket. It was just pace keeping
:29:17. > :29:20.that red out. When they rattle in the jaws, they go out to be called
:29:20. > :29:30.a pocket usually but he has been unlucky and it has come out towards
:29:30. > :29:44.
:29:44. > :29:54.The green is going to be awkward because of the free reds. That is
:29:54. > :30:08.
:30:08. > :30:18.why he is taking the blue. -- three Great shot and a good cue ball. He
:30:18. > :30:24.
:30:24. > :30:29.has certainly played into an area You are looking at two players who
:30:29. > :30:39.turned professional together, grown up in my game together and they are
:30:39. > :30:53.
:30:53. > :30:59.two fantastic ambassadors more the It does not matter how close you
:30:59. > :31:09.are off the table, all the table it is a whole new ball-game. -- on the
:31:09. > :31:27.
:31:27. > :31:37.A quick glance at the scoreboard, if he can get the two loose reds
:31:37. > :31:37.
:31:37. > :32:30.Apology for the loss of subtitles for 56 seconds
:32:30. > :32:36.with colours, the frame will be Surprising mess on the blue --
:32:36. > :32:46.missed that a snooker needed. will be annoyed at missing that
:32:46. > :32:46.
:32:46. > :34:44.Apology for the loss of subtitles for 56 seconds
:34:44. > :34:54.He would like to have seen or read disappear because every chance to
:34:54. > :35:03.
:35:03. > :35:07.get now, but he cannot really hold He did try to force that to come
:35:07. > :35:17.back round the table so he is having to take the long pink. This
:35:17. > :35:19.
:35:19. > :35:23.And he looks over at Shaun and says that is enough for this frame. No
:35:23. > :35:27.big breaks, the balls were a little bit awkward but Shaun Murphy has
:35:27. > :35:31.done what he wanted to do and he started the match by taking the
:35:31. > :35:36.opening frame. HAZEL IRVINE: 26 minutes for the
:35:36. > :35:41.opening frame, a bit cagey, obviously it. Ken and John and tell
:35:41. > :35:45.me, the two styles of these guys. What sort of final tee you think it
:35:45. > :35:50.lends itself to? I think it looks like it could be a close final
:35:50. > :35:58.because of the styles of play. I am not saying that Mark Selby is that
:35:58. > :36:02.much slower than Shaun but slightly more... How shall we say it, a more
:36:02. > :36:08.of a match player. Selby can make it difficult match plate which is
:36:08. > :36:12.probably the way he will look at this final if he is not at the best.
:36:12. > :36:15.He has played well but overall has not been at his best. A I it think
:36:15. > :36:21.it is important for Shaun Murphy, when he gets the chance to close
:36:21. > :36:24.out the frame, he should have closed it out like with that blue.
:36:24. > :36:29.He wants to kill off the frame, said his energy for the next one
:36:29. > :36:32.rather than letting Selby drag on and playing for snookers because
:36:32. > :36:37.that can come back and take a bit out of you towards the end of the
:36:37. > :36:42.match. What has been so good in this match, a serious business out
:36:42. > :36:45.there at the table but before they went out to play, very seldom do
:36:45. > :36:49.you get two finalists in the same practice room having a laugh and
:36:49. > :36:52.joke. They are obviously great friends and it was lovely to see
:36:52. > :37:01.the level of relaxation between these two men before they went out
:37:01. > :37:04.DENNIS TAYLOR: That can happen. My best friend on the service -- best
:37:04. > :37:14.friend on the circuit was Cliff Thorburn, and we probably hated
:37:14. > :37:26.
:37:26. > :37:32.each other with a dependence on the The only thing with Mark Selby, I
:37:32. > :37:36.hope he does not try too hard to get that big major under his belt.
:37:36. > :37:42.Sometimes when you try too hard, it doesn't happen but he is well
:37:42. > :37:49.experienced. He has been the world number one on a number of occasions.
:37:49. > :37:59.A terrific amount of experience. He will have to call on all that
:37:59. > :38:25.
:38:25. > :38:30.It all depends how the balls will split up. It dictates how the match
:38:30. > :38:35.will be. If you get the big colours going safe early on, you will get
:38:35. > :38:38.tactical play more. You never know with a game of snooker how they
:38:38. > :38:48.will break up at the beginning of a frame.
:38:48. > :38:54.
:38:54. > :39:04.Have a look at that shot! How hard did he cue that, Stephen?
:39:04. > :39:04.
:39:04. > :39:13.stunning long pot. And the queue power. -- cue power, is phenomenal.
:39:13. > :39:23.A great shock to have in your To be able to do that with very
:39:23. > :39:50.
:39:50. > :39:59.little at that is a huge advantage. Not a bad set to return shot there.
:39:59. > :40:04.-- not a bad safety return. The white stops and then starts to spin
:40:04. > :40:06.back and we can show you with the black and white ball, it is amazing,
:40:06. > :40:16.watch how it stopped there and almost certain it picks up speed
:40:16. > :40:38.
:40:38. > :40:46.and keeps on coming back. All done And now a useful snooker behind the
:40:46. > :40:49.yellow. Mark immediately will be looking through to a route behind
:40:49. > :40:59.the red and he is so close to the yellow, it will not be easy to find
:40:59. > :41:06.
:41:06. > :41:11.If he can get enough side on this, he can get across the table twice
:41:11. > :41:21.to get there but there's a red a slightly in the way it there and he
:41:21. > :41:21.
:41:21. > :41:27.Possibly if he could see enough of that he could get was a cross and
:41:27. > :41:37.land on that red, I am not sure if that red is... The line is in the
:41:37. > :41:52.
:41:52. > :41:57.wake there, said he has got an That was a slightly more risky
:41:57. > :42:07.escape but may be a two-cushion escape, he was frightened of
:42:07. > :42:36.
:42:36. > :42:40.hitting the road that was to the I am not sure if he can hold this
:42:40. > :42:46.white or whether he will try to go round the table to get back up to
:42:46. > :42:56.the reds. Lots of colours in the way. He has avoided the brown and
:42:56. > :43:26.
:43:26. > :43:35.The black now on the green spot, I think the pink pots to the right
:43:35. > :43:43.corner pocket. He has got a choice with this road. It depends where
:43:43. > :43:53.the pink will be re-spotted, of He does not want to block another
:43:53. > :44:12.
:44:12. > :44:15.He keeps so still on the shot, Shaun. One of the players that
:44:15. > :44:25.doesn't seem to have any movement in his head when he delivers the
:44:25. > :44:26.
:44:26. > :44:31.cue. It is very difficult to Even on the power shots, he seems
:44:31. > :44:41.to keep his head perfectly still in contrast to Mark Selby who moves
:44:41. > :45:00.
:45:00. > :45:06.around a little bit on the shot. If he gets on a roll, the way he
:45:06. > :45:14.played against Ali Carter, and get a few frames against Mark Selby in
:45:14. > :45:20.front, he will take some stopping. The cannon on the brown this helped,
:45:20. > :45:30.he ever had that. He removed the red from the black spot and played
:45:30. > :45:33.
:45:33. > :45:42.to get on the black there and One of the things that Shaun does
:45:42. > :45:46.more than any player, he tends to play a lot of position shots and
:45:46. > :45:56.overhit them. He times the ball so well but possibly it is more
:45:56. > :46:32.
:46:32. > :46:36.reaction from the cue ball than I am not sure if the red next to
:46:36. > :46:44.the pink... He is looking at it now to see if it will go in the left
:46:45. > :46:54.corner. It is pretty tight, that. As we bring our camera in, it's
:46:55. > :47:06.
:47:06. > :47:16.Shaun not taking any risk for He looked the more comfortable of
:47:16. > :47:26.the two players. -- looks. He has got his first frame on the board,
:47:26. > :47:39.
:47:39. > :47:42.hasn't he? Always settles you down. It will be interesting to see if he
:47:43. > :47:52.plays for that read now, the one next to the pink after potting this
:47:53. > :47:57.
:47:57. > :48:07.He has played a can -- Cannon, that was very well played with the rest.
:48:07. > :48:11.
:48:11. > :48:21.He is definitely one of the top two or three players in the world with
:48:21. > :48:28.
:48:28. > :48:38.94% is very impressive. I am glad they did not have those statistics
:48:38. > :48:43.
:48:43. > :48:49.when I was playing! It would be The white is in, the white is in.
:48:49. > :48:53.Awkward cueing and he never thought the white would go in. It was some
:48:53. > :49:00.shot to put the red from that position but a trick shot to get
:49:00. > :49:07.the white in also. And is there a possible plant here to be made?
:49:07. > :49:17.Could that be a turning point? Two reds there to the left and he might
:49:17. > :49:34.
:49:34. > :49:39.just plant the second one into the As you can see, it had to be made.
:49:39. > :49:49.A choice of playing the yellow with a rest or playing the green in the
:49:49. > :49:59.
:49:59. > :50:09.He is choosing the first choice. It is much easier to control with
:50:09. > :50:40.
:50:41. > :50:44.I was going to suggest he would play a cannon but it did not look
:50:44. > :50:54.like he played that because he did not hit it that hard. Still on this
:50:54. > :50:59.
:50:59. > :51:05.Has he finished straight on this red? Yes, he has got a bit of
:51:05. > :51:15.angled to screw out on the black. In fact, he could stand out on to
:51:15. > :51:25.
:51:25. > :51:35.A bit of an early turning point in the match, Shaun was on his way to
:51:35. > :51:49.
:51:49. > :51:59.leading 2-0. And tell that in-off. He has got a slight angle and the
:51:59. > :52:09.
:52:10. > :52:19.last thing he wanted to do was He will probably play off two
:52:20. > :52:25.
:52:25. > :52:30.REFEREE: Can you put that camera I think there was someone with a
:52:30. > :52:40.camera, the referee spotted him saying he is having the cue ball
:52:40. > :52:47.
:52:47. > :52:57.He is giving him a Colin Montgomerie Tapper of look there! -
:52:57. > :53:12.
:53:12. > :53:22.Played beautifully. That was a superb position shot
:53:22. > :53:49.
:53:49. > :53:53.So he needs the brown. Giblin and Even the great players never settle
:53:53. > :54:03.until they get the first frame on the board. He has left it awkward
:54:03. > :54:23.
:54:23. > :54:31.but he only needs the pinks so he Well played, Mark Selby!
:54:32. > :54:39.Shaun Murphy a bit unlucky but that was a superb clearance at 54 from
:54:39. > :54:42.Mark Selby and nothing to pick between the players, one from all.
:54:42. > :54:47.-- one frame all. The first to 10 but very important, that frame,
:54:47. > :54:50.because Shaun Murphy was getting into his stride and looking good,
:54:50. > :54:53.and although a sudden he was hampered and he had a difficult
:54:53. > :54:57.shot to take up into the corner pocket. I suppose he never thought
:54:57. > :55:07.about the cue ball going in the middle, did he? Of estate he didn't
:55:07. > :55:08.
:55:08. > :55:12.think the angle was there -- obviously he didn't. He has left a
:55:12. > :55:17.plant. He is not dead set but he is coming from the right side of the
:55:17. > :55:26.rest to make it comfortably. He played the cue ball with not that
:55:26. > :55:29.much speed, deliberately to land on a cover. He could not play its off
:55:29. > :55:33.one cushion and he finished up using two cushions and that is a
:55:33. > :55:36.shot the players will practice but to trouble all this way with a
:55:36. > :55:41.little touch of right hand side, two cushions and to miss the yellow,
:55:41. > :55:47.that was the shot of the break and that paved the way to giving him
:55:47. > :55:57.the frame. That is what they are playing for, this beautiful trophy
:55:57. > :55:59.
:55:59. > :56:07.that Stephen Hendry has won on five I think these players have said
:56:07. > :56:17.many times are so finely matched, it could be whoever wins is the
:56:17. > :56:29.
:56:29. > :56:39.person who wins the most That is a super pot. It just shows
:56:39. > :56:39.
:56:40. > :56:49.you how confident he is after See how low he is hitting the cue
:56:50. > :57:03.
:57:03. > :57:10.The white is almost tight on the But that is certainly not terrific
:57:10. > :57:20.cueing. No, he is annoyed comic he ever screwed the yellow and left
:57:20. > :57:34.
:57:34. > :57:39.himself with a thin neck out. -- a He rarely misses those as Stevens
:57:39. > :57:49.says. At least the pink and black out of commission that may not be
:57:49. > :57:49.
:57:49. > :58:44.Apology for the loss of subtitles for 56 seconds
:58:44. > :58:49.He thought he might nudge the reds He works so hard at his game, Mark,
:58:49. > :58:53.and throughout this UK Championship even at the mid-session interval,
:58:53. > :59:02.he has been in the practice room. Other players go back to their
:59:02. > :59:09.dressing room but Mark is always on beat practice table. -- on the
:59:09. > :59:19.practice table. A perfect angle on the green if he wants to go in and
:59:19. > :59:32.
:59:32. > :59:36.to the green and reds, get plenty He did not get as much pace in that
:59:36. > :59:41.cue ball as he would have liked. Perhaps the angle was a bit thin.
:59:41. > :59:51.It is hard to generate the speed on the cue ball if you do not have the
:59:51. > :00:06.
:00:06. > :00:16.Is there a plant into the middle He might even be able to play the
:00:16. > :00:16.
:00:16. > :01:40.Apology for the loss of subtitles for 56 seconds
:01:40. > :01:45.Well. He would like to have a go at that one again, that was a total
:01:45. > :01:55.mishit. He has left Mark Selby right among them. That is very
:01:55. > :02:28.
:02:28. > :02:38.unlike Shaun Murphy to make a Not sure about that shot. He is
:02:38. > :02:38.
:02:38. > :03:39.Apology for the loss of subtitles for 56 seconds
:03:39. > :03:49.That is not what he intended by any He has left himself awkward on the
:03:49. > :04:00.
:04:00. > :04:10.He didn't have do much thinking about position, just make sure of
:04:10. > :04:31.
:04:31. > :04:35.I think the cloth is catching both players out. It is so lively. He is
:04:35. > :04:40.just about OK. Looked like it was going to slip in behind the pink,
:04:40. > :04:50.from that picture, you think he was snookered on it. From the other
:04:50. > :04:50.
:04:50. > :06:35.Apology for the loss of subtitles for 56 seconds
:06:35. > :06:45.Shaun was looking the more Now it is Mark Selby that looks the
:06:45. > :07:13.
:07:13. > :07:23.more relaxed. It is going to be a He looks in terrific shape in the
:07:23. > :07:29.
:07:29. > :07:39.way he finished that previous frame, The psychological boost he would
:07:39. > :07:50.
:07:50. > :08:00.Mark Selby has gone from strength Unlucky there. Tried to free the
:08:00. > :08:06.
:08:06. > :08:11.There was a possibility of a century, but I tell you what, that
:08:11. > :08:15.was a terrific 66 from Mark Selby. He gets himself in front. He now
:08:15. > :08:21.leads 2-1. HAZEL IRVINE: It has been a special occasion in that
:08:21. > :08:28.arena even before the match got under way. World snooker's official
:08:28. > :08:32.charity is Blue bell Wood children's hospice and we had a
:08:32. > :08:36.visit from pupils and staff who have released a single. It is out
:08:36. > :08:41.today, it is called Stand Together. All the money raised from that will
:08:42. > :08:46.be going to the children's hospice, the players are doing their bit,
:08:46. > :08:51.the sponsors are donating �250 for every century made, we have had 33
:08:51. > :08:55.so far, so over �8,000. And all fines from some of the players are
:08:55. > :09:02.going straight there as well. I am not encouraging anything by the
:09:02. > :09:07.way! It was a wonderful moment when the kids gave us a song.
:09:07. > :09:14.# We'll stand together # Shoulder to shoulder
:09:14. > :09:18.# Stand together # As the days become colder
:09:18. > :09:26.# Stand together # Side by side you and I
:09:26. > :09:33.# Together we're strong # And when your hopes and dreams
:09:33. > :09:43.have all gone # We'll stand together as one
:09:43. > :09:55.
:09:55. > :09:58.# Together as one. # That was Sarah with the lead vocal
:09:58. > :10:02.there. What a fantastic voice she has, congratulations to all
:10:02. > :10:07.concerned and we hope you have a number one smash on your hands, all
:10:07. > :10:17.for the Bluebell Wood children's hospice. Meanwhile, back to
:10:17. > :10:22.
:10:22. > :10:26.That was a great moment in the Barbican Centre. The children were
:10:26. > :10:30.singing there. Got even in a great mood. There have been -- they have
:10:30. > :10:40.been in a superb mood throughout the UK Championship. Always goes
:10:40. > :10:45.
:10:45. > :10:55.down well in York, at this lovely One more frame before the mid-
:10:55. > :10:55.
:10:55. > :12:07.Apology for the loss of subtitles for 56 seconds
:12:07. > :12:12.The red to the right corner, when you are going over, all you need is
:12:12. > :12:22.the slightest millimetre, unwanted, and it pulls the cue ball away, so
:12:22. > :12:29.
:12:29. > :12:39.important to make sure you strike Well played. Didn't expect him to
:12:39. > :12:41.
:12:41. > :12:46.miss it, but you have to give a bit That is where the height comes in
:12:46. > :12:56.handy, both players are over six feet tal. When you are bridging
:12:56. > :13:09.
:13:09. > :13:19.It is not a good pack to go into from the black, because of the way
:13:19. > :13:19.
:13:19. > :14:05.Apology for the loss of subtitles for 56 seconds
:14:05. > :14:15.Have you have to play with too much bottom on the cue ball you tend to
:14:15. > :14:34.
:14:34. > :14:41.bring it back to the black cushion, . Look at the power he generated
:14:41. > :14:51.there. The whited then it spins on. -- the white stopped, then it spins
:14:51. > :14:54.
:14:54. > :14:58.You see the advantage of playing the split from the cushion, because
:14:58. > :15:08.the white ball stays in among the reds, when you are playing from low
:15:08. > :15:18.
:15:18. > :15:28.in the black, the white ball comes John Higgins can rest easy for
:15:28. > :15:35.
:15:35. > :15:45.another frame! Yes, that maximum �10,000 for a maximum break, and
:15:45. > :15:58.
:15:58. > :16:08.3,500 for the highest break, he has He has come up a bit short. I don't
:16:08. > :16:08.
:16:08. > :16:12.know whether he got a slightly He potted the red in the right hand
:16:12. > :16:22.side, he almost missed it. Therefore, the cue ball didn't go
:16:22. > :16:34.
:16:34. > :16:44.Looking to see if one red passes the other, it is a slightly easier
:16:44. > :17:01.
:17:01. > :17:10.pot than the one that is closest to The pink is available. Good shot
:17:10. > :17:15.I think he is having the cue ball cleaned because of the way he is
:17:15. > :17:23.going to clean the pink. If you are rolling it and dropping it in,
:17:23. > :17:33.Mark Selby, he can't do much about this, so there is very little
:17:33. > :17:33.
:17:33. > :18:50.Apology for the loss of subtitles for 56 seconds
:18:50. > :18:58.That is the frame safe. He can concentrate on making the century
:18:58. > :19:08.break now. He made 34 centuries last season. Mark Selby made 55
:19:08. > :19:17.
:19:17. > :19:25.Shaun only 13 centuries this season. If he can make that century, if he
:19:25. > :19:28.can make that century... No century break. He will be pleased though.
:19:28. > :19:35.Mark Selby deciding whether to come back to the table, but I don't
:19:35. > :19:39.think so. That break of 83 was superb and we go to the mid-session
:19:39. > :19:44.interval. It couldn't be closer. HAZEL IRVINE: With the exception of
:19:44. > :19:50.that opening frame, this has been brisk business so far, Ken. There
:19:50. > :19:55.has been really good quality stuff. I thought sell b bee was getting on
:19:55. > :20:00.top, but in all fairness to Shaun Murphy, he came back with a much-
:20:00. > :20:03.needed break and started off with a fantastic black, into the pack.
:20:03. > :20:08.have watched a lot of stuff this week, players haven't been getting
:20:08. > :20:13.into the pack with pace this is how to open up the pack. You have to
:20:13. > :20:17.have a gue accuse -- cue action: There is so much top spin. Hits
:20:17. > :20:22.them perfectly. That is the way to play that shot. Have to play it
:20:22. > :20:26.with pace. It is great to see them urging each other on, for a moment
:20:26. > :20:30.in that first frame it looked like we are in for a bit of a grind.
:20:30. > :20:35.Exactly. Both will want to get on with it. I just worry about Shaun,
:20:35. > :20:38.if the game gets down to the nitty gritty, that Selby is probably
:20:38. > :20:43.better in that department. I mean Shaun has been cueing so well. We
:20:43. > :20:47.saw a red he took into a corner pocket there, screwed back in to
:20:47. > :20:50.the baulk. There is not many players can play that. He is
:20:51. > :20:56.hitting the ball so well, and sometimes too well, but it is good
:20:56. > :21:03.stuff so far. How do you assess their core venion rates in finals.
:21:03. > :21:09.Selby has been in ten major final, including world ranking and Masters
:21:09. > :21:13.finals. He has a slightly better rate from Shaun. I would say that
:21:13. > :21:17.is not bad, not brilliant but you have to remember who they are up
:21:17. > :21:22.against. I bet Mr O'Sullivan was in a few of them. Yes. All right. That
:21:22. > :21:29.is the situation, it is all square, as they head into their interval.
:21:29. > :21:33.You know, this wonderful city, York is a lovely, inspiring place to be,
:21:33. > :21:37.at any time of year not just in the run-up to Christmas. In the way
:21:37. > :21:40.Sheffield is the home of the world, this Barbican Centre is the
:21:40. > :21:44.established home of this UK Championship. It has been about a
:21:44. > :21:49.bit this is the fifth city it has travelled to. But if it's a sense
:21:49. > :21:58.of history you want, it is of history you want, it is
:21:59. > :22:04.everywhere here. York is a city that is well used to contest. There
:22:04. > :22:09.have been claims laid to the lands between the rivers going back over
:22:09. > :22:18.7 thousand year, from the peoples of the Bronze Age, the Roman, the
:22:18. > :22:23.Anglo sackss on, the Vikings, their last king was Eric Blood Axe. The
:22:23. > :22:33.Championship has its roots in the red rose County, rather than the
:22:33. > :23:00.
:23:00. > :23:03.It was thought Blackpool would be a good venue because they had the
:23:04. > :23:08.world Championships in the 50 and 06s, but that was in April. This
:23:08. > :23:18.was December and the place was freezing, and the crowds weren't
:23:18. > :23:49.
:23:49. > :23:53.I was 11-7 in front after the first 18 and we started every session at
:23:53. > :23:58.two clock. I didn't realise on the Saturday afternoon they started
:23:58. > :24:04.earlier for Grandstand and I got a phone call in my hotel room saying
:24:04. > :24:09."Where are you?" I said we don't start till the two. He said we we
:24:10. > :24:14.start at one. I got there late and I was told because I was so late I
:24:14. > :24:19.was 20 minutes later than the start time, I was forfeited two frames,
:24:19. > :24:24.it has never been done before. went in to see John because I felt
:24:25. > :24:28.awful. I said look, John, I am very sorry, I said I don't want the
:24:28. > :24:34.frames but if you want to do something with the prize money,
:24:35. > :24:39.trying to be helpful, and he turned round and he said "Well you haven't
:24:39. > :24:44.won yet" I beat him 14-13. At the end it was the best day of my
:24:44. > :24:51.snooker life and the worst day. This is all that remains of York
:24:51. > :24:56.castle, built by William the Congress cancer. Henry VIII had the
:24:56. > :25:01.bodies of his enemies put on display here. And when it comes to
:25:01. > :25:05.power, in our parallel history story Steve Davis has a monopoly on
:25:05. > :25:14.that, he took the Championship Trophy captive and he held it
:25:14. > :25:18.hostage throughout much of the '80s. Looking back, I think I was in the
:25:18. > :25:21.right place at the right time. The golden years of snooker were the
:25:21. > :25:31.80s, it was fresh on television screen, and I was a new kid on the
:25:31. > :25:43.
:25:43. > :25:47.And there he is with a big smile. don't think I really realise I was
:25:47. > :25:51.capable of winning until I was lying in a bath after my
:25:51. > :26:01.quarterfinal win, and all of a sudden it dawned on me I was
:26:01. > :26:19.
:26:19. > :26:29.capable, if not very capable of Shows you of how much a fighter
:26:29. > :26:37.
:26:37. > :26:42.Alex Higgins was, that is one of my It mist have been a bitter pill for
:26:42. > :26:46.Alex to swallow, to see somebody like me come on to the scene, in
:26:46. > :26:51.him charismatic exciting player and me the boring robot. He came out
:26:51. > :27:01.with a line he would rather have a drink with idy am minute than me. I
:27:01. > :27:11.
:27:11. > :27:15.think I must have driven him mad. - And that is unbelievable. I should
:27:15. > :27:19.have rolled through the blue, I decided to screw back save me
:27:19. > :27:23.walking round, I missed the blue, thinking I could lose this match
:27:23. > :27:28.now I realised perhaps I had a chance and it gave me a bit of a
:27:28. > :27:32.Springboard. I think in fairness, if I had been playing anybody else,
:27:32. > :27:37.I would have surely won, Steve Davis is one of those players who
:27:37. > :27:41.could change gear when he saw weakness, he saw me thinking "I am
:27:41. > :27:51.near the line." And he did the job on me, played really well in the
:27:51. > :28:21.
:28:21. > :28:26.Still standing today it is on two- and-a-half miles worth of the 13th
:28:26. > :28:31.century wall that surrounded the medieval city of York, built to
:28:31. > :28:35.repel the advances of the Scots. The Scots sacked this places
:28:35. > :28:45.several time, and indeed it was also a Scot who in the end
:28:45. > :28:46.
:28:46. > :28:50.successfully laid siege to Steve Davis's UK fortress. Steve Davis
:28:50. > :29:00.would strangle you to death on the table and Stephen Hendry came up
:29:00. > :29:00.
:29:00. > :30:20.Apology for the loss of subtitles for 56 seconds
:30:20. > :30:30.You could say it was the end of To go back 13 years later and sit
:30:30. > :30:56.
:30:56. > :31:00.in virtually the same chair was Running at 17 was playing people
:31:00. > :31:05.about 10 years older. Nobody has been competing at that sort of
:31:05. > :31:15.level at such a young age. Ronnie O'Sullivan, ladies and gentlemen
:31:15. > :31:33.
:31:33. > :31:35.To finish a match off in style like that gives you a good pleasure. A
:31:35. > :31:45.total of 146 is my highest ever break in the final frame of a
:31:45. > :31:47.
:31:47. > :31:57.ranking final so that was pretty # Solitary brother, is there still
:31:57. > :32:03.
:32:03. > :32:08.Believe me, I was trying to beat every record that Steve had! I knew
:32:08. > :32:13.it was the benchmark, I wanted to take every record he had so that is
:32:13. > :32:23.one of the regret of my career, that I hadn't managed to overtake
:32:23. > :32:42.
:32:42. > :32:49.The HAZEL IRVINE: It's humbling to think that the majestic York
:32:49. > :32:52.Minster has stood here for over 1,000 years and B36 yet history of
:32:52. > :32:56.our championship seems a mere drop in the ocean compared to that but
:32:56. > :33:01.when we moved here in 2001, it marked the start of the modern era
:33:01. > :33:04.in an ancient setting and we have had a jumble of winners since then,
:33:04. > :33:14.nine different champions in the last 12 years.
:33:14. > :33:15.
:33:15. > :33:19.With the new generation really We have gone through the Steve
:33:19. > :33:22.Davis era and Stephen Hendry where they dominated and the standard is
:33:22. > :33:32.so high in the modern era that if you are not on your knock, you will
:33:32. > :33:50.
:33:50. > :33:55.# Everybody's changing and I don't The 2006 final was a fairy-tale
:33:55. > :33:59.journey from a. I hadn't shown any form up until then, I was
:33:59. > :34:09.struggling and then I started playing quite well and knocking on
:34:09. > :34:09.
:34:09. > :35:45.Apology for the loss of subtitles for 56 seconds
:35:45. > :35:55.the doors of winning the UK This is his chance to show he could
:35:55. > :36:01.
:36:01. > :36:04.be the real deal and boy, did he HAZEL IRVINE: 36 years of history
:36:04. > :36:10.and Steve Davis is the six-time winner, record winner of this event.
:36:10. > :36:16.Do you think, that record will ever be pinched, Ken? I don't know, at
:36:16. > :36:20.least he has changed his hairstyle! Be one man still capable of doing
:36:20. > :36:24.it, Steve has gone on five wins and John Higgins, do you think he has
:36:24. > :36:29.still got the fight and desire to achieve that? Are absolutely, there
:36:29. > :36:31.are a few players, John Higgins is certainly one of them. He will
:36:31. > :36:36.always be around and is probably one of the best players I have ever
:36:36. > :36:41.played against. John Higgins and Steve Davis will alludes to that
:36:41. > :36:45.and he will be around for a few years yet. When you look back at
:36:45. > :36:50.the achievements, what for you does stand out as perhaps the greatest
:36:50. > :36:59.win for you in this event? suppose the first. I suppose it
:36:59. > :37:07.always is. It jumped me up a couple of levels in stature and it was
:37:07. > :37:12.very important in my heart and many people's heart, it was very
:37:12. > :37:15.important from a television and perspective. It is a bit harder now
:37:15. > :37:21.because of the vagaries of luck. You will get good players get to
:37:21. > :37:28.the final but which ones they are, we don't know. You're one of
:37:28. > :37:33.several multiple winners. Shaun Murphy would love to be the eightth.
:37:33. > :37:36.Here they come, locked together at two frames apiece. Having a bit of
:37:36. > :37:45.a rest before the evening session and then raring to go, two former
:37:45. > :37:52.UK champion has an two Johns, John Virgo and John Parrott. The JOHN
:37:52. > :38:01.VIRGO: thank you, Hazel. So far, the snooker has not
:38:01. > :38:11.Not at all, the opening frame was a little scrappy but the first three
:38:11. > :38:18.
:38:18. > :38:28.are top class. I can't believe he You would not want to give anybody
:38:28. > :38:29.
:38:29. > :38:35.an opportunity like that but It is a straightforward shot, the
:38:35. > :38:40.break-up shot. A little bit of carelessness there I would imagine
:38:40. > :38:44.from Shaun. He has played the safety shot with left hand side and
:38:45. > :38:54.just pushed the cue ball over and that is why he caught the cue ball
:38:55. > :39:30.
:39:30. > :39:40.much too thick -- the red. And that He has a nice angle on the black
:39:40. > :40:00.
:40:00. > :40:06.here and he may decide to play for A choice of shots here. If he goes
:40:06. > :40:16.in really firm, he could open a lot here. Decided to flick off the red
:40:16. > :40:41.
:40:41. > :40:51.He can just get past the red with He will be a bit disappointed with
:40:51. > :41:17.
:41:17. > :41:24.He decided he did not get enough into the cue ball to get back up
:41:24. > :41:34.the table so he let himself with this park. -- left himself with
:41:34. > :41:38.
:41:38. > :41:43.He played that well. Just about on a red which I think he can play the
:41:43. > :41:51.pot. Nothing to do with the cue ball. Roll through for the black in
:41:52. > :42:01.the opposite corner. Awkward Oh, awkward enough to cause the
:42:02. > :42:10.
:42:10. > :42:20.That is the type of shot way you worry about the cannon and you
:42:20. > :42:38.
:42:38. > :42:43.He bounced off the top cushion a little too high so I am not sure he
:42:43. > :42:46.can play a red into the opposite corner to the black. Having to play
:42:46. > :42:56.for the red along the top cushion which would not have been his ideal
:42:56. > :43:09.
:43:09. > :43:19.choice but not much else he can do. The bottom red on the right is
:43:19. > :43:26.
:43:26. > :43:31.I like that shot, John. I think that has been the one thing that
:43:31. > :43:38.has been evident all week. OK, he has had a few scrapes, Shaun, but
:43:38. > :43:47.he has had a positive attitude when he has got in amongst the balls. He
:43:47. > :43:52.certainly showed it there. All the Let's be fair, after the break-off
:43:52. > :44:02.shot, he will be glad to have a chance in this frame. The very much
:44:02. > :44:03.
:44:03. > :44:06.I think we have seen in this frame itself that marks a bit looks like
:44:06. > :44:12.he will play on loose red and try to chip away and get them out
:44:12. > :44:22.whereas Shaun Murphy, very positive straight into the pack and opening
:44:22. > :44:26.
:44:26. > :44:36.That wiped its feet, didn't it? A bit more pace, I don't think it
:44:36. > :44:36.
:44:36. > :45:18.Apology for the loss of subtitles for 56 seconds
:45:18. > :45:28.Back in prime position now and just That put the points all square. A
:45:28. > :45:28.
:45:28. > :46:14.Apology for the loss of subtitles for 56 seconds
:46:14. > :46:19.I get the impression in this match that Shaun Murphy's scoring is
:46:19. > :46:23.slightly better than Mark Selby's in this tournament, a bit more
:46:23. > :46:26.comfortable in amongst the balls but that is not to say that Mark
:46:26. > :46:31.Selby cannot win this final - of course he can because he is such a
:46:31. > :46:37.competitor. You can always get inspiration from somewhere but
:46:37. > :46:43.usually we caught Mark Selby the Hoover. We have not seen too much
:46:43. > :46:53.of that in this tournament but what we have seen is somebody trying
:46:53. > :47:00.
:47:00. > :47:10.He needs these remaining two reds after the black, just needs the red
:47:10. > :47:28.
:47:28. > :47:32.now. Doesn't need a car luck. -- He is short of that one. He would
:47:32. > :47:42.have liked to have been a bit easier than this. This red would
:47:42. > :47:54.
:47:54. > :47:59.put him 30 points in head with 27 Clean as a whistle. And a bit of
:47:59. > :48:09.pressure on that, wasn't there? just another example of 1 double
:48:09. > :48:37.
:48:37. > :48:47.The cue ball flew back into the Just short of the century break but
:48:47. > :49:06.
:49:06. > :49:09.He has used the pink and the black A terrible break shot but Mark
:49:09. > :49:13.Selby had the first chance and could only make 35 but he missed
:49:13. > :49:22.when he was in and that could be costly and Shaun Murphy now goes
:49:22. > :49:26.one frame ahead again at three frames to two. As I said at the
:49:26. > :49:31.time, John, after a break-off shot like that, he was lucky to get
:49:31. > :49:40.another chance they didn't he take it will? This is the shot that
:49:40. > :49:43.marks will be missed -- that marks Selby missed. He is just trying to
:49:43. > :49:47.make sure he does not get a thick cannon on the red because if he
:49:47. > :49:54.does, it will hold the key ball from going through, it dug down and
:49:54. > :49:58.missed the pot. Many times do we see that, a player who is so
:49:58. > :50:08.concerned about where the cue ball will end up, they forget about the
:50:08. > :50:08.
:50:08. > :51:12.Apology for the loss of subtitles for 56 seconds
:51:12. > :51:20.REFEREE: thank you, frame six, Mark Oh, catching the green... He nearly
:51:20. > :51:27.let this read on. -- left this read on. It looks as though there is a
:51:27. > :51:31.chance of playing the pot here but it is quite an acute angle. If it
:51:31. > :51:39.caught the FA jaw, it could come back to the cue ball so digging in,
:51:39. > :51:43.trying to get back to the baulk Couldn't play it much better than
:51:43. > :51:53.that although having said that, he is a little unlucky to have left
:51:53. > :51:59.
:52:00. > :52:05.The brown has come to his rescue but a bit unlucky to have left that.
:52:05. > :52:15.Marc moved out the way it there to let the referee have a look. Maybe
:52:15. > :52:19.
:52:19. > :52:29.that will suggest he will try to He put the side on and just stayed
:52:29. > :52:57.
:52:57. > :53:02.He certainly has had his potting boots on in this tournament. Great
:53:02. > :53:06.shot. And grid position because if he can get past the yellow, you see
:53:06. > :53:16.the red going in there. If he can get past the yellow here, he has
:53:16. > :53:29.
:53:29. > :53:32.You always just a little bit too luck but he could not have hit this
:53:32. > :53:42.cluster better than he did but the cue ball just ran through that
:53:42. > :53:42.
:53:42. > :54:23.Apology for the loss of subtitles for 56 seconds
:54:23. > :54:27.little too far. I am not sure he You have got to be 90% at the
:54:27. > :54:37.standard for your pot success and 95%, that is very good for Shaun
:54:37. > :54:53.
:54:53. > :54:58.Someone once said that snooker is chess on a green baize and the next
:54:58. > :55:05.move now, Shaun has an opportunity to get the cue ball back to the
:55:05. > :55:14.baulk end. Yes, anything to guard against this to make sure you don't
:55:14. > :55:18.put your cue ball in-off. Chipping off this red but making sure you
:55:18. > :55:28.take out the possibility of the in- off. He is looking to see if he can
:55:28. > :55:35.
:55:35. > :55:45.Don't hit be read either - that is a very poor shot. No excuse for
:55:45. > :56:04.
:56:04. > :56:12.An unforced error there, and once again Shaun has given him a chance
:56:12. > :56:17.for no apparent reason. He was not in any great trouble. And those are
:56:17. > :56:27.the ones that Hurd, John. You know you have not been in trouble and
:56:27. > :56:37.
:56:37. > :56:47.He has an angle to stun off but He will not be happy with this,
:56:47. > :56:49.
:56:50. > :56:57.surely? To come this side of the That is another example of Mark
:56:57. > :57:00.Selby playing on a single red again. He has come up far too short. He
:57:00. > :57:04.could have really played into the pack there with the red being in
:57:04. > :57:14.the top right hand side cushion, he could have bought the pink or black
:57:14. > :57:21.
:57:21. > :57:31.in to play but he is unlucky not to He is trying to be exact and
:57:31. > :57:31.
:57:31. > :58:24.Apology for the loss of subtitles for 56 seconds
:58:24. > :58:34.If you do not miss the pot, you get Shaun thinks there might be a shot
:58:34. > :58:34.
:58:34. > :59:14.Apology for the loss of subtitles for 56 seconds
:59:14. > :59:23.to nothing here, similar to what Shaun just having a look and there
:59:23. > :59:28.are good friends off the table and Mark had a result then. He lifted
:59:28. > :59:38.his foot up to see if there was anything on the bottom of his shoes
:59:38. > :59:53.
:59:53. > :59:57.The only thing is, if he plays the shot, he will have to play it with
:59:57. > :00:01.a trace of left-hand side and it is a bit more difficult to judge the
:00:01. > :00:11.pace of it because when you put side on, it will come off the
:00:11. > :00:13.
:00:13. > :00:17.cushion quicker. He is playing just REFEREE: foul and a miss, Mark
:00:17. > :00:22.Selby, four. The baby he was playing the two-cushion but the
:00:22. > :00:26.trace of side. I think the middle pocket is in the wake of what would
:00:26. > :00:36.normally be the perfect two-cushion escape but he has got some idea of
:00:36. > :00:36.
:00:36. > :01:33.Apology for the loss of subtitles for 56 seconds
:01:33. > :01:43.the line-out. Yes, you could say he There may be a return to baulk here,
:01:43. > :01:43.
:01:43. > :02:45.Apology for the loss of subtitles for 56 seconds
:02:45. > :02:55.It was all about making sure you At first glance, I can't see a
:02:55. > :03:08.
:03:08. > :03:18.Well only if you play it adds thin It is one of those where you are
:03:18. > :03:27.
:03:27. > :03:37.happy to get back into the baulk It could have been a not to -- is
:03:37. > :03:55.
:03:55. > :03:59.Make certain you pot the red, with He always going to struggle to know
:03:59. > :04:09.where the cue ball is going to go. But he got the red so he gets the
:04:09. > :04:20.
:04:20. > :04:23.You don't want to get too clever. Make sure you get the cue ball
:04:23. > :04:33.tight to the baulk cushion. could be one of those instances
:04:33. > :04:39.
:04:39. > :04:49.where you prefer to let your Sometimes leaving a difficult shot
:04:49. > :05:03.
:05:03. > :05:06.on aed are is good. -- on a red is Well worked out. The black is
:05:06. > :05:16.stopping the path down the right hand side, I think the blue may be
:05:16. > :05:16.
:05:16. > :06:12.Apology for the loss of subtitles for 56 seconds
:06:12. > :06:22.He will be happy with the result of It is tough snooker at the minute,
:06:22. > :06:36.
:06:36. > :06:46.It is difficult to get behind the baulk colour, unless it is brown.
:06:46. > :06:57.
:06:57. > :07:03.Once again the black playing a big He didn't hit it too thick. He
:07:04. > :07:09.didn't mean to hit it that thin. Here is a chance for Shaun in
:07:09. > :07:19.potting some tremendous long reds and Mark Selby may have left him a
:07:19. > :07:30.
:07:30. > :07:34.I couldn't have been much closer: He didn't go all out for it. Wasn't
:07:34. > :07:38.fully committed. That is probably what caused him to miss it. He just
:07:38. > :07:48.hedged his bets and screwed the cue ball back to the baulk end, that
:07:48. > :07:48.
:07:48. > :09:08.Apology for the loss of subtitles for 56 seconds
:09:08. > :09:18.He will have to hit this so thin, It was a thin one but he has left a
:09:18. > :09:31.
:09:31. > :09:38.The difference with that shot is Mark had an angle where he wasn't
:09:38. > :09:48.going to canon, so there was a lot less pressure. Good clean pot but
:09:48. > :10:03.
:10:03. > :10:08.he knew he wouldn't canon into a . He wanted to get behind the green.
:10:08. > :10:18.I am not certain how much of the cushion he can get to, maybe he
:10:18. > :10:18.
:10:18. > :11:21.Apology for the loss of subtitles for 56 seconds
:11:21. > :11:25.can't play it, it doesn't look as You cannot strike a snooker ball
:11:25. > :11:34.better than that. That is just magnificent. The cueing, arrow
:11:34. > :11:39.straight. Brilliant. You know if he doesn't get near the pot, he could
:11:39. > :11:49.have gone anywhere, the cue ball, he needed to hit it perfectly to
:11:49. > :11:51.
:11:51. > :11:57.He will be disappointed he didn't get the snooker. Sometimes it is
:11:57. > :12:07.not the worst thing to let them see the ball, as I mentioned earlier.
:12:07. > :12:11.
:12:11. > :12:21.This is very difficult. We call it Because you are striking down, it
:12:21. > :12:38.
:12:38. > :12:48.is hard to see the edge of the ball, I'm not so sure he hit the right
:12:48. > :12:57.
:12:57. > :13:07.I thought he may have been playing the one near the pink and missed it,
:13:07. > :13:07.
:13:07. > :14:24.Apology for the loss of subtitles for 56 seconds
:14:24. > :14:34.A very good chance. Two reds to the He could play the canon. Doesn't
:14:34. > :14:47.
:14:47. > :14:57.If he had compile add DVD of long Interesting choice, is he going to
:14:57. > :14:58.
:14:58. > :15:08.play for one along the top cushion? Two thirds of your long pots, are a
:15:08. > :15:18.
:15:18. > :15:28.He will have to play the canon. If he could just hit the red second
:15:28. > :15:34.
:15:34. > :15:44.Perfect. He missed the canon I think he was playing but he managed
:15:44. > :15:48.to knock another red on, so still I think I am with you. I think he
:15:48. > :15:58.played that one, but played it nice and softly so he knew he would get
:15:58. > :16:19.
:16:19. > :16:27.It doesn't look like there is any . That was very careless. Straight
:16:27. > :16:34.for it, shake of the head, bemused. After the amount of time he took.
:16:35. > :16:41.He had a good look and tried to work it out, but to do that... Very
:16:41. > :16:51.surprising.. He gets an extra five points, he might refuse the pot
:16:51. > :17:01.here, you know. He could chip the blue on the side cushion and leave
:17:01. > :17:02.
:17:02. > :17:05.the white behind yellow and green. He will be disappointed with the
:17:05. > :17:15.finish of that visit. That was a nothing shot. Didn't achieve
:17:15. > :17:23.
:17:23. > :17:28.Excellent shot from Mark Selby. How many times at this level does that
:17:28. > :17:31.happen? You make a very poor shot, don't do anything with the cue ball,
:17:31. > :17:37.don't get the colour safe, you are trying to chip on the cushion, the
:17:37. > :17:47.next time you come to table, you are in all sorts of bother. He is
:17:47. > :17:54.
:17:54. > :17:58.It is worth a go here. He has a choice of reds he could flick off.
:17:58. > :18:08.The first one on the line, then the one behind the pink. I think if you
:18:08. > :18:08.
:18:08. > :19:05.Apology for the loss of subtitles for 56 seconds
:19:05. > :19:15.try to just nestle up to one, you He is lucky to come off the side
:19:15. > :19:19.
:19:19. > :19:24.cushion to play the red. He has hit OK, this will be some effort from
:19:24. > :19:34.Mark Selby to win the frame from here, but he can get himself back
:19:34. > :19:48.
:19:48. > :19:58.As you say, the blue is off it spot. The black is tide up. The pink is
:19:58. > :20:02.
:20:02. > :20:12.not readily available. Not the The pink doesn't pot it really is
:20:12. > :20:28.
:20:29. > :20:33.. Yes, he has brought the pink in to play. Now, where does it go when
:20:33. > :20:43.it is respotted. That is the question. Does it high up -- tie up
:20:43. > :20:49.
:20:49. > :20:53.these two reds in the middle of the That not only has the pink in play,
:20:53. > :21:03.it has put the reds on the spot. Could have done with a bit more on
:21:03. > :21:16.
:21:16. > :21:26.Well, what a fluke ch does this black go? If the black pots as well,
:21:26. > :21:51.
:21:51. > :22:01.That was the ultimate. If he could have cleared up here. That would
:22:01. > :22:01.
:22:01. > :23:16.Apology for the loss of subtitles for 56 seconds
:23:16. > :23:21.All this situation has arisen from that one careless shot from Shaun
:23:21. > :23:31.Murphy, when he didn't get on the blue. He doesn't have all this that
:23:31. > :23:31.
:23:31. > :24:23.Apology for the loss of subtitles for 56 seconds
:24:23. > :24:31.He hasn't quite got the snooker, so but the safety shot isn't any
:24:31. > :24:34.easier. Bad news for Mark, as he has knocked the brown on to the top
:24:34. > :24:44.cushion into a more awkward position. It is close to to --
:24:44. > :24:44.
:24:44. > :25:48.Apology for the loss of subtitles for 56 seconds
:25:48. > :25:58.close to the green, but groun blue Does it bounce? I think it may just
:25:58. > :26:00.
:26:00. > :26:10.have stopped, to not leave the pot It is quite an acute angle. It
:26:10. > :26:15.
:26:15. > :26:19.looks easy from that shot, doesn't It was a good pot and he is looking
:26:19. > :26:29.for the pink and just the yellow, to get to the snooker required
:26:29. > :26:29.
:26:29. > :27:22.Apology for the loss of subtitles for 56 seconds
:27:22. > :27:30.He usually is. I was about to say The good news is he didn't get
:27:30. > :27:36.position. He flicked the pink to the, or near the right hand side
:27:36. > :27:46.cushion. That is very low for Shaun Murphy, he is usually excellent
:27:46. > :27:47.
:27:47. > :27:57.with the rest. This is a very messy table. If Mark Selby gets a chance
:27:57. > :28:03.
:28:03. > :28:11.he could win the frame in one visit, It takes pressure off Shaun Murphy
:28:11. > :28:16.here, when he is playing the safety. Sometimes when you are on the six
:28:16. > :28:26.remaining colours, one mistake could cost you, but highly unlikely
:28:26. > :29:03.
:29:03. > :29:09.Mark would love to play a shot where he could clip the yellow over
:29:09. > :29:16.and get the pink out. He has tried to move the pin it can other way.
:29:16. > :29:26.It is a very clever shot. Appreciated by Shaun. The only ball
:29:26. > :29:43.
:29:43. > :29:47.safe, aside from the yellow, is the The referee wasn't too certain when
:29:47. > :29:54.he hit it or not. I don't know whether it is worthwhile, it
:29:54. > :30:04.probably more difficult play it from there, that is the two choices.
:30:04. > :30:09.
:30:09. > :30:19.He missed it by quite a distance He needed to get past the middle to
:30:19. > :30:24.
:30:24. > :30:30.be safe. Is it going to get there? Can he cuts that? The problem is
:30:30. > :30:40.that if he did play that, he could run into the black. Maybe the pot
:30:40. > :30:40.
:30:40. > :31:28.Apology for the loss of subtitles for 56 seconds
:31:28. > :31:36.Just playing around the ankles. -- It looks like a straightforward up
:31:36. > :31:42.and down for the yellow. But if he hits it too hard, it might get past
:31:42. > :31:52.the black in to the right corner. That is why he deliberately played
:31:52. > :32:02.it short. Not much pressure on Mark Selby to play a better shot than
:32:02. > :32:36.
:32:36. > :32:46.Good shot. I think he is trying to get that yellowed as close to the
:32:46. > :33:01.
:33:01. > :33:11.They have been playing now for two hours. This frame, 42 minutes and
:33:11. > :33:23.
:33:23. > :33:33.For me, playing the containing safety Ham's the initiative -- is
:33:33. > :33:35.
:33:35. > :33:45.handing the initiative to Shaun He does not want this yellow to
:33:45. > :34:09.
:34:09. > :34:19.A good effort. But if Shaun Murphy can get to the left-hand side of
:34:19. > :34:22.
:34:22. > :34:30.this year low, he could easily get back to baulk. -- this yellow. He
:34:30. > :34:40.still needs yellow, green and brown. EC contemplating the double? Maybe
:34:40. > :34:49.
:34:49. > :34:56.Maybe he had half a thought for the travel! And he did not apologise to
:34:56. > :35:06.Mark Selby. That might have been in his mind. He is on the green, but
:35:06. > :35:25.
:35:25. > :35:33.He did not put his hand up, so he must have played at the treble. Is
:35:33. > :35:43.there any value in potting yellow and green for Shaun Murphy? If he
:35:43. > :36:23.
:36:23. > :36:33.got a chance now, you would fancy That has tightened it up a little
:36:33. > :36:47.
:36:47. > :36:57.He will not be playing the pot because of the pink and black. He
:36:57. > :37:15.
:37:15. > :37:25.I tell you what, I think he has left this brown. Shaun Murphy needs
:37:25. > :37:50.
:37:50. > :37:56.it to go 23 in front, with 18 Has he fluked? Boy. Mark Selby had
:37:56. > :38:06.his bit of luck. And on the last few occasions it has been Shaun
:38:06. > :38:18.
:38:18. > :38:22.Can he get this? Way is that cue ball going?! That is the worst
:38:22. > :38:32.possible result because now he needs a snooker and of course it is
:38:32. > :38:46.
:38:46. > :38:51.a free ball. Interesting here. What do you do? Do you put it back in?
:38:51. > :39:01.do not see any harm. It is a snooker. It might be easy to hit.
:39:01. > :39:02.
:39:02. > :39:07.But I do not know how he is going to get the brown safe. He could
:39:07. > :39:17.clip of the blue and come back down the side of the table, or take the
:39:17. > :39:49.
:39:49. > :39:58.Now, can he hit this gently enough to leave it more or less where it
:39:59. > :40:08.is and get back to baulk? I am a little bit surprised that he did
:40:09. > :40:09.
:40:09. > :40:18.not make him try again. He has given Mark Selby a lifeline of
:40:18. > :40:23.sorts. He is looking to see if he can dig in to the cue ball and get
:40:24. > :40:32.in between the cushion and the brown and stick the cue ball in
:40:32. > :40:42.where the brown eyes. I think it needs to be a bit further wrath. --
:40:42. > :40:54.
:40:54. > :41:04.Well, it was only the double cares. Absolutely. -- double guess. --
:41:04. > :41:14.
:41:14. > :41:24.And that is the frame firmly in the pocket of Shaun Murphy. Just plain
:41:24. > :41:34.
:41:34. > :41:43.To snookers required. I think the big problem here is that if you
:41:43. > :41:47.told the blue, two snookers with only pink and black is a big ask.
:41:47. > :41:57.He is very good in this department, Mark Selby. But he will need to be
:41:57. > :42:10.
:42:10. > :42:20.Just missed it and he has left the pot on the pink. 52 minutes, this
:42:20. > :42:27.
:42:27. > :42:35.He got a remarkable snooker against Ryan Day when he was left with pink
:42:35. > :42:44.and black. One of the best shots I have seen all week. But this is
:42:44. > :42:53.nearly impossible. And that should be it. Yes, it is just, it give me
:42:53. > :43:03.the pink. A lot went into that frame. But we have got a gap of two
:43:03. > :43:12.
:43:12. > :43:17.Here, I would be Roger Federer. I think his professionalism is second
:43:17. > :43:24.to none. He is the ultimate professional but I had seen. One of
:43:24. > :43:28.the best players that has ever play tennis. And away from tennis, a top
:43:29. > :43:35.man. Always polite and well spoken. Always does his job as a
:43:35. > :43:41.professional. 100 %. I think he speaks five languages. He is
:43:41. > :43:47.switched on. I think for children looking for somebody to look up to
:43:47. > :43:50.and emulate, they could do a lot worse than Roger Federer. I had it
:43:50. > :43:59.installed into me from a young age that being a professional sports
:43:59. > :44:02.person was a privilege. It is not a right. What comes with that is a
:44:02. > :44:09.responsibility to the next batch of people watching and things like
:44:09. > :44:14.that. And being professional at all times. Keeping the sport open and
:44:14. > :44:18.trying to be a certain way I think comes with the territory. I think
:44:18. > :44:22.in all sports we have got people doing that well and people not
:44:22. > :44:31.doing it quite as well as perhaps they should. But Roger Federer is
:44:31. > :44:35.leading the way for me. And indeed he is very near the top. Especially
:44:35. > :44:45.with long games. Some of those shots have been absolutely
:44:45. > :44:45.
:44:45. > :44:51.spectacular. I think in a way, anybody knows how tough it is to
:44:51. > :44:56.get these shots. I have got nothing but admiration for his cueing. And
:44:56. > :45:00.but admiration for his cueing. And also his bravery. At the moment, he
:45:00. > :45:05.is not share in any responsibility on the table. Some of these shots
:45:05. > :45:10.are very difficult but look how he gets through them as well. That
:45:10. > :45:14.power he can generate even when he is tight on the baulk it is
:45:14. > :45:21.fantastic. One of the best at cueing in the game, if not the best.
:45:21. > :45:27.He gets through those balls easily. He is matching Mark Selby. It was a
:45:27. > :45:30.slow frame. But he has matched him even in the safety department. He
:45:30. > :45:37.made a few little mistakes and some bad choices but he has matched him
:45:37. > :45:41.as well. That was a part of his game lacking a few years ago. But
:45:41. > :45:42.he has learned his craft. He is still going for his shots but he
:45:43. > :45:50.still going for his shots but he has learnt the craft of the safety
:45:50. > :45:56.as well. And I think he looks at the positive strategy all the time
:45:56. > :46:01.bus-stop if anything is sticky --. If anything is sticking out, he is
:46:01. > :46:07.going to go for it. His opponent was very worried about the cue ball
:46:07. > :46:11.to stop him going for his shots. Mark Selby has got a difficult job.
:46:11. > :46:18.Obviously we have got a lot of things which could have gone either
:46:18. > :46:23.way. But he deserves to be in front 4-2. He is playing powerhouse
:46:23. > :46:29.snooker. Mark Selby will try to claw back and we know that he can.
:46:30. > :46:35.It will be set up for a fascinating evening session. But if it is 6-2,
:46:35. > :46:41.that is very worrying for Mark Selby. Shaun Murphy is getting into
:46:41. > :46:46.the pack a lot quicker than Mark Selby. You can see the confidence
:46:46. > :46:51.that he has got. He is into the pack and trying to win the frame on
:46:51. > :46:57.his first visit. He knows he cannot be behind now going into the
:46:57. > :47:03.be behind now going into the evening session. He has got a
:47:03. > :47:11.couple of bites of the cherry to try and extend his lead as well. If
:47:11. > :47:21.he can get both, it is a bonus, 6-2. Mark Selby under pressure. He has
:47:21. > :47:21.
:47:21. > :48:04.Apology for the loss of subtitles for 56 seconds
:48:04. > :48:14.got experienced match play. He Quite an attacking safety shot from
:48:14. > :48:15.
:48:15. > :48:20.Mark Selby. I had no idea he was going to bring the black into play.
:48:20. > :48:30.Always one of these, when you play a thin edge down the right-hand
:48:30. > :48:33.
:48:33. > :48:39.side. One can always get knocked over to the left. And that little
:48:39. > :48:45.touch has made it a very good safety shot. Excellent length on
:48:45. > :48:55.the table. Knocked the black to the left hand cushion. He has given
:48:55. > :49:10.
:49:10. > :49:15.He has got a serious problem. He is looking to see if he can come down
:49:15. > :49:20.to the top cushion and played virtually dead weight and move the
:49:20. > :49:30.cue ball on the top rail. But he would have to rely on the table
:49:30. > :49:33.
:49:33. > :49:43.He took a chance and it had a good chance of going back down the table.
:49:43. > :50:16.
:50:16. > :50:22.Another very good shot again. He is keeping the pressure Rom. I think
:50:22. > :50:31.his game is in slightly better neck. But that does not mean Mark Selby
:50:31. > :50:38.cannot win. -- better order. He has got great survival skills and he
:50:38. > :50:48.has got terrific match play and is a brilliant competitive. --
:50:48. > :51:10.
:51:10. > :51:20.Just a containing safety. One red will go to the right centre. But it
:51:20. > :51:20.
:51:20. > :51:30.is tough. And there is no way back to the baulk. I cannot see him
:51:30. > :51:33.
:51:33. > :51:41.playing it. That red on the right hand side, he could play of that.
:51:41. > :51:51.Or he could play up towards the alive. -- you live. Once again, try
:51:51. > :52:09.
:52:09. > :52:19.and get it as tight as you can to Much to effect. He has been a bit
:52:19. > :52:33.
:52:33. > :52:41.fortunate. -- much too thick. Good He could get through closest to the
:52:41. > :52:51.pocket. He will be disappointed he did not pot that. Amazing. You see
:52:51. > :52:53.
:52:53. > :52:59.all the safety and you see a bad safety and it gets him. And the
:52:59. > :53:07.black was on the left-hand side cushion a minister gave. -- a
:53:07. > :53:17.minute before. It looks like those two reds are very close to
:53:17. > :53:30.
:53:30. > :53:37.I think his intention was to try and get on the blue. But I do not
:53:37. > :53:42.think he has got an angle. If he pots the black, he will get tied up
:53:42. > :53:52.five days two reds. He would like to play for one of them and make
:53:52. > :53:53.
:53:53. > :53:59.room for the black when it has been It must be very tight because if it
:53:59. > :54:09.went behind, that would not be too bad. It is obviously very close to
:54:09. > :54:29.
:54:29. > :54:39.going on, if indeed it does not. Trying to stun of the side and get
:54:39. > :54:40.
:54:40. > :54:50.an angle Ombersley. -- trying to stun off at the site and get an
:54:50. > :54:52.
:54:52. > :55:01.angle on the blue. That is not what he would have liked. It was not the
:55:01. > :55:09.most convincing visit, or was it? A little bit tentative. I do not
:55:09. > :55:16.think he has got his scoring boots on today. He had a fantastic frame
:55:16. > :55:24.clinching the second, but he has not looked good sense. He has got
:55:24. > :55:28.another chance. An interesting stage in the match. Shaun Murphy
:55:28. > :55:34.knows he is playing better than his opponent and he is trying to pull
:55:34. > :55:44.away from him but that can increase the pressure. That last frame took
:55:44. > :55:45.
:55:45. > :55:49.52 minutes. That could just take the edge away from your shots. This
:55:49. > :55:59.time he is going to have to play the black but I still think it will
:55:59. > :56:18.
:56:18. > :56:28.Now, where does he put the black? That marker is the size of a ball.
:56:28. > :56:32.
:56:32. > :56:42.It cannot be touching. It looks close. But it will not be touching.
:56:42. > :56:52.
:56:52. > :56:56.He would have light the blue in the middle but he is not perfect by any
:56:56. > :57:06.mint -- he would have liked the blue in the middle but he is not
:57:06. > :57:09.
:57:09. > :57:19.He is just fighting for position at the minute. Everything is too much
:57:19. > :57:29.or too little. Maybe a foot too far with the cue ball. He is keeping
:57:29. > :57:46.
:57:46. > :57:55.And that is an excellent shot. Very well controlled. And it looks like
:57:55. > :58:05.a very good angle on the blue. He can move a few reds if he wants. He
:58:05. > :58:13.
:58:13. > :58:23.is playing off the a Hello for a That pink is just separated from
:58:23. > :58:24.
:58:24. > :58:28.the reds. He is just trying to clear that area. Slightly hampered.
:58:29. > :58:33.But that is all right if it is just a straightforward shot to get the
:58:33. > :58:43.pink and get a position on the red. But hampered like this, you cannot
:58:43. > :58:57.
:58:57. > :59:07.What is on our after the pink is replaced? And the red is going to
:59:07. > :59:07.
:59:07. > :59:10.the centre. This is all right. He needs to make a decent contribution.
:59:10. > :59:20.Winning in one visit and getting himself back into the frame. He is
:59:20. > :59:55.
:59:55. > :00:04.An error of judgment there. A lot will depend on this angle with the
:00:04. > :00:12.red to the left middle. Can he bring the black in to play? He
:00:12. > :00:21.certainly can. Good shot. Yes, excellent. As good a shot as he has
:00:21. > :00:26.played in quite a while. Very well judged. This is more like him. This
:00:27. > :00:36.is what is very good at, scoring. In among the balls and winning in
:00:37. > :00:59.
:00:59. > :01:04.He should get over the line in this He had a choice of pink or black
:01:04. > :01:09.but he has gone a bit too straight on this pink but still no problem.
:01:09. > :01:17.But by clearing the pink, it brings those two reds into positions that
:01:17. > :01:20.he can pot. Eclair run to the winning line in this frame. -- a
:01:20. > :01:25.clear up run. He will be very disappointed if he does not take
:01:25. > :01:30.this opportunity. It certainly wasn't plain sailing at the start
:01:30. > :01:33.of this break, he was scrapping for position. Not quite there. But he
:01:34. > :01:43.has taken these brilliantly well and that lovely shot to flick the
:01:44. > :01:54.
:01:54. > :02:04.That put him 60 points in front with 59 remaining, a snooker
:02:04. > :02:32.
:02:32. > :02:42.If you needed any further example of White Mark Selby at such a good
:02:42. > :03:20.
:03:20. > :03:22.competitor, this is it -- of Hawaii Well, I thought we would see a
:03:22. > :03:29.century, another one of the tournament but that is more like it
:03:29. > :03:39.from Mark Selby. OK, he got in from his opponent but he is now just one
:03:39. > :04:16.
:04:16. > :04:20.VARIOUS CROWD NOISES, GROWING IN JOHN VIRGO: That is a hard decision
:04:20. > :04:26.this year, Sports Personality of the Year. Some unbelievable
:04:26. > :04:30.performances. Yes, a magnificent summer of sport, basically climb
:04:30. > :04:36.the trophy and give them all one. They have been superb, wonderful to
:04:36. > :04:41.watch. -- basically climate the trophy. They are just plain ball
:04:41. > :04:46.one trophy today. -- copy the trophy. It is the second most
:04:46. > :04:50.important one in the sport, the UK Championship. Shaun Murphy has had
:04:50. > :05:00.his hands on that trophy once before and Mark Selby, this will be
:05:00. > :05:37.
:05:37. > :05:47.He didn't fancy the risk of getting back to baulk, containing safety
:05:47. > :05:50.
:05:50. > :05:53.but you don't get any real Just one more frame to be played in
:05:53. > :05:59.this session and then we will return this evening. A big frame.
:05:59. > :06:09.Will it be all square or well Shaun Murphy had a two frame advantage? A
:06:09. > :06:17.
:06:17. > :06:27.They are sure to know it and there Trying to make sure you don't make
:06:27. > :06:42.
:06:42. > :06:47.There is a possibility now that he did not miss the brown that Mark
:06:47. > :06:57.Selby could play this to the right corner, stun across and play for
:06:57. > :07:16.
:07:16. > :07:20.We have seen Shaun Murphy's cueing He has not been lucky either.
:07:20. > :07:25.tried to play it as a shot for nothing... Oh, he has got away with
:07:25. > :07:35.it, he has not left the red. He can get through to hit it but he can't
:07:35. > :07:37.
:07:37. > :07:40.pot it. Wow, what a difference that makes. Played it in a way to try to
:07:40. > :07:50.pot/safety but it was always a possibility that that might be left
:07:50. > :08:06.
:08:06. > :08:11.on. He got away with it and Shaun The frame before the last which
:08:11. > :08:21.took 52.5 minutes, it can take the edge off your potting been a long,
:08:21. > :08:28.
:08:28. > :08:38.That was a nice, confident pot. If you are not the right side of the
:08:38. > :08:40.
:08:40. > :08:45.blue, the more angle, the better. They are not the easiest when they
:08:46. > :08:55.are being played slow like that. A comfortable path in and out of
:08:56. > :08:59.
:08:59. > :09:03.He needed a bit more side than that but it is not too bad. As long as
:09:03. > :09:13.this... I think he played for the outside red and he is not on it.
:09:13. > :09:23.
:09:23. > :09:27.It clearly goes, can he see enough I agree with you, needed more side
:09:27. > :09:37.on that and needed to make sure that he was further out into the
:09:37. > :09:37.
:09:38. > :09:45.centre of the table there. Both of He went not close enough to the
:09:45. > :09:50.green, really. A bit much stun. He obviously does not feel that he can
:09:50. > :09:54.just get to the potting angle. If he cannot, he will be very
:09:54. > :10:04.disappointed. OK, the red just above the black will cut but he
:10:04. > :10:13.
:10:13. > :10:23.Good recovery, needs a good case. A kiss on the pink isn't too bad.
:10:23. > :10:35.
:10:35. > :10:45.Trying Again to one of these two reds. He is beyond one of them but
:10:45. > :10:49.
:10:49. > :10:53.he can get to the potting angle for I think he is deciding. He would
:10:53. > :11:03.love to run this through, and play for the black off the side cushion
:11:03. > :11:19.
:11:19. > :11:29.that may have to go back for the He had hit it been so maybe he
:11:29. > :11:32.
:11:32. > :11:38.couldn't get through to the potting The pots have dried up at the
:11:38. > :11:45.moment for Shaun. I think he is getting a little frustrated at the
:11:45. > :11:54.opportunity he is getting. They are either hampered or covered or
:11:54. > :12:00.He thinks he is playing well - well, he is but he needs an easy starter
:12:00. > :12:10.and it is not coming his way. pot success was 95% a couple of
:12:10. > :12:28.
:12:28. > :12:38.I don't think there's any value in taking the pink here. Be straight
:12:38. > :12:50.
:12:50. > :12:55.He is such a good competitor. He has just missed eight red, Mark
:12:55. > :13:04.Selby, but he is back at the table again. He certainly compete,
:13:04. > :13:06.doesn't he? The s, the only concern is that he is relying to get the
:13:06. > :13:11.frame clinching opportunities by mistakes from his opponent rather
:13:11. > :13:16.than doing it himself. But he will take whatever is on offer. This is
:13:16. > :13:22.a big frame as I said and the difference between being two frames
:13:22. > :13:29.behind or all-square going into this evening session. And as has
:13:29. > :13:32.been well-documented, OK, he has won the Masters but he has been
:13:33. > :13:42.world number one around that for the last few seasons at all stop he
:13:43. > :13:57.
:13:57. > :14:03.would love to have the UK All about the split here.
:14:03. > :14:13.Magnificent arena, the Barbican Centre in York. We are all totally
:14:13. > :14:17.
:14:17. > :14:27.That can happen, he got into it a bit too much. The cue ball has gone
:14:27. > :14:31.
:14:31. > :14:40.forward before being screwed back He had to hit that 14, the first
:14:40. > :14:50.red. -- he had to hit that one full. Sometimes it takes a while for the
:14:50. > :14:56.
:14:56. > :15:06.He wanted to find the baulk cushion here. He will leave a chance for a
:15:06. > :15:13.
:15:13. > :15:20.Is this a plant? He is having a look at it. It could be a three-
:15:20. > :15:24.ball, the three-ball could make it. If those two go into the left hand
:15:24. > :15:29.jaw, it will push the second one to the left and so you could do it by
:15:29. > :15:36.hitting the loose red onto the two that are close together. And you
:15:36. > :15:43.can play this in a way where there is a bit of safety involved. Yes,
:15:43. > :15:53.returning to baulk so worth taking on, this. Not guaranteed so that's
:15:53. > :15:56.
:15:56. > :16:03.why you find a path back to the But it is there, and he is hoping
:16:03. > :16:13.he is on a colour. And he is just about of the pink. -- all the pink.
:16:13. > :16:30.
:16:30. > :16:40.He would like to be a bit It is more difficult than it looks
:16:40. > :16:41.
:16:41. > :16:51.on the screen and that is why he missed it. I get the feeling that
:16:51. > :17:16.
:17:16. > :17:20.he needed chances slightly easier There is certainly one red at the
:17:20. > :17:30.top of the cluster that is available into the top left corner
:17:30. > :17:40.
:17:40. > :17:50.I am wondering whether in he goes through here, he might like another
:17:50. > :18:08.
:18:08. > :18:18.He flicked one back in, John. is the problem, he needed to pot
:18:18. > :18:28.
:18:28. > :18:34.that ball in the middle of the He has got a 50 point lead without
:18:34. > :18:44.doing anything too startling. And his third good chance in this frame.
:18:44. > :18:49.
:18:49. > :18:59.He will be delighted if he gets out This red is pretty tight, it makes
:18:59. > :19:04.
:19:04. > :19:13.it look easier but it is tied. -- tight. Able to just loosen those
:19:13. > :19:19.three reds. Not much to choose between them. If they can get off
:19:19. > :19:28.this green, there will not be much between them, frame-wise. A great
:19:28. > :19:34.The red on the left-hand side cushion is causing him a bit of a
:19:34. > :19:44.problem because his way to go it will be getting pretty close to it.
:19:44. > :19:46.
:19:47. > :19:56.-- his waistcoat will be getting It is his hand at his closest,
:19:57. > :20:28.
:20:28. > :20:38.So red, blue, red, pink. He cannot I would suggest the pink and that
:20:38. > :20:48.
:20:48. > :20:55.would put him 61 points in front He will be absolutely thrilled,
:20:55. > :21:00.Mark Selby. Looking like danger signals for him this afternoon and
:21:00. > :21:10.Shaun Murphy will be scratching his head wondering how he will not be
:21:10. > :21:20.
:21:20. > :21:27.All set up for a battle royal this It might be a late 1, JV. They look
:21:27. > :21:32.equally matched. A very interesting match, you have got a contrast of
:21:32. > :21:39.styles, really. Shaun Murphy who is trying to get in with long pots and
:21:39. > :21:49.breaks but as you just said, the last few frames, his putting has
:21:49. > :21:56.
:21:56. > :22:02.gone off. Will it be back there I think we have already alluded to
:22:02. > :22:06.the fact that Mark Selby has a secondary game but I am not sure
:22:06. > :22:12.about Shaun's secondary game but his primary game is the most
:22:12. > :22:16.important thing. A very interesting opening eight frames. A warm shake
:22:16. > :22:20.of the hands from both players, they will be coming back at 8
:22:20. > :22:25.o'clock tonight but I think Shaun Murphy will be disappointed. Be
:22:25. > :22:29.held a two frame advantage between Alan now all square at 4-4.
:22:29. > :22:34.HAZEL IRVINE: And the gentleman in the studio will concur with our
:22:34. > :22:37.commentary team, it could be a long night because no matter who will
:22:37. > :22:45.pull away, the other is perfectly capable of mounting a rearguard
:22:45. > :22:49.action. And obviously a ability to drag you back. We have seen the
:22:49. > :22:52.classic example. These two are capable of pulling out the fire
:22:52. > :23:00.when required. Mark Selby producing some great stuff in the frame
:23:00. > :23:05.before but it will become tough tonight. It just shows, the
:23:05. > :23:09.character of Mark Selby, you never write him off. Four frames a piece,
:23:09. > :23:16.I hope you can join us when we come back at 8 o'clock here on BBC Two
:23:16. > :23:20.because we have a possible - possible - 11 more frames to play
:23:20. > :23:25.until somebody get their hands on his snooker's second most coveted
:23:25. > :23:32.prize. Will it be Shaun Murphy for a second time? Or will it be Mark