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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
-'Hello?' -Rob, it's Steve. -'Hiya, how are you?' -Good, good. | 0:00:04 | 0:00:06 | |
Listen, are you free next week? To go away? | 0:00:06 | 0:00:08 | |
-'Where?' -It's kind of a tour, | 0:00:08 | 0:00:10 | |
a tour of the North, | 0:00:10 | 0:00:11 | |
a restaurant tour, | 0:00:11 | 0:00:12 | |
really good restaurants. | 0:00:12 | 0:00:13 | |
'Right, why me?' | 0:00:13 | 0:00:15 | |
Mischa can't come and I don't want to go alone. | 0:00:15 | 0:00:19 | |
I've asked other people | 0:00:19 | 0:00:21 | |
but they're all too busy. | 0:00:21 | 0:00:23 | |
It's a job. I'm not asking you | 0:00:23 | 0:00:24 | |
to go on holiday with me | 0:00:24 | 0:00:26 | |
or anything weird. | 0:00:26 | 0:00:27 | |
It's for the Observer Magazine. | 0:00:27 | 0:00:28 | |
So, you know, do you want to come? | 0:00:28 | 0:00:31 | |
So I thought we'd take the B5278 along the west bank of Windermere, | 0:00:36 | 0:00:41 | |
then when we get to Rydal, we're going to take the A591 up to Keswick. | 0:00:41 | 0:00:45 | |
-I've printed out some reviews. -Oh, great, oh, that's good. | 0:00:45 | 0:00:49 | |
For L'Enclume and basically with L'Enclume you can say whatever you want, | 0:00:49 | 0:00:54 | |
because it goes from the terrible to the wonderful. | 0:00:54 | 0:00:57 | |
Victor Lewis-Smith. | 0:00:57 | 0:00:58 | |
"Never mind all the talk of inventiveness and variety, | 0:00:58 | 0:01:02 | |
"the result was as formulaic as McDonald's, | 0:01:02 | 0:01:05 | |
"with the same splatter of Technicolor bird shit on every plate. | 0:01:05 | 0:01:09 | |
-"Then..." -That's a bit unkind. | 0:01:09 | 0:01:11 | |
Giles Coren in The Times. | 0:01:11 | 0:01:14 | |
"Love is not strong enough to describe | 0:01:14 | 0:01:17 | |
"what I felt about L'Enclume in Cartmel. | 0:01:17 | 0:01:20 | |
"I am breathless with admiration, respect and awe for the skill, imagination and restraint | 0:01:20 | 0:01:25 | |
"of the 20-odd plates of Simon Rogan's food that I ate in my two visits." | 0:01:25 | 0:01:29 | |
-Two thirds of the way through that you were thinking of doing Anthony Hopkins, weren't you? -Yes. | 0:01:29 | 0:01:34 | |
Yeah, I heard it in your voice. | 0:01:34 | 0:01:36 | |
-Are you glad I didn't? -I am glad you didn't and I admire your restraint. | 0:01:36 | 0:01:40 | |
ANTHONY HOPKINS: "I was dazzled, blown away by the originality, integrity | 0:01:40 | 0:01:43 | |
"and extravagance I found in the best of restaurant experience ever. Yes!" | 0:01:43 | 0:01:47 | |
-"Love, not strong enough to describe what I felt about it!" -Please, stop. | 0:01:47 | 0:01:51 | |
"Restaurant I would easily promise to honour and obey." | 0:01:51 | 0:01:54 | |
I would honour you, sir! I would honour your restaurant, sir! No sir, I shall not. Arghh! Arghh! | 0:01:54 | 0:02:00 | |
-"I'm breathless with admiration, respect and awe." -All right! | 0:02:00 | 0:02:03 | |
Jesus Christ, it's so early, shouting like that. | 0:02:03 | 0:02:06 | |
-"I'm breathless with admiration." -It's unpleasant. | 0:02:06 | 0:02:08 | |
He is when he does that. | 0:02:08 | 0:02:09 | |
-I know, I know he is but... -That's the anger. | 0:02:09 | 0:02:12 | |
And by default, you are. Right now. | 0:02:12 | 0:02:14 | |
I inhabit the role, sir. I'm not a turn, am I? I inhabit the role. | 0:02:14 | 0:02:17 | |
Yeah, I know, you're a real method actor, you're right up there | 0:02:17 | 0:02:21 | |
with Pacino and... Oh, Christ, better be careful what I say. | 0:02:21 | 0:02:24 | |
AL PACINO: "Whaddaya got? Hello! | 0:02:24 | 0:02:26 | |
"Hello! There's method in my madness." | 0:02:26 | 0:02:30 | |
Why are we self-catering? | 0:02:42 | 0:02:44 | |
We thought we would go and stay the night at Greta Hall when Mischa was going to come with me originally, | 0:02:44 | 0:02:50 | |
because we thought we could make love in the bed that Coleridge... | 0:02:50 | 0:02:54 | |
-Ah, yes. -..Coleridge slept in and made love in | 0:02:54 | 0:02:57 | |
and it would lend a poetic, romantic frisson to our congress. | 0:02:57 | 0:03:04 | |
Still be romantic. Just the two of us. | 0:03:04 | 0:03:07 | |
-We can be chummy. -Yeah, chummy. | 0:03:07 | 0:03:10 | |
-Yeah. -Chummy. -Without the bum. | 0:03:10 | 0:03:12 | |
-Bumless chums. -Bum...bumless chums. | 0:03:12 | 0:03:15 | |
Very big, isn't it? | 0:03:21 | 0:03:22 | |
-Very nice. -Yeah. | 0:03:34 | 0:03:36 | |
Robert Southey. Now who was he? I thought Coleridge lived here. | 0:03:38 | 0:03:42 | |
Yeah, I would have thought there'd be... Look, there it is. | 0:03:42 | 0:03:47 | |
Samuel Taylor Coleridge lived here... | 0:03:47 | 0:03:50 | |
-three years. -Not very long. You can hardly say it's Coleridge's house. | 0:03:50 | 0:03:54 | |
Oh, it's not how long you live here, it's the significance of who you are. | 0:03:54 | 0:03:58 | |
If I lived with you for six months, when I died, there'd obviously... | 0:03:58 | 0:04:02 | |
there'd be a plaque on the house saying, | 0:04:02 | 0:04:04 | |
"Steve Coogan lived here from 2010 until 2011," or something. | 0:04:04 | 0:04:09 | |
Coleridge left quite quickly after he moved here. | 0:04:09 | 0:04:12 | |
So Robert Southey had his wife and Coleridge's wife | 0:04:12 | 0:04:17 | |
and another Fricker sister living here, plus the children. | 0:04:17 | 0:04:21 | |
So he was the only man looking after all these children. | 0:04:21 | 0:04:24 | |
-Seriously? -Yeah, the wives as well. | 0:04:24 | 0:04:26 | |
So he he had to... | 0:04:26 | 0:04:28 | |
-Because Coleridge was off on his travels. -Away. | 0:04:28 | 0:04:31 | |
Couldn't cope with the domesticity of life, he found it very difficult. He found it hard to be creative. | 0:04:31 | 0:04:36 | |
Yes. Yes, there's bells ringing all over the place here. | 0:04:36 | 0:04:40 | |
He came back though, didn't he? | 0:04:40 | 0:04:41 | |
Periodically he would come back and visit. There isn't much evidence | 0:04:41 | 0:04:45 | |
that he actually sent any money back, which is a bit tricky. | 0:04:45 | 0:04:49 | |
-I'm very consistent with my maintenance, Rob. -I know you are. I would never say anything... | 0:04:49 | 0:04:55 | |
In case you wanted to draw a parallel. | 0:04:55 | 0:04:57 | |
-So this is Coleridge's... -Wow. -..study and possibly his bedroom as well. | 0:04:57 | 0:05:01 | |
Wow. Hey, he would like probably have had opium in here, maybe? | 0:05:01 | 0:05:06 | |
Possibly laudanum, because that's what they were taking at that time, | 0:05:06 | 0:05:10 | |
initially as a painkiller, but he did become addicted to it. | 0:05:10 | 0:05:15 | |
-Would you like me to tell you about Holbeck Ghyll? -Yes. | 0:05:15 | 0:05:19 | |
"Charming Victorian hunting lodge with pleasant gardens and stunning views. | 0:05:19 | 0:05:25 | |
"Individually-decorated bedrooms combine country-house style with a contemporary edge." | 0:05:25 | 0:05:32 | |
That's how I think of myself. If I was a house, | 0:05:32 | 0:05:34 | |
I'd like to be a country house with a contemporary edge. | 0:05:34 | 0:05:37 | |
"Cooking is confident and precise. | 0:05:37 | 0:05:40 | |
"Appealing menus are complemented by an exceptional wine list." | 0:05:40 | 0:05:44 | |
Yeah. | 0:05:44 | 0:05:46 | |
Ooh, hey! | 0:05:54 | 0:05:57 | |
Look at that. See that? | 0:05:57 | 0:05:59 | |
-Beautiful. -You can't paint that. | 0:05:59 | 0:06:02 | |
-Well. -Well, you could, but it would be a bit rubbish. | 0:06:02 | 0:06:05 | |
Probably sell it for about 25 quid in one of the tourist shops round here. | 0:06:05 | 0:06:09 | |
Why do you do that, hey? Why? | 0:06:12 | 0:06:15 | |
You know it's physically impossible? | 0:06:15 | 0:06:17 | |
Ah, me back! | 0:06:18 | 0:06:22 | |
HE PANTS | 0:06:22 | 0:06:25 | |
-Are you ready to order? -Yes, please. Shall I go first? -Yep. | 0:06:25 | 0:06:28 | |
Could I have the scallops to start, please? | 0:06:28 | 0:06:31 | |
And then I'll have the pigeon as the main course. | 0:06:31 | 0:06:33 | |
-I will have the rabbit, please, followed by the lamb. -Thank you. | 0:06:33 | 0:06:38 | |
Nice image, rabbit following a lamb. | 0:06:38 | 0:06:40 | |
That's a bit weird, Rob. | 0:06:40 | 0:06:43 | |
A bit weird, isn't it? | 0:06:43 | 0:06:45 | |
-Yeah. -Can we have a knife for the butter, please, | 0:06:45 | 0:06:47 | |
and a rolled-up £20 note for the salt, thank you. | 0:06:47 | 0:06:51 | |
And your wines. There's your Germanier and the Gevrey Premier Cru. | 0:06:51 | 0:06:56 | |
Oh, marvellous. | 0:06:56 | 0:06:57 | |
Premier Cru, I know that that means it's good, Premier Cru. | 0:06:58 | 0:07:02 | |
"Premier", first, the best, "cru"... | 0:07:02 | 0:07:04 | |
Don't know. | 0:07:07 | 0:07:09 | |
Mystery. Mystery. | 0:07:09 | 0:07:11 | |
But that's good. It's good to have mystery about these things. It's a premier, that's good. | 0:07:11 | 0:07:16 | |
-It's the first of something. -Would you like to try it, gentlemen? | 0:07:16 | 0:07:19 | |
-Do you want to...try it, Steve? -Er, yes, please. | 0:07:19 | 0:07:22 | |
Er, thank you. | 0:07:23 | 0:07:25 | |
That's fine. | 0:07:29 | 0:07:31 | |
No, 11, then 5. | 0:07:36 | 0:07:37 | |
-The amuse bouche is pumpkin and Gruyere. -Sorry? | 0:07:40 | 0:07:44 | |
-Pumpkin and Gruyere. -What is it, sorry? -Pumpkin and Gruyere? | 0:07:44 | 0:07:48 | |
-Gruyere. Cheese. Thank you very much. -Thank you, thank you very much. | 0:07:48 | 0:07:51 | |
-She was lovely, wasn't she? -Very sweet, a nice disposition. | 0:07:51 | 0:07:55 | |
Yeah, imagine her on an alpine hillside herding goats. | 0:07:55 | 0:07:59 | |
Mmm. | 0:07:59 | 0:08:01 | |
That's delicious. Taste... Isn't that lovely? | 0:08:01 | 0:08:04 | |
Oh, that is very... It's tremendous. | 0:08:07 | 0:08:09 | |
Good Lord. | 0:08:09 | 0:08:10 | |
My bouche is amused. | 0:08:12 | 0:08:15 | |
Yeah. Can you not look right into my eyes when you taste it? | 0:08:15 | 0:08:17 | |
It's a bit weird. | 0:08:17 | 0:08:19 | |
Mmmm! Oh, Steve. | 0:08:19 | 0:08:21 | |
That's lovely. | 0:08:21 | 0:08:23 | |
I don't fancy my chances of sleeping in Coleridge's house. | 0:08:25 | 0:08:28 | |
I'm bad enough in a really good hotel. Because I like the smells of home, the home smells. | 0:08:28 | 0:08:34 | |
I'm like an animal in that sense. | 0:08:34 | 0:08:36 | |
What? Like a mouse? | 0:08:36 | 0:08:39 | |
Like a lion. | 0:08:39 | 0:08:40 | |
If he strays far from the pride, | 0:08:40 | 0:08:43 | |
he yearns for the smell of his lady lion, his she-lion. | 0:08:43 | 0:08:47 | |
Let's change the subject, mate. Please. For Christ's sakes. | 0:08:47 | 0:08:50 | |
-Ooh, hang on. -I'm OK, thanks. -Sorry, I'll finish. | 0:08:52 | 0:08:55 | |
Oh, my God. | 0:08:57 | 0:08:58 | |
Oh, Rob, please, please. | 0:08:58 | 0:09:00 | |
Thank you very much. Thank you very much, thank you. | 0:09:03 | 0:09:06 | |
OK, service. | 0:09:06 | 0:09:08 | |
Table 6, scallops. | 0:09:08 | 0:09:09 | |
This is Hazlitt on Coleridge. | 0:09:11 | 0:09:13 | |
"All that he had done of moment he had done 20 years ago. | 0:09:13 | 0:09:18 | |
"Since then he may be as said to live on the sound of his own voice. | 0:09:18 | 0:09:22 | |
"He is a general lover of art and science..." - that's true - | 0:09:22 | 0:09:25 | |
-"..wedded to no-one in particular." -Oh, it's about... -That's very true. | 0:09:25 | 0:09:28 | |
OK, it's about me, I didn't realise, but carry on. | 0:09:28 | 0:09:30 | |
"He pursues knowledge as a mistress." | 0:09:30 | 0:09:32 | |
-OK. -"It was not to be supposed that Mr Coleridge could keep on at the rate he set off." | 0:09:32 | 0:09:37 | |
-ALAN PARTRIDGE: "Ah-ha!" "He could not realise all he knew..." -Is that written down? | 0:09:37 | 0:09:40 | |
"..and less, could not fix his desultory ambition. Other stimulants supplied the place..." | 0:09:40 | 0:09:45 | |
Careful, you were going into Jimmy Savile then, but I'll let it go. | 0:09:45 | 0:09:50 | |
"Other stimulants supplied the place and kept up the intoxicating dream, | 0:09:50 | 0:09:55 | |
"the fever and the madness of his early impressions." | 0:09:55 | 0:10:00 | |
Right, I don't do impressions. | 0:10:00 | 0:10:02 | |
I'm saying that it can be hard to have a big success. | 0:10:02 | 0:10:06 | |
Bob Balaban said, "Never be hot, always be warm," | 0:10:06 | 0:10:09 | |
-and a lot of the people that are thought of as great had - psshhhh! - supernova moments. -Yeah. | 0:10:09 | 0:10:14 | |
Where do you go from there? | 0:10:14 | 0:10:15 | |
Well, it's difficult, you know, once you've achieved greatness to...to match that. | 0:10:15 | 0:10:21 | |
-I imagine it is. -Yeah, and you'll always imagine, | 0:10:21 | 0:10:24 | |
because it's not a problem you'll ever have to contend with. | 0:10:24 | 0:10:27 | |
But that's not a problem for me. Why? | 0:10:27 | 0:10:29 | |
I'd rather be me than you, because I'd rather have these moments of genius | 0:10:29 | 0:10:34 | |
than, er...than-than-than a lifetime of... | 0:10:34 | 0:10:38 | |
mediocrity. | 0:10:38 | 0:10:40 | |
My career is NOT mediocre. | 0:10:40 | 0:10:42 | |
OK. About to go. Two crab, rabbit, scallops. | 0:10:44 | 0:10:47 | |
Doesn't matter about the time. | 0:10:48 | 0:10:50 | |
-Scallops. -Thank you very much. -Well, if you... Thank you. Thanks. | 0:10:50 | 0:10:54 | |
-Golly, thank you. -Enjoy it. -Thank you very much. | 0:10:54 | 0:10:58 | |
I always think of Coleridge as sort of a Richard Burton type character. | 0:10:58 | 0:11:01 | |
"In Xanadu did Kubla Khan A stately pleasure-dome decree | 0:11:01 | 0:11:06 | |
"Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea." | 0:11:06 | 0:11:14 | |
I'm very impressed. You've shocked me, because I would have thought | 0:11:14 | 0:11:18 | |
-that you would have preferred Olivia Newton-John's version of Xanadu. -ROB LAUGHS | 0:11:18 | 0:11:22 | |
I think both Newton-John and Coleridge | 0:11:22 | 0:11:25 | |
tackled the subject of Xanadu with varying degrees of success. | 0:11:25 | 0:11:29 | |
They call it Xana-DU. | 0:11:29 | 0:11:31 | |
-Yes. -Xana-DU. | 0:11:31 | 0:11:33 | |
Xaaaaa-nadu. In... | 0:11:33 | 0:11:36 | |
-Xanadu. -Ably abetted by, er... | 0:11:36 | 0:11:40 | |
-Jeff Lynne. -Jeff Lynne. -Of... -Of the Electric...Light Orchestra. | 0:11:40 | 0:11:43 | |
The Electric LIGHT Orchestra. | 0:11:43 | 0:11:44 | |
-The Electric...Light Orchestra. -ROB LAUGHS | 0:11:44 | 0:11:47 | |
First one, pigeon, lamb, followed by duck, lamb. | 0:11:47 | 0:11:51 | |
Wordsworth took his time. He's a plodder, he took his time. | 0:11:55 | 0:11:58 | |
-Let's study, boom, boom. -Yeah, well, it's the tortoise and the hare. | 0:11:58 | 0:12:01 | |
-Do you see yourself as a hare? -A hare... Yeah, I'm happy to be a hare. | 0:12:01 | 0:12:04 | |
-Are tortoises happier than the hare? -Yeah, but they're...they're boring. | 0:12:04 | 0:12:07 | |
-Hares go...you know... -HE MAKES SWISHING NOISES | 0:12:07 | 0:12:10 | |
I'd rather be a tortoise. A tortoise wins at the end. | 0:12:10 | 0:12:13 | |
-Yeah, that's true. -Thank you very much. -A top-up? -Yes, I like drinking wine. | 0:12:14 | 0:12:18 | |
STEVE LAUGHS | 0:12:18 | 0:12:20 | |
OK, when that goes... | 0:12:20 | 0:12:21 | |
We'll just plate up here and we'll... | 0:12:23 | 0:12:25 | |
"Better to burn out than fade away." Neil Young. | 0:12:25 | 0:12:28 | |
"One small leap for man." Neil Armstrong. | 0:12:28 | 0:12:30 | |
"One small leap for man"? | 0:12:30 | 0:12:32 | |
It was actually, "One small step for man, one giant leap for mankind." | 0:12:32 | 0:12:35 | |
-Well, it was meant to be "a man". -"A man." -He got it wrong. -I know. | 0:12:35 | 0:12:39 | |
-He got his lines wrong. -Yes, he did. He got his lines wrong. | 0:12:39 | 0:12:41 | |
Because he hadn't learnt them. He hadn't thought it through. | 0:12:41 | 0:12:45 | |
Thank you very much. | 0:12:45 | 0:12:47 | |
STEVE SIGHS | 0:12:48 | 0:12:50 | |
-I don't need the nod and the wink. I don't need it every time. -Well, you know what... | 0:12:51 | 0:12:56 | |
-OK, yeah, don't do that. -No, I'm saying, "I won't do that." I'm going... -OK. -"I won't do it." | 0:12:56 | 0:13:00 | |
Service! | 0:13:03 | 0:13:05 | |
-The lamb. -Thank you. | 0:13:07 | 0:13:09 | |
-Golly, that...that does look nice. -Pigeon. Thank you. | 0:13:09 | 0:13:11 | |
-That looks lovely. What is that? -Pigeon. -Really? -Yeah. -Golly. | 0:13:11 | 0:13:14 | |
-Don't want to sit there watching you COOING over it. -Hm. | 0:13:14 | 0:13:18 | |
-What have you got? -I...have lamb. | 0:13:18 | 0:13:20 | |
Thank you. | 0:13:22 | 0:13:24 | |
Farewell to the white wine. | 0:13:24 | 0:13:27 | |
Hello to our old friend, the red. | 0:13:27 | 0:13:29 | |
Mmm. That's nice. | 0:13:32 | 0:13:35 | |
That's very nice. | 0:13:35 | 0:13:37 | |
Mm. | 0:13:37 | 0:13:39 | |
-Do you think we just have the same conversation in every restaurant? -Um... | 0:13:39 | 0:13:42 | |
-Yeah, of course we do... -We're essentially having the same conversation every place we go to. | 0:13:42 | 0:13:46 | |
I think we start out being a bit awkward with each other. | 0:13:46 | 0:13:50 | |
-Have a little bit of wine, exchange a few frivolities. -Loosen up, enjoying each other's company. | 0:13:50 | 0:13:55 | |
Enjoy each other's companies, have a bit more wine, get cantankerous... | 0:13:55 | 0:13:58 | |
-Yeah. -..and... -Pick faults with each other. -Pick faults with each other, | 0:13:58 | 0:14:01 | |
and it descends into a kind of a... | 0:14:01 | 0:14:04 | |
a sort of a bitter, unhappy... end to the meal. | 0:14:04 | 0:14:08 | |
That's a little haggis. | 0:14:09 | 0:14:11 | |
Yeah. | 0:14:11 | 0:14:13 | |
Anyone ever asks you to go on a haggis hunt, be careful what you say. | 0:14:13 | 0:14:16 | |
SCOTTISH: They're taking you for a fool. | 0:14:16 | 0:14:18 | |
SEAN CONNERY: "Taking you for a fool. | 0:14:18 | 0:14:21 | |
"He's a bloody fool. | 0:14:21 | 0:14:22 | |
"There's no such thing as a haggis hunt." | 0:14:22 | 0:14:25 | |
STEVE EXHALES SLOWLY | 0:14:25 | 0:14:27 | |
ROB MUMBLES INDISTINCTLY AS CONNERY | 0:14:27 | 0:14:30 | |
I just imagined myself putting my knife upside down and just pressing my head on to it then. | 0:14:30 | 0:14:36 | |
-Desperate to be taken seriously, aren't you? -No! | 0:14:36 | 0:14:39 | |
You can't treat your entire life like...a Radio 4 panel show. | 0:14:39 | 0:14:43 | |
Bzzzz! Yes, you can. STEVE LAUGHS | 0:14:43 | 0:14:46 | |
Alex James said he celebrated his 20th birthday with alcohol, | 0:14:46 | 0:14:51 | |
his 30th with drugs and his 40th with food. | 0:14:51 | 0:14:55 | |
Is that how it is for you? | 0:14:55 | 0:14:57 | |
-Erm... -STEVE SIGHS | 0:14:57 | 0:14:58 | |
STEVE MURMURS | 0:14:58 | 0:15:00 | |
Well, don't you find it exhausting? Still running around, going to parties, chasing girls, at your age? | 0:15:00 | 0:15:05 | |
-I don't run around and go to parties, or chase girls. -You do! | 0:15:05 | 0:15:09 | |
-No, I... -You chase girls. | 0:15:09 | 0:15:10 | |
I don't chase them. You sound like Benny Hill. | 0:15:10 | 0:15:13 | |
But don't you find all that exhausting at your age? | 0:15:13 | 0:15:15 | |
No. Do you find it exhausting looking after a baby? | 0:15:15 | 0:15:18 | |
-Yes, I do. -Yeah, well... | 0:15:18 | 0:15:20 | |
Everything's exhausting when you're past forty-... | 0:15:22 | 0:15:24 | |
Everything's exhausting at our age. | 0:15:27 | 0:15:29 | |
Right, after this, we're going to go duck, lamb. | 0:15:37 | 0:15:39 | |
Oh, dear. | 0:15:43 | 0:15:45 | |
Rather miserly portion. | 0:15:45 | 0:15:47 | |
-I think a mouse has taken a shit on your plate. -Yeah. | 0:15:47 | 0:15:50 | |
-Here is Langres, Champagne cheese. -Oui. | 0:15:50 | 0:15:53 | |
Wensleydale, local cheese. | 0:15:53 | 0:15:55 | |
Wensleydale. WALLACE: "Cracking cheese, Gromit. | 0:15:55 | 0:15:57 | |
-"Ohhhh!" -I'll just say, your eyes match your neckerchief perfectly. -Thank you. | 0:15:57 | 0:16:02 | |
Please don't press charges. HE CHUCKLES | 0:16:02 | 0:16:05 | |
There's a fine line between...er, pleasantries... | 0:16:05 | 0:16:08 | |
-And sexual harassment, and that's the line that you were... Thank you very much. -Thank you. | 0:16:08 | 0:16:13 | |
-JAMES MASON: "What a charming girl." -"What a charming girl." | 0:16:13 | 0:16:16 | |
-"Charming girl." MASON: -James Mason is from Yorkshire. Occasionally you can hear his vowel sounds, | 0:16:16 | 0:16:20 | |
very flat vowel sounds when he speaks. | 0:16:20 | 0:16:23 | |
-Wallace is probably... MASON: -Go to your room or I shall beat you! | 0:16:23 | 0:16:26 | |
-Are you still doing James Mason? -No, I'm just speaking to you directly. | 0:16:26 | 0:16:30 | |
-Can I have my cheese first? -Yes. -Thank you. | 0:16:30 | 0:16:32 | |
ALAN BENNETT: "Put it onto the cracker. | 0:16:32 | 0:16:35 | |
"I rise it slowly to me mouth, wondering if it'll fulfil the promise of cheese gone by at Leeds Grammar. | 0:16:35 | 0:16:41 | |
"'Oh, Mam.' 'Oh, Alan.' And I did. And now, as I look back, Dudley and Peter, | 0:16:41 | 0:16:49 | |
"Dudley, elfin sexuality, Jonathan, that much cleverer than Peter, Dudley and I, | 0:16:49 | 0:16:54 | |
-"and yet..." -Peter, Dudley and me. -Peter, Dudley and me, sorry. -Not Peter, Dudley and I. | 0:16:54 | 0:16:59 | |
"The cheese evoking memories of..." | 0:16:59 | 0:17:02 | |
Well, I was hoping that that interjection might curtail your Alan Bennett odyssey. | 0:17:02 | 0:17:06 | |
BENNETT: Oh, no, not at all. "The cracker found under the sofa." | 0:17:06 | 0:17:11 | |
SCOUSE: Cracker. The cracker. Who talks like that? The cracker. Eh? | 0:17:11 | 0:17:15 | |
-Scousers. -Yeah, fockin' Scousers. | 0:17:15 | 0:17:17 | |
-Come 'ere with a cracker. -They don't say "ccchhom". -Come 'ere with your cracker. | 0:17:17 | 0:17:21 | |
-They don't say "ccchhom 'ere"... -Fuck your crackers. Don't fucking crook your crackers. -No "ccchh". | 0:17:21 | 0:17:26 | |
That's what the Welsh do, all that "ccchh". | 0:17:26 | 0:17:29 | |
They don't want the Scousers talking cracker... I met Steven Gerrard once. | 0:17:29 | 0:17:33 | |
-"All right, how ya doin'? All right." -I met Paul McCartney once. | 0:17:33 | 0:17:37 | |
I'm not just listing Liverpudlians I've met. I'm just telling you I met him. He's a footballer. | 0:17:37 | 0:17:40 | |
-I'm not listing mine... -Probably never even heard of you. -But I met Paul McCartney. -Good. I'm envious. | 0:17:40 | 0:17:46 | |
Too much cheese. | 0:17:48 | 0:17:49 | |
You can say that again. | 0:17:49 | 0:17:51 | |
That should be the name of your autobiography. Too Much Cheese. | 0:17:52 | 0:17:55 | |
Yeah, and yours should be Sticky Toffee Pudding. | 0:17:55 | 0:17:59 | |
Well, that's devastating, I'm devastated. | 0:17:59 | 0:18:02 | |
That was lovely, thank you, delightful. | 0:18:02 | 0:18:04 | |
-He's made light work of that, hasn't he? -Short shrift. -With Trevor Eve. -Thank you. | 0:18:04 | 0:18:08 | |
Friday at nine on BBC One. | 0:18:08 | 0:18:10 | |
-Yes, can we have the bill, please, when you're... -Yes, of course. | 0:18:10 | 0:18:13 | |
I'm tired now. Can't wait to sleep. | 0:18:14 | 0:18:17 | |
I think you should. | 0:18:17 | 0:18:19 | |
KEN BRUCE: "Thank you, Terry. There'll be more from Terry, same time tomorrow. | 0:18:22 | 0:18:26 | |
"Right, the Doobie Brothers, What A Fool Believes. This fool believes any old nonsense." | 0:18:26 | 0:18:30 | |
Your bill, gentlemen. | 0:18:30 | 0:18:32 | |
-Thank you very much. -Thank you very much. -What does it say, what does it say? | 0:18:32 | 0:18:35 | |
How exciting. And the winner is... Holbeck Ghyll, £140.30. | 0:18:35 | 0:18:41 | |
-Holbeck Ghyll. -Holbeck Ghyll. | 0:18:41 | 0:18:42 | |
Holbeck Ghyll. "Hello, my name's Holbeck Ghyll." | 0:18:42 | 0:18:47 | |
"Hello, my name's Holbeck Ghyll." | 0:18:47 | 0:18:50 | |
-"You might remember me..." -"You might remember me from Follyfoot..." | 0:18:50 | 0:18:54 | |
-"But now I'm here to tell you about a wonderful new walk-in bath." -"..and Softly, Softly." | 0:18:54 | 0:18:58 | |
"I once played an elderly gentleman with concussion in Holby City, but I was cut out." | 0:19:01 | 0:19:06 | |
"And a man...played an elderly gentleman who was WRONGLY accused of being a paedophile." | 0:19:06 | 0:19:12 | |
"And that was important to me, that he was wrongly accused." | 0:19:12 | 0:19:15 | |
"Very important to me. I said, 'I don't mind being a paedophile, as long as he's wrongly accused.' | 0:19:15 | 0:19:21 | |
"If you're over 50..." | 0:19:21 | 0:19:23 | |
-"If you're over 150." -"If you're 150..." -"Like me..." -"..if you're worried about intruders... | 0:19:23 | 0:19:29 | |
"then turn your semi-detached house into Fort Knox." | 0:19:29 | 0:19:32 | |
ROB LAUGHS | 0:19:32 | 0:19:35 | |
-"With my aluminium blinds." -"And look at my razor wire." -"Look at them." | 0:19:35 | 0:19:40 | |
Brrrr...krang! | 0:19:40 | 0:19:41 | |
"Do you know, a small child of 12 tried to enter my garden the other day | 0:19:41 | 0:19:45 | |
"and went away with lacerations to his hands and wrists, | 0:19:45 | 0:19:49 | |
-"thanks to my razor wire and... shards of glass." -That's just illegal. You can't do that. | 0:19:49 | 0:19:53 | |
"I know it's illegal, but I don't care. | 0:19:53 | 0:19:55 | |
"I'll do what I can to keep the little shits off my property. | 0:19:55 | 0:19:59 | |
"I'm Holbeck Ghyll. Good night." | 0:20:01 | 0:20:04 | |
-RINGING TONE -Hi, Emma. -Hey. You all right? | 0:20:06 | 0:20:09 | |
Yeah, I got a missed call. | 0:20:09 | 0:20:11 | |
Yeah, I was just phoning to remind you about the photographer. | 0:20:11 | 0:20:14 | |
-She's going to meet you at Hipping Hall tomorrow. -OK. | 0:20:14 | 0:20:17 | |
-Well, hang on... Photographer? -Yeah, for the photos for the articles. | 0:20:17 | 0:20:21 | |
-We talked about it in the office, remember? -Oh. -Yeah, it's on my itinerary. -OK, yeah. | 0:20:21 | 0:20:26 | |
Her name's Yolanda, by the way, and I'm going come up with her tomorrow, so you'll see me then. | 0:20:26 | 0:20:31 | |
If you need anything in the meantime, just give me a shout. | 0:20:31 | 0:20:34 | |
Yes, miss. OK, I'll talk to you soon. | 0:20:34 | 0:20:37 | |
-Thanks... Well, I'll see you tomorrow, then, yeah? -Yeah, I'll see you tomorrow. -Good. OK, bye. -Bye. | 0:20:37 | 0:20:42 | |
Ah-ha! | 0:20:47 | 0:20:49 | |
ECHO | 0:20:49 | 0:20:52 | |
-Do you remember the Seekers? -Yeah. | 0:20:53 | 0:20:56 | |
# Rockin', rollin', ridin' | 0:20:56 | 0:20:59 | |
-BOTH: -# All along the bay | 0:21:00 | 0:21:02 | |
# Something, something, Morningtown | 0:21:02 | 0:21:05 | |
-BOTH: -# Many miles away. # | 0:21:05 | 0:21:08 | |
A kind of processed-cheese version of real '60s music. | 0:21:08 | 0:21:13 | |
I remember friends of my friends had Bridge Over Troubled Water. | 0:21:14 | 0:21:17 | |
-Yeah. -I remember thinking, "Phew, that's a..." -They're cool. -Yeah. Wings At The Speed Of Sound. | 0:21:17 | 0:21:22 | |
-Well, that would have been very racy. -Cliff Richard. | 0:21:22 | 0:21:24 | |
Not black technically, but in his soul... | 0:21:24 | 0:21:27 | |
Yeah. Yeah, I assume you're being ironic. | 0:21:27 | 0:21:30 | |
Look at this. Magnificent. | 0:21:45 | 0:21:47 | |
SHEEP BLEAT | 0:21:47 | 0:21:50 | |
This is Langdale. | 0:21:50 | 0:21:52 | |
You know what that means? It means Long Valley in Viking. | 0:21:52 | 0:21:56 | |
This would have... Oof! | 0:21:56 | 0:21:59 | |
All this was formed in the last ice age, about 10,000 years ago. | 0:21:59 | 0:22:03 | |
Incredible, isn't it? | 0:22:03 | 0:22:05 | |
How far are we gonna go? | 0:22:05 | 0:22:07 | |
-Just a little bit further. -Because it's late. | 0:22:07 | 0:22:10 | |
-I know, I know. -As you can see, the sun is now the other side of the.... | 0:22:10 | 0:22:13 | |
-Hello. It's OK. Hello. -Hello. -Hi. | 0:22:13 | 0:22:15 | |
Human history's been recorded for...what? 3,000 years? | 0:22:15 | 0:22:20 | |
And yet...right now we're in a warm period, but there's going to be another ice age very soon. | 0:22:20 | 0:22:25 | |
In about, say, I don't know, a few thousand years. But that's, you know, a blink of an eye. | 0:22:25 | 0:22:30 | |
The rocks here were formed 400 million years ago. | 0:22:30 | 0:22:33 | |
400 MILLION years ago. | 0:22:33 | 0:22:35 | |
It's like...where we are now, this was a huge volcanic caldera, | 0:22:35 | 0:22:39 | |
this was a volcanic lake of molten volcano | 0:22:39 | 0:22:41 | |
and it was on a land mass called Avalonia that drifted from Southport | 0:22:41 | 0:22:45 | |
all the way to where we are now over hundreds of million of years. | 0:22:45 | 0:22:48 | |
We shouldn't probably go much further, just because of the light. | 0:22:48 | 0:22:52 | |
-It's, er... Isn't that beautiful, that? -Yes. | 0:23:02 | 0:23:06 | |
I think it's... Obviously it's more beautiful in the mist. | 0:23:06 | 0:23:10 | |
-This is gorgeous. -It's like a... | 0:23:12 | 0:23:14 | |
It's like a Turner painting. | 0:23:14 | 0:23:16 | |
-STEVE SIGHS -Erm, have you got two tickets for Dove Cottage? | 0:23:35 | 0:23:40 | |
I'm...I'm really sorry, sir, but the last admission is at five o'clock. | 0:23:40 | 0:23:45 | |
Right, OK. Well, it's...five past. | 0:23:45 | 0:23:49 | |
-I'm really sorry, sir, but these are the rules. -We'll be very quick. | 0:23:49 | 0:23:53 | |
Yes, I know, but... that really wouldn't be fair on all the other latecomers. | 0:23:53 | 0:23:57 | |
-So, what other latecomers? I can't see anyone. -No, not at the moment, but... -Pleeease, would you... | 0:23:57 | 0:24:02 | |
-We've come from London. -Why didn't you come earlier? -Well, that's... | 0:24:02 | 0:24:05 | |
Because I got... stuck in traffic. | 0:24:05 | 0:24:08 | |
-I'm sorry. Perhaps you could come back tomorrow. -I can't... -Is this man troubling you? | 0:24:08 | 0:24:12 | |
-What are you doing? -Nothing, I just... -Honestly. | 0:24:12 | 0:24:14 | |
-We just wondered if we could pop inside and have a little look at the cottage. -Mr Brydon? | 0:24:14 | 0:24:18 | |
-Yes, it is. -It's very nice to meet you. | 0:24:18 | 0:24:21 | |
-Would you do something for me? I have a grandson... -Depends what it is. | 0:24:21 | 0:24:25 | |
I have a grandson and, erm, he loves that...tiny man... | 0:24:25 | 0:24:30 | |
-Small Man in a Box? -..Small Man in the Box that you do. | 0:24:30 | 0:24:33 | |
-Could you sign...sign this for him? -Sure. Yeah. -Thank you. -OK. | 0:24:33 | 0:24:36 | |
-Thank you. -What's his name? | 0:24:36 | 0:24:38 | |
His name...is William. | 0:24:38 | 0:24:40 | |
-Well, look, I'll sign this for William, OK... -Yes? -..if, er... | 0:24:40 | 0:24:43 | |
TINY MAN: If my friend and I can go and take a look at Dove Cottage. | 0:24:43 | 0:24:46 | |
SHE LAUGHS What do you say? | 0:24:46 | 0:24:49 | |
I don't understand that. Why... Why do people have to be like that? | 0:24:49 | 0:24:55 | |
She wasn't being like anything. | 0:24:55 | 0:24:57 | |
It is only open for another half an hour, | 0:24:57 | 0:24:59 | |
and that woman, in all fairness, is probably bereaved. | 0:24:59 | 0:25:03 | |
-Yeah, but it's not my fault her husband's dead. -No, but you... | 0:25:03 | 0:25:07 | |
It's just... Old people like that, sometimes, not all old people, a lot of them, seek out aggravation. | 0:25:07 | 0:25:12 | |
Oh, that's utter rubbish. She was a love... She was lovely. | 0:25:12 | 0:25:15 | |
Looks not unlike yourself in that picture. | 0:25:17 | 0:25:20 | |
Are you ready? One, two... | 0:25:23 | 0:25:25 | |
-Want some? -Er...no, thank you. | 0:25:39 | 0:25:41 | |
-Sure? -Absolutely. Never smoked. | 0:25:41 | 0:25:44 | |
Well, that's the... | 0:25:46 | 0:25:48 | |
the trouble with you, Rob. You're not open to new experiences. | 0:25:48 | 0:25:51 | |
Pffft. | 0:25:51 | 0:25:53 | |
I would remind you of the time I had a Red Bull and Coke. | 0:25:53 | 0:25:57 | |
That's not want Coleridge would have been, er... | 0:26:00 | 0:26:03 | |
-imbibing. He wouldn't have been having a spliff, would he? -No, he wouldn't. | 0:26:03 | 0:26:06 | |
-Had opium. -But, I mean, he would definitely have partaken if they'd been around. | 0:26:06 | 0:26:11 | |
If you really want to pay tribute to him you should be having some... er, opium. | 0:26:11 | 0:26:16 | |
What? That's... | 0:26:16 | 0:26:18 | |
-Or it's modern-day equivalent. -This, this.. | 0:26:18 | 0:26:21 | |
Well, no, the modern-day equivalent of that, that's heroin. | 0:26:21 | 0:26:24 | |
Yeah. That's what I'm saying. | 0:26:24 | 0:26:25 | |
Well... | 0:26:25 | 0:26:27 | |
-I'm not a junkie, Rob. -I'm not encouraging you to become hooked on heroin, I'm just saying... | 0:26:27 | 0:26:32 | |
-You sound like you are. -I'm not. Why would I do that? -I don't know, for a laugh. | 0:26:32 | 0:26:36 | |
Ah, it's a hell of a laugh. | 0:26:36 | 0:26:38 | |
You know Steve? Have you seen Steve lately? | 0:26:38 | 0:26:40 | |
He's living in that council estate, curled up in his own shit. It was my doing, that was. | 0:26:40 | 0:26:45 | |
I suggested he try heroin. Cracking idea. | 0:26:45 | 0:26:48 | |
I would never do that. | 0:26:48 | 0:26:49 | |
Most creative people... The most creative people...smoke, you know... | 0:26:55 | 0:27:01 | |
smoke marijuana, smoke hash. | 0:27:01 | 0:27:03 | |
So, I'm tucked up in bed, in my pyjamas. | 0:27:29 | 0:27:32 | |
My flaccid member brushing up against Coleridge's soft cotton sheets... LAUGHTER ON PHONE | 0:27:32 | 0:27:37 | |
..waiting to be...to be awoken by a dusky maiden at the end of the phone. | 0:27:37 | 0:27:42 | |
Oh, I need somewhere warm to put my hands. | 0:27:42 | 0:27:44 | |
Well, I'll give you somewhere warm to put your hands. Yes, I'd be a human mitten. | 0:27:44 | 0:27:48 | |
HE SQUEAKS | 0:27:48 | 0:27:50 | |
Alf, I'm trapped in a box. | 0:27:50 | 0:27:53 | |
Help, I'm a little man. | 0:27:54 | 0:27:56 | |
Help, I'm a little man in a box! | 0:27:56 | 0:27:58 | |
Hel... | 0:28:07 | 0:28:09 | |
Help me, I'm a little man trapped in a box. | 0:28:10 | 0:28:13 | |
Subtitles by Red Bee Media Ltd | 0:28:38 | 0:28:40 | |
E-mail [email protected] | 0:28:40 | 0:28:42 |