
Browse content similar to Macklemore & Ryan Lewis: A Seattle State of Mind. Check below for episodes and series from the same categories and more!
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Can you say, "Welcome to Seattle?" | 0:00:04 | 0:00:06 | |
Welcome to Seattle! | 0:00:06 | 0:00:08 | |
'I'm DJ Semtex, hip-hop DJ for BBC Radio 1 and 1Xtra. | 0:00:11 | 0:00:16 | |
'Semtex.' | 0:00:16 | 0:00:17 | |
Right now, it's time for three hours of the sickest, | 0:00:19 | 0:00:22 | |
most hot, banging hip-hop around. | 0:00:22 | 0:00:24 | |
'This is day one of the Sepoy Seattle-based hip-hop duo | 0:00:24 | 0:00:27 | |
'Macklemore and Ryan Lewis on my show. | 0:00:27 | 0:00:29 | |
'I was there to interview them at one of their very early shows | 0:00:29 | 0:00:33 | |
'way back in 2012. | 0:00:33 | 0:00:35 | |
'You know what? Things didn't go exactly to plan.' | 0:00:35 | 0:00:37 | |
Mack... Mack Maine is going to be performing tonight with Ryan Lewis. | 0:00:37 | 0:00:40 | |
EERIE MUSIC | 0:00:40 | 0:00:43 | |
GUNSHOT | 0:00:43 | 0:00:45 | |
Did you just call me Mack Maine? | 0:00:45 | 0:00:47 | |
LAUGHTER | 0:00:49 | 0:00:51 | |
'Since then, they've gone on to become | 0:00:56 | 0:00:57 | |
'one of the biggest hip-hop acts in the world, | 0:00:57 | 0:00:59 | |
'selling millions of copies of their debut album, The Heist, | 0:00:59 | 0:01:02 | |
'winning Grammy awards, playing the biggest venues across the world | 0:01:02 | 0:01:06 | |
'and racking up over a billion video hits YouTube. | 0:01:06 | 0:01:09 | |
'What's most impressive is that they've done it | 0:01:09 | 0:01:12 | |
'all by themselves, done it independently, with no record deal, | 0:01:12 | 0:01:15 | |
'just their very own hand-picked team. | 0:01:15 | 0:01:17 | |
'So now I'm setting off to the US to visit the band | 0:01:18 | 0:01:21 | |
'in their hometown of Seattle. | 0:01:21 | 0:01:23 | |
'We're going to hang out in their private studio. | 0:01:23 | 0:01:27 | |
'We're going to sit down with Macklemore and Ryan. | 0:01:27 | 0:01:29 | |
'We're going to check out the sights and sounds of Seattle | 0:01:29 | 0:01:32 | |
'that inspire their music.' | 0:01:32 | 0:01:34 | |
Pacific Northwest! | 0:01:34 | 0:01:36 | |
'And meet the inspirational family behind one of the biggest | 0:01:36 | 0:01:39 | |
'independent successes the music industry has ever seen. | 0:01:39 | 0:01:41 | |
'This is the story of Macklemore and Ryan Lewis, | 0:01:41 | 0:01:44 | |
'A Seattle State Of Mind.' | 0:01:44 | 0:01:46 | |
VARIOUS VOICES: 'First memories of Seattle hip-hop was... | 0:01:56 | 0:01:59 | |
'I remember the Sit & Spin... Listening to Rap Attack...' | 0:01:59 | 0:02:02 | |
Just touched down in Seattle. | 0:02:02 | 0:02:04 | |
That's right, it's official, Semtex in Seattle, | 0:02:04 | 0:02:06 | |
it's the first time ever been here. | 0:02:06 | 0:02:07 | |
I'm here to see Macklemore and Ryan Lewis. | 0:02:07 | 0:02:09 | |
I'm going to go to their complex, which... | 0:02:09 | 0:02:11 | |
They don't really invite a lot of people down there. | 0:02:11 | 0:02:14 | |
It's kind of an elusive place, it's very much under wraps, | 0:02:14 | 0:02:17 | |
so I'm going to make my way there, | 0:02:17 | 0:02:19 | |
but before I do that, I've got to go shopping. | 0:02:19 | 0:02:21 | |
RAPPING: 1995, the Division Series | 0:02:27 | 0:02:29 | |
Edgar's up to bat, bottom of the 11th inning | 0:02:29 | 0:02:32 | |
Got the whole town listening | 0:02:32 | 0:02:33 | |
Swung on and belted the words that started | 0:02:33 | 0:02:35 | |
Joey Cora rounds third | 0:02:35 | 0:02:37 | |
Here comes Griffey | 0:02:37 | 0:02:38 | |
The throw to the plate's not in time | 0:02:38 | 0:02:40 | |
My oh my, the Mariners win it Yes | 0:02:40 | 0:02:42 | |
Fireworks, they lit up that ceiling... | 0:02:42 | 0:02:45 | |
- Semtex! - Yo! | 0:02:47 | 0:02:49 | |
What's going on, man? You all right? | 0:02:49 | 0:02:50 | |
Welcome to Macklemore and Ryan Lewis headquarters. | 0:02:54 | 0:02:57 | |
This is where the magic happens. | 0:02:59 | 0:03:01 | |
That's the hat from Thrift Shop, right? | 0:03:01 | 0:03:02 | |
That is the hat from Thrift Shop. | 0:03:02 | 0:03:04 | |
This is our closet where we keep all the clothes we bring on tour, | 0:03:08 | 0:03:11 | |
those are the costumes. | 0:03:11 | 0:03:12 | |
This first one, as you probably recognise, is Sir Raven Bowie... | 0:03:12 | 0:03:16 | |
- Yeah. - ..in all its glory. | 0:03:16 | 0:03:18 | |
Does he wear that offstage, nights out, as well? | 0:03:20 | 0:03:22 | |
LAUGHING: Only on Thursdays. | 0:03:22 | 0:03:24 | |
This is a pinball machine that was given to us by a promoter | 0:03:26 | 0:03:29 | |
after we sold out three nights at KeyArena, | 0:03:29 | 0:03:31 | |
which was an amazing accomplishment. | 0:03:31 | 0:03:34 | |
That is the diving board that we used for the video Arrows, | 0:03:35 | 0:03:39 | |
that just dropped. | 0:03:39 | 0:03:40 | |
RAPPING: And I'm so tired | 0:03:40 | 0:03:41 | |
Swore that I wouldn't stare into the light | 0:03:41 | 0:03:42 | |
And guess who tried to | 0:03:42 | 0:03:44 | |
Shit, I'm blinded by this... | 0:03:44 | 0:03:45 | |
This is where the Rolling Stone cover shoot took place. | 0:03:45 | 0:03:49 | |
This is where it happened, if you feel that energy and aura. | 0:03:49 | 0:03:51 | |
And that must be the hard drive with the Arrows video on it, right? | 0:03:53 | 0:03:55 | |
Yes. 48 hours ago, this entire floor was littered | 0:03:55 | 0:03:58 | |
with mattresses and computers and staff, | 0:03:58 | 0:04:01 | |
trying to make sure that this video came out today, | 0:04:01 | 0:04:03 | |
so you guys came as we have now been able to finally clean it up. | 0:04:03 | 0:04:07 | |
- You guys want to see Ben and Ryan? - Yeah. | 0:04:09 | 0:04:11 | |
All right. | 0:04:11 | 0:04:12 | |
- Hey! - What's going on, man? | 0:04:18 | 0:04:19 | |
- Cool. - Good to see you, man. | 0:04:19 | 0:04:22 | |
- I like the sweatshirt! - Yo! Representing! | 0:04:22 | 0:04:25 | |
Brand-new! | 0:04:25 | 0:04:27 | |
DJ SEMTEX LAUGHS Went shopping straightaway. | 0:04:27 | 0:04:29 | |
You got the classic OG Mariners colourway with the pitchfork. | 0:04:29 | 0:04:33 | |
- Authentic. - I do this. | 0:04:34 | 0:04:36 | |
I do this! It's good to see you, man. | 0:04:36 | 0:04:38 | |
I'm a little bit aghast right now | 0:04:43 | 0:04:44 | |
because a lot of things have happened. | 0:04:44 | 0:04:46 | |
Two years ago, we met in an alley, I got your name wrong by accident. | 0:04:46 | 0:04:51 | |
Anyway... | 0:04:51 | 0:04:53 | |
Fast forward to two years later and we're in your own studio, | 0:04:53 | 0:04:57 | |
we're in your own complex, in your hometown. | 0:04:57 | 0:04:59 | |
How important is your hometown to your story? | 0:04:59 | 0:05:04 | |
The hometown is everything. The hometown... | 0:05:04 | 0:05:08 | |
is the foundation of it all. | 0:05:08 | 0:05:10 | |
Seattle. | 0:05:10 | 0:05:12 | |
Seattle is a special place - city, water, mountains, | 0:05:15 | 0:05:20 | |
it's like no other place in the world. | 0:05:20 | 0:05:23 | |
We are in the corner up here, we are secluded from LA, | 0:05:23 | 0:05:26 | |
we think that we're not like LA at all, | 0:05:26 | 0:05:29 | |
we think those are just people with plastic surgery | 0:05:29 | 0:05:31 | |
and, like, fake breasts | 0:05:31 | 0:05:33 | |
and we just think we're more legit than that. | 0:05:33 | 0:05:35 | |
# 10,000 hours | 0:05:35 | 0:05:37 | |
# Felt like 10,000 hands... # | 0:05:37 | 0:05:40 | |
To start making music from this region, there is not a guidebook | 0:05:42 | 0:05:49 | |
like there might be for someone in New York, or someone in other places. | 0:05:49 | 0:05:53 | |
This region, the Northwest, Seattle, | 0:05:53 | 0:05:56 | |
is so overlooked in terms of hip-hop music. | 0:05:56 | 0:05:59 | |
People hear Seattle, they immediately think Nirvana | 0:05:59 | 0:06:01 | |
and grunge music | 0:06:01 | 0:06:03 | |
and Starbucks and Boeing and Microsoft, | 0:06:03 | 0:06:07 | |
but the last thing that forever people thought about | 0:06:07 | 0:06:09 | |
was hip-hop music, so, to me, | 0:06:09 | 0:06:11 | |
I've always been so proud of the scene | 0:06:11 | 0:06:13 | |
and there is something very genuine and authentic | 0:06:13 | 0:06:18 | |
about the fan love here in the Northwest. | 0:06:18 | 0:06:21 | |
Like, one of the most pivotal parts of me and Ben's career | 0:06:21 | 0:06:25 | |
was three nights sold out at the Showbox as local artists. | 0:06:25 | 0:06:29 | |
That was big! | 0:06:29 | 0:06:31 | |
RAPPING: Eight people turn into sold-out shows in a minute | 0:06:37 | 0:06:40 | |
And I'm watching my pops in the back row grinning | 0:06:40 | 0:06:42 | |
With his glass up to my mom Toasting his Guinness... | 0:06:42 | 0:06:45 | |
Welcome to the Showbox. We're in beautiful downtown Seattle. | 0:06:45 | 0:06:49 | |
It's an iconic venue, the Showbox. | 0:06:49 | 0:06:51 | |
1,200 people, it's a big show. | 0:06:51 | 0:06:54 | |
When they did three sold-out shows here at the Showbox, | 0:06:54 | 0:06:57 | |
what were those shows like? | 0:06:57 | 0:06:58 | |
You could feel it, that it was just 100% devotion. | 0:06:58 | 0:07:02 | |
While he's rapping, everybody's going nuts | 0:07:02 | 0:07:04 | |
and between songs it's dead silent and he's basically preaching, | 0:07:04 | 0:07:08 | |
and Mix-a-Lot got on stage | 0:07:08 | 0:07:10 | |
and did this, like, ceremonial passing of the baton. | 0:07:10 | 0:07:13 | |
The reason why we are able to step on stage tonight | 0:07:13 | 0:07:16 | |
is because he paved the way and laid the foundation | 0:07:16 | 0:07:19 | |
for what this night is right now, and that is Sir Mix-a-Lot. | 0:07:19 | 0:07:24 | |
Then Mix-a-Lot said, you know, "You've got it now, so run with it | 0:07:24 | 0:07:29 | |
"and, basically, I was the big dog, but now you're the big dog." | 0:07:29 | 0:07:31 | |
The Prince of Seatown, Macklemore, I hand you this baton | 0:07:31 | 0:07:36 | |
and run, baby, run, man. | 0:07:36 | 0:07:38 | |
'There was the succession of rap royalty in Seattle.' | 0:07:38 | 0:07:42 | |
Seattle for life, y'all. | 0:07:44 | 0:07:46 | |
It just felt...felt like a moment. | 0:07:47 | 0:07:50 | |
'While I'm in town, I want to | 0:07:52 | 0:07:53 | |
'find out more about the Seattle hip-hop scene. | 0:07:53 | 0:07:56 | |
'I'm on my way to hook up | 0:07:56 | 0:07:57 | |
'with three of the hottest up-and-coming MCs.' | 0:07:57 | 0:07:59 | |
- What's going on, guys? - What's going on? | 0:08:10 | 0:08:12 | |
So, tell me about Seattle hip-hop. | 0:08:12 | 0:08:14 | |
Who was the first person you heard that rapped where you're from? | 0:08:14 | 0:08:16 | |
I just remember seeing Sir Mix-a-Lot, that's like the first person | 0:08:16 | 0:08:20 | |
I heard, you know, from the town. | 0:08:20 | 0:08:22 | |
HE RAPS: I like big butts and I cannot lie | 0:08:22 | 0:08:24 | |
You other brothers can't deny... | 0:08:24 | 0:08:26 | |
Yeah, it's a small city, | 0:08:26 | 0:08:27 | |
so we all really grew up in kind of the same area | 0:08:27 | 0:08:30 | |
and we all kick it with each other, you know, | 0:08:30 | 0:08:32 | |
so it's been a natural collaboration of everybody. | 0:08:32 | 0:08:34 | |
THEY RAP: Haters looking stupid throwing shade up on the sun | 0:08:34 | 0:08:36 | |
I want my gang Where you at? | 0:08:36 | 0:08:37 | |
I don't know any more | 0:08:37 | 0:08:38 | |
My whole buzz came through the body when she opened the door | 0:08:38 | 0:08:41 | |
And if you're down with the freak I'll be your man for the week | 0:08:41 | 0:08:43 | |
They're messing round behind your back... | 0:08:43 | 0:08:46 | |
We don't have, really, like an accent, you know, | 0:08:46 | 0:08:48 | |
anything distinguishing to... | 0:08:48 | 0:08:49 | |
You know, unless we say it, like, if you're someone from the east coast, | 0:08:49 | 0:08:53 | |
you know, with the accent, OK, he's from the east coast. | 0:08:53 | 0:08:55 | |
You're down south, but, you know... You kind of have to let it be known. | 0:08:55 | 0:08:57 | |
I'm from Seattle, not Cali, not Portland, I'm from Seattle. | 0:08:57 | 0:09:01 | |
THEY RAP: It's more gang, you bitch Now, where you at? | 0:09:01 | 0:09:04 | |
THEY LAUGH | 0:09:04 | 0:09:06 | |
- Huh? - Yeah. | 0:09:06 | 0:09:07 | |
NEWSREADER: Chad Butler, known as Pimp C, | 0:09:10 | 0:09:12 | |
died in a Los Angeles hotel room. | 0:09:12 | 0:09:14 | |
The LA County Coroner's office ruled the rapper's death accidental | 0:09:14 | 0:09:17 | |
and attributed it to a combination of... | 0:09:17 | 0:09:20 | |
SECOND NEWSREADER: ..apnoea and syrup and we know that syrup on the streets | 0:09:20 | 0:09:23 | |
- usually has codeine. - Absolutely. | 0:09:23 | 0:09:25 | |
We have a problem now with the cough syrup epidemic. | 0:09:25 | 0:09:28 | |
The point that it clicks for me personally... | 0:09:28 | 0:09:33 | |
Otherside was huge. | 0:09:33 | 0:09:36 | |
It was...the first song that we put out that got an immense reaction. | 0:09:36 | 0:09:43 | |
The first video we did together was a song called Otherside. | 0:09:48 | 0:09:52 | |
One of the most powerful songs I've ever heard. | 0:09:52 | 0:09:54 | |
Wake up, cold sweat, scratching, itching | 0:09:54 | 0:09:57 | |
Trying to escape the skin... | 0:09:57 | 0:09:58 | |
I mean, this was a person who went to rehab | 0:09:58 | 0:10:01 | |
and had been trying to get sober for a long time | 0:10:01 | 0:10:04 | |
and he was probably the first rapper to make a song not glorifying syrup | 0:10:04 | 0:10:09 | |
and so he shared his perspective on his own addiction. | 0:10:09 | 0:10:14 | |
In the beginning of the video, you see a group of teenagers | 0:10:14 | 0:10:17 | |
in the back of a car doing drugs, and that's how it started | 0:10:17 | 0:10:21 | |
and it was fun and it was relational and it was social, and very quickly | 0:10:21 | 0:10:24 | |
you see it deteriorate to this thing where he's in a room by himself. | 0:10:24 | 0:10:28 | |
I think his level of vulnerability on a record was really hard. | 0:10:28 | 0:10:33 | |
And trust me, it's not dope | 0:10:33 | 0:10:35 | |
To be 25 and moved back to your parents' basement... | 0:10:35 | 0:10:37 | |
So, for me as his producer, | 0:10:37 | 0:10:39 | |
I learned who Ben was, I think, through that song. | 0:10:39 | 0:10:43 | |
At what point were you like, | 0:10:48 | 0:10:49 | |
"All right, we need to focus and commit to making The Heist?" | 0:10:49 | 0:10:53 | |
The true beginning of The Heist... I mean, Can't Hold Us I made in 2007. | 0:10:53 | 0:10:57 | |
That caught my attention. | 0:10:57 | 0:10:58 | |
I discovered that track for myself and I was like, "This is dope!" | 0:10:58 | 0:11:01 | |
# So we throw our hands up... # | 0:11:01 | 0:11:03 | |
I got involved with Macklemore and Ryan Lewis by Ryan Lewis. | 0:11:15 | 0:11:19 | |
He hit me up on Facebook, had me come in the studio | 0:11:19 | 0:11:22 | |
and I met Ben and... | 0:11:22 | 0:11:25 | |
I just made a bunch of melodies and Ben was, like, | 0:11:25 | 0:11:27 | |
"Wait, do that again," and he instantly was like... | 0:11:27 | 0:11:30 | |
"Here, sing this," and I was like... | 0:11:32 | 0:11:33 | |
# Can we go back? This is the moment... # | 0:11:33 | 0:11:37 | |
And it happened like that, like snap. | 0:11:37 | 0:11:39 | |
# Can we go back? | 0:11:39 | 0:11:41 | |
# This is the moment | 0:11:41 | 0:11:42 | |
# Tonight is the night | 0:11:42 | 0:11:43 | |
# We'll fight till it's over | 0:11:43 | 0:11:45 | |
# So we put our hands up like this ceiling can't hold us | 0:11:45 | 0:11:50 | |
# Like this ceiling can't hold us | 0:11:50 | 0:11:52 | |
# Can we go back? This is... # | 0:11:52 | 0:11:53 | |
I was like, "What if I sing 'Macklemore' | 0:11:53 | 0:11:56 | |
"in, like, an operatic voice?" | 0:11:56 | 0:11:57 | |
So I was trying to, like, impress him and I was like... | 0:11:57 | 0:12:01 | |
# Mackle-e-e-e-e-more.... # | 0:12:01 | 0:12:03 | |
And he was like, "Yeah, we've got to keep that." | 0:12:03 | 0:12:05 | |
# Mackle-e-e-e-e-more.... # | 0:12:05 | 0:12:08 | |
Nearly overnight, boom, everything just blew up. | 0:12:10 | 0:12:15 | |
Every year, every month would just get better, bigger and crazier. | 0:12:15 | 0:12:19 | |
And it was insane. | 0:12:19 | 0:12:21 | |
DJ SEMTEX: Let's take it back to the beginning. | 0:12:23 | 0:12:25 | |
# Back in the days... | 0:12:31 | 0:12:33 | |
# I remember... # | 0:12:33 | 0:12:35 | |
Now, before the success that you've had, before The Heist, | 0:12:35 | 0:12:40 | |
how did you first meet Macklemore? | 0:12:40 | 0:12:42 | |
So, I found him on MySpace and friend-requested him, | 0:12:42 | 0:12:46 | |
in which he sent me a message, and for me, | 0:12:46 | 0:12:49 | |
at, like, 15 or 16 years old, I was like, "Whoa!" | 0:12:49 | 0:12:53 | |
I don't even know why I clicked on his profile, | 0:12:53 | 0:12:57 | |
but for some reason I did. | 0:12:57 | 0:12:58 | |
He wanted a beat, but more honestly, | 0:12:58 | 0:13:01 | |
he wanted this sample that I flipped. | 0:13:01 | 0:13:03 | |
Yeah, the drums weren't that tight. | 0:13:03 | 0:13:05 | |
HE LAUGHS | 0:13:05 | 0:13:06 | |
So we met up at my parents' house. | 0:13:06 | 0:13:08 | |
Ryan is like, "Hey, nice to meet you." | 0:13:08 | 0:13:10 | |
I was like, "This kid is so high on ADD medicine right now." | 0:13:10 | 0:13:14 | |
I just showed him photography, I showed him graphic design, | 0:13:14 | 0:13:17 | |
I showed him more beats. | 0:13:17 | 0:13:18 | |
He couldn't focus on one thing, he's showing me everything he does, | 0:13:18 | 0:13:22 | |
he's like, "I take pictures, I do video, I make beats," | 0:13:22 | 0:13:25 | |
like, "This is my dog. Meet my cat." | 0:13:25 | 0:13:27 | |
I'm like, "This kid is crazy." And I had never met a kid like that. | 0:13:27 | 0:13:32 | |
'So, right now I'm on my way to the thrift shop | 0:13:40 | 0:13:42 | |
'to meet the singer behind one of Macklemore and Ryan's biggest hits, | 0:13:42 | 0:13:46 | |
'but you know what? I'm starving!' | 0:13:46 | 0:13:48 | |
# Off-black Cadillac, midnight drive | 0:13:48 | 0:13:51 | |
# Got that gas pedal Lean back, taking my time... # | 0:13:51 | 0:13:56 | |
As you can see, | 0:13:56 | 0:13:57 | |
I'm outside the big diner that was featured in the White Walls video. | 0:13:57 | 0:14:02 | |
Everybody who I've met in Seattle is saying, | 0:14:03 | 0:14:05 | |
"You've got to go here, you've got to get one of the burgers." | 0:14:05 | 0:14:07 | |
You're going to have to excuse me, I'm going to turn into a savage. | 0:14:07 | 0:14:10 | |
I'm about to demolish something right now. | 0:14:10 | 0:14:12 | |
# I got that off-black Cadillac, midnight drive... # | 0:14:13 | 0:14:18 | |
Hi. Yeah, yeah, I'm all good. Can I get a double cheeseburger and fries? | 0:14:18 | 0:14:21 | |
- Cheeseburger? - Yeah. | 0:14:21 | 0:14:24 | |
Thank you. Yeah, yeah. Dope, thanks a lot. | 0:14:26 | 0:14:29 | |
Tyres with the spokes on and the vogues too | 0:14:31 | 0:14:32 | |
Mustard and mayonnaise keeping the buns on 'em | 0:14:32 | 0:14:35 | |
My dog's hanging out the window I'm trying to blow my mind... | 0:14:35 | 0:14:37 | |
As cheeseburgers go, it's cool. | 0:14:37 | 0:14:41 | |
It's not knocking me out. | 0:14:41 | 0:14:44 | |
It's all right, though. | 0:14:44 | 0:14:47 | |
- You're not from Seattle, are you? - Not at all. I'm clearly not! | 0:14:47 | 0:14:52 | |
Wanz - singer, Thrift Shop. | 0:14:52 | 0:14:55 | |
# I'm gonna pop some tags | 0:14:56 | 0:14:59 | |
# Only got 20 in my pocket | 0:14:59 | 0:15:02 | |
# I'm hunting, looking for a come-up | 0:15:02 | 0:15:04 | |
# This is awesome... # | 0:15:04 | 0:15:06 | |
The hit record that you appeared on is called Thrift Shop. | 0:15:06 | 0:15:09 | |
What exactly is it about? | 0:15:09 | 0:15:11 | |
Ben always shopped at thrift shops | 0:15:11 | 0:15:13 | |
to find stuff that wasn't the typical look. | 0:15:13 | 0:15:17 | |
Headed to the mezzanine Dressed in all in pink | 0:15:17 | 0:15:20 | |
Except my gator shoes, those are green... | 0:15:20 | 0:15:22 | |
I do think that some of the shots from the video | 0:15:22 | 0:15:25 | |
came from this very store. | 0:15:25 | 0:15:26 | |
It was 99 cents! | 0:15:26 | 0:15:28 | |
It's not very hip-hop | 0:15:28 | 0:15:30 | |
to talk about buying second-hand clothes, is it? | 0:15:30 | 0:15:32 | |
Well, no. I mean... | 0:15:32 | 0:15:33 | |
I've never heard anyone do it before. | 0:15:33 | 0:15:35 | |
Right, but, you see, the thing is, | 0:15:35 | 0:15:37 | |
it takes a really creative person to take something like... | 0:15:37 | 0:15:42 | |
these, right? | 0:15:43 | 0:15:46 | |
And then find a shirt to match it, find a hat to match it, | 0:15:46 | 0:15:49 | |
find shoes to go with it. | 0:15:49 | 0:15:51 | |
You get creative and, I mean, that's the kind of artist he is. | 0:15:51 | 0:15:55 | |
I'mma take it grandpa style I'mma take it grandpa style | 0:15:55 | 0:15:58 | |
No, for real, ask your grandpa can I have his hand-me-downs? | 0:15:58 | 0:16:01 | |
- How old are you now? - I'll be 53 in October. | 0:16:02 | 0:16:05 | |
Thrift Shop was a big moment for you, a life-changing moment, right? | 0:16:05 | 0:16:08 | |
- Completely. - The song, the video... | 0:16:08 | 0:16:11 | |
How did that come about? | 0:16:11 | 0:16:13 | |
I was just doing my workaday thing, 8.00 to 4.30, | 0:16:13 | 0:16:15 | |
Monday through Friday, then all of a sudden, this happens. | 0:16:15 | 0:16:18 | |
# I look incredible... # | 0:16:18 | 0:16:21 | |
Then it was chance of a lifetime, everything I've ever dreamed of | 0:16:21 | 0:16:24 | |
since I was, you know, six, seven years old, | 0:16:24 | 0:16:26 | |
I'd always dreamed about touring | 0:16:26 | 0:16:28 | |
and I always dreamed about being on a big stage, | 0:16:28 | 0:16:30 | |
being an award shows, being on television shows. | 0:16:30 | 0:16:33 | |
# This is This is my song... # | 0:16:33 | 0:16:36 | |
And in the last year, it's because of Thrift Shop, | 0:16:36 | 0:16:39 | |
every single one of those things has happened. | 0:16:39 | 0:16:41 | |
# This is This is our song... # | 0:16:41 | 0:16:43 | |
The king of the thrift shop! WANZ! | 0:16:44 | 0:16:50 | |
I said to a record exec once, "How about Macklemore?" | 0:17:02 | 0:17:07 | |
And they were like, "No, | 0:17:07 | 0:17:08 | |
"because he has the wrong ideology for this industry. | 0:17:08 | 0:17:10 | |
I say this with humility. I don't say this cocky. I say this with honesty. | 0:17:10 | 0:17:15 | |
I think that we changed the ideology of the industry. | 0:17:15 | 0:17:18 | |
9am, West Coast time. | 0:17:18 | 0:17:21 | |
It will be your first opportunity | 0:17:22 | 0:17:25 | |
to pre-order the deluxe edition of The Heist. | 0:17:25 | 0:17:27 | |
It's only available at macklemoremerch.com. | 0:17:27 | 0:17:31 | |
'Being unsigned, for the guys, is history being made.' | 0:17:31 | 0:17:35 | |
No...huge artist is not signed. Everybody is signed. | 0:17:35 | 0:17:42 | |
There was a whole period of time that we were... | 0:17:42 | 0:17:45 | |
open to a record deal, but it just became more and more obvious | 0:17:45 | 0:17:49 | |
over time that we could do this and we wanted to do this. | 0:17:49 | 0:17:54 | |
Macklemore and Ryan Lewis brought their own idea | 0:17:54 | 0:17:56 | |
that we've been doing this in-house for so long, | 0:17:56 | 0:17:58 | |
printing our own albums, our own T-shirts, | 0:17:58 | 0:18:01 | |
doing our own videos, doing our own graphic design, | 0:18:01 | 0:18:04 | |
we don't necessarily need your team or want your team. | 0:18:04 | 0:18:08 | |
They could pay for the best of the best of the best | 0:18:08 | 0:18:11 | |
and what they decided is they already have the best. | 0:18:11 | 0:18:13 | |
Owuor Arunga and Andrew Joslyn and Ray Dalton, | 0:18:13 | 0:18:16 | |
all these people have been there since the beginning. | 0:18:16 | 0:18:18 | |
The dancers - Anna is the same dancer that was dancing at the Showbox | 0:18:18 | 0:18:21 | |
in those sold-out shows seven years ago. | 0:18:21 | 0:18:23 | |
'First, it was like a team. | 0:18:23 | 0:18:25 | |
'We're all in the same team, you know. And it became family. | 0:18:25 | 0:18:29 | |
'We were in San Francisco last night' | 0:18:29 | 0:18:31 | |
and Mary just happened to be in LA, | 0:18:31 | 0:18:33 | |
she came down and she did Same Love with us for the first time in months. | 0:18:33 | 0:18:38 | |
Just to hear the grit in her voice gave me chicken skin | 0:18:38 | 0:18:42 | |
because it was like the family was back together again. | 0:18:42 | 0:18:44 | |
I mean, the first...two bars are | 0:18:55 | 0:18:57 | |
"When I was in third grade, I thought that I was gay." | 0:18:57 | 0:19:00 | |
When I was in the third grade I thought that I was gay | 0:19:01 | 0:19:04 | |
Cos I could draw, my uncle was and I kept my room straight | 0:19:04 | 0:19:07 | |
I told my mom... | 0:19:07 | 0:19:08 | |
You know, some people think you're gay because you said that. | 0:19:08 | 0:19:11 | |
There is like 25% of the population, | 0:19:11 | 0:19:13 | |
maybe 50% of the population, thinks I'm gay cos of that bar. | 0:19:13 | 0:19:17 | |
Em... | 0:19:17 | 0:19:19 | |
Who cares? I know my truth. | 0:19:19 | 0:19:22 | |
But those that like the same sex had the characteristics | 0:19:22 | 0:19:26 | |
The right-wing conservatives think it's a decision | 0:19:26 | 0:19:29 | |
And you can be cured with some treatment and religion | 0:19:29 | 0:19:32 | |
Man-made rewiring of a predisposition, playing God... | 0:19:32 | 0:19:35 | |
'I had a conversation with Ben | 0:19:35 | 0:19:36 | |
'and it was in one of the early stages of writing. | 0:19:36 | 0:19:38 | |
'He's like, "What do you think of the song?" I was like,' | 0:19:38 | 0:19:41 | |
"It pushes the boundaries of what I think and what I believe | 0:19:41 | 0:19:45 | |
"and it makes me question things and... | 0:19:45 | 0:19:48 | |
"it's absolutely going to cause a cultural wave." | 0:19:48 | 0:19:51 | |
And I asked him a question and I was like, "Is this your hill to die on? | 0:19:51 | 0:19:54 | |
"People are going to hate you for this. | 0:19:54 | 0:19:56 | |
"People are going to love you for this, | 0:19:56 | 0:19:58 | |
"but people are going to hate you for this." | 0:19:58 | 0:20:00 | |
# Even if I try | 0:20:00 | 0:20:03 | |
# Even if I wanted to | 0:20:03 | 0:20:06 | |
# My love, my love, my love She keeps me warm... # | 0:20:06 | 0:20:09 | |
When you were making that track, did you ever feel like, as an MC, | 0:20:09 | 0:20:13 | |
- that this might be a bad move? - Yeah, absolutely. | 0:20:13 | 0:20:16 | |
At the time, I had, like, Schoolboy Q on the record, Ab-Soul on the record, | 0:20:16 | 0:20:19 | |
I'm like, "What are they going to think, you know? | 0:20:19 | 0:20:21 | |
"Are they going to want to be on the album?" | 0:20:21 | 0:20:22 | |
Like, all of the hip-hop community could hate me for Same Love, | 0:20:22 | 0:20:26 | |
but if I put a song out there that helps people free some of this shit | 0:20:26 | 0:20:32 | |
that's in their heart or lessen some of the fear | 0:20:32 | 0:20:34 | |
and some of the hatred that we've been ingrained with in our society, | 0:20:34 | 0:20:38 | |
if a record can do that, that's far greater. | 0:20:38 | 0:20:41 | |
RAPPING: It's the same hate that's caused wars from religion | 0:20:41 | 0:20:45 | |
Gender to skin colour The complexion of your pigment | 0:20:45 | 0:20:48 | |
This same fight that led people to walk-outs and sit-ins... | 0:20:48 | 0:20:50 | |
'Same Love was literally political because of the climate at the time. | 0:20:50 | 0:20:54 | |
'I think a white straight person with that message in their mouth | 0:20:54 | 0:21:00 | |
'is powerful to a lot of white straight people' | 0:21:00 | 0:21:02 | |
who need to hear it from somebody who they can relate to. | 0:21:02 | 0:21:05 | |
It made me think differently about... | 0:21:05 | 0:21:08 | |
equality and about people. It changed my parents' point view. | 0:21:08 | 0:21:12 | |
It culturally shifted the dynamic of our entire nation. | 0:21:12 | 0:21:16 | |
# I'm not crying on Sundays I'm not crying on Sundays... # | 0:21:16 | 0:21:19 | |
'People deserve to be loved.' | 0:21:19 | 0:21:22 | |
# I'm not crying on Sundays | 0:21:22 | 0:21:26 | |
# I'm not crying on Sundays | 0:21:26 | 0:21:28 | |
# I'm not crying on Sundays | 0:21:28 | 0:21:31 | |
# I'm not crying on Sundays | 0:21:31 | 0:21:35 | |
# Love is kind. # | 0:21:35 | 0:21:36 | |
Since we were in the alley and I was Mack Maine, it has exploded and... | 0:21:38 | 0:21:44 | |
erm...I'm so grateful for it, man. | 0:21:44 | 0:21:48 | |
DJ SEMTEX: A lot of independent artists now, they use a new verb | 0:21:51 | 0:21:56 | |
and when you speak to them they're like, | 0:21:56 | 0:21:58 | |
"Yeah, I want to Macklemore the game." Dope, right? | 0:21:58 | 0:22:00 | |
- It's a verb. - It's a verb. | 0:22:00 | 0:22:02 | |
Yeah, it's... That's crazy. | 0:22:02 | 0:22:05 | |
I think that, hopefully, if anything, our story inspires other people | 0:22:05 | 0:22:11 | |
to tell the real version of themself, | 0:22:11 | 0:22:14 | |
not what they think people want to hear. | 0:22:14 | 0:22:17 | |
You know, whatever "Macklemoring the game" is, | 0:22:17 | 0:22:19 | |
I hope that that's what that represents. | 0:22:19 | 0:22:20 | |
More so than ever, you can make it in this game doing it by yourself - | 0:22:20 | 0:22:27 | |
have more creative control, make more money and be happier on your own. | 0:22:27 | 0:22:33 | |
# 10,000 hours | 0:22:33 | 0:22:34 | |
# Felt like 10,000 hands | 0:22:34 | 0:22:38 | |
# 10,000 hands, they carry me... # | 0:22:38 | 0:22:43 |