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and she was saying to me, "I think I've broke my ankle. | 0:00:02 | 0:00:02 | |
So I nearly signed for Burnistoun United | 0:00:15 | 0:00:18 | |
when I was younger, but that didnae work oot. | 0:00:18 | 0:00:21 | |
Erm... | 0:00:21 | 0:00:22 | |
I got into business with my brother. | 0:00:22 | 0:00:25 | |
That didnae work oot, either. | 0:00:25 | 0:00:27 | |
Well, it didnae work oot for me. | 0:00:27 | 0:00:29 | |
He's in the spoon game now, in the Middle East somewhere. | 0:00:29 | 0:00:33 | |
He's a multimillionaire. | 0:00:33 | 0:00:35 | |
Er, so now I'm hoping to get into the taxi game, now. | 0:00:35 | 0:00:40 | |
I mean, as a kind of driving unit. | 0:00:40 | 0:00:43 | |
A driver, taxi driver, really. | 0:00:43 | 0:00:46 | |
Pal, you're just one step away | 0:00:46 | 0:00:48 | |
from becoming a Burnistoun city taxi driver. | 0:00:48 | 0:00:51 | |
I'm your taxi driver patter assessor. | 0:00:51 | 0:00:53 | |
I'll be hearing your patter today. | 0:00:53 | 0:00:55 | |
In your own time. | 0:00:55 | 0:00:56 | |
This you going to your work, mate? | 0:00:57 | 0:00:59 | |
Let me just stop you right there. | 0:00:59 | 0:01:00 | |
You've stirred up a right hornet's nest with that one. | 0:01:00 | 0:01:03 | |
What if I've just been made redundant, pal? | 0:01:03 | 0:01:04 | |
What if I cannae stand my work and cannae face talking about it? | 0:01:04 | 0:01:07 | |
You've offended me already. | 0:01:07 | 0:01:10 | |
Try a different approach. | 0:01:10 | 0:01:11 | |
You a Burnistoun United man yourself, mate? | 0:01:11 | 0:01:14 | |
Red flag there, very antagonistic. | 0:01:14 | 0:01:16 | |
If I dae support United, how dae I know you dae? | 0:01:16 | 0:01:19 | |
How dae I know you're not a City fan trying to flush me oot | 0:01:19 | 0:01:22 | |
so you can give me a doing in a lay-by? | 0:01:22 | 0:01:24 | |
And if I don't support United, well, I already detest you, don't I? | 0:01:24 | 0:01:28 | |
You need to be less specific. | 0:01:28 | 0:01:30 | |
Are you into your fitba', mate? | 0:01:30 | 0:01:31 | |
Too specific. Are you into your sports, mate? | 0:01:31 | 0:01:33 | |
Still too specific. | 0:01:33 | 0:01:35 | |
You into... | 0:01:35 | 0:01:36 | |
hings, mate? | 0:01:36 | 0:01:38 | |
"Are you into hings?" | 0:01:38 | 0:01:40 | |
"Are you into hings?" Way too sexual, pal. | 0:01:40 | 0:01:43 | |
That sounds like swingers' patter to me. | 0:01:43 | 0:01:45 | |
That's no' what I'm into at all. | 0:01:45 | 0:01:46 | |
Try something else. | 0:01:46 | 0:01:48 | |
Cracking day the day, mate, isn't it? | 0:01:48 | 0:01:50 | |
Is it? | 0:01:50 | 0:01:51 | |
What if my maw just died? | 0:01:51 | 0:01:53 | |
Cracking weather the day, isn't it, mate? | 0:01:53 | 0:01:55 | |
No' if I've got some kind of skin condition | 0:01:55 | 0:01:57 | |
I need to keep out of the sunlight, it's not. | 0:01:57 | 0:01:59 | |
Be less specific. | 0:01:59 | 0:02:01 | |
Cracking... | 0:02:01 | 0:02:02 | |
Cracking, isn't it? | 0:02:04 | 0:02:05 | |
What's cracking? | 0:02:05 | 0:02:06 | |
Certainly not my wallet with this vague patter, here. | 0:02:06 | 0:02:09 | |
Try a different approach. Come on. | 0:02:09 | 0:02:11 | |
HE SIGHS | 0:02:11 | 0:02:12 | |
See when they built the pyramids, mate, | 0:02:12 | 0:02:14 | |
in the belief that they were preparing themselves | 0:02:14 | 0:02:17 | |
for some kind of afterlife, | 0:02:17 | 0:02:18 | |
have you ever considered | 0:02:18 | 0:02:20 | |
that thae pyramids truly DID create an afterlife | 0:02:20 | 0:02:23 | |
for the people buried inside, | 0:02:23 | 0:02:25 | |
through a mimetic transferral across the generations | 0:02:25 | 0:02:28 | |
by inspiring and fascinating the culture? | 0:02:28 | 0:02:32 | |
Too highbrow, pal. | 0:02:32 | 0:02:33 | |
It's a taxi ride, not the Oxford and Cambridge boat race. | 0:02:33 | 0:02:36 | |
Oh, just get oot my taxi, mate. | 0:02:36 | 0:02:37 | |
And go where? Be mair specific. | 0:02:37 | 0:02:39 | |
And go tae fuck. | 0:02:39 | 0:02:42 | |
Be mair specific. | 0:02:42 | 0:02:43 | |
Go right tae fuck. | 0:02:43 | 0:02:45 | |
Offensive, pal, but I cannae say it isnae reasonable. | 0:02:45 | 0:02:48 | |
Here, you've passed. | 0:02:48 | 0:02:50 | |
Keep the change. | 0:02:50 | 0:02:51 | |
REGGAE MUSIC PLAYS | 0:03:03 | 0:03:06 | |
THEY LAUGH | 0:03:08 | 0:03:10 | |
That's not... | 0:03:10 | 0:03:11 | |
(That's the boss's son.) | 0:03:11 | 0:03:13 | |
Carry on. Nice day for it, eh? | 0:03:15 | 0:03:18 | |
All right! I'm Jolly Boy John. | 0:03:22 | 0:03:24 | |
Jolly Boy John going for a job interview is for real. | 0:03:24 | 0:03:27 | |
For real! For real! | 0:03:27 | 0:03:29 | |
I'm the chairman of the Wee Chocolate Banana Corporation. | 0:03:29 | 0:03:32 | |
For real! | 0:03:32 | 0:03:34 | |
Jolly Boy John going for a job interview | 0:03:34 | 0:03:35 | |
and saying hash pipes to every question is for real. | 0:03:35 | 0:03:39 | |
Hash pipes. | 0:03:39 | 0:03:40 | |
"Name?" Hash pipes. | 0:03:40 | 0:03:42 | |
"Address?" | 0:03:42 | 0:03:43 | |
Hash pipes. | 0:03:43 | 0:03:44 | |
"Do you have any experience?" | 0:03:44 | 0:03:46 | |
Hash pipes. | 0:03:46 | 0:03:47 | |
For real! | 0:03:47 | 0:03:48 | |
Jolly Boy John using his celebrity pals | 0:03:48 | 0:03:51 | |
to help him get a job is for real. | 0:03:51 | 0:03:53 | |
"Do you have any references?" | 0:03:53 | 0:03:55 | |
I've got one fae Dolly Parton. | 0:03:55 | 0:03:57 | |
She's under ma nipple flap. | 0:03:57 | 0:04:00 | |
"Ooh, I hear that Jolly Boy John's some grafter, by the way." | 0:04:00 | 0:04:05 | |
Hash pipes. | 0:04:05 | 0:04:07 | |
For real! | 0:04:07 | 0:04:08 | |
"Do you have anything you'd like to tell us about?" | 0:04:08 | 0:04:11 | |
Responsible gambling. | 0:04:11 | 0:04:13 | |
"Anything else?" | 0:04:13 | 0:04:15 | |
Nunchucks for a wullie. Nunchucks for a wullie. | 0:04:15 | 0:04:19 | |
Oooh-ooh! | 0:04:19 | 0:04:20 | |
"Anything else?" | 0:04:20 | 0:04:21 | |
Pigs. Babies. Conor McGregor. | 0:04:21 | 0:04:24 | |
You think all rolling about in a playpen | 0:04:24 | 0:04:25 | |
makes yous as for real as Jolly Boy John? | 0:04:25 | 0:04:28 | |
Get real! | 0:04:28 | 0:04:29 | |
Wu-wu-wu-wu-wu-wu. | 0:04:29 | 0:04:31 | |
There you go, madam. | 0:04:39 | 0:04:41 | |
Thank you. | 0:04:41 | 0:04:42 | |
And yourself, sir. | 0:04:42 | 0:04:44 | |
Someone will be along to take your drinks order in a moment. | 0:04:45 | 0:04:48 | |
Thanks. | 0:04:48 | 0:04:49 | |
Vouchers, is it, sir? | 0:04:50 | 0:04:53 | |
What's that? | 0:04:53 | 0:04:54 | |
Did the family all chip in for vouchers | 0:04:54 | 0:04:58 | |
to give you a chance to eat in a place like this? | 0:04:58 | 0:05:01 | |
No. | 0:05:01 | 0:05:02 | |
It's the place across the road. | 0:05:02 | 0:05:05 | |
What? | 0:05:06 | 0:05:07 | |
The restaurant that does the two-for-one meal deal, madam, | 0:05:07 | 0:05:10 | |
is across the road. | 0:05:10 | 0:05:12 | |
I think you're in the wrong place. | 0:05:13 | 0:05:15 | |
I think you're right. Come on, Jackie. | 0:05:15 | 0:05:17 | |
Don, the food here is apparently to die for. | 0:05:17 | 0:05:20 | |
I'm sure it's just crossed wires. | 0:05:21 | 0:05:24 | |
Now, sir, you might never have seen one of these | 0:05:24 | 0:05:27 | |
resting upon the shoogly-legged tables of the rat-infested cafes | 0:05:27 | 0:05:31 | |
where you normally eat, | 0:05:31 | 0:05:33 | |
but this is a...wine list. | 0:05:33 | 0:05:38 | |
I know what a wine list is. | 0:05:38 | 0:05:40 | |
Just to save you the embarrassment of asking, sir, | 0:05:40 | 0:05:43 | |
this is the price per glass, not per bottle. | 0:05:43 | 0:05:48 | |
I know that. | 0:05:48 | 0:05:49 | |
(Are you quite sure you have enough money | 0:05:49 | 0:05:52 | |
(remaining in your overdraft to pay for this food, sir?) | 0:05:52 | 0:05:56 | |
"Card declined," sir. | 0:05:56 | 0:05:58 | |
"Oh, that's never happened before. | 0:05:58 | 0:06:01 | |
"Try this one." | 0:06:01 | 0:06:02 | |
"Oh, that's a membership card for a council gym, sir." | 0:06:02 | 0:06:05 | |
D'you know what? The food here might be to die for, | 0:06:05 | 0:06:07 | |
but I doubt very much it's to be made a clown out of for. | 0:06:07 | 0:06:09 | |
Hmm. | 0:06:09 | 0:06:11 | |
What are you doing? | 0:06:12 | 0:06:14 | |
Just checking your label, madam. | 0:06:14 | 0:06:16 | |
(Are you sure you're in the right place?) | 0:06:18 | 0:06:20 | |
Yes! | 0:06:20 | 0:06:22 | |
I have been reading rave reviews | 0:06:23 | 0:06:26 | |
about the food in this restaurant for months. | 0:06:26 | 0:06:28 | |
Oh, madam, if you are the type of woman who reads restaurant reviews, | 0:06:28 | 0:06:32 | |
then I am the itching anus of the chacma baboon. | 0:06:32 | 0:06:37 | |
Right, let's go. | 0:06:37 | 0:06:38 | |
Calm down, sir. | 0:06:38 | 0:06:40 | |
I am perfectly willing to teach monkeys to sup soup, | 0:06:40 | 0:06:45 | |
but perhaps you and your bowling-trophy wife would be happier | 0:06:45 | 0:06:49 | |
in an establishment where the plates are chipped, | 0:06:49 | 0:06:52 | |
the spoons are greasy and the sauce is "rid" and "broon". | 0:06:52 | 0:06:57 | |
Right, we're leaving. | 0:06:57 | 0:06:59 | |
And we're going to go in our S-class Cabriolet Mercedes-Benz | 0:07:00 | 0:07:03 | |
and we're going to travel across town | 0:07:03 | 0:07:04 | |
to the obscenely expensive, Michelin-star bistro | 0:07:04 | 0:07:07 | |
where we eat every weekend. | 0:07:07 | 0:07:08 | |
Jackie. | 0:07:08 | 0:07:10 | |
BOTH: Snobby bastards. | 0:07:12 | 0:07:15 | |
We were in this boring meeting, right? | 0:07:16 | 0:07:18 | |
It was dragging on and on and I get a phone call from my wife | 0:07:18 | 0:07:20 | |
and she was saying to me, "I think I've broke my ankle. | 0:07:20 | 0:07:22 | |
"You need to come hame and take me to the hospital." | 0:07:22 | 0:07:24 | |
Now, I'm not going to lie to anybody here. You see | 0:07:24 | 0:07:26 | |
in that moment, I felt total joy. | 0:07:26 | 0:07:29 | |
Right, it seemed worth it to get out of that meeting. | 0:07:29 | 0:07:31 | |
Does that make me a terrible husband? | 0:07:31 | 0:07:33 | |
No... | 0:07:33 | 0:07:34 | |
because you would have been just as happy | 0:07:34 | 0:07:36 | |
if it was your mother or father. | 0:07:36 | 0:07:38 | |
Aye, aye, but, you see, ever since then, I've been asking myself | 0:07:38 | 0:07:41 | |
just how much injury to my wife would I be willing to tolerate | 0:07:41 | 0:07:44 | |
to get out of a meeting like that, you know what I mean? | 0:07:44 | 0:07:46 | |
I don't know the answer, I need to be honest. | 0:07:46 | 0:07:49 | |
Up to, but not including, brain and spine injuries. | 0:07:49 | 0:07:54 | |
Seems reasonable, aye. | 0:07:54 | 0:07:56 | |
It's a calling, yes, | 0:07:56 | 0:07:58 | |
but it is a job and I love it. | 0:07:58 | 0:08:00 | |
I mean, I do love a good wedding. | 0:08:00 | 0:08:02 | |
Should anyone here present have reason | 0:08:03 | 0:08:07 | |
why this couple should not be joined together in holy matrimony, | 0:08:07 | 0:08:11 | |
speak now or forever hold your peace. | 0:08:11 | 0:08:14 | |
Me. | 0:08:15 | 0:08:17 | |
I know of a reason. | 0:08:17 | 0:08:19 | |
And? | 0:08:19 | 0:08:20 | |
Oh, that's all. Carry on. | 0:08:20 | 0:08:22 | |
You're not going to tell us the reason? | 0:08:23 | 0:08:26 | |
Well, it's hardly the right time to bring all that up, is it? | 0:08:26 | 0:08:29 | |
Yeah, but you did bring it up, so... | 0:08:29 | 0:08:30 | |
But I'm not going to go into all the dirty details | 0:08:30 | 0:08:33 | |
in the middle of the wedding, am I? | 0:08:33 | 0:08:35 | |
I wish I'd forever held my peace now. | 0:08:35 | 0:08:37 | |
Well, you can't forever hold your peace | 0:08:37 | 0:08:39 | |
after you've already spoken out. | 0:08:39 | 0:08:41 | |
Er, I can start forever holding my peace any time I like. | 0:08:41 | 0:08:45 | |
What's the reason? | 0:08:46 | 0:08:47 | |
Peace...held. | 0:08:47 | 0:08:50 | |
Look, is it because...? | 0:08:50 | 0:08:51 | |
Naw! | 0:08:56 | 0:08:58 | |
I didnae know you did that, you manky, clatty big... | 0:08:58 | 0:09:02 | |
Well, that's two reasons I now know of | 0:09:02 | 0:09:05 | |
why these two should not be married. | 0:09:05 | 0:09:07 | |
I know another reason, as well. | 0:09:07 | 0:09:09 | |
What's your reason? I'm forever holding my peace. | 0:09:09 | 0:09:12 | |
WOMAN: I know three reasons, easy. | 0:09:12 | 0:09:14 | |
MAN: I know five, but I'm forever holding my peace. | 0:09:14 | 0:09:17 | |
I know half a dozen reasons | 0:09:17 | 0:09:19 | |
and one of them's sitting right there, | 0:09:19 | 0:09:21 | |
and another one's sitting there. | 0:09:21 | 0:09:23 | |
And what are those reasons? | 0:09:23 | 0:09:25 | |
Well, they've both... Get that peace held, Granny. | 0:09:25 | 0:09:28 | |
They've both... Hold your peace. | 0:09:28 | 0:09:31 | |
ALL: Hold your peace! | 0:09:31 | 0:09:32 | |
Hold your peace! Ugh, I'm forever holding my peace! | 0:09:32 | 0:09:35 | |
Is there anyone here who does not have a reason | 0:09:37 | 0:09:40 | |
why this couple shouldn't be married? | 0:09:40 | 0:09:42 | |
I forever hold my peace. | 0:09:49 | 0:09:51 | |
SHE SOBS | 0:09:51 | 0:09:53 | |
Not here. | 0:09:57 | 0:09:58 | |
Barry, not here. | 0:09:58 | 0:10:00 | |
BARRY SOBS | 0:10:00 | 0:10:02 | |
So, as you can see, from this graph here, um, if... | 0:10:02 | 0:10:06 | |
Sorry, I'm not actually sure what this line represents. | 0:10:06 | 0:10:10 | |
SNIFFING | 0:10:10 | 0:10:13 | |
Woo! HE LAUGHS | 0:10:13 | 0:10:16 | |
Well... W-w-well, th-that is... | 0:10:16 | 0:10:19 | |
(Boss's son.) | 0:10:19 | 0:10:21 | |
Oh. | 0:10:21 | 0:10:22 | |
Carry on. | 0:10:24 | 0:10:26 | |
Nice day for it, eh? | 0:10:26 | 0:10:27 | |
Now, this is Mr Geist's favourite ride, | 0:10:38 | 0:10:41 | |
so he'll be coming to dae your training personally. | 0:10:41 | 0:10:44 | |
Just a wee word of advice - | 0:10:44 | 0:10:46 | |
do not mention the fact that he's got a wig. | 0:10:46 | 0:10:51 | |
Like, he's really sensitive about it. | 0:10:51 | 0:10:52 | |
He's fired people on the spot just for mentioning it. | 0:10:52 | 0:10:55 | |
All right. | 0:10:55 | 0:10:57 | |
Welcome aboard, big fella. | 0:10:57 | 0:10:59 | |
Noo, since this'll be your first time | 0:10:59 | 0:11:01 | |
running my spectacular ghost train, | 0:11:01 | 0:11:03 | |
I want to run through a key bit of customer interaction with you, OK? | 0:11:03 | 0:11:07 | |
Now, when a train passes your position, | 0:11:07 | 0:11:09 | |
you're going to be leaning forward | 0:11:09 | 0:11:11 | |
and ruffling the hair of the person in the carriage | 0:11:11 | 0:11:13 | |
to give them a fricht. | 0:11:13 | 0:11:15 | |
Uh, yeah. OK. | 0:11:15 | 0:11:16 | |
Now, I'll go and jump in the carriage | 0:11:16 | 0:11:18 | |
and you can have a wee practice on me. | 0:11:18 | 0:11:20 | |
SIREN WAILS | 0:11:25 | 0:11:27 | |
Oooh! | 0:11:27 | 0:11:29 | |
Stop! | 0:11:29 | 0:11:30 | |
Look what you've done to my hair, big fella. | 0:11:31 | 0:11:34 | |
You need to have a mair gentle touch. | 0:11:34 | 0:11:36 | |
This is the most sophisticated fricht on the ghost train. | 0:11:36 | 0:11:39 | |
Now, again, softer. | 0:11:39 | 0:11:41 | |
Back we go. | 0:11:41 | 0:11:42 | |
SIREN WAILS | 0:11:44 | 0:11:46 | |
Oooh! | 0:11:46 | 0:11:47 | |
Stop! For God's... | 0:11:47 | 0:11:49 | |
Son, your stupid, big shovel hauns have spun my hair arse akimbo here. | 0:11:49 | 0:11:54 | |
What if I'd have been a customer? | 0:11:54 | 0:11:55 | |
We'd be up to our genuine hairlines in lawsuits. | 0:11:55 | 0:11:59 | |
It's... It's just... | 0:11:59 | 0:12:01 | |
your hair... | 0:12:01 | 0:12:03 | |
it's a bit loose. | 0:12:03 | 0:12:05 | |
Your hair is loose. | 0:12:05 | 0:12:07 | |
Listen, here's what we dae when people cannae manage it manually. | 0:12:07 | 0:12:09 | |
We usually provide a bit of mechanical assistance. | 0:12:09 | 0:12:12 | |
Wee lassie, bring in the hing. | 0:12:12 | 0:12:14 | |
Ugh. | 0:12:16 | 0:12:17 | |
Right, noo, again. | 0:12:17 | 0:12:20 | |
And don't be giving me any rubbish | 0:12:20 | 0:12:22 | |
like accidentally blowing my hair richt aff my heid, all right? | 0:12:22 | 0:12:25 | |
Back we go. | 0:12:25 | 0:12:26 | |
SIREN WAILS | 0:12:29 | 0:12:31 | |
Stop! Stop! | 0:12:36 | 0:12:38 | |
That's it! Finish your shift, son, and get out of my funfair. | 0:12:38 | 0:12:42 | |
Maybe if you taped your WIG doon a bit better. | 0:12:42 | 0:12:46 | |
My wig?! How dare you? SIREN WAILS | 0:12:46 | 0:12:48 | |
The customers are coming. | 0:12:48 | 0:12:49 | |
Finish your bloody shift, you imbecile. | 0:12:49 | 0:12:51 | |
Come on, noo! | 0:12:53 | 0:12:54 | |
And here we have some commonly used units of measurement. | 0:12:58 | 0:13:02 | |
We have a metre... | 0:13:02 | 0:13:04 | |
a foot, | 0:13:04 | 0:13:06 | |
inch... | 0:13:06 | 0:13:07 | |
..centimetre | 0:13:08 | 0:13:10 | |
and baw hair. | 0:13:10 | 0:13:12 | |
OK? | 0:13:15 | 0:13:16 | |
Buddell and Tollan are ready to go. | 0:13:16 | 0:13:19 | |
This will be the biggest MMA fight in Burnistoun's history. | 0:13:19 | 0:13:22 | |
We're ready for your questions. | 0:13:22 | 0:13:24 | |
This fight was moved forward by a month. | 0:13:24 | 0:13:26 | |
Why are you both so keen to get this fight started? | 0:13:26 | 0:13:29 | |
Cos I want to fight him cos he's a wee baby. | 0:13:29 | 0:13:32 | |
I want to punch him in his eye and his nose | 0:13:32 | 0:13:34 | |
and his cheeky, cheeky chin. | 0:13:34 | 0:13:35 | |
Aye, well, I want to fight you, baldy. | 0:13:35 | 0:13:38 | |
Baldy Bane. | 0:13:38 | 0:13:39 | |
Ah, well, come on and fight me, then. | 0:13:39 | 0:13:41 | |
I will fight you. | 0:13:41 | 0:13:42 | |
This Saturday night in the Octopus. | 0:13:42 | 0:13:45 | |
It's an Octagon, ya mad turnip, ye! | 0:13:45 | 0:13:47 | |
OK, guys, let's keep a lid on this. | 0:13:47 | 0:13:50 | |
Tollan, did you find it easy to make weight? | 0:13:50 | 0:13:53 | |
Make weight? He couldn't even make a sandwich. | 0:13:53 | 0:13:56 | |
Aye, I can. No, you cannae. | 0:13:56 | 0:13:58 | |
Aye, I can. I make nice sandwiches for my mammy, actually. | 0:13:58 | 0:14:02 | |
Well, I make a really delicious tuna sandwich, mate. | 0:14:02 | 0:14:05 | |
I bet you cannae make one of them. | 0:14:05 | 0:14:06 | |
Aye, I can. Well, what do you put on it, then? | 0:14:06 | 0:14:09 | |
A tuna. A whole tuna, aye? Aye. | 0:14:09 | 0:14:12 | |
A tuna's about the size of a Shetland pony, you mad horseshoe! | 0:14:12 | 0:14:15 | |
Well, I'll use a big loaf then, wouldn't I? | 0:14:15 | 0:14:17 | |
Oh, mate, you are a big loaf. | 0:14:17 | 0:14:19 | |
Check these muscles. You scared noo, eh? | 0:14:19 | 0:14:21 | |
Aye. Baby peas! | 0:14:21 | 0:14:22 | |
Meat, mate. 40 quid - a month on protein shakes. | 0:14:22 | 0:14:26 | |
I built this up in the gym and I was born with it, an' aw. | 0:14:26 | 0:14:29 | |
Can you share with us what the purse is for the fight? | 0:14:29 | 0:14:33 | |
No, but I can share with you that he's got a purse. | 0:14:33 | 0:14:36 | |
No, I don't. Don't write that. | 0:14:36 | 0:14:37 | |
Aye, he's like a mad, wee granny cutting about the shopping centre | 0:14:37 | 0:14:40 | |
with his wee purse. | 0:14:40 | 0:14:42 | |
He's like a wee granny. | 0:14:42 | 0:14:43 | |
You're a wee granny grumplin. | 0:14:43 | 0:14:44 | |
That's it, mate, I'm going to punch you in your wee belly, mate, | 0:14:44 | 0:14:47 | |
give you a right cramp. | 0:14:47 | 0:14:48 | |
Well, on you go, then. | 0:14:48 | 0:14:50 | |
My wee belly's right here, waiting for you. | 0:14:50 | 0:14:52 | |
Aye, I know. I've been looking at your wee belly all day. | 0:14:52 | 0:14:54 | |
I cannae keep my eyes aff it. Guys! | 0:14:54 | 0:14:56 | |
Right, let's not give this away for free. | 0:14:56 | 0:14:58 | |
Last question. | 0:14:58 | 0:14:59 | |
What music will you be entering to on the big night? | 0:14:59 | 0:15:04 | |
Well, Tollan will be coming in to Agadoo by Black Lace. | 0:15:04 | 0:15:07 | |
No, I willnae, don't write that doon. | 0:15:07 | 0:15:09 | |
He'll be coming in to Especially For You | 0:15:09 | 0:15:12 | |
by Kylie and Donovan. | 0:15:12 | 0:15:14 | |
Kylie and Donovan! It's Kylie and Jason, you mad dingo, isn't it? | 0:15:14 | 0:15:17 | |
Well, at least my entrance music isnae Here Comes The Bride. | 0:15:17 | 0:15:20 | |
Oh... | 0:15:20 | 0:15:21 | |
Well, if my music is Here Comes The Bride, | 0:15:21 | 0:15:24 | |
then that must mean you're the groom. | 0:15:24 | 0:15:26 | |
You want to marry me. He wants to marry me! | 0:15:26 | 0:15:29 | |
I wouldnae even kiss you, never mind marry you. | 0:15:29 | 0:15:32 | |
Imagine talking about kissing. You want to kiss me? | 0:15:32 | 0:15:34 | |
Write that doon. I don't want to kiss you! Write that doon. | 0:15:34 | 0:15:37 | |
He wants a kiss. I don't want a kiss. | 0:15:37 | 0:15:38 | |
You get away frae me, he's trying to kiss me! | 0:15:38 | 0:15:40 | |
THEY SHOUT, CAMERAS CLICK | 0:15:40 | 0:15:42 | |
Write that doon! I hate you! Write that doon! | 0:15:42 | 0:15:45 | |
Hi. Could we have a table for two, please? | 0:15:45 | 0:15:48 | |
Of course, madam, just follow me. | 0:15:48 | 0:15:51 | |
May I take your coats? | 0:15:51 | 0:15:53 | |
Thank you. | 0:15:55 | 0:15:57 | |
Sir. Thanks so much. | 0:15:57 | 0:15:59 | |
Just this way. | 0:15:59 | 0:16:01 | |
And through here. | 0:16:06 | 0:16:08 | |
DANCE MUSIC PLAYS | 0:16:15 | 0:16:19 | |
This table here. | 0:16:19 | 0:16:20 | |
Hello, Wasps Killed 25 Quid, how can I help you? | 0:16:25 | 0:16:29 | |
You got wasps, aye? | 0:16:29 | 0:16:31 | |
What about this, mate? | 0:16:31 | 0:16:32 | |
How about I come round your hoose and I kill thae wasps for 25 quid? | 0:16:32 | 0:16:38 | |
That the kind of shit you wanted to hear when you phoned this number? | 0:16:38 | 0:16:41 | |
You bet, boy. | 0:16:41 | 0:16:43 | |
Can I ask where you heard about us? | 0:16:43 | 0:16:45 | |
On a bit of paper stuck to a lamppost? | 0:16:45 | 0:16:47 | |
And what did it say on that bit of paper? | 0:16:47 | 0:16:49 | |
"Wasps Killed 25 Quid." | 0:16:49 | 0:16:52 | |
Fucking right it did, amigo. | 0:16:52 | 0:16:54 | |
I say one insect and one insect only. | 0:16:54 | 0:16:57 | |
I don't say bees, I don't say ants, I don't say ladybirds or worms. | 0:16:57 | 0:17:01 | |
I say wasps, I say killed, I say 25 quid. | 0:17:01 | 0:17:06 | |
Kill shot! | 0:17:06 | 0:17:07 | |
BUZZING | 0:17:07 | 0:17:09 | |
Now, why don't you give me your address | 0:17:09 | 0:17:12 | |
and I'll come round and give you a price? | 0:17:12 | 0:17:15 | |
Hello? | 0:17:15 | 0:17:16 | |
Uhhh... Well, now. JEERING | 0:17:22 | 0:17:26 | |
We've all had a good laugh | 0:17:26 | 0:17:27 | |
at Mr Coughlan's fantastical financial policies, | 0:17:27 | 0:17:31 | |
but isn't it ironic that while he was at party headquarters | 0:17:31 | 0:17:35 | |
trying to fill in the holes in his economic plan, | 0:17:35 | 0:17:39 | |
his good wife Marge was out on the town | 0:17:39 | 0:17:42 | |
getting her own holes filled in? JEERING | 0:17:42 | 0:17:45 | |
Yes, filled in by men, for the avoidance of doubt. | 0:17:45 | 0:17:50 | |
Well, now. | 0:17:50 | 0:17:52 | |
Well, now. | 0:17:52 | 0:17:53 | |
Well, now, I wonder if Mr Brogue has noticed how he and his wife, | 0:17:53 | 0:17:58 | |
the feisty Josephine, | 0:17:58 | 0:18:00 | |
like to engage in some very similar behaviour. | 0:18:00 | 0:18:05 | |
In what sense? | 0:18:05 | 0:18:06 | |
Well, while he was trying so desperately | 0:18:06 | 0:18:10 | |
to put a positive spin on the latest opinion poll, | 0:18:10 | 0:18:14 | |
she was having a good spin on my pole. | 0:18:14 | 0:18:19 | |
Yes! MURMURS OF APPROVAL | 0:18:19 | 0:18:21 | |
Yes, my MEAT pole, it must be stated. | 0:18:21 | 0:18:27 | |
Well, now. Well, now. | 0:18:27 | 0:18:30 | |
Have you no decency, sir? Have you no decency? | 0:18:30 | 0:18:33 | |
So full of himself, yes, | 0:18:33 | 0:18:35 | |
for a man so unpopular with his own voters | 0:18:35 | 0:18:39 | |
that he had to sneak out the back door | 0:18:39 | 0:18:41 | |
at his own party conference. | 0:18:41 | 0:18:42 | |
But, very fitting, I think, | 0:18:42 | 0:18:44 | |
that while he was being hounded by the Labour voter, | 0:18:44 | 0:18:49 | |
his good wife was getting pounded in the neighbour's motor. Yes! | 0:18:49 | 0:18:56 | |
A sexual pounding in a Renault Megane, | 0:18:56 | 0:19:00 | |
is what I am alluding to here, sir. | 0:19:00 | 0:19:02 | |
Uh, well, now... | 0:19:03 | 0:19:05 | |
Well, now? | 0:19:05 | 0:19:06 | |
Well, now... | 0:19:06 | 0:19:08 | |
MR BROGUE GASPS It seems that once again | 0:19:08 | 0:19:10 | |
my right honourable friend's patter well has run completely dry. | 0:19:10 | 0:19:16 | |
I refer the honourable gentleman to the slaggings I handed out earlier. | 0:19:16 | 0:19:23 | |
OTHERS: Yes, yes! | 0:19:23 | 0:19:26 | |
Oh, no! What? | 0:19:26 | 0:19:28 | |
She sacked me. She actually went and sacked me. | 0:19:28 | 0:19:30 | |
The best looking woman in the office has been sacked, everybody. | 0:19:30 | 0:19:33 | |
She called me in her office and she says, | 0:19:33 | 0:19:35 | |
"I need to talk to you about your social networks." | 0:19:35 | 0:19:37 | |
And I was like that, "Oh, no, she's had a look at my social networks." | 0:19:37 | 0:19:39 | |
And she was like, "I've had a look at your social networks." | 0:19:39 | 0:19:41 | |
And I was like that, "Oh, no." Oh, no. Oh, no. | 0:19:41 | 0:19:43 | |
I was like that, "Listen, I've not got any social networks." | 0:19:43 | 0:19:46 | |
And she was like that, "Is this not you on Twitter - Rhona Babe?" | 0:19:46 | 0:19:49 | |
And I was like that, "Aye." | 0:19:49 | 0:19:50 | |
And she says, "Is this not you on Instagram - Yoga Rhona?" | 0:19:50 | 0:19:52 | |
And I was like that, "Aye." | 0:19:52 | 0:19:53 | |
She says, "Well, you tweeted out, 'My boss is a cow.'" | 0:19:53 | 0:19:55 | |
And I was like that, "Aye, but I didnae mean you." | 0:19:55 | 0:19:57 | |
Then she says, "I had a look at Callie's Twitter an' aw." | 0:19:57 | 0:19:59 | |
Mine? Yours. Oh, no. Oh, no. | 0:19:59 | 0:20:02 | |
And apparently, you'd replied, "Do you mean Sharon out our work?" | 0:20:02 | 0:20:05 | |
And she went like that to me, "And you liked it." | 0:20:05 | 0:20:07 | |
I didnae like it! No, Callie, you tweeted it and I liked it. | 0:20:07 | 0:20:10 | |
And I was like that, "Aye, but I didnae mean like as in I like it, | 0:20:10 | 0:20:13 | |
"I meant like as in 'Like, haud on a minute, | 0:20:13 | 0:20:15 | |
"'I love Big Sharon.'" | 0:20:15 | 0:20:17 | |
And she was like that, "What do you mean BIG Sharon?" | 0:20:17 | 0:20:20 | |
I was like that, "Oh, no. I meant big as in big personality." | 0:20:20 | 0:20:23 | |
And she was like that, "Well, this maybe explains | 0:20:23 | 0:20:25 | |
"this Instagram photo you posted of a big cake | 0:20:25 | 0:20:27 | |
"with the hashtag 'Big Sharon's Breakfast.'" | 0:20:27 | 0:20:29 | |
Oh, no. Oh, no. | 0:20:29 | 0:20:30 | |
And I went, "Oh, but I didn't mean you, I meant another Big Sharon." | 0:20:30 | 0:20:33 | |
And she says, "Well, I've had a look at Callie's Instagram an' aw." | 0:20:33 | 0:20:35 | |
Mine? Aye. So this is partly your fault | 0:20:35 | 0:20:37 | |
cos you posted a photo of you and Sharon at work | 0:20:37 | 0:20:39 | |
and I'd commented that Big Sharon eats cakes for breakfast, | 0:20:39 | 0:20:42 | |
and then she sacked me. Oh, no. | 0:20:42 | 0:20:44 | |
Oh, no. And I was heading downstairs and she called me back. | 0:20:44 | 0:20:47 | |
You know what, Callie? You should learn something from this. | 0:20:47 | 0:20:49 | |
She says to me, "Us women have got to stick together | 0:20:49 | 0:20:51 | |
"so I'll gie you a second chance." Oh, yes. Oh, no. Oh, yes, Callie. | 0:20:51 | 0:20:54 | |
Because by that time I'd already been downstairs, | 0:20:54 | 0:20:56 | |
I'd already been on Facebook and had posted an update saying, | 0:20:56 | 0:20:58 | |
"Big Sharon just sacked me" | 0:20:58 | 0:20:59 | |
and tagged her on a photo of a big box of doughnuts, Callie. Oh, no. | 0:20:59 | 0:21:02 | |
Oh, no is right. Oh, no. | 0:21:02 | 0:21:03 | |
Enjoy your work, everybody, that you've still got. | 0:21:03 | 0:21:06 | |
Bitches. | 0:21:06 | 0:21:08 | |
See that light up there? | 0:21:09 | 0:21:11 | |
I've been willing that to fall on my heid for about two year, | 0:21:12 | 0:21:15 | |
for the compo. | 0:21:15 | 0:21:16 | |
You see that dodgy plug under there? | 0:21:18 | 0:21:20 | |
I've been touching that plug with a wet haun for six months, | 0:21:22 | 0:21:27 | |
hoping to get a weekend off. | 0:21:27 | 0:21:29 | |
It's no' fair, is it? | 0:21:29 | 0:21:31 | |
OK, guys, we've got a really special treat for you today. | 0:21:39 | 0:21:42 | |
Here to talk to you about road safety | 0:21:42 | 0:21:44 | |
is Officer McGregor and Officer Toshan. | 0:21:44 | 0:21:47 | |
Yeah, it's the polis! Woo! | 0:21:47 | 0:21:51 | |
Yeah! Polis, polis, polis, polis! | 0:21:51 | 0:21:55 | |
P-O... | 0:21:55 | 0:21:57 | |
L-I... | 0:21:57 | 0:21:59 | |
Aye, all right, Toshan, let's wind this nonsense up quickly | 0:21:59 | 0:22:01 | |
so we can get doon the bookie's. | 0:22:01 | 0:22:03 | |
Now, the polis are your pals. | 0:22:03 | 0:22:08 | |
Forget about the fact that we're the reason | 0:22:08 | 0:22:11 | |
that hauf your dads are in the jail. | 0:22:11 | 0:22:13 | |
Hauns up whose dads are in the jail. | 0:22:13 | 0:22:16 | |
Oh, that's good. | 0:22:18 | 0:22:19 | |
Naebody likes a grass. | 0:22:19 | 0:22:21 | |
Now, Toshan, | 0:22:21 | 0:22:23 | |
tell our pals exactly how fast a motor would need to be going | 0:22:23 | 0:22:28 | |
to do some seriously gruesome damage to them and their BMXs. | 0:22:28 | 0:22:33 | |
Oh, don't make me dae sums here, McGregor. | 0:22:33 | 0:22:35 | |
Sums are shite, in't they, boys and girls? | 0:22:35 | 0:22:37 | |
KIDS: Yes! | 0:22:37 | 0:22:39 | |
Are we allowed to say shite, aye? | 0:22:39 | 0:22:41 | |
Absolutely not. | 0:22:41 | 0:22:42 | |
Oh, come on, noo, they've all heard the word shite. | 0:22:42 | 0:22:47 | |
Can you please just tell the kids about road safety? | 0:22:47 | 0:22:50 | |
I'm trying to. | 0:22:50 | 0:22:52 | |
Keep your scants on. | 0:22:52 | 0:22:54 | |
KIDS LAUGH | 0:22:54 | 0:22:55 | |
Hey, hey, don't be laughing about your teacher having scants. | 0:22:55 | 0:23:00 | |
Everybody wears scants. | 0:23:00 | 0:23:02 | |
I don't. Please, I have a class to teach. | 0:23:02 | 0:23:05 | |
Right, road safety. | 0:23:05 | 0:23:07 | |
Don't walk oot in front of motors. | 0:23:07 | 0:23:09 | |
Don't try to cross the road with your eyes shut. | 0:23:09 | 0:23:12 | |
Aye, and don't get steaming drunk on a Saturday night | 0:23:12 | 0:23:14 | |
and try to stop a taxi by karate kicking it. | 0:23:14 | 0:23:17 | |
Any questions? | 0:23:17 | 0:23:19 | |
Wee man, put that haun doon | 0:23:19 | 0:23:21 | |
or I'll boot that arm right aff your shoulder. | 0:23:21 | 0:23:23 | |
Noo, who wants to see what happens | 0:23:23 | 0:23:27 | |
when you shoot somebody right in the tongue with a Taser? | 0:23:27 | 0:23:30 | |
ALL: Me! Me! Me! | 0:23:30 | 0:23:32 | |
I thought you didnae want me to shoot you in the tongue with a... | 0:23:32 | 0:23:35 | |
KIDS LAUGH | 0:23:35 | 0:23:38 | |
I've been a DJ in Burnistoun the past 20 years. | 0:23:40 | 0:23:42 | |
Still partying, still getting mad with it. | 0:23:42 | 0:23:44 | |
I do these silent discos now, but, cos, well... | 0:23:44 | 0:23:48 | |
I mean, why should I be the only one that looks like a dick? | 0:23:48 | 0:23:51 | |
SHOES SQUEAK ON FLOOR | 0:23:51 | 0:23:54 | |
Hey! How you doing, man? THEY LAUGH | 0:23:59 | 0:24:03 | |
Still working away, aye? | 0:24:03 | 0:24:04 | |
Aye, mate, still working away. | 0:24:04 | 0:24:06 | |
Yourself? Aye, mate, still working away. | 0:24:06 | 0:24:08 | |
Oh, I love this bit! | 0:24:08 | 0:24:11 | |
HE LAUGHS So, how's the missus? | 0:24:14 | 0:24:17 | |
Oh, we got divorced last year, mate. | 0:24:17 | 0:24:19 | |
Oh, man, it was the worst time of my life, right? | 0:24:19 | 0:24:22 | |
She kept telling me she was having to work late, right? | 0:24:22 | 0:24:25 | |
Aye. But I found out her boss was... | 0:24:25 | 0:24:27 | |
..sending her to training, mate, for a bigger job in Canada, mate. | 0:24:30 | 0:24:34 | |
She's emigrated. Oh, that's brutal, man. | 0:24:34 | 0:24:36 | |
I was depressed, no energy, | 0:24:36 | 0:24:38 | |
I kept waking up every morning and going... | 0:24:38 | 0:24:41 | |
..going straight back to sleep again, mate. | 0:24:44 | 0:24:46 | |
Oh, been there, pal, been there. | 0:24:46 | 0:24:48 | |
What about your family? Your da still playing the golf? | 0:24:48 | 0:24:51 | |
Nah, my da passed away a few months ago, mate. | 0:24:51 | 0:24:54 | |
Oh, sorry to hear that, man. | 0:24:54 | 0:24:55 | |
Aye, my maw came up my door late one night, right? | 0:24:55 | 0:24:58 | |
Comes banging on my door. | 0:24:58 | 0:25:00 | |
I answer it and she goes, "It's your da, | 0:25:00 | 0:25:03 | |
"he's terminal, he's dying." | 0:25:03 | 0:25:05 | |
And she goes... | 0:25:05 | 0:25:06 | |
ALL: Ooooh, yes! | 0:25:06 | 0:25:12 | |
She goes, "You'd better get down that hospital as quick as you can." | 0:25:12 | 0:25:14 | |
I goes down there, mate, I tell you, it was the worst night of my life. | 0:25:14 | 0:25:17 | |
I walked into this wee room, my da's lying in there, right, | 0:25:17 | 0:25:19 | |
all withered away, | 0:25:19 | 0:25:21 | |
a shell of his former self, | 0:25:21 | 0:25:22 | |
and he looks up at me, right, with his eyes all filling up with tears, | 0:25:22 | 0:25:25 | |
and he whispers in my ear, | 0:25:25 | 0:25:27 | |
with his very last breath, mate, he says... | 0:25:27 | 0:25:30 | |
ALL: Here we, here we, here we fucking go! | 0:25:30 | 0:25:34 | |
Here we, here we, here we fucking go! | 0:25:34 | 0:25:38 | |
My job is a master of disguise. | 0:25:38 | 0:25:41 | |
Through next door is this year's master of disguise convention, | 0:25:41 | 0:25:45 | |
where we find out how the master of disguise industry's performing | 0:25:45 | 0:25:48 | |
and pick up on all the latest tricks and techniques. | 0:25:48 | 0:25:51 | |
I don't want anybody to recognise me while I'm here, though, | 0:25:51 | 0:25:54 | |
so I've come disguised as hotel staff. | 0:25:54 | 0:25:57 | |
Vol-au-vent, sir? | 0:25:59 | 0:26:01 | |
QUIET CHATTER | 0:26:02 | 0:26:05 | |
That's shite. | 0:26:12 | 0:26:14 | |
Naebody's turned up. | 0:26:14 | 0:26:16 | |
Is this...? Is this...? Is this...? | 0:26:30 | 0:26:34 | |
Jeremy, I suggested that the new performance criteria | 0:26:34 | 0:26:36 | |
is well within the recommended margins. | 0:26:36 | 0:26:38 | |
Well, there are one or two action items that remain actionable | 0:26:38 | 0:26:41 | |
and we really need to get the needle moving on those as soon as possible. | 0:26:41 | 0:26:44 | |
Excuse me! | 0:26:44 | 0:26:47 | |
Steve Jobbies! | 0:26:47 | 0:26:50 | |
Is this one of thae places? Sorry? | 0:26:50 | 0:26:53 | |
Is this one of the, "Ooh, let's have a business meeting, Jeremy" places? | 0:26:53 | 0:26:58 | |
It's a public space. | 0:26:58 | 0:26:59 | |
Is this one of thae, "Let's Wi-Fi and eye pie | 0:26:59 | 0:27:03 | |
"and interface with Jeremy" places? | 0:27:03 | 0:27:06 | |
I'm sorry. We can conduct business wherever we like these days. | 0:27:06 | 0:27:09 | |
HE MUTTERS | 0:27:09 | 0:27:11 | |
Son, is this or is this no' | 0:27:11 | 0:27:15 | |
one of thae, "Oh, let's eye pie a brown eye | 0:27:15 | 0:27:17 | |
"and shove our Jeremys down everybody's throats" places? | 0:27:17 | 0:27:21 | |
The truth! Can you be quiet? | 0:27:21 | 0:27:23 | |
We're trying to ladder up through our ecosystem here | 0:27:23 | 0:27:25 | |
so we can drill down to a new level of granularity. | 0:27:25 | 0:27:29 | |
Granny whit noo? Granularity. | 0:27:29 | 0:27:30 | |
Your granny whit? Granularity. | 0:27:30 | 0:27:33 | |
Your dirty granny did whit?! | 0:27:33 | 0:27:35 | |
Granularity - detail? | 0:27:35 | 0:27:37 | |
Can you leave us in peace to conduct our business? | 0:27:37 | 0:27:40 | |
I'll be wiggling my business right out that front door, | 0:27:40 | 0:27:45 | |
any mair of this shite, boy. | 0:27:45 | 0:27:47 | |
Up eh road, noo. Up eh road, Joe. | 0:27:47 | 0:27:50 | |
Up eh road, noo. Up eh road, noo, Joe. | 0:27:50 | 0:27:52 | |
Up eh road, noo. Up eh road, noo. | 0:27:52 | 0:27:55 | |
Ah. Up-ah! | 0:27:55 | 0:27:57 | |
Up-ah, up-ah up eh road, noo. | 0:27:57 | 0:28:01 | |
Just let me send a wee e-mail, here. | 0:28:01 | 0:28:04 | |
Up eh road, Joe. | 0:28:04 | 0:28:06 | |
See, where we going, here? | 0:28:06 | 0:28:08 | |
PHONE: We are going up the road. | 0:28:08 | 0:28:10 | |
Up eh road, noo. Up eh road! | 0:28:10 | 0:28:12 | |
Up eh road, noo! Up eh road! | 0:28:12 | 0:28:14 | |
THEY YELL | 0:28:14 | 0:28:17 | |
Unbelievable. | 0:28:19 | 0:28:21 | |
Sorry about that. | 0:28:21 | 0:28:23 | |
Incredible. LAPTOP DINGS | 0:28:23 | 0:28:24 | |
Up eh road, noo! Up eh road! | 0:28:26 | 0:28:27 | |
Up eh road, noo! Up eh road, noo! Get up eh road! | 0:28:27 | 0:28:30 | |
BOTH: Up eh road! | 0:28:30 | 0:28:31 |