Holbeck Ghyll The Trip


Holbeck Ghyll

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This programme contains some strong language.

0:00:020:00:04

-'Hello?'

-Rob, it's Steve.

-'Hiya, how are you?'

-Good, good.

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Listen, are you free next week? To go away?

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-'Where?'

-It's kind of a tour,

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a tour of the North,

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a restaurant tour,

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really good restaurants.

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'Right, why me?'

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Mischa can't come and I don't want to go alone.

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I've asked other people

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but they're all too busy.

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It's a job. I'm not asking you

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to go on holiday with me

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or anything weird.

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It's for the Observer Magazine.

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So, you know, do you want to come?

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So I thought we'd take the B5278 along the west bank of Windermere,

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then when we get to Rydal, we're going to take the A591 up to Keswick.

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-I've printed out some reviews.

-Oh, great, oh, that's good.

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For L'Enclume and basically with L'Enclume you can say whatever you want,

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because it goes from the terrible to the wonderful.

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Victor Lewis-Smith.

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"Never mind all the talk of inventiveness and variety,

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"the result was as formulaic as McDonald's,

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"with the same splatter of Technicolor bird shit on every plate.

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-"Then..."

-That's a bit unkind.

0:01:090:01:11

Giles Coren in The Times.

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"Love is not strong enough to describe

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"what I felt about L'Enclume in Cartmel.

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"I am breathless with admiration, respect and awe for the skill, imagination and restraint

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"of the 20-odd plates of Simon Rogan's food that I ate in my two visits."

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-Two thirds of the way through that you were thinking of doing Anthony Hopkins, weren't you?

-Yes.

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Yeah, I heard it in your voice.

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-Are you glad I didn't?

-I am glad you didn't and I admire your restraint.

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ANTHONY HOPKINS: "I was dazzled, blown away by the originality, integrity

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"and extravagance I found in the best of restaurant experience ever. Yes!"

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-"Love, not strong enough to describe what I felt about it!"

-Please, stop.

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"Restaurant I would easily promise to honour and obey."

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I would honour you, sir! I would honour your restaurant, sir! No sir, I shall not. Arghh! Arghh!

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-"I'm breathless with admiration, respect and awe."

-All right!

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Jesus Christ, it's so early, shouting like that.

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-"I'm breathless with admiration."

-It's unpleasant.

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He is when he does that.

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-I know, I know he is but...

-That's the anger.

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And by default, you are. Right now.

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I inhabit the role, sir. I'm not a turn, am I? I inhabit the role.

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Yeah, I know, you're a real method actor, you're right up there

0:02:170:02:21

with Pacino and... Oh, Christ, better be careful what I say.

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AL PACINO: "Whaddaya got? Hello!

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"Hello! There's method in my madness."

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Why are we self-catering?

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We thought we would go and stay the night at Greta Hall when Mischa was going to come with me originally,

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because we thought we could make love in the bed that Coleridge...

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-Ah, yes.

-..Coleridge slept in and made love in

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and it would lend a poetic, romantic frisson to our congress.

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Still be romantic. Just the two of us.

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-We can be chummy.

-Yeah, chummy.

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-Yeah.

-Chummy.

-Without the bum.

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-Bumless chums.

-Bum...bumless chums.

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Very big, isn't it?

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-Very nice.

-Yeah.

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Robert Southey. Now who was he? I thought Coleridge lived here.

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Yeah, I would have thought there'd be... Look, there it is.

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Samuel Taylor Coleridge lived here...

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-three years.

-Not very long. You can hardly say it's Coleridge's house.

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Oh, it's not how long you live here, it's the significance of who you are.

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If I lived with you for six months, when I died, there'd obviously...

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there'd be a plaque on the house saying,

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"Steve Coogan lived here from 2010 until 2011," or something.

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Coleridge left quite quickly after he moved here.

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So Robert Southey had his wife and Coleridge's wife

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and another Fricker sister living here, plus the children.

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So he was the only man looking after all these children.

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-Seriously?

-Yeah, the wives as well.

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So he he had to...

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-Because Coleridge was off on his travels.

-Away.

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Couldn't cope with the domesticity of life, he found it very difficult. He found it hard to be creative.

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Yes. Yes, there's bells ringing all over the place here.

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He came back though, didn't he?

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Periodically he would come back and visit. There isn't much evidence

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that he actually sent any money back, which is a bit tricky.

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-I'm very consistent with my maintenance, Rob.

-I know you are. I would never say anything...

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In case you wanted to draw a parallel.

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-So this is Coleridge's...

-Wow.

-..study and possibly his bedroom as well.

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Wow. Hey, he would like probably have had opium in here, maybe?

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Possibly laudanum, because that's what they were taking at that time,

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initially as a painkiller, but he did become addicted to it.

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-Would you like me to tell you about Holbeck Ghyll?

-Yes.

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"Charming Victorian hunting lodge with pleasant gardens and stunning views.

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"Individually-decorated bedrooms combine country-house style with a contemporary edge."

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That's how I think of myself. If I was a house,

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I'd like to be a country house with a contemporary edge.

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"Cooking is confident and precise.

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"Appealing menus are complemented by an exceptional wine list."

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Yeah.

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Ooh, hey!

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Look at that. See that?

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-Beautiful.

-You can't paint that.

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-Well.

-Well, you could, but it would be a bit rubbish.

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Probably sell it for about 25 quid in one of the tourist shops round here.

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Why do you do that, hey? Why?

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You know it's physically impossible?

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Ah, me back!

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HE PANTS

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-Are you ready to order?

-Yes, please. Shall I go first?

-Yep.

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Could I have the scallops to start, please?

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And then I'll have the pigeon as the main course.

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-I will have the rabbit, please, followed by the lamb.

-Thank you.

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Nice image, rabbit following a lamb.

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That's a bit weird, Rob.

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A bit weird, isn't it?

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-Yeah.

-Can we have a knife for the butter, please,

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and a rolled-up £20 note for the salt, thank you.

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And your wines. There's your Germanier and the Gevrey Premier Cru.

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Oh, marvellous.

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Premier Cru, I know that that means it's good, Premier Cru.

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"Premier", first, the best, "cru"...

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Don't know.

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Mystery. Mystery.

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But that's good. It's good to have mystery about these things. It's a premier, that's good.

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-It's the first of something.

-Would you like to try it, gentlemen?

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-Do you want to...try it, Steve?

-Er, yes, please.

0:07:190:07:22

Er, thank you.

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That's fine.

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No, 11, then 5.

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-The amuse bouche is pumpkin and Gruyere.

-Sorry?

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-Pumpkin and Gruyere.

-What is it, sorry?

-Pumpkin and Gruyere?

0:07:440:07:48

-Gruyere. Cheese. Thank you very much.

-Thank you, thank you very much.

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-She was lovely, wasn't she?

-Very sweet, a nice disposition.

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Yeah, imagine her on an alpine hillside herding goats.

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Mmm.

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That's delicious. Taste... Isn't that lovely?

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Oh, that is very... It's tremendous.

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Good Lord.

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My bouche is amused.

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Yeah. Can you not look right into my eyes when you taste it?

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It's a bit weird.

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Mmmm! Oh, Steve.

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That's lovely.

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I don't fancy my chances of sleeping in Coleridge's house.

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I'm bad enough in a really good hotel. Because I like the smells of home, the home smells.

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I'm like an animal in that sense.

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What? Like a mouse?

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Like a lion.

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If he strays far from the pride,

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he yearns for the smell of his lady lion, his she-lion.

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Let's change the subject, mate. Please. For Christ's sakes.

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-Ooh, hang on.

-I'm OK, thanks.

-Sorry, I'll finish.

0:08:520:08:55

Oh, my God.

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Oh, Rob, please, please.

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Thank you very much. Thank you very much, thank you.

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OK, service.

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Table 6, scallops.

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This is Hazlitt on Coleridge.

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"All that he had done of moment he had done 20 years ago.

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"Since then he may be as said to live on the sound of his own voice.

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"He is a general lover of art and science..." - that's true -

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-"..wedded to no-one in particular."

-Oh, it's about...

-That's very true.

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OK, it's about me, I didn't realise, but carry on.

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"He pursues knowledge as a mistress."

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-OK.

-"It was not to be supposed that Mr Coleridge could keep on at the rate he set off."

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-ALAN PARTRIDGE: "Ah-ha!" "He could not realise all he knew..."

-Is that written down?

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"..and less, could not fix his desultory ambition. Other stimulants supplied the place..."

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Careful, you were going into Jimmy Savile then, but I'll let it go.

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"Other stimulants supplied the place and kept up the intoxicating dream,

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"the fever and the madness of his early impressions."

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Right, I don't do impressions.

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I'm saying that it can be hard to have a big success.

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Bob Balaban said, "Never be hot, always be warm,"

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-and a lot of the people that are thought of as great had - psshhhh! - supernova moments.

-Yeah.

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Where do you go from there?

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Well, it's difficult, you know, once you've achieved greatness to...to match that.

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-I imagine it is.

-Yeah, and you'll always imagine,

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because it's not a problem you'll ever have to contend with.

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But that's not a problem for me. Why?

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I'd rather be me than you, because I'd rather have these moments of genius

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than, er...than-than-than a lifetime of...

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mediocrity.

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My career is NOT mediocre.

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OK. About to go. Two crab, rabbit, scallops.

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Doesn't matter about the time.

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-Scallops.

-Thank you very much.

-Well, if you... Thank you. Thanks.

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-Golly, thank you.

-Enjoy it.

-Thank you very much.

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I always think of Coleridge as sort of a Richard Burton type character.

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"In Xanadu did Kubla Khan A stately pleasure-dome decree

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"Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea."

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I'm very impressed. You've shocked me, because I would have thought

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-that you would have preferred Olivia Newton-John's version of Xanadu.

-ROB LAUGHS

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I think both Newton-John and Coleridge

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tackled the subject of Xanadu with varying degrees of success.

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They call it Xana-DU.

0:11:290:11:31

-Yes.

-Xana-DU.

0:11:310:11:33

Xaaaaa-nadu. In...

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-Xanadu.

-Ably abetted by, er...

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-Jeff Lynne.

-Jeff Lynne.

-Of...

-Of the Electric...Light Orchestra.

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The Electric LIGHT Orchestra.

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-The Electric...Light Orchestra.

-ROB LAUGHS

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First one, pigeon, lamb, followed by duck, lamb.

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Wordsworth took his time. He's a plodder, he took his time.

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-Let's study, boom, boom.

-Yeah, well, it's the tortoise and the hare.

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-Do you see yourself as a hare?

-A hare... Yeah, I'm happy to be a hare.

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-Are tortoises happier than the hare?

-Yeah, but they're...they're boring.

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-Hares go...you know...

-HE MAKES SWISHING NOISES

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I'd rather be a tortoise. A tortoise wins at the end.

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-Yeah, that's true.

-Thank you very much.

-A top-up?

-Yes, I like drinking wine.

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STEVE LAUGHS

0:12:180:12:20

OK, when that goes...

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We'll just plate up here and we'll...

0:12:230:12:25

"Better to burn out than fade away." Neil Young.

0:12:250:12:28

"One small leap for man." Neil Armstrong.

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"One small leap for man"?

0:12:300:12:32

It was actually, "One small step for man, one giant leap for mankind."

0:12:320:12:35

-Well, it was meant to be "a man".

-"A man."

-He got it wrong.

-I know.

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-He got his lines wrong.

-Yes, he did. He got his lines wrong.

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Because he hadn't learnt them. He hadn't thought it through.

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Thank you very much.

0:12:450:12:47

STEVE SIGHS

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-I don't need the nod and the wink. I don't need it every time.

-Well, you know what...

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-OK, yeah, don't do that.

-No, I'm saying, "I won't do that." I'm going...

-OK.

-"I won't do it."

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Service!

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-The lamb.

-Thank you.

0:13:070:13:09

-Golly, that...that does look nice.

-Pigeon. Thank you.

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-That looks lovely. What is that?

-Pigeon.

-Really?

-Yeah.

-Golly.

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-Don't want to sit there watching you COOING over it.

-Hm.

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-What have you got?

-I...have lamb.

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Thank you.

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Farewell to the white wine.

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Hello to our old friend, the red.

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Mmm. That's nice.

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That's very nice.

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Mm.

0:13:370:13:39

-Do you think we just have the same conversation in every restaurant?

-Um...

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-Yeah, of course we do...

-We're essentially having the same conversation every place we go to.

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I think we start out being a bit awkward with each other.

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-Have a little bit of wine, exchange a few frivolities.

-Loosen up, enjoying each other's company.

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Enjoy each other's companies, have a bit more wine, get cantankerous...

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-Yeah.

-..and...

-Pick faults with each other.

-Pick faults with each other,

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and it descends into a kind of a...

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a sort of a bitter, unhappy... end to the meal.

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That's a little haggis.

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Yeah.

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Anyone ever asks you to go on a haggis hunt, be careful what you say.

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SCOTTISH: They're taking you for a fool.

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SEAN CONNERY: "Taking you for a fool.

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"He's a bloody fool.

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"There's no such thing as a haggis hunt."

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STEVE EXHALES SLOWLY

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ROB MUMBLES INDISTINCTLY AS CONNERY

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I just imagined myself putting my knife upside down and just pressing my head on to it then.

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-Desperate to be taken seriously, aren't you?

-No!

0:14:360:14:39

You can't treat your entire life like...a Radio 4 panel show.

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Bzzzz! Yes, you can. STEVE LAUGHS

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Alex James said he celebrated his 20th birthday with alcohol,

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his 30th with drugs and his 40th with food.

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Is that how it is for you?

0:14:550:14:57

-Erm...

-STEVE SIGHS

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STEVE MURMURS

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Well, don't you find it exhausting? Still running around, going to parties, chasing girls, at your age?

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-I don't run around and go to parties, or chase girls.

-You do!

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-No, I...

-You chase girls.

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I don't chase them. You sound like Benny Hill.

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But don't you find all that exhausting at your age?

0:15:130:15:15

No. Do you find it exhausting looking after a baby?

0:15:150:15:18

-Yes, I do.

-Yeah, well...

0:15:180:15:20

Everything's exhausting when you're past forty-...

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Everything's exhausting at our age.

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Right, after this, we're going to go duck, lamb.

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Oh, dear.

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Rather miserly portion.

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-I think a mouse has taken a shit on your plate.

-Yeah.

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-Here is Langres, Champagne cheese.

-Oui.

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Wensleydale, local cheese.

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Wensleydale. WALLACE: "Cracking cheese, Gromit.

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-"Ohhhh!"

-I'll just say, your eyes match your neckerchief perfectly.

-Thank you.

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Please don't press charges. HE CHUCKLES

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There's a fine line between...er, pleasantries...

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-And sexual harassment, and that's the line that you were... Thank you very much.

-Thank you.

0:16:080:16:13

-JAMES MASON: "What a charming girl."

-"What a charming girl."

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-"Charming girl." MASON:

-James Mason is from Yorkshire. Occasionally you can hear his vowel sounds,

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very flat vowel sounds when he speaks.

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-Wallace is probably... MASON:

-Go to your room or I shall beat you!

0:16:230:16:26

-Are you still doing James Mason?

-No, I'm just speaking to you directly.

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-Can I have my cheese first?

-Yes.

-Thank you.

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ALAN BENNETT: "Put it onto the cracker.

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"I rise it slowly to me mouth, wondering if it'll fulfil the promise of cheese gone by at Leeds Grammar.

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"'Oh, Mam.' 'Oh, Alan.' And I did. And now, as I look back, Dudley and Peter,

0:16:410:16:49

"Dudley, elfin sexuality, Jonathan, that much cleverer than Peter, Dudley and I,

0:16:490:16:54

-"and yet..."

-Peter, Dudley and me.

-Peter, Dudley and me, sorry.

-Not Peter, Dudley and I.

0:16:540:16:59

"The cheese evoking memories of..."

0:16:590:17:02

Well, I was hoping that that interjection might curtail your Alan Bennett odyssey.

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BENNETT: Oh, no, not at all. "The cracker found under the sofa."

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SCOUSE: Cracker. The cracker. Who talks like that? The cracker. Eh?

0:17:110:17:15

-Scousers.

-Yeah, fockin' Scousers.

0:17:150:17:17

-Come 'ere with a cracker.

-They don't say "ccchhom".

-Come 'ere with your cracker.

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-They don't say "ccchhom 'ere"...

-Fuck your crackers. Don't fucking crook your crackers.

-No "ccchh".

0:17:210:17:26

That's what the Welsh do, all that "ccchh".

0:17:260:17:29

They don't want the Scousers talking cracker... I met Steven Gerrard once.

0:17:290:17:33

-"All right, how ya doin'? All right."

-I met Paul McCartney once.

0:17:330:17:37

I'm not just listing Liverpudlians I've met. I'm just telling you I met him. He's a footballer.

0:17:370:17:40

-I'm not listing mine...

-Probably never even heard of you.

-But I met Paul McCartney.

-Good. I'm envious.

0:17:400:17:46

Too much cheese.

0:17:480:17:49

You can say that again.

0:17:490:17:51

That should be the name of your autobiography. Too Much Cheese.

0:17:520:17:55

Yeah, and yours should be Sticky Toffee Pudding.

0:17:550:17:59

Well, that's devastating, I'm devastated.

0:17:590:18:02

That was lovely, thank you, delightful.

0:18:020:18:04

-He's made light work of that, hasn't he?

-Short shrift.

-With Trevor Eve.

-Thank you.

0:18:040:18:08

Friday at nine on BBC One.

0:18:080:18:10

-Yes, can we have the bill, please, when you're...

-Yes, of course.

0:18:100:18:13

I'm tired now. Can't wait to sleep.

0:18:140:18:17

I think you should.

0:18:170:18:19

KEN BRUCE: "Thank you, Terry. There'll be more from Terry, same time tomorrow.

0:18:220:18:26

"Right, the Doobie Brothers, What A Fool Believes. This fool believes any old nonsense."

0:18:260:18:30

Your bill, gentlemen.

0:18:300:18:32

-Thank you very much.

-Thank you very much.

-What does it say, what does it say?

0:18:320:18:35

How exciting. And the winner is... Holbeck Ghyll, £140.30.

0:18:350:18:41

-Holbeck Ghyll.

-Holbeck Ghyll.

0:18:410:18:42

Holbeck Ghyll. "Hello, my name's Holbeck Ghyll."

0:18:420:18:47

"Hello, my name's Holbeck Ghyll."

0:18:470:18:50

-"You might remember me..."

-"You might remember me from Follyfoot..."

0:18:500:18:54

-"But now I'm here to tell you about a wonderful new walk-in bath."

-"..and Softly, Softly."

0:18:540:18:58

"I once played an elderly gentleman with concussion in Holby City, but I was cut out."

0:19:010:19:06

"And a man...played an elderly gentleman who was WRONGLY accused of being a paedophile."

0:19:060:19:12

"And that was important to me, that he was wrongly accused."

0:19:120:19:15

"Very important to me. I said, 'I don't mind being a paedophile, as long as he's wrongly accused.'

0:19:150:19:21

"If you're over 50..."

0:19:210:19:23

-"If you're over 150."

-"If you're 150..."

-"Like me..."

-"..if you're worried about intruders...

0:19:230:19:29

"then turn your semi-detached house into Fort Knox."

0:19:290:19:32

ROB LAUGHS

0:19:320:19:35

-"With my aluminium blinds."

-"And look at my razor wire."

-"Look at them."

0:19:350:19:40

Brrrr...krang!

0:19:400:19:41

"Do you know, a small child of 12 tried to enter my garden the other day

0:19:410:19:45

"and went away with lacerations to his hands and wrists,

0:19:450:19:49

-"thanks to my razor wire and... shards of glass."

-That's just illegal. You can't do that.

0:19:490:19:53

"I know it's illegal, but I don't care.

0:19:530:19:55

"I'll do what I can to keep the little shits off my property.

0:19:550:19:59

"I'm Holbeck Ghyll. Good night."

0:20:010:20:04

-RINGING TONE

-Hi, Emma.

-Hey. You all right?

0:20:060:20:09

Yeah, I got a missed call.

0:20:090:20:11

Yeah, I was just phoning to remind you about the photographer.

0:20:110:20:14

-She's going to meet you at Hipping Hall tomorrow.

-OK.

0:20:140:20:17

-Well, hang on... Photographer?

-Yeah, for the photos for the articles.

0:20:170:20:21

-We talked about it in the office, remember?

-Oh.

-Yeah, it's on my itinerary.

-OK, yeah.

0:20:210:20:26

Her name's Yolanda, by the way, and I'm going come up with her tomorrow, so you'll see me then.

0:20:260:20:31

If you need anything in the meantime, just give me a shout.

0:20:310:20:34

Yes, miss. OK, I'll talk to you soon.

0:20:340:20:37

-Thanks... Well, I'll see you tomorrow, then, yeah?

-Yeah, I'll see you tomorrow.

-Good. OK, bye.

-Bye.

0:20:370:20:42

Ah-ha!

0:20:470:20:49

ECHO

0:20:490:20:52

-Do you remember the Seekers?

-Yeah.

0:20:530:20:56

# Rockin', rollin', ridin'

0:20:560:20:59

-BOTH:

-# All along the bay

0:21:000:21:02

# Something, something, Morningtown

0:21:020:21:05

-BOTH:

-# Many miles away. #

0:21:050:21:08

A kind of processed-cheese version of real '60s music.

0:21:080:21:13

I remember friends of my friends had Bridge Over Troubled Water.

0:21:140:21:17

-Yeah.

-I remember thinking, "Phew, that's a..."

-They're cool.

-Yeah. Wings At The Speed Of Sound.

0:21:170:21:22

-Well, that would have been very racy.

-Cliff Richard.

0:21:220:21:24

Not black technically, but in his soul...

0:21:240:21:27

Yeah. Yeah, I assume you're being ironic.

0:21:270:21:30

Look at this. Magnificent.

0:21:450:21:47

SHEEP BLEAT

0:21:470:21:50

This is Langdale.

0:21:500:21:52

You know what that means? It means Long Valley in Viking.

0:21:520:21:56

This would have... Oof!

0:21:560:21:59

All this was formed in the last ice age, about 10,000 years ago.

0:21:590:22:03

Incredible, isn't it?

0:22:030:22:05

How far are we gonna go?

0:22:050:22:07

-Just a little bit further.

-Because it's late.

0:22:070:22:10

-I know, I know.

-As you can see, the sun is now the other side of the....

0:22:100:22:13

-Hello. It's OK. Hello.

-Hello.

-Hi.

0:22:130:22:15

Human history's been recorded for...what? 3,000 years?

0:22:150:22:20

And yet...right now we're in a warm period, but there's going to be another ice age very soon.

0:22:200:22:25

In about, say, I don't know, a few thousand years. But that's, you know, a blink of an eye.

0:22:250:22:30

The rocks here were formed 400 million years ago.

0:22:300:22:33

400 MILLION years ago.

0:22:330:22:35

It's like...where we are now, this was a huge volcanic caldera,

0:22:350:22:39

this was a volcanic lake of molten volcano

0:22:390:22:41

and it was on a land mass called Avalonia that drifted from Southport

0:22:410:22:45

all the way to where we are now over hundreds of million of years.

0:22:450:22:48

We shouldn't probably go much further, just because of the light.

0:22:480:22:52

-It's, er... Isn't that beautiful, that?

-Yes.

0:23:020:23:06

I think it's... Obviously it's more beautiful in the mist.

0:23:060:23:10

-This is gorgeous.

-It's like a...

0:23:120:23:14

It's like a Turner painting.

0:23:140:23:16

-STEVE SIGHS

-Erm, have you got two tickets for Dove Cottage?

0:23:350:23:40

I'm...I'm really sorry, sir, but the last admission is at five o'clock.

0:23:400:23:45

Right, OK. Well, it's...five past.

0:23:450:23:49

-I'm really sorry, sir, but these are the rules.

-We'll be very quick.

0:23:490:23:53

Yes, I know, but... that really wouldn't be fair on all the other latecomers.

0:23:530:23:57

-So, what other latecomers? I can't see anyone.

-No, not at the moment, but...

-Pleeease, would you...

0:23:570:24:02

-We've come from London.

-Why didn't you come earlier?

-Well, that's...

0:24:020:24:05

Because I got... stuck in traffic.

0:24:050:24:08

-I'm sorry. Perhaps you could come back tomorrow.

-I can't...

-Is this man troubling you?

0:24:080:24:12

-What are you doing?

-Nothing, I just...

-Honestly.

0:24:120:24:14

-We just wondered if we could pop inside and have a little look at the cottage.

-Mr Brydon?

0:24:140:24:18

-Yes, it is.

-It's very nice to meet you.

0:24:180:24:21

-Would you do something for me? I have a grandson...

-Depends what it is.

0:24:210:24:25

I have a grandson and, erm, he loves that...tiny man...

0:24:250:24:30

-Small Man in a Box?

-..Small Man in the Box that you do.

0:24:300:24:33

-Could you sign...sign this for him?

-Sure. Yeah.

-Thank you.

-OK.

0:24:330:24:36

-Thank you.

-What's his name?

0:24:360:24:38

His name...is William.

0:24:380:24:40

-Well, look, I'll sign this for William, OK...

-Yes?

-..if, er...

0:24:400:24:43

TINY MAN: If my friend and I can go and take a look at Dove Cottage.

0:24:430:24:46

SHE LAUGHS What do you say?

0:24:460:24:49

I don't understand that. Why... Why do people have to be like that?

0:24:490:24:55

She wasn't being like anything.

0:24:550:24:57

It is only open for another half an hour,

0:24:570:24:59

and that woman, in all fairness, is probably bereaved.

0:24:590:25:03

-Yeah, but it's not my fault her husband's dead.

-No, but you...

0:25:030:25:07

It's just... Old people like that, sometimes, not all old people, a lot of them, seek out aggravation.

0:25:070:25:12

Oh, that's utter rubbish. She was a love... She was lovely.

0:25:120:25:15

Looks not unlike yourself in that picture.

0:25:170:25:20

Are you ready? One, two...

0:25:230:25:25

-Want some?

-Er...no, thank you.

0:25:390:25:41

-Sure?

-Absolutely. Never smoked.

0:25:410:25:44

Well, that's the...

0:25:460:25:48

the trouble with you, Rob. You're not open to new experiences.

0:25:480:25:51

Pffft.

0:25:510:25:53

I would remind you of the time I had a Red Bull and Coke.

0:25:530:25:57

That's not want Coleridge would have been, er...

0:26:000:26:03

-imbibing. He wouldn't have been having a spliff, would he?

-No, he wouldn't.

0:26:030:26:06

-Had opium.

-But, I mean, he would definitely have partaken if they'd been around.

0:26:060:26:11

If you really want to pay tribute to him you should be having some... er, opium.

0:26:110:26:16

What? That's...

0:26:160:26:18

-Or it's modern-day equivalent.

-This, this..

0:26:180:26:21

Well, no, the modern-day equivalent of that, that's heroin.

0:26:210:26:24

Yeah. That's what I'm saying.

0:26:240:26:25

Well...

0:26:250:26:27

-I'm not a junkie, Rob.

-I'm not encouraging you to become hooked on heroin, I'm just saying...

0:26:270:26:32

-You sound like you are.

-I'm not. Why would I do that?

-I don't know, for a laugh.

0:26:320:26:36

Ah, it's a hell of a laugh.

0:26:360:26:38

You know Steve? Have you seen Steve lately?

0:26:380:26:40

He's living in that council estate, curled up in his own shit. It was my doing, that was.

0:26:400:26:45

I suggested he try heroin. Cracking idea.

0:26:450:26:48

I would never do that.

0:26:480:26:49

Most creative people... The most creative people...smoke, you know...

0:26:550:27:01

smoke marijuana, smoke hash.

0:27:010:27:03

So, I'm tucked up in bed, in my pyjamas.

0:27:290:27:32

My flaccid member brushing up against Coleridge's soft cotton sheets... LAUGHTER ON PHONE

0:27:320:27:37

..waiting to be...to be awoken by a dusky maiden at the end of the phone.

0:27:370:27:42

Oh, I need somewhere warm to put my hands.

0:27:420:27:44

Well, I'll give you somewhere warm to put your hands. Yes, I'd be a human mitten.

0:27:440:27:48

HE SQUEAKS

0:27:480:27:50

Alf, I'm trapped in a box.

0:27:500:27:53

Help, I'm a little man.

0:27:540:27:56

Help, I'm a little man in a box!

0:27:560:27:58

Hel...

0:28:070:28:09

Help me, I'm a little man trapped in a box.

0:28:100:28:13

Subtitles by Red Bee Media Ltd

0:28:380:28:40

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0:28:400:28:42

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