Browse content similar to Charli XCX: The F-Word and Me. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:06 | |
I want to show you what it's really like to be a young woman | 0:00:06 | 0:00:09 | |
in the music industry. How do I know? | 0:00:09 | 0:00:11 | |
Well, I'm a singer, I'm 23 and I write songs for other artists too. | 0:00:11 | 0:00:14 | |
Girls are ruling the charts like never before, | 0:00:17 | 0:00:20 | |
so it feels like a great time to be a woman in pop. | 0:00:20 | 0:00:23 | |
The F word - that's feminism - is everywhere. | 0:00:26 | 0:00:28 | |
Young kids are being blasted with what feminism is | 0:00:28 | 0:00:33 | |
because Beyonce's standing in front of a massive screen | 0:00:33 | 0:00:35 | |
that says "Feminism" on it, and that's great. | 0:00:35 | 0:00:39 | |
But is the male-dominated music industry really changing? | 0:00:39 | 0:00:43 | |
When I am assertive, I'm a bitch. | 0:00:43 | 0:00:49 | |
When a man is assertive, he's a boss. | 0:00:49 | 0:00:52 | |
And why are our bodies under more scrutiny than ever before? | 0:00:52 | 0:00:55 | |
I literally grew up embarrassed of the fact I would grow vagina hair. | 0:00:55 | 0:00:59 | |
I'm spending the next couple of months out on the road | 0:01:03 | 0:01:05 | |
and I want to use that time to find out what feminism really means, | 0:01:05 | 0:01:09 | |
and to see if girls are finally ruling the world. | 0:01:09 | 0:01:13 | |
My first stop this summer is Glastonbury. | 0:01:21 | 0:01:24 | |
I've been on the road now for 18 months | 0:01:24 | 0:01:26 | |
touring my latest album, Sucker, | 0:01:26 | 0:01:28 | |
so life on the tour bus is getting pretty familiar. | 0:01:28 | 0:01:32 | |
It's quite busy today. | 0:01:32 | 0:01:33 | |
I feel like I just woke up, so... | 0:01:33 | 0:01:35 | |
I think it's busy and then the show is going to be really good. | 0:01:35 | 0:01:39 | |
My dad's coming. I don't know if he's going to get in. | 0:01:39 | 0:01:42 | |
He was like, "I'll meet you at the door." | 0:01:42 | 0:01:46 | |
"OK, well, we'll see!" | 0:01:46 | 0:01:48 | |
My show isn't until five o'clock but the rest of my day is going | 0:01:50 | 0:01:53 | |
to be taken up with photo shoots and interviews. | 0:01:53 | 0:01:56 | |
Am I faking it, then? | 0:01:56 | 0:01:58 | |
But hey, festivals are for having fun, | 0:01:58 | 0:02:00 | |
so I doubt the questions will be too difficult. | 0:02:00 | 0:02:03 | |
What would you bring to a festival? What would be your essential items? | 0:02:03 | 0:02:06 | |
It would just be vodka. | 0:02:06 | 0:02:08 | |
Have you remembered your bra this time? | 0:02:08 | 0:02:09 | |
Yep, you did hear that right. | 0:02:09 | 0:02:11 | |
I'm currently not wearing one but will be wearing one later. | 0:02:11 | 0:02:14 | |
I'm maintaining eye contact at this moment. | 0:02:14 | 0:02:16 | |
OK. Good, very professional of you. Thank you. | 0:02:16 | 0:02:18 | |
# Let's keep doing it like we're doing it | 0:02:18 | 0:02:21 | |
# Doing it like we're doing it now | 0:02:21 | 0:02:24 | |
# Baby. # | 0:02:27 | 0:02:29 | |
-Yeah! So good! -Thank you. | 0:02:32 | 0:02:36 | |
Have you got your amazing all-female band with you at Glastonbury? | 0:02:36 | 0:02:40 | |
They've been here for, like, three days. | 0:02:40 | 0:02:43 | |
My all-girl band always gets a mention and that's probably | 0:02:44 | 0:02:47 | |
because female musicians are still in the minority. | 0:02:47 | 0:02:51 | |
I think it's important to stand up and be counted, | 0:02:51 | 0:02:54 | |
and there are plenty of other women here who feel the same way. | 0:02:54 | 0:02:57 | |
Think different, think feminist. | 0:02:57 | 0:03:00 | |
But what does feminism mean to them? | 0:03:05 | 0:03:07 | |
Feminism, I don't know. | 0:03:07 | 0:03:08 | |
I guess it's like being yourself, being comfortable in your own skin. | 0:03:08 | 0:03:11 | |
I'm just about empowering women and people in general. | 0:03:11 | 0:03:14 | |
I don't want to get too specific just because I'm a woman, | 0:03:14 | 0:03:17 | |
I think everybody is equal. I think that's the point. | 0:03:17 | 0:03:19 | |
There's so many juxtapositions on what a feminist should be | 0:03:19 | 0:03:23 | |
and therefore what you should think, that it took me a while to think, | 0:03:23 | 0:03:28 | |
none of that matters, actually. | 0:03:28 | 0:03:29 | |
They all basically believe in equality for women, | 0:03:29 | 0:03:32 | |
it's just you have different beliefs within that. | 0:03:32 | 0:03:35 | |
I think feminism is asking yourself questions in every single decision | 0:03:35 | 0:03:41 | |
-you are making. -If it's you, do it, | 0:03:41 | 0:03:43 | |
-but don't do it... -Because they tell you to do it. | 0:03:43 | 0:03:47 | |
If you don't know yourself, people are going to put you in boxes, | 0:03:47 | 0:03:49 | |
but if you know yourself and what you want, you can say, "This is what I want." | 0:03:49 | 0:03:53 | |
People like Charli are an incredible ambassador for that, | 0:03:53 | 0:03:55 | |
that she is just literally breaking all of the rules | 0:03:55 | 0:03:58 | |
and doing whatever she wants, and that kind of shows | 0:03:58 | 0:04:01 | |
these young kids that you can do that as well, | 0:04:01 | 0:04:04 | |
and it's totally fine to be who you are | 0:04:04 | 0:04:06 | |
and not who you think you should be. | 0:04:06 | 0:04:09 | |
I'd love a double vodka-Red Bull, and a water. | 0:04:09 | 0:04:11 | |
You can't always do whatever you want, | 0:04:11 | 0:04:14 | |
especially when you're playing a tea-time gig, | 0:04:14 | 0:04:17 | |
never mind one that's being televised live to millions of people. | 0:04:17 | 0:04:20 | |
You can swear as much as you want in Sucker, but then if you can try... | 0:04:20 | 0:04:25 | |
Not swear. | 0:04:25 | 0:04:27 | |
-..in songs, you will get more air time. -Guys, how long do we have? | 0:04:27 | 0:04:31 | |
20 minutes before you should be ready. | 0:04:31 | 0:04:33 | |
Let me just get outfits out. Wear these socks. | 0:04:33 | 0:04:36 | |
This. | 0:04:36 | 0:04:38 | |
One, two, three, got four shirts. Yes. | 0:04:38 | 0:04:41 | |
I actually brought my old school uniform. | 0:04:41 | 0:04:43 | |
I think I'm going to wear a shorter skirt. It's a miniskirt. | 0:04:43 | 0:04:46 | |
Cos sex sells! I'm kidding. | 0:04:46 | 0:04:48 | |
Na na-na na na, yeah. | 0:04:59 | 0:05:01 | |
I feel like for any artist Glastonbury is a huge deal, | 0:05:01 | 0:05:05 | |
and there's a lot of pressure to put on a great show. | 0:05:05 | 0:05:08 | |
This is how we do it. Go hard or go home. | 0:05:14 | 0:05:17 | |
MUSIC: Sucker by Charli XCX | 0:05:33 | 0:05:37 | |
What's up, Glastonbury! | 0:05:48 | 0:05:50 | |
CHEERING | 0:05:50 | 0:05:53 | |
# You said you wanna bang | 0:05:55 | 0:05:58 | |
# Well | 0:05:58 | 0:06:00 | |
# Fuck you | 0:06:00 | 0:06:02 | |
# Sucker! # | 0:06:02 | 0:06:03 | |
Put your fucking middle fingers up, Glastonbury! | 0:06:03 | 0:06:07 | |
You fucking ready? | 0:06:07 | 0:06:09 | |
# I don't care | 0:06:10 | 0:06:12 | |
# I love it | 0:06:12 | 0:06:14 | |
# I don't care. # | 0:06:14 | 0:06:16 | |
# I think we better do it like we're doing it now. # | 0:06:16 | 0:06:20 | |
# Going to the discotheque | 0:06:20 | 0:06:22 | |
# Getting high and getting wrecked | 0:06:22 | 0:06:24 | |
# I don't wanna go to school | 0:06:24 | 0:06:26 | |
# I just wanna break the rules. # | 0:06:26 | 0:06:28 | |
# So outrageous | 0:06:28 | 0:06:30 | |
# Just like we're famous. # | 0:06:30 | 0:06:32 | |
# I'm so fancy | 0:06:32 | 0:06:34 | |
# You already know | 0:06:34 | 0:06:37 | |
# I'm in the fast lane | 0:06:37 | 0:06:39 | |
# From LA to Tokyo. # | 0:06:39 | 0:06:42 | |
CHEERING | 0:06:42 | 0:06:44 | |
Thank you, Glastonbury! | 0:06:44 | 0:06:46 | |
I'm Charli XCX. Peace out! | 0:06:46 | 0:06:49 | |
Charli XCX, straight off the John Peel Stage. | 0:06:51 | 0:06:53 | |
That has got to feel good, surely? | 0:06:53 | 0:06:55 | |
Yes! I had such a good time and the crowd were really good, | 0:06:55 | 0:06:58 | |
so many cute kids. | 0:06:58 | 0:07:00 | |
I felt bad because I flashed my pants! | 0:07:00 | 0:07:03 | |
I don't know, it was fun, I had fun, though. It was really good. | 0:07:03 | 0:07:05 | |
These things happen, it's Glastonbury, | 0:07:05 | 0:07:08 | |
it's totally legitimate. | 0:07:08 | 0:07:09 | |
Flashing may be a festival staple | 0:07:09 | 0:07:11 | |
but I know exactly how the tabloid press are going to react to my set. | 0:07:11 | 0:07:15 | |
Every photograph they decide to use | 0:07:15 | 0:07:17 | |
is me with my vagina out or whatever, a crotch shot. | 0:07:17 | 0:07:21 | |
And there are people who are really mad at that, "How dare you do this! | 0:07:21 | 0:07:29 | |
"You are untalented and no surprise, another woman! That woman!" | 0:07:29 | 0:07:36 | |
It's always like that, "That woman doing that thing!" | 0:07:36 | 0:07:40 | |
But then it's like, I'll wear something totally different | 0:07:40 | 0:07:45 | |
or I'm covered completely. | 0:07:45 | 0:07:47 | |
They'll be like, "What a hipster! Covering up like a boring woman!" | 0:07:47 | 0:07:54 | |
You know? So it's kind of like whatever, it's funny. | 0:07:54 | 0:08:00 | |
Female pop stars are under constant press scrutiny. | 0:08:00 | 0:08:04 | |
Fashion, relationships, body size, it all goes under the microscope. | 0:08:04 | 0:08:08 | |
The media may be resorting to the same old sex sells rubbish | 0:08:10 | 0:08:14 | |
but behind the scenes, I think the industry is changing. | 0:08:14 | 0:08:17 | |
I think when you're looking at the music industry in isolation, | 0:08:17 | 0:08:20 | |
especially pop music, | 0:08:20 | 0:08:21 | |
women being really vocal about being in control of what they do | 0:08:21 | 0:08:26 | |
and actually that being the case is kind of a new thing. | 0:08:26 | 0:08:30 | |
I think that people just don't want to ask questions about that | 0:08:30 | 0:08:35 | |
and sometimes are afraid of that and I think it's great. | 0:08:35 | 0:08:39 | |
I think people sometimes should be afraid and should be intimidated, | 0:08:39 | 0:08:46 | |
because I think a woman with power is an incredible thing, you know? | 0:08:46 | 0:08:53 | |
# I rule the world | 0:08:53 | 0:08:54 | |
# I-I rule the world... # | 0:08:54 | 0:08:56 | |
Fierce women may be all over the charts | 0:08:56 | 0:08:58 | |
but behind the scenes it can still be a bit of a boys' club. | 0:08:58 | 0:09:02 | |
My friend Liz knows how important it is to stay in control of your image. | 0:09:03 | 0:09:07 | |
# When I rule the world then I'm gonna make you sweat | 0:09:07 | 0:09:11 | |
# Dog collar round your neck | 0:09:11 | 0:09:12 | |
# On your knees and scrub the deck... # | 0:09:12 | 0:09:15 | |
I started out in the industry when I was 12 years old. | 0:09:16 | 0:09:19 | |
It's predominately run by middle-aged men, | 0:09:19 | 0:09:23 | |
so it's quite funny when you try to explain what you want | 0:09:23 | 0:09:29 | |
to do in your style, and a lot of men just don't get it, | 0:09:29 | 0:09:33 | |
but the girls love it, so they should just listen to us, | 0:09:33 | 0:09:36 | |
because we know. | 0:09:36 | 0:09:37 | |
When I shot my video, my choreographer was like, "Just think of Justin Bieber." | 0:09:41 | 0:09:45 | |
I was like, "All right." | 0:09:45 | 0:09:46 | |
I feel like my decisions that I'm making are working, | 0:09:52 | 0:09:54 | |
so it's kind of like with everything that you achieve, | 0:09:54 | 0:10:00 | |
you kind of prove people... | 0:10:00 | 0:10:02 | |
Not prove them wrong, but prove that you're right | 0:10:02 | 0:10:04 | |
and that you know what's best for you. | 0:10:04 | 0:10:07 | |
# When I rule the world then I'm gonna make you work | 0:10:07 | 0:10:10 | |
# Ring! ring! Stay alert, keep on pushing till it hurts... # | 0:10:10 | 0:10:13 | |
It's so important to build a strong team around you | 0:10:13 | 0:10:18 | |
and knowing when to bring in help. | 0:10:18 | 0:10:20 | |
I'm definitely not the kind of person that says, | 0:10:20 | 0:10:23 | |
"Oh, I can do everything on my own," | 0:10:23 | 0:10:25 | |
because that's just impossible. I know I can't. | 0:10:25 | 0:10:27 | |
I have to reach out to the right people | 0:10:27 | 0:10:30 | |
and bring in the right mix and that creates the magic. | 0:10:30 | 0:10:32 | |
A better way to do that when I'm with girls. | 0:10:32 | 0:10:35 | |
# Till I tell you to, till I tell you to | 0:10:35 | 0:10:38 | |
# Till I tell you to stop. # | 0:10:38 | 0:10:40 | |
Exactly. I always wanted to be in Josie and the Pussycats | 0:10:40 | 0:10:43 | |
so having three amazing girls in my band is a dream. | 0:10:43 | 0:10:46 | |
This is basically what it's like every gig. | 0:10:53 | 0:10:56 | |
The boys are pretty used to it. | 0:10:58 | 0:11:00 | |
Anyway, time to head back out on the road. | 0:11:00 | 0:11:03 | |
Yes! No! | 0:11:03 | 0:11:05 | |
Or we would do if we could get back on the tour bus. | 0:11:05 | 0:11:08 | |
Where have you been? Young lady! | 0:11:08 | 0:11:12 | |
Shooting a Scottish Widows advert. | 0:11:12 | 0:11:15 | |
I used to tour with two guys. | 0:11:15 | 0:11:17 | |
Wilkie, my tour manager, used to be my drummer. | 0:11:17 | 0:11:19 | |
Don't get me wrong, it was really nice | 0:11:19 | 0:11:21 | |
but I think touring with girls, it's like a big oestrogen fest. | 0:11:21 | 0:11:25 | |
It's always really nice to embarrass the boys you're with. | 0:11:25 | 0:11:28 | |
Be like, "Oh, my God, I'm on my period!" | 0:11:28 | 0:11:31 | |
They get.... | 0:11:31 | 0:11:33 | |
It can quite often be a boys' club, can't it? | 0:11:33 | 0:11:36 | |
-Music in general. -It's still the first thing that's mentioned. | 0:11:36 | 0:11:40 | |
It's like, "Charli and her all-girl band," | 0:11:40 | 0:11:42 | |
-rather than "Charli and her band." -That's the thing, that's the point. | 0:11:42 | 0:11:45 | |
Nobody would ever say that, Lianne La Havas and her all-male band, | 0:11:45 | 0:11:48 | |
people don't say that. | 0:11:48 | 0:11:49 | |
It's my favourite thing about a show, | 0:11:49 | 0:11:51 | |
when we come on stage and someone will come over and be like, | 0:11:51 | 0:11:55 | |
"Oh, my God, I really want to be a drummer now!" | 0:11:55 | 0:11:58 | |
Or "My daughter's really into drums, she's 12, and it was really cool | 0:11:58 | 0:12:02 | |
"for her to see someone else doing it." | 0:12:02 | 0:12:04 | |
That's one of my favourite things. | 0:12:04 | 0:12:06 | |
But then you've had a couple of weird experiences. It was in college. | 0:12:06 | 0:12:11 | |
Oh, my God, that was so funny! | 0:12:11 | 0:12:13 | |
We played this show and the support band, the drummer, | 0:12:13 | 0:12:16 | |
was sitting outside and he had his practice pad out | 0:12:16 | 0:12:19 | |
so I thought I'd join him, and I got my practice pad out | 0:12:19 | 0:12:22 | |
and we were running the same rudiments, and he was like, | 0:12:22 | 0:12:25 | |
"Oh, so are you with Charli's crew?" "No." | 0:12:25 | 0:12:28 | |
"Are you her PA?" "No." | 0:12:28 | 0:12:30 | |
"Are you dating someone in the band?" "No." | 0:12:30 | 0:12:33 | |
He literally ran through about 10 things before he whittled it down. | 0:12:33 | 0:12:36 | |
Make up? So he was like, "So what do you do?" | 0:12:36 | 0:12:39 | |
"I'm in the band." "Oh, OK." | 0:12:39 | 0:12:40 | |
Whilst you're drumming. | 0:12:40 | 0:12:43 | |
Whilst I'm doing the same thing that he's doing. | 0:12:43 | 0:12:46 | |
He just couldn't comprehend it. | 0:12:46 | 0:12:48 | |
It sadly still is a thing, but it does feel really empowering. | 0:12:48 | 0:12:52 | |
Which is why it's so good to be up there | 0:12:52 | 0:12:55 | |
and showing other girls that it's completely normal and fine. | 0:12:55 | 0:12:58 | |
Debate! | 0:12:58 | 0:13:00 | |
Young kids now are being blasted with what feminism is | 0:13:00 | 0:13:04 | |
because Beyonce is standing in front of a massive screen | 0:13:04 | 0:13:07 | |
that says feminism on it, and that's great, | 0:13:07 | 0:13:11 | |
because when I was younger I wasn't conscious of that at all. | 0:13:11 | 0:13:14 | |
I was just like, "Yeah, Britney!" | 0:13:14 | 0:13:16 | |
I think Baby One More Time was the first-ever music video I watched. | 0:13:24 | 0:13:29 | |
MUSIC: Baby One More Time by Britney Spears | 0:13:31 | 0:13:35 | |
Britney kind of invented the super pop star. | 0:13:35 | 0:13:38 | |
She was cute but she also had sex appeal and she knew it. | 0:13:38 | 0:13:42 | |
# Oh, baby, baby | 0:13:42 | 0:13:43 | |
# How was I supposed to know? # | 0:13:43 | 0:13:49 | |
I wanted to dress like Britney Spears when I was younger. | 0:13:49 | 0:13:52 | |
I wanted to have those sparkly pink hair ties for the school uniform | 0:13:52 | 0:13:58 | |
and everything. I just thought she was like the best-dressed kid ever. | 0:13:58 | 0:14:02 | |
# Tell me, baby, cos I need to know... # | 0:14:02 | 0:14:06 | |
She's so young as well. | 0:14:06 | 0:14:08 | |
# My loneliness is killing me... # | 0:14:08 | 0:14:12 | |
My love for Britney Spears | 0:14:12 | 0:14:14 | |
and '90s pop as a whole is definitely not ironic. | 0:14:14 | 0:14:18 | |
I was super into the Spice Girls | 0:14:18 | 0:14:20 | |
and I think girl power was my generation's introduction to feminism. | 0:14:20 | 0:14:26 | |
It's like an easy message and I suppose for Spice Girls fans | 0:14:26 | 0:14:31 | |
in the '90s, it's like, get along, be friends. | 0:14:31 | 0:14:35 | |
Friendship is important and that's like a cool thing. | 0:14:35 | 0:14:39 | |
It's basic but I don't care. | 0:14:39 | 0:14:43 | |
Like, it made me feel special when I was younger | 0:14:43 | 0:14:47 | |
and I'm sure it made a lot of other people feel special too. | 0:14:47 | 0:14:50 | |
The idea of overanalysing the Spice Girls is such a sad thing for me | 0:14:50 | 0:14:54 | |
because they were so celebrated and joyous. | 0:14:54 | 0:14:57 | |
MUSIC: Say You'll Be There by Spice Girls | 0:14:57 | 0:15:01 | |
What's really funny about this video is that in the main set-up, | 0:15:01 | 0:15:05 | |
they're all just dancing completely on their own, | 0:15:05 | 0:15:08 | |
completely out of time, but it's so good, | 0:15:08 | 0:15:11 | |
and I love the styling on this video. Everyone looks great. | 0:15:11 | 0:15:14 | |
I went through many different phases when it came to my favourite | 0:15:14 | 0:15:18 | |
Spice Girl, apart from Posh, but now I think Posh is my favourite. | 0:15:18 | 0:15:24 | |
I feel like Posh would rock a beret. | 0:15:24 | 0:15:26 | |
That would be like a classic Posh move. | 0:15:26 | 0:15:28 | |
The Spice Girls had a message | 0:15:30 | 0:15:32 | |
but in some ways they were still reduced to stereotypes. | 0:15:32 | 0:15:35 | |
Female pop stars don't want to fit into neat little boxes any more, | 0:15:35 | 0:15:39 | |
or caravans, for that matter. | 0:15:39 | 0:15:41 | |
I'm sorry, I'm so worried you're going to get a vagina shot. | 0:15:41 | 0:15:44 | |
Feminism! | 0:15:44 | 0:15:46 | |
Marina and the Diamonds, hello. | 0:15:46 | 0:15:48 | |
I wanted to talk to you about whether you think the question, | 0:15:48 | 0:15:53 | |
what's it like to be a woman in the music industry, | 0:15:53 | 0:15:56 | |
-is a really annoying question. -For me, it's not annoying. | 0:15:56 | 0:15:59 | |
I do still think it's relevant. | 0:15:59 | 0:16:01 | |
Actually asking the question has made the topic very popular. | 0:16:01 | 0:16:07 | |
For me personally, | 0:16:07 | 0:16:09 | |
there are a lot of things that I think still have to happen | 0:16:09 | 0:16:12 | |
for women in music. | 0:16:12 | 0:16:14 | |
MUSIC: Froot by Marina and the Diamonds | 0:16:14 | 0:16:17 | |
Marina's latest album Froot was a worldwide success | 0:16:17 | 0:16:20 | |
and it's the first album where she has taken complete creative control. | 0:16:20 | 0:16:24 | |
When it came to the Froot album campaign, | 0:16:26 | 0:16:29 | |
from an outsider's perspective, | 0:16:29 | 0:16:31 | |
that seemed like something very much driven by you. | 0:16:31 | 0:16:34 | |
Was that easy for you to do or was that something that you had to... | 0:16:34 | 0:16:40 | |
Fight is such a strong work, but fight your label? | 0:16:40 | 0:16:44 | |
You're absolutely right, | 0:16:44 | 0:16:45 | |
and actually I've never said this before, | 0:16:45 | 0:16:48 | |
but it took so much fighting for the album to come out, | 0:16:48 | 0:16:53 | |
but I think you just have to explain to people who you are | 0:16:53 | 0:16:55 | |
and sometimes that's hard, especially when you're starting out. | 0:16:55 | 0:16:58 | |
You have all these other things to think about. | 0:16:58 | 0:17:01 | |
It's only on this third record that I have been able to do that | 0:17:01 | 0:17:06 | |
and feel very calm and confident about it. | 0:17:06 | 0:17:09 | |
# Primadonna girl | 0:17:09 | 0:17:10 | |
# Would you do anything for me? | 0:17:10 | 0:17:13 | |
# Buy a big diamond ring for me? # | 0:17:13 | 0:17:16 | |
Changing your image or sound can be a risky business for a pop star. | 0:17:16 | 0:17:20 | |
# Pop that pretty question right now, baby... # | 0:17:20 | 0:17:24 | |
When you put out Primadonna Girl, | 0:17:24 | 0:17:26 | |
and people began to criticise you and saying you sold out, | 0:17:26 | 0:17:30 | |
do you think that was more amplified because you're a woman? | 0:17:30 | 0:17:33 | |
I am not sure, | 0:17:33 | 0:17:35 | |
but if it happened to a male artist, I think | 0:17:35 | 0:17:39 | |
people would probably just say, "Oh, you're shit now." | 0:17:39 | 0:17:43 | |
-"You're shit, mate." -As opposed to lots of grim trolls online. | 0:17:43 | 0:17:48 | |
Everyone was calling me a sell-out, | 0:17:48 | 0:17:50 | |
that I'd lost everything that was original about me. | 0:17:50 | 0:17:54 | |
I feel like I'm going through that right now with this album. | 0:17:54 | 0:17:57 | |
I did like an insight meeting, stats, and it was very interesting. | 0:17:57 | 0:18:02 | |
I found that I think a lot of people find me very intimidating. | 0:18:02 | 0:18:05 | |
-Really? -Yeah! | 0:18:05 | 0:18:07 | |
I'm like, "Oh, God!" | 0:18:07 | 0:18:10 | |
-How do they find that out? -They did market research where... | 0:18:10 | 0:18:15 | |
Honestly, it's really soul destroying, actually. It really is. | 0:18:17 | 0:18:22 | |
Do you ever think about your output online | 0:18:22 | 0:18:25 | |
and do you ever think about your audience, | 0:18:25 | 0:18:28 | |
which is a lot of young girls and gay guys? | 0:18:28 | 0:18:31 | |
I think you have a responsibility as a human being, | 0:18:31 | 0:18:34 | |
whether your fan base is young or not, | 0:18:34 | 0:18:37 | |
but only to a certain extent. | 0:18:37 | 0:18:39 | |
You are human and are going to do stuff that not everyone agrees with. | 0:18:39 | 0:18:44 | |
You're always going to, sadly, sometimes leave a small portion | 0:18:44 | 0:18:49 | |
of fans behind, but I think with my fan base | 0:18:49 | 0:18:52 | |
and perhaps with yours as well, | 0:18:52 | 0:18:54 | |
I feel like it's less about the genre of music you make. | 0:18:54 | 0:18:57 | |
It's more about you as a person, and being honest | 0:18:57 | 0:19:00 | |
and being able to have that relationship with your fans. | 0:19:00 | 0:19:04 | |
I know that when you become a pop star or a musician, | 0:19:06 | 0:19:11 | |
there is always this element of responsibility, | 0:19:11 | 0:19:14 | |
and I'm aware of that but it's not something I particularly care about, | 0:19:14 | 0:19:18 | |
which might be something I regret saying, but right now it's not. | 0:19:18 | 0:19:23 | |
It freaks me out, if I'm honest, because I know I make | 0:19:23 | 0:19:27 | |
loads of mistakes and I always will, but I think the way | 0:19:27 | 0:19:30 | |
the music industry is now, | 0:19:30 | 0:19:32 | |
it's so much about what's going on on the internet | 0:19:32 | 0:19:35 | |
and I think if you're wise, | 0:19:35 | 0:19:37 | |
you have to learn to just really take all of that with a pinch of salt. | 0:19:37 | 0:19:41 | |
When I was younger, I was really worried about it | 0:19:41 | 0:19:44 | |
because I wanted to please everyone, but that's such an unrealistic thing. | 0:19:44 | 0:19:48 | |
Oh, my God, I look so friendly! | 0:19:51 | 0:19:53 | |
I don't like everybody and I know everybody doesn't like me | 0:19:53 | 0:19:56 | |
and I'm very much at peace with that. | 0:19:56 | 0:19:58 | |
That's healthy. | 0:19:58 | 0:20:00 | |
Hey! | 0:20:02 | 0:20:03 | |
No matter how honest and direct | 0:20:03 | 0:20:05 | |
your relationship with your fans may be, | 0:20:05 | 0:20:07 | |
you do still have to think about your image. | 0:20:07 | 0:20:10 | |
And often it's what pop stars wear that gets the feminist debate raging. | 0:20:11 | 0:20:15 | |
-How are you? -Nice to meet you finally. | 0:20:20 | 0:20:24 | |
So these three are yours. | 0:20:24 | 0:20:26 | |
I love the lining as well. | 0:20:26 | 0:20:28 | |
Oh, my God. | 0:20:28 | 0:20:30 | |
XCX. | 0:20:30 | 0:20:32 | |
Wow. | 0:20:32 | 0:20:33 | |
-I love this. -You love it, yeah? | 0:20:37 | 0:20:39 | |
It's so awesome. Do you think the skirt should sit more...? | 0:20:39 | 0:20:42 | |
Coming in a little bit, there. | 0:20:42 | 0:20:45 | |
I don't really care about people who ask me | 0:20:45 | 0:20:49 | |
what type of feminist I am, or if I think it's valid for me | 0:20:49 | 0:20:54 | |
to be a feminist because I wear a short skirt. | 0:20:54 | 0:20:58 | |
I think it's just stupid. | 0:20:58 | 0:21:00 | |
Stupid, stupid conversation that's like... | 0:21:00 | 0:21:05 | |
pointless. | 0:21:05 | 0:21:07 | |
And I'm not the only one whose feminist credentials are being questioned. | 0:21:08 | 0:21:12 | |
When people ask the way Rihanna dresses or Miley Cyrus dresses, | 0:21:12 | 0:21:18 | |
that's a bad example for girls, and that makes her a bad feminist, | 0:21:18 | 0:21:23 | |
it's that whole argument of that's... absolute bullshit, basically. | 0:21:23 | 0:21:28 | |
I think both of those artists are really empowering and artistic | 0:21:28 | 0:21:34 | |
and daring women. | 0:21:34 | 0:21:38 | |
I think they're projecting a different way to be sexy | 0:21:38 | 0:21:43 | |
and a different way to be feminine, | 0:21:43 | 0:21:45 | |
which I think is really important for young girls. | 0:21:45 | 0:21:49 | |
I don't know if you saw the new Rihanna video but I love it. | 0:21:49 | 0:21:53 | |
# Yayo, yayo | 0:21:53 | 0:21:55 | |
# Moo-la-lah | 0:21:55 | 0:21:58 | |
# Yayo | 0:21:58 | 0:22:00 | |
# Bitch better have my money! # | 0:22:00 | 0:22:03 | |
OK, I know lots of people have had a big problem with this video | 0:22:03 | 0:22:06 | |
and the use of violence against women in pop promos can feel really | 0:22:06 | 0:22:11 | |
disturbing, but I think this film speaks to a bigger story. | 0:22:11 | 0:22:16 | |
Rihanna is dismantling society's idea of what a pop star should be, | 0:22:16 | 0:22:21 | |
ie perfect, polished and usually white. | 0:22:21 | 0:22:25 | |
She plays a Tarantinoesque hitwoman with her very own girl gang. | 0:22:25 | 0:22:29 | |
It's a revenge fantasy, it's a beautiful piece of art, | 0:22:29 | 0:22:33 | |
but it's also a powerful statement of intent. | 0:22:33 | 0:22:36 | |
You can't push me around and you can't make me be what I'm not. | 0:22:36 | 0:22:40 | |
And I also just kind of like that Rihanna's just a bad bitch, | 0:22:40 | 0:22:44 | |
and I think that's also a good enough reason. | 0:22:44 | 0:22:48 | |
I don't know why I'm carrying a razor around in my bag. | 0:22:48 | 0:22:51 | |
It's not real life to be perfect. | 0:22:51 | 0:22:55 | |
That's not real. | 0:22:55 | 0:22:58 | |
I like pop stars who fuck up and make mistakes, you know? | 0:22:58 | 0:23:04 | |
It's just cooler, rather than robots. | 0:23:04 | 0:23:10 | |
-And completely airbrushed. -Yeah, totally. | 0:23:10 | 0:23:14 | |
-OK, you're happy with this one? -I love it. | 0:23:14 | 0:23:16 | |
I'm so excited to perform in this. | 0:23:16 | 0:23:19 | |
-It was so nice to meet you! -I'm such a fan | 0:23:19 | 0:23:22 | |
and thank you so much for making this stuff for me. | 0:23:22 | 0:23:25 | |
I'll send you pictures as soon as we're on tour. | 0:23:25 | 0:23:28 | |
Yes, please. You look incredible in it. So exciting. | 0:23:28 | 0:23:31 | |
Bye-bye, everybody. Bye, upstairs! | 0:23:31 | 0:23:34 | |
It's August and I'm finally in the US for my tour. | 0:23:46 | 0:23:50 | |
America is the birthplace of manufactured pop, | 0:23:50 | 0:23:53 | |
but even here, the tide is starting to turn, | 0:23:53 | 0:23:57 | |
with more and more female artists breaking the mould. | 0:23:57 | 0:24:00 | |
OK, cool, so Lollapalooza with Ryn Weaver right now. | 0:24:00 | 0:24:05 | |
-Hi! -Hi. -How's it going? | 0:24:05 | 0:24:07 | |
Pretty good. | 0:24:07 | 0:24:08 | |
I was on your Twitter and was reading some tweets | 0:24:08 | 0:24:12 | |
that you'd written about armpit hair. Like, I find it | 0:24:12 | 0:24:16 | |
crazy that people get so mad! | 0:24:16 | 0:24:19 | |
And like lifting bros on Twitter that, like, their photo | 0:24:19 | 0:24:22 | |
is them taking a selfie in the mirror, and they're like, | 0:24:22 | 0:24:25 | |
"You're a disgrace to nature!" And I'm like, "I am nature." | 0:24:25 | 0:24:28 | |
This is nature, what are you doing? | 0:24:28 | 0:24:30 | |
I think it's funny. | 0:24:30 | 0:24:32 | |
That's the thing, for me, it's almost entertaining, | 0:24:32 | 0:24:34 | |
but I don't know. I just don't really care. | 0:24:34 | 0:24:37 | |
That's what it is, and if I wake up in the morning and I feel | 0:24:37 | 0:24:39 | |
-like shaving my armpits, I'll do it. -You feel sexy as well. | 0:24:39 | 0:24:42 | |
I feel sexy, and that's the thing. I feel sexy being natural | 0:24:42 | 0:24:45 | |
and I feel sexy having dudes, girls, whoever the fuck, | 0:24:45 | 0:24:49 | |
-think that is dope. -I'm happy that you've got great armpit hair. | 0:24:49 | 0:24:52 | |
-Thank you. I love my armpit hair. -I think it's great, | 0:24:52 | 0:24:55 | |
but do you think that's liberating and inspiring young girls, | 0:24:55 | 0:25:01 | |
cos I definitely see that. | 0:25:01 | 0:25:03 | |
Like, I think you... | 0:25:03 | 0:25:04 | |
like, Miley is also someone who doesn't shave her armpits. | 0:25:04 | 0:25:08 | |
Oh, yeah, yeah, yeah. | 0:25:08 | 0:25:09 | |
And I think it's really... | 0:25:09 | 0:25:10 | |
For young girls who especially grow up with, like, | 0:25:10 | 0:25:14 | |
People magazine and OK. | 0:25:14 | 0:25:16 | |
-And porn. -And porn. | 0:25:16 | 0:25:19 | |
And I think it's really amazing. | 0:25:19 | 0:25:20 | |
This is the way you're meant to look to be sexy. | 0:25:20 | 0:25:23 | |
I think it's amazing that people like you guys are really... | 0:25:23 | 0:25:27 | |
Well, you just get to do whatever the hell you want to do with your | 0:25:27 | 0:25:30 | |
own body, because it's your body and it's not property of public domain. | 0:25:30 | 0:25:34 | |
And it's your right | 0:25:34 | 0:25:36 | |
and it's your choice to do whatever you want with it. | 0:25:36 | 0:25:39 | |
And I just hope that little girls that see me, or see this, | 0:25:39 | 0:25:43 | |
or see that, or see a girl who's got a little happy trail | 0:25:43 | 0:25:46 | |
or see, anything, it's just makes you more human and it makes them | 0:25:46 | 0:25:50 | |
feel more human. | 0:25:50 | 0:25:51 | |
It makes them feel like, "I'm allowed to be normal." | 0:25:51 | 0:25:55 | |
I literally grew up embarrassed of the fact that | 0:25:55 | 0:25:58 | |
I would grow vagina her. | 0:25:58 | 0:25:59 | |
Because I was like, "Oh, these girls are so pretty." | 0:25:59 | 0:26:02 | |
And do you remember when you started shaving? | 0:26:02 | 0:26:04 | |
-And you were like, "Is that how it's supposed to look?" -Yeah, it was a mess! | 0:26:04 | 0:26:07 | |
-There's so much self-consciousness around who you were. -Yeah. | 0:26:07 | 0:26:10 | |
And then always wanting to hide | 0:26:10 | 0:26:12 | |
and so afraid of this thing that is literally like the centre of... | 0:26:12 | 0:26:17 | |
Of femininity. And in other ways. I mean, if you're trans, and you're... | 0:26:17 | 0:26:20 | |
You know. There's all sorts of things. | 0:26:20 | 0:26:22 | |
But to me, this guy makes me feel... | 0:26:22 | 0:26:25 | |
Pretty good. And I don't want to be ashamed of anything on my body. | 0:26:25 | 0:26:28 | |
Amen. | 0:26:28 | 0:26:29 | |
CHEERING | 0:26:31 | 0:26:32 | |
You feeling bad? | 0:26:34 | 0:26:36 | |
'Oh, I almost forgot I was at work. | 0:26:36 | 0:26:38 | |
'Back to it. | 0:26:38 | 0:26:39 | |
'Photos, signings, gigs.' | 0:26:39 | 0:26:41 | |
Get up, get up! | 0:26:41 | 0:26:42 | |
'You know the drill.' | 0:26:42 | 0:26:43 | |
# Electric lights. # Come on! | 0:26:43 | 0:26:45 | |
# Blow my mind. # Get up, get up! | 0:26:46 | 0:26:48 | |
# I feel all right. # Get up! | 0:26:50 | 0:26:53 | |
# And never stop, it's how we ride | 0:26:53 | 0:26:55 | |
# Coming up until we die | 0:26:55 | 0:26:58 | |
# You catch my eye. # | 0:26:58 | 0:27:00 | |
-Thanks for taking the time to do this. -No worries. | 0:27:00 | 0:27:02 | |
# Bitch, you want to fly | 0:27:02 | 0:27:05 | |
# I'm so alive. # Hey! | 0:27:05 | 0:27:09 | |
# Never stop, it's how we ride. # | 0:27:09 | 0:27:10 | |
I'm sure people ask you all the time, but will you marry me? | 0:27:10 | 0:27:13 | |
# I don't wanna go to school | 0:27:13 | 0:27:14 | |
# I just wanna break the rules | 0:27:14 | 0:27:16 | |
# Boys and girls across the world | 0:27:16 | 0:27:18 | |
# Putting on our dancing shoes | 0:27:18 | 0:27:20 | |
# Going to the discotheque | 0:27:20 | 0:27:22 | |
# Getting high and getting wrecked | 0:27:22 | 0:27:24 | |
# I don't wanna go to school | 0:27:24 | 0:27:26 | |
# I just wanna break the rules. # My flies keep coming undone! | 0:27:26 | 0:27:28 | |
# I don't wanna go to school | 0:27:28 | 0:27:30 | |
# I just wanna break the rules. # | 0:27:30 | 0:27:32 | |
Because I, like... I'm on your Twitter all the time. | 0:27:32 | 0:27:35 | |
# Going to the discotheque | 0:27:35 | 0:27:38 | |
# Getting high and getting wrecked | 0:27:38 | 0:27:40 | |
# I don't want to go to what? | 0:27:40 | 0:27:42 | |
-# I just want to break the rules. # -Do it! | 0:27:42 | 0:27:44 | |
MUSIC: Break The Rules by Charli XCX | 0:27:44 | 0:27:47 | |
Get up! | 0:27:47 | 0:27:49 | |
SHE SCREAMS | 0:27:50 | 0:27:52 | |
Come on, come on! | 0:27:54 | 0:27:55 | |
That's right! | 0:27:58 | 0:27:59 | |
CHEERING | 0:27:59 | 0:28:01 | |
# Get my guitar | 0:28:03 | 0:28:05 | |
# Sunglasses on | 0:28:07 | 0:28:09 | |
# So light it up. # Come on! | 0:28:11 | 0:28:14 | |
# And never stop, it's how we ride | 0:28:14 | 0:28:16 | |
# Coming up until we die | 0:28:16 | 0:28:18 | |
# I don't wanna go to school | 0:28:18 | 0:28:20 | |
# I just wanna break the rules | 0:28:20 | 0:28:22 | |
# Boys and girls across the world | 0:28:22 | 0:28:24 | |
# Putting on our dancing shoes | 0:28:24 | 0:28:26 | |
# Going to the discotheque | 0:28:26 | 0:28:28 | |
# Getting high and getting wrecked | 0:28:28 | 0:28:30 | |
# I don't wanna go to what? | 0:28:30 | 0:28:32 | |
# I just want to break the rules! # | 0:28:32 | 0:28:34 | |
SHE SCREAMS | 0:28:34 | 0:28:37 | |
CROWD CHEER | 0:28:37 | 0:28:39 | |
Put your fucking hands up! | 0:28:39 | 0:28:41 | |
# Na-na-na-na na-na na-na na-na-na-na! # | 0:28:42 | 0:28:45 | |
At the back, at the back! Come on! | 0:28:48 | 0:28:50 | |
# Na-na-na-na na-na na-na na-na-na-na! | 0:28:50 | 0:28:54 | |
Hey! | 0:28:57 | 0:28:59 | |
'Oh, my God, that was so hot.' | 0:29:08 | 0:29:10 | |
Bit warm! | 0:29:10 | 0:29:11 | |
I'm exhausted. | 0:29:13 | 0:29:15 | |
I feel like I'm starting to get a really good picture | 0:29:17 | 0:29:19 | |
of how the industry is changing for female artists. | 0:29:19 | 0:29:22 | |
But I want to find out what it's like for women behind the scenes. | 0:29:22 | 0:29:25 | |
I'm off to meet Lizzy Plapinger, my label exec in the US. | 0:29:25 | 0:29:30 | |
Lizzy runs Neon Gold Records with her business partner, Derek Davies. | 0:29:30 | 0:29:34 | |
And manages to have time to make music as one half of Ms Mr as well. | 0:29:34 | 0:29:39 | |
# Came to make a connection | 0:29:39 | 0:29:42 | |
# Force myself in a dimension. # | 0:29:42 | 0:29:44 | |
When you think of music industry, record label person, | 0:29:44 | 0:29:49 | |
you don't think of... | 0:29:49 | 0:29:52 | |
Like, awesome killer gold dress, | 0:29:52 | 0:29:54 | |
bright red hair, like, bad-ass bitch. | 0:29:54 | 0:29:58 | |
Do you ever feel like you ever had to face any kind of shit | 0:29:58 | 0:30:06 | |
because of who you were and because you're a woman? | 0:30:06 | 0:30:10 | |
I remember the first couple of meetings we took. | 0:30:10 | 0:30:13 | |
After we'd been running Neon Gold for two years | 0:30:13 | 0:30:15 | |
and we started to get major label offers to do subsidiaries | 0:30:15 | 0:30:18 | |
or joint ventures, | 0:30:18 | 0:30:20 | |
and it was SO interesting and eye-opening | 0:30:20 | 0:30:23 | |
for the first time to be taking meetings | 0:30:23 | 0:30:25 | |
and to be with old, white men who had been in the industry | 0:30:25 | 0:30:29 | |
for years and years and years, | 0:30:29 | 0:30:30 | |
who it felt like didn't have a sense of what was happening on the ground, | 0:30:30 | 0:30:34 | |
and so many meetings people just wouldn't even look me in the eye. | 0:30:34 | 0:30:37 | |
They would literally only talk to Derek the whole time. | 0:30:37 | 0:30:39 | |
-That's crazy. -It was SO offensive. | 0:30:39 | 0:30:42 | |
Did you feel like they were like, | 0:30:42 | 0:30:46 | |
"Oh, this man is the guy who's running the show | 0:30:46 | 0:30:49 | |
-"and this is his girlfriend or something"? -Totally. | 0:30:49 | 0:30:52 | |
I think people didn't understand what my role in the company was | 0:30:52 | 0:30:56 | |
and so it was directed at Derek and that was... | 0:30:56 | 0:30:58 | |
It fucking pissed me off. It was really, really upsetting. | 0:30:58 | 0:31:01 | |
We'd leave meetings and he would completely acknowledge what just went down. | 0:31:01 | 0:31:04 | |
He'd be like, "We're not fucking working with them. | 0:31:04 | 0:31:06 | |
"If they're not going to acknowledge we're a team, they're not worth our time." | 0:31:06 | 0:31:10 | |
That was a very easy way to cut the list in half. | 0:31:10 | 0:31:13 | |
# Nights like this | 0:31:13 | 0:31:15 | |
# I become afraid | 0:31:15 | 0:31:17 | |
# Of the darkness in my mind | 0:31:17 | 0:31:20 | |
# Hurricane. # | 0:31:20 | 0:31:22 | |
I feel like I was one of very few women when we first started | 0:31:23 | 0:31:26 | |
and I'm struggling to think of other women who were at our position, | 0:31:26 | 0:31:29 | |
and I do think that's a hard conversation to have too, | 0:31:29 | 0:31:32 | |
to be like, "Yes, there are more women in the industry | 0:31:32 | 0:31:34 | |
"but they get to a certain level and then there's a barrier to entry." | 0:31:34 | 0:31:38 | |
Why is it so much harder to get to a certain point in your career | 0:31:38 | 0:31:41 | |
and then not take that next step to that top, top executive level? | 0:31:41 | 0:31:46 | |
And I'm not totally sure why that is | 0:31:46 | 0:31:48 | |
and I hope that that continues to change in the coming years. | 0:31:48 | 0:31:50 | |
It feels like there has to be some sort of epic change | 0:31:50 | 0:31:53 | |
and I don't know if that's specifically tied | 0:31:53 | 0:31:56 | |
to a woman being in power or not but | 0:31:56 | 0:31:58 | |
I just feel like that's representative | 0:31:58 | 0:32:00 | |
of this need for whatever's in place right now to sort of shift. | 0:32:00 | 0:32:04 | |
Yep. | 0:32:04 | 0:32:05 | |
Somewhere between Chicago and Minneapolis, | 0:32:15 | 0:32:18 | |
it was my birthday and I hope I'm a bit wiser, | 0:32:18 | 0:32:21 | |
but maybe I shouldn't have partied QUITE so hard last night. | 0:32:21 | 0:32:24 | |
# Right away from Holloway | 0:32:37 | 0:32:39 | |
# I said, Mum, this isn't a holiday | 0:32:39 | 0:32:42 | |
# Listen up I ain't coming back | 0:32:42 | 0:32:44 | |
# Till I can fill the shack up with all gold plaques... # | 0:32:44 | 0:32:48 | |
When you're talking about feminism and pop, | 0:32:48 | 0:32:50 | |
I think it's just as important to speak to the men in the industry, | 0:32:50 | 0:32:54 | |
so it's lucky I'm on tour with some. | 0:32:54 | 0:32:56 | |
No, not that one. | 0:32:56 | 0:32:58 | |
Jack Antonoff and his band, Bleachers. Awesome. | 0:32:58 | 0:33:01 | |
Like me, Jack writes with lots of female artists | 0:33:02 | 0:33:05 | |
and he knows how hard this industry can be on women. | 0:33:05 | 0:33:08 | |
High five! | 0:33:09 | 0:33:11 | |
Jack Antonoff, we're on tour together. Do you like that? | 0:33:11 | 0:33:15 | |
-I love it. -Great. I like it too. | 0:33:15 | 0:33:17 | |
You've worked with some incredibly talented, powerful females | 0:33:17 | 0:33:22 | |
-from Taylor Swift... -I love Taylor. | 0:33:22 | 0:33:25 | |
I've been very vocal about that. She's just... | 0:33:25 | 0:33:28 | |
I do think that working with her | 0:33:28 | 0:33:30 | |
and experiencing the way that people digest her has given me a lot | 0:33:30 | 0:33:33 | |
of insight to the differences of being a woman or a man in music. | 0:33:33 | 0:33:38 | |
-How come? -No-one wants to believe that she writes the songs. -Yeah. | 0:33:38 | 0:33:41 | |
And that's such crap. | 0:33:41 | 0:33:44 | |
I feel like... Kanye makes a record or something, it's just like, | 0:33:44 | 0:33:49 | |
"You're Kanye. You're a genius," | 0:33:49 | 0:33:50 | |
and then Taylor does and I've done so many interviews where people | 0:33:50 | 0:33:54 | |
are like, "Is she really as good a writer as everyone says?", and I'm like, "Yeah!" | 0:33:54 | 0:33:57 | |
If I worked with Kanye, no-one would be like, "Is he really as genius | 0:33:57 | 0:34:00 | |
-"as people say?" -Yeah. -It's just a known thing | 0:34:00 | 0:34:02 | |
and I think that you can really see how the world sees women artists | 0:34:02 | 0:34:07 | |
by the questions you get asked in the press, more than anything. | 0:34:07 | 0:34:10 | |
And very often it can be something offensive that two days later you're like, | 0:34:10 | 0:34:14 | |
-"Oh, that was actually kind of fucked up, now that I think about it." -Yeah. | 0:34:14 | 0:34:17 | |
Did you ever see that Nicki Minaj video? | 0:34:17 | 0:34:19 | |
-Oh, the bitch versus the boss? -Yeah. -I loved that! | 0:34:19 | 0:34:23 | |
But when I have an ego, I'm a bitch! | 0:34:23 | 0:34:26 | |
So I'll be that. | 0:34:26 | 0:34:28 | |
You're ... walking round the ... game with the biggest ... ego | 0:34:28 | 0:34:31 | |
you can't tell ... | 0:34:31 | 0:34:33 | |
But when I stand up for myself? | 0:34:33 | 0:34:35 | |
No. No. No way. | 0:34:35 | 0:34:38 | |
When I am assertive, I'm a bitch. | 0:34:38 | 0:34:44 | |
When a man is assertive, he's a boss. | 0:34:44 | 0:34:46 | |
-He bossed up. -He bossed up! -Yeah, he bossed up. | 0:34:46 | 0:34:49 | |
No negative connotation behind "bossed up", | 0:34:49 | 0:34:52 | |
but lots of negative connotation behind being a bitch. | 0:34:52 | 0:34:56 | |
Do guys in the music industry get a bad reputation? | 0:34:56 | 0:35:00 | |
No, I feel like... | 0:35:00 | 0:35:03 | |
I think in history men have done a lot of crappy things, you know? | 0:35:03 | 0:35:07 | |
-Yeah. -And I think that... | 0:35:07 | 0:35:11 | |
I try to see it way more just on an individual level. | 0:35:11 | 0:35:13 | |
I don't think there's a stereotypical man in music | 0:35:13 | 0:35:15 | |
or woman in music. | 0:35:15 | 0:35:17 | |
I just know who I feel more comfortable with. | 0:35:17 | 0:35:19 | |
I just get on better with women. | 0:35:19 | 0:35:21 | |
The last thing I want to ask you, | 0:35:21 | 0:35:23 | |
obviously there are now so many amazing women | 0:35:23 | 0:35:26 | |
at the forefront of the music industry. | 0:35:26 | 0:35:28 | |
Do you feel like this is a step forward? | 0:35:28 | 0:35:30 | |
I think the amount of women is a great thing just because | 0:35:30 | 0:35:34 | |
-it means there's all the different kinds. -Yeah. | 0:35:34 | 0:35:36 | |
When you have more of something you have more variety. | 0:35:36 | 0:35:38 | |
So, I think growing up in the '90s, | 0:35:38 | 0:35:41 | |
I think that it was a lot more rigid. | 0:35:41 | 0:35:43 | |
A female pop star had to look a certain way and act a certain way | 0:35:43 | 0:35:46 | |
and had to be very sweet and very attractive and like girl-next-door. | 0:35:46 | 0:35:51 | |
Now you or Beyonce or Taylor, | 0:35:51 | 0:35:54 | |
these are all just such different kinds of artists and performers. | 0:35:54 | 0:35:58 | |
Some of them are super in-your-face and super intense. | 0:35:58 | 0:36:01 | |
Some of them are really quiet and just making their art, | 0:36:01 | 0:36:04 | |
and it's just... I think it's wonderful | 0:36:04 | 0:36:07 | |
because what it says to young people growing up is, | 0:36:07 | 0:36:09 | |
"You could do anything." | 0:36:09 | 0:36:11 | |
Because when there's lots of different things happening | 0:36:11 | 0:36:14 | |
in popular music, it speaks more to the people | 0:36:14 | 0:36:17 | |
because people are different. People have different colours of skin | 0:36:17 | 0:36:22 | |
and different haircuts and different attitudes and beliefs | 0:36:22 | 0:36:25 | |
and all these things, so the more diversity and variety there is, | 0:36:25 | 0:36:29 | |
the more a young kid in Arkansas or Manchester or whatever | 0:36:29 | 0:36:32 | |
is going to say to themselves, "Oh, I can do whatever I want." | 0:36:32 | 0:36:35 | |
Hear, hear, sister! Cool. | 0:36:37 | 0:36:40 | |
-I feel sick. -Oh, babes. | 0:36:40 | 0:36:42 | |
# Vicky's so ill. | 0:36:42 | 0:36:44 | |
# And she's going to throw up. # | 0:36:46 | 0:36:48 | |
Is Vicky all right? | 0:36:52 | 0:36:53 | |
-LAUGHING: -Is that my sick bag? | 0:36:57 | 0:36:59 | |
Is this where I come to be sick? | 0:37:00 | 0:37:02 | |
You'll be all right. | 0:37:02 | 0:37:04 | |
CHEERING | 0:37:04 | 0:37:06 | |
Minneapolis was good. | 0:37:13 | 0:37:15 | |
CHEERING | 0:37:15 | 0:37:16 | |
I think I'm still feeling my post-birthday partying. | 0:37:16 | 0:37:22 | |
My voice is a little husky, a little sexy. | 0:37:25 | 0:37:29 | |
Vicky nearly passed out. Gingie nearly passed out. | 0:37:31 | 0:37:34 | |
Debbie nearly passed out. | 0:37:34 | 0:37:36 | |
You looked like you were going to die tonight. | 0:37:43 | 0:37:45 | |
SHE SIGHS | 0:37:48 | 0:37:49 | |
You're traditionally supposed to be just happy all the time | 0:37:54 | 0:37:59 | |
and OK with it all the time and not complain, | 0:37:59 | 0:38:02 | |
being a musician or in the limelight, | 0:38:02 | 0:38:05 | |
but I just can't really do that. | 0:38:05 | 0:38:10 | |
I can't fake it very well. | 0:38:10 | 0:38:13 | |
It takes such a talent and such skill to be able to befriend everybody | 0:38:13 | 0:38:21 | |
and become this memorable, happy person. | 0:38:21 | 0:38:26 | |
Cos it always affects me. | 0:38:26 | 0:38:28 | |
If I'm feeling down, it will affect my show. | 0:38:28 | 0:38:32 | |
I perform differently. | 0:38:32 | 0:38:35 | |
I'm way ruder. I'm way more rude on stage. I'm like a brat. | 0:38:35 | 0:38:40 | |
And I don't want to get to the point where I hate it for ever, | 0:38:40 | 0:38:44 | |
so I just really have to take a break, | 0:38:44 | 0:38:48 | |
so I cancelled the second leg, | 0:38:48 | 0:38:50 | |
which was definitely a very selfish decision for me to do | 0:38:50 | 0:38:54 | |
because obviously I know there are a lot of fans who bought tickets | 0:38:54 | 0:38:58 | |
and were really looking forward to it, | 0:38:58 | 0:39:00 | |
and also it was a co-headline tour with Jack as well, | 0:39:00 | 0:39:02 | |
so it's difficult for him and for his band and all of the crew, | 0:39:02 | 0:39:07 | |
but I spoke with Jack about it and he was very understanding. | 0:39:07 | 0:39:10 | |
He knew where I was coming from. | 0:39:10 | 0:39:12 | |
Obviously I can only apologise to the people that I let down cos it sucks. | 0:39:12 | 0:39:17 | |
When you like... | 0:39:17 | 0:39:19 | |
I remember when I was going to see the Spice Girls | 0:39:20 | 0:39:22 | |
and then Geri left the day before. | 0:39:22 | 0:39:24 | |
I was like, "Ugh. Come on." | 0:39:24 | 0:39:27 | |
So, yeah. It wasn't easy. I felt bad. | 0:39:27 | 0:39:31 | |
And the thing is, I make my own decisions, good and bad. | 0:39:34 | 0:39:38 | |
To me, that's what feminism is all about. | 0:39:40 | 0:39:43 | |
The past few months have been a bit of a rollercoaster | 0:39:43 | 0:39:46 | |
but I'm starting to see why it's so important to keep asking questions, | 0:39:46 | 0:39:51 | |
even if there aren't any easy answers. | 0:39:51 | 0:39:54 | |
Being a woman and talking about being a woman in this specific industry | 0:39:54 | 0:40:00 | |
is such a confusing and layered subject | 0:40:00 | 0:40:04 | |
and even just when we talk about the most simple questions ever, | 0:40:04 | 0:40:08 | |
sometimes I just find myself going so deep down this tunnel | 0:40:08 | 0:40:12 | |
and I'm not even sure if I'm answering the right questions | 0:40:12 | 0:40:14 | |
any more because there's so much to say. | 0:40:14 | 0:40:18 | |
But I just hope that this documentary | 0:40:18 | 0:40:24 | |
makes a lot of people see how much women do behind the scenes | 0:40:24 | 0:40:29 | |
with their own careers and how much we're aware | 0:40:29 | 0:40:33 | |
of everything that's going on in the industry, | 0:40:33 | 0:40:36 | |
and really how these women who stand on stage singing songs | 0:40:36 | 0:40:41 | |
aren't just puppets but are businesswomen, as well. | 0:40:41 | 0:40:46 | |
I think everybody is aware that this question of, | 0:40:46 | 0:40:51 | |
"What is it like to be a woman in the music industry?" | 0:40:51 | 0:40:54 | |
is important, but everybody is also kind of sick of it | 0:40:54 | 0:40:58 | |
and I think that maybe the better question is, | 0:40:58 | 0:41:02 | |
"What's it like to be an artist?" | 0:41:02 | 0:41:04 |